#i like a cis man for the first time in my life

[aldobrandohotel]

Me when my crush sends me a pic of his hair

[kyuala]

SOOOOOO hard to go through everyday life trying to ignore the never-ending feeling that im just irreparably fucked up and therefore should just give up on everything

[fobnsfwdoodlesbackup]

9, 10, 30, 34 for the pride asks?

hellooooo I'm honestly shocked that people have questions for me <3

9) When did you realize you weren't cishet?

Shipping helped me come out as bi lmaoooooo I am autistic. In sixth grade I was drawing me and my friend and I thought "If we were in an anime, people would ship us -> wait I ship us" so anime made me gay I guess

Gender diversity had definitely interested me but at 14 I saw a picture of phalloplasty for the first time and I was HOOKED. I didn't know trans men existed. This led to me typing "ftm" into youtube (love when you just type a vague ass term and hope the internet brings you what you need. I'm so bella googling "vampires") and I saw a 20 minute video (still up, I think!) of someones transition on T. I cried NONSTOP and was like okay lightbulb I want that soooooo so so bad.

10) Something that gives you gender euphoria:

This would be a fun list! But here's an answer you might like. I have a plain tight black T-shirt and when I wear it I feel like Patrick and that gives me SO much gender euphoria.

30) Are you monogamous or polyamorous?

lets fall in love and find out (I answered this on the previous post <3 )

34) What are you needing most right now (what would make your life easier or more fulfilling in regards to existing as queer)?

I answered this in another one but the sillier and more immediate answer is gay sex. I need to be kissing boys. I need to be pegging girls. I need to be providing the trans community with orgasms to destress them and help them start the revolution. Gay sex is part of my enrichment.

[magentagalaxies]

.

[emile-hides]

This took me literally all day but I feel very correct in my takes so at least that’s something.

[sonofapunk]

men in hardware stores love to ask me repeatedly if I need help despite my visible headphones in my ears and my lack of looking lost or confused

[nerdvi]

In the wake of the whole james somerton fiasco and inspired by this post, I wanted to share a few of my um, soft signs, like, orange flags to detect when someone is bullshitting you.

First of all, I am on the spectrum which means 1) I tend to take what people say at face value and 2) I have a strong sense of justice which makes me prone to biases, all of which combined means I am at perpetual risk of swallowing the bullshit.

So, what to do about it? You turn on the critical thinking and pay attention.

As one of my favorite youtubers, Hannah Alonzo, likes to say: "consider the source, remember the motive". Who is talking to you?? What do you know about them?? What biases might they have?? How do they interact with your own biases?? Where are they talking from?? Is it anger?? happinness? boredom?? Also, why are they talking to you? Are they trying to sell you something?? Are they trying to convince you and why?? How do they go about the finantial motivation, if present? If you have, in this case, a white cis gay man talking to you as it he has it the worst of the worst in the world, there's probably some exaggeration and you should start to wonder. There's a good chance he's bullshitting you.

How they talk about women and POC No, no, stay with me. There's a rule I had back when I was dating men: Always beware of how they treat their mother. With the exception of extremes like mama's boys and cases of abuse, how a man treats the woman with whom they have that familial bond is a good indicator of how they are going to treat you. Do they berate her? speak ill of her? are aggressive or controlling? do they dismiss her opinions? Same with creators, and by god I tell you, specially cis male creators, queer or otherwise, always always beware of how they speak of women, how they treat women, how they treat POC. Somerton had a weird vendetta against straight women. It went mostly unnoticed. Then, he was dismissive towards lesbians and other queer women and it was once again overlooked. Then he went ahead and made sinophobic content about genres and cultures he knows NOTHING about. Again, it went unchecked. What I am telling you is IT'S NOT NORMAL. Contempt about women and non white-western cultures is not normal and if someone has them as them as an enemy or a scapegoat, they're probably bullshitting you. Take what they say and fact check it, see for yourself.

If at any point in a video or an essay you find yourself thinking "wait, really??" then it's time to fact check. Is it a bit suspicious?? is your logic telling you that's not quite how this works?? Then take to google, my friend, they might be bullshitting you. At worst, you dodge a fake fact, at best, you learn way too much about a topic you were already interested in.

Beware of the lack of nuance. I can not stress this enough. We all love monochrome, but life and societal issues are never black and white. It's just impossible, there's too many factors to consider. If you are being presented situations or anecdotes as absolute truths, you're probably being bullshitted. If it's too good to be true, it is. If it sounds waaay too convenient, it probably is. A good researcher, a serious investigator, will always have some nuance because they have done the work and checked the sources. If someone provides you 1) no nuance and 2) no sources, THEY'RE BULLSHITTING YOU.

These are the ones I can come up with just of the top of my head, I'm sure there's more and please, add them. Remember that naivité isn't a crime, I'm fairly naive and that's made me distrustful, and these are some of the techniques I've found that help me navigate through a world of information without losing myself.

[ihavenomouthandimustmouth]

It seems like a lot of the anti-transmasculinity/transandrophobia discourse revolves around the ideas that either this does not occur, does not occur in real life, or is just transmascs viewing criticisms of transmisogynistic transmascs as oppression, so here’s a story.

I live with some other people around my age, and I stopped using my deadname with them earlier this year. it hasn’t been that long, about 3 months, but generally, they use my correct name with an occasional mistake, usually followed up by a correction. one of them, however, just cannot seem to stop deadnaming me, often without correcting afterwards. when they do notice they’ve gotten it wrong, it’s usually followed up by a big thing about how they don’t know why they’re so bad at it or blaming it on being drunk if they’re drunk, but often not an apology.

an additional piece of this—my partner, who is a trans woman, changed the name they use around the same time, but this person almost always gets her name right. this person knows me a bit better/longer than they do her, but not that much better/longer, and generally, when I am around them, my partner is also there. (adding a cut here because this is gonna be long)

I talked with my therapist about this at my last session. I was seeking advice on how to handle it, but I also spent a lot of time just complaining and running through different incidences of this happening. I ended up telling her about some of the weird things this person said to me when I first started socially transitioning, including them saying that they were sad when I came out because they (direct quote) “didn’t want to stop seeing me as a genderless elf” (???!?) (I had previously identified as nonbinary and used any pronouns) and followed that up by saying that they hated men, which they then followed up by saying “not trans men though” (which like okay but then why bring that up in this conversation).

In talking my therapist, I circled back to the deadnaming issue and said that I thought this person was doing this to me and not my partner because my partner is more feminine than I am masculine (in social behavior and the way we look as two people that have not started medically transitioning). my therapist pushed back on this and said that, based on all the things I said, it seemed more like this person just didn’t want to see me as a man.

this blew my mind a little because I, a transmasculine person who spends way too much time on trans and transmasc internet, did not put the situation in this context while my therapist, a cis woman who is supportive but not super aware of the trans experience, did. it made a lot of sense though, and fit into the context of my other experiences and interactions with this person.

this person is a nonbinary person who has never identified as or been seen as a man. they are supportive of trans people generally and of their rights. they are also someone who believes that woman are inherently better than men. this generally doesn’t have much of an impact on the cis men we live with—for them, this more comes as being around for jokes that might make them a little uncomfortable, but doesn’t stop them from being seen as men. for me, this means I have to deal with the fact that this person doesn’t want to see me as a man and deadnames me accordingly, seemingly because they see me transitioning as a loss.

my point here is that when transmasculine people say that there are issues they face specifically related to them being transmasculine, that’s not a lie or a hypothetical. there is a stark contrast between the way this person treats my transfem partner and myself (and, after talking with someone who’s lived here with this person for longer, other transmasculine people who have lived in the house). they are supportive of trans people as a group, but not of transmasculinity, and I have to deal with the consequences.

[badkitty3000]

Five Hargreeves NSFW Headcanons

Ok, so here are some smutty headcanons that I have developed for Five over time. Obviously, this is my personal version and if you’ve read any of my stories, you will recognize a lot of these! Also, these are intended to be with a female partner, even though I feel like Five could be with any gender or orientation. If he’s attracted to a person and has a connection with them, that’s all that matters. I just write him with cis women because that’s what I am and that’s what I know. Let me know if you think I missed any! 😊

Warnings: Smut! Sex! Turn back if you don't want smut!

