#i have a whole prediction for where he ends up but i dont know the pacing of this series for what happens when in what book

[sharkneto]

1, 6 and 16?

.1. fave book? MEAN why did you ask me that when it was one of the options, hard question. My default answer is Aron Ralston's autobiography, Between a Rock and a Hard Place (what the movie 127 Hours is based on). I've read it quite a few times and Twin gave me a signed copy for Christmas one year. Idk, reading about a man's mental and physical survival journey to cutting off his own arm (and all his adventures before this moment) hits me in the right spot. Books I've read recently, as I'm getting back into the whole reading thing, I supremely enjoyed Six of Crows and The Goblin Emperor.

6. fave trope? Another hard one. For this I'll say... main character denying that they're Special as they figure out they're Special. I'm listening to The Way of Kings at work and the few chapters it took for Kal to realize something was up, making excuses for why x or y happened, was delightful.

16. fave day? Fan of Thursdays. Something about it being over the hump of the week, get to look forward to the fact that tomorrow is Friday and then the weekend. It's nice.

faves ask game

[andragoras-in-vanity]

i literally have anxiety about being single for fall again, i cant do this again and im still not living in nova scotia like im supposed to be and no one cares. my stomach literally is ripping itself apart because this fucking sucks and im touchstarved but im so sick of spineless little boys i cant even risk a hookup, which always make me feel like shit anyone like im cheating on someone ive never even met, and i dont know what to do about it, someone help please. in any way, just please help me.

[reidrum]

if you keep asking | s.r

pairing: spencer reid x fem!bau!reader

a/n: this was requested with “if you keep asking me i’m not gonna be okay” or smth along the lines 😭 i am a glutton for hurt/comfort fics so if yall have any more requests send em in :)

summary: in which you’re trying to keep it together when you hear some detectives talking ill of you, and spencer isn’t gonna have it

cw: hurt/comfort, self deprecation, insecure!reader, bitch ass detectives, protective bau my heart, use of she/her pronouns

wc: 2.2k

_______

the bau team was filing into the bullpen after landing from their last case in seattle, everyone making a beeline for their desks to get a head start on their reports so they could go home faster. everyone, except you. it felt like you were on autopilot, remembering your last known movements and just repeating them for as long as you could.

the case in seattle was rough to say the least. the unsub’s mo seemed to change every minute, making any progress the team made obsolete. the only thing that seemed to be somewhat consistent was where the unsub was taking his victims, which meant the geographical profile was the most important part to solving the case, a task you and reid were assigned to.

it started off fine, you both had found the comfort zone of where the unsub would strike next to figure out how to catch him in the act. except the next time he struck it was completely out of the predicted range, and this time a kid had died. no one could have anticipated that happening. it didn’t make the loss hurt any less.

the team knew it wasn’t anyone’s fault, humans are unpredictable, and that includes serial killers. spencer made sure to tell you specifically that it wasn’t your fault, he knew how you’d get if someone didn’t tell you.

his efforts went to utter waste when you walked by a room at the precinct with detectives whispering about how “you fucked up the whole profile, that’s why that kid died” and “it’s clear you make the team stupider, how did you even get into the fbi in the first place?”

it wasn’t the first time your abilities were in question. you were the newest member of the team, having only transferred six months ago from cold cases. you may be new to the field, but there was a reason hotch chose you personally for the bau.

you tried hard to prove yourself, despite pretty much everyone saying your skillset was enough proof. you’d stay late to finish reports, do extra research on cases to help garcia narrow her searches faster, and you spent countless hours at the training range.

you were a worthy agent, anyone who knew you or read your resume knew that. but right now, you felt like the smallest person on earth, an imposter. what the hell were you even doing here if you couldn’t save him.

you shouldn’t be allowed to feel relief that the team caught the unsub, not when there’s blood on your hands.

the bad thoughts swirling in your head causes you to stall your motions when you’re putting files away, gaining the attention of morgan, “you alright, sweet cheeks?”

“i’m good morgan, don’t worry.” you lie effortlessly. if he can tell you’re lying, he doesn’t mention it and turns back to his work.

taking a deep breath, you stand up to go to the kitchen to get a cup of coffee, when you run into jj finishing up making her own, “i was just thinking about you, i got this new creamer i think you’d rea-, hey, are you okay?” jj starts but ends concerned.

you try to focus on metronomic tick of the clock so you dont escalate, “i’m fine j,” you laugh unconvincingly, “what creamer did you get?”

she ignores your question, “because i know that was a tough case, and if you need to talk about it with someo-“

“jj, drop it, please.”

the blonde’s face drops a little at your sternness, but respects your space and offers you to try the creamer before returning to her desk. you feel bad for snapping at her, but the growing guilt within you is giving you apathy, and you can’t bring yourself to care at this moment.

you linger in the kitchen so as to avoid any more concerned faces, and you’re left to your own devices that are slowly overtaking you.

unbeknownst to you, spencer had been watching you since you all landed back in quantico. he kept his distance, mostly because he knew how overwhelmed you get at confrontation, especially about your emotions. he was the same way, a man of logic getting befuddled by emotion was enough cognitive dissonance to last a long time.

he knew it was different with you. you had a way of internalizing everything in your surrounding, a downfall to your endless empathy for others even if they never deserve it. he could explain the logic behind your beliefs, and hopefully use facts to help you relax, but that was the other thing he knew about you; you were stubborn. asking for help is something you hated doing, and if it wasn’t on your accord to be asking, it was even more detrimental to your mood.

so when he watched you duck out from the kitchen and push past the glass doors of the bullpen, he knew you were reaching the head of your doom spiral quickly.

spencer got up from his desk, “i’m gonna go check on her.”

jj nodded, “just be mindful spence, something feels different.”

they’d all been on cases that hit a little too close to home, how could they not when all they do is rid the world of the evilest of evildoers. but after a good cry, a rant to a teammate, or even an emergency therapy session, even the worst of the scum could be washed away.

something about the way you’ve been acting since they landed seemed like those fixits aren’t going to work this time.

he let out a sigh in response and walked out of the bullpen, realizing he didn’t actually know which direction you went in. assuming you’d want to be alone, he thinks the bathroom might’ve been a viable option for you and heads towards it.

the nice thing about the seventh floor is that it’s only for the bau, the bullpen was where the team spent most of their time but outside the doors there were so many empty rooms being used for storage.

so as spencer walked towards the bathroom in the hopes of finding you, his ears pick up on a tiny sniffle a little ways before it. he stops in his tracks, hoping he was just hearing things. but another pained sob rang through the door on his left, and he knew he’d found you.

he rapps the door a few times, softly calling your name, “hey, it’s spencer…can i come in please?”

you were on the other side sitting at one of the abandoned desks with your head down, but shot up at hearing spencer’s voice, “i- i’m fine i just needed a minute. i’ll be back in like two minutes, i promise.” you angrily wipe at the tears pooling on your face, grateful that you took your makeup off in the plane.

“honey, that’s not what i asked,” he starts, “is it okay if i come in?

your heart clenches at the term of endearment as you stare at the door knowing he was waiting for your okay to come in, and you start to internally weigh your options. you could let him in, and let him in to do whatever comforting you know logically would help. or you could lie, and feign ignorance to the end.

don’t they say ignorance is bliss?

you make sure to wipe the last of your tears and your runny nose before practicing a few fake smiles so it didn’t look like your face was frozen in sadness for the last thirty minutes. turning the knob you swing the door open, borderline creepy smile on your face as you greet the man, “hi dr. reid! was there something you were looking for?”

he furrows his brows at your complete (fake) shift in mood, but he comes in and shuts the door behind him, and moves to stand a few feet from you, “what’s going on?”

“nothing spence, i’m fine.” you insist.

spencer thinks if you could be more see through you’d be a windexed window. you’re avoiding eye contact with him, picking at the skin of your thumb, he can see your nose is red most likely from all the tissue blowing, and your eyes are still puffy and lined with some unshed tears still. you are so clearly breaking at the seams, like an old childhood teddy bear with stuffing falling out the sides yet hoping you can offer some semblance of stability despite your state.

