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#i have some fun ideas for loop too
purpleisdebeste · 6 months
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in stars and time colour alts
there's a lot of metaphors here but in true isat fashion i will leave them all unexplained
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lucabyte · 1 month
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i'm so curious about your character gender reads now tho 👀👀
(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)
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(I turn around to face you.)
Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.
So, (I put the cheese back in the fridge.)
This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.
(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)
(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))
It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)
Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)
So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)
(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)
Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…
SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.
SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.
SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.
Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).
I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.
SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.
CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES
When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.
Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...
This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.
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[Image: Interactions with the change craft textbook in acts 2 and 3/4.]
In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)
The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.
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[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]
Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)
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[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]
So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.
MIRABELLE.
Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.
Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?
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[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)
Whereas…
ISABEAU.
When Mal du pays speaks as Isabeau, it says the following;
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"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."
I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.
Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.
Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.
So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.
Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.
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[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]
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[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]
While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.
The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.
Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."
But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.
Speaking of which.
2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.
HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)
I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.
Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.
It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.
Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*
And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.
And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.
But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.
(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)
3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.
Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.
My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.
ANOTHER NOTE ON THE 'NOT A GUY' THING.
Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.
But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.
ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?
The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.
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[Image: Prologue Isa calling himself a mother hen]
And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.
... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)
APATHY AND SURVIVAL
It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)
It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.
So. That line about the dress. Let's unpack the line(s) about the dress.
THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.
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Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.
In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)
Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'
NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....
Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.
I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.
To, try and segue back to what I had initially written, we'll pick up here...
Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.
While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.
... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.
It's in acts 3 and 4. It's a line I already brought up.
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"You're thinking about crafting your body. You seem to have all the time in the world now."
good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.
This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.
If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.
I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--
*coughs* Ah. Ahem. Right. The uh, academic tone.
Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?
Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...
Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.
TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.
This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.
In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.
ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.
Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.
There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.
DE-PERSONING. AND LOOP. OH JESUS . LOOP .
Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.
People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!
When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.
When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.
Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.
Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.
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[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]
And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:
Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.
While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.
Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.
This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.
TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.
Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.
(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)
Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.
And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.
But I don't know anything about japanese so ! If I'm off the mark, discard this!
LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.
While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.
Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.
Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.
Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.
As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)
Tl;Dr:
Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland
They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.
Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.
They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.
They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.
The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.
They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.
Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?
But most of all:
It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.
(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)
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(Now for some bonus material)
ADDENDUMS:
PERSONAL BIAS NOTE:
Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.
I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.
This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.
STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):
MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:
I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.
BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.
ODILE, WHAT'S HER DEAL?:
Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.
Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.
HEADCANON NOTE: INTERSEX SIFFRIN
I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration
haha gotcha its fuckin themes again. its always themes with me.
But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.
So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.
HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE
I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".
[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"
Bonus bonus:
[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"
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good-beanswrites · 10 months
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🎬: Please do not remind me Kazui and Kotoko didn't get their songs covered by Es 😭 It was such a disservice. I'm gonna just chalk it up to Kazui's voice is so deep that Es couldn't sing it properly and by the time Kotoko's MV was shown to them, the first trial ended before they could even sing it.
Or, y'know. Your AU, so Es did cover their songs too.
Also another thing for post-MILGRAM hangout where Es joins in too...KARAOKE (didn't Milgram have some sort of karaoke-related event running earlier?) Or maybe they have their own karaoke party at someone's home (I know someone has a karaoke set at home!), so they sing their songs and encourage Es to sing too...and pleeeeease sing "half" and "harrow" too (this will lead to Es finding out they've been eavesdropping on their singing. Hey!). Bonus that Deco's song is such a bop in the AU that everyone sings the songs they covered.
...my train of thought is still running, but I just imagined this AU's Milgram allowed everyone to gradually accept their faults that almost led them to their crime. Soooo Mahiru is still just as sweet, BUT rocks it when she sings "Psychogram". Also Amane, I like to imagine at this point she can be a bit more of a kid (I can dream!), so she's sort of bouncing around when she sings "Positive Parade" and "Animal" while the girls dance with her.
But with that said, I hope we'll get more Es' song covers! Or at the very least make up for "half" and "harrow"...and c'mon, Es didn't get to sing at all this trial. What gives?!
RIP I know 😭 I'm hoping we'll get a bunch of covers to fill the trial hiatus, and that they'll start with those two!! I know some people were worried that they would never get covers because they didn't reach 1M before the trial closed, but I think that's an oddly unfair requirement for the later prisoners. So I'm confident we'll get them at some point!
Kotoko's does make a bit more sense -- it was right at the end of the trial, and there wasn't much too break down in the lyrics because she was very forthcoming with information/intention. And I like that explanation for Kazui's! Es was intimidated by his voice and didn't want to do it an injustice by singing it poorly. Maybe Kazui makes a snide comment that they would have actually understood his crime better if they'd studied/sang his lyrics like the others' 😅
And I love the post-Milgram thoughts! Given Yuno's mvs and her written response about liking karaoke, I can definitely see her taking everyone out to her favorite karaoke spot. I like that too because the covers were kind of an indulgent inclusion of mine -- I knew they didn't quite fit in during the trial hiatus but I really wanted it to happen asdfdsn. Like, I know Amane wouldn't do frivolous things, and Kotoko/Shidou/Kazui would try to take the situation seriously and not play around. But if it's all after the experiment... >:3
Thank you 🎬! I'm keeping my fingers crossed for those covers soon 😤🤞
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arolesbianism · 2 days
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Thinking abt Sif Odile duo looping au again and I wanna be able to plot everything out more coherently but act 5 eternally looms overhead and boy I do not wanna look up
#rat rambles#stars posting#like I have a vague idea of some of the like themes I imagine being present late game but it doesnt change the fact that act 5 isnt very#duo looper au friendly especially in this case with most of the ideas I have#I rly want it to be both a breaking point for them as individuals and a breaking point for their relationship but idk how to go about that#fully taking the rest of the party into account especially since Im not even sure if I wanna give odile her own friendquests#like I Could but I also think it'd be fun for many reasons to not#and even if I Did itd be hard to justify having both be able to happen and go wrong in one loop#and theres not rly a good solution to that I think so my best bet is probably to just leave odile friendquestless#but Id rly like to still have odile quarrel with the rest of the party in a significant way#idk maybe it can be the scene where sif comes back to the lighthouse or smth?#like he comes back and odile just completely lashes out at him or smth and the others get rly upset with her#but then theres also the whole walk through the house that I have to figure out and Im also not set on how that should go#maybe it can be like reality almost splitting as they both try to use timecraft at the same time?#not sure how Id go about portraying that in story though since the rest of the party cant rly experience that I think#Im sure theres some way you could pull that off tho Im just too tired to have any good ideas atm#and then the biggest bastard comes in. mal moments.#like I cant just put them both there! that's not how that works!#and I dont wanna just leave them mostly vanilla thats boringgggg#but Id probably have to. alas.#afterwards is also a bit fuzzy but I have rhe general idea down#me and the bestie when we both made the same wish but dont know that and have both been falling into a spiral over it#(we dont even realize that the part of the wish that was the exact same was the core of the wish)#(we both just thought that we accidentally trapped the other with us in this hell)#(we also have been actively getting worse at communicating for months now so by the time the wishcraft stuff came up we were both deep in#the no feelings talky talk zone)#(we probably should have known smth was up when everyone started consistently thinking that we had a fight every loop)#(maybe we did but we just didnt want to admit they were right)#god I wish I was more confident with writing odile dialogue I wanna draw scenes from this au so bad#it doesnt help that I got too comfortable being into a media that had like 3 fans and now ppl might actually look at what I create
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tizeline · 2 months
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This is it, FINALLY we're gonna see the actual beginning of the story! Episode one! Yay!! So Donnie and April are just hanging out when they find this weird fox-dog-cat-creature or whatever, but before they have time to figure out exactly what it is, they're interrupted by three Normal Human Teenage Boys! Uh Oh!
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... okay so the Normal Human Teenage Boys were actually Giant Turtle Teenage Boys. Cool.
So from Donnie's and April's perspective, as far as they know Donnie and Splinter are one of a kind, they've never encountered any other mutants or yōkai before. Both of them have of course always been curious about Don's origins but have never found any lead on where he came from nor how he was created. All of this is to say, suddenly encountering three other mutant turtles like Donnie himself out of nowhere is literally the craziest thing ever for them!
From the Drax Bros' perspective though... they have no idea why this random yōkai dude is acting like he's never interacted with any other yōkai in his life?? Like sure, some yōkai who live on the surface can be a bit out of the loop when it comes to the rest of yōkai-society. Not knowing what a cloaking brooch is is certainly weird, but whatever, maybe he just kinda lives under a rock or something. But then he reacts Like That to seeing their true forms?? What's this guy's deal?? (Give them a second, they're gonna connect the dots real soon lol)
Next part ->
Reference for the Human Drax Brothers! And yes I have made it A Thing that Leo is a huge Shadow fanboy and I will STICK TO IT!
Also in that TMNT x Power Rangers crossover comic, when the turtles were disguised as humans they all had backpacks to represent their shells, I thought that fun a fun concept so they all have backpacks here too lol.
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Oh and another thing, when I was showing sneak peeks of the comic to some peeps on discord, it was pointed out to me that that one panel looked like an Omori encounter so I made this low-res edit in like 2 minutes, enjoy
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liinos · 1 year
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I can't even lie yes I bitched about writing essays and wanted to put my head through a wall with the whole research process but I loveeee writing an essay once I get to actually write like unless I Absolutely despise the topic or have nothing to say I love writing my little paragraphs
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Family Wrath
( Implied SA, not actually SA, POV outsider misunderstandings )
Okay I want all the misunderstandings!
Misunderstandings galore my beloved!
Anyway!
For this intrusive thought that decided to hit me as I was minding my own business-
Danny is the baby that Stephanie gave into adoption when she was young.
Obvi trans Danny,
So after Stephanie realizes just who Danny is she investigates (You can't escape the Bat paranoia training)
But here are the misunderstandings: Ellie and Dante (de-aged)
" Oh my God guys I'm a grandmother! "
But wait there's more!
Danny is how old?! With kids, that are very much not newborns?
" So who's the dad? "
" Oh some fruit-loop named Vlad, he was obsessed with my mom when they went to college together but she wasn't interested at all & now he's obsessed with me. He really wanted the 'perfect' son but I told him to fuck off not that he cared about what I wanted. So yeah, sorry for rambling-are you okay you look a little pale, is the heat bothering you? "
Danny forgets that peoples first thoughts aren't " Oh yea clone! " Or timeline shenanigans
So what these concerned people heard was " Yea this adult man wanted my mom and when he saw that that wasn't an option he targeted me as a child "
Dante & Ellie are just enjoying the show intentionally creating more misunderstandings and havoc, they hope someone will finally go beat Vlad since they're now too small to beat him.
~
Dante: " Momma practically died when I was born. "
Ellie: "Yea I almost killed him too! "
They're technically not lying just using what actually happened in a different context
~
Alfred after hearing what's going on grabbing his shotgun: " I still have good aim."
~
Jason/Stephanie: " A little murder is fine, as a treat "
~
Just more and more misunderstandings happening around Danny with him being none the wiser.
~
Feel free to add to my nonsense, I love it, it's fun to read what people come up with
~
Just an (Intrusive) Idea
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charliemwrites · 5 months
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Part 4
Mister(s) Steal Your Girl is, somehow, now the official title. Congratulations you little shits (affectionate).
Content: Toxic Behavior, Brief Weight Shaming, Hurt/Comfort
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You didn’t expect to see Johnny much after that one night - or possibly ever again. Kyle introduced you two, it was a lot of fun, but you figure that’ll be the end of it. Like introducing a new man to your girlfriends (not that you can really introduce Kyle to yours) you passed the vibe check and now Kyle will keep you and Johnny separate.
That’s how it’s been with Brandon’s friends. (Granted, you don’t really care for Brandon’s friends. And you figure it’s mutual based on the “uptight” comments they pretended to think you couldn’t hear.)
You’re starting to realize that Kyle is always going to subvert your expectations.
Johnny becomes a fixture - a welcome one. While you and Kyle still have your date nights and privacy, Johnny joins you two at least once a week for movies, drinks, dinner, or just silly adventures out and about.
You’re surprised that you don’t mind. Johnny is fantastic company, always respectful, funny, and friendly. Whenever the two of you are left alone, there’s no dead air. In fact, sometimes you could almost swear there’s electricity. Which is… well. It makes it hard to look him in the eye sometimes - and looking at Kyle even harder.
Guilt nips at your stomach until one of them distracts you with another story you’re 70% sure they shouldn’t tell you.
You and Johnny play a game with pub napkins, doodling something on one folded half, then passing it over for the other to scribble on the second half. The trick is not cheating and seeing the first half, then unfolding it to a complete (and usually silly) picture. Gaz always gets to name whatever monstrosity has been created.
You get a month of that good company. Then Kyle sighs at his phone one night.
“Shipping out again,” he explains when you glance at him.
“Will you be gone long?” you ask, shifting.
His brow furrows. “Not sure. They can’t tell us much over the phone.”
You hum in understanding. Still new to this whole military thing, the redacted danger of it all, but you think you’re getting the hang of it. At least, Kyle never seems annoyed when he can’t answer you, only apologetic.
“Is it gonna be the whole team?” you ask.
“Nah, just me and the cap.” He rubs his palm along your calf, a gesture that you suspect is self-soothing rather than for your benefit. “Probably not too dangerous, then.”
You make a noise of protest, nudging at his thigh with your foot. “Bad luck!”
“Sorry, sorry!” he chuckles, tapping his knuckles on the wooden end table. “You’re right.”
You crawl from your side of the couch to his, nuzzling up under his arm. He trails kisses along the side of your face as you snuggle in.
“I’ll miss you,” you mumble into his neck. Still a little embarrassed to be so needy, but you want him to feel appreciated.
“I’ll miss you too, chickadee. I’ll call if I can, yeah?”
You hum in agreement, squeezing an arm around his middle.
“While I’m gone, if you need anything - even some company - you ought to call Soap,” he adds.
The idea is tempting but… “I don’t want to bother him.”
“I promise you won’t,” he laughs. You don’t know what’s so funny, but hearing his voice rumble in his chest like this is always a treat.
“Maybe,” you allow.
“We’ll take it.” Before you can ask what that means, he loops an arm around your waist and scoops you into his lap. “Now then, about my send off.”
Your giggle turns into a moan as his mouth slants over yours.
Kyle’s only been gone three days. You’ve occupied yourself with cleaning up the flat you share with Brandon. Dust has been collecting since you’ve been out and about so much - and god knows Brandon hardly does more than load the dishwasher. Besides, a good bit of spring cleaning is a pleasant enough distraction, humming as you toss out old things to make more room for the new stuff you’ve been collecting.
“Good to see you getting back to normal,” Brandon says cheerfully. You glance up from the laundry you’re folding. He continues, “I was worried with how behind you got on things, but I knew you just needed some time. I told you this would be better for us both.”
You try not to let that sting. Even if things are better now, and continuing to get better, you can’t forget the pain that lingers from the beginning.
“Tell you what,” he adds, hands in his pockets. “When you finish cleaning up, I’ll take you out to the pub, yeah? Put on something pretty.”
You perk up, pleasantly surprised, though hesitant.
“We could leave earlier if you helped,” you point out, hoping for more than just dinner. “Maybe we could walk in the park or something before eating.”
He gives you a weak smile. One you recognize more than his real one by now. It’s almost apologetic, but not quite.
“I would but I’m bloody exhausted from this week, ya know? Big projects coming up at work.”
Your smile freezes. “And some late nights, I’m sure,” you try to joke.
He doesn’t laugh like you expect, but gives you an odd look. “Why would you say something like that?”
Baffled, you shrug. He shakes his head.
“I’m going to take a nap, come wake me up when you’re ready to go.”
You manage to finish the majority of your to-do list by 5. Shower, get dressed, do your hair and makeup with Brandon snoring in the background until 6. By then, he still hasn’t woken up from his nap, so you perch on the edge of the bed and gently nudge at him until he stirs.
“I’m ready to go, babe,” you murmur.
He scrunches up his face - you spare an affectionate thought for how cute it is. You’ve always found it cute.
“Five more minutes,” he grumbles.
You laugh a little. “It’s getting late, we should probably head out.”
He groans. “Five. Minutes.”
You huff in amusement and reach for his phone to set an alarm, but pause at all the notifications from dating apps crowding his screen. There are… a lot. And as you’re looking, a new message pops up, just labeled “blonde” with a peach emoji. Gross.
You set the alarm and slip away to the living room.
It takes him another half hour to finally rouse, shuffling into the living room with a groan.
“C’mon,” he yawns. “It’s going to be bloody crowded by now.”
You follow him quietly to the car, knowing he’s not chatty when he’s just woken up. Hunger only adds to his mood; you can practically see a cloud forming over his head. By the time he pulls up to the pub, he’s downright grumpy. He grumbles about shit parking, and the milling people outside. It looks busy.
“We could go somewhere else?” you suggest.
“This is fine,” he says.
He parks a block away and starts at a swift pace. You try to hold his hand, but halfway there, he pulls away to check his phone and doesn’t take it again.
Surprisingly, it’s only a twenty minute wait for a table - but Brandon sneers something like “of course it is” under his breath. You smile apologetically at the hostess and usher him away.
He doesn’t talk during the wait, at first. Until suddenly he blurts. “We wouldn’t have to wait if you’d woken me up.”
You blink at him. “I did. You asked for five more minutes.”
“Well, why didn’t you wake me up then?”
“I set an alarm?”
You don’t know why he’s so irritated, just that he seems tired and hungry.
“You know I don’t listen to alarms,” he complains, scowling at the sidewalk.
“Okay… I’ll wake you up next time,” you offer.
“Yeah, next time.”
Thankfully, the two of you are called a little early. The pub is indeed loud and crowded, and you’re definitely overdressed. But at least you know what you want - Brandon’s taken you here a million times before.
