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#i cannot color
stilessderek · 5 months
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I will always tell you, thank you for always watching over me, STAY.
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lotus-pear · 3 months
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horrendously late entry for @luneariann’s dtiys!! congrats on one million ely i’m so proud of you <3
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tekitothemagpie · 3 months
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his world getting more colorful? Gross
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bad-apple-darlin · 4 months
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have some very soft ineffables
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sandflakedraws · 7 months
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impromptu nap pile
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nikossasaki · 4 months
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THE ACOLYTE | 1X01: LOST/FOUND
Jecki & Sol
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ckret2 · 4 months
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So y'all know the Gravity Falls production bible that leaked three weeks ago. Someone in one of my discord servers pointed this out:
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And, naturally, that spawned an entire AU.
AU Concept: Ford was kicked out instead of Stan and takes a job as a trucker to makes ends meet since he couldn't go to college, while still studying the weird and anomalous however he can.
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Ford driving around from quirky small town to quirky small town, drifting through the liminal spaces of truck stops, meeting odd people in isolated diners, seeing strange things out on the road—a deer with too many eyes bounding across a two-lane highway, a flirty woman at a rest stop who doesn't blink or breathe, mysterious lights in the sky at night, inhuman growls on the CB or 50-year-old broadcasts on the radio—and taking notes when he stops for gas or food.
Aside from having gotten kicked out before graduating high school, Ford's the same person he is in canon.
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He's still an ambitious guy, and here "ambitious" means working hard and saving as much money as he can—so, a long haul owner-operator who spends weeks at a time on the road. (He goes through a LOT of educational audiobooks.) Plus, this is the easiest way for him to get to travel the country; and since it looks like his "travel the world" dreams with Stan are dead, he'll take what he can get.
Since he's never in the same spot long and carries his life in a truck, almost all of Ford's research is in his journal. His bag of investigation supplies has an instant camera, a portable tape recorder, a thermometer, a flashlight, rubber gloves, and a few zip lock bags—and that's about it. It has to share space with all his clothes, toiletries, and nonperishable food when he's on the road. He doesn't have much opportunity to closely examine anything odd he finds, unless he's lucky enough to run into something when he can stop for the night. He has to cram his paranormal research around the side of his full-time job.
He doesn't live in Gravity Falls, but he knows it exists. Every time he moves—to Chicago, to Nebraska, to California—he seems to inch closer. He currently lives in Portland and usually hauls loads between the Pacific Northwest and Chicago or New York. He stops at the truck stop outside Gravity Falls when he can and has gone fishing in town a few times. He doesn't have the benefit of extensive research to know that this is the weirdest town in the world; but it seems pretty weird to him, there are local rumors about the town, and he's had some weird experiences in the area.
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Plus, he can't explain it, but it's like the town's calling to him. He wants to move there, but it'd put him over an hour outside of Portland where the nearest jobs are. Maybe if somebody chucked him like $100k to build a cabin in the woods; but what are the odds of that?
He does know Fiddleford. Truck broke down somewhere and Fiddleford kindly pulled over to fix it on the fly. They looked at each other, had mutual knee-jerk "dumb trucker/hillbilly" reactions, and within ten minutes both went "oh wait you're the most brilliant genius i've ever met." Fiddleford's living the same life he was in canon before Ford called him to Gravity Falls—with his family in California, trying to start a computer company out of his garage—but they make friends and keep in contact.
One time Ford stops at a kitschy roadside knickknack store that also sells new agey magic things—crystals, tarot cards, incense, etc. He bought a "lucky" rearview mirror ornament that looks like an Eye of Providence in a top hat and hung it from his cab fan, and ever since then he's had weird dreams whenever he sleeps in his truck.
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Things I don't know yet: what Stan's up to; or why Ford's the one who got kicked out. I tend to believe that in canon Stan wasn't just kicked out because he ruined Ford's college prospects, but rather because the family thought he deliberately sabotaged Ford; so in this AU, Ford would've been kicked out over a proportionate crime.
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ominouspuff · 5 months
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I Can Despair No Further / From Here Each Step is Defiance
REQUESTS / BLOG EVENT
Request from @husborth - Palette #1 - Anakin Skywalker/Darth Vader, Luke Skywalker - Death of the Cynic in Me
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serendippertyy · 4 months
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pinkiedash as c2 or d3 mayhaps :0
these r supposed to be super quick doodles but I got carried away 😅😅
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i also could've done a human au for the mermaid one but I've never done a seapony heehee
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crabfungi · 7 months
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Im having the time of my life it simply does not get better than this
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spicyvampire · 1 month
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4MINUTES (2024) EP. 4
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damian-lil-babybat · 19 days
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'Dead Poets Society' gang
Headcanon that these four drop poetry and literature quotes on their conversations unprompted.