“you don’t look fine, honey. why won’t you tell me what’s bothering you?”

his words almost make you falter, and you think the walls you built so high are starting to chip down. “it’s not a big deal spence, i-,” a hiccuped breath gives you away, “i can deal with it on my own.”

spencer instinctively shortens the gap between you two, “you shouldn’t have to. i just wanna help you.”

“but i’m oka-“

“no you’re not.”

there is only one tiny thin thread left holding you together. “well,” you take a deep inhale and your voice gets impossibly small, “if you keep saying things like to me i’m not gonna be okay.”

“that’s why i’m here.” he says softly.

you look up at him with the biggest glassy doe eyed look he’s ever seen, and it’s like spencer can hear the snap of the thread in real time when he watches your face absolutely crumble. he doesn’t hesitate to pull you into his embrace, allowing him to hold your head down in the middle of his chest while his other hand smooths up and down your back in comfort.

“i know, shh, hey it’s okay, i got you.” he comforts.

your hands wrap around his waist beneath his suit jacket and you keep your face buried in his chest, inhaling the musky vanilla scent of his cologne mixed with the fresh laundry detergent smell letting it ground you back to him.

“i’m sorry.” you cry.

“don’t say that,” he hushes, “is it about the case?” you nod in his embrace, “we talked about it remember? there was nothing we could have done. we did everything right, sometimes it just doesn’t work out, you know that.” he moves his hand to tangle in your hair and rub your head.

“i- i know,” you say through labored breaths. you take a big breath before admitting the true reason for your anguish, “when we were about to leave, i walked by a room with some detectives talking about how i ruined the case and that…i’m the reason the kid died.”

“what?” he pulls back to look you in the eyes hoping to find any indication that you didn’t believe those poisoned words, “we both worked on that geographical profile together, the whole team agreed it was accurate and acted accordingly. what happened was not your fault. at all.” he emphasizes the last two words.

“yeah but…i don’t know maybe i could ha-“

“stop. you can’t do that to yourself. we did what we could with what we had, the burden of that child’s passing does not fall on you. we were only able to find the unsub’s hiding spot when you figured out he’d been going to the same gas station since the murders started.” he reinforced to you.

“they said that they didn’t know how i even got into the academy in the first place, and that i make the team stupider.” you quietly added.

spencer felt the rage consume his body, already planning the ways he was going to obliterate seattle pd. he cradled your head to look at him in the eyes, “listen to me. you are an important asset to this team. you make this team better at what they do, you make me better at what i do. you mean so much to me and the team okay? please don’t forget that.”

he swipes at a fallen tear on your cheek as you tell him between sniffles, “thanks spence…” you hope he understands the sentiment and love you’re trying to exude to him, even thought you’re unable to vocalize it.

“you gotta tell me if something like that happens,” he softly scolds you, “i’ll make sure they lose their fucking jobs.”

you’re about to speak when he cuts you off, “and don’t tell me that we should be the bigger people, because once the rest of the team hears about this, they’re all gonna be fighting over who’s gonna kick the shit out of them.”

you let out a tearful giggle, “you sound really funny when you curse.”

he scoffs, “what the hell, i do not!”

“you sound like a baby duckling that just learned how to say fuck.”

he starts to guide you out of the room and towards hotch’s office so you can recount what happened, “ouch, i’m hurt. i’d like to think the pistol and fbi badge i carry makes me intimidating.”

you giggle again, and spencer puts aside his rage to revel in the fact that you’re feeling better.

when hotch learned of what happened he immediately called seattle pd to file a motion to get those detectives fired, and the rest of the team were secretly praying for a case in seattle again so they could, as spencer predicted, kick the shit out of them.

[martian-astro]

D9/ Navamsa chart observations - Part 3

Jupiter in 9th is a great placement, even better if it's the 7th lord or darakaraka in d1. Your spouse will be intelligent. there's also a chance that you may do your master's or PhD after marriage. Your spouse can also have a job related to spirituality (one of my mom's friends has this placement and his wife is a reiki healer and also teaches meditation and hypnosis)

Jupiter in 10th is another really good placement. You and your spouse could start a business together, or you may meet them in your workplace. This is one of the placements that indicate that you'll earn more after marriage or once you start working WITH them (okay, so this example is interesting, i dont know how many of you know this, but there's an Indian company, dabur, and one of my relatives got married to the daughter of the brother of the guy who currently owns the company and let me tell you something, they are RICH RICH RICH, and like they helped my relative set up his own company and whenever we visit them, they give us such expensive gifts, you won't even find them anywhere, like custom made stuff) so if other factors support this, then you can get married into a super rich household

Venus conjunct ketu in 4th is a super common placement but I've noticed that it gives different results depending on what the ascendant is. A common prediction would be, that you guys will not get along with your spouse's family, you're gonna think that they waste too much money when they already have less of it. This is especially true for mother in law (I know a girl with this placement whose mother in law spends a lot on shopping and then asks for money from her, and she has to give in because divorce is not an option) i would recommend you guys to marry someone who doesn't have a mother 🥲

I KNOW SO MANY PEOPLE WITH MERCURY IN 8TH and it's so fascinating how it has the same exact effect on everyone. Okay, so this placement gives you 2 things, first, you'll gain a lot of money through joint accounts with your spouse, this could also be a marriage where you guys stay together just for money, a lot of celebrities have this placement. Second, your spouse is gonna hide things from you, like their salary (i know a woman with this placement and her husband was promoted and he told his wife that he was still doing the low pay job and he opened another account where he saved that extra money, while their family was having financial difficulties and stuff, it was a BIG deal)

Mercury in 11th is a nice placement, this could indicate a friends to lover type of story with your spouse. They could also be an extrovert, especially if mercury is in gemini. You guys will be focused on earning money but your whole focus won't be on money, like in 2nd or 8th house, it's gonna be more like "oh, this looks like a good idea, should we invest in this" kinda thing, i would say this is more like, both practical and romantic relationship

Moon in 8th..... Not exactly the best placement. Almost all the people that i know with this placement have been cheated on by their spouse, and again your spouse could hide things from you, but this time it's more emotional. Also, i have noticed that a lot of people with this placement marry someone who's in the closet, so their partner isn't affectionate and loving towards them and they think it's their fault but it's not, but it still ends up hurting them. You, yourself, could hide your feelings as well, and your spouse can see that and that's why they hide THEIR emotions, it's like a cycle. (if you have this, i would recommend you guys to go to therapy, heal your trauma and only then get into a serious relationship and sometimes you push your feelings down and you think you're over it, but you're not)

Mars in 8th can give very different results, but it does give you a spouse who is very sexual (and believe me, it's not always a good thing). If Mars is strong then it gives extremely good results, the ability to defeat your enemies and win, i know a person with this placement and she's a woman and people around her have always tried to ruin her life and she still managed to get up and is now living a great life. But if Mars is weak or worse, debilitated, then it can give an aggressive spouse, i know a person but i dont think i should share her story with you all, but if Mars is weak then... Don't marry. BUT if 7th lord and darakaraka of d1 is SUPER STRONG in d9 then go ahead.

Venus in 2nd is like okay okay, not bad but not good. I feel like this placement works better when it's in the cart of a man rather than a woman. The spouse will be good but will be more focused on earning money, even if they're already rich. From what I've seen, men are okay with wives like that, but women aren't, they need emotional security so being with a man who is focused on money makes them sad and lonely, whereas, men with this placement are more than happy to get wives like that, In MY opinion.

Sun conjunct ketu in 11th is another placement that is common, I know a lot of people with this. So, you will gain wealth but it's going to come very slowly, the type to MAKE generational wealth but not able to enjoy it. Also, i have noticed that these people always end up marrying someone who is in a lower position than them, career wise and so they support their spouse and at the same time take most of the financial responsibility of the family.