Let’s start with relationships: Five does not have the patience, nor the inclination, to care about most people outside of his immediate family. He knows he’s smarter (a lot smarter) than the average human, and spending more time than he needs to with someone else and their tiny brain is highly irritating. He does not have a lot of friends and doesn’t feel the need for any. That does not mean he isn’t attracted to women and doesn’t notice them. He most definitely notices. And once in a while he may indulge in a drunken fling here and there. However, when he meets that one woman that lights a fire in him, then it's game over. He’s done for, head over heels, no one will ever come close, in love for all eternity. He’s not going to fall for just anyone, either. Aside from having a body that he wants to fuck all day for the rest of his life, you also have to be smart. And witty. And not put up with any of his shit. Just because he’s in love with you, does not mean he’s not going to slip up sometimes and say or do something to piss you off. But when you come back at him with some major attitude and fight, he will end up loving you even more. Five needs a spicy woman to put him in his place sometimes.

Blow Jobs: Holy shit, this man loves a good blow job! Nothing makes him hotter than watching you service him. He wants to shove you down on your knees and watch intently as you take him all the way into your mouth until his cock hits the back of your throat. And if you can handle it, he’s going to fuck your face. Grab your hair in his fist and thrust himself into you until you’re gagging and drooling, tears running down your cheeks. Maybe he’ll come down your throat, maybe he won’t. He’ll let you know first, though. But if you’re going to be in a relationship with him, you better get used to having his dick in your mouth.

Cunnilingus: He may want you to suck his cock, but he’s more than willing to pay back the favor. In fact, Five wants to eat you out like the starving man he once was. Your taste and your scent drives him wild and he’ll take as long as you need. In fact, sometimes, he won’t stop even if you want him to. You can be begging him to stop and to fuck you instead, but he’ll just hold you down by your hips and look up at you with that knowing smirk of his; his mouth shining with your juices, and shake his head. Denied. Then he’s back at it, sucking and licking and fucking your pussy with his tongue until you’re a shuddering, crying mess, and your back is arching off the bed.

Orgasms: Continuing on that theme, Five will not come until you have, at least once but preferably a couple of times. He considers this a personal challenge, and he’s going to do everything in his power to make sure you’re screaming and shaking before he’s satisfied enough to let himself go. Ok, sure, there are times when maybe he does not perform as amazingly as he’d like. Times when you drive him so fucking crazy with the way you’re writhing underneath him and looking at him with that sexy little pout of yours that he can’t hold back. He’ll feel guilty about it afterwards, though, so once he’s able to think straight again, he’ll make sure you’re taken care of.

Daddy kink: This is it, guys. The big one. The thing that he absolutely goes fucking crazy over. You want Five to lose his mind over you? Sit on his lap and call him Daddy. Purr it seductively next to his ear while you run a hand down his chest. Remind him of it when you’re on your knees, looking back up at him with wide, innocent eyes, as you slowly unbuckle his belt. Moan it loudly just before he makes you come. Odds are, he’s going to be the older one in the relationship, so it just plays into his preferred role of the man in charge. He is the Daddy, here, and don’t you fucking forget it.

Cum: He wants you either covered in it or filled with it. Five loves nothing more than to come inside of you, watching his load drip out of you, dripping down your legs or pooling on the sheets underneath you. But sometimes he can’t control himself, taking matters into his own hands, and covering your tits or your ass in ropes of his cum. Seeing his semen all over you lights up that feral part of his brain because it reminds him and you who you belong to. He usually does this when he’s not thinking clearly, and then will feel badly afterwards, especially if he didn’t tell you he was going to do it in the first place. You’ll have to tell him it’s ok and that you don’t mind; that you liked it, actually. After he feels better about himself, he’ll quickly blink into the bathroom and grab a washcloth or tissues to help clean you up.

Dominance: Obviously, Five likes to be the one calling the shots. He is going to tell you, or more likely order you, to do what he wants. Whether he wants you riding him hard and fast, or on your hands and knees so he can fuck you from behind, he’ll let you know. Or maybe he’ll just throw you around, no words needed, until he’s got you where he wants you. He wants to overpower you, hold you down, pin you against a wall, flatten you with his body on top of yours. He wants to grip your wrists tightly in his hands and shove your legs apart with his knees. You are his to do with what he wants, but that’s only because he knows that’s what you like. It might not even be anything rough or physical that shows he’s in charge. It could be a subtle look in your direction, or a small command of “Come here” or “No” to your request that has you weak in the knees and doing whatever he wants. You might have him wrapped around your finger in every other aspect of your relationship, but inside the bedroom he is the boss.

Submission: There is one tiny little caveat to that dominance thing. Once in a while, you get to be in charge. Yes, he likes to be the dominant one, but he’s also up for being the sub every now and then. Maybe it’s a spur of the moment thing that you hesitantly try, and for some reason, he’s into it that day. Maybe he’s really pissing you off and he needs to be reminded that you are not a doormat for his temper tantrums and misplaced rage. This is when things can really get fun. Now you get to order him around, and he’s going to listen. Make him to eat you out until you tell him to stop. Tie him up with his own necktie and make him really work for it. Tease him until his cock is so hard and leaking that he’s squirming and begging you to fuck him. Rub your wet pussy up and down his shaft, but don’t let him in, until he’s whining like a little bitch and you laugh before finally giving in. Call him a good boy and slap his ass. He will do it all for you, because he loves you. And maybe because he secretly likes it, too. And when it’s all over, he will pretend that it was a one-time deal and you are dreaming if you think that’s ever going to happen again. You know better, though.

Dirty talk: Oh boy, he’s a talker. Not only does Five like the sound of his own voice, he wants to hear yours, too. He is going to lay out his entire dirty plan for you, in detail, out loud while he gets started. Then, he’s going to share with you each of the thoughts running through his head during the act, as well. It all depends on his mood and whether he’s being rough or soft, demanding or sweet. “Fuck me harder” “You’re so tight, you feel amazing” “God damn it, I never want to stop fucking you” “You’re so beautiful” “I love you” “You’re all I need” He’s not shy about what he wants to hear from you, either. “Tell me who you belong to” “Whose cock do you want inside of you?” “Tell me how I make you feel” He wants to hear all of it. There may be a few times where he orders you to stay quiet while he teases and fucks you hard, but that won’t stop him from chattering away himself. Unless he’s got some severe laryngitis going on, you are going to hear A LOT from Five Hargreeves during sex.

Rough Sex: Yes! He wants to fuck you into the mattress, or wall, or floor, or whatever surface he can find. But not in a violent or cruel way; he knows how you like it and he’s going to deliver. He’s going to make getting your pussy pounded into oblivion feel amazing. Shoving his cock inside of you, your leg thrown over his shoulder, sweat forming on his body, hair flopping in his eyes, jaw set in concentration as he rams into you over and over until you are screaming. He loves you, he’ll remind you, as he flips you over onto all fours and continues to fuck you so perfectly that you won’t be able to think or walk straight for a week. We’re talking hair-pulling, ass-slapping, sucking and biting until you’re bruised kind of rough.

Sweet/slow Sex: Also yes! Five likes it rough sometimes, but he also likes to take his time with you. He loves you, you are his entire world, and he just can’t believe you love him, too. So, he will cover your body with soft kisses, caressing every part of you while he tells you how gorgeous you are. He will worship your body, because to him you are the most perfect woman in the world. He will never love anyone else but you, and as he fucks you slow and rhythmically, with your legs and arms wrapped tightly around him, he will gaze lovingly into your eyes and tell you so.

Insecurities: We all know Five is the most confident man in the room. He’s arrogant and bossy, and isn’t afraid of anything or anyone. But, he has a lot of trauma, and with that comes shame, and regret, and feelings of inadequacy. Most people don’t know this about him. Most people except for you. With you, he let’s his guard down. He is safe with you and he can finally be himself. When the nightmares come, or the panic attacks, or just the overwhelming thoughts of self-doubt that plague him, he turns to you for comfort. Sometimes that means just lying there with you in the dark, as he lays his head on your chest and you give him soft kisses and run your fingers through his hair. Other times, he may need more than that. Because he needs to feel you, all of you, to make sure you are real. His touches and kisses will lead to more, and it all has to do with love and not lust, and his vulnerability with you. You are his lifeline to the only real happiness he knows and he’s terrified of it being ripped away from him again. He will bury his face in the crook of your neck while he thrusts slowly into you, kissing you softly and trying desperately not to shed the tears that are already making their way down his face. He wants to hear you say you’ll never leave him because he doesn’t want to be alone. And when you reassure him over and over with more kisses and whispers of how much you love him, he will eventually relax once more.

