it is all chaos and entropy. the thing is that the chaos and entropy make it beautiful and lovely.
yes, it's true that nature and the universe are uncaring and unspecific, and that is terrifying. i have lived through some of the unfairness - i got born like this, with my body caving into itself, with this ironic love of dance when i sometimes can't stand up for longer than 15 minutes. i am a poet with hands that are slowly shutting down - i can't hold a pen some days. recently i found a dead bird on our front porch. she had no visible injuries. she had just died, the way things die sometimes.
it is also true that nature and the universe are uncaring and unspecific, and that is wonderful. the sheer happenstance that makes rain turn into a rainbow. the impossible coincidence of finding your best friend. i have made so many mistakes and i have let myself down and i have harmed other people by accident. nature moves anyway. on the worst day of my life she delivers me an orange juice sunset, as if she is saying try again tomorrow.
how vast and unknowing the universe! how small we are! isn't that lovely. the universe has given us flowers and harp strings and the shape of clouds. how massive our lives are in comparison to a grasshopper. the world so bright, still undiscovered. even after 30 years of being on this earth, i learned about a new type of animal today: the dhole.
chance echoing in my life like a harmony between two people talking. do you think you and i, living in different worlds but connected through the internet - do you think we've ever seen the same butterfly? they migrate thousands of miles. it's possible, right?
how beautiful the ways we fill the vastness of space. i love that when large amounts of people are applauding in a room, they all start clapping at the same time. i love that the ocean reminds us of our mother's heartbeat. i love that out of all the colors, chlorophyll chose green. i love the coincidences. i love the places where science says i don't know, but it just happens.
"the universe doesn't care about you!" oh, i know. that's okay. i care about the universe. i will put my big stupid heart out into it and watch the universe feast on it. it is not painful. it is strange - the more love you pour into the unfeeling world, the more it feels the world loves you in return. i know it's confirmation bias. i think i'm okay if my proof of kindness is just my own body and my own spirit.
i buried the bird from our porch deep in the woods. that same day, an old friend reaches out to me and says i miss you. wherever you go, no matter how bad it gets - you try to do good.
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ghost stares at the ceiling, chest heaving in a harsh pant; sweat ice on his clammy flesh and soaked into the sheet he restlessly kicks away.
ears still ringing, his fingertips blindly drift down to trail along his vivisection scar. he half-expects blood to smear in their wake. his own line of solomon, who ordered him split in twain; half of him given to a grieving mother and half left with the grieving to be.
just for both his broken halves to be rejected.
what did it make him that his mother grieved him more than she loved him? that she begged to be relieved of him more adamantly than she begged to receive him? why did his worth spill out with his drawn blood? why was his pain lesser than hers?
his hand flexes, digging into the raised scar like it’ll part beneath his fingertips to plunge into his mangled insides. no one knows the cruelty of reforming the halved; his name, his being, not nearly as important as his body when he was stripped from himself. no one knows the pain of healing and understanding losing pieces of yourself means losing your value along with them.
how many more pieces did he have to lose before he was halved once more? before his very presence incurred grief so strong it was better to be rid of him than cradle his bloodied remains?
did the infant fight himself? did he age always at odds with himself; his halves never truly whole? he hopes he wasn’t, that he was spared the loss of self; the fear that one may be welcomed over the other.
who will he lose when the inevitable comes? when he’s ripped apart again? simon? or ghost? is it better to be cursed with choice just like his mother or live with an aftermath chosen for him? does it matter if in the end, he convinces himself there was nothing of him left to lose?
his head lolls to the side and the wild buck of his chest slows. he watches johnny beside him, his face lax with the rare peace of sleep; his cheek squished against the pillow, his lips pursed as long breaths escape him.
johnny. soap. never torn asunder but two all the same.
he carefully reaches out and ghosts his fingers along the jagged scar on his chin. even in sleep, he presses into his bloodied touch. he’s never fled his half-flesh, never shies away from his gore as it spills unbidden from his cleaved torso. he holds on where his mother let him go; cups his stomach to hold his insides in place and never minds the blood that drips through his fingers.
simon will never let him become his own solomon and cannibalise himself. he will never let him question which half of him has more value; which pieces he can afford to lose before he’s cast aside.
ghost’s soap. simon’s johnny. his.
whole, in any incarnation.
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Was Aleksander power-hungry or wanted power to use it for the protection of his people?
