#i could go on a whole rant about this

[honorthysalad]

Sigmund Freud would be very happy with how Yoshiki sees his relationship with ‘Hikaru’.

[tiredwiredanduninspired]

“if a guy can’t say he’s gay, that means he ain’t sure he is”

ok maybe he’s bi, or pan, or just doesn’t want to label himself which is what he said

like this boy is 13 and just trying to have fun with his boyfriend- why are you trying to force labels on him?

[coulsons-band]

pedro pascal doesn’t owe you shit.

it is absolutely fine to be disappointed by his absence at cannes. i am too. but he does not have to be there.

for whatever reason he’s pulling away from the attention. the esquire article talked about how guarded he is and his socials have really slowed down. maybe he’s unprepared or overwhelmed by all the tlou hype. i mean his follower count went up by the tens of thousands the day after the premiere. that’s insane.

but some of you have lost the plot. the ones wearing d*ddy’s little girl shirts in fucking public and yelling d*ddy at him at events and trying to convince everyone whether he’s queer or not and complaining there isn’t an explicit scene of him fucking in the strange way of life. it’s not a gay porn made for your fetish. ‘oh but narcos!!’ that’s called characterization. read literally any article from almodovar and understand why sex isn’t the point.

interacting with paparazzi content and making cute little edits - jfc. that’s creating demand and supply and paparazzi know no fucking boundaries. man’s got anxiety and no doubt the paps and fans watching his every move are probably making that worse.

let him make movies and rotate through his four shirts in peace. pedro pascal doesn’t owe anyone shit.

[tenjikyu]

why is the eren jeager tag full of smut it’s legit so damn BORING 😭 i’m going on looking for quality content and dick/pussy is SHOVED INTO MY FACE. ffs do you not want to just hold the poor dude? idk man. DONT EVEN GET ME STARTED ON THE SHITTY MODERN AU ISTG

[bisexualchaosdemon]

I wonder how Andrew feels about Aaron being the one to kill Drake. Andrew went to such great lengths to protect Aaron from Drake, only for Aaron to be the one to protect him from Drake in the end.

[lygma-nygma]

Being a batfam fan is funny because people will make a post like “here’s my headcanon-“ and it’s just something that’s directly canon to the story then post about major canon events and get everything wrong.

[arthursfuckinghat]

I think sometimes people need a little reminder about this scene and how important it is in showing us how the dynamic between Arthur and Mary worked.

The feelings between them are solely mutual, nobody is taking advantage of the other, and they actually talk about it. They have the maturity to admit how much they wanted things to be different, and they agree that it's all in the past now.

Mary doesn't demand his help or beg on her knees. She asked sincerely because that's still her father, no matter how he treats her. Arthur knows this, he knows how important (what's left of) her family is to her. He put his feelings about her father aside because he wants to help.

Even despite how their lives had changed over the years, they still cared so much about eachother. After losing her husband, her brother going back to college, her mother not being around anymore and her father still being abusive, Mary was fucking lonely.

She was so miserable and if there was anybody left that she could trust, it would absolutely be Arthur.

And it hurts because so much between them was left unsaid, it's just that Arthur took it to the grave.

[birchlogz]

[merylstryfestan]

so like, i know we're all into that kind of cute fuzz-ball angel vash, and i get it, i really do, but do you know what we don't talk enough about?

like, i'm just so much more interested in this. thematically. aesthetically. conceptually. like what's even going on here? i don't know, i just need more of this

vash and knives are not just humans with super powers. that's not what independents are. they are not at all human. they are alien in ways we can't even understand. like the above image is inherently gross and unsettling, that's just how humans have evolved to interpret something like this. and i just think that it's interesting that we as viewers eventually must come to terms with the fact that our silly goofy protagonist that we've been cheering for this whole time is really very inhuman in ways that we are naturally averse to.

(credit to @trigun-manga-overhaul for the image!)