Ketu in 8th is SUCH a strong indicator of having a kid before marriage, or atleast getting pregnant. All the celebrities who've had a kid before marriage have this placement, Angelina Jolie and Shakira are two that i currently remember but I've seen it in the charts of a lot more. And listen, THERE'S NOTHING WRONG WITH THIS, OKAY.

© martian-astro All rights reserved, 2024

[fae-morrigan]

Someone put a post (where they admit they straight up dont know these characters lol, and also spell damian as 'damien' so like. yknow.) in the tags saying that if you're a fan of Jon & Jay, you shouldn't buy super son. Well, as the crowned CEO of Jay & Jon, I'm here to tell you guys that you absolutely should.

Super Son did the amazing thing of hitting several marks that I predicted while still managing to surprise me in how they hit them. Which is high praise for any story: A great narrative should be able to both meet reasonable audience expectations (i.e, staying in character, setup payoff) WHILE STILL throwing in curveballs that tell you something new.

There's a lot I want to analyze and get into, namely how I think the rooftop conversation between Jon & Nia is really brilliantly done in what it says about both characters, but mainly I've been thinking a lot about how great those last few pages were and how I think Sina absolutely nails how Jon & Jay's specific issues interact with each other.

Jay's always been a blunt person. From their first meeting back in SOKE 2, hes said what he thinks, and rarely does he try and soften himself. More than that, his bluntness is often a shield from vulnerability, which Jay struggles with the whole scene. It makes total sense, after what hes experienced (re-traumatization at the hands of a friend) that he's displaying that trait again.

Jon, however, is immediately vulnerable. This is the most poignant confession of the issue: Not even in the amazing sequence of Nia helping him make a place in the darkness (look, its back, thanks isabel!) do we get this admission of fear.

And Jay, like always, embraces him. Sidenote, LOVE how they got in the thing Jon does where he's constantly tucking his face in people's shoulders during hugs.

But the moment ends, and we get here. First of all, cold af. I could feel the aura before I turned the page.

Second of all: Jay is totally valid in feeling this way. And it makes perfect sense that he would.

Sara was his everything. Getting her back was one of his main motivations in SOKE. Because of Nia's actions, she died horribly (do you know what happens to a person when they fall from that sort of height? I do. Its AWFUL.) for an unjust cause. Of course he's glad she can't hurt anyone else!

And that's when we get to my FAVORITE PART! Oh how I love this bit. Because like. You understand why Jon's angry- Its a harsh thing for Jay to say! Nia was the one who kept him sane while he was trapped in his own mind! But Jay, like always, is RIGHT: Jon DOESN'T get it. How could he?

Jon Kent will NEVER, ever, be put in this position. Out of universe, his parents are Clark Kent and Lois Lane. They'll ALWAYS come back. Hell, the fact they'll always come back is something Ma LITERALLY says to Jon in SOKE. He will never, ever have to know this pain.

In universe, Jon's a white american. Despite being queer, despite being an alien, he'll never know what its like to be this kind of collateral, delegated as pawns in a greater war for 'freedom'. That is what killed Sara at the end of the day: imperialism.

This next bit hurts my heart. Great job, guys!

For one: Jon claims he's not excusing the mistakes Nia made, but by downplaying it like this... yes he is. But did you catch that part? Right at the start of that bubble?

"I'm going to fight every day to make up for my own part in this."

That's where it clicked for me. Something I had been hoping for since Nicole first called them twin flames.

He's projecting.

Of COURSE he's defending Nia. Of COURSE he wants Jay to forgive her. It isn't just about the fact that she gave him support, it isn't just the dreams, its the fact that... well. If Jay can't forgive her... how could he EVER forgive HIM?

THIS is where the fact that Jon and Nia are so similar as character SINGS. They become mirrors to each other, evaluating their own self worth through the other, at the unintentional expense of the people they've hurt.

Jay's right, though. Again. Its almost like he's the embodiment of the truth or something. He doesn't HAVE to do anything.

When he starts crying though, I immediately was RUINED. This is the first time we have EVER seen him cry before during his entire existence of a character. And its not really even because his mom is dead (though yes, that) and its not even because of the argument. Its because Jay fundamentally wants to be understood, and he's not getting that.

Which is important for the next bit:

I want to first backtrack a bit to Son of Kal El again, specifically, issue fourteen, right here.

Hello, two-panel sequence that succinctly describes these two as characters. How convenient you are for me, a guy analyzing a work that isn't written prose.

Jon isn't good at letting go, for better or for worse. The things he cares about stay with him, and when something or someone tries to exit his life, he clings to them with all his might.

Jay however, both selflessly and selfishly, is willing to let go first if he thinks its better for the other person. To me this line so effortlessly summarizes who Jay is- he's a person who's accustomed to not having things, and will leave before it hurts and he gets too attached.

And that thought is ALL over this scene. Jay, who begins to let go, Jon, who both literally and physically CLINGS to jay, practically begging him to stay.

(Sidenote. This is like, the third time Jay mentions breaking up when Jon starts acting up. Good for you king, keep that white boy on his toes, let him know he ain't all that.)

Every little detail of this four panel sequence is killing me. "My worst nightmare is not having a home with you in it." His greatest desire. The thing that kept tipping him off in every fake reality Nia constructed for him- Jay's absence. Him wiping the tear of Jay's cheek. Jay walking away from him.

But what really gets me is how on this page, Jon talks about them as 'we', while Jay is firmly stuck in 'I.'

This is what made me LOSE MY MARBLES at three in the morning. Just utterly fucking off my rocker in a straightjacket talking to myself.

Because this is what JON wants. But is it what JAY wants?

Jon never asks.

What about what Jay fears? What about the life that HE wants? What if he doesn't want San Francisco? What if the life he wants is the life he HAD before everything went wrong? Jon outright says he wants a fresh start. But Jay, Jay's someone with such deep connections to what he just lost, what he likely WANTS to get back. His country. His mother. His sense of self. But. He says yes.

(Sidenote. FIRST I LOVE YOU WOOOOOOOOOO) To quote my buddy Dami: Oh, the drama of needing a future with someone who can't get over the past.

It is left unclear, by the end, whether or not Jay is saying yes to this because he genuinely wants to, or if he's only saying yes because he doesn't want to lose Jon, too. Jon doesn't stop to question whether or not Jay's only reaching after him because Jon's walking away. We, the audience, are left to ponder that for ourselves.

How much of Jay saying yes is him just accepting that this is the best he's going to get? That he's never going to be understood because nobody wants to understand?

He's an afterthought to Nia, an obstacle at best, and to Jon he's a particularly handsome prop in this little fantasy he has of running away and starting new. He's either not thought of at all, or when he is thought about, it's in the context of how he can emotionally fulfill the other person And you get why Jon did this. He's desperate, he's hurting, he just got tangible evidence that the time he has with the people he loves isn't ever guaranteed. He's been needing space from Clark and Lois for MONTHS because god knows they haven't been fulfilling his emotional needs. In a very real sense, Jay is who he has.

But wanting someone to stay with you so much that you'll... Not even ignore, but just not ever consider what they may want. The intentional isolation, moving halfway across the country away from all support systems. The need to cling to someone.

It reminds me of... something. Someone.

Don't tell Jon I made this comparison. He'll kill himself. Jon and Ultraman ARE similar. They're both such deeply lonely people who cling very tightly and even though it manifests in different ways and even though they have different core thoughts about it. The effect at the end of the day is the same, isn't it?

Is loving Jay not a brutal act of destruction?

There's so many more details about this story I love. Jon & Nia's conversation being vague enough that you have no idea how Jon meant what he told her but you KNOW how NIA took it (girl you can do better hes literally ugly!). Jon breaking a pillar by bonking his head against it (LMFAO). The pretty lies vs ugly truth dichotomy of Jay vs Nia here.

But this one scene, man. This one fucking scene takes the cake. STELLAR work all around. Every panel counts.

This better lead into a full Superman & Gossamer run or SOMETHING or I'm going to have WORDS with DC's editorial staff.