Wisely, you wait until he’s downed the texmex rolls before trying for conversation again. He hums along as you talk about work, about the books you’ve been reading, about the new movie you saw last week. You think it’s going pretty well, catching up on each other’s lives, when he interrupts you mid-sentence.
“Where was this?”
You frown. “At the grocery store…?”
“You’re still on that? Thought we moved on from that story.”
You don’t bother finishing it, just ask him about his work. It’s like pulling teeth. A lot of “good” and “busy” and “same as usual.” By the time your entree comes, you’ve given up, not sure if you want to cry or just walk away to see if he even notices. He keeps checking his phone. Your fingers twitch to text Kyle, but you don’t want to bother him while he’s working.
The end of dinner can’t come sooner. You decline dessert when the server asks.
“Probably for the better,” Brandon tells you lowly when they’re gone to get the check. “I think you’ve put on a bit of weight. You know how you get.”
You probably have - Kyle has a sweet tooth and practically begs you to split desserts with him. Johnny’s shares his food with you now too, grinning when you express approval for whatever high-protein dish he’s picked and shoving more at you.
As for “how you get”… Brandon’s mentioned in the past when you were heavier that you get mopey, aren’t much fun to be around.
(A small part of you wonders how that would even effect him at this point. He doesn’t spend enough time around you to notice if you’re mopey. Is that why tonight has been such a disaster…?)
You just collect your purse and lead the way out of the pub. It’s a quiet walk back to the car, even though Brandon seems to be in a better mood. He’s still texting, nearly bumps into an elderly couple along the way.
Back at the apartment, he runs his hand down your side, tugs at the lace hem of your shirt.
“Careful,” you chide.
He sucks his teeth and drops his hand. “I’m just trying to be playful.”
“I know, but I like this shirt.”
He rolls his eyes. “You’ve got three just like it.”
You don’t answer, know it’ll lead to more useless bickering. Just tug the stupid thing over your head, ready to go to bed.
“Hey now, that’s more like it,” he drawls, fingertips running down your spine.
You jump, surprised, but play it off that his hands are cold. He makes some crass comment about warming them up, reaching for your breasts, and your stomach churns.
“I-I think I ate something bad,” you lie, all but sprinting for the bathroom.
You close the door behind you - but don’t lock it. Just sit on the floor, the wall cold against your back, while you try to breathe through your spinning, conflicting thoughts.
He’s finally giving you attention, affection. Why aren’t you jumping at this opportunity to spend time with him? Not long ago, you would have been weeping with joy to have an iota of your normal relationship back. Maybe you really did eat something bad.
“Hey,” Brandon calls through the door, “I’m gonna stay somewhere else tonight.”
You stare at the blank white wood, aghast. “But I’m sick.”
“It’s not like I can do much, is there? Except listen to you be sick all night,” he reasons. “And who knows. Maybe it wasn’t something you ate. Maybe it’s contagious. I don’t want to spend the weekend ill.”
Your eyes burn. He didn’t even open the door to check. “Yeah,” you agree, voice robotic, “you’re right.”
Not even five minutes later, you hear the front door close. That almost, almost does you in. You manage to keep your lackluster dinner down, but not the tears.
You let yourself be pathetic for a few minutes, crying into your arms, folded over your knees. When you finally manage to get yourself together, it’s not Brandon you ache for. It’s Kyle. It’s not possible, you know. You just don’t want to be alone even though the nausea is dissipating.
Sighing, you remove your ruined makeup and wash your face, climb into one of Kyle’s jumpers. At least it still smells like him. It’s only as you’re trying to decide on a comfort show, huddled into a ball on the couch, that you remember his advice.
It takes all of fifteen seconds of debate before you scramble for your phone.
I know it’s late, but are you free, you text Johnny.
A response comes almost immediately.
Always for you, lass. You bite your lip on a tiny smile, already feeling better. Your phone buzzes again. What’s up?
Your thumbs hover over the keyboard for a moment as you figure out what to ask - then how to ask it.
Would you want to come to mine for movies? I don’t feel good…
He answers instantly again. Ice cream not-good or Theraflu not-good?
You sniffle when you remember that being sick was a dealbreaker for your night with Brandon.
Ice cream not-good, you reply.
Say no more, hen. Be there in fifteen. Pick a good one.
You watch TikTok’s until there’s a knock at the door. Upon answering, you’re swept up in a bear hug that lifts you off your socked feet.
“Johnny!” you cry, laughing a bit in shock.
“There she is!” he crows, swinging you around. “Been missin’ my best girl!”
You tell yourself the thrill in your stomach is just from him setting you down. (It’s a harder sell when it happens again seeing his wide smile and warm blue eyes.)
“You're ridiculous,” you huff, “I’m not your best girl.”
He arches his eyebrows. “Oh, yer keepin’ track, are ye?”
“C’mon, you must have a partner or something?” you prod as you usher him inside.
“Kyle must’ve told ye, hen, it’s hard in this line of work,” he explains, shrugging. “Tried before but… usually they just end up feeling neglected, ya ken.”
You hum. That’s why Kyle said you and he would work so well with the open relationship - that you’d still have someone at home while he was out. That you wouldn’t be alone if something happened to him.
“Anyway, this is no kinda talk for a cozy night in, now is it?” Johnny says, cutting your melancholy musing short. “Come look at what I brought ya!”
You only notice then the two grocery bags in one hand. He herds you to the couch and sets them on the coffee table for you to root through.
“My favorite!” You exclaim when you extract the tub of ice cream.
The grin Johnny shoots you is proud. “Kyle said so.”
“You two,” you sigh happily.
He’s also brought a squishy stuffed animal, crisps, popcorn, soda, candy, and a small collection of self-care items. You hold the face-masks up with a questioning smile.
“Heard somewhere that it’s good for ye, when yer feelin’ down.” You try not to giggle when the last word comes out sounding like “doon.” He continues, blissfully ignorant. “Hope that’s the right shite, there was a lot to choose from.”
You throw your arms around him, chest warm. “Thank you, this is perfect, Johnny.”
He circles his arm around your waist, holding you close. “Anytime, bonnie,” he murmurs into your hair.
You squeeze his shoulders as you pull away, waving one of the mask packets with a wicked little smile.
“Wanna try this ‘shite’ with me?” you tease.
You expect a resounding and masculine-heavy no. Instead, Johnny tilts his head consideringly for a moment, then shrugs.
“Eh, why the hell not?”
You wake up the next morning to a mess of candy wrappers, discarded moisturizers, and an empty carton of ice cream. And the smell of eggs. Cartoons are playing quietly on the telly. When you yawn and sit up, you’re greeted by a cheerful Johnny at the stove, wearing your pink apron.
“Mornin’, sunshine,” he calls.
You flush and smile back, glad that you called him. “Mornin’!”
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bbydoll18xx · 5 months
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Keep the Edits Cordial
A tik tok edit of two best friends coaxes out admissions of feelings (and orgasms)
Paige Bueckers x reader
word count: 3.2k
themes: mutual pining (LOML), friends to lovers, smut!!
warnings: i like using the word ‘fuck’, 18+
Thanks for the love on my first post! This is my first attempt at writing smut, so bear with me. I have a few more ideas if y'all are interested!
Despite not being on the uconn’s women's basketball team, or having any shred of athletic ability, you had befriended Paige Bueckers, and her teammates, as an extension, had adopted you with open arms. So you weren't out of place sitting in the apartment of Paige and several of her teammates while she was in class.
“Oh fuck, shit, shit, shit,” you hear KK Arnold swear over on the couch across from where you were sitting, attempting to get some homework done.
A sensual R&B song plays from her phone several times, as her eyes nearly pop out of her head while she watches.
You look up, mildly annoyed at the noise, but you were used to KK’s antics and her overdramatics. 
“What the hell is the issue?” you ask.
“Umm…nothing,” she drawls. “Be right back, girly pop. Don’t move.” She runs into Azzi’s room, where Azzi and Caroline were attempting to also be productive. 
That was damn near impossible when KK was around.
Your interest peaks as you hear the same music play from KK’s phone again several times over and the giggles and gasps of the three girls fill the bedroom. 
“Paige is gonna flip if she sees this,” Azzi says matter-of-factly, as you strain to hear the full conversation.
‘What would make Paige flip?’ you wonder. 
“I gotta show this to Ice!” You hear KK exclaim a little too loudly, causing the other two girls to shush her. 
KK runs back into the main living space of the apartment where you were sitting. She picks up her stuff with a shit-eating grin before waving to you and rushing out the door.
She was so fucking weird.
Giving up on the essay you were supposed to be finishing, you toss your laptop down and head into the bedroom where Caroline and Azzi are heatedly whispering. They stop as soon as your footsteps near the door. 
Why were they acting so suspicious?
“Ladies, would you mind telling me what the actual fuck just happened?” you ask sarcastically. Being out of the loop was not fun.
“Oh you know, just KK being KK,” Azzi said, brushing it off. “Nothing that concerns you really.”
“But it concerns Paige?” you prod, trying to get any information out of her. Being around Azzi for years at this point, you had grown to learn her weak spots. 
Your eyes narrow, and you stare her down in a way you could only hope was somewhat threatening. 
“If it concerns Paige I wanna know. We’re best friends, c’mon please,” you whine. “Is it another one of those thirsty edits?” 
Azzi shakes her head and makes a zip of the lip motion. 
You roll your eyes at her childish behavior and look over to Caroline expectantly. She just shrugs. They were no help at all.
“Fine!” You say with a tone of indignation. “I'll find that stupid tik tok myself and see what all the fuss is about.” You spin on your heels and walk out of the room with sheer determination. You miss the smirk Azzi and Caroline share once your back is turned. 
You were so fucked.
You type ‘Paige Bueckers’ into the tik tok search bar and begin to scroll with the volume up to identify the same sound blasting out of KK’s phone just a minute ago. 
Your head gets a little fuzzy as your vision is assaulted with video upon video of Paige. You were used to calming the jump of your heart when you were around her, but the hedonistic edits made you want to scream. Each edit you came to had clips of her flexing, grinning, and sticking her tongue out in a way that made you want to rub your thighs together. They were paired with lascivious lyrics that caused you to nearly let out a whine. 
You had been avoiding tik tok recently for this exact reason. Trying to act normal around Paige all the time was difficult enough. You did not need a ridiculous app to fuel the fantasies that threatened to creep into your mind at every waking moment.
At least your screen time was way down.
Your scrolling quickly stopped as you felt your heart quite literally stop. It was you. In all its glory, with a staggering amount of likes, comments, and views, was what looked to be an edit of you and Paige.
What the fuck?
Your hands shaking, you clicked onto it, hearing the same song as earlier. This was the one the girls were freaking out about. 
“Azzi, Caroline, get your asses out here,” you yell, trying to conceal your panic.
They slowly strolled out of the room looking worried. 
“I see you found it,” Azzi said with a laugh. “So what do you think now that you’ve seen it?” 
Both girls tried to gauge your reaction, but you were more concerned about the fact that Azzi had said earlier that Paige would be pissed about it.
You shrug. You had to choose your words carefully. “Well there are edits of you and Paige together,” you reason. “Lots of people think you two are in some secret relationship, and P has never minded. Why would this be any different?” 
“Everyone knows that you and Paige have a special friendship,” Caroline alludes. It goes right over your head.
“Well if she is bothered by this then we are not as close as I thought,” you say quietly, still watching the tik tok, as it plays again. You wanted this edit burned into your retinas. 
Occasionally you allowed yourself to feel a tiny sliver of hope that you and Paige could ever be anything more than friends. Everytime she gave you a late night cuddle or placed a hand around your waist, as if it naturally belonged there, made you long for more. You knew better than to feel hopeful though. This stupid edit did nothing to quell the burning need for the tall blonde.
Throwing your phone down, you look up at the two basketball players with a look of indifference you’ve learned to master. “It doesn’t even matter,” you whisper dejectedly.
“C’mon, we all know how you actually feel about Paige. She’s the only one dense enough not to see how crazy you are for her,” Azzi soothes. “Maybe it's time to be honest with her. You never know what she’s feeling until you talk to her.”
You laugh. Fuck that. Feelings are meant to be kept inside until you die or they go away. 
You’re hoping the latter will come sooner rather than later, but you doubt you'll get that lucky.
“I don't think so,” you scoff. “I need to go before Paige gets back.” 
You leave despite the protests of the two girls, and you make a plan to hide from Paige for the next few days. You knew it was only a matter of time before Ice and KK went running to Paige to show her the edit. 
45 fucking minutes. That was how long it took before your door was being bombarded by Paige and her delightfully rambunctious children, Ice and KK. You swore under your breath as you quickly weighed your options. Option 1 was simple: pretend you were gone, although the smell of your microwave popcorn could have easily given you away. Option 2 was the grown up thing to do: open the door and have a conversation like an adult. Option 3 was straight up crazy: jump out of the window and run for the damn hills. You glanced at the open window of your bedroom before shaking your head. You needed to stop watching too much television. 
Option 1 was it. Fuck being an adult.
You stood next to the door, waiting for the three girls to give up, but they refused to leave.
“I know you’re in there, c’mon let me just talk to you,” said Paige through the door. “KK and Ice can leave.”
You hesitate, but still reach for the knob of the door. 
“Please?” Paige asks again, causing you to let out a sigh of defeat and turn the lock so she can come in. 
“Are you pissed?” Paige questions, somewhat harshly, as she walks through your door.
You give her a look of confusion. 
“Of course not!” you exclaim. “I thought you might be, though. I heard Azzi tell KK and Caroline earlier that you would flip if you saw it. I was just worried it would make you feel uncomfortable, and then our friendship would feel awkward, and I-” you ramble, trying to make some sense of what you were feeling.
Paige cuts you off with a wave of her hand. “You could never make me feel uncomfortable. I was worried it made you uncomfortable. I wanted to come check on you as soon as KK showed it to me,” she replied gently. “Me and Azzi, we’re used to the rumors, but I wasn’t sure how you’d feel about people thinking we’re, ya know, in love.” She whispers the last two words as if it was some big secret.
You let out a shaky laugh. “It means nothing to me. That would be ridiculous anyway,” you lie smoothly. Burying your feelings for Paige was an artform for you now. 
A quick shadow of something that was hard to read flickered over Paige’s face. You chose to ignore it. ‘It’s easier that way, less messy and complicated,’ you thought sadly. Little did you know, things would get even messier and more complicated. 
Two days later you were sitting in class when you hear the same fucking R&B song playing from your classmates phone. You look over at her, meeting her eyes. She smirks and slides closer to you. 
“So you and Paige Bueckers, huh?” she says curiously, almost like a taunt. “I’d imagine she’s incredible in bed.”
Her hypothesis startles you.
Who the fuck says that to someone they barely know? You feel your pulse rise in anger, wanting to defend your friend. You feel hot with jealousy. Anyone thinking about your Paigey in a sexual manner made your blood boil. In your mind, she was only yours.
You decided it would be fun to play into it. You lean closer to the gossipy bitch, and with a whisper you say, “you have no idea the things she does to me. Fuckk, I mean, we’ve all seen the edits. Her tongue is always out.” The obnoxious brunette to your left looks shocked, and she rolls her chair further away from you. 
With a satisfied smirk, you try to calm the pounding of your heart. ‘What the fuck did I just do,’ you thought. Rule number 1 of being Paige’s friend and only her friend was to avoid thinking of her in the way you really want to. That means no fantasizing, no tik tok edits, and absolutely no talking about having sex with her.
You lay your head onto the desk. What an idiot you were.
As the class comes to a close, you escape quickly to avoid any awkward looks from other people on campus. The last few days have left you feeling unsettled as the edit of you and Paige reached ridiculous levels of popularity. Everyone was now thinking you were somehow involved. You hated how much you wished that to be true.
You had promised Paige that you would hang out once you were finished with your class, trying to keep a semblance of normalcy to your friendship. You rolled into her apartment anxiously, calling out for her. Paige pokes her head out of her bedroom, waving you in with an equally anxious smile.
This worries you. Paige was always the grounded one of the pair of you. Her nervous demeanor makes you think something is wrong. You take a deep breath before sitting opposite her on her bed. It smelled like the lotion she always wears, and you subconsciously inhale a bit longer than normal.
Fuck she smells so good.
Paige stares at you for a few seconds, making you feel hot under her gaze. Those eyes piercing into your soul made you want to scream her name until the neighbors could hear. She takes a breath. “So basically everyone thinks we’re in love,” she deadpans. Her nonchalance makes you squirm. How the hell does she feel about being uconn’s newest gossip train? It's hard to tell.
“Yeah, I kind of figured when I was just asked in class about how you are in bed,” you mutter, blushing at the confession.
Paige looks vaguely surprised at first, before replacing the look with a smirk. “What’d you tell ‘em?” she questions.
With a sudden surge of confidence that you typically only get from ample amounts of alcohol, you reply, “I told her that all those edits of you with your tongue sticking out could only mean one thing.”
Paige grins cheekily. “You’re not wrong. I am great with my tongue. Maybe one day I can show you.”
You think your heart had never beat this fast in your entire fucking life. You were still feeling particularly bold, so you murmur, “I’m free now?” There was no way Paige was going to agree to that, so you get up to leave, before you feel her hand grab yours, pulling you back into her.
“Don’t fucking play with me right now,” Paige demands. “Do you actually want this? Do you want me?” 
You nod your head embarrassingly fast. You felt like an overexcited puppy. “P, I’ve wanted this since the first time I saw you.”
“Good,” the blonde replies. “Me too. Now let me show you all of my little tongue tricks.”
Paige grabs your jaw with one hand, placing the other around your throat to keep you right where she wanted you. Your lips meet finally, and everything around you fades into nothingness. 
Oh my God, she tastes so good. Paige presses hot, open-mouth kisses down your throat, sending shivers through your whole body and right down between your legs.
“Need you naked for me, babe,” hums Paige. ‘For her you would fight a war,’ you thought, as you stripped your sweatshirt off, revealing the pretty pink lace of your bralette.
You mentally high five yourself for your underwear choices this morning. Showing up in your granny panties would’ve been terrible.