Names: Five loves to give you pet names. Sometimes they give a sense of his dominance over you, or may even be sarcastic if he’s being a jerk (sweetheart and honey can sound completely different depending on his tone). Other times they are just a form of his love for you and even if they are old fashioned (darling, my love, etc), you love hearing them from him. He likes to have a special name for you that no one else calls you, too. And he generally saves a couple just for sexy times (“go on baby, come for me”) that he knows drives you crazy. You can have pet names for him, too, and you love knowing you are the only one that can get away with that.

His own name: Along the same lines, Five wants to hear you say his name. When you’re whispering it quietly as he’s trailing kisses down your neck. As you’re whining and begging pitifully when he teases you and holds out on you instead of just fucking you like you want. And especially when you are screaming his name so loud the neighbors down the street can hear. It totally plays into his ego to have you moaning his name while he’s making you lose your mind with his cock or his fingers. Once you start sobbing and crying out his name in pure ecstasy, he’s probably not going to be able to last much longer because that is music to his ears. But if you really want to kick it up a notch and pretty much guarantee he’s going to be violently coming inside of you in a matter of seconds, use his full name. Throwing in a ‘Number Five’ is like an automatic switch for him and its game over.

Loud sex: Continuing on…he wants you loud. This goes along with the dirty talk and moaning his name. He wants to hear you. He wants the neighbors to hear you. He wants the whole god damn city to hear you. And he wants everyone to know just who is fucking you. Maybe it will make run-ins with neighbors at the mailbox a little awkward in the morning, but Five doesn’t really give a shit. He wants his girl screaming so loud for him that it’s a wonder the cops don’t get called. And he’ll wear that badge of honor proudly, just adding to the other list of things he knows he’s the fucking king of.

Kissing: Five loves kissing you. He can’t get enough of it. Yes, he loves fucking and everything else sex-related, but kissing is always incorporated, even with the roughest of sex. Remember, this man is touch starved, but he also doesn’t like most people touching him. You are the exception. The fact that he has found someone to love and that loves him in return is nothing short of a miracle for him. So, kissing you and being kissed by you, is heaven. You can feel all of his love and desire for you in those kisses, whether they are soft and gentle, or hungry and desperate. He kisses you in the morning and when you leave for the day. He kisses you when you come home and before you go to sleep. Sometimes when you’re just standing there, washing dishes, or sitting reading a book, you will look so cute to him that he can’t help himself and he’ll tilt your face up towards him with a hand on your chin and kiss you until you want to melt into a puddle at his feet. He will also ask you to kiss him, stopping you as you walk by him by taking your hand and pulling you in close, an arm around your waist. “Kiss me. Please,” he’ll say quietly with the most innocent looking face and your heart will break for him. It’s the please that gets you. But he really doesn’t need to ask, because you will never not want to give him as many kisses as he needs.   

Masturbation: If anyone is an expert in jerking off, it’s Five Hargreeves. How could he not be? It was him and his hand/Dolores for 45 years, and a guy has needs. Would he prefer your mouth or your pussy to stick his dick in? Absolutely. But sometimes you’re not available, or the timing isn’t right, or you’re not in the mood. In which case, Five knows exactly how to efficiently and quickly rub one out and then go about his day. He loves to watch you finger yourself, though. Especially when he makes you tell him who you are thinking of while you’re doing it (always him). He also has no shame in masturbating in front of you while you are taking care of yourself. Sitting there, nonchalantly and slowly stroking his hard cock while he watches you play with yourself, maybe giving you directions while you do it. It’s just one of the ways he reminds you who’s in charge.

Praise: Yes, he will praise you for being a good girl. This kind of goes hand in hand with the Daddy kink. “Be a good girl for Daddy,” he’ll tell you while slowly running the back of his hand down your cheek. If you follow his directions, he will give you all the praise you deserve. “Such a good girl, taking it so well for me” “That’s my good girl” “That’s right baby, you’re perfect” “You’re doing so good, just a little longer sweetheart” He might be demanding you suck his cock or flinging you around like a ragdoll on the bed and fucking you senseless, but he will always tell you how good you are being for him. Like the perfect gentleman he is.

Appearance: This includes body type, clothing, lingerie, hair, and make-up. Five does not have a specific body type per se. If he finds you attractive, he finds you attractive, end of story. He may have a slight preference towards nice boobs and a tight ass, but that’s just on a superficial basis. Chubby tummy? Thick thighs? Flat chest? Bony elbows and knees? He does not care. If he loves you, then you’re the most beautiful woman in the world and he wouldn’t want you any other way. He does love a tight skirt and high heels, though. Watching your ass bounce along while you sashay your hips in front of him will have him wishing he could blink you away somewhere private, flip that skirt up, and take care of business. And if you whisper in passing that you’re not wearing any underwear, he just might. Five loves you fully naked, sprawled out just for him. But his brain misfires a few times when he sees you in sexy lingerie. A lace bra, tight corset, thong panties, or even just a skimpy little tank top has him drooling and stumbling all over himself in an effort to get his dick under control. Wearing a sexy outfit like this is a good way to make him the submissive one, because he will do anything for you at this point. It’s actually pretty hilarious to see him at a loss for words for once, jaw on the floor, and licking his lips at just the sight of you. A flustered Five is the best. He doesn’t have much preference for hair style, as long as there’s enough to grab in his fist when you’re blowing him. Same goes for make-up. The only exception to that is lipstick. Five loves when you wear red lipstick for him. He likes to see the trail it makes over his body as your lips kiss and suck him all over. He loves to see it smudged all over your mouth, on his face, and on his cock. It’s just one of those things that reminds him that you are all his.

Possessiveness: Which brings us to this. Five can be a little possessive. Not in a “you’re not going anywhere without me" kind of way. He’s not at all like that. But he does like to remind you now and then who exactly you belong to. That body is only for him to touch, and kiss, and fuck. He doesn’t get jealous, because there’s nothing to be jealous over. He trusts you and you trust him. You are independent and have your own life outside of him, and that’s just one of the reasons he loves you. But he does get territorial, and there’s a difference. If another man puts a hand on you and you don’t like it, or someone propositions you in some way, well then they are in for a real big fucking awakening. Five may try to keep his assassin instincts to himself most of the time, but if he sees some random guy disrespecting you, things are going to get ugly. He may not even need to use any actual physical force or violence. Just the threat of it is usually enough. But if that doesn’t work, and the stupid moron isn’t backing down, well, that’s their own fault. There will be a fake, saccharine smile, and a derisive chuckle as the last warning. Then the poor bastard will find himself either punched in the mouth or facedown in the dirt with a foot on his back while being forced to give a teary apology for his treatment of you. If he were ever faced with the need, Five would kill for you. No questions asked. You’re in real danger? He won’t think twice about putting a bullet into some dude’s skull. Luckily, a few clever insults, some well-timed blinks, and a swift kick to the jaw are all he really needs to get his point across. Then afterwards, he’ll take you home and fuck your brains out, because you are his and he is yours, and you wouldn’t want it any other way.  

[boringkate]

Here’s a bunch of junk for you trans girls to watch

Update: there used to be a link to a mega folder here, but it got taken down.

///TGIRL FEATURE FILMS (alphabetical order)

Adam (2019) it's about a cis boy who's mistaken for a trans boy and rolls with it. Big cast of trans characters including a tgirl played by a tgirl who everyone wants to fuck. Directed by a trans dude. Highly legit. If you're still hung up on pre release speculation based on the novel then you're the most annoying person alive.

Assassination Nation (2018) The first half is Euphoria and the second half is The Purge. ONE OF THE BEST TGIRL MOVIES OF ALL TIME.

Bit (2019) Lesbian girl power vampire movie where the main character is a tgirl played by a tgirl. It's solid. I find it frustrating that they hint at her being trans without explicitly acknowledging it (and she's passing as fuck, so it's easy to not notice), but I know that's what some of y'all want.

Boy Meets Girl (2014) Cis dude for trans girl love story. Pretty normie, but also you see her fully naked (gock out) at the end.

Funeral Parade of Roses (1969) Extremely 60s. Cool as hell.

Lady Daddy (2010) South Korean romcom about a trans girl played by a cis girl who tries unconvincingly to back pass when she finds out she has a kid. Very cute.