[sansacherie]

so allegedly based on episode 5 leaks, alicent tries to vie for regent while aegon is (temporarily) incapacitated.

predictably, there have been stupid takes from both sides of the fandom. i just know that y'all rhaenyra fans (and a lot of the general audience) aren't going to realize that alicent would be asking for something VERY different than what rhaenyra wants. a queen regent is not the same thing as a queen regnant, and there have been examples of queen regents in westeros before. call alicent a hypocrite on everything else (which is a whole other discussion) but i will fight anyone who tries to call her a hypocrite for this. not to mention if the other leaks its true it's obvious that the writers are trying to draw a parallel between rhaenyra and her where rhaenyra also gets undermined.

but moving on to the aegonwives- just as i call out daemonwives/viserys fanboys when they piss me off, im going to do same with you lol.

ive seen comments like "alicent cares more about having power than the fact her son almost died" im sorry but have you actually seen the episode yet or are you just jumping to conclusions? dont get me wrong, the writing HAS done aegon dirty, so a lack of faith is understandable, but that doesn't mean abandoning all common sense especially when there have been times y'all were wrong about something. like i haven't forgotten how so many assumed alicent saying "proceed cautiously" was after blood and cheese and yet turns out it was the small council deciding what their next move should be after aemond killed luke.

anyway, i honestly don't know how based on a single line you can interpret alicent wanting to be regent in that way. if anything, her wanting to be regent shows her LOYALTY to aegon. she put him in that position (pushing his claim) so she owes it to him to be his regent while they wait for what is to become of him. it doesnt matter if she hasnt ruled in wartime, she has to help her son somehow. according to these same leaks, alicent is also suspicious of aemond. if that's true, then yeah it makes perfect sense why she would want to be regent. what's the bet y'all would get mad if alicent despite her suspicions, doesnt have any objections to aemond taking over? she can never win. i love aemond BUT depending on what they do with it he has put her in a situation where alicent can't really confront him for aegon because that would mean making alicent's other children and granddaughter even more vulnerable than they are now

finally, ill end it here by bringing up that according to professional reviews from people who've seen past episode 4, alicent has been described as someone who "screams for vengeance when her son is scarred in battle" now how does that scream indifference or lack of love??

[kakiastro]

The 4th House: Your Inner World

We do not talk about the 4h enough on here! This area in life can really reveal what’s happening in a person life that they don’t show in public.

-when ppl think of the 4h, the first thought is family. This shows you how you were raised, the type of home environment you grew up in. It indicates the type of themes you will face into your adulthood that reflects your childhood. This also show the emotional state of your family. If you have any planets in your 4h, you may have several family members with that planetary sign rulers, or whatever sign you have your mercury in:

Example: if you have Mercury Scorpio living in your 4h, you may several family members with Gemini/3h, Virgo/6h, Scorpio/ 8h placements somewhere in there chart.

- the 4h rules your whole family ancestry on your mother side. You can see the struggles and successes they had. The ruler of your 4hsign and placement can give you even more insight. Your 4h is like your genealogy just without the names, places and things. However, you can see the energy and what was passed down to you. This is where family stories that’s been passed down to you comes into play, write those down and look at your 4h. Even if you don’t know much about your family history, study your mom or grandmother life, that reveals patterns that was passed down to them and you.

-this actually shows who a person is underneath the surface. The 4h literally sits at the bottom of your chart. It’s the anchor, the thing that keeps you grounded. Despite what you show to your everyone else (10h), your 4h is who you are when you’re at home in your undies, your naked here.

Example: a person with a Mars 4h has a very active home life, there’s always something going on(good or bad). They may feel themselves at home then out in public. If they invite you to their house, you’ll see a completely different person than you thought you knew.

-you know the phrase “who raised yall?” All that can be seen in the 4h. Now Saturn rules over parenting but the 4h shows how that played out. How you were raised (4h) shows up in your very public life. Now if the ruler of your 4h shows up in a public house, everyone may knows your business.

Example: Kim Karsashian 4h planet ruler is in her 1h. The 1h is literally you, with the 4h in her house, her family is a main part of her image and life this incarnation.

-a A LOT of people don’t know this because it’s not that taught in a lot of public spaces but the 4h is connected to your death. The 4h rules endings of life. When people think of death, they think of Pluto because it rules over death. It’s a different kind of death though. So, the 4h is when you actually leave this realm but the 8h is the process and transformation of your death. It’s also what you left to those you love such as your beneficiaries etc. I hope this is making sense lol. Let me know if you want me to make a separate post on this topic

Example: Kurt Cobain has a 4h Sagittarius with ruler Jupiter in Cancer 10h. First, his death was very public globally, and is still talked about to this day(Sag). Everyone has there own opinions and ideal on his death which is also very Sagittarius He passed in his home(Cancer 10).

*DONT go looking at your chart trying to predict your death either after this nor don’t message me asking if I can read your chart about it. The answer is No! You’ll just give yourself anxiety and drive yourself cray. If you’re alive, focus on your mission only, focus on Life!!

- on the spiritual side of things, the 4h rules over your Soul family and soul ancestry. This is different than your regular family that you were born into. This family are the ones who’s been with you for several lifetimes and dimensions. Now, some of you family members may be apart of your soul family but this isn’t the case for everyone.

I’ll end this post here but I am open for full natal chart readings, check my pin page to see other options! Happy July!!

[crow-aeris]

Part 4 of And yet the Clock Twists Back

aka, my cursed object au, or the au my beloved brainworms gifted to me 😔

Parts 1,2,3

-----

Jason grimaces as he sees Tim's binoculars gleam in his peripherals. Sure, he did NOT want to be kidnapped by a creep, but Tim had offered himself first, and Jason would rather die a third time than allow Tim to do whatever his stupid little genius stalker brain brewed up. Jason had also given the weird pendant to tim so maybe he could find out something new while jason was being kidnapped.

And, like clockwork, Robert Shawn rounds the corner just as Jason lights the end of his cigarette. A smaller part of him that had grown more vocal since the beginning of the whole time-travel bullshit screams for him to stop. they've seen it happen to their mom, so jason should stop before be got addicted too.

But, he gently reminds the smaller, worried, and child-like part of himself that he wasn't smoking it. he was going to let the cigarette fumes curl into the air like a signal, a catalyst of events that will lead him and tim to their big brother.

the small voice quietens to a low buzz at the back of his head, so Jason continues.

"hey, thomas," that guy approaches, a hungry gleam in his eyes, "where's alvin? what are you doing all by yourself? smoking, no less?"

"Non'ya business what i do on my own, dipshit," jason snapped, glaring at the man.

"Don't be like that," the man said in a tone that was almost teasing, and oh shit, he was one of those men- ones who only wanted people so he could break them. They want the power and that comes with being in a position of power, and when they couldn't do that...

"I can be however i want," jason scoffed. He sees the gleam blink twice, and so jason turns his back on the man.

Just like he predicted, arms grabbed him, slapping a hand over his mouth. Jason struggled like a kid his age would. He screamed- the sound muffled by the man's hand as he was dragged away kicking and thrashing.

Shawn snarled, obviously frustrated, before slamming jason into the wall, "If you dont fucking behave, then i will find your little brother and i will have my way with him, got it?"

"Y-you dont even know where he is," Jason snarled despite being winded.

Shawn rattles off Jason's address, and it was all he could do to keep from laughing hysterically. God, this man was so stupid. If you did nothing other than surface-level research, then you deserve to be punched by Bruce.

But, he had a cover to uphold, so jason falls quiet and stares up at the man with wide, watering, doe eyes, "Y-you! Please- d-don't hurt him!He's all i have left!"

a sadistic light enters the man's eyes, and Jason was suddenly viscerally aware of the knife tucked in a hidden pocket, "so long as you remain and a good little boy, then i promise i won't touch a single hair on your brother's head."

there were so many loopholes that allowed the man to fuck with his "brother", but that was only if he could find tim first. If Batman didn't notice an inexperienced Tim Drake following him, then some average criminal could never dare to find a very experienced Tim Drake who has the size advantage.

Jason dips his head and allows himself to be lead away like a lamb to the slaughter.

but little do these butchers know, the creature they caught wasn't a lamb, he was a Bat through and through.

