#i will write more and that is a promise

[branches-of-time]

the version of me that writes down these rough drafts is very blunt. and frankly, probably a lot funnier than the version of me that edits them into something i’ll actually post

[chloesimaginationthings]

What comic is the bottom left image of springtrap from? (On the post where you say why you draw him blocky)

It’s from this comic!! A very normal father son reunion

Og post here

[keferon]

Monster hunter au part 9

I wanted to cook a bit more fluff before I get back to drama hehe

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[secretagentspydetectiveninja]

posting this with absolutely no context

[matchingbatbites]

"What the fuck did you do?"

Eddie wasn't expecting hostility when he answered Jeff's phone call, his best friend's usual calm demeanor replaced with open annoyance. And yeah, okay, the annoyance itself wasn’t new, but Eddie doesn’t think he’s actually done anything recently to earn it.

"Well-"

"Actually, no. I'll tell you what you did. You retweeted photos of Steve Harrington - internationally beloved heartthrob actor Steve Harrington - along with the caption 'not to sound like a subby slut but GOD I would be his puppy baby boy in a heartbeat'. So I guess the better question is, what the fuck were you thinking, Eddie?"

Eddie's jaw clicks shut because- yeah, he had done that. Had seen those photos of Steve smoking circling the internet and spent god knows how long just staring at them, had curbed the desire to shove his hand down his pants by posting a single thirst tweet about it.

“I was thinking, Jeff, that I'm allowed to post whatever I want to my private fucking twitter, man. I mean it's a free country, isn't a guy allowed to make a horny tweet about a sexy man every now and then?”

“You are, when you actually post it to your private account and not our award winning band's main account.”

No. Oh no. There's no way Eddie actually-

He rips his phone away from his face to open twitter, and realizes two things simultaneously. One, Jeff is right, he had posted it to the band's account. Not on his private, locked, personal account, but on the account that's actually open and free for literally anyone on earth to look at.

The second thing he realizes is that their notifications are currently flooded with responses to Eddie's tweet, somehow racking up into the thousands in the few hours it's been since. 

Jesus Christ.

“Eddie?”

The metalhead jerks back into the moment and put Jeff on speaker so he can scroll through the horde of replies, says “Fuck, I fucked up. Are we gonna have to do damage control on this?”

In the mess is a reply from Gareth's own personal account: @ corrodededdie stop tweeting from the band account challenge 🙄🙄🙄

”Maybe. There hasn't been any type of response from Harrington or his people, but they might ask us to take it down if it blows up too much.“

Eddie hums, thinking they might be too little, too late about it blowing up too much, and flips over to his main account so he can reply to Gareth's little jab appropriately. He isn't surprised to see that he has a couple of new messages, probably from other people wondering just what the fuck Eddie was thinking, but when he goes to check them-

He's never been happier that he turned on messages from followers only, because then he would have missed this, missed Steve Harrington's little profile picture beaming up at him from the screen of his phone, along with a new message request.

”Jeff, I gotta go,” he says, not even realizing he's cut the other man off.

“Eddie, what-

”Harrington messaged me. I'll call you back.“

Eddie doesn't wait for a response as he hangs up on Jeff, and his hands definitely aren't shaking as he opens the message from Steve. And listen- Eddie is a fan of the guy, that much should be obvious. 

Steve had grown in popularity around the same time Corroded Coffin had; he’d gotten some part in a drama film that had skyrocketed him into stardom, and Eddie fell in love the moment he saw that gorgeous face on the silver screen for the first time. He's never had a chance to interact with the guy, has been in the same place a few times but always missed him, like ships passing in the night, but Eddie's been fine with pining from afar, just like every other person on the planet that's even remotely attracted to men.

Besides, even with how popular Corroded Coffin has gotten over the years - a couple of Grammy’s here, a dozen chart topping metal songs there - Eddie doesn’t expect Steve to just. Know who Eddie is.

With all of this in mind, Eddie is expecting some kind of semi-casual request to take the tweet down, that it's not a good look for his image-

Anything other than what Steve actually sent.

'If you're puppy baby boy, does that make me Master? Or Daddy?'