Paige helps you out of your jeans and starts placing tantalizing kisses over your inner thighs and stomach. You can feel your arousal leaking out of you already, making you feel slick with the anticipation of what was to come.
Paige notices the wet spot on your panties, grinning as she lightly blows air over your clothed pussy. You arch your back wantonly, needing more-so much more. 
“Please, Paigey,” you whine in a way that gives Paige a big head. “Need you so bad.”
“Use your words, baby. What do you need?” she coaxes, still alternating between kissing your inner thighs and swirling her fingers against your clothed clit. 
“Please just touch me, I’ll do anything for you,” you moan brokenly. You could feel yourself start to slip into some sort of subspace. At this point, you’d do anything just to get some more stimulation.
“So polite, aren’t you, babe? I’m gonna take good care of you,” Paige promises before ripping your soaked panties off in one quick motion.
For the first time, you were splayed out naked in front of your best friend, with her having all the power in the world over you. Before you could begin to feel insecure under her piercing gaze, Paige swirled two long fingers into your sopping pussy, admiring how easily turned on you got for her. She brought them up to her mouth, sucking them in and moaning about how good you tasted. 
“You taste as sweet as I’ve been imagining for years,” she whispers. “Have a taste.” She brings the same two fingers up to your mouth and drags them across your swollen lips.
You lick your lips and groan at the taste of your own arousal, wiggling around on the bed and humping the air to get any sort of pleasure. Paige presses your hips flush against the mattress, keeping you from moving. She was yours to control as she wished. Finally, she brought her mouth down to your burning heat, starting with a long and slow lick up your pussy. It felt so good you could cry.
“More, P, need more,” you cry. She was being a fucking tease, and you could feel yourself go crazy as she ate you out slowly, as if she was eating her last meal on earth.
She granted you some reprieve as she entered a finger and then another into you, slowly stretching you out with scissoring motions. 
“So wet for me, aren’t you my pretty baby,” she gloats, and you try to avoid rolling your eyes back into your head in pleasure. Her fingers pick up a cruel and punishing pace, targeting your g-spot as if it had her name written on it.
She fucking owned you.
Paige, still finger fucking you, presses kisses up your belly, onto your tits, before meeting you in another searing kiss. You want to sob at the sheer pleasure. It was overwhelming; the heat of your best friend’s body pressed flush against you, the moans ricocheting off the walls, and the tightening in your lower belly that threatened to spill everywhere.
“Fuckkk, Paigey, I-i’m gonna cum,” you moan breathlessly. “Please, please let me cum, please I need you,” you whine in an incoherent babble of pleasure. 
“Cum for me, baby, I’ve got you,” Paige pants out, riding the highs of dominating you and ensuring the unceasing assault of your g-spot.
With a guttural moan and a string of words that would make a sailor blush, you ride out your high. Paige’s fingers slow as you pant, coming back to reality. She watches your chest rise and fall a few seconds before removing her fingers from your fucked out pussy and licking them clean.
“You did so good for me,” she praises, causing you to squirm, activating your praise kink once again.
“Thank you,” you whisper. “This isn’t going to make things weird now, is it?” you question anxiously. That was the last thing you wanted to happen.
“‘Course not,” promised Paige, linking her pinky finger with yours. “I’m plannin’ on wifing you up now.”
You giggle as the last bits of awkwardness fall away, feeling blissfully fucked out. “What about you, though?” you ask. You wanted to make Paige feel as good as she made you.
“We’ve got all the time in the world, baby,” she replies. “You look like you’re about five seconds away from fallin’ asleep.”
You smile sleepily at her. She knew you a little too well.
 “I should send a thank you card to whoever made that edit of us,” you murmured against Paige’s chest, making her laugh.
“And I'm definitely getting rid of all three of my vibrators,” you announce, causing Paige to grin proudly.
Paige was unquestionably okay with that.
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Text
A Game
My arms are tied behind my back and I'm sitting on a bench with my legs straddling it. I'm blindfolded and gagged, with no idea what to expect.
Suddenly, I hear the sound of footsteps and a deep, silky voice calls out, "Darling, how are we feeling?" I whimper into the gag as I feel him come closer. I flinch when his fingers dance lightly across my skin as he cups my tits before flicking my nipples.
"I want to play a game," he says, and I can hear the smile in his voice. "You see, I invested in a lovely little something that's supposed to make little toys like you so desperate and so horny that you can only focus on cumming. But I want to see if that's true, and if so, how powerful it can be."
I can hear him rustling around and the metal clinking of different things makes me even further on edge. I whimper and flinch when I feel him rub something cold against my arm and the smell of rubbing alcohol hits my nose. Before I can process what is going on, I feel the sting of a needle going into my arm. He'd injected me.
It doesn't take long for me to figure out that he'd injected me with an aphrodisiac, the "investment" he'd mentioned. I can feel my whole body heating up, my nipples harden into peaks, my clit pulses, and I feel my pussy clench rhythmically. I'm panting slightly as I feel my body completely overwhelmed with need and I know that if he were to take my gag out, I'd be begging him to touch me, fuck me, please make me cum.
I can feel my pussy leaking onto the bench, creating a puddle. He laughs softly from behind me and suddenly, I feel his hand wrap around my throat. He tightens his grip slightly, restricting my airway just enough to make breathing a little more difficult and the lack of oxygen makes me even dizzier with need.
"I want to see if you'll pick your needy little cunt over your need to breathe," he murmurs darkly. I'm too delirious to fully comprehend what that means as my hips start to thrust slightly, desperately trying to create some kind of friction on my clit to relieve the pressure.
He lets go of my throat and I gasp as much as I can over the gag. I feel him walk away for a brief moment before he's back. He brushes something lightly over my neck and I realize it's rope. He loops the rope over my head and wraps it around my neck, tying it loosely. Then, I feel him walk away again and I hear the sound of more rustling and I start feeling slight tugs on the rope. The tugs become more insistent and I have to stand up from the bench I'm straddling just to keep it from choking me.
Eventually, I feel the tugs stop, but now I realize that he'd tied the other end of the rope so high up that I can't sit back down without restricting my own breathing by essentially hanging myself. I hear him laugh as he watches me, "Have you figured it out yet, honey? Maybe this will help."
I hear the buzzing of a vibrator break the silence and then I feel it. He presses the bulb of the toy against my clit and I moan deeply as my hips start to move. He pushes the vibrator hard against my clit and I'm whimpering from the pleasure. The aphrodisiac has made me so sensitive and needy that the few seconds of the vibrator has pushed me to the brink of an orgasm. But before I can fully enjoy it, he pulls it away. I whine into my gag and beg as best as I can.
"Now, here comes the fun part," he says, "I'm going to put this vibrator right here on the bench. Right where your little clitty would be if you were sitting. Now the only problem is, if you want to sit, you're going to have to choke yourself with that rope. And that is the game." He laughs darkly as the realization of my predicament hits me.
I desperately try to rub my thighs together to relieve some of the burning need but it doesn't help. My clit is throbbing at the idea of the vibrator, and I'm so, so needy that I can feel my pussy clenching.
I tentatively try to lower myself down a little bit. I can barely feel the vibrator brushing my clit before I reach the limit of the rope. I whimper when the severity of my predicament hits me. The slight sensation of the vibrator is making my eyes roll but it doesn't help to relieve any of the need that's been building up inside of me.
I can feel my body begging my mind to rearrange its priorities. I'm so desperate to cum that I'm willing to deprive my body of oxygen just so I can make this need go away. If I were more coherent, I would be humiliated by myself, but right now, I'm too far gone to care.
The desperate part of my brain takes over and I let myself sit down fully onto the vibrator. A choked gasp leaves me, both from the relentless pleasure that overwhelms me and from the tight rope around my neck that restricts my airway. The rope isn't tight enough that I can't breathe at all, but it's enough to make my head spin.
I vaguely hear him laugh but all I can focus on is the pleasure rushing through me. I can feel myself barreling towards an orgasm and if I had more air, I'm sure I would be screaming and moaning from all the sensation. I feel my face redden from the lack of oxygen and I'm becoming lightheaded. I'm so close to cumming but before I can push myself over that edge, I feel my body lift up from the vibrator as my instinct to breathe kicks in. Air floods my lungs as the rope loosens and I feel tears well up in my eyes. My own body betrayed me, picking oxygen over my orgasm.
He laughs in delight, "Oh poor honey, looks like you don't want to cum that badly yet."
I'm panting and shaking slightly, my legs barely having enough strength to keep my body up. I want to sob at how unfair it all is but I'm too focused on drawing in as much air as possible.
"Hm, let's tip the balance honey," he says and I feel him wipe my arm again with an alcohol wipe. I whine when I feel the second injection. He dosed me again. Immediately, I feel the effects of the aphrodisiac grow exponentially. My pussy flutters and my clit pulses even harder. The need multiplies inside of me, pushing me towards the brink of my sanity.
I'm so desperate that I don't hesitate this time when I sit down onto the vibrator. I feel my eyes roll up into my head as the sensation on my clit pushes me toward the most intense orgasm I have ever experienced. The lack of oxygen makes everything more sensitive, and I let out a gurgled scream when my orgasm hits, my pussy spraying my release all over the bench and the vibrator. I let myself ride out the orgasm before I get my feet back under me, standing to let myself breathe and to let my clit recover a little from the onslaught of stimulation.
I'm panting from the rope and the orgasm as I shake slightly. But as my orgasm fades, the need rebuilds. "Oh honey, you're going to need more orgasms than just one to burn through all the drugs in your system." His voice barely breaks through the haze in my mind, and I briefly wonder what I must look like right now, tied up and strung out.
My body drops back onto the bench and I let the vibrator ravage my clit, relieving some of the torturous need inside of me while I gasp for air that just won't go into my lungs. I chase every orgasm like this, pressing myself to the vibrator for as long as I can before the need for air forces me to leave it behind. I cum three more times but still, the drug-induced need doesn't fade, despite the overstimulation that makes me want to stop.
I'm crying after my fourth orgasm, face permanently pink from the stimulation and air restriction. Suddenly, I feel his hands on my shoulders, gently massaging my neck. I whimper when I feel him step closer to me and I let myself lean into him.
"Are you enjoying the game, honey?" He murmurs into my ear before kissing the side of my neck softly. I whine in response and before I can even get my bearings, he shoves me down onto the vibrator. I'm not prepared this time and I lose what little air I have in a scream. He doesn't seem to care as he pushes my body down onto the vibrator, keeping me from coming up for air. I'm writhing, the vibrator pushing me toward another orgasm as I gasp uselessly.
He's too strong for me and I can't do anything but accept the overwhelming pleasure and lack of oxygen. The lightheadedness makes my head spin when my body clenches as I cum. My cunt flutters around nothing and my clit burns with overstimulation. He doesn't let up, forcing me to ride out this orgasm as another builds quickly. I don't even know if it's a separate orgasm or a continuation of the earlier one when my pussy gushes again and squirts all over the bench. I'm shaking as my vision goes white and the overwhelming pleasure and lack of oxygen breaks me. I feel myself fade out of consciousness as my body goes limp under his hands.
I wake up to my body burning from soreness. I'm cradled in his arms in bed and he smiles at me when he sees I'm awake. His lips meet mine and I press myself closer against him, ignoring my groaning muscles. "Did you like our game, honey?" He whispers to me. "I loved it."
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baby-yongbok · 8 months
Text
I Dare You
Hwang Hyunjin x Fem!Reader
➺ Genre: Smut, 1% plot 99% disgusting
➺Summary: Eat a sex chocolate before the party he said. It'll be fun he said.
➺ Word Count: 3.8k
➺🩶A/N: This is like a beginner piss kink fic lol it's filthy but if piss fics aren't usually your thing then this one is calm enough for you to dip your toe in the water. It's just subtle enough for those who like calm scenes (At least it is in my opinion. I could've made this WAY more intense 😭) + reader is depicted as chubby/plus size and is a POC ♡ I hope that you enjoy!
➺ Warnings: Piss , Squirting, Fingering, Oral (M receiving), Use of an Aphrodisiac, Car sex (Please be safe, don't nut and drive), Appearance by + mentions of Changbin [I think that's all] - Again, this is a piss kink fic. It's subtle but there is piss.
➺Request: Yes - No
✧Masterlist✧
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It was a dare, a stupid dare that you’re currently regretting as you down your fourth glass of champagne. The burn of your heels pressing into the balls of your feet could hardly compare to the ache you felt between your legs. You stood at the bar, lips pulled into a thin line as the sound of some slowed R&B song swirled through the air. You wanted to dance and have a good time with the rest of your friends but you just couldn’t, not like this. As you took in the moving bodies in the middle of the room your eyes landed on his, your friend. The one who started all of this.
To be fair you should’ve known better than to listen to Hyunjin, he’s always up to something. You knew when he handed you that damned chocolate that it was a bad idea. “It’ll be fun, come on, I dare you. It’ll only make you a little horny.” 
You knew better, you knew that taking a damn aphrodisiac before a party was a messy move. Especially since you’re here with Hyunjin. Your friends are always teasing the two of you, asking why you’re so close or why he’s always over at your place and spending the night. They blame all of Hyunjin’s unexplained hickies on you. It’s to the point where everyone that knows the two of you thinks that you’re fucking. And they’re right, you are. 
“Is he allowed to do that?” Changbin sneaking up next to you pulls your attention away from Hyunjin, basically dry humping some girl on the dance floor. The smirk on his face said it all, he’s trying to get you worked up. Contrary to what everyone else might think you're not the jealous type, neither of you are. You’re more than happy to share.
“You mean is my friend allowed to dance with girls?” You steal a glance back towards Hyunjin, he’s so close to her. Is he going to kiss her? Will you be able to contain yourself if he does? You press your thighs together at the thought of it. “Of course he is.”
“When will you two admit that you’re dating?” The smirk on Changbin’s face as he stares down at you, drink in his hand and that damned black shirt stretched over his chest and biceps just right makes you feel something that you never have towards him. Of course he’s hot, you always thought that but right now the thought of having him bend you over this bar and fuck you dumb in the middle of this party is all that is looping through your head. 
“If we were dating.” You turn to him, stepping so close that your chest is practically pressed against his. “This would be a problem.” The glass in your hand is quickly forgotten on the bar as you ghost your fingers up Changbin’s arm and rub over his strong shoulder. “But it’s not, look.”
He breaks your gaze for a second, glancing over to Hyunjin who’s way too busy swapping spit with the pretty black haired girl to notice you trying to seduce his friend. 
“So you’re not dating him?” His glassy eyes search yours, you’re both clearly tipsy. 
“Nope.” The feeling of Changbin’s hand on your waist makes you moan involuntarily. You need something, anything, to take the edge off. Every little touch makes you feel like you could come undone. He leans in and ghosts his lips against your neck. You gasp and your lips part, your eyes rolling back in your head and your body arching into him. How can something this small make you feel so hot?
“How drunk are you? You’re so sensitive.” The breath of his whisper sends chills down your spine. 
“I’m not drunk.” Changbin pulls back enough to meet your gaze.
“What are you then? I touched you and you moaned.”  You blush and look away. Your bold attitude has abandoned you tonight. 
 "I'm just really turned on." He smirks and pulls back completely, leaving you wanting more. His gaze shifts over to Hyunjin quickly before meeting your pleading eyes again.
“You want help taking care of that?”  His dark eyes twinkle in the ambient party lighting and you can’t help but to feel needy for him or anyone else at this point. It’s a surprise that your arousal isn’t dripping down your legs. A nod and a not so subtle lip bite is all that you offer him before he cups your face and pulls you closer. You close your eyes as he leans in.
“I need to hear you say yes.” The brush of his lips against yours as he whispers against your lips pulls another whimper from you. 
“Yes, please help me, Binnie. Please.” His lips are pressing to yours in an instant. Hungry and sweet just how you needed him to be. You melt into his touch, sighing into the kiss and pressing your thighs together with all of the force that you have in you. His lips are so soft, how would they feel sucking on your - wait, who’s pressing into your back? A large hand glides up your thigh and over the curve of your hip, squeezing the fabric of your tight skirt as it rides up a bit. You could recognize his touch any day, it never fails to light your whole body on fire. 
“So horny you had to beg my friend to fuck you?” How long has Hyunjin been there? How much did he hear? Do you even care? You push back into him, grinding against his hard bulge. “Do I need to take you home?”
A whine escapes you as Changbin pulls away from you, a smile on his plump glossy lips as he looks between you two. “So you are dating.” You grab Changbin’s wrist as he tries to move his hand from your waist. You want more, you need it so badly. So desperately. 
“She’s not my girlfriend.” Hyunjin shakes his head, wrapping his other arm around your waist and splaying his fingers over your stomach. “But she is mine.”
“I knew it.” Changbin picks up his drink from the bar, shaking his head at the two of you. 
“It looks like you’re taken care of.” He nods towards Hyunjin who smiles at him and mutters a quick good-bye to his friend. He doesn’t care if Changbin kissed you because he’s the one who will be balls deep in your cunt soon. You frown watching Changbin walk away but the feeling of Hyunjin’s lips on your neck makes the world around you fade away. He hasn’t even done anything to you and you can already feel the fucked out fog setting in.
“Let’s get out of here, yeah?”
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You usually didn’t mind going to parties that were a bit further from your apartment but right now you hated it. Every second that passed with Hyunjin’s hand rubbing at your thigh made you want to explode. He wasn’t doing any better, he kept shifting in the driver's seat, gripping the steering wheel so tightly that his knuckles turned white. He’s just as desperate and needy as you, he just seems to be handling it better.
“How was it?” His voice snapped you out of your dirty daydream. How long have you been staring out of the window?
“What?”
“Kissing Changbin.” His eyes stay on the road and his voice is calm despite the uncomfortable strain of his cock against his jeans.
“It was good, really good.” All he offers is a smirk as he shifts again. Did he think it was hot? Did he enjoy seeing you kiss his friend? “How about that girl? How was she?”
“Eh, she really likes using tongue. I only like doing that with you.” 
