Hi I really like your descendants fic and your posts, so I have a question. If descendants was a pg16 show that actually did it's worldbuilding what elements would you ADD, which elements would you remove and what would you expand on?
Oooh, this is an interesting question. I'm sorry it took so long to get this answered! (and apologizing in advance for any rambling that takes place)
First things first, I'd want the show to switch between the Isle and Auradon. I am PERFECTLY fine with the main cast staying the main characters from the first three films. So it would be eye-opening, and good for the characters, for the show to have switched between the Auradonians, the Core Four, and the Sea Three.
I'd also want at LEAST the entire first episode, preferably first two or three, to have the Core Four on the Isle. Working with THEIR gang. So we can see what it is like for them to live on the Isle, what its like for them to be around their parents, and how they interact with others, before going straight to Auradon.
Now, Isle-related things.
I definitely know I'd want to add more elements of abuse on the Isle. It's implied in the movies, but they also seem to backtrack at times. (Dizzy's "wicked step-grandmother" comment, and then suddenly portraying Lady Tremaine as caring - the Vk's running to the Isle to see their parents.) It would need to be shown that the Isle is a HORRIBLE place. Physical, emotional.... and other forms of abuse. These things HAPPEN, and they are going to happen on the Isle.
As much as I hate to say it, there is definitely teen pregnancy on the Isle. There's also a lot of death for ALL ages.
Remember Mal's comment about gang activity? Let's see it. Show us the gangs, the fights, the rules, the alliances. Show us the politics on the Isle, and how these are CHILDREN fighting for their lives. Which also means injuries and scars.
There are all sorts of HORRIBLE crimes that people get sent to jail for (I really don't want to type the words since it makes me sick to my stomach), and those people are ON. THE. ISLE. It's not just the villains from the fairy tales on the Isle, its all the criminals as well. There's a lot of reasons the VK's have gangs, and keeping each other safe is one of them.
With that said, not all the VK's are going to be good either. Some of them will end up bad in the end. Just like there are going to be bad people in Auradon.
And then with the barrier, are seasons a thing on the Isle or does the dome mean that the temperature stays relatively the same? Are the summers scorching and winters freezing and dirty, given the pollution over the Isle? Things can't even grow!
How DID the Isle get approved? Was it better in the beginning? Did they just not think that villains could have children? These are questions that need to be answered, because even without purposefully trying to make it dark, the things we know about the Isle are sickening to think about. Nothing can grow, food is always rotten, everything is crumbling, and there is horrible pollution.
What is illness like on the Isle? It can't be good, it would run rampant. I want to see how it's dealt with.
And finally, how does the Isle affect the magical people there? Witches could probably be okay being cut off from magic, but fairies? They are inherently magical. Magic is apart of them. Same goes with Ursula, Morgana, Hades (though he's probably not affected at all). Trolls, dwarves (there have to be some), goblins, pixies, etc. Any on the isle, and their children, how are they affected here? Does Uma feel a loss in her chest when she's near the sea? Does Mal mourn her horns and wings? (and will she ever get any?) Is it painful? Do they get sick when they're in Auradon and finally around all this magic? Because you can't just... get rid of magic. It's going to be there.
Auradon Things:
I would really want to expand on how Auradon came to be. Along with the, likely, war that happened when rounding up the villains cause there's no way that was peaceful.
Politics. I want the politics. How do all these kingdoms work? What political parties are there? How are views on the Isle handled?
Arranged-Marriages are a thing. Not everyone does it, but I feel like we can all agree that some people (*cough*Leah*cough*) believe that they are superior to "Falling in love." I honestly wouldn't be surprised if Audrey and Ben had an arranged marriage.
Abuse. It's not just a thing on the Isle, but it's in Auradon as well, just in a different way. While there's a lot more physical abuse on the Isle, there's verbal and emotional in Auradon. Leah and, though I hate saying it, Beast are perfect examples. Leah constantly puts Audrey down, she makes her feel inferior. Beast made his sixteen year old High King... I'm sure I could find more examples for him but I think that's a pretty big thing right there.