This question is one of the most hotly debatable in this fandom and I decided to clear this out not by analyzing his words through the POV of other characters (who don't believe him and therefore the reader finds him a liar) but through his own perspective in "Rule of Wolves".
So let's take an objective look inside his own thoughts and find out.
His very first thoughts were how could he reclaim his powers, describing the whole experience as somewhat painful and confusing to him. His second were about Alina.
And these are his third ones. He explains how utterly worthless Nikolai and Zoya are to save Ravka. How immature and weak. Aleksander finds himself to be the only one able for this task. His powers, experience and general abilities are testament to that.
But note how he calls Ravka "his country". From the carved woods decorating his bedroom to his knowledge of "every pebble and branch" of it, this country is special to him. He loves it, feels a connection to it and wants to protect it.
(You just can't call the Darkling "unpatriotic")
He displays bitterness for his loss and Ravka's new state just verifies to him that his plans would only prevent this decaying fate.
Yuri: "Sankta Alina who gave her life for Ravka"
Aleksander: "Am I a joke to you?"
And indeed is he?
Aleksander displays a very strong resentment for the lack of recognition he has gained. His statement: "I gave my life for Ravka" probably doesn't only allude to his death from Alina's hands but also his total commitment in the protection of the Grisha and Ravka that lasted for centuries. He gave his life away by pushing his personal happiness and well-being aside and wholly dedicating his life and skills to a selfless goal. He wasted years, allies, soldiers, endured otkazat'sya Kings that rule him, a bitter mother and his own immortality only for others to hurriedly erase any memory of him once he's gone.
So it seems that his desire to be seen only stems from his long-awaited and secret wish for his actions to be recognized.
Based on the last screenshot, he views his actions as justified not because of a "power-hungry nature" but out of his efforts to help others. Whether these actions are justified or not depends on the reader.
I believe this is one of the most concrete evidence that Aleksander truly cared about the Grisha.
He felt intense anger for those who were ignorant and apathetic towards the Grisha's fate and he himself cared about who was gonna sit the Ravkan throne.
No matter how much humanity he shed as the years passed, it seems that he didn't shed all of it by the time of these books.
Apparently Aleksander had two main goals in this book:
- To protect his people and country as he always strived to do.
- For others to finally give him some credit and have their acknowledgment that yes, he has done something for this country all these years.
In order to help the Grisha and change their fates he needed to be in a position of strength, hence his desire to take the throne. He views himself as a fatherly figure towards his people. A protector and guardian.
But he also wants to become a Saint and king. For people to look up to him. So many Saints had done less than half in comparison to Aleksander and they still won people's love. Now it's his turn and he thinks he deserves it.
I'm adding a short parenthesis here.
His concern didn't only extent to the Grisha but to his blind, otkazat'sya followers as well.
He cared about what would happen in the battlefield and seemed ready to create nichevo'ya to protect them. Merzost is extremely painful but this "selfish" villain is ready to use it to protect his naive but innocent army.
A hundred of years ago Aleksander refused the King's gold as payment for his services. Instead he opted to plead for the construction of a palace. A home and haven for all the Grisha that were hiding out of fear from the persecution against them.
He saw his chance and took it to make the lives of his people a little better.
So this whole "the Darkling created the Fold out of his desire for power" was bullshit after all.
He wanted power but only to use it to end the wars. Ironically, the result of it (aka. the Fold) only aggravated the problem.
And the Darkling's dream never came entirely true. He gave them a home but never a safe life. Ravka was almost always at war, Grisha were never accepted, the Ravkan kings never paid much attention to the Grisha's problems regarding their role in society which placed them almost at the bottom of the food chain.
All these things worried Aleksander and pushed him to action both when he created the Fold and when he started the Civil War.
The Darkling has a very different mentality than those who don't have the burden of immortality on their shoulders.
Aleksander uses time as an advantage and has a remarkable patience. He bides his time and strikes when he sees the opportunity, leaving other people to die since they're only just a part of a whole. He probably thinks: "Well, I'll meet plenty more new otkazat'sya in the future so why should I be concerned for this bunch here?"
But the bleak future of the Grisha make him stop and think. They're the only reason why he stays and fight and why he proclaimed Zoya a Saint.
So it's obvious that Aleksander only used power for the benefit of his people and country.