Before you can stop yourself your mind is wandering to the moment right before the party when you and Hyunjin both started feeling the effects of the chocolate. His hands were in your hair and yours were up his shirt as your tongues explored each other's mouths in the front seat of the car. You were on top of him, straddling his growing erection and grinding your dripping core against the rough denim of his jeans. You both almost decided to leave the party, you were seconds away from turning right around and going home so he can fuck you senseless but when you asked him he gave you that devious smile. “What? Are you scared you’ll be too horny for the party? I dared you remember? You can do it, come on.” 
“Hyunjin.” You spread your legs a bit in your seat. The cool air hitting the wet spot on your panties sent a shiver through you. You feel so antsy and needy, desire is crawling wildly under your skin and you can’t take another second of it. You need him. “Jinnie, will you please touch me?” 
He stole a quick glance your way. Hissing through clenched teeth when he noticed the wet spot on your gray panties. “Baby, I’m driving.” His hand stayed on your thigh, it squeezed the soft flesh much harsher than he meant to but you enjoyed every second of it. You hiked your skirt up your thighs until it slipped over the curve of your ass, resting around your waist and leaving your wet cotton panties exposed. 
“Jinnie look ‘m so wet for you, please.” You’ve never felt as desperate as you do right now. Your nipples are pebbled underneath your shirt, your clit is swollen and the only thought in your head is having Hyunjin on you. You want him. His fingers, his mouth, his cock. Any and all of him. “I can’t wait, I need you, look what you did to me.”
You hook your finger into the gusset of your panties and lift it up and over just as Hyunjin glances over at your core. The sight before him could’ve made him swerve off of the road if he didn’t have any self control. You’re soaked, strings of sticky arousal are connecting your panties to your pussy and all he wants to do is lick up every drop of that sweet slick from your folds. 
“Fuck.” His hand moves from your thigh to rub over his aching erection. “I did that to you, angel? You’re soaked for me? Want my cock to fuck you dumb?” He bites his lip, a moan falling from his parted lips as he nearly misses his turn.
“Move your panties a bit more, let me feel you.” If there were an award for keeping your cool while driving as horny as a pornstar, Hyunjin would definitely win it. His driving is smooth, he’s barely missing a single sign, and his eyes are trained on the road while his pointer and middle finger circle soft figure eights over your erect clit. “Want my fingers in this pussy?”
He trails down and teases your entrance, just barely giving you the tip of his finger. Your head falls back against the seat and Hyunjin thanks his lucky stars that he’s approaching a traffic light. When he stops and looks over at you, he thinks that you couldn’t be more beautiful. Your eyebrows are pinched together and your pretty eyes are glistening with tears that threaten to fall from your puffy lids. Your lipstick is smudged ever so slightly while your bottom lip is caught firm between your teeth. Your arms are hooked under your knees to give him better access to your sopping cunt. A true masterpiece.
“Beg me to fill you with my fingers, baby. You have until the light changes.” 
“Please let me feel your fingers, Hyunjin. I’ll be so good for you, I’ve been so good. I’ll suck your cock when we get home, I promise. Please, please, please Jinnie. I n-need you, I need you to fuck my pussy open. I need to be stretched for you. This pussy is yours and I need you to fuck it. I w-want it. I-I’ll be so good for you I’ll -” A smile spreads wide across his face as he listens to you babble and beg so mindlessly. You trip over almost every word as your pussy clenches around nothing. He couldn’t help but to chuckle, not the cute kind that brings you comfort. No, this was the dark one, the one that means that he’s going to ruin you once he gets the chance.
“Light changed.” His fingers breach your entrance at the same time that his foot lets up on the brake. “Such a good little pornstar. Begging for my fingers in the car.”
“F-fuck, fuck fuckfuck oh my - my fuck.” Nothing makes sense in your head, you’re not even sure what you’re saying. Are you breathing? Once his long fingers curled into your g-spot the mist in your brain turned into a blinding dark fog. It feels so good, he feels so good. His fingers fuck into you at just the right pace, you can feel your arousal running down your inner thigh as he brings you closer to the edge. Your brows pinch together as another feeling sneaks up on you. An aching pressure that you were barely aware of before but can not seem to ignore now. “Hyun-Hyunjin wait I- gotta, gotta pee.” 
You meant to use the bathroom before the two of you left but Hyunjin rushed you out of the party so quickly that you forgot. “Go ahead, make a mess for me.”
The two of you were no stranger to water sports but you’ve never done such a thing in his car. “Are you-” You cut yourself off with a moan and Hyunjin nods, already knowing what you’re going to ask, he’s more than sure. 
“Make a mess for me, angel. I want your piss on my leather seats. Can you do that for me? Squirt and piss all over my car.” What left your lips was barely a moan, it was more like a desperate cry as he abused your sweet spot. “Come on, baby. Show me how good it feels.” 
You’re way too concentrated on the pleasure burning through you to notice that the car just stopped. Hyunjin found a relatively dark and empty lot to stop in so he could enjoy the show. If there’s one thing that he loves it’s when you two get messy. He’s the happiest when you're squirting all over his cock or pissing while you ride his thigh or his face. 
He keeps a steady pace while his thumb flicks over your swollen clit, milking everything you have to offer from you. His free hand rubbed over his clothed cock as he watched you with dark low lidded eyes. He wants nothing more than to fuck his fist to the sight of you but he choses to build himself up instead. He wants to bust inside of you, filling you to the brim with his sticky seed. 
“C-cumming I’m - I’m cumming i’m cumming.” He curls his fingers into you, milking your fluttering walls as a rush of arousal squirts from your swollen cunt. He pulls his fingers out, rubbing his four fingers over your cunt and making a mess of your fluids. 
“Piss all over me, baby. That’s it.” The pressure in your bladder lets up as you let go. A mixture of squirt and piss coated the windshield and radio in front of you as Hyunjin rubbed at your pussy. “Gimme another one.” 
His fingers are plugging your hole again before you can protest. “Jin- Jinnie so good ‘s so g-good.” If you were watching yourself from the outside looking in you wouldn’t be able to recognize the babbling mess in the passenger seat as yourself. You’ve been needy before but you’ve never been this fucked out and foggy. What the hell was in that chocolate? “Cum, cum, gonna- fuck.”
You’re squirting all over his hand again, your moans and cries fill the car and Hyunjin is absolutely positive that you’d have a full audience if there were anyone nearby with the way that you’re screaming for him. “That’s my fucking pornstar right there, look at this fucking mess baby. You’re soaked in your own cum and piss. So nasty for me.” He watches in delight as you tremble and moan, your body shaking as you come down from your high.
“More, more please please please. Let me have your cock. I wan’ suck it, let me please.” He smirks as you beg for him, your body trembling against the damp leather of the seat and your mouth wide open in pleasure. 
“If you touch me I’ll fucking bust.” You unbuckle your seatbelt hastily. Climbing up to your knees with the grace of a baby deer against the soaked seat. “You just can’t wait huh? Need to taste my cum?”
You nod, fucked out and frantic as you lean over the middle console and fumble with his belt buckle. He leans back, one hand tracing your spine lightly while the other rests behind his head. He loves watching you be dumb and needy for him, he doesn't get to see it often so he came up with the dare to get what he wanted. He knew what the chocolate would do to you, he’s taken it before and he knows how bad it can get. When he showed it to you and you said that you’d try it someday he got excited. He was curious if it could get him his desired outcome. He wanted to know if it’ll make you his brainless slut, looks like it worked. 
“Come on, angel gotta get my cock in your mouth.” You whine at his teasing, licking your lips and fumbling with frustration until you finally free his rock hard dick from his jeans, no boxers underneath for easy access of course. You hum at the sight of it, immediately licking up the pre-cum leaking from the angry tip. “Shit.”
The hand that was once behind his head grabs a handful of your hair and he tries his best to contain himself. He didn’t want to let his guard down yet, he’s been waiting until you get home but your pretty warm mouth wrapped around his cock just might make him as needy as you are. “Baby, baby, baby you’re gonna make me nut. I’m gonna cum down that pretty tight throat, fuck.”
You take all of him, allowing his tip to abuse the back of your throat as you moan around him. “Oh, I want to be that deep in your fucking cunt. You gonna let me? Gonna let me ruin that pussy when we get to your place?” He’s practically fucking your throat now as his hips thrust up involuntarily. He can’t help but chase the pleasure. You feel so good and he’s five times more sensitive than he usually is. 
“Swallow around that cock, swallow my dick. Yes, fuck yes just like that, that’s my girl.” The moment that your throat contracts around him he can feel himself tipping over the edge. With his head thrown back, a death grip in your hair and his eyes shut tight he slurs dirty promises into the air while shooting ropes of cum down your throat.
“Swallow it, take all my fucking cum. Oh shit, baby swallow every drop of my fucking seed. You’re such a slut letting me - fuck - letting me make a mess in this tiny throat. Fucking hell I’m so addicted to you.” You swirl your tongue around his shaft and tip as you lift up off of him. A single string of spit connects you to his cock but it’s swiftly broken when Hyunjin grabs your chin and pulls you in for a kiss. Your tongues explore each other's mouths as you swallow each other’s moans. 
 Your hand wraps around Hyunjin’s cock, still hard as a rock, milking a deep moan from him as he pulls away from your swollen lips, you watch Hyunjin's eyes roll back in pleasure. He runs his hands through your hair, as he pants and stares into your eyes. He’s just as cloudy and fucked out as you are now. All that’s going through his head is you. He needs to feel you, to fuck you dumb until you fall apart on his cock and soak the mattress with your cum.
“S-stop, baby.” His words barely make it past his clenched teeth but even if they did you wouldn’t have listened. “Stop.” This time the hiss in his voice catches your attention. He grabs your wrist, ripping you away from his cock.
“I need to get you home.” His dark eyes bore into yours. The intense lustful energy swirling around the two of you and fogging the windows makes you feel dizzy as you  listen to him. “Sit.”
You obey immediately, sitting back in your wet seat and shivering at the cool damp feeling. Hyunjin fixes himself but he doesn’t allow you to do the same. “You were just pumping my cock like a desperate slut, so sit there like a messy whore for me, okay? Keep that pretty pussy on display.”
A cock drunk smile pulls at your lips as you fasten your seat belt and settle into your seat. It doesn’t take long for Hyunjin to pull off, driving at the exact speed limit in hopes that he can get home quick and safe. You’re not too far from your apartment, it hasn’t been more than ten minutes since your last orgasm but it feels like it’s been forever since you’ve felt his hands on you. He’s noticed you shifting in your seat and rubbing your hands up and down your thighs, desperate for any type of attention. A smile adorns his flushed features as he gets closer to your place. 
“Angel, I know what can keep you busy.” His eyes stay on the road but yours immediately fly over to him, scanning his features as you listen closely. 
“Touch yourself and tell me everything that you wanted Changbin to do to you. Tell me all the dirty thoughts you had when he had his hands on my girl.” You push your thighs together, squirming in your seat. You had completely forgotten about your kiss with Changbin and how desperate you were to feel his hands on you and have him inside of you. 
“Hyunjin I don’t know if I can handle that, I just want you, baby.” He clicks his tongue, shaking his head slightly. 
“I won’t touch you anymore unless you do it.” You whine, throwing a tantrum against your seat. Hyunjin’s hand grabs your thigh, squeezing the flesh harshly and warning you to stop. With a smile on his face he glances over at you. You’re only four blocks away from your apartment.
“Come on, baby. I dare you.”
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1K notes · View notes
sapphire-writes · 9 months
Text
Pretty Little Thing
summary: After finding yourself at a holiday party you hadn't wanted to attend in the first place, Aemond Targaryen makes it worth while.
pairing: modern!Aemond x Reader
warnings: 18+/NSFW/MDNI - smut, oral fem receiving, fingering, spanking, praise, slight dirty talk, overstim, kissing, love bites, hand over mouth, titty play, allusions to Aegon being a creeper, alcohol, smoking, langauge
word count: 7.2k
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note: im back! grad school didn't kill me! hope you enjoy!
link to other stories from me!
To be notified when I post something new, be sure to follow @sapphire-writes-updates & turn notifications on 💙
Be there soon.
Alysanne had texted you nearly an hour ago, and with each passing minute you became more doubtful she’d be making an appearance at all.
You hadn’t even wanted to come. It’d been her idea and now she was blowing you off.
“We’re just exchanging the last of our things,” she’d promised on the phone several hours earlier, “You go on without me and I’ll meet you there.”
Yeah. Because it takes three hours to give your ex-boyfriend his stuff back. Totally.
Alysanne and Cregan Stark had been on and off again since you’d known her; this time was no exception. You knew from her first running later than I thought text that the night wasn’t going to go as you’d hoped. 
You decide to like her most recent message instead of replying, unable to stop the wave of annoyance cresting inside of you. 
You hadn’t even wanted to come.
An end-of-semester holiday party. Thrown by the elder Lannister siblings; twins Jason and Tyland. The kings of Casterly Rock are well known for their extravagant get-togethers and the unimaginable generational wealth that funds all their exploits. 
They’d long graduated from King’s Landing University, but you and Alysanne scored an invite courtesy of Cerelle Lannister, their younger sister, whom you’d been trying to avoid since you arrived. If Cerelle didn’t see you, perhaps you could escape the party unscathed.
That hope proves too good to be true as your name is called from across the room. You slide your phone back into your pocket as Cerelle approaches you. Her blonde hair hangs in effortless curls down her back, the emerald green top she wears accentuating its golden hues, along with her bright green eyes. 
You’re not exactly close with Cerelle, though she appears to enjoy your friendship, at least on a surface level. She’s part of the weekly book club you attend. Her grin widens as she reaches you, eyes drinking you in. 
“Darling!” she muses, pressing a kiss against your cheek.
“You wore it!” she says, fingers ghosting across the cashmere cardigan you’d chosen to wear that evening. Cerelle had bought it for you a few weeks ago, though you’d begged her not to; the price was more than you made in a paycheck.
Alysanne once referred to you as Cerelle’s Polly Pocket.
“She pulls you out of her pocket and plays dress up. It’s fucking weird,” she’d said. 
Cerelle’s lips curve upwards in a Cheshire cat grin as she slings an arm around your shoulder, bringing her glossed lips next to your ear.
“Stop moping in the corner like some dreary wallflower,” she purrs, brushing some hair behind your ear, “Have some fun! It’s winter break!”
Goosebumps break out on your skin at her affections. You laugh breathlessly shrugging away from her touch causing her to frown. 
“You haven’t had enough to drink,” she insists, reaching for another glass, “You’re much too antsy.”
“Alysanne was supposed to be here,” you tell her and she nods understanding, looping her arm through yours and giving your forearm a comforting pat. 
“Fashionably late as always, I suppose,” Cerelle drolls, pointing across the room, “There are lots of fascinating characters here who’ll distract you. Shall I spin a bottle to decide?”
“Hilarious,” you tell her, shaking your head.
“I never joke about a good shag,” Cerelle argues, gaze flickering about the room, “From the looks of it you could use it.” She turns back to you, matching your pout. “Don’t frown, you look too lovely.” She places her hands on your cheeks, thumbs tugging the corner of your lips upwards.
“Much better,” she praises as you hold the smile she’s decorated your face with, “Come on let's find you someone…don’t look at me like that! Someone to flirt with, that’s all. A bit of harmless fun.” 
You roll your eyes earning a pitch on the arm and you swat Cerelle’s hand away.
“There’s no one here I want to flirt with,” you insist, following her gaze around the room, “Let alone shag.”
“You’re too picky,” she muses, tapping a manicured nail against her chin as she scans the room, “What about Greyjoy?”
A shiver rolls through you, “No thank you.”
“Heard he’s good in the sack.”
You’d heard a lot of things about Dalton Greyjoy. None of which made you want to spend an extended period of alone time with him. You glance at Cerelle giving her a firm look. She sighs, returning to her mission.
“You need someone,” Cerelle insists after you shoot down several more options, “You haven’t been with anyone since—what was it again?”
His face flashes through your mind before you can help it. 
“Unimportant,” you quip, “Cerelle, I just want to—” Your words die as two new guests bound up the stairs into the main hallway. 
Suddenly, it’s as if all the air has been sucked from the room, your heartbeat echoing in your ears the only sound you can hear. You tug Cerelle closer, eyes wide.
“You invited them?” you hiss, as Cerelle frowns, following your gaze.
“Not me. Jason must have,” she answers, “It’s not a party without Aegon. Jay swears he has the best coke on this side of the Keep.”
Aegon Targaryen is relatively harmless as long as you keep your drink close. You’re more concerned with the tall figure who lurks closely behind him. Though the younger, Aemond Targaryen towers over his brother; his presence makes the room feel smaller, colder than it was moments ago. He’s dressed in all black, as he usually is, the silver chain around his neck the only other color. His long snow-white hair is braided down his back, an eyepatch securely covering his left eye.
He never takes it off.
Aegon pushes by his brother making a beeline for the kitchen where most of the chaos is localized. You can tell a new drinking game has begun by the sound of cheers and the echo of glasses clinking together. Aegon’s eyes lit up as he disappeared down the hall, eager to join the miscellaneous fun.
Aegon loves a good party.
Aemond watches his brother but lingers behind in the living room leaning against a wall. He extends a long arm to the bookshelf retrieving one with his long fingers. He flicks open a few pages, lips pursing. He glances up, violet eye meeting yours for the briefest moment. 
Your lips part and you look away, warmth flooding your cheeks. You had shared a couple of classes with Aemond, nothing more nothing less. He was quite mysterious. 
“Anyway,” Cerelle says, her attention wavering with each passing second, “Back to you drinking. I’ll get you another glass. Loosen up, pet.” 
You try to, you really do. No matter what her intentions are, Cerelle has been nothing but nice to you, so you allow her antics. An hour has ticked by and Alysanne has yet to respond to your latest text message. Squeezed between Cerelle and Sabitha Frey during another round of quarters you decide to plan your escape. 
“I’m going to get some air,” you tell her, rising from the couch. Cerelle rolls her eyes, “I’m not leaving, I swear!”
“You better not!” she says, perfectly sculpted eyebrows knitting together, “I’ll come to fetch you if you’re gone too long—you know I will.”