Another thing to expand on is the equality issue in Auradon. The "sidekicks" got the short end of the deal, even though Ben tried to make it better, as the dwarves and animals weren't being PAID. They just worked all the time for the Royals. Magical people have seemed to be pushed aside, like Beast wants them all gone. Jane couldn't even train her with her magic! And she's Fairy Godmother's daughter! The three good fairies and other fairies from Aurora's kingdom are actively having to not use magic. How do Kingdom's like Corona (Ruby has the 70ft hair, so some semblance of magic had to be passed down. Magic is also canonical in Tangled the Series, along with things like DRAGONS), Arendalle, Agrabah, etc. function?
How do things with the gods play out? What is there contract with Auradon, cause I am NOT convinced that they would just let these mortals walk all over them forever. It's one of my biggest issues with Hades on the Isle as well, and why I think there has to be some bigger reason he's on the Isle. (Whether its them waiting for Beast's term to be over, or perhaps something the Fates said)
I'd want to add in how religions play out in Auradon, because all these stories come from different places. There are characters who are canonically religious in their films, good and bad. It's not something you can just erase.
How did Auradon as a whole react when the VK's came over? Were there protests? Was Ben under a lot of heat, or was Beast for letting Ben do this? How were the VK's treated at first? Not everyone was going to be welcoming. Who stood beside Ben, who was neutral, and who went against him?
Then with relationships. Honestly, I really like Mal and Ben, but I'd want to see them develop a relationship. Maybe mention their dreams and hint to the true loves, have them work through the love spell issue, show them dealing with cultural differences. Give them a realistic relationship with more depth.
With Evie, show the expectations her mother would have put on her. Did she have flings? Was she pushed to try to be with any "higher up" Isle male?
Harry and Uma... yeah their together. With the rating up, there is no reason to pretend they aren't or only give small hints. We get to have this relationship and yeah, you know, they are just Harry and Uma.
And when the VKs do come to Auradon, who are their foster parents? Because they have to have someone, right? How is that handled? How are they taken care of?
Then with the abuse they went through, show us the hints. Flinching when there are yells, or when someone goes to touch them. Maybe blank looks, disassociation, just not knowing how to handle relationships! Friendship or with adults! How they see themselves. That stuff does a number on you, even after years. And I understand why Disney didn't go deeply into this, but it also shouldn't just be brushed away. Acknowledging it could have helped just explain some of the VK's actions. (Such as Mal in the third movie, wanting to please the ultimately parental figures around her.)
I really don't think there's much about Descendants that I'd remove, I'd just want to expand on the world and make it... darker, I guess. More realistic vs. sunshine and roses.
(Also. Adding seasons. Seasons EXIST Disney.)
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Batman my little pony AU. Part 2 here, Part 3 here
More info on these under the cut!
1. Sundown Mane/Batpony (Bruce Wayne)
His backstory & general situation is pretty much identical to every other batman out there so I wont get into it.
Other notes:
-His cutie mark is a masquerade mask that I tried to make vaguely bat-shaped. The general public sees his Cutie Mark through the lense of his reputation, and he leans into it heavily to obscure the truth. In interviews, he presents it as being tied to hosting galas (it’s the reason he started hosting those huge masquerade balls in the first place) and/or his fashionable looks, but in truth it’s far more representative of his stealth and disguise capabilities, as well as his masked night time hobbies as a whole.
-He’s not an actual bat-pony in any way, the bat wing appearance is just the costume (intentionally designed that way for intimidation, battle, and obscuring his identity further). Though most citizens assume he’s a true bat-pony, other rumors range from him being a vampire, to an Earth pony with false tech-based wings, to a magically disguised alicorn, to a spirit of the night.
-If Batman were actually to be a pony I think he’d 100% be an earth pony, because his big thing is relying on skill and tech rather than power and he has the whole “normal guy amongst gods” thing going on. HOWEVER. There are actual bat ponies in this show. How am I not supposed to utilize that somehow for the guy whose name is BATMAN? Also with Sundown I think being a Pegasus just fits the playboy personality front he puts up. I don’t know why, its just vibes.
-I think he just doesn’t fly much while patrolling as batpony, instead using his wings for extra jump or for intimidation and cover like with his cape. They’re probably steel-tipped or something too. He doesn’t rely on flight for advantage and trains entirely grounded because he doesn’t want to be dependent on flight and find himself lost if his wings are ever incapacitated.