And when there was one Bat, there is always bound to be more.

-----

Parts 1, 2, 3

and the directory

[crazylittlejester]

Sooo, I know that you are technically the “Wars expert”, but you are really good at predicting things that will happen the LU comics.

I keep thinking that Twilight is getting more and more fed up with everyone treating him like he’s made of glass. What do you think, how long will it take until he snaps at someone for being overprotective? And who will it be? ( my guess is that it’ll be either Wars or Time and that it won’t be long 😉)

okay pardon the fact that my brain is soup rn my head is pounding lmao, none of this is gonna be coherent and most of it is off topic rambling i dont think a word of this makes sense-

I don’t really think the others are treating Twi like glass, at least not now

so in my mind i separate the group a bit into “kids” (wind, four, hyrule, legend, wild) and “adults” (time, wars, twi, sky). Now I think the only thing canonically established in LU is that Wind is the youngest and Time is the oldest, so the rest of the group hierarchy can go literally whichever way you interpret it, but I definitely think of Wars and Twi as pretty close up there to Time in regards to how much “power” (for lack of a better word-) they have within the group. They’re the only two who feel like they have the power to “talk back” (again for lack of better words) to Time in a way where Time might actually LISTEN. I feel like it’s not that the others are treating Twilight like glass, they’re worried about him because he almost died, but they have faith in him. But Time on the other hand has to look at Twilight and see his own future with Malon and all that, and based off the conversation in “Malon 5” it seems like Time might feel at least a little bit responsible for keeping Twilight safe and uninjured. But despite this I think that hasn’t impacted his view of Twilight’s capabilities, like yes he might keep more of an eye out for him, but he knows Twilight can handle himself

The new added element to this whole situation is Warriors and “Wild’s” dungeon inexperience. Because now Time, unofficial official leader, has his two “second” in commands as “Guy who has never stepped foot in a dungeon before in his life” and “Descendant who almost died”, and as we’ve seen he’s been really stressed lately and this is just adding to it. Which, yeah, I would be stressed too 😭

My theory isn’t necessarily that Twi is going to snap because he’s being babied, but rather if we DO see him getting snappy at people (Time) it’s going to be because of how strict he’s getting

That being said I have theories about the breakdowns of the groups, and I’m not sure I see a scenario in which Twi, Time, and Wars would be in the same group. MAYBE two of them, but I can’t imagine all three of them would be in the same spot. If they are tho, that’s be hilarious and the fucking DRAMA- oh my god

I think if Warriors WASN’T with Time, he’d be with either Twi or Legend, but not both, and I think the third person could be Wind. If I were the one building these groups, I’d make it Wars, Legend, and Wind

If Time WASN’T with Twi, he’d be with Wars, and if not Wars then I think Four and/or Hyrule. High Stress Adult + two experienced but very chill “kids”. They’d have their differences in how they do things, but I think those three would work well together. But if Jojo’s feeling evil I think Time, Wild, and Legend would be an EXPLOSIVE group of clashing personalities and all three of them would argue the entire time because they’re all very stubborn. I think poor Wild would really get the short end of the stick in that scenario-

I predict, if these groups are gonna be 3 groups of 3 and the goal is to create well balanced teams:

Twilight, Sky, and Wild would be a POWERHOUSE: two adults + one “kid” with ‘half’ dungeon experience. They’d get along well, they’d work well together

Time, Four, and Hyrule: Again, High Stress Adult + two quieter “kids”, but I really think Hyrule and Four would work well together, and they’d balance out Time’s stress with their goofy little guy-ness

Wars, Legend, and Wind: It’s giving a mom taking her two kids to indulge in their hyperfixation she knows nothing about. Wind and Legend are totally capable in a dungeon, and they both have a good dynamic with Wars that could be very entertaining and funny, and definitely just enjoyable to witness

but the evil voices in me want the groups to be Wars/Time/Twi, Legend/Hyrule/Wild, Sky/Four/Wind, because I’m just imagining Drama Queens (crying, screaming, emotions involved), Triple Threat (pure crack), and The People Actually Getting Shit Done, and that would be so epic

aight thats all i got

*falls over and dies*

[fandomrouletteburrito]

You know what? Im going to vent about how annoyed I am abt bsd atm and put it in the tags bcuz I also want to debate it. I enjoy bsd but I am struggling to understand what exactly Asagiri is trying to do here esp when this arc is so long that the arc itself has mini arcs in it.

If anyone reads this I would love, LOVE to discuss this because I am yanking my hair in frusteration

I am putting it under a cut so that ppl who dont want to see criticism abt bsd dont have to see it

Am i being an asshole? Yes

Am i going to warn ppl before hand and remind them that they can curate their internet experience by simply not reading something that is going to criticize something they love? And the block button exists for a reason???????Also yes

That being said i dont often go off about things i dont like about media i enjoy because well i understand everything i like has pros and cons

Also i still read bsd bcuz there r other things i DO like about it

Anywayssss

The thing that is bothering me about bsd is that I dont think I can tell what any character is doing EVER. Perhaps thats just my taste and I like having some idea of whats going to happen.

The characters arcs are excellent, their actions make sense for the personalities that they have yes.

The problem i do have w bsd is that the characters are apparently constantly always somehow predicting whats going on

How in the goddamn world do you expect me to believe that Fyodor let Dazai see him kill someone through touch so that Dazai would come up w a plan like Mersault? Fyodor didn’t expect Dazai to catch him at the end of the whole virus thing so like how is that enough time for him to find a way to kill that guard by just touching his hand? Why do that unless you planned the Mersault fake death from the start?

I forget but didn’t the Hunting Dogs get Mushitaro to bring up Dazai’s crimes to get Dazai into Mersault? Was this all to get Dazai away from the agency? Extremely likely but that tells me Fyodor planned to fake his death from the star(again) WHICH IN TURN MEANS HE HAD TO HAVE FKING KNOWN SO MUCH AHEAD OF TIME which only makes sense if he had access to some type of future telling ability because some characters actions WERE random eg: below

If Gogol randomly decided to break Fyodor out of Mersault with his race against death game, how can Fyodor expect to be killed by a vampire to become Bram??? How does this make sense if he did not know that Gogol would plan this at all?

There is the panel of Fyodor fallin through the Mersault room correctly as he says its time to escape so maybe he knew Gogol would that? HOW if Gogol just came up with that plan without any of Fyodor’s input?? Alright then maybe he was acting so Dazai won’t catch on but even then how was he expecting to die so that he can become Bram?? What was his alternate plan?

Alright maybe he simply predicted Gogol to do that which I think is a bit sad for Gogol since I think his whole character arc is about how he doesn’t want to be shackled by anything and I would argue being manipulated by someone is a shackle

Criticism 2: the fact absolutely no one of importance has died in bsd manga except for in the light novels(i am including Odasaku in this) please PLEASE correct me if I missed a death

Im not counting Fukuchi as dead because jury’s still out on that given the whole thing w God!Fukuchi/Amenogozen

Esp as we have Dead Apple where whats his names ability outlived him and i think also in 55 minutes

Because well, how do you expect me to take any of the stakes in this manga seriously if no one of name dies ever, I would not have this issue if death wasnt faked out as many times as it has

Maybe Bram will actually stay dead but I doubt it

The fact Kunikida was killed this chapter just tells me that yet again, death is not a serious consequence in this manga. Esp as the book has not been used yet. Even fking HP Lovecraft is alive ffs.

If Kunikida stays dead I will HAPPILY eat my words and state that Asagiri is a master writer for fooling my reading of bsd that well.( i am obviously not saying only my interpretation of bsd is correct so pls dont come at me)

Criticism 3: why didn’t Dazai literally just kill off Fyodor w Chuuya once they got Sigma to get the info from Fyodor

I understand thats a much more author did that because thats what the writing needed and characters are only as intelligent as the story needs so … fineeeee thats on me

Criticism 4: the whole Amenogozen thing about how the war isn’t real

How can Fyodor fake the sign on the wall unless he knew what sign meant world ending to Fukuchi???