She’s telling the truth. 
“Five minutes,” you insist, forcing a smile.
Cerelle’s nose twitches but she lets it go and nods, returning her attention to the game.
Weaving through the sea of people you make your way outside letting the door shut behind you as you walk down a few steps of the front stoop. It’s colder than you expected, you can see your breath in front of you. 
You stand shivering, trying to decide what to do next. Reaching into your pocket, you check your phone for the time. You could leave, make your escape down the steps, and catch the last bus back to Maegor’s Holdfast. 
If you stay any longer, you’ll be forced to spend the night or dip into your savings to splurge on an Uber. It’s always crazy expensive on this side of town as if the drivers know the neighborhood is full of rich kids. 
The door opens and noise from the party fills the cool night until it slams shut once more. You roll your eyes expecting Cerelle as you turn your head. 
Only it isn’t her.
Aemond Targaryen lingers on the top step, reaching into his jacket pocket and placing a cigarette between his teeth. He finds a lighter a moment later, a nice expensive one, flicking it open with a sharp click. Fire blooms in the palm of his hand and you can just make out the three-headed dragon branded on the side of the silver lighter before it disappears into his pocket again.
He releases a cloud of smoke into the air, mimicking the one your breath makes. You turn away as he walks down a few steps, glancing at you out of the corner of his eye. 
“You were in my class,” he says suddenly, his head tilting to the side, “History of The First Men, right?” 
You force your lips together. “Mhmm,” you answer, surprised he recognized you.
Aemond Targaryen didn’t seem the type to remember a random girl in his class. Smart as hells, he focused solely on his grades, paying little attention to the rest of the student body. He seemed to be the antithesis of his elder brother. Though incredibly different, supposedly they had similar lustful appetites. 
One for pleasures of the flesh, the other for academic validation.
Aegon Targaryen was a known party boy and ran in multiple social circles. He didn’t care about class or popularity; if there was sex, liquor, and drugs around, Aegon Targaryen would be there. 
However, there were stories about Aemond too that made their way around campus. 
“You alright?” he pressed, the silence laying heavy between you. 
“I shouldn’t even be talking to you right now,” you breathe, chuckling slightly as you rub your arms as the frigid air bites into your exposed flesh. 
Aemond quirks a brow at that, taking another drag of his cigarette. “Why’s that?”
“You’re sort of a banned topic at book club,” you admit, causing his lips to curl into a small smirk. 
“Am I?”
“Mhmm.”
Another moment of silence goes by before his curiosity gets the better of him. “Because?”
“Maris runs it,” you tell him, and he clicks his tongue, nodding to himself before taking another drag of his cigarette.
Maris Baratheon, the elder of a pair of Irish twins. Floris Baratheon, once the object of Aemond’s affection for about a half second, was royally screwed over when he left her for none other than Alys Rivers. Adjunct Professor. It was quite the scandal at the time.
You’re not exactly friends with Floris; closer to Maris if you had to choose. But it's the principle of things—girl code. 
“Floris and I were never exclusive,” Aemond comments.
“Yikes.”
So maybe Aemond Targaryen is just like every other guy. Though, you’re mostly sure he’s telling the truth. The story you’d heard was that he ghosted her. 
“She shouldn’t have assumed,” he continues, shrugging his shoulders nonchalantly.
You roll your eyes, blood boiling at his statement as annoyance begins to quicken in your belly. Aemond Targaryen seems more like his elder with every word that leaves his curved lips. 
“Right, of course not, how dare she,” is your sarcastic reply. 
Aemond tilts his head toward the sky, speaking around the cigarette. 
“You seem rather upset,” he accuses, “Funny, Floris never mentioned you.”
You turn to face him fully and he glances at you out of the corner of his eye. Folding your arms across your chest you jut your hip out. “We’re not friends. It’s the principle of it all. I don’t like assholes.”
His perfect lips curl slightly. “I’m an asshole?”
“Mhmm. At least Aegon owns up to his behavior, he doesn’t pretend he’s some suave guy doing nothing wrong.”
You swear a smile tugs at the corner of his lips as he plucks the cigarette from between them.
“Is that what I’m doing?”
“Sure seems like it.”
Aemond takes a step closer then. You have to tilt your head to look him in the eye. Something about being this close to him is almost unnerving, your stomach drops slightly as you focus on his prominent cheekbones. 
“It’s not my problem if a girl gets her hopes up after getting fucked properly,” he counters.
Your breath hitches in your throat and you back up, slightly slipping against the icy railing. Aemond reaches out, his hand curling around your bicep to steady you. It’s warm, almost hot; the heat seeps through your thin sweater in the shape of his fingers. 
There’s a tension between you as he holds your arm for a second too long, before the door opens and several partygoers stumble down the steps, forcing you to break apart. Aemond takes another drag of his cigarette from across the stairs as they laugh tumbling into the street. You’re grateful for the distraction, taking a moment to slow the frantic beating of your heart, and the slight flutter in your stomach. 
“So,” you begin, trying to break the awkward silence the partygoers left behind with their departure, “How do you know Cerelle?”
Aemond looks at you quizzically.
“How do I know Cerelle?”
You jerk your chin up in a hasty nod. Aemond chuckles, shaking his head and taking another drag.
“Family friend,” he answers, “Old money likes to stick together.”
You nod again, unsure of how to answer as he observes you. 
“Surely you’ve heard of the Westerosi Seven?” he asks.
You haven’t.
“The what?” 
“The seven families,” Aemond says, his tone indicating that this is somewhat common knowledge, “Generational wealth that can be traced back to medieval times. The higher lords and ladies. Near royalty.” He takes another drag.
“And you’re one of them?” you ask, crossing your arms. 
“My family, yes,” he answers, “And Cerelle’s. The Baratheon girls. Stark. They’re all quite close.”
“Interesting,” you tell him, glancing down the street again, “You sound like the mafia.”
Aemond holds your gaze, not denying your allegation. You release a breathless laugh, but unease settles in your gut. 
The door opens as if on cue, and Cerelle pops her head out. 
“Darling! Come back inside you’ll catch your death,” she calls, waving you forward. She spots Aemond out of the corner of her eye, and you don’t miss the look of interest that gathers in her green eyes as they flicker between the pair of you, “Targaryen.”
“CeCe,” he politely greets, choosing to use the nickname Cerelle often kept reserved for her family only. She doesn’t comment on Aemond’s choice. 
“Hope you’re being nice to my girl,” she says, the words clipped.
“Of course,” Aemond comments and you can’t help but feel like you aren’t there. 
Cerelle glances back at you, a smile decorating her face once more. 
“Come on, pet! In the kitchen.”
Her blonde hair disappears in the door. Aemond walks down the remainder of the steps tossing his cigarette to the ground and stomping it beneath his heel. 
“Best run along,” he muses, not turning to face you, “She doesn’t like to be kept waiting.”
Annoyance prickles under your skin.
“She’s my friend—”
“You have got a very generous friend,” Aemond comments, turning to face you. He motions at your sweater. “Myrish, isn’t it?”
You cross your hands over your chest. 
“Mhmm,” Aemond hums glancing up at you from the bottom step, “I’d just be careful if I were you. Accepting gifts from rich strangers is a lot like Persephone eating the pomegranate seeds.” 
You scoff at the implication before turning away and heading back into the townhouse. Aemond does not follow; you don’t hear the door open as you hurry back up the stairs. 
The party has since moved completely to the kitchen, sans a couple making out on the living room couch. You enter the crowded space and crane your neck to see what everyone is cheering at.
It’s something happening on the marble island, but you don’t see what—that is until Cerelle sits up, her blonde curls cascading around her face, a lime between her pearly white teeth like a cat with a mouse. 
She smiles curling her finger, beckoning Aegon Targaryen forward. He leans against her, bringing his mouth to hers and stealing the lime. The juice flows down his chin before he lets it fall, pressing a sloppy kiss to Cerelle’s lips, earning several cheers. 
As she breaks away she notices you, eyes lighting up as she slips off the counter. 
“Good, you didn’t leave!” she says giggling, “It’s your turn.”
“My turn?” you ask, heart dropping into your stomach. 
“Mhmm,” she says, dragging you forward, “Up now!” 
“Cerelle, I don’t—”
“Hush! Qyle Martell is doing it,” she says biting her lip suggestively, “Let the sexy Dornishman take a shot off you, alright?”
Your cheeks darken as he appears before you, arms wrapping around your waist and lifting you onto the counter like a lamb for slaughter. The crowd cheers and your eyes widen as you meet Qyle’s warm brown eyes. 
“Your sweater,” he says, motioning to it with his hand that clutches a bottle of tequila. 
You glance at Cerelle and she nods encouragingly. Over her head and in the doorway you spot Aemond. He didn’t leave after all. Instead, he leans against the doorframe, observing the chaos with a curled lip, as if the entire thing is beneath him.
Qyle whistles, drawing your attention back to him. He motions to your sweater yet again.
“Oh,” you tell him, moving to unbutton it. 
Thank goodness you wore a tank top underneath. Your fingers slip with nerves as you struggle to unbutton it. You’re the center of attention, peers cheering and chanting around you as you struggle with the bottoms. 
Quite the sacrificial lamb you are. 
“Here, can I help?” Qyle asks, reaching toward you, his fingers bumping against your own. The bottle of tequila sloshes. 
“No—no I’ve got it—oh!”
You’d moved wrong, done something wrong—or perhaps someone pushed him you’re not sure. Your head is buzzing with the noise of the room and suddenly the front of your sweater is doused in tequila. Qyle’s eyes are wide as Cerelle pushes him to the side as the smell of alcohol fills your nose. 
The room quiets momentarily until Cerelle’s bell-like laugh pierces through the silence. 
“Qyle you idiot,” Cerelle sneers, nose wrinkling with playful distaste, “You’re supposed to wait till she’s laying down—”
“It was an accident!”
“—and her sweater!” Cerelle growls in annoyance, “Go upstairs, pet, my room. Pick anything you like.”
You slide off of the counter, hurrying from the room, leaving the sound of music and chanting behind as you move deeper into the labyrinth of the Lannister home. 
Cerelle’s room lacks color and warmth. 
You’d spent the night once here before, crawling into the white feather bed after too much mulled wine. Cerelle had stroked your hair until you’d fallen asleep, only to awake the next morning with a severe headache and a churning belly. 
Popping the rest of the buttons, you peel the soaked sweater from your body and throw it in the hamper. You then walk over to Cerelle’s closet—double doors—and open it. Expensive. Perfumed. You’ve already ruined one pretty thing. Though Cerelle could hardly care about the expense, you do. You sigh, gently pushing through the soft fabric.
“Playing dress up?” a voice calls, and you turn to Aemond at the door. 
You close the closet door. You’ll just have to survive in your thin top. Aemond holds a glass of whiskey between his long fingers.
“Well, I suppose that was a given,” you answer him, sitting down on the bed.
Aemond watches you from the doorway, his arm raised above his head, fingers tapping nonsensically against the frame. 
“D’you want to see how you’re supposed to do it?” he suddenly asks.
“Do what?” you question, tilting your head to the side. 
“What Qyle was going to do,” he answers, and you understand his meaning. 
Aemond walks over to you, the ice rattling against the glass he lazily grips between his fingers, coming to stand in front of your legs. You’re not sure why he’s asking, what interest he has in you. But something in your belly tightens the closer he gets.
“Alright,” you give him a quiet answer, the word barely slipping past your lips. 
Aemond purses his lips, glancing down at your legs. 
“Spread them,” he says softly, motioning with the cup. Warmth creeps up the back of your neck and blooms on the apples of your cheeks. You lock eyes with him, focusing on the ring of violet that surrounds his pupil. You do as you’re told, knees parting; his gaze hypnotizing. “Wider.” 
Your skirt tightens against your thighs as you do so, but you spread your legs wide enough for him to stand between them. He takes a step forward and you’re forced to look up at him.
“Lean back,” he instructs. You’re beginning to notice how easily he slips into the domineering role. Again you follow his instructions, cheeks burning as you lean back, propping yourself on your elbows. 
You’re much more exposed without your sweater, the tops of your breasts visible in the thin top you wear. Aemond steps closer, looming over you, heat radiating from his tall form.
He reaches out, fingers caressing your cheek. You hope he can’t feel how warm they’ve become, feel your pulse fluttering against his fingers as they trail underneath your jaw and down your neck until they reach your collarbone.
“You’re to put salt here,” he murmurs, pressing against the dip of your collarbone for emphasis, “That’s first.” He leans down then, fingers trailing over your shoulder and down your arm leaving a trail of goosebumps in its wake. “Though we’re without.”
You swallow as his fingers continue to trace your collarbone. His violet eye watches you carefully before he pulls his hand away. He brings them lower, ghosting down your ribs until they reach your waist.
“May I?” he asks, fingers at the hem of your shirt. You give him a wordless nod, not able to trust your voice. Aemond pushes the fabric up slightly, revealing your navel. He holds the glass above your stomach; a drop of condensation falls causing you to flinch at the cool sensation.
Aemond flicks a brow at the constriction of your abdomen, “You’re quite sensitive.”
“It’s cold.”
“Mhmm,” he agrees, turning the glass so more condensation falls; little raindrops begin to adorn your skin, “The liquor goes here.” His fingers ruin the pattern he’s created, rough fingertips swirling the dew drops around your navel, “Tequila.”
“We haven’t got any,” you breathlessly tell him, his touch leaving a scorched trail across your belly. 
Aemond brings his glass closer, pressing the edge against the beginning of your belly button, letting some whiskey pool there. Your hands clenched into fists as the cold liquid fills you up; you watch as it shakes slightly, overflowing. Aemond leans forward, catching the spill with his mouth causing a gasp that sounds more like a moan to leave your mouth. His mouth covers your navel and you can feel his tongue swirl around, collecting the liquid he poured there with hot, calculated strokes. 
His violet eye peers up at you from behind silver lashes, half-lidded as he hollows his cheeks sucking harshly. He reaches toward the side table, mouth never leaving you, to place his glass on the edge freeing his hand. You can feel his tongue circling your navel, gently probing the sensitive skin. You can’t help the giggle that escapes you at the ticklish sensation. Aemond presses his hands against your obliques before releasing you with a pop, his chin and lips shining. 
“That’s how it's supposed to be,” he murmurs, not moving from the spot between your legs. Some of his silver hair has fallen across his brow, and on instinct you reach forward, brushing it from his eyes. 
“There’s one more part,” you tell him, fingers grazing the beginning of the scar that mares his left brow before disappearing behind the patch.
“What’s that?” he asks, his gaze revealing he knows the answer. 
He just wants to hear you say it, you realize. 
Your lips part, fingers still somewhat tangled in his hair; the strands soft as silk between your fingers. 
“There was a lime,” you tell him, “The person….holds it in their mouth.”
Aemond pushes up then, his hands sliding up your sides until they’re pressed into the bed on either side of you, his face inches from your own. 
“Have you got a lime on you?” he asks, his breath warm on your face, the scent of whiskey strong between you.
“No,” you murmur, not knowing where to look. He’s so close you can see the flecks of blue and gold in the lilac iris of his eye, count his silver lashes, and notice the small indentation on the tip of his prominent nose.
He hums again, his eye dropping to your lips.
“Pity,” he says, lips down turning into a pout.
Your heart is nearly beating out of your chest with the way it's pounding incessantly against your ribcage. He’s so close your chests are practically touching; your nipples straining against the fabric of your top. His chain peeks out from under the collar of his shirt and your resolve crumbles. Your eyes flicker to his lips, tongue darting out to wet your own and he leans forward, capturing your lips in a heated kiss.
Your hands wrap around his neck as he kisses you; his lips so soft and firm against your own, skilled tongue parting them with ease to deepen the kiss. A moan doesn’t make it out of your throat as his hand cradles your jaw, the sound of soft kisses is the only thing you can hear besides the muffled hum of the music playing downstairs. 
Aemond pulls away then, the look is his eye ravenous as he lowers himself between your legs once more. For a minute you think he may grab his glass and do the party trick all over again, the kiss just a spur-of-the-moment thing. Instead, he pushes your skirt up, fingers digging into the flesh of your inner thighs. You realize a moment too late what he’s doing.
Riiiip!
“Aemond!” you squeak, as he rips the seam of your tights, “These were a new pair!”
“I can buy you another,” he says, pressing a kiss against the smooth newly exposed flesh, “Or perhaps CeCe can. You’re her favorite plaything, aren’t you?” 
Your cheeks burn at the statement, your mouth pressing together in a tight line. Aemond grins, nimble fingers undoing the zipper of your skirt and wiggling it down your legs along with your ruined tights.
“Oh she doesn’t like that,” he says, clicking his tongue, “But it’s true, isn’t it?” His hands are roaming higher now, grazing against your clothed center. You’re certain he feels the evidence of your arousal but he stays quiet about it. “That’s what you are, aren’t you? A pretty little plaything.”
“Fuck you,” you hiss, humiliation seeping into your veins, though it does little to quell the desire pooling in your belly. 
“No shame in that,” he says, shaking his head, “I understand Cerelle, entirely.” His fingers tug your panties down your bare legs, exposing your wet center. Aemond’s eye locks on it, lips quirking upward. “I like pretty things as well.”
“So I’ve heard,” you quip as Aemond’s second-hand joins the first. He swirls a finger low against your entrance and you clench as he drags it upwards.
“Have you?” he muses, circling your clit with minimal pressure, “And what have you heard?”
“That you’re as insatiable as your brother,” you manage to choke out as his thumb continues to tease your clit, “You just hide it better.” 
Aemond cocks his head to the side in silent agreement before pressing his face against you. A sharp cry leaves your lips as his tongue explores from your entrance up to your clit, the tip circling the sensitive button. 
Eyes rolling back in your head, Aemond nuzzles his face against you, tongue slipping down and pressing into your clenching hole. He hums in approval as you make another desperate noise as his tongue curves upwards inside of you. 
Seven hells, how is anyone’s tongue long enough to do what Aemond’s is doing? Your toes curl as his tongue hooks upwards against the front of your pelvic bone, thrusting against the sensitive patch of nerves that resides there.