And Eddie- 

Eddie slides down, sinks into his couch cushion as all of the blood in his body suddenly shifts, rushing to fill his dick like it's a fucking race. The phone almost slips out of his hand and he fumbles it briefly before taking a deep breath. 

Is Steve serious? He wouldn't send that if he wasn't serious, right?

This could be it, could be Eddie's one chance to impress Steve, to get his foot in the door of Steve's interest. He bites his lip and types out a reply, something quick that he sends before he can change his mind.

‘I’m open to either, actually. Do you have a preference, sir?’

He doesn’t expect the typing indicator to come up immediately, and just knowing that Steve is somewhere right now, typing out a response to Eddie, is enough to have him nearly vibrating in his seat.

‘I’m partial to Daddy, myself.’

Fuck fuck fuck.

Eddie takes a breath, tries to think of a response that isn’t just ‘Please, Daddy, can I sit on your massive dick that I haven’t been able to stop thinking about since that one indie film you did that just had all of your junk out in the open?’

Steve saves him by sending another message.

‘But maybe we could start with Steve, and possibly dinner? Though I’d be happy to see where things go after that.’

He- What-

Eddie must have stopped breathing, because the next time he takes a breath his lungs burn, his mid races because there’s no way Eddie’s long term celebrity crush just asked him on a date. He sits there long enough that the screen goes dark and he scrambles to turn it back on, sees the message still there, real and unchanged.

There’s no way he can say no to this, to Steve, and his hands shake as he types out a response.

‘Dinner would be great. Just name the time and place, Daddy.’

[jade-len]

please help i just had a dream where svsss was a dating sim. so, of course i tried pursuing shen qingqiu, but it ultimately backfired because suddenly he realized that he was in a dating visual novel?? and since i put myself as a guy, he just refused to show up to special in game events to avoid me interacting with him???

and obviously i was like "wtf why isn't he here?" when he didn't show up. then at some point i explored the area, and the screen suddenly zoomed in to show sqq talking to sqh (supposedly telling him all about the little situation). next thing i know, both of them are slowly turning their head to stare at the screen in pure and utter terror

also in some part of the dream, i think i did some liu qingge events or something and as his affection levels rose, he would continuously jump scare me by popping up out of nowhere and go, "its not like i like you or anything!!" while covered in blood and holding out a demonic beast head as if it were a box of treats

anyways, totally random question guys haha if i made an svsss visual novel dating sim would you guys play it. no reason in particular at all.

[fallenclan]

shits gettin REAL!!!! who is pumped. i know i am. enjoy the random ass starclan cat cameos that I crammed in here <3

finished this update JUST in time, but next week I'm gonna be even more busy so I guess we'll see!

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[luxaofhesperides]

a safe place to rest - duke

(part 3 of the harmless series)

Although he hears about the baby, Duke doesn't get to meet her for a few days.

He does meet someone else though: Danny.

"You need anything before I go?"

He doesn't want to leave Danny alone in the Hatch. Not out of mistrust or anything, but because he's sure that the moment he looks away, Danny's going to disappear again. It took so long just to convince him to take a moment to breathe, to rest and recover from whatever he's gone through.

There's a frantic sort of energy surrounding Danny that has his aura all messed up, which is the only reason Duke decided against letting anyone else know that he found Danny.

He got the basic rundown from the night shift, but he hadn't had time to look more into it before Danny was crashing into him during his day patrol, eyes wide and wild and looking like his world had just ended.

"You," Danny had gasped, "You're with—Batman? Please, take these." And he shoved a bag against Duke's chest.

He had to react fast to grab it, and then grab Danny when he all but collapsed against him.

Now, he sits on top of the spare bed Duke set up in the Hatch, pale and tired and quietly devastated. "I'm fine," he insists. "You don't need to do anything for me."

Duke frowns. "Uh, I absolutely do, you think I'm just gonna leave you to fend for yourself? Come on, man, that's not how I do things."

"You don't owe me anything."

"Obviously not. It's not about owing things. I'm doing this because you need help and I can give it."

"I can take care of myself," Danny says firmly, and Duke holds back a sigh. Yeah, this guy really is Batman's kid. Horrible self-care habits and all.

"You don't gotta, though. You get that, right? You can take one day off and just rely on me to take care of you until you're back on your feet."

"No."