Lingua Franca (2019) written directed and starring Isabel Sandoval. An undocumented trans woman immigrant in New York deals with a cis dude partner being a cis dude. Which is also the plot of The Garden Left Behind (2019).

Myra Breckinridge (1970) Raquel Welch is a trans woman and her goal is the destruction of the last vestigial traces of traditional manhood! It's Fight Club! It's Hackers! It's divisive, but it's probably my favorite movie!

So Pretty (2019) Literally the first scripted feature length (non pornographic tho it does have cock) film to feature two trans women played by trans women kissing eachother.

Something Must Break (2014) THE OTHER BEST TGIRL MOVIE OF ALL TIME. Drugs. Crimes. Gock. Slow motion pissing. Slow motion park Fucking. Genuinely the most beautiful sex scene I've seen in any movie. And she makes it to the end still alive and more sure of herself and at peace than ever.

Tangerine (2015) Groundbreaking and also a bunch of the secondary characters are real life pornstars (which I think is neat).

The Garden Left Behind (2019) This and Lingua Franca (2019) really are tgirl twin films, but (like with Antz and A Bug’s Life) the vibes and details make them distinct (I assume tho tbh I’ve never watched Antz).

///TGIRL DOCUMENTARIES

Bambi (2013) about a trans girl showgirl in 50s/60s paris

Paris is Burning (1990) basically it's Pose.

Shinjuku Boys (1995) Trans dudes working in a tokyo club that caters to tboy chasing cis girls. There's at least one trans girl in the mix too.

///FORCED FEMINIZATION

A Reflection of Fear (1972) They raised her as a girl and it made her do murders! It drags in places, but the girl in it is so ethereal and it has ageplay vibes and daddy issues.

Memory Run (1996) A very fun direct to video scifi action flick about fighting fascism by blowing up your pre transition self with a rocket launcher + it's based on a novel written by a trans woman.

She-Man A Story of Fixation (1967) Notable for being such a cliche sissy maid fantasy while also coming out so early + it was Bob Clark's first film lol.

Sleepaway Camp (1983) A more famous version of Reflection of Fear.

Surrender Dorothy (1998) A MUST WATCH. I personally bought a physical DVD and made an ISO of it for you because I was unsatisfied with the quality of the only copy that seemed to exist online. I ALSO PERSONALLY CREATED MY OWN SUBTITLES FOR IT BECAUSE EVEN THE DVD DIDN’T INCLUDE ANY! WHICH TOOK HOURS TO DO!

The Skin I Live In (2011) A rapist is kidnapped and turned into a girl by a mournful vengeful plastic surgeon. Which was also the plot of Victim (2010). I never really vibe with Pedro Almodóvar movies, but I recognize this is the preeminent forced feminization film.

///SHORT FILMS

Gender Troublemakers (1993) Some 90s Toronto trans girls fucking and discoursing. Explicit tgirl on tgirl action. This is the only one on the list that I haven’t actually watched yet. I’m hyped to watch it tho. Seems mindblowingly rad af.

Happy Birthday Marsha (2018) It's about Marsha P. Johnson.

I don't Know (1971) I'm obsessed with the trans girl in this one she just keeps popping up in all kinds of early 70s stuff. Directed by Penelope Spheeris (who is the sister of the cis gf in it).

Mesmeralda (2019) AN ABSOLUTE BANGER HOLY FUCK THE VIBES ARE OFF THE CHARTS! PLS WATCH THIS! I refuse to apologize for it being 15GB. It’s worth every byte.

Pat Rocco's Changes (1970) It's that same girl again!

Queens at Heart (1967) I can't get over that hairdresser girl thinking she's back passing. Most adorably weak boymode ever.

Shangri-La (2021) Another Isabel Sandoval joint.

The Yellow Wallpaper (2021) Freshly post op girl with a supportive boyfriend goes unhinged.

Undress Me (2012) Jana Bringlöv Ekspong did a few short films. Give janabringlove a google after watching this.

///JUST LIKE BTW

Some of these would be tough to find elsewhere, but most of the movies are also watchable on fmovies and/or can be torrented in higher quality.

After you've worked your way through the folder then just start doing Google searches for trans films. Look at IMDB keywords and letterboxd lists. There are so many more out there. These are just like my personal picks.

[frostbitebakery]

LOUD.

a Jedi Shadow!Obi-Wan AU

“Each of us, every single clone, is a one-man army. And yes, I am… I’m so proud of them. We protect the Galaxy, we die fighting for the Galaxy and its peoples. We are not made for peace times, Obi-Wan.”

The cynical part of Obi-Wan wants to ask why Cody is so steadfast in his belief when everywhere the clones go they’re confronted with people dismissing them, equating them to the droids they’re fighting.

He understands, though. Jedi are only welcome where people know about the help they can provide. The Order is looked down upon, the Jedi just as easily dismissed, more often than not when it comes to it.

And still. And still. The call to protect people is too strong to ignore. He doesn’t want to ignore the call. He can help so he does.

So yes, he understands Cody and his need to fight.

He watches as Cody self-consciously rubs the back of his neck, fingers not halting over the port, so— so used to its presence, as the silence reigns. Cody doesn’t try to further his explanations. He said his piece and that’s that.

Obi-Wan settles down on the floor in front of the weightlifting bench. And Cody.

He crosses his legs automatically, the armor he has to don if he wants to engage in the battles blessedly absent, here. His fingers find Cody’s other hand in his lap, tapping it lightly, glancing by the embedded screen in the armored boot proclaiming Cody as belonging to the 212th.

Commander Cody got his own Attack Battalion. Mace remains the immediate superior but the brass saw Cody’s merit. No Jedi can easily fill the role as war general and Cody is… too brilliant to not be in charge. He and Mace have been flattening the CIS, the GAR is only too happy to spread out their heavy hitters.

“He’s always giving them a chance to surrender first,” Cody had commented on Mace, pride and admiration shining from his whole body. “How he’s able to walk with balls like that is a mystery to me.”

Obi-Wan had politely choked on nothing.

Once Cody is looking at him, apologies in his eyes for being made for war, of war, Obi-Wan signs a simple question. “How would you know?”

Temper makes the scarred eyebrow rise and Obi-Wan continues, undeterred now that Cody’s attention isn’t on misplaced guilt.

“You know nothing but war. You’ve learnt nothing but war. You’ve,” Obi-Wan pauses to swallow the grief, “experienced nothing but war in your life. How would you know you’re not made for peace times when you haven’t even had the chance to live in them?”

A smile, half there and fleeing, cracks, warm brown eyes watch Obi-Wan’s hands. “In my darkest moments I’m not sure I’ll even see them.”

Obi-Wan is against false promises but hope has never left his life’s side and he’d like to share. “We work together and we end this war. We see as many of you and us on the other side as possible.”

“Sounds like an easy first step,” Cody laughs ruefully, and leans down, captures Obi-Wan’s unmasked face, blurred by the unknown, and holds their foreheads together for a long self-indulgent moment.

Obi-Wan ducks his head, mask and scars in place once more. “Is that something you wish? To see me?”

Cody shakes his head, shoulders tight. “I’m sorry. I went too far.”

No, you didn’t, Obi-Wan wants to tell him, I want you to see me.

Soon. Probably. As soon as Obi-Wan has removed the screws from his heart and their doubting pressure.

“I think I can help you,” Obi-Wan signs, bullheading through the burgeoning silence. “But I need your help for that.”

“What do you need,” Cody asks, all Commander now that he’s got a mission objective.

“I want to know how you can communicate neurally and who has access to that channel.” He’s been looking into it for months, always ending in front of a Kaminoan wall. He’s at his wits end and now, now, with Bail confirming Palpatine is shuffling credits to the CIS and it’s still only heresy where a court is concerned…

Kamino confirmed only authorized personnel has access to the comm links in the clones’ heads. What if those include the CIS?

Cody blinks in surprise. “General Windu has access to that information.”

Does he? Obi-Wan is beginning to doubt that fact. “Humor me.”

Shoulders go wide, straight, loose. “Protocol dictates that, in case of emergency in an engagement situation, a High General is able to deploy orders directly to a CC-class clone via the Force after initiating with the correct identification.”

The clones are password-locked. Obi-Wan tries very, very hard to keep his expression neutral. “I assume every Commander knows the identification?”