Not sure if this is a criticism but if Chuuya was sent by Mori…how did Fyodor expect him to show up? Unless Fyodor and Mori discussed that earlier together in which case Mori is doing an excellent job at pretending like he’s not inleague with Fyodor

This plan of Fyodor’s to become Bram is just so batshit insane and so reliant on people doing random things at the right time eg: Gogol and the death game, Chuuya not being used to kill Fyodor in any form, Sigma not waking up in time to warn the agency, Dazai not fking shooting Fyodor w a gun

Imagine if Gogol’s poison succeeded then well ig Fyodor would just stay in his body since he injected the poison in his own veins which hey doesn’t that mean there was no risk of Fyodor dying in that game? I am likely wrong but it is kinda funny

Unrelated but wow tumblr does NOT want to make writing this on mobile easy bruh

I think the reason I’m so frusterated with this is that bsd is so unpredictable that for me it feels like its going beyond the suspension of disbelief i have

Its breaking the intelligence scale that they set with Fyodor, Dazai and Ranpo that it feels too much to believe

My other issue is I dont know what the whole long term thing w BSD is, and I am a bit tired of that. That might be my personal taste where I like to know what kind of ending or long term things I hope to see in a series but this is a bit too absured for me which might be the point

If anyone reads this entire nonsensical essay you have my respect

[sibylsleaves]

Not only do buck/eddie and sometimes chris have a big moment in every premiere but also almost every premiere ties back to the finale in some way. S2 - you can have my back anyday/you can have mine after the bomb in the ambulance. Then the bomb blowing up the fire truck and eddie having buck’s back while he was trapped and buck having eddie’s back by insisting on going to his probie grad ceremony. S3 - the tie in with madney saying are we the only people we know without kids … buck + eddie showing up at the loft. Then the finale showing buck being concerned about chris going to camp. Also some tie in with abby meeting someone she would do anything for, who has kids and is becoming their step parent I think. S4 I cannot remember the premiere but obviously the finale was crazy and Im sure theres some tie in with buck feeling expendable + the premiere. Maybe something with dr copeland? S5 - eddie really shouldnt be exerting himself right now scene vs buck being the guy who wants to fix everything. Basically the beginning and conclusion of eddie’s arc and buck’s role in that. S6 - dinner scene obviously the couch call back and leadership call back for buck we dont need to talk about it though lol. And of course s7 with the blatant buck parenting chris parallels. Yayy 911 insisting on doing parallels with buck and eddie specifically to begin and end every season :))))

S4 is the only one where the premiere didn’t have any like out of pocket buddie domestic moment tbh. But they made up for it with the finale. Changed the game fr…

But yes!!! All of the parallels!! Bookends. Whatever you want to call them. It does make me curious what we’ll see on s8!! Presumably something to do with Eddie & Buck dealing with Chris’s absence. And since I predict Chris will come back sooner rather than later, I am interested to see what seeds the premiere plants wrt the three of them that can be carried through the whole season…

[jemmo]

to say im in love with the most recent ep of my personal weatherman would be a gross understatement bc my god, i dont think a show has ever pulled off two idiots that are in love and don’t know how to express it so perfectly. 

(put in a read more bc wow that got long)

and this ep is perfect for that bc it explains so well segasaki’s behaviors and attitudes up to this point, where we previously hadn’t got to see that much behind his curtain. we’ve seen yoh, we’re privy to his inner thoughts a lot, and we know why he’s in a difficult place with his feelings at the moment, and we know the way he perceives segasaki, which was complicated to begin with and has only gotten more so. but in this ep, we get to see this whole journey of where segasaki has come from, why he is the way he is, and how he found some kind of solace with yoh, and why he’s panicking at the idea of that solace crumbling.

and it’s genius bc it’s a backstory i never really saw coming, it’s one of the few times i could predict something in a bl. this idea of him not being an outright people pleaser, more so just a good observer of the status quo and acting accordingly to get by with as few problems as possible. and with his looks, his general demeanor and such, it means he can easily integrate with these ‘popular’ people who aren’t actually popular, they just act the way that they think gains them popularity, namely acting superior. it’s never that segasaki was like that, they were just his social security blanket.

(and no, it does not escape me that this set up is very much like utsukushii kare and I’d very much like to dive into how those shows take this same basis to establish in some ways very different and in other ways very similar relationships, and why so often with these dynamics we see these recurring themes of like… extreme obsession and dependency and a fear of being left, but another day)

I think what was a real breakthrough for segasaki wasn’t just first glance, but seeing those drawings of himself yoh did, seeing himself being that removed and void and emotionless and realizing that this random kid he didn’t even know and who’d only seen him for a moment could see that in him. and it’s this simultaneously realization in himself and these burgeoning feelings for yoh that lead to this change. he’s not dropping the mask, it’s more so that he feels this comfort around yoh that he’s never felt before and so he’s suddenly realizing how exhausting it is to put on the act. and he’s both treacherous and unsure and unwilling to expose himself in that way, but also feels this need to reject it now that he knows the weight of it.

and just like that, as soon as it slips, as soon as he lets yoh in, my god he just becomes fixed. he just like yes, this one, he’s mine, end of story. but it’s insane to me that, despite all the undertones, none of it is romantic at this point, and even to where we are in the present, none of it is ever presented or established as a romantic relationship between them. it’s sexual and dependent, bc they both know they need each other, segasaki especially, but they just aren’t able to recognize that it is romantic. and it keeps coming back to this thing about smiling, that the other never smiles for them, or segasaki saying i can smile better than that, they just want to see each other happy, and they want that happiness to be because of them. but bc of the mental places they come from, my good they just cannot do that. it’s such a mental block for them both. yoh is coming from this place of having complicated feelings but all the way back in those early eps, he did all this stuff for segasaki and just got indifference in return and he just wants to feel like those efforts are appreciated, that he is appreciated, and when segesaki said what he did about his manga, that’s the clearest way yoh has got the message that segasaki doesn’t appreciate him as a person. meanwhile segasaki is just so dependent on yoh at this point but still has this lingering tendency not to show his true emotions and remain stoic and removed bc that’s just what he’s used to, and while he does try to communicate his feelings for yoh in some ways, they’re just not the best and yoh doesn’t register, hence the way he behaves, so uptight and on edge around segasaki, that when he sees yoh smiling or having fun or at ease around other people, he just panics and goes to extremes and you know… ties yoh up. he just can’t handle the idea of yoh finding happiness elsewhere bc then he’ll leave and segasaki will suffocate. literally, going back having that front on all the time, like when he’s at work, with no escape, it’ll stifle him so much he can’t breathe. but this is where segasaki needs to start unlearning what he’s used to and being honest and open, and equally yoh needs to speak up for himself if he wants something to change.

but also with yoh, and i wrote about this before when i said this show was like watching two people trying to reconcile with and navigate wanting a dom/sub relationship, or at least something with those undertones, and not just sexually (or even sexually at all), but in their dynamic. bc in these flashbacks we see the essences of that kind of relationship that they have shown up to now, and this is their first prolonged interaction, which shows this isn’t just something that’s been put on them or evolved into per say, it’s a way they naturally behave, their tendencies, that manage to sync up. yoh is instantly willing and eager to serve, to tend to segasaki, not just feed him but cook for him where he isn’t a proficient cook just bc segasaki said he doesn’t like convenience food as an offhand comment. like not many people would go and make a full curry in a guy’s house you’ve talked to maybe 4 times just for that reason, but he does. equally, he goes out and buys a whole range of drinks and puts them out for segasaki to pick bc he hopes that in those choices he picked the one that was right, and in that small interaction of segasaki saying he didn’t mind then picking one, the way yoh goes from disheartened to happy with himself. he wants to look after segasaki, to serve him, and his feelings get complicated when, as we saw with those drinks, he doesn’t get appreciated for it. so when he does the cooking and cleaning and laundry and segasaki doesn’t seem happy about it, that’s when he gets annoyed and angry.