“Oh gods—fuck—fuck!” you cry as he continues the repetitive movement of his tongue, waves of pleasure lapping up your spine, sending shivers through your whole body. “Hells Aemond…”
His nose presses against your slippery clit, rubbing against it in a way that stokes the pleasurable fire burning in your belly. His hands hold your thighs open and you throw your head back against the bed as the pressure inside you builds and builds and builds. Your back arches and your thighs tremble in his bruising grasp.
You lean up on your forearms to watch him, his violet eye intently watching your face, studying your reaction. You can tell he’s smug at the effect he’s having on you. He would often get that same look in his eye in class after he proved someone wrong or made a more intelligent point. How you must look to him now; all spread out before him, flushed and slack-jawed, dewy-eyed and pretty. 
You’re a pretty toy to play with. Just want he wanted. 
His tongue leaves your fluttering pussy and you whine at the loss of contact. He mumbles something that sounds an awful lot like needy before two fingers sink inside your warmth to replace what he took away. 
Aemond’s tongue returns to its place around your clit as his fingers curve upwards replaying the motion from before. The stimulation now is much harsher, the pads of his fingers dragging effortlessly against your spongy walls, curling with brutal intention; relentlessly pressing against the swelling spot inside of you. 
His warm, wet tongue against your clit only hastens the tightly winding ball of pleasure in your gut and you feel your walls swelling around his fingers as your release knocks the wind out of you. 
You come with a strangled cry, hands gripping the bed sheets as your abdominal muscles contract to the point of pain, all your muscles going taut as warm waves of euphoria rush through you. 
Aemond releases a choked chuckle of appreciation as he feels you tighten around his fingers. He fucks you through it, stretching out the wave of your orgasm until your legs are trembling and the overstimulation causes you to hiss at him.
“Stop, stop, please.”
“Alright…shhh,” he says, pressing a kiss to the top of your mound and gently pulling his fingers from your fluttering walls, “There you go, that’s a good girl. You did so well for me.”
You can’t help but warm at his praise, the ringing in your ears fading as your chest swells. Aemond is on you once more, lips pressed to yours the mingled taste of whiskey and you hot on his tongue. 
“Are you going to let me fuck you?” he murmurs between sticky kisses, “Hmm?”
“Aemond…” you breathe into his mouth, hoping that is enough for him.
You can feel him smirk against your lips and know instantly it's not. He tuts disapprovingly, pushing you back against the mattress, his face dipping into the crook of your neck.
“What would Floris say?” he teases, pressing an open-mouthed kiss to your neck. Your hands wind around his neck, fingers digging into his scalp. His braid is all but ruined. “I thought you said something earlier,” he continues, nipping and sucking at different spots on your neck, humming with pleasure when he locates a spot that has your back arching. 
“I don’t—”
“Loyalty, I recall,” he purrs, his hand snaking down your side, gripping the meat of your thigh and hoisting it around his waist, “Something like that.”
“Aemond,” you whimper helplessly as he grinds against you, the feeling of his hard cock concealed by his trousers driving you close to madness, “Aemond please.”
“You’re going to have to say it,” he insists, kissing your cheek, “Come on, say it.”
“I want you to fuck me,” you tell him, “Please Aemond—gods.” 
“They can’t hear you,” he taunts, capturing your lips in a bruising kiss, “You’re all mine.”
You frantically nod, nose bumping against his as his lips curl into a greedy smile. He removes his shirt with one hand before he rolls off of you and onto his back, motioning to you with his hands. 
“Go on then,” he says, “Take what you want.”
With shaky hands, you undo his belt above the sizable tent in his pants before dragging the zipper down and releasing his cock. He’s bigger than you expected, both in length and girth, the reddened tip already weeping in anticipation. You stroke his velvety shaft once before he grabs your wrist, pulling you toward him. 
His hands pull your shirt from your body as you straddle him, his cock nudging at your folds. Aemond’s hands slide up your back, undoing your bra and freeing your breasts. 
“You’re gorgeous,” he murmurs, hands cupping the sizable mounds, “Gods, you’re so lovely.”
Your face burns at his praise as you raise your hips before gripping him in your hand and guiding him inside of you; gently letting yourself slide down his length, inner walls fluttering around him at the new sensation. Shuddering on top of him you whine at the stretch. “Gods—”
“You can take it,” he murmurs, squeezing you softly in encouragement, “Come on baby, that’s it, just like that.”
Slowly you let him bottom out in your warmth, happily seated on his cock feeling incredibly full. You brace your hands on his chest as he pinches both of your nipples, your jaw slacking in response. Aemond lifts his hips slightly, gauging your reaction as your eyes screw shut.
“That feel good?” he asks, his voice a rough whisper.
“Yes,” you breathe, slowly starting to ride him, hips lifting and returning to his with a soft smack. 
“There she goes,” he murmurs, hands dropping to your hips, squeezing, “Take what you need, gevie.”
A breathless moan escapes you as you ride him, his hands guiding you through the movements. The hum from the music downstairs matches the ringing in your ears. 
Aemond drops his hand from your waist bringing it to the apex of your thighs. His lips part as he watches you rise and fall on his cock, his length coated with your arousal. 
“That’s it,” he coos, his tone bordering on one of condensation, “Just like that—there’s a good girl.” His thumb brushes against your clit as he says it, a broken moan leaving your lips as pleasure ignites your veins. 
His movements are soft, tantalizing, and brutally calculated as he circles the sensitive button; his other hand clings to your waist, hard enough to bruise. Surely they’ll be memories of his touch when you wake; dark purple petals blossoming on your soft flesh at first light. He guides your movements as they become sloppier the closer you get to your release. 
It sends tingles up your spine, your chest and neck growing warmth as you edge closer to the precipice of pleasure.
No other man has made you finish before.
“Are you close?” Aemond murmurs, never stopping his attention to your clit, the subtle movement of his hips thrusting up into you, “I know you are—can feel you clenching around me.”
Your head falls back, mind foggy as you desperately grind against him, trying to ignore the burn in your hamstrings. Aemond’s hand leaves your hip crashing down against your ass with a loud smack. You yelp in surprise, head jerking forward, nails clawing into the hardened muscles of his chest. Aemond’s hand remains where he’d spanked you, fingers curling into the meat of your ass as he releases a breathless laugh; his eye flickers to where your nails dig against his pale flesh, leaving a trail of red behind as they scrape down his chest.
“Answer me,” he demands, and you quickly nod earning another stinging slap, “With your words gevie. Use those pretty lips.”
“Yes,” you practically gasp, “Yes, Aemond I’m close—”
“And you want to cum, don’t you?” he murmurs, lips curling into a smirk, “Do you want me to make you cum?”
“Yes, Aemond please—” the sentence dies with a moan as he plants both feet on the mattress, bucking his hips up against yours at an inhumane pace. Your eyes screw shut, mouth hanging open in ecstasy as all the muscles in your body tense followed by a sudden burst of euphoria pulsing through you. 
Aemond hums in satisfaction as you ride your high, blood rushing in your ears as you shake on top of him, clenching around his thick length. He’s careful to pull his thumb away from your sensitive clit as your eyes flutter open, eyebrows scrunched together at the overstimulation. But his compassion is short-lived as he hooks his arm around your waist, flipping you onto your back and slotting his body on top of yours. 
His cock is removed for merely a moment at the switch of positions before it’s stretching into your once more earning a sharp gasp. Aemond’s hand covers your mouth in an instant, his face buried in the crook of your neck once more. 
“Shhh,” he coos, placing a kiss under your ear, “Hear that?” he asks, thrusting gently into your warmth causing your eyes to roll back in your head. “Listen.”
His hips continue their gentle roll against yours, slowly stoking the pleasurable fire that is reigniting in your belly. Limbs still tingling from your previous orgasm, you blink rapidly trying to focus on what he’s asking. 
The music downstairs has died.
“Everyone’s going home,” he murmurs, through another kiss, “We’d best be quick. Would hate for lovely Cerelle to find her pet in such a position.”
Embarrassment burns your cheeks and he chuckles, keeping his hand over your mouth as he slings your leg over his shoulder, deepening the angle of his thrusts. The head of his cock bullies against your sweet spot almost lovingly as he drags his cock in and out.
“Keep quiet,” he murmurs, the sound of silence deafening with the lack of music, “Can you do that?” He’s rather cruel with his question, delivering a particularly harsh thrust as he asks, then clicking his tongue in disapproval at your muffled moan. “Thought not.”
So his hand remains as he plows into you, the sounds of your pleasure muffled but still desperate as you claw at his shoulders. 
“That’s it,” he encourages, “Cum for me again, just like that.” His pelvis grazes against your clit, the friction only aiding in his efforts of making you reach your release once more. His violet eye scans your face before he dips to your collarbone, nipping the sensitive flesh with his teeth and you cum with a desperate cry against his hand. 
“There you go,” he coos, the words breathy and broken his hips faltering as your walls clamp down around him, “Squeezing me so fucking tight—fuck.” He regains his pace with renewed enthusiasm as your walls continue to flutter around him. Aemond removes his hand from your mouth pressing it into the mattress beside your head. 
Nerves raw from the continued stimulation a tear rolls down your cheek as he chases his own release. Aemond leans forward, hot tongue darting out to catch the salty stream as he hums in satisfaction. 
“We’ll have more time next time,” he whispers the promise against your cheek, “I want to explore what other pretty noises you make.” His lips capture yours then, swallowing the whimper you release. 
“I’m very curious,” he murmurs against your lips, slinging your other leg over his shoulder, pushing your knees back beside your ears. “And I’m very thorough.” A silent scream leaves you as he slams back into you, toes curling as you cum again, vision going white with the force of it. 
Aemond’s hips meet yours a few more times and then you feel his cock pulsate inside of you before the warmth of his release fills you to the brim. You’ll need to make a trip to the pharmacy, but you’ll think about that later. He stays like that for a moment, buried to the hilt inside of you as you both try to regulate your breathing. 
Aemond lowers your legs gently from around his shoulders and brushes some sweat-soaked hair from your forehead. 
“Are you alright?” he asks, and you nod as he kisses you sweetly.
“Just fucked out,” you assure him, a pleasurable ache radiating down your thighs. Aemond hums, carefully pulling his softening cock from your warmth.
The emptiness takes your breath away as he stands. “Wait here,” he orders, walking towards Cerelle’s bathroom. He returns a moment later, washcloth in hand. You push yourself onto shaky forearms as he carefully cleans the mess between your thighs.
“Thank you,” you tell him, face burning from his attention.
“No need for thanks,” he insists, “It’s the bare minimum.”
“For you maybe.”
Aemond flicks a brow toward his hairline, his violet eye meeting yours. His expression is curious, but you sense he’s not going to push you to elaborate. You hold his gaze. 
Not tonight.
“Are you staying here?” he asks, standing when he’s done, handing you pieces of your clothes.
“I think I have to,” you answer, putting your skirt back on and glancing at the clock, “The last bus is long gone.”
Aemond frowns, reaching for his phone.
“I’ll have my driver take you,” he says, unlocking his screen.
“You don’t have to—”
“It’s no trouble,” he insists, placing the phone against his ear, “Cole. Ten minutes. Thank you.” He hangs up quickly leaving no time to argue.
“Thanks,” you mutter awkwardly while finishing dressing. You walk to Cerelle’s large mirror and attempt to fix your sex hair. Your eyes widen in horror as you tilt your head to the side, leaning closer to get a better look. 
“Aemond,” you hiss, fingers pressing against the three red marks sure to bruise, “I look like I’ve been mauled by a bear.”
Aemond walks up behind you dragging his fingers down the curve of your neck and over your collarbone. Goosebumps appear in their wake. Three more red marks lead a path down to the top of your right breast. Several sizable mouth-shaped love bites. 
Aemond rests his chin on your shoulder, meeting your eyes in the mirror.
“Think of them as a gift,” he tells you, the curve of his lips pressed against the skin of your neck.
His hand curves around your waist, the other slinking up to turn your face towards him. He hums appreciatively, kissing your lips, then your cheek. Down your neck to your shoulder. You glance in the mirror once more, catching his eye. 
There’s something new there. Almost possessive. 
His grip on your waist tightens and he presses his teeth into the soft flesh of your shoulder.
Outside, snow begins to fall.
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insertdisc5 · 8 months
Text
✨ The In Stars and Time Spoiler Q&A ✨
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it's time. MASSIVE IN STARS AND TIME SPOILERS UNDER THE CUT. IT'S GONNA BE SO LONG. LET'S GO
I hope you are aware of The Secret Final Boss because I'm also gonna spoil the crab out of that. If you haven't,
1. Did you know the events for interacting with your souvenirs are randomized for some of them, and also change depending on how far you are in the game.
2. Did you know there's a way to show souvenirs to a certain character.
3. Did you know you can go back to Dormont during the Epilogue.
Figure that out, and come back here! Or watch a let's play online. You can also do that.
I will also try to adopt a ~mysterious cool voice with no exclamation points~ for Effect. Come with me on this journey.
Now. Questions time!
✨ Will you ever make a sequel to ISAT, or make a game in the same universe?
Nah. This was always intended to be The Story. This is your turn to imagine things now.
✨ But so what happened to the Country? What was its name? What about the wishes? What about the colors? What did Siffrin say as an openphrase to open the door to the King's room? What about--
I will not answer those. It's your turn.
✨ BUT THE COUNTRY AND THE COLORS AND THE WISHES
Ok fine. Here are some facts that I alluded to in-game, that I am confirming now.
-The Country disappearing and the events that made colors go away are not related.
-The colors disappeared a loooong time ago, which is why knowing they even existed is a relatively new find.
-A wish made everyone forget the Country.
I will ALSO say that ISAT's map operates on Final Fantasy/General Fantasy rules (i.e. in-universe locations are based off of real ones when it comes to culture, but are not one to one parallels, especially for geography), so no, the Country isn't based on the UK oh my god please do not say that to me again or im deleting ISAT out of your computers and putting legos at the foot of your bed. It's based on another place. You can figure it out, I believe in you.
✨ But why won't you give more info on what happened :(
Can you imagine if I did answer. Wouldn't that be a bummer, whatever my answer was. Sometimes things need to stay a mystery. And also, I don't want to answer <3
✨ Does the world Loop came from still exist after they left? Or is this a get mystery'd situation?
There is only One Timeline and it's the timeline that goes from the prologue to ISAT. Every timeline that gets rewound does not exist anymore, and that includes the prologue's timeline.
✨ What's the deal with Siffrin's dream at the start?
It's Siffrin's dream, but that doesn't mean our Siffrin is the main star.
✨ Is [specific missable game moment] canon?
Every moment that you personally experience in the game is canon.
✨ Is there a reason Siffrin remembers their name but the King doesn't?
What makes you think Siffrin does?
✨ At the very very end of the game, if you look out the window behind the Head Housemaiden, Sif mentions seeing an island in the distance. Is that his country?
It is. It's always been there, for the whole game. You can see it in the distance, too.
✨ Who was the King, before?
He was just a guy!
✨ With the King left remembering in the end, does that in any way change the redaction effect for other people in the world going forward?
That's a fun idea. Maybe!
✨ One thing that never really clicked for me is: Is the sweet smell Time Craft or Wish Craft? Or is the sweet smell TIme Craft and specifically the burnt sugar smell is Wish Craft? Other way around? Does this question even matter since without Wish Craft you can't attain Time Craft in the first place? (To me, yes.)
Wish Craft smells sweet. Time Craft doesn't have a smell per se, but it does do something.
✨ Does Mirabelle retain her immunity to being frozen in time after the events of the game or does it go away after the Head Housemaiden is saved? Or does it persist for a while and eventually fade away?
I imagine the immunity slowly faded away. But no one's left to do Time Craft, so it's a moot point anyway.
✨ How was Odile able to stop Siffrin from looping back during the fight against Siffrin?
In the Discord channel I stated that it's because "she's just that cool", but really, she does have access to some skills that heighten the efficacity of Rock/Paper/Scissors attacks, so it's not too much of a stretch to imagine she could lower the efficacity of Time Craft as well. In this last loop, while listening to Loop and observing, she could figure out Siffrin was looping way earlier than she could in even the Sus Quest, so she made plans. She is Very Smart <3
✨ Will you ever share everyone's full names?
That's artbook content <3
✨ In the ending, what happened to Siffrin's hat?
Flew away. It's gone now.
✨ Looking back at the original comics, and seeing how comic!sif has both eyes at the start of their loops, but in ending sequences is shown with his eye patch...did you ever consider making that concept of sif losing their eye a part of the main loop in either of your games? and if so, was there any reason why you decided against it?
Early on, I did think about making that whole event an event that happens during the loops, but quickly let that go since 1. it would be a pain to write and code (two different sets of Siffrin portraits!) and 2. if it happened, the player might want to look for a way to NOT make that happen and so 3. it would be a pain to write and code
✨ How was Siffrin's homelife before?
Pretty good!
✨ How old were Nille and Bonnie when they ran away? How old was Sif when their home got zapped?
Both were teens.
✨ How old IS everyone?
Siffrin is mid-late 20s. Mirabelle and Isabeau are early-mid 20s, with Isabeau being slightly older. Bonnie is a preteen. Odile is Too Old For This. Petronille, Bonnie's sister, is late teens-early 20s. You can ignore whatever I said in the prologue's artbook, whoever wrote this was Wrong!!!!!!!!!!
✨ Regarding the book that talks about someone who crafted a copy of themself using wish craft: is that meant to imply someone we know is the author (and/or the copy), or is it not directly related to any of em? or is it a "who knows ;)" situation where we can just speculate and theorize either way?
Please check the book again during Act 5! This applies to most items/map events by the way, like the pendant. You can check those during Act 5 and 6 for some fun new dialogue!
✨ Why are Siffrin's clothes so warm looking?
The Country got cold at night.
✨ What's up with Siffrin's pins?
They're made out of a special material. And also, they make Siffrin look cool <3
✨ I want to know the story behind Loop’s different eye shades!