Cody starts to smile, a mischievous twinkle in his eyes, ready to playfully lecture Obi-Wan about confidentiality. Obi-Wan can see that, can feel the intention of Cody to do so. Before his eyes sharpen like the back-up blade in the boot holster. “Is there a leak?”

“Not that I’m sure of,” Obi-Wan hurries to sign. “Cody, please, what is the initialization sequence?”

Cody watches him, tracks his every move and twitch and stillness with keen eyes. Obi-Wan lets him, not able to keep a lid on the worry he’s feeling, the Force hushed in absolute and anticipation. “Every Commander knows those words. No one else does. A High General can request it of his Commander. That is what General Windu knows. A Commander takes the words to their grave if they have to.” A built-in failsafe, based on the clones’ loyalty to the Republic. “And the Jedi,” Cody adds with a soft smile. “Maybe we have been trained to follow you but you have proven yourself over and over again. The initialization is—“ Cody’s face twists into confusion as the Force starts— starts to shriek in warning. “Is…”

Shards of glass hurtle towards Obi-Wan, high-pitched tone piercing his eardrums, hack into his thoughts—

“Who are you?”

Obi-Wan hurries, pulls a hand up and projects “Cody, wake”.

.

Cody wakes, blinks. Shakes the cloudy remnants of a dream gone wrong off, as stuck on him, burnt into him as some details of it are.

He looks up when he notices the presence by the training salle entry, smiles up at Obi-Wan, feels his eyes go soft, relaxed.

Obi-Wan stares back at him, mask in place which ups the distant, rumbling intensity of his gaze like an incoming storm. “Thank you,” he signs, and Cody can see the tremors in his fingertips. Blue eyes flick up to the surveillance camera in the ceiling, go back to him.

Cody… remembers. Obi-Wan pushing him behind a destroyed tank during battle, one hand covering the helmet camera while the other had signed “need to talk, no eyes” in battle signs.

He looks to the door again but Obi-Wan is suddenly right in front of him, cradling his face so gently Cody can feel tears prick at his eyes, forehead carefully, with no hesitation and too much meaning coming to rest against his.

[cardentist]

people don't like to think about how isolating it is to be a victim as a man because it's not Simple or palatable or convenient

I think, on some level, people want to believe that suffering isn't random. that it may never be Fair, but that there's some observable pattern and reason behind it. the fact that people can just be victimized at any time by anyone is scary and hard to reconcile.

I Also think people don't want complex ideas like sexism or oppression or victimhood to Be complex. it's so much easier to say "this is the type of person who is harmed by this oppression and this is the type of person who causes harm with this oppression."

and people will hold on to this belief to the point that they're saying crazy shit, like calling victims at fault for their own social ostracization and ridicule because being a man means they're responsible for the sexism at play behind it. or the first response is "well Obviously only Men mock male victims" when that categorically is not true (terfs have to spend their time doing Something when they're not busy sending trans women death threats).

and it's all the more complicated when you're in my position. I wasn't a man when I was raped, but I'm a man now. am I allowed to feel scared? am I allowed to have been hurt? it's so isolating and Strange to see people call this formative piece of my life a Feminine experience. to say that men don't Understand it. would never be a part of it.

people love to look at trans men asking these questions and call them stupid. of Course we should assume that we're the exceptions, and we're being hysterical or misogynistic by making it about Us. because of course nobody would ever be transphobic on purpose, how could I ever assume that.

but there Are people who specifically and intentionally target trans men. who insist that trans men Aren't victimized, who seek out and mock trans men who come out about Being victims.

I've seen it said before that trans men lose a community with cis women that they don't gain back with cis men, and then we're torn down for trying to find community with each other, or with other trans people.

and it's such a Lonely experience

[wilcze-kudly]

Hey so can we like stop with the "Zutara is for the girls and Kataang is for the boys" thing. It's silly and it's breakdancing just on the edge of gender essentialism.

The assumption that there is something inherent to Zutara that appeals predominantly to women and Kataang that appeals predominantly to men is dishonest because every ship can have appeal to all genders.

The discussion of the "female gaze" in Zutara and the "male gaze" in Kataang is also redundant. I enjoy dissecting the concept of "the gaze", however it is important to note that the "female gaze" doesn't have a set definition or grouping of conventions it adheres to. Lisa French,  Dean of RMIT University’s School of Media and Communication says:

“The female gaze is not homogeneous, singular or monolithic, and it will necessarily take many forms... The aesthetic approaches, experiences and films of women directors are as diverse as their individual life situations and the cultures in which they live. The "female' gaze” is not intended here'to denote a singular concept. There' are many gazes."

Now excuse me as I put on my pretentious humanistics student hat.

Kataang's appeal to women and the female gaze

Before I start, I want to note that the female gaze is still a developing concept

There are very few female film directors and writers, and most of them are white. The wants and desires of women of colour, the demographic Katara falls into, are still wildly underepresented. Additionally, the concept of the female gaze had many facets, due to it being more focused on emotional connections rather than physical appearance as the male gaze usually is. Which means that multiple male archetypes fall into the category of "for the female gaze".

The "female gaze" can be best described as a response to the "male gaze", which was first introduced by Laura Mulvey in her paper: "Visual Pleasure and Narrative Cinema" , however the term "male gaze" itself was not used in the paper.

Mulvey brought up the concept of the female character and form as the passive, objectified subject to the active voyeuristic male gaze, which the audience is encouraged to identify, usually through the male character.

To quote her:

"In a world ordered by sexual imbalance', pleasure' in looking has been split between active'/male' and passive/female'. The determining male gaze' projects its fantasy onto the female' figure', which is styled accordingly."

Mulvey also brings up the concept of scopopfillia (the term being introduced by Freud), the concept of deriving sexual gratification from both looking and being looked at. This concept has strong overtones of voyeurism, exhibitionism and narcissism, placing forth the idea that these overtones are what keeps the male viewer invested. That he is able to project onto the male character, therefore being also able to possess the passive female love interest.

However, it's important to note that Mulvey's essay is very much a product of its times, focused on the white, heterosexual and cisgender cinema of her time. She also drew a lot of inspiration from Freud's questionable work, including ye ole penis envy. Mulvey's paper was groundbreaking at the time, but we can't ignore how it reinforces the gender binary and of course doesn't touch on the way POC, particularly women of colour are represented in film.

In her paper, Mulvey fails to consider anyone who isn't a white, cis, heterosexual man or woman. With how underrepresented voices of minorities already are both in media and everyday life, this is something that we need to remember and strive to correct.

Additionally Mulvey often falls into gender essentialism, which I previously mentioned at the beginning of this post. Funny how that keeps coming up

"Visual Pleasure and Narrative Cinema" started a very interesting and important conversation, and I will still be drawing from certain parts of it, however huge swathes of this text have already become near archaic, as our culture and relationship with media evolves at an incredible pace.

And as filmaking evolves, so does our definition of the male and female gaze. So let's see what contemporary filmakers say of it.

In 2016, in her speech during the Toronto International Film Festival , producer of the TV series Transparent, Jill Soloway says:

“Numero uno, I think the Female Gaze is a way of “feeling seeing”. It could be thought of as a subjective camera that attempts to get inside the protagonist, especially when the protagonist is not a Chismale. It uses the frame to share and evoke a feeling of being in feeling, rather than seeing – the characters. I take the camera and I say, hey, audience, I’m not just showing you this thing, I want you to really feel with me.

[Chismale is Soloway's nickname for cis males btw]

So the term "female gaze" is a bit of a misnomer, since it aims to focus on capturing the feelings of characters of all genders. It's becoming more of a new way of telling stories in film, rather than a way to cater to what white, cisgender, heterosexual women might find attractive in a man.

Now, Aang is the decided protagonist of the show, however, Atla having somewhat of an ensemble cast leads to the perspective shifting between different characters.

In the first episode of atla, we very much see Katara's perspective of Aang. She sees him trapped in the iceberg, and we immediately see her altruism and headstrong nature. After she frees Aang, we are very much first subjected to Katara's first impressions of him, as we are introduced to his character. We only see a sliver of Aang's perspective of her, Katara being the first thing he sees upon waking up.

We see that she is intrigued and curious of him, and very excited about his presence. She is endeared and amused by his antics. She is rediscovering her childish side with his help. She is confiding in him about her own trauma surrounding the Fire Nation's genocide of the Southern Waterbenders. She is willing to go against her family and tribe ans leave them behind to go to the Northern Water Tribe with Aang. We also see her determination to save him when he is captured.