and on the other side, you see segasaki immediately unleash this need to be the only person in yoh’s life, this obsession, to know him the most, and for him to be the only person yoh does these things for. he eats a curry and asks for the rest to be saved in tupperware for him to eat later solely bc he wants to be the only one that knows the exact way in which yoh’s cooking is bad. he wants the joy of someone asking yoh if he can cook, and yoh saying he can make curry, for only him to know he actually can’t, it’s awful. and it’s the way the underlying thing of it is seeing these bad points, these weaknesses of yoh, is what he enjoys as well as the want to see him happy only for him and only because of him. it’s wanting to be able to hold those extremes over yoh, make him overjoyed bc he appreciates him and praises him so much, but also squirm and feel bad bc he knows the ways in which he is imperfect, bc he doesn’t see them as flaws, he sees them as the intricate ways he knows all of yoh there is to know. if that does not scream dom, idk what does.

and what i hope for in this final ep is some kind of exploration in finding happiness in the exact kinda fucked up way their relationship works. i want segasaki to tie yoh up and say these things about him not being allowed to see other people, and for yoh to both stand up for himself but also kind of… like it. it’s such a hard line to tread bc you don’t want to present some of these things as ok, but I think it’s important to show that before you can behave these ways knowing it’s ok, and esp if you don’t have good communication, you have to kind of just… do it. and i think these people care enough about each other that it would never cross the line, but at least in this fictional space it feels like it needs to be there for them to explore it and find the ways they both enjoy it (and im saying this fully only commenting on this in fiction and the way the story is, not a real life situation) anyway, I just think it would be great to show how, in a roundabout, messy way, these two people manage to get on the same page and communicate better and enjoy the ways they are dependent on and obsessed with each other bc at the end of the day they are just so fucking in love with each other, and this is just the way that’s expressed. it’s not gonna be a case of oh I see I was too much I was wrong I love you let’s me a nice happy lovey dovey couple, it’s very much i love you I’m obsessed with you our dynamic is still our dynamic but now we just smile a lot more bc we know we are both happy with the way we love each other. it’s about removing that grey area of doubt for both of them, knowing yes I am appreciated and yes I won’t be left, bc they learn the ways to show their feelings to each other that removes those doubts.

and finally, both bc i forgot earlier and bc i loved it so much and it made me cry a lot (it’s been a long week, spare me), I wanna talk about that prolonged head pat. the way segasaki does it, not just a pat but playing with the hair and down to his ear, more like the actions of an inquisitive baby than anything else, bc that’s what he is in that moment, inquisitive as to why this boy makes him feel this type of way, and the way yoh keeps glancing to it and doing that small laugh that you do when something seems awkward and you wanna draw attention to it hoping someone will see it’s awkward and stop, or at least acknowledge it, bc he’s uncomfortable, but segasaki doesn’t do anything, doesn’t stop or acknowledge what he’s doing, he just carries on, and it’s almost like he looks at yoh as to say no I’m not stopping I’m gonna do this yes it might be weird and kinda awkward but I want to do it so I will and i won’t be the one to stop myself just bc you’re signaling that you’re a little uncomfortable. and ultimately yoh does nothing, doesn’t move the hand, doesn’t even move away from the touch, he just lets it happen, let’s the moment be weird and uncomfortable but also feels that weird joy from it. and like… at least for me, that’s the spark of someone finding out they like that weird idea of being praised and appreciated, and it’s magical that segasaki ignites that in him bc of the specific way he is at his core, not the mask but instead letting feeling out and acting on impulse, being brazen and forward and not backing down when he does something. I just thing it’s beautiful that you see in these flashbacks all these small ways in which they discover the dynamic of their relationship and how it proves that there can be a future where they’re both happy in it after they get over their own doubts and learn to communicate better. honestly this show is just such a treat to pick apart and explore lenses to read it from and god i don’t want it to end

[amaryllisblackthorn]

spoilers for professor layton and the last specter

one day i'll finally write that ~analysis about how layton treats children esp in pl4 and esp in comparison to emmy that's been in my head for literal y e a r s at this point

i'm going to actually leave some of my scattered thoughts abt it here finally. note that this is all based on the US localization.

for lack of better words, layton treats children with respect and seriously. like of course he's mindful that they're children but he takes what they say and feel with seriousness. vs emmy who's often patronizing, demeaning, or impatient (for lack of better words).

this is prob most apparent with Luke in pl4, though not limited to him.

when first told about the door puzzle, emmy goes 'aw thats so cute let's do it'. like indulging a little kid. which luke is, but i digress. EDIT: briefly checked out the jpn text in the scene and it doesn't seem like Emmy calls it cute, and her tone isn't doing it either. seems like she's just like, 'Professor, let's do it!' which is interestinf

there's a point where Luke is freaking out about the specter and the power it has and how it's corrupted his father. emmy's like 'you cant seriously believe theres actually a specter!' but Layton says to Luke 'I believe the specter has the power you say it has'. Layton doesnt believe there's an actual monster re: the specter, but he believes there is something re: the specter, and that's the important thing. and Layton furthermore immediately goes on to say he's noticed something's up with Clark, himself. Layton is listening to Luke and taking his feelings and fears seriously and is validating him -- and this is so incredibly significant bc of Luke's whole feeling like he's unable to trust anyone during the game which is incredibly related to this but a bit separate so im trying not to digress. THE POINT. is. the difference between Layton and Emmy in this regard.

i dont remember if it's the same part -- i think it might be later but maybe not -- i think it's when Luke reveals how he can tell where the specter will appear next? -- but basically Emmy's kind of upset for lack of a better word that Luke had been withholding that info and is like 'are you hiding anything else, like what the specter has for breakfast?!' or something iirc. luke mind of apologetically defends himself with 'i didnt know if i could trust you' and Layton is totally understanding

EDIT: (i removed an example bc upon further reflection it wasnt necessarily relevant. i might readd it later)

then there's the part with Jakes' son near the end iirc

also the small part nearer the beginning iirc when Luke goes chasing after the cat and Emmy&Layton are chasing after him and Emmy complains to the professor 'he's acting like a child!' and layton's like 'heh well he is a child c; '

there's also how Layton treats/interacts with the Ravens

also when first meeting Luke and Luke's opening up slightly but then Clark comes in and starts scolding him which has Luke withdraw/angry/turn away and Layton's like, "Clark, please"

there's also the cutscene when they first see the specter, where before it appears. Layton asks Luke, 'well, luke, what do you think? do you see anything?', he says no nothing, and Emmy's like 'I still have a hard time believing this. it sounds like a scary bedtime story. is this even possible?'. Layton says, 'Well, we'll soon find out.' and then Emmy goes on to say 'and a poor boy who predicts where the giant specter will appear' and Luke's unhappy about her comment

ALSO when Layton tries to go after the Specter that scene and Luke grabs onto him and tells him not to go, Layton takes the time to talk to him. same for when Luke's freaking out when the police took Arianna away. Layton puts a hand on his shoulder, gets to his level, and talks to him seriously.

this isn't bashing on Emmy btw I actually enjoy this as part of her character and it makes sense to me the difference between her and Layton in this regard. im also not saying that shes like always like this with kids either. or that it's even kid specific. I genuinely think it's neat. I also think it's a super neat part of Layton's character.

also ive really got to either play through pl4 again myself or watch a playthrough to record all the specific instances again.

also Layton taking Luke's feelings and fears seriously and Luke coming to trust Layton at this time of his life means the world to me

[terrible-leviathan]

Okay extended LMK Season 5 Twig thoughts:

Couldnt find anything big about Xianglu/Nine online, just that he kinda brings about destruction (shitty soil for crops, floods, etc) and in some iterations of his story was killed by nuwa

ALSO. THIS WHOLE TIME I THOUGHT IT WAS "HARBRINGER" CUS LIKE "BRING" AND ITS ACTUALLY "HARBINGER" AND IM VERY UPSET ABOUT THAT

Im glad that mei still has the samadhi fire and actually Always had it as her lightning thing. It makes the samadhi fire feel like less of a "why is x character driving the bus all of a sudden" addition to meis abilities.