They're blind in one eye. Also, fun foreshadowing <3
✨ What determines whether someone is paper/rock/scissors craft? Is it assigned naturally at birth or something else (and how do you find out)? Does it make you more inclined to use that specific craft or is anyone generally free to use whatever craft they want?
Astrology rules, It Just Is A Thing. Being Rock Type means it is way easier for you to do Rock Craft, but that doesn't mean you can't learn other types of craft, although it's way harder. Doing Craft of your type is instinct, doing Craft of another type would take some time and resarch.
✨What crimes has Odile committed before. I need to know.
Odile just smiles.
✨ Why did the King specifically target the House of Dormont?
I had a reason in mind, but adding it to the game would've added a layer of Explanation that really didn't need to be there. It's just a nice House.
✨ Who was Odile's hatecrush...
Dunno. It's your turn.
✨ What is loop's body situation. like is the surface of their "skin" solid? they did poke siffrin that one time, and we know they aren't cold, but...
I have some idea. But it's your turn!
✨ Would Sif still have looped if they hadn't made the wish he made in the beginning? As in, would Vaugarde's combined wish have made him loop until managing to beat the King?
No. But without time powers, you can imagine what would've happened next.
✨ During the Loop Hangout, how did the rest of the team make it all the way to The King? What about during Act 5?
During the Loop Hangout: with difficulty. During Act 5: Loop was there to guide them.
✨ Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they'd like to be perceived? or 3. time lops stole he from they they :(
Mostly that first one. But all three of those reasons have a bit of truth to them.
✨ Who cooked crab in the House of Change???
This is a very funny question! I've never thought about it. It's your turn.
✨ What are the Orbs that open the gate? Did the King create the Gate or was it there before?
(did not think about the orbs or the gate beyond "plot that proves there was a journey before") Stop Asking Questions,,,, It's your turn,,,,,,
✨ Bonnie's dialogue is *extremely* accurate to how overexcited kids talk, which is really rare to see. Was that something that took a lot of effort to achieve, or did it come naturally to you?
Thank you <3 I'm just that good. Really, Bonnie is an adult with no filter, and less general knowledge. I'm very glad I managed to write Bonnie well, especially since. I haven't talked to a kid. Since I was one myself
✨ The Spoilery Concept Art. Blease
oh yeah. here have it all. this is what I gave Mimi to do the animated trailer!
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✨ So. What's everyone's favorite shade.
FINALLY the question. Plus I can say shade names now. White = darkless, Black = lightless. Light and Dark is like light grey/ dark grey. Oh my god I'm checking my notes and I wrote a small event I never used about hair dye colors like "midnight dark", "tomato grey", "snow light" past me that's so fucking funny
Anyway, Siffrin loves darkless, Mirabelle is more of a light shade lover, Isabeau loves that lightless (BECAUSE ITS FASHIONABLE OK), Odile likes darker shades, and Bonnie also loves that lightless (BECAUSE ITS AS DARK AS MY SOUL OK)
✨ Are there any bugs you found during developments that you've made into features?
Two! The first one was the ability to ask Loop to just silently hang out during Act 4. I messed up the code and the game softlocked there, with Siffrin and Loop sitting there silently. I thought it was very sweet. They deserve a little quiet time.
The second was in Act 5 - the House map had a lot of issues with the Act 5 map bringing you back to the normal House map. So one of the testers got brought to the normal House map and didn't notice, and interacted with the Mirror on Floor 3, and it gave them the normal interaction with everyone seeing the mirror and taking a picture, and when they went to look at the picture in their inventory, it gave them the actual Act 5 picture. A little bit after they realized the game bugged out, and told me about it, and begged me to keep that in because they were very unsettled by it. So here it is! Beforehand, it was just Siffrin silently taking a picture, so I'm glad I changed it.
✨ Did you ever have emotional difficulty writing the more sensitive parts of the script, like Siffrin’s intrusive/negative thoughts, for one reason or another? Moreover, did you worry the script may be darker than your initial vision for it anticipated?
Not really. The Mirabelle and Odile hangout scenes were the hardest scenes by far because I really wanted to get them right, but everything else was about the same amount of difficulty. And actually, I wanted to go a little bit darker for the script, but I was worried it was going to be too dark... When it comes to the dagger event, I had a whole tangent about Siffrin thinking about the best way to strike, so to speak, but I deleted it because it was getting A Little Too Detailed. T rating come back to me
✨ For the questions you WON'T answer, did you have your own answers while making the game? Or were they left blank?
Some of them I do, some of them I don't!
✨ I loved this game and I want to replay it but I don't want Siffrin to go through everything again!
Here's a little fun fact I decided: if you hit the credits, you helped a Siffrin escape. If you start a new game, you are creating a new Siffrin that you can emotionally tortu-IIIIIIII MEAN, a new Siffrin that you can help. Do not worry about your Siffrins they are fine
✨ A lot of those answers ended up being "It's your turn", huh.
Yea <3 The answers to some of those questions ARE there if you look. Some just aren't. But you can imagine whatever you want. It's your turn! I finished the game! I'm done working! It's your turn!!!
✨ I loved ISAT and it made me feel so many feelings!
Thank you so much. I'm sorry if you sent a message or ask and I didn't answer it. I read every single one and cherish it! Thank you for playing and thank you for writing me a message!!!!! When I get a little down I look at all of those and I feel better. Thank you. I'm sorry I can't answer them all.
✨ What will you work on next?
I have a project I'm currently in the preproduction stages of. I don't want to talk about it until I feel like I have some stuff to show. Plus I still have to make the ISAT artbook and some other stuff, so it won't be for a while. Nonetheless, I hope you will enjoy it!!!
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arolesbianism · 22 hours
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I wanna take a crack at making some fake screenshot graphics for my Sif Odile duo loopers au but I do not feel confident enough in my ability to mimic isat's art style and I also have a crippling fear of drawing backgrounds
#rat rambles#stars posting#I wanna make a thing for odile's parallel scene to the bathroom scene were sif forgets odile's name#but it takes place in the traps room by the wood carving tools which isn't the worst room to have to draw ig but I still dont want to#I could just take the lazy route and just sketch the scene so I can get it out of my head and I probably will#but at the same time I also should draw more stuff with backgrounds even if it makes me want to throw up and cry#but yeah the scene is basically just odile having a derealization moment while thinking abt the wooden odile carving sif made for her#just her looking at it and feeling nothing and trying to look ahead at siffrin expecting to be reminded of what it's supposed to make her#feel and just being met with the same emptyness in her chest as she can barely even recognize the person in front of her until they look#back at her and their expression shifts into a extremely concerned one#does that make sense? idk if Im explaining it well but I hope it makes sense#but yeah smth smth them becoming less real to eachother overtime much to the horror of both#also unrelated but I need to start rotating loop in this au in my head more theres so much to work with here#I have some vague ideas and thoughts but I have been too odile brained to properly elaborate on those in my head#Im honestly just glad Ive finally made an au that I can actually get invested in fleshing out#I havent rly found a good headspace to rly play around with the main cast but this is actually giving me smth to chew on#usually most thoughts I have abt isat just lead to me thinking abt my ocs lol#regardless Im having fun with this au and I hope that I can bring myself to commit to it#also Ive been trying to think of a decent name for this au and Im half tempted to call it from the top or smth but I feel like Im tempted#to call like every story I make that so Im on the fense abt it#especially since thats what Ive been planning on calling the prologue for spiraling upwards#not that I cant just do both but I wanna see if I can think of any alternatives
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woso-dreamzzz · 2 months
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Allergies III
Hardersson x Child!Reader
Lena Oberdorf x Hardersson!Reader
Part of The Big Adventures Universe
Summary: Obi chooses your food
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The first round of preseason right before a round of Euros qualifiers is a little bit annoying for your parents but to you, it doesn't matter much.
You're happy to just be around the team after the short break with your family.
It's not that you don't get along with your cousins but you've always felt a little anxious around kids your age, no matter if you're actually related to them or not.
You feel much more settled at training with a bunch of footballs to keep you occupied.
The girls are nice too.
Obi has joined from Wolfsburg and you really like Obi because she does fun things like swing you around and run around with you on her shoulders.
Momma says that's dangerous.
You think she's silly but Momma's in charge of you so you make Obi stop doing it where Momma can see.
"Princesse!" Magda calls over from her lunch table," Have you got what you wanted?"
"In a minute!" You yell back as Obi makes your plate for you.
You're letting Obi choose your meal today like she did a few time when you were at Wolfsburg together. Obi always chooses really good food like the mac and cheese a few days ago and the creamy chicken you liked so much that Magda had to go and get the recipe off the chefs because it was all you wanted to eat when you got home.
So, all in all, you trust Obi's choices even when she puts yucky salad on your plate because Momma and Morsa say you have to have something healthy.
Obi gets to the end of the line and hands you your plate before looping back around to grab her own food.
You walk carefully to the table Momma, Morsa and Georgia are already sitting at.
Georgia takes your plate as Magda lifts you up into your seat, tucking you in before you're allowed to start gobbling up your lunch.
Obi's chosen very well again as you eat your pasta and pancetta. You really like pasta. You think it's your favourite food even though Momma and Morsa have made sure that you like lots of other food too.
Pernille taps your plate. "Eat some salad too."
You huff.
A love of salad is not something that they've managed to instil in you. You're not a big fruit eater, having favoured vegetables since you were a lot younger but the idea of salad has always been boring and you'll always avoid it if you can.
"Do I have to?"
"Yes," Pernille replies," It'll make you big and strong."
You wrinkle your nose in annoyance as your spear a weird green cube on your fork. It's kind of soft but kind of not. Your fork goes straight through it and you sniff cautiously.
It doesn't smell bad, per say, but you still don't really want to eat it.
You do anyway because Momma is right but it doesn't mean you'll enjoy it.
And you really don't enjoy it.
The weird green cubes you eat make your mouth all itchy and your throat goes all tight again.
You scrunch up your face and put down your fork just as Obi joins the table.
"What's with the face?" She laughs, making everyone turn to look at you," Does the avocado taste weird?"
Magda and Pernille both freeze, food halfway to their mouths as Georgia cocks her head to the side in confusion.
"You're looking kind of red there, y/n. Do you need-"
You never quite hear what Georgia was going to ask as your throat closes up just as Pernille hauls you out of your seat.
Magda tears open the backpack on the back of her seat to grab an epipen, slamming it into your leg suddenly.
You yelp at the sudden pain blooming in your thigh but your throat and mouth feel less itchy and scratchy
"What the fuck?!" Georgia swears, feeling a little queasy as Magda pulls the needle out of your leg. She has to force herself to turn away until Magda puts it down.
Obi is also speechless, mouth opening and closing but no words are able to come out.
A crowd has formed now, after all the commotion and Pernille clutches you to her as the medics check you over.
You epipen works quickly and this reaction was nowhere near as severe as your first.
In fact, Magda reacted so quickly that your face didn't even have the chance to break out in hives fully so your recovery is already happening before you've even realised that you were having an allergic reaction.
"We'll pop an icepack on this," One of the medics say, hand lightly grazing the large bruise developing over your injection site.
"I feel sick," Georgia mutters nearby, having to turn away again when the she catches sight of the mere size of the bruise.
"She's okay?" Pernille checks, still clinging to you and furiously wiping away the few tears that have dripped down her cheeks.
"Keep the icepack on, let her get lots of rest and she'll be right as rain," The medic confirms.
Magda sits slumped on her chair, turning to Obi.
"She's allergic to avocado."
"I didn't know."
"I know. We should have told you. Kiwi and banana too."
"And latex," Pernille cuts in," But only kind of."
The adults are all fussing over you, Pernille especially.
You're still sitting on the floor together with a big icepack on your leg and her arms wrapped tight around you like she's scared to let go.
"Momma?"
"Yes?"
"Can I have my pasta back please?"
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love-that-we-were-in · 6 months
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lighting the fuse might result in a bang
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pairing: frat!luke castellan x reader summary: Silena thinks you need to start blowing off some steam. You think you just need a fresh victory and Luke Castellan is the perfect opponent. word count: 5.3k warnings: smoking, drinking, usual college party stuff.
author's note: brought to you by my personal deep dark history with boys in hats. also i haven't gotten drunk in like 4/5 years so i don't remember what it's like so this was interesting. also i don't know anything about frats OR smoking. have the most fun <3
When Silena mentions a party you could go to, you jump at the offer, brain fuzzing at the edges where you’ve been locked in on flashcards all afternoon. It’s something you’ve started to navigate better this year, remembering to have fun after a year of non-stop focus. Silena makes it easier - a social butterfly with no qualms about dragging you out of the library when she thinks you’re pushing yourself too hard - and there’s no harm in listening to her without protest sometimes. 
“Do you even know who’s throwing this one?” You ask as she’s leading you through campus, rubbing at your arms to fight the fall chill. “I do not want a repeat of March.” 
“Have some faith in me. I’ve started vetting my sources.” 
Both of you shiver, the memory of a night spent outside the Stolls’ cramped dorm still haunting you six months later. You’re not overly familiar with this side of campus, turning away from the usual halls and towards the sorority housing, but Silena walks the path with ease, arm looped through yours.
The walk seems to have cleared your head, the music as you approach shaking off the last of the static. You’ve been here before, borrowing notes from a teammate, but it’s different like this, all pumping bass and cheers from the kitchen. Clarisse waves at you from across the room, beer in hand, and you mutter to Silena that you’re going to grab a drink. She nods, making a beeline for Drew Tanaka. You assume that’s who the invitation came from originally.
There’s a different energy to the kitchen, not quieter by any means but less noisy. Less concentrated, maybe, with twenty different conversations happening at once and nothing you have to pay attention to. Most people you don’t recognise, a group from your first year stats class huddled together near the sink, and the Stolls off to the side pointing at every new person they see. 
Mixing your drink is an easy fix, the kitchen island covered in more choices than you’ve seen in a while, and you savor the first few sips. Between class and swimming, you’ve barely drank since the semester began and the burn of vodka isn’t as numbed as you wish it was. Still, a drink is a drink so you refill it before returning to the thick of the party. 
Clarisse takes it upon herself to drag you away from the conversation you end up trapped in with Lee Fletcher, quite literally taking hold of your elbow. You mutter an apology, however disingenuous, rolling your eyes in mock exasperation as he smiles grimly. 
“I have no idea how you talk to that lot,” she says when you’re far enough away. “They’re all boring.” 
“Lee’s great. He always lends me notes from the lectures I miss.”
She laughs, pushing you into another room. “He’s trying to swindle a date out of you and you’re using him for lecture notes.” 
You shrug. There’s nothing wrong with Lee, except that Clarisse is a little right when she says most of your classmates are boring. It’s probably not intentional, and they definitely don’t realize it, but there’s this way they carry themselves around campus - half-nervous and half-haughty. It’s not a great combination and it’s why you gravitate towards the people Silena meets. 
“We were wondering when we were going to see you next,” Chris says as he throws an arm over Clarisse’s shoulder. You still don’t quite know the story there, how Chris Rodriguez managed to sweet talk your stoic teammate. One day, you’ll find out - a drunken vow you made with Silena on your dorm room floor when Clarisse mentioned a boyfriend - but you’re content to let them enjoy their romance in peace for now. “Almost thought you’d succumbed to the dark side.”
“You’re not getting rid of me yet.”
“And thank god,” he knocks his cup against yours before gesturing to the far corner of the room. “Because we need someone to kick Castellan’s ass at beer pong.” 
“Whose?”
Turns out, Luke Castellan is the newest brother to ksig. There’s not much to know about Chris’ fraternity in your eyes, just the basics of all frats, and you know from last year that there’s always bound to be a hotshot that needs someone to pump the brakes on their ego. Usually, they’re on the younger side, with more money than sense and they don’t expect anything from your approach. Luke Castellan isn’t quite that, but he’s not far from it either.
While Chris talks to the boy who was about to play, you take the opportunity to size up your opponent. It comes naturally, a part of constantly competing, and it comes in handy in moments like this, when the element of surprise is a key factor to the situation going ahead. 
Fitted jeans, branded polo and a stupid snapback cap worn backwards to show how cool he is. Nothing you haven’t seen before, really, except there’s this focused glint in his eyes with each plastic ball he throws like he has to prove his worth here. It’s a simple practice, unnecessary for a silly party game, but there’s this serious set to strong shoulders that you’re curious about.
The same way you want to know about Clarisse’s relationship, you want to know what makes Luke Castellan, whoever he is, tick. 
“Are you trying to get alcohol poisoning, Rodriguez?” 
“I’m not playing you, Luke,” Chris says and you watch closely as the other boy tilts his head slightly to the left. “I just had to go and get the current undefeated champion on campus.”
There’s this moment that happens every time you play - those awkward seconds where everyone looks completely past you to anyone else, anyone more noticeable. You count on it, occasionally, so it takes you a moment to process the way Luke’s gaze slides to you, drinks you in before he nods towards the other end of the table. 
Chris mutters a quiet “you got this,” as you brush past him, handing him your drink. You’re not delusional enough to think you can get away with mixing your drinks this early in the game. 
It takes two of Luke’s shots for you to land your first, his last hour of playing an advantage you accounted for. He’s not getting sloppy, not in the slightest, but he’s at the point where he’s a little worse for wear - a tired arm and hazy mind - and you take the chance you have at a false sense of security, taking your losses on the chin before playing the game to win. 
Within seven shots between you, you can see Luke start to get restless. How he reevaluates the table in front of him, his three empty cups to your four. Part of you really wants to knock that hat off his head, as if it’ll give you more of an insight into his mind. Instead, you wait for what you know is coming, a slight miscalculation that has the plastic ball rolling off the table to land at someone’s feet. 
Chris hands you a fresh one and you take in the way Luke swallows, jaw clenching as you line up your next shot. Whether he knows it or not, you’ve just been handed your win.
Clarisse cheers, handing you one of the cups from in front of you as everyone yells. You both chug what’s left of them, the bitter taste of cheap beer drowned out by victory, and as soon as that’s done, she throws herself back into Chris’ arms. Laughing, you turn around to find another drink, only to be met by Luke standing beside you.