[icantdothistodaybruh]

yea sooooo I may have or may have not watched and instantly rewatched all kuro musicals in existence in a spawn of one week and now have roughly 40 screenshots to redraw from

I think I might be insane or something

[sensitiveheartless]

[calebwidgast]

the one comment that will always piss me off more than any other, especially when it's coming from so-called legitimate fucking journalists, is the argument that lance doesn't deserve to be in formula 1 because he doesn't care. which first of all, i'm sorry, i didn't realise we had created mind reading technology, that small bit of news must have slipped past me. secondly, it's clearly bullshit.

two weeks before the bahrain gp last year lance had a biking accident where he suffered a fracture and displacement in his right wrist, a fracture in his left wrist, a partial fracture in his left hand and another fracture in the big toe on his right foot.

after which he was told he would be missing the first few races of the 2023 season. but 48 hours after his accident he had surgery to insert pins in his right wrist to help it heal and the doctor who did the surgery told him that with some luck and dedication to his rehab, he could be back for jeddah, maybe bahrain if he worked hard. he clearly wanted to race because 14 days later, he was back in that car in time for the bahrain gp and ended up placing p6 despite being in tremendous pain and feeling like his "wrists were on fire".

does that genuinely sound like someone who doesn't care about the sport to you? especially, as all the lance haters likes to point out, he's fucking rich and doesn't actually need to race. he could have waited until baku like his doctor first suggested and saved himself a whole lot of pain but he wants to race just as much as the other 19 drivers on the grid. the difference between him and the other drivers isn't the fact that he cares less, it's the fact that yes, he is very rich and as such can choose to not cater to the whims of the media if he doesn't want to. the suggestion that him being disinterested in doing interviews is because he doesn't care rather than because he's a private person is just so fucking dumb.

[nouverx]

just imagine charlie being the only other character in the hotel to understand Alastor's sayings and gripes about the modern world. She's even older than he is, those two could have so much to talk about. I'm still fairly young but I have plenty of gripes about the modern world, I just know those two old ladies could find something to share lol.

I adore Charlie and Alastor as characters, and I adore your art! All of your art is damn cute to me, it's great! I need more of charlie and alastor interacting and being silly in my life, romantic or platonic doesn't matter to me lmao.

You are just like me for real 😭 when the pilot came out I was so intrigued with Alastor and Charlie they immediately clicked for me and became my favourite pair of the show (tho now that the first season is out all of Alastor's other relationships stole my heart lmao but I still love them a lot) the "big bad villain who initially wanted to manipulate the sunshine character ends up accidently getting attached to them" trope is like one of my favourite tropes ever and they have the potential to become just that so I'm really invested in what their storyline will be I'M SO EXCITED

AND YEAH the fact that the hotel was already so has-been looking before Alastor showed up makes me think Charlie is similar to him, she's more up to date than him regarding new technologies ofc but I just know my girl loves vintage stuff ahah

(Also I want them to have a duo song in the next seasons SO BAD no offense to Heaven 2 Hell I love this song but I need something new it's been 4 years lol)

[localguy2]

Zane being used as a fucking battery for Unagmi to get into the real world, and him walking it off like it's nothing fills me with so much viisceral rage it's unbelievable

What the FUCK do you mean he's fine??! Did you not see him literally pass out and wake up with an immediate inhale like he was drowning or something???

You don't just walk off being used as a battery, and no amount of cartoon logic will make me think otherwise ESPECIALLY seeing also how he seemingly walked off the whole Ice Emperor shit as well (until Quest for the Lost Powers)

Like, at the very least have him go into a panicked terrified franzy because according to him it felt exactly like his Sacrifice against the Overlord

Or if you wanna go all our just have it wipe all of his damn memories and make him start as a person all over again, even then that still works better if you make it a post Ice-chapter consequence

And even those besides, you could do soooooo much with Zane and consequences and the shit he goes through...