Duke tries to shove his emotions down, to stay neutral and calm. This is a guy who came crashing into their lives, shoving a baby into Damian's arms, and then vanishing. This is a guy who's gone through way too much on his own. Of course he's not going to trust anyone. Duke knows well how heavy everything becomes when it feels like the world's against him. He can give Danny grace.

"Okay. Just so you know, I'm asking to be polite. I'm still going to grab some extra clothes for you, and a homemade meal, so you just stay here and get some sleep. We'll talk more when I get back from delivering all this to Batman." He lifts the bag Danny gave to him for emphasis, then pins the guy down with a hard stare. "You better be here when I get back, or I am going to have no one to show baby pictures to."

"…You're gonna check on Ellie?"

The clear concern and desperation in Danny's expression make him soften. "Yeah, man. I'll check on her and let you know how she's doing. That's why you gotta be here when I get back. Got it?"

Danny bites his lip, then nods slowly. "Yeah. Got it. Thank you."

"Get some sleep."

Duke pulls the door shut, setting the alarm system to quietly alert him if anyone goes in or out while he's not in the Hatch. There's a first aid kit on the table and some water bottles as well, but it's not going to be enough to really help Danny start to recover. Duke takes a moment to curse his past self for not better stocking his crash room for emergency visitors, but in his defense, he isn't in the habit of bringing anyone back to the Hatch, not even other Bats, when the Batcave is more suited for handling lots of people.

Well, it's something to work on in the future.

He doesn't get more than a few steps away when he hears the door opening behind him and looks back to see Danny poking his head out.

"Hey, before you go…"

"Yeah? What's up?"

"Can you maybe not tell anyone I'm here? I'm assuming you know who I am, since you know Ellie."

"Yeah, your Batman's first lost kid, right? Trust me, I've heard of you."

Danny winces. "Great. Figures. I just really need to not deal with all of them right now, so if you could keep all this quiet…"

Duke looks him over, takes in the paleness of his skin, how worryingly thin he is, the dark half-moons stamped under his eyes, and promptly decides then and there that the rest of the world is going to have to go through him to even think about going near Danny. It's a complicated situation he's in and if he needs time to prepare himself for meeting everyone else, who Duke knows from personal experience can be a lot, then Duke is going to make sure he has all the time he needs.

"You got it man. They won't hear a thing about this from me. I'll lock everyone else out of here, too, so you can rest easy. They ain't getting in here to bother you while I'm still around."

"Thank you," Danny says again, sagging against the doorframe. "I'm… I really need to sleep."

"Go crash," Duke says softly. "I can take care of things until you wake up."

Bruce is the only person in the Batcave when Duke arrives. He's bent over the Batcomputer, head in his hands, when Duke parks his motorcycle and heads for the stairs to meet him on the upper level. He keeps his footsteps purposefully loud so Bruce can track him as he makes his way over, Danny's bag slung over his shoulder.

"Rough night?" he asks, just to get the conversation started.

"Yes," Bruce sighs. "There have been a number of—changes."

"Oh. Good changes or bad changes?"

Bruce lifts his head as he considers the question, then rubs his temple. "Unclear. It's nice to see everyone working together for Ellie, but I'm—concerned."

"About what?"

"About Ellie. And everyone. And Danny."

Duke leans his weight against the desk and lets the bag drop off his shoulder, then holds it out to Bruce. "Well. I dunno if this will make things any better, but Danny threw this at me while I was on patrol. I took a quick look through it and, uh. It's kinda rough. It's what he went through and how Ellie was created."

Bruce snatches the bag from his hand and immediately begins rooting through it. "Is Danny—?"

"He vanished as soon as I grabbed the bag. I think he's got a few loose ends to tie up before he feels comfortable being here again."

"What did you think of him?"

Duke looks at Bruce, looks at the papers in his hands, and thinks of Danny. "I think he needs someone in his corner. I think we gotta lot to do to make the world safer for him and Ellie. I think he's been scared for a very long time."

Nothing in Bruce's expression changes, and there's no shift in his aura, his emotions tightly locked up as always. But Duke hasn't gotten this far without learning how to see the little things: Bruce's grip on the bag tightens, his feet shift farther apart, as though he's ready to leap up at a moment's notice, and his shoulders slump just slightly under the heavy weight of all the things he refuses to share.