As the show moves on and the plot kicks into gear, we do shift more into Aang's perspective. We see his physical attraction to her, and while we don't see Katara's attraction quite as blatantly, there are hints of her interest in his appearance.

This is where we get deeper into the concept of Aang and Katara's mutual interest and attraction for one another. While her perspective is more subtle than most would like, Katara is not purely an object of Aang's desire, no more than he is purely an object of her desire.

When analysing this aspect of Katara and Aang's relationship, I couldn't help but be reminded of how Célene Sciamma's Portrait of a lady on fire (in my personal opinion, one of the best studies of the female gaze ever created) builds up its romance, and how it places a strong emphasis on the mutuality of the female gaze.

Portrait of a lady on fire's cinematography is very important to the film. We see the world through the perspective of our protagonist, a painter named Marianne. We also see her love interest, Héloïse, the woman whom she is hired to paint a portrait of, through Marianne's lense.

We see Marianne analyse Héloïse's appearance, her beauty. We look purely through Marianne's eyes at Héloïse for a good part of the movie, but then, something unexpected happens. Héloïse looks back. At Marianne, therefore, in some way, also at the audience. While Marianne was studying Héloïse, Héloïse was studying Marianne.

We never shift into Héloïse's perspective, but we see and understand that she is looking back at us. Not only through her words, when she for example comments on Marianne's mannerisms or behaviours, but also hugely through cinematography and acting of the two amazing leads. (Noémie Merlant as Marianne and Adèle Haenel as Héloïse. They truly went above and beyond with their performances.)

This is a huge aspect of the female gaze's implementation in the film. The camera focuses on facial expressions, eyes and body language, seeking to convey the characters' emotions and feelings. There's a focus on intense, longing and reciprocated eye contact (I have dubbed this the Female Gays Gaze.). The characters stand, sit or lay facing each other, and the camera rarely frames one of them as taller than the other, which would cause a sense of power imbalance.

The best way to describe this method of flimaking is wanting the audience to see the characters, rather than to simply look at them. Sciamma wants us to empathise, wants us to feel what they are feeling, rather than view them from a distance. They are to be people, characters, rather than objects.

Avatar, of course, doesn't display the stunning and thoughtful cinematography of Portrait of a Lady on Fire, and Katara and Aang's relationship, while incredibly important, is only a part of the story rather than the focus of it.

However, the 'Kataang moments' we are privy to often follow a similar convention to the ones between Marianne and Héloïse that I mentioned prior.

Theres a lot of shots of Katara and Aang facing each other, close ups on their faces, particularly eyes, as they gaze at one another.

Katara and Aang are often posited as on equal grounds, the camera not framing either of them as much taller and therefore more powerful or important than the other. Aang is actually physically shorter than Katara, which flies in the face in usual conventions of the male fantasy. (I will get to Aang under the male gaze later in this essay)

And even in scenes when Aang is physically shown as above Katara, particularly when he's in the Avatar state, Katara is the one to pull him down, maintaining their relationships as equals.

Despite most of the show being portrayed through Aang's eyes, Katara is not a passive object for his gaze, and therefore our gaze, to rest upon. Katara is expressive, and animated. As an audience, we are made aware that Katara has her own perspective. We are invited to take part in it and try to understand it.

Not unlike to Portrait of a Lady on Fire, there is a lot of focus placed on mannerisms and body language, an obvious example being Katara often playing with her hair around Aang, telegraphing a shy or flustered state. We also see her express jealousy over Aang, her face becoming sour, brows furrowed. On one occasion she even blew a raspberry, very clearly showing us, the audience, her displeasure with the idea of Aang getting attention from other girls.

Once again, this proves that Katara is not a passive participant in her own relationship, we are very clealry shown her perspective of Aang. Most of the scenes that hint at her and Aang's focus on their shared emotions, rather than, for example, Katara's beauty.

Even when a scene does highlight her physical appearance, it is not devoid of her own thoughts and emotions. The best example of this being the scene before the party in Ba Sing Se where we see Katara's looking snazzy in her outfit. Aang compliments her and Katara doesn't react passively, we see the unabashed joy light up her face, we can tell what she thinks of Aang's comment.

In fact, the first moment between Katara and Aang sets this tone of mutual gaze almost perfectly. Aang opens his eyes, and looks at Katara. Katara looks back.

There is, once again, huge focus on their eyes in this scene, the movement of Aang's eyelids right before they open draws out attention to that part of his face. When the camera shows us Katara, is zooms in onto her expression as it changes, her blinking also drawing attention to her wide and expressive eyes.

This will not be the first time emphasis is placed on Katara and Aang's mutual gaze during a pivotal moment in the show. Two examples off the top of my head would be the Ends of B2 and B3 respevtively. When Katara brings Aang back to life, paralleling the first time they laid eyes on one another. And at the end of the show, where their gaze has a different meaning behind it.

We see Katara's emotions and her intent telegraphed clearly in these instances.

In Book 1, we see her worry for this strange bald boy who fell out of an iceberg, which melts away to relief and a hint of curiosity once she ascertains that he isn't dead.

In B2 we once again see worry, but this time it's more frantic. Her relationship with Aang is much dearer to her heart now, and he is in much worse shape. When we see the relief on her face this time, it manifests in a broad smile, rather than a small grin. We can clearly grasp that her feelings for Aang have evolved.

In B3, we step away from the rule because Aang isn't on the verge of death or unconsciousness for the first time. It is also the first time in a situation like this that Aang isn't seeing Katara from below, but they are on equal footing. I attribute this to symbolising change of pace for their relationship.

The biggest obstacle in the development of Katara and Aang's romance was the war, which endangered both their lives. Due to this, there was a hesitance to start their relationship. In previous scenes that focused this much on Aang and Katara's mutual gaze, Aang was always in a near dead, or at least 'dead adjacent' position. This is is a very harsh reminder that he may very well die in the war, and the reason Katara, who has already endured great loss, is hesitant to allow her love for him to be made... corporeal.

However, now Aang is standing, portraying that the possibily of Katara losing him has been reduced greatly with the coming of peace, the greatest obstacle has been removed, and Katara is the one to initiate this kiss.

Concurrently, Katara's expression here does not portray worry or relief at all, because she has no need to be worried or relieved. No, Katara is blushing, looking directly at Aang with an expression that can be described as a knowing smile. I'd argue that this description is accurate, because Katara knows that she is about to finally kiss the boy she loves.

Ultimately, Katara is the one who initiates the kiss that actually begins her and Aang's romantic relationship.

Kataang's appeal to women is reflected in how Katara is almost always the one to initiate physical affection with Aang. With only 3 exceptions, one of which, the Ember Island kiss being immediately shown by the narrative as wrong, and another being a daydream due to Aang's sleep deptivation. The first moment of outwardly romantic affection between Aang and Katara is her kissing his cheek. And their last kiss in the show is also initiated by Katara.

I won't falsely state that Kataang is the perfect representation of the female gaze. Not only because the storyline has its imperfections, as every piece of media has. But also because I simply belive that the concept of the female gaze is too varied and nebulous to be fully expressed. With this essay, I simply wanted to prove that Kataang is most certainly not the embodiment of catering to the male gaze either. In fact it is quite far from that.

The aspects of Kataang that fall more towards embodying the female gaze don't just appeal to women. There's a reason a lot of vocal Kataang shippers you find are queer. The mutual emotional connection between Katara and Aang is something we don't have to identify with, but something we are still able to emphasise with. It's a profound mutual connection that we watch unfold from both perspectives that sort of tracends more physical, gendered aspects of many onscreen romances. You just need to see instead of simply look.

✨️Bonus round✨️

Aang under the gaze

This started off as a simple part of the previous essay, however I decided I wanted to give it it's own focus, due to the whole discourse around Aang being a wish-fullfilling self insert for Bryke or for men in genral. I always found this baffling considering how utterly... unappealing Aang is to the male gaze.

It may surprise some of you that men are also subjected to the male gaze. Now sadly, this has nothing to do with the male gaze of the male gays. No, when male characters, usually the male protagonist, are created to cater to the male gaze, they aren't portrayed as sexually desirable passive objects, but they embody the active/masculine aide of the binary Laura Mulvey spoke of in the quote I shared at the beginning of this essay.