[lemonavocado]

i have many many thoughts about the portrayal of elizabeth (and henry) in adaptations of frankenstein and they need to be broadcasted immediately. feverish incoherent raving about this subject under the cut. tw for very brief mention of SA

so. elizabeth lavenza. by the time of the wedding, elizabeth is rather obviously portrayed to be just as morose and brooding as victor is, she just isn't as susceptible to episodes of mania and psychosis so it doesn't seem nearly as dramatic compared to victor's trauma. she's been through the gutter herself, being an orphan for starters, then being adopted into a family and having to assume the role of caregiver in the frankenstein family because of the coercion of her dead mother to not only take her place as the maternal figure in the family but also marry her surrogate brother (or literal cousin, depending on which version you read). then her surrogate younger brother william dies, and the within weeks she has to watch her closest heterosexual life partner justine be unjustly hung by a corrupt justice system. and she vocalizes, actively, her pessimism and hopelessness in light of these many tragedies. tldr she's fucked up and rightfully so, and while she's a little less crippled by depression than victor, she still has the distinct appearance of being rather ill, listless, and tired, especially towards the end of the novel. anyways my point is in the novel, the most important thing about elizabeth is not that she's a woman and victor's bride. yes, that's obviously the purpose she was created for, but shelley went out of her way to give elizabeth an extremely definite and unique character. she's gentle and maternal like most woman in early 19th century literature, but she's also introspective, intelligent, and perceptive. she displays agency and self-awareness repeatedly (her guilt over the locket, going to the execution of justine even when alphonse tells her not to, waxing poetic on the failures of the justice system, asking repeatedly and rather pointedly if victor actually wants to go through with the marriage, obvious anxiety and solemnity concerning the wedding) we also have to take into account that elizabeth's personality is being relayed to us BY VICTOR, and he wants to see elizabeth as docile and femininely passive, even if a lot of her actions themselves in the novel actually seem to contradict that. also, i am peppering in that many people can (and have) made a genuine and convincing argument that victor and elizabeth are not in love and were groomed to accept their union by their weirdo parents - that they care for each other, but the text includes important nuances that make it evident that victor doesn't feel anything for elizabeth like that. it is a legitimate interpretation of the book - dare i say it's the correct interpretation of the relationship between victor and elizabeth. but that's another essay for another day and it's not SUPER integral to my rant here today. it just highlights the complexity of elizabeth as a character.

so. for some fucking reason, writers do not understand this when they are adapting the novel, and do not want to apply more than eight seconds of critical thinking and the absolute shallowest 3rd grader levels of reading comprehension to this character, so they simplify her from what she was in the original novel, freshly complex, opinionated, and introspective to boring useless incest lady. victor is never portrayed with the same amount of nuance he deserves in any adaptation (also another essay for another day), because adaptations also have a very surface level reading of him as "guy who was ambitious and played god which immediately cements him as an irredeemable self-aggrandizing asshole and/or a raging insufferable narcissist who's a dick to everyone around him EXCEPT for elizabeth" but at least SOME adaptations are able to kiiinnnddaaaa capture the sympathy meant to be felt for the character in the novel. not so for elizabeth. her character in basically every adaptation can be boiled down to this: "omg victor my brother let me hammer in that you are my brother. im just going to stand here and look clueless and annoyingly naive for the entire time im on screen/stage. im just a little girl and idk what's going on victor but im gonna stay blindly devoted to you and ask numerous but completely useless questions 🥺 let me stare at you with tender worry in my eyes and treat you like a child even though we have absolutely no romantic chemistry and you're an objectifying dick towards me and we have nothing in common and the audience is actively dry heaving as we sensually make out for no other reason than to have characters in this movie sensually make out. im basically a carbon copy of original-novel-henry expect super boring and super useless because im a woman which means the doylist explanation for why im here HAS TO BE ONLY for the main character to fuck me and to hold the attention of the male viewership. now time for me to get SA'd by the creechur for basically no reason" we can observe something approximating this in basically every frankenstein adaptation i've ever seen: kenneth branagh's (my enemy) 1994 film, the 2004 hallmark miniseries, the musical, and the ballet. also in the 1931 film, but that one isn't really trying to be book-accurate so it doesn't really count for this rant.