Sighing, Duke tilts his head to look at Bruce more closely. "Why are you down here? It's the middle of the day."

"I'm researching."

A hand loosely gesturing to the large screen of the Batcomputer has Duke turning to see what Bruce has been so occupied with.

It's not case files, as he expected. It's not even research into Danny and what happened to him.

All that's there is PDFs upon PDFs of child psychology papers and essays on recovering from trauma and research on various methods to help children with failure to thrive and malnutrition and neglect.

There's also, in one window, different safety ratings of baby cribs.

Well. Let it be known that Bruce's love language is information.

"Cool. Have you spent any time with anyone since a baby got dropped in your lap?"

Bruce's silence is extremely telling.

Duke briefly considers trying to get Bruce to go upstairs, but he knows better than to pick a losing battle. Especially after he's handed him information on Danny.

At some point, Bruce will have to go upstairs, if only to eat. He's getting old, and his body can't quite keep going like it used to. Duke will let him deal with the consequences of his own actions, or lack of action, when that time comes. He's not a mediator or peace-keeper. Duke has other pressing matters to attend to.

Taking pictures of the baby for Danny is definitely more important than navigating the minefield of family tensions and miscommunications ever present with the Waynes.

Duke reaches out and claps a hand on Bruce's shoulder. "Don't get so caught up in getting all the pieces together that you forget to actually spend time with family. They're gonna need you now more than ever," he says, and waits until Bruce meets his eyes and gives a resolute nod before Duke stands and heads for the stairs that will take up him to the manor.

The sooner he gets back to Danny, the better.

Ellie is cute.

This isn't a surprise. Most babies are cute, and Ellie is no exception.

What Duke hadn't been expecting is how protective Damian is of her, or how everyone else orbits around the two, just on the edge of hovering. Damian's prickly personality is well known, so the rest of the Waynes have taken to acting like cats: always on the same floor, ready to pop in should they be needed, but otherwise out of sight.

"Thomas," Damian greets quietly. Ellie is asleep in the baby wrap keeping her secure against his chest, her head resting on his shoulder. Damian lowers his paintbrush, turning to give Duke his full attention.

Duke takes a hesitant step into Damian's studio, then walks up to him once he isn't hissed at to leave.

"So this is our newest troublemaker, huh?" he says, looking down at Ellie. "How's she doing?"

She's so small. Her head has some black hair on it, but it barely covers her ears.

Damian lays his brush down on the easel. "She's doing much better now that she's getting regular meals and care. She still doesn't make much noise. It is… concerning."

The raw fear and care in his gaze is what makes the words tumble out of Duke's mouth. "I have some news about Danny."

If anyone deserves to know about him, it's his little brother.

Damian's gaze snaps up to Dukes, a fierce light in them, and his hands raise to hold Ellie tightly. "What is it?"

"He gave me a bag while I was patrolling, then left. I looked through it before giving it to B, and it's all… I only read the papers, not anything on the flashdrives, but Danny went through some awful shit. He was captured and experimented on by some group called NOVA. They had him for some time doing tests before he was put in isolation for acting out. And then he kinda… went into a death-like stasis. They did more tests and took some bio-material from him to try to figure out how he was surviving in stasis, and used that to make Ellie with the genes of one of the other captured metas. Danny was in stasis for around seven years."

Reading about it, learning about what Danny went through made Duke's stomach turn. It was like something out of a nightmare. Duke knows the fears metas have to live with; he carries it too, a weight he can never put down.

There's a reason civilian metas try to keep their powers a secret. Metas go for a high price on the black market, are at a higher risk of human trafficking, are seen as the best test subjects by unethical scientists wanting to find some way to replicate those powers in other people or in weapons.

Summarizing the horrors Danny had to experience leaves a bitter taste on his tongue. The silence in the studio stretches long enough for Duke to regret opening his mouth. Damian's still a teenager. He may have had a different upbringing and be able to stomach what most people can't, but this is still his brother. Anyone would be rattled hearing about this.

Then, without a word, Damian stands. He storms out of the studio, leaving Duke to catch the stool he was sitting on before it hits the ground and wakes Ellie.