Jason 'English-major-I-only-visit-the-manor-for-the-library' Todd-Wayne
Damian 'I-master-liberal-arts-unlike-you-plebs-PHD-holder' al Ghul-Wayne
Cassandra 'I-learn-English-thru-Shakespeare-as-god-intended' Cain-Wayne
Duke 'only-title-holder-of-vigilante-poet-and-will-cuss-you-just-as-poetically' Thomas-(future) Wayne
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sp0o0kylights · 1 year
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Part Two / Part Three
Ao3
It's 8:45 am. 
The Red Barn, which is neither red nor a barn, has been open since 7, catering to the early morning crowd with rounds of coffee and pancakes.
It was no Benny's, but given the size of Hawkins and the lack of alternatives?
No one was complaining. 
They were all too happy someone had opened up another watering hole for the working class man (or lass, as Foreman Shelly will dutifully remind you) which meant the place was packed with both day and night shift regulars, passing each other in staggered waves. 
It also meant Wayne was sharing the packed breakfast counter with a warehouse worker by the name of John Cheese on one side and Police Chief Jim Hopper on the other.
He doesn't mind it.
Wayne's a man on a budget thinner than his shoelace, but he's also a man who understands that small indulgences need to be made in life or you didn't truly live it.
This is how he convinces himself to get a coffee at the Barn after work everyday, reading the morning newspaper and chatting with the other regulars before he heads home.
Bonus, it gets him out of the rapid-fire franticness that is his nephew in the mornings.
(All the love in the world wouldn't change the fact that all that Eddie came with a lot of noise. 
The kind of noise that was a tried and true recipe for a headache right after a long shift.)
As a trade off, Wayne went to bed early so he could wake up in time for dinner with Eddie.
 It was a nice little system that worked for them. 
A routine Wayne was reminiscing fondly on, when the pager on Chief Hopper started to chirp. With a sad moan, the man fished out a few crumbled bills and threw them on the counter, abandoning his coffee to trudge out to his truck.
This was not unusual.
Particularly recently, given they were but a scant few weeks past that whole mall ordeal. A fact all too easy to remember when one caught sight of the Chief’s still healing face. 
What was unusual, was when he came storming through the doors a minute later, face now a furious shade of red with his hat clenched in his hand. 
The energy in the room shifted, taking on something a little watchful as Hopper swept his gaze from side to side, like a dog on the hunt.
Judging by the way he stilled when he caught sight of Wayne, the latter assumed he found what he was looking for and could only pray it was the person behind him. 
(He liked John, but Wayne had enough trouble this year and he wasn't looking for any more.) 
"Munson." Hopper called, striding over and dashing all his hopes. There was a choked fury emitting off him, and given the way John audibly scooted his chair away, Wayne knew everyone had clocked it. 
"Chief." Wayne greeted, inclining his head towards him.
Idly he wondered what the hell his nephew had done this time.
'So help me if he stole all the town's lawn flamingos and put them in that damn teachers yard again….'
Wayne didn't even get to finish his threat, the Chief was already next to him. 
"Mind if I have a word outside?" 
Dammit Eddie.
"Ah hell, what's he done now?" Wayne asked with a sigh, eyeing the coffee he had left morosely. 
There was still almost half of it left and the pot had tasted fresh for once. 
"What?" Hopper said, and then Wayne got to watch as the man ran through an entire chain of thoughts, each one punctuated by things like; "Oh," and "No. " 
"This is something else." He finished, flushed and fidgeting, anger making him antsy. 
Wayne stared up at him. 
"Something else?" He repeated, not sure he heard.
"Yes, something else." Hopper snapped impatiently, before leaning forward, voice dropping low. "This doesn't involve your nephew, but we both know you owe me for how many times I've let that kid off, Wayne. That's a damn big favor I've been doing you and I'm calling it in." 
If it were any other cop, it'd sound like a threat.
It was Hopper though. The same Hopper who Wayne had gone to school with.
They'd never been friends exactly, but they had been friendly and remained so. Even now, after Wayne had taken Eddie in, who’d gone on to be an undeniable pain in the local PD’s ass. 
Hopper really did let the kid off easy. 
Wayne really did owe him. 