with this understanding of elizabeth, writers then attempt to artificially generate more romance between these characters, mostly by, yes, replacing a lot of henry's role in the novel with elizabeth, hence why we see so many adaptations (1994, 2004, ballet) make elizabeth nurse victor back to health in ingolstadt instead of henry, which generates... so many problems. one problem with this is that it just sorta ruins henry's original role in the novel in one go. writers recognize that henry is supposed to be victor's character foil, but now they don't have much for him to do so he can demonstrate that role in the story since they gave all of the romantic tension moments to elizabeth. meaning that in adaptations you can tell the writers didn't really know what to do with henry because he's reduced to a comic relief bumbling idiot (1994, ballet, 2004 to an extent) with his only personality traits being "random xd" and "morals good playing god wrong!!!! 😠" (2004, musical, several independent stage adaptations). they keep him as a character foil, but just replace all of his compassion, tenderness, and devotion with elizabeth, while effectively draining henry of all of his original appeal and charm and stamping those traits onto their already stripped-of-all-nuance elizabeth. so now both henry and elizabeth are not only extremely different from their original roles in the novel but extremely, woefully less charming and complex. this especially pisses me off because it's explicitly stated in the book that henry was victor's only friend precisely because he was victor's intellectual equal, so seeing henry reduced to a smiley idiot and/or stupid generic male side character with Morals fills me with a visceral rage. writers will also sometimes make victor and henry meet in college (ballet, 1994) and try to strengthen the bond between victor and elizabeth by making it appear as though she was victor's ONLY childhood friend and companion. other times, victor and henry will be friends pre-ingolstadt (2004, musical) but most of the relationship development will be between elizabeth and victor. those two have all of the tender bonding moments while henry is just kinda inexplicably there sometimes. but i digress. this post is supposed to be about elizabeth. but IF YOU NEED A CHARACTER TO BE A SUNSHINE SOFT OPTIMISTIC LOVER FOR VICTOR IN A FRANKENSTEIN ADAPTATION, HENRY IS ABLE AND WILLING ARE YOU STEPPING ON MY BALLS

clervalstein is true. anyway

elizabeth is somehow more complex and powerful as a female character than the literal adaptations produced almost 200 years later. in adaptations, the most important thing about her is somebody else. the development of all of her character traits (which usually never go beyond standing around and looking helpless) are solely dependant on victor. she feels more like an appendage of the protagonist than an individual with thoughts and experiences separate from victor, and her character is loosely defined and flimsy so the writers can have her conform to her actions in the book whenever it's convenient and then change things up entirely that completely contradict her characterization in the book whenever it's convenient. i have no idea why the fuck this keeps happening with frankenstein adaptations (it's misogyny) and because it isn't looking like guillermo del toro's film (from what ive heard) is going to be super book accurate, i dont foresee too much of a shift in frankenstein adaptations.

look i get it. it's a movie/play/ballet which lasts like 2 hours and you have a lot to do and not a lot of time to do it. i understand you have to make sacrifices for brevity and these characters are, frankly, a lot less interesting and exciting than victor and creechur. people didn't come to see john hughes levels of charm and complexity in the side characters, they came to watch the creechur do scary shit and for victor to say IT'S ALIVE 😱 and be an evil mad scientist you love to hate. they came for their values of "it's wrong to play god!!!" and "too much ambition bad!!!" to be re-cemented even though that's not even the original point of the novel. which is why imo if you're going to adapt frankenstein in a manner that does justice to the beautiful and sublime subtlety of the original novel, it needs to be either a miniseries or a REALLY LONG film. it's a short book, but it's very eventful, and imo for an adaptation to work you have to let the audience sit with it. which is why you all need to donate to my gofundme so i can produce an honest to god frankenstein adaptation. in fact, im running for president in this year's primaries :3

just a disclaimer: im not an academic or a scholar or anything. i just like the book. i probably have no idea what the fuck im talking about. but im a very very passionate little guy and this has been my rant

[chibishortdeath]

Haven’t drawn him in his CV1 era design in a while. I think his neck is a little long lol, but otherwise I’m pretty happy with this doodle :3.