The protagonist under the male gaze is not the object of desire but rather a character men and boys would desire to be.

They're usually the pinnacle of traditional, stereotypical masculinity.

Appearance wise: muscular but too broad, chiseled facial features, smouldering eyes, depending on the genre wearing something classy or some manner of armour.

Personalitywise they may vary from the cool, suave James Bond type, or a more hotblooded forceful "Alpha male" type. However these are minor differences in the grand scheme of things. The basis is that this protagonist embodies some manner of idealised man. He's strong, decisive, domineering, in control, intimidating... you get the gist. Watch nearly any action movie. There's also a strong focus placed on having sway or power over others. Often men for the male gaze are presented as wealthy, having power and status. Studies (that were proved to be flawed in the way the data was gathered, I believe) say that womem value resources in potential male partners, so it's not surprising that the ideal man has something many believe would attract "mates". [Ew I hated saying that].

Alright, now let's see how Aang holds up to these standards.

Well... um...

Aang does have power, he is the Avatar. However, he is often actually ignored, blown off and otherwise dismissed, either due to his age or his personality and ideals being seen as unrealistic and foolish. Additionally, Aang, as a member of a culture lost a century ago, is also often posited as an outsider, singled out as weak, his beliefs touted as the reason his people died out and.

Physically, Aang doesn't look like the male protagonist archetype, either. He isn't your average late teens to brushing up against middle aged. Aang is very much a child and this is reflected in his soft round features, large eyes and short, less built body. This is not a build most men would aspire to. Now, he still has incredible physical prowess, due to his bending. But I'm not sure how many men are desperate to achieve the "pacifist 12 year old" build to attract women.

Hailing from a nation that had quite an egalitarian system, Aang wouldn't have conventional ideas surrounding leadership, even if he does step up into it later. He also has little in the way of possessions, by choice.

As for Aang's personality, well...

I mean I wouldn't exactly call him your average James Bond or superhero. Aang is mainly characterised through his kindness, empathy, cheerful nature and occasional childishness (which slowly is drained as the trauma intesifies. yay.)

Aang is very unwilling to initiate violence, which sets him aside from many other male protagonists of his era, who were champing at the bit to kick some ass. He values nature, art, dance and fun. He's in tune with his emotions. He tries to desecalate situations before he starts a fight.

Some would say many of Aang's qualities could be classified as feminine. While the other main male characters, Zuko and Sokka try to embody their respective concepts of the ideal man (tied to their fathers), Aang seems content with how he presents and acts. He feels no need to perform masculinity as many men do, choosing to be true to his emotions and feelings.

These "feminine" qualities often attract ridicule from other within the show. He is emasculated or infantiliased as a form of mockery multiple times, the most notable examples being the Ember Island play and Ozai tauntingly referring to him as a "little boy". Hell, even certain Aang haters have participated in this, for example saying that he looks like a bald lesbian.

I'd even argue that, in his relationships with other characters, Aang often represents the passive/feminine. Especially towards Zuko, Aang takes on an almost objectified role of a trophy that can be used to purchase Ozai's love. [Zuko's dehumanisation of others needs to be discussed later, but it isn't surprising with how he was raised and a huge part of his arc is steerring away from that way of thinking.]

Aang and Zuko almost embody certain streotypes about relationships, the forceful, more masculine being a literal pursuer, and the gentler, more feminine being pusued.

We often see Aang framed from Zuko's perspective, creating something akin to the mutual gaze of Katara and Aang, hinting at the potential of Zuko and Aang becoming friends, a concept that is then voiced explicitly in The Blue Spirit.

However, unlike Katara, Zuko is unable to empathise with Aang at first, still seeing Aang as more of an object than a person. We have here an interesting imbalance of Aang seeing Zuko but Zuko meerly looking at Aang.

There is a certain aspect of queer metaphor to Zuko's pursuit of Aang, but I fear I've gotten off topic.

Wrapping this long essay up, I want to reiterate that I'm not saying that Zutara isn't popular with women. Most Zutara shippers I've encountered are women. And most Kataang shippers I've encountered are... also women. Because fandom spaces are occupied predominantly by women.

I'm not exactly making a moral judgement on any shippers either, or to point at Kataang and go: "oh, look girls can like this too. Stop shipping Zutara and come ship this instead."

I want to point out that the juxtaposition of Zutara and Kataang as respectively appealing to the feminine and masculine, is a flawed endeavour because neither ship does this fully.

The concept of Kataang being a purely male fantasy is also flawed due to the points I've outlied in this post.

Are there going to be male Kataang shippers who self insert onto Aang and use it for wish fulfilment? Probably. Are there going to be male Zutara shippers who do the same? Also probably.

In the end, our interpretation of media, particularly visual mediums like film are heavily influenced by our own biases, interests, beliefs andmost importantly our... well, our gaze. The creators can try to steer us with meaningful shots and voiced thought, directing actors or animating a scene to be a certain way, but ultimately we all inevitably draw our own conclusions.

A fan of Zutara can argue that Kataang is the epitome of catering to the male gaze, while Zutara is the answer to women everywhere's wishes.

While I can just as easily argue the exact opposite.

It really is just a matter of interpretation. What is really interesting, is what our gaze says about us. What we can see of ourselves when the subject gazes back at us.

I may want to analyse how Zutara caters to the male gaze in some instances, if those of you who manage to slog through this essay enjoy the subject matter.

[sev-wildfang]

2015 - 2024

it has been a while since ive felt the courage or need to post something like this. i worked very hard to scrub all pre-2016 photographs of me off the internet in fact, something i realize was not in the spirit of the person who inspired me at all.

for the sake of brevity im not going to post the entirety of my transition. some two or odd years into it i was fully immersed in the feminine persona i was trying to become but still filled with a yearning that seemed to be incurable.

it was a chance encounter on this website that changed my course forever. i saw a transition timeline by a user who has since deleted their blog, detailing year by year their journey to become a kind of trans woman i didnt even know could exist at that point: a trans-feminine butch.

the clarity of their vision intrigued me. it opened a door where previously i only saw an insurmountable wall. this was something one could want to become. this was not a failure state. this was a lighthouse.

"you measure yourself by stricter standards than you do cis women", my then therapist said, "you allow yourself to play with masculinity in your art. in your art you seem to be able to separate it from male-ness. do you think you might want that in real life?"

immediately after that conversation, i looked at the timeline post again. i decided to get a haircut - a variation of the same short undercut that has become my go-to since. i slowly phased out the dresses that had carried my thru the hardest times of my budding transition. most of them i gifted to other trans women who had more of a need for them.

i set to work on my self once more with new purpose and i found first joy, then peace in the never-ending process of becoming. like every terminally online dyke in 2020 i read Stone Butch Blues, read The Locked Tomb, read Hot Allostatic Load, buzzed my hair off twice, got way too many tattoos to count, found community and friendship in my local queer scene as well as among butches online, and learned that i have the capability to love more than one person. and i love all of the people i used to be and no longer am; the problem child, the teenage romantic, the spiteful young man, the girl wrestling with herself, the baby butch still worried about keeping her tokens of femininity about her, the idiot who tought working night shifts was a good idea, and the clown who said this would be short post just some paragraphs ago.

the user who made that post was a lighthouse that went out as soon as i made it to shore, if you forgive the sentimentality. i am not half the butch they were (and maybe still are?) but maybe that's enough to be worth something to someone. it is something to me.

[transmascissues]

Songs sung in T voices? You mean just regular male voices because trans men are men

imagine being so miserable that you see a post about trans joy and pride in transmasculinity and the first thing you think is “i’m going to find a way to see this as transphobia instead”.

i have a t voice. my voice is distinctly different from most cis men’s voices in a way that a lot of other trans people’s voices are distinctly different after being on t. a lot of us have voices with a unique quality to them. the claim that me, a trans man with a t voice, talking about voices like mine somehow implies that my own gender isn’t real…is just fucking wild, honestly.

i think t voices are BEAUTIFUL. i love them so much, having my own voice sound like that was genuinely one of the things i was the most excited about when i started t because to me, that voice is the kind i heard when i watched videos made by other trans guys that taught me about what was possible for me and met other trans guys irl for the first time and got advice on transitioning or just life from them. it’s such a comforting sound and so important to me.

nothing about recognizing that distinctive quality implies that trans men aren’t real men. i have a t voice just like i have a deep voice, a quiet voice, a tonally expressive voice — it’s just a descriptor for one of many things that can make a voice unique. my voice is a “male voice” and it’s also a t voice because i’m a man whose voice has been affected by going on t in a distinctive way. the two aren’t in any way at odds with each other.

if i described my chest as a post-op chest, would you come into my inbox saying “you mean just a regular male chest?” i have a feeling you probably wouldn’t because on some level, even you get that talking about unique parts of living in a trans body doesn’t invalidate who we are. it’s fine if you personally wouldn’t want to describe your voice that way because it makes you dysphoric or isn’t applicable to your voice or isn’t as meaningful to you, but that doesn’t mean it’s morally incorrect for me to do so.

trans bodies are wonderful. visible (or in this case, audible) transness is wonderful. it’s not a bad thing to have features that are distinctively trans, and having those features doesn’t make you less of a man. we don’t have to reject our transness or be exactly like cis men to be real men because cis manhood isn’t the gold standard, it’s just one of many ways to be a man.