So he put down his coffee with a sigh, passed his newspaper over to John and stood up, motioning for Hopper to lead the way. Got into the Chief’s truck when he waved him in, and didn’t make a big fuss when Hopper tore out of the parking lot like hell was about to open up under them. 
"Not a lot of the kids involved in the mall fire could be identified, but a few of them were." Hopper started, which felt nonsensical given the utter lack of context. 
Wayne hummed to show he’d heard. 
“Some of them got banged up more than others, and a lot of people wouldn’t be surprised if they didn’t make it.” 
A pause, Hopper white knuckling the steering wheel as he swung the truck hard around a turn. 
“For certain people, those kids dying is the preferred outcome.” 
A mix of fear and warning swopped low in Wayne’s gut. 
"Jim." Wayne said, dropping the use of a last name because if any situation called for it, it was this one. "What exactly are you saying here?" 
The Chief chewed on his split lip. 
"I know you're smart, Munson. I know you, and plenty of others are aware that something's happening, been happening in this town." 
Which was a hell of an understatement if you asked Wayne. Plenty of the upper classes might be able to bury their heads when it came to the military parading about and the flow of “accidents” they brought in their wake, but then, they didn't see all the other signs of trouble. 
The absolute oddity that was Starcourt’s construction. 
How it had been built using primarily outside crews and anyone who'd taken a singular look at the site could tell you they were building it weird. 
Weird as in it looked like it would have a multi-level basement, and not what a mall should have. 
Then there were the constant electrical problems. The backups upon backups that failed. The late night delivery vans headed out to the Hawkins Lab. 
The things in the woods that kept spooking all the deer and the weird markings they left behind that unnerved even the hardest of hunters. 
This didn’t even touch the Russian military that more than one reputable person swore was hanging around. 
The very same Wayne himself had seen, on more than one occasion. 
(And you couldn’t deny it; those boys were military. Past or present, it didn’t matter. They moved like a threat, and Wayne treated them like one, staying well clear.)
"Yeah." Wayne admitted. "I also know better than to stick my nose in it." 
"That makes you a smarter man than me.' Hop complained under his breath, but the anger was self directed. 
"The point is, there are some government types crawling around, doing shit they shouldn't be doing, and more than a few of them are in the business of making people disappear.” 
This was absolutely not where Wayne had thought this was going. 
Hopper took a breath. Than another.
A third.
It was starting to make Wayne nervous, in a way he hadn’t felt since a social worker had brought Eddie to him for the last time and final time. It was the feeling that things were about to shift in a way that would change the course of his life. 
"Steve Harrington is sitting in my office right now, beat to absolute shit.” Hopper admitted.
Wayne gave him the floor to talk, letting him go at his own pace without interruptions. 
“He's there because some of those government types finally figured out his parents are never fucking home.” 
Wayne sucked in a breath. 
"We both know his parents, Wayne. Harassing them to come back and take care of their kid won't work, and frankly, I’m beginning to think all the phone lines are tapped anyway.” He winced here, like voicing such a thing pained him, and Wayne understood.
It sounded a little too out there, a little like he was buying into a conspiracy. 
Except he wasn’t. Wayne knew he wasn’t. 
Jim Hopper might have been an alcoholic, a man living in pain and unconcerned with his own life, but if there was one thing he was solid for, it was shit like this.
He didn’t jump to conclusions. Didn’t believe the first thing people told him. Even at his worst, he did the work to see what was really happening, and made his decisions from there. 
(Even if that decision was to accept the occasional bribe, or drive an intoxicated 13 year old Eddie home instead of hauling his ass into the drunk tank.) 
“Harrington won’t admit it, but he’s got a hell of a concussion if not a full blown brain injury and he’s not reacting as well as he should to Suites trying to run him off the road.” Hopper continued. Angrily, he added, “Damn kid didn’t even come to me until they tried to break into his house last night.” 
His fingers squeezed the wheel so hard Wayne heard the leather creak in protest. 
“I’d take him, but my cabin is being renovated from…” He trailed off, heaving a sigh.
 “A storm, so me and my kid are bunked with the Byers right now and we’re full up.” 
Hawkins hadn't had a storm like that in years, but Wayne wasn't going to call him out on the blatant lie. 
“I need a place to stash him for the next few weeks, until I can work with some of the higher ups sniffing around, and get them to call off their attack dogs.” 
“And you want to stuff him with me.” Wayne finished. 
“I know you don’t have the room.” Hopper admitted easily, stopping his truck at a red light and locking eyes with the other man. “But I also know you’ll be the last place anyone would look for him.” 