- When king Yevgeni offered him a handsome reward, Aleksander turned it down and chose to appeal for a better future for the rest of the Grisha.
- When the wars didn't stop coming and Grisha were again getting killed, he tried to use merzost to augment his powers and put a stop to it.
- When he tried to use the Fold as a weapon with Alina at his side, he did it to place Ravka in a stronger position in comparison to his enemies.
- He viewed Nikolai and Zoya dangerous to the rest of the country.
- He was concerned of what would happen to the Grisha if Demidov became king.
- He was determined to save Ravka and lead it as their king and protector.
- Even though he thought of leaving, he stayed out of concern for the Grisha (again).
Contrary to the people who say that the Darkling began selfless but by the time of these books became selfish, it seems that he never lost his selflessness. He still kept thinking about others and his last moments he was unrepentant for his crimes since he did them for others not for himself. It's true that he had pride and an ego but rightfully so. No one else was as powerful or as capable as him to make a change and, honestly, no one else made a decent effort but him.
He also displayed a strong bitterness for the fact that others were so quick to forget him and his actions. He felt wronged that after all he had done, none wanted to acknowledge his own part in the protection of Ravka. He wanted to be seen and appreciated. His anger and indignation came from a place of injustice as he saw it. Whatever he did was labeled as wrong and people only feared him, never feeling gratefulness or love towards him. The Darkling wanted others to give him his due for what he went through, did and tried to do. Recognition after so many years of feeling invisible and hated.
It was something that even his enemies admitted about him:
The strongest evidence of his yearning to shield his country is how he willingly gave his life for it at the end. He would be tortured forever but at least his people wouldn't forget him and he would have fulfilled his desired role as a protector of his country.
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Louis' "You're boring!" Could mean so many things, but I think what's most apparent about that line is that Armand takes no initiative just for himself. He's not really anybody, because he never goes out and finds himself or gets attached to anyone but Louis. Without Louis as his guide he's literally just sitting on a couch picking lint! That's the thing.
He orbits constantly around what would make Louis happy, and never really fully going what would make me happy? Ultimately that drive to please Louis is what drives him to torturing Daniel, not so much that he'd care to just do it. Ultimately, not giving proper care to Louis is just a way to make sure Louis knows he has to orbit around him as well, with shoving Lestat onto him just that other nail on the coffin. So, even if he fails to figure out how to make Louis happy with him, he still knows what Armand is good for, and better than.
That dependency is what drives Armand's abuse. It really just comes down to that. Armand doesn't even realize how suffocated he is by his own dependency. This is just how life is to him. (It shouldn't be lost either that dependency is a theme considering this episode also deals with addiction).
Daniel's fascinating because he's just so driven to be somebody. He's largely independent, he seeks things because he wants them. It's his drug to poke and prod at all the things that he shouldn't. Daniel's exciting because he lets Louis in to something different, lets him in to all this potential in another person that he can also do the same with for himself. It's a real connection. A two way street. It's easy to tell how Armand can be smothering then because he's never introducing him to anything really new, and most the ways both of them connect are all painful and traumatic. It's never just fun because there's always that layer of that pain. Fun died with Claudia.
50 years on they've gotten to a lot better place, both of them, but it's still that same shit. No seriously, "How is this any different from last time, Louis?"
Well... Because Armand's going to be, at the very least, making one [1] decision only for himself - and that's to hold power over Daniel's life. Fucking sick foreshadowing.
They aren't driving each other to the brink anymore but "The vampire is bored" STILL. Maybe it's even worse, despite being in better places, because Louis' sort of just been defeated by it. (I mean, can he even really leave this either?). He's accepting the dependancy cause he kind of has to. He'd literally ended up letting all the enjoyment be up where he can't reach [The book shelves]. Armand so desperately wants Louis happiness but what really ends up happening is that Louis ends up having to give Armand all his own. He's got no one or anything else to get it from. But like an iPad and an over the top eating ritual. Two extremes of what's just more lint picking.
This whole relationship is one I find just tragic inside and out. You have to just pity it, really. There's ways in which you can find yourself feeling bad for both of them. But you can only really be mad at Armand for any of it. Armand, who isn't even 'free' in any sense, having so little concept of his own independence, but is at the same time so controlling over other's. It's a tragic cycle. It's an infuriating one.
Louis at least has the mind to know when enough is enough. If just needing that extra push to get there. Armand's too scared of it being over to even try.
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