(also, not everyone who goes on t is a trans man, so not every t voice is a male voice. it’s funny how the people who get mad at me for being proud of my t voice are always the same ones who have really gender essentialist and binaristic views on transitioning.)

so no, i don’t mean “regular male voices”, i mean fucking t voices because that was a post about unashamed in-your-face proud transmasculinity, not transmasculinity that tries to make itself indistinguishable from cis manhood. please keep your assimilationist bullshit away from my trans joy, thank you very much.

[spacerockfloater]

Being a female viewer and hating Criston Cole is deranged.

I have to get this off my chest. The blind hatred that Criston is receiving from women is insane and I’m going to explain why.

For context, I am talking about Show Criston, not Book Criston. Comparing two standalone versions of a story is silly.

I cannot wrap my head around the fact that so many women, who are the primary victims of utilitarian relationships, would ever come together and shit on Criston for enduring such a situation.

I’m sorry, but how many of you have been used by men? How many of you have been reduced to one night stands, situationships and placeholder wives? How many of you have been deemed “not good enough” to be an exclusive partner? I log into tiktok and I see NOTHING but stories of broken women who are just used for sex, money, care and whatnot by men, and then they are tossed away like worthless trash while said men continue their pursuit of the ideal woman. Being used by men just for sex and being denied the status of girlfriend, let alone wife, is probably one of the worst plagues women are experiencing in the western world because the MOMENT we were emancipated, men understood that they don’t owe us shit anymore and instead of treating us with respect, they decided to grab whatever they can and give nothing back. Do not tell me that there are women out there that are fine with this arrangement because the multiple “GWM while I tell you about the guy that was with me for 12 years and then married someone else” tell a different story, one of multiple women’s dignities being trampled by hungry men. My heart breaks for every woman (EVERY woman, cis, trans, EVERY woman) who has been called by a man she loves just for sex, for every woman whose man never wanted to be seen in public with her, for every woman who had to hear that her man is not ready for a relationship only to witness him getting engaged to another woman 2 weeks after. I hope you overcome this and become stronger and I am glad that we are finally supporting one another.

How can we then, the women who are helping other female victims rise up and speak out against this kind of abuse, push Criston down and tell him to suck it up and accept being Rhaenyra’s plaything? Have we no mercy? Are we so hungry for revenge against men that we’d want them to endure the same humiliation that we did, as if one fictional man’s suffering would bring us justice? Are we so jealous that Criston didn’t sit down and just take it like the rest of us, but instead spoke up and removed himself from that situation? Or are we so gullible that we accept what the screenwriters shove down our throats and unknowingly support the patriarchic view that if you’re being used by someone you should just accept it?

I can hear some of you arguing that “Oh, this is different because Rhaenyra is royalty!” as if being used and tossed by a powerful person somehow makes the situation any better? Would it be okay if a rich person wanted to constantly use you for sex while he keeps looking for a better woman to be by his side, just because he values his wealth and status more? Rhaenyra straight up sneered at the idea of a simple life with him. She straight up told him that HE is not worth as much as her crown. OUCH. Even though I can’t even begin to imagine the pain of being told you are not enough by your loved one, it was Rhaenyra’s right to choose what her priorities are, but WHY would he have to accept being her sidepiece? “These were different times”: does this make it any less devastating for the victim? And he was a victim because Rhaenyra still used Criston and misled him by constantly complaining about how she HATES her duties for YEARS and then luring him to break his oath. Do you think he would have still slept with her if he was aware that moments ago, Rhaenyra was begging on her knees to be fucked by Daemon and only turned to Criston because her first option was no longer available? Like, the man was contemplating having sex with her and resisted her for a good fucking while, so imagine how quickly he would have turned around and walked out that door if he had that information beforehand. You know why? Because he loved her. He loved her to the point that he broke his oath for her, the oath of a station he FOUGHT FOR IN A WAR. He shed blood and sweat and risked his life for the mere opportunity to gain that position. This was ALL he had, he came from NOTHING and he was still willing to toss it all away for Rhaenyra not once, but twice. It wasn’t just sex he wanted because we never see him have sex again after that. He became vulnerable and gave up everything that he was to be with Rhaenyra. He was willing to abandon his whole identity for her sake. Is this not what the ideal partner is? Ready to abandon everything for your shake? Everything he fought for, tooth and nail? Was he unreasonable in thinking that Rhaenyra was willing to do the same for him? Was he crazy to think that because he was ready to put everything he FOUGHT for aside for her shake, Rhaenyra would also put aside a duty she was handed and actively seem to hate for him too? Fuck no! After hearing her constant talk about how she hates her father, her duties, her refusal to wed other men, how she is trapped as a princess, how people have no idea how much it SUCKS being her, why would he not assume that she’d be willing to give it all up for him, as he’d do for her We never see Rhaenyra even TRY to be a ruler, just complain about it. Of course it would be a fucking shock to him hearing her say “Lol dude, I actually do kinda want this”.

Criston was actually the only person in the series that wanted Rhaenyra for her, not her money or crown. I’m not saying she had to follow him, it was her right to refuse him, but his willingness to lead a simple life with just her has got to mean something. And don’t give me that “he only wanted to redeem his honour by marrying her” crap, because first of all Criston nutted up and admitted everything to Alicent and was ready to face death without EVER blaming Rhaenyra for anything, and second of all, oh no, how dare a human being have ethical values and desire to live with dignity in society’s broad light rather than move in the shadows as the princess’s secret boytoy! Bad, bad Criston for feeling you have to atone for your sins. Maybe we as people have become so corrupt that we envy those who wish to walk a virtuous path in life. Or maybe y’all have become so fond of the unhinged unapologetic character trope because it feels “original” (even if it’s ridiculously overused nowadays) that you’ve actually forgotten what characters with good morals are. Like, picking your fave war criminal and rolling with them because you enjoy good drama, especially in a show that’s meant to provide entertainment, is one thing, but passionately stating that Criston had to submit to that humiliation is something else entirely.

Finally, let’s ditch the Criston being a misogynist bullshit because he had NO issue obeying Rhaenyra before their affair or Alicent. And he is ALWAYS true to himself and his values, because even after everything he endured, he did not use Alicent’s anger as an excuse to take revenge on Rhaenyra and harm her children. Criston never betrayed her, Rhaenyra used him and he walked away and he went towards the only person who seemed to spare him some sympathy and understand him and not condemn him for his crimes even if he hated himself, which is typical victim mentality. And don’t get me started on the Joffrey incident because y’all tore Cole to SHREDS for it. Joffrey had it fucking coming. You don’t go up to people’s faces, especially ones you don’t know, threaten them by telling them you know their secret, a secret that SHAMES them and burdens them to the point they’re ready to commit suicide, and all but directly call them a whore. What the fuck did he think was going to happen? They’d shake hands? Piss off. Let this be a lesson to anyone that doesn’t know how to keep their mouths shut and their noses out of other people’s business. Also, mocking his suicide attempt makes my stomach turn. Just take a moment to consider all the young women who just like him, reluctantly surrendered their virginities to men only to find out they were nothing but sex dolls in their eyes, all these girls whose trust led to their secret being spread and them getting ridiculed and slut shamed for it: how many girls have taken their own lives because they found living with such a burden unbearable?

For the love of everything you hold sacred, please wake up. The narrative that you can be used by someone powerful and you have to accept it because that’s the way things are is a man’s construct. Do not let them fool you.