And of course THE ELEPHANT IN THE ROOM: CHAOS MAGIC. Maybe i just dont know enough about jttw and chinese mythology, but the chaos magic stuff is straying away from jttw-based lore territory. I dont mean that as a bad thing! Just means i cant predict plausible stuff based on source material as much.

Verryyyyyy interested to see where macaques shadow magic came from and what it has to do with how he was able to mess with xianglu. If they swapped magic, which would explain the "you cut me off from the chaos" line, it doesnt make sense that xianglu was able to use thatagic still afterward. Maybe it has something to do with macaques first appearance, where he stole wukongs power? I think thats a good contender of a theory, but i dont have the analysis skills to expand upon it.

Also also why has the chaos magic somehow gotten imbued into the staff? My best guess is that its because MK got to the edge of Chaos, but maybe it was something that was always there that got activated.

Regardless, i dont think this is the last we'll be seeing of Xianglu. Matthew Mercer killed it with his delivery (as did literally everyone else but mercers a new addition so he gets spotlight) and Xianglu hardly felt like he was saying goodbye.

Thats my theories, i shall add appreciation in another ask. (Sorry for spamming ur inbox i dont have the skill to make my own analysis posts)

WAIT ITS NOT HARBRINGER???? WTFFF I THOUGHT IT WAS THAT THE ENTIRE TIME THIS IS UPSETTING

I actually saw one theory that the whole chaos magic is gonna end up corrupting Macaque in the next season but yeah! I also saw someone else's post about chaos and how it's a different interpretation to what LMK has compared to what the mythology actually says about it so that's interesting.

Honestly I can't wait to see more of the snake man! I really hope it's not his last appearance in the series cuz his voice and character is really interesting!!

[stuck-in-the-ghost-zone]

HIII HI HI MAC!! IN UR INBOX. BEING ANNOYING. hope ur havin a good nighttttt <33 ^__^ i still haven't gotten past the gang leaving to find the other two missing folks in episode 36 yet. but ohhhh i fucking. Have Thoughts!!!!

>what is the deal with the "everyone evacuated instantly left in the middle of what they were doing" thing. was it. deadwood shit [tm]? the trickster? some hero doing crazy unethical but very efficient mass mind control to get everyone to leave quickly?

>shaking the trickster up and down putting him in the FUCKING paint mixer. what does he WANT? what does he want! i still don't understand this. obviously he escaped from the chaos realm and is delighting in causing as Many Problems As Possible (maliciously) but. why!! is it just the chaos realm driving u crazy bonkers regardless of who u originally were when u went in? he is. obviously. not happy. but also doesn't necessarily read as intentionally evil in the same way, like, mal does. was it originally Intended to be superhell or was that just something that happened after the array were deposed? also what was the original intent of ashe's book... was it the whisperer's? or a member of the array? welll-- maybe not the whisperer's, since it can summon duck. but. it's really just like a phonebook for creatures in the spirit realm (another point towards what was the trickster originally??). how did ashe Get It?

>genuinely this whole time i am so stressed and terrified for william wisp. he is power level LOWER THAN AN ALLIGATOR he is just a real boy now!! among all these superheroes who could crush him into paste regardless of the chainsaw and the shotgun. he is. eighteen. i'm so fucking dreading the confrontation with the trickster being smart and full of self loathing doesn't protect u from the trickster's big epic meat fist!!

>my prediction for the last mission they're going on is it's gonna be some freaky deadwood demon shit. the little girl was trickster stuff the other guy was chaos demon possession. i think this one is some good old-fashioned haunted town bullshit. i'll come check back in on this one in a couple hours hehehe.

>around every corner i'm like MARK??? IS HE HERE??? WHERE IS HE. i can't wait for him to appear.... i love u mark winters u suck so bad.. i hope he doesn't have to big participate in the trickster confrontation. well. for his sake i don't for my sake i hope he Does because that would suck SO bad for him <333

ok ok that's it for now i think. still insane over dakota's posession moment. hey remember when i wrote like 7k over him freaking out about the Thing In Him? ok ok BYE going to put the gort to beddddd. will b back in several business hours to liveblog the rest of 36 & u can laugh at mee ^__^

HIIIIIII YAYY YAYY YIPPEEEE I LOVE WHEN MY FRIENDS ARE ANNOYING IN MY INBOX !!!!!!!!

I am having a good night look at this card I made for my intern (her last day is tomorrow 🥲)

(gift card and note emitted for obvious reasons)

I LOOOOOVE YOUR THOUGHTSSS EHEHE dude im sooooo excited for u to see the end there's so many things I cannot wait to get your opinion on >:]c specifically not commenting on Some Of This for Reasons but I am sooooo entertained hehehehehehe

I ALSO WANT TO KNOW HOW ASHE GOT THE BOOK SO BAD. THATS SOMETHING WE DONT KNOW YET. yakko please I want your boys backstory nowwwwww !!!!!! CRYING @ THE TRICKSTERS EPIC HUGE MEAT FIST. YEAH. fuck this not-ghost-boy in particular. I'm sure they'll figure something out :)

mark is! somewhere! don't worry about it! he told dakota he was gonna be there he'll show up. probably..don't worry about it!

IM ALSO REALLY CRAZY ABT DAKOTA GETTING POSSESSED DUDE..... I think abt it a lot. i think abt it soooo much. I ALSO THINK ABOUT YOUR FIC SO MUCH when i was readinf that I was like. ohhhhh they're gonna make this so much worse when they Learn Things..... prime traumatic stress defenders!!!!!!!!

[bbqhooligan]

its so funny to see this dynamic

play out but these two bring a whole new level

cuz we see again and again that Dong Eun, as relentless as she is to start and continue this plan, as calm and cold as she needs to be to execute it, as ruthless as she is to not feel any guilt for everything that happens to her abusers, wont harm anyone directly. yes, the plan ends up killing and destroying them, but never with her own hands, she is more inclined to let them do the work themselves, always, only themselves(even with her own mom! she plays the waiting game). the biggest proof of her mercy is giving Yeon Jin an out for Ha Do Yeong's single kind gesture. as we find out at the end, as broken and invisible she thought she is, Dong Eun is an inherently kind person who cant directly harm them.

this freak on the other hand spends day and night daydreaming stabbing the one person protected behind safety of prison bars(lets be honest at that point the bars arent protecting the people from that guy but him from Yeo Jeong) and is fully okay with killing anyone she asks as well. now you may be likely to take his entire, committed, likening himself to her Royal Executioner as simply just an expression of devotion, i get it since he doesnt end up doing that for her, but after watching the last episode i was convinced he didnt kill any of her abusers because she wouldnt have him do it.

see, his little speech to his prison bird just reveals an important piece of his psyche, he tells him his oath is to protect and save people but doesnt say anything about animals, inhumans, like him. meaning this guy has a mentality where at some point of immorality you lose your humanity in his eyes and become discarded. it is a line where he wont hesitate, he wont regret, he wont even have guilty dreams about the person he killed, maybe not even think about them again for the rest of his life. Light Yagami ass views. he doesnt ask Dong eun if she killed Miyoung-o cuz he literally doesnt give a shit. not a single question mark on his mind. hes like "if she dids it she dids it, if she didnst it she didnst it" and thats that.

and his insanity is written so well, all of his scenes with Dong Eun's abusers were tense as shit. because while you dont know how dangerous he really is till the last speech, in all of them his mere entering of their spaces is threatening, he either has them under his knife or under his car, even his first meeting with Ha Do Yeong is invading, not the park he frequents, no, its invading his mind. he leaves that meeting with the information of what kind of a person he is, enough to make a dead on prediction of his step-by-step behavior. he is smiling and cracking jokes through the interactions but YOU, the viewer, are aware there is something wrong with him.

when he buys that funeral home i was fully expecting him to fill it with corpses himself. in retrospect, that plot would have been too taxing on Dong Eun and im not sure she would ever let herself live after that but cant see Yeo Jeong being too bothered to be honest.