2. Apollo Honeyscales/Two-Face (Harvey Dent)
Fascinated by the Equestrian legal system and craving a more organized society than what was offered by his generally disorderly and solitary fellow Chimeras, Apollo moved to Gotham to pursue higher education. Unfortunately, ponies are often intimidated by, if not downright terrified of Chimeras, so though Chimera cultures usually give each head equal social weight and three individual names, Apollo quickly adapted to instead try to present himself as pony-like as possible. He used a singular name and pronoun for his whole body, presented the less intimidating, herbivorous-looking goat as his “main” head, and eventually even took to having a faux Cutie Mark applied for media and court appearances. Prior to the attack, the lion and the snake head were never seen talking in public, and even in private the only ponies to have heard them speak were his close friends Sundown Mane and Glider Gold.
After being attacked with acid in court, Scales succumbed to injury and had to be amputated, while Honeybite was left alive but severely scarred. With this event, Apollo’s and Honeybite’s already fragile mental states from years of pony society othering them, the weight of their job, and personal repression finally snapped in their grief and anger, leading Honeybite to fully take the reins and create the criminal persona of Two-Face. Attempts from both Sundown and Glider and to reach out since have been unsuccessful.
Other Notes:
-According to the wiki only one chimera shows up in the whole show so. I made stuff up.
-Chimeras typically being solitary is based on the fact we only ever see one in the show. This solitary nature would make it hard for them to have a widespread legal system at all, let alone to enforce it; thus Apollo’s original fascination with the foreign pony legal system. The Chimera in the show also has individual names for each head, each with a slightly different style (the goat following pony name conventions with the name Pumpkin Cake, the tiger following a slightly more violent version of pony name conventions with the name Sweetkill, and the Snake bluntly just being named Snakey). I tried to follow similar conventions for Apollo. I was most happy with the name Scales, because it followed the blunt snake naming convention while also sort of doubling as a scales of justice reference. Apollo is just a reference to Harvey’s nickname in some of the comics, and Honeybite is just for fun.
-His perfectly split coat is unique even among other chimeras, and as Apollo he was generally considered attractive and “exotic” by Equestrian media outlets.
-The temporary Cutie Mark application was done professionally. (Surely ponies have perfected this art, right? Like this has to be something pony society does and has services for, right? Ponies covering up embarrassing Cutie Marks, blank flanks covering up an embarrassing lack of a Curie Mark, Ponies getting Cutie Marks done for costumes, theater, movies, etc… you get it.) Apollo’s choice of a faux Cutie Mark is meant to serve as both a way of further integrating himself into pony society and a proclamation of his legal skills.
-Apollo was a genuinely great lawyer.
Ponies on defense were often so preoccupied at the terror of having a lion and a snake silently stare them down that they wouldn’t realize it was actually the goat they should’ve really been afraid of until their entire case had already been ruthlessly torn to shreds.
3. Glider Gold (Gilda Gold)
Even prior to their relationship and subsequent engagement, Glider had long been Apollo’s closest friend and confidant. She saw the way his job and keeping up his image was tearing him apart long before the acid attack, and she deeply regrets not trying harder to get him the help he needed before it was too late. Multiple news outlets have been trying to get an interview with her and their efforts only increase every time Two-Face shows up in the news (despite Sundown’s efforts to dissuade them). She hasn’t been the same since the attack and Apollo’s disappearance, losing interest in her work and finding her friendship with Sundown heavily strained as they both feel the weight of Apollo’s absence.
Other notes:
-I wasn’t even going to draw Gilda originally because she’s such a minor character in Batman stuff but as I was writing out Apollo’s background she nudged her way back in. I like her too much.
-This version is based on her very first iteration where she was a sculptor. Her green coat is a reference to that version’s accompanying Two-Face (also his first iteration), who had green scarring.
- The choice for her to be a pegasus was mainly just to go with her silly name, but I do think being a pegasus would be beneficial to a sculptor. No ladder required to work on high details just fly up there.
-I am not immune to the bruce/harvey/gilda agenda
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