“Are you about to be a sore loser?” 
He chuckles and it’s different like this. His eyes are brown, which you didn’t know five minutes ago, and his hair is dark from the little wisps of it you can see peeking out underneath his hat. You consider telling him that the hat makes him look lame, but then he’s leaning down to whisper anyway. “I expect a rematch.” 
It’s quiet and heavy and you wonder if anyone can tell that your blood feels like it’s on fire. It’s nothing, really, and it takes more effort than you want to respond. 
“Then expect to lose.”
The only saving grace to the exchange is that Luke looks a whole lot more affected by it, a blush crawling up his neck as you take the drink nearest to you and leave to find your roommate once more. 
*
Losing never used to get to you. Not like this, at least, where everything sort of feels like a precipice and you’re waiting for the next loss to fall on your shoulders alone. It was meant to be an easy game, a warm-up, for when the season started in earnest and you couldn’t afford to be incohesive. There’s always a learning curve, new starters and new competition, but in no world should it have caused this. 
Silena tells you to let it go, throwing yet another outfit on her bed as she gets ready. When you saw her at lunch, Clarisse told you to just push harder during practice. Sometimes you’re not even sure how you can be friends with both of them, how they can be friends with each other either. Unfortunately, it becomes very clear when Clarisse knocks on the door that night. 
“Why aren’t you ready?” 
“I’m not going anywhere.” 
She tuts at you, digging through the pile of clothing on Silena’s bed before throwing a dress at you. “Get dressed.” 
“You can’t make me,” you protest, the black fabric scrunching in your fist. You’ve borrowed it before, for a party last year you don’t remember very well, and you don’t even want to consider why it’s the one Clarisse selected. You turn to your roommate, looking for backup, only to find her with a pair of your shoes in her hands. “Are you seriously going to make me?” 
In unison, they raise a singular eyebrow each and it’s unsettling enough that you let go of all will to fight them. Today may as well just be full of losses that you can mourn tomorrow.
It’s only when you arrive at the party that you realize you have no idea who’s throwing it. Or who’s going to be there. Distantly, you really hope it’s a stranger Silena met on her way around campus - full of people you’ve ever met and will never see again. You could find someone nice enough to blow off some steam with before going on your merry way. 
When Clarisse yells at her boyfriend, you let out a huff as both he and Luke Castellan turn around. 
Since your first meeting, you’ve learned a few more things about Luke. He’s from Connecticut. He was responsible for half of Drew’s sorority coming down with the flu during freshers week. He’s in pre-med. He’s the reason Professor Chase introduced a ban on energy drinks in his lectures (one hundred students simultaneously opening a can of Redbull each was, apparently, mildly disconcerting). Most importantly, he’s always wearing that stupid cap. 
You try to equate the things you know with the Luke standing in front of you. Some of it makes perfect sense - Professor Chase and Connecticut - and some of it unsettles you, but it’s all true. Freshers and pre-med and track meets. Focusing on the distracted way he taps on his beer bottle instead of Clarisse greeting Chris, you kind of want to find out a whole lot more. 
“Fancy a rematch?” 
It’s the first thing he’s said to you all night, twisting the cap off a fresh beer before handing it to you. Then doing the same with his own. You pretend not to notice the movement of it, the few short seconds where you can get away with staring at the shine of silver rings in low light. Taking a sip, you crinkle your nose. 
“I’m not really in the mood,” you mutter and, at the very least, the beer is cold and you chug half of it before you even notice you’ve done it. “Don’t you have someone else you can bother?” 
There’s seconds before you notice it, how his eyes shift from slightly curious to intense. They don’t change much but standing in front of him, you can tell when they go from relaxed to focused. How his back straightens and shoulders roll back just so. You should go and find something stronger to drink. Maybe even see if Lee Fletcher is nearby.
You stay put.
“It’s just a bit of friendly competition,” Luke shrugs, unknowing of how it echoes in your skull. How that’s all today was ever meant to be. Leave it to him to dig the knife in again just as the tightness in your chest was starting to ease. “But I guess you just can’t handle it.” 
“I’d kick your ass in a rematch. I’m doing you a favor.” 
It’s obviously the wrong thing to say, Luke’s eyes brightening as the words push past your lips. The beer you drank way too fast is forming words before you even know what they are.
“You can always choose something else for me to beat you in,” he says, like it’s an offer, something gracious that you should be grateful for. “I’m easy.” 
“How many beers have you had?” 
“Three, I think?” 
Silena would tell you it’s a stupid idea - you have a coaching session at 9am and you haven’t gotten drunk since the party where you met Luke - and she would be right. But you need a win tonight, something guaranteed, and there’s this itch that crawls under your skin the longer you stare at the boy in front of you. 
So you say it anyway. 
“I bet I could outdrink you.” 
“I’d like to see you try.”
He waits as you down two more beers in quick succession, nursing his own as you do. A clink of your bottles against one another, followed by the final sip you each take and it’s finally a competition. 
The night continues, you and Luke almost joined at the hip. It’s to keep track, you tell yourself, talking to a kid that might be in your organic chem class. If the kid looks at you weird for pouring two drinks, only to hand one to Luke in silence, that’s probably just the alcohol misreading things. Only once, when you’re deep in conversation with Lee does Luke pass you a beer, eyebrow raised when Lee gives him a glare. You think that might’ve been drink eight. 
By the time Chris finds you both again, you’ve thrown yourselves onto the couch on the outskirts of the room. Someone’s abandoned coat is thrown over your legs in a mediocre attempt to preserve some dignity in the dress you’re wearing and Luke’s hat has twisted to the side. You’re sure neither of you has drunk a sip in ten minutes.
“You guys doing okay?” 
“We’re drunk,” you say and you can’t tell if it’s a whisper or a shout. “I’m winning.” 
“You’re not winning,” Luke turns his head to glare and you blame the alcohol on the attention you pay to the slope of his nose. “Neither of us have finished these drinks.” 
“Are you going to?” 
He glances down at the cup in his hand, half empty. You can see it, the hesitation, before he places it on the floor by his feet, shaking his head. “Are you?” 
The nice thing to do would be to give up, call it a draw and appreciate that you managed to have fun despite the bad day that had preceded it. However, you like to win. So you grit your teeth before drinking the final three sips, tilting the empty cup towards him so he can see the proof. It takes you a second to remember you have to actually swallow in order to drink, but you do and Luke scrunches his nose. You kind of want to kiss it as a way to smooth the skin back out.
“That’s two wins to me, Castellan.” 
Chris shakes his head at you both. “I’m not calling either of you to make sure you’re alive in the morning.” 
*
It’s an almost unconscious action when you walk into Drew’s sorority house, how you wave Silena off in favor of scanning the crowd, searching for the one reason you agreed to show up in the first place. It takes a moment, pinks and blues and silvers all merging together in your eyeline until you spot him near the staircase, familiar black cap resting on his head. 
You’re already a little buzzed, the thrill of your final project this semester finally being handed in just hours ago, and it’s why you let yourself actually look at Luke for once. 
By this point, you’ve seen him in a polo and a flannel, always with jeans. Laidback. That’s what party Luke was. Tonight, though, it’s like he’s trying harder - baggy pants, like they’re resting a little too low on his hips, a white t-shirt, white trainers that you know are going to stain before the night ends and a slightly oversized leather jacket that doesn’t quite go with the hat you used to identify him. Maybe it’s something he does on purpose, ruining a good thing over comforting familiarity. Maybe you’ll ask him.
Luke looks up then, as if he has a sixth sense, and you kind of don’t know what to do with the slight wave he sends in your direction. You wouldn’t call him a friend, that’s for sure, but you nod in response before weaving through your classmates to the kitchen.
It takes two vodka cranberries for Silena to find you. And it takes four shots with people you’ve never met for Chris to ask if you’ve seen Luke anywhere. You tell him where you last saw him, maybe an hour ago, and he shakes his head like he’s already checked the entire house.
“Do you think you can let him know I’m heading out?” Chris asks, one arm looped around Clarisse’s waist, more for support than anything else. She was already unsteady when you arrived and you know by the flush in her cheeks that it’ll only take a couple more drinks for her to start throwing up. You nod at Chris, cradling your drink to your chest, and he mumbles a thanks while steering his girlfriend towards the door.
With both of them gone, it leaves you with little to do except go hunting for Luke. So that’s what you do, waving Lee off as he attempts to grab your attention from the couch. 
Focusing is a lot harder now, squinting over everyone’s heads in search of that damn hat. Nothing. You know he’s not in the kitchen, that’s definite, and you learn that he’s not in the garden either, Katie from your anatomy class staring at you bewildered as you explain your quest. 
There’s only one place left to check for Luke and you consider if it’ll be a worthwhile risk. It’s entirely possible that he’s already left, whoever he was locked in conversation with earlier with him maybe, and you’re searching an entire sorority house on the off-chance he’s still in the building. 
But you promised Chris. More than that, you refuse to let Luke Castellan beat you.
So you commit to the staircase, pushing past the line for the restroom upstairs. It’s quieter up here, not by much, but you can hear yourself think clearer. There’s three doors on your left, all closed, and you drain the remnants of your drink so it warms your blood and erases the small part of your brain still protesting. 
There’s two yells when you knock on the first door, both hurried and pitching higher as the words fade so you move on quickly. No one answers to the second door, so you crack it open enough to see inside. It’s dark and neat and completely untouched by whatever is happening below, so you let it click shut again. 
Luke is in the third room, you learn, pressing it open when there’s no response to your knock. The room itself is still orderly, but you find the boy you’ve been searching for sitting on the floor at the base of the bed, hat turned to the side and the sleeves of his jacket bunching carelessly where they’ve been pushed higher on his forearms. 
“Chris wanted me to tell you he took Clarisse home,” you blurt when it feels like you need to say something. “He couldn’t find you so…”
Luke waits. When it becomes clear that’s all you’re here for, he says, “Well, thanks for letting me know.” 
You’ve done your job. You can go back and enjoy the party downstairs, maybe make use of the empty room next door instead of remaining awkwardly in the doorway. 
You think about how Chris mentioned that Luke can recite pi to seventeen places while drunk. How you’re still beating him by two points. How there’s an ashtray on the floor beside Luke’s knee and it’s sort of considerate of him to use one when no one else would.
“Mind if I join you?” 
Being in an empty bedroom with a guy at a party isn’t unusual. You’ve had your fair share of them, rushed and quiet and mostly on a bed. Sitting on the floor with Luke is different, you find, a gravity to it than you can’t quite wrap your head around after so many drinks. It’s slow and languid and you don’t really say much of anything as your knee bumps against his thigh in an effort to get comfortable in the space.
No one told you Luke smokes. 
You tell him as much.
“It’s a bad habit,” he shakes his head, twisting a cigarette between his fingers and you both act like you’re not paying rapt attention to it. “I try to avoid making it one.” 
“I used to. Back in high school. Gave it up when I got accepted here.” 
He turns to face you then, head tilted so the visor of his slanted hat brushes his shoulder. “I would never have guessed you were a smoker.” 
It’s not said with judgment, just as an observation from the limited interactions you’ve had since the semester began. The focus in Luke’s gaze crawls up your spine and mingles with the alcohol you’ve yet to flush from your system. 
“You ever blown a smoke ring?” 
If you’re not challenging him, you don’t quite know what to make of Luke. It’s the thing you know most about him, the way his face shifts from victory into loss. The way it matches yours, stretches from his eyes to his jaw and into clenched hands. If you’re not challenging him, you can’t read him - you want to be able to read him in the low light of right now. 
“I bet I’m better at it than you,” you say after he answers. A short laugh escapes him, almost a huff, and it raises the skin on your arms when it meets the top of your ear. “Wanna see?” 
“I’ve only got one.” He waves the cigarette he’s been holding in front of your eyes. 
“We can share.” 
It’s a bad, terrible, absolutely stupid idea. 
“You’re on, Castellan.” 
As he lights the end of it, you wonder if he knows what the brief flame does for his cheekbones, for his jawline. Paints them in small, defined shadows that you might still see if you close your eyes. You almost want to mention it to him. You settle for watching his lips settle around it, the sinking of his cheeks on the inhale and the noise as he exhales. There’s an almost complete ring of smoke in the air.
Luke hands you the cigarette and you repeat his motions, a little quicker. A little smoother. The ring that leaves your lips is full, but less circular. 
Both of you pretend not to notice the other one staring.
You agree to best of three. You agree and you win by the tiniest margin and you hand Luke the little that remains as a consolation prize. He indulges in the last few drags and you watch him do it, looking nothing like the pre-med student you know he is. You think he could be dangerous like this, based on the way your stomach twists as he puts the cigarette out, how his head tilts back and the final wisps of smoke escape his mouth.
You aren’t as drunk anymore. 
You really wish you were.
It takes Luke a second to notice that you’ve moved at all, eyes still closed but he does, and the run of his gaze across your face is enough for you to seize the last of the alcohol in your bloodstream, pushing forward so you’re actually face to face with him, knees digging into the rough carpet beneath you. 
“Can I help you?” It’s low and a little ragged and this is the first time you’ve really noticed the thin, pale scar that stretches down the skin of his right cheek. It’s actually a little insane how pretty he is up close. 
“I think I want a little more than the glory of winning this time,” and half of your whisper is lost to Luke Castellan’s lips but it’s not that important anyway.
What is important is the warmth of his hand through your shirt, pressed into the skin that exposes itself as you shift even closer. It’s the slightly rough texture of his jaw underneath your palm, the way his breath hitches in tandem with yours and you both push through it anyway. It’s the unexpected catch of your finger on his cap and the way you give up on it entirely, finally snatching it off his head so it lands somewhere nearby. 
You’re not sure what you expected Luke’s hair to look like. Horrible, probably, with odd patches that lie weirdly flat and should be covered from view. It’s not this, wild dark curls that deserve to be seen. 
“You have curly hair?” You say it before you can think not to, so caught up in the discovery you’ve just made, and Luke squints at you, unsure. “I can’t believe you have curly hair.” 
He’s preparing a smart-ass comment, you know it by the way his teeth dig into his bottom lip, and that’s really just not going to work this time - not when he’s been lying for months behind a hat. So you do what any sane person would, twist your fingers into the curls at the nape of his neck and trail your lips across his jaw like you’ll die if you don’t.
His hand hooks underneath your thigh and, when you bracket his waist between your legs, cool leather brushing against your knees, you think this might be the best victory you’ve experienced yet.
*
Silena knows something is up when you refuse to speak to her about the party. There’s few secrets you’ve kept from each other since meeting, and even less since Clarisse got involved. It’s pointless to try, mostly, since they all spill out of you when the lights go out and you’re left with each other's company. You almost forgot how annoying she could be when she’s pushing for information.
“Don’t think I’m going to tell you either,” you say when Clarisse joins you in the library a week after the party. “I am a fortress of secrets.” 
“I know you hooked up with Luke.” 
“Seriously?” 
She rolls her eyes, passing you the book you’d asked her for during practice last night. “Calm down. Chris told me. I’m down ten bucks now.” 
“You bet on it?”
“Of course we did, it’s our brand.” 
“I’m not telling Silena,” you whisper again, frowning at your notes. You wonder if Clarisse is aware you haven’t actually spoken to Luke since that night. “She’ll make it a big deal for nothing.” 
“I won’t tell but you should probably figure out what happens next. There’s a party at ksig tomorrow night before everyone goes home for the holidays.” You tap your pen against the textbook. Clarisse pushes a slip of paper towards you. Someone’s phone buzzes to your left. “Think about it.”
When she’s long gone, you grab the paper she left from the table. It’s wrinkled and you smooth it as best you can beneath your fingertips. Blue ink, messily scrawled, and you commit it to memory. Closing your textbook, you leave it pressed between chapters seven and eight. 
The party is loud, louder than you’re prepared for after flaking out on so many since your first one last year. Silena brushes past you once you arrive, shoving your shoulder just enough that it twinges and you frown. You didn’t speak a word on the way here and the silent treatment is starting to drive a little crazy. 
It feels silly now, in a place so crowded, and you breathe deeply. Someone points you in the direction of the kitchen after multiple attempts at asking and you miss the light chaos of throwing up outside the Stolls’ dorm with your best friend. 
You grab a beer, using the table edge to pop the cap off, and it helps to ease the tightness in your chest at how unfamiliar this all is. You’re not sure you could even find the restroom, let alone a singular person.
Pushing back into the bulk of the party, you vow to leave if you don’t find him before you finish your beer. There’s a project you have to start looking into for next semester that could be a good use of time tonight. 
If anyone tried to convince you that most of campus was here, you’d be willing to believe them. A drink raised in Lee’s direction, a nod to Ethan from last years’ stats class, a half-hearted smile at Rachel, who raises an eyebrow at you like she knows something no one else does. 
And maybe she does, because you turn away from her to find Luke just feet away, gesturing animatedly to the guy next to him. There’s a beer in his hand and a hat on his head and his phone number so deeply etched in your mind since last night that you hardly think about it until you’re standing next to him again, drink placed on a table somewhere along the way.
“Hi,” he smiles and his scar shifts with it. He turns to the guy from before. “We’ll catch up later, man.”
“Have I ever told you that I hate that fucking hat?” 
“I sort of got that when you threw it across the room.” His lips wrap around the rim of his bottle and you think you can be normal about it, go back to the way things were, until he smirks just slightly and you know you can’t. 
“You’re such a sore loser, Castellan,” you mutter as you push yourself up to snatch it from his head. He doesn’t comment, lets your fingers brush through his curls until they’re a complete mess instead of compacted. He glances down at the cap in your hand and mutters, “And what is your genius plan for my hat?”
It’s a really fucking good question. Short of getting it off his head, you didn’t know what you were going to do. It’s one thing to throw it across an empty room in the dark, another thing entirely to abandon it to a frat party. So you choose the next best thing - placing it on your own head and daring him to question it. 
“I guess that can work,” Luke says and it sounds like a promise soaked in laughter. 
Neither of you find it as funny when he has to tip the visor upwards to kiss you.
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