'Ain’t that the damn truth.'
“You’re really gonna go this far for a Harrington?” Wayne asked, instead of the million of other questions leaping to the forefront of his mind. 
This one, he figured, was the most important. 
“He’s not his dad.” Hopper said, as firm as Wayne had ever heard him. “He’s not either of his parents, and he saved my little girl.” 
Wayne hadn’t even known Hopper had another little girl, but he also knew better than to ask where the guy had found one. 
It wasn’t his business, just as nothing else Jim was involved in, was his business.
Except, apparently, Steve Harrington. 
“I’m gonna need my own truck if I’m takin' Harrington home.” Wayne said easily, instead of bothering to ask anything else.
If Jim said the kid was different than his daddy, then he was--because when it came to things like that, Jim didn't lie.
No point in it. 
“I know. Just needed to talk to you first, without anyone overhearing.” Jim said, before swinging the police truck around and heading back to the Barn. 
“I’ll stay in contact with you, and I’ll make sure Harrington pays you for the pleasure of your hospitality. Just--” Here Jim cut himself off, looking like he was struggling an awful lot with the next thing he wanted to say. 
Once again, Wayne waited him out.
“Don’t let Steve fool you. He’s good at fooling people, letting them think he’s okay. Too good at it, and between the two of us, I have a real good idea of the reason why.” 
A memory came to Wayne unbidden, of Richard Harrington and Chet Hagan, beating some poor kid in the highschool bathroom bloody. The grins on their faces as the poor guy wailed for them to stop.
How they almost hadn’t. 
“Alright.” Wayne agreed.
Hopper swung back into the Barn's parking lot, and Wayne moved right to his own beat to shit truck, ready to follow Jim back to the police station.
He wasn’t a praying man, not anymore, but Catholisim wasn’t a thing that let you go easy. 
He found himself sending up a quick prayer, fingers flicking in a kind of miniature version of the sign of the cross. 
Considering his own kid’s history with Harrington, and the sheer small space of the trailer? 
Wayne had a feeling it was needed.
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bixels · 1 month
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I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.
#personal#delete later#no patrick. “black washing” is not as harmful as white washing.#come on guys get it together#seeing people in my reblogs talk about “reverse racism” and double standards is genuinely hypocrisy#say it with me: white washing is intrinsically tied to a historical and systematic erasure of poc figures literature and history.#it is an inherently destructive act that deplatforms underrepresented faces and voices#in favor of a light-skinned aesthetic hegemony#redesigning characters as poc is an act of dismantling symbols of whiteness in fiction in favor of diversification and reclamation#(note that i am talking about individual acts by individual artists as was the topic of this discourse. not on an industry-scale)#redesigning characters as poc is not tied to hundreds of years of systemic racism and abuse and power dynamics. that is a fact.#you are not replacing an underrepresented person with an oft-represented person. it is the opposite#if you feel threatened or upset or uncomfortable about this then sorry but you are not aware of how much more worse it is for poc#if representation is unequal then these acts cannot be equivalent. you can't point to an imbalanced scale and say they weigh the same#if you recognize that bipoc people are minorities then you should recognize that these two things are not the same#while i agree that “black washing” can lead to color-blind casting and writing the behavior here is on an individual level#a black artist drawing their favorite anime character as black because they feel a shared solidarity is not a threat to you#i mean. most anime characters are east asian and i as an east asian person certainly don't feel threatened or erased. neither should you.#there's much to be said about the politics of blackwashing (i don't even know if that's the right word for it)#but point standing. whitewashing is an inherently more destructive act. both through its history of maintaining power dynamics#and the simple fact that it's taking away from groups of people who have less to begin with#if you feel upset or uncomfortable about a fictional white character being redesigned as poc by an artist on twitter#i sincerely hope you're able to explore these feelings and find avenues to empathizing with poc who have had their figures#(both real and fictional) erased; buried; and replaced by white figures for hundreds of years#i sincerely hope you can understand the difference in motivations and connotations behind whitewashing and blackwashing#classic bixels “i'm not talking about this chat. i'm not” (puts my media studies major to use in the tags and talks the fuck outta it)
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ghoulinfuschia · 9 months
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Why is her taste in men so bad
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patrickztump · 18 days
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Color: The German Shepherd Dog varies in color, and most colors are permissible. Strong rich colors are preferred. Pale, washed-out colors and blues or livers are serious faults. A white dog must be disqualified. ✘
these coat colors and more on redbubble
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