When he goes to catch up with Damian, the kid is already walking into another room, tension in every line of his body.

"Richard," he snaps quietly, and Duke watches as Dick pops up from where he was lounging on the floor on one of the softest rugs in the manor.

"Dami? What's wrong?"

Damian doesn't answer, just unwraps the baby sling and carefully passes a still sleeping Ellie over to Dick.

"Damian," Dick tries again, his voice hardening, demanding an answer even as he adjust Ellie in his arms to make sure she can continue sleeping comfortably.

"I need to speak with Father," Damian answers shortly. "I will be gone for some time. I am entrusting her to you."

Dick glances at Duke, who tries not to look too stressed or tense. He doesn't think it works.

Reaching out, Dick puts a hand on Damian's head, managing to ruffle his hair for a few seconds before Damian steps away, batting at his hand with a scowl. "Alright," Dick says, "But I'm sending someone to get you for dinner if you're not back by then."

Damian nods, then turns on his heel and leaves for Bruce's office.

Neither of them move until they're sure that Damian is out of earshot.

"What was that about?" Dick asks, lowering himself down onto the rug again, one hand rubbing small circles against Ellie's back.

Duke sighs. "You'll find out soon. Just... chill for now and let me get some cute baby pictures."

Dick, as he finds out, is actually pretty good at helping Duke get the cutest pictures of Ellie.

And when Ellie blinks her little blue eyes open, Duke's heart melts and he understands how she's got everyone wrapped around her fingers.

NOVA, whatever remains of them, is going to regret ever hurting Danny and Ellie.

Danny is asleep when Duke returns. He sleeps through the night, and when Duke wakes up early the next morning to make sure he hasn't disappeared, Danny remains motionless in his bed.

Is he in stasis again? Duke wonders, panicked, as he rushes into his crash room and gently shakes Danny, trying to wake him up.

It takes a few tries before Danny lets out a soft noise in the back of his throat. He turns his face into the pillow, then abruptly tenses up and shoots out of bed. In a blink, Danny's on the other side of the room, flying up to the ceiling where Duke can't easily reach him.

Hands up, palms open, Duke says, "Sorry. Didn't mean to scare you. How're you feeling?"

Danny sucks in a few deep breaths before he slowly floats down to the floor. His eyes are still too wide and there's a faint tremble in his hands. "Fine," he answers blankly.

"Up for eating something? I did promise you food and baby pictures."

Unsurprisingly, it's the mention of Ellie that gets Danny moving and brings some light back to his eyes. He follows Duke out into the main room of the Hatch. There's not really a kitchen in here, but there is a fridge and a microwave, which is enough for now.

One of his workstations has been cleared off and now has chairs around it to turn it into a makeshift dining table. On it, Duke's left a tupperware of French toast, made the way he remembers his dad making them when he was a kid, and as well as a store-bought container of cut fruit.

It's not really a lot, but it's what he could do on a short notice.

Danny takes a seat, and Duke settles in on the other side of the table, pulling out his phone to flip through the many pictures he took of Ellie.

Duke keeps up a light commentary as Danny slowly eats, sharing little stories about the Waynes and all the nonsense they get up to. That turns into sharing stories about the stupid shit he and his friends gets into, followed by some of the weirdest things criminals have done to try to get away from him, including the one that said 'nuh-uh!' when Duke said carjacking is the lamest crime to commit in Gotham.

That story gets Danny to smile, and it takes way too much effort to keep from celebrating it.

All the while, Danny slowly looks through each photo of Ellie, making sure she's okay. He looks so fond and sad that it's breaking Duke's heart, and he swears to himself then and there that he's going to do whatever he can to reunite them.

"Don't you have hero things to do?" Danny asks. It's the first thing he's said since they both sat down.

Duke shrugs. "Nah, not right now. Gotham can wait. You're my priority right now."

"You don't have to—"

"Nope. If you don't want anyone else to know you're here, then you're gonna have to deal with me."

Danny squints at him. "You're both very chill and very stubborn."

"It's the only way I was able to survive working with the other Bats."

"They sound… interesting."

"You can say they're a hot mess," Duke laughs. "But hey, who isn't?" He watches as Danny pushes around the last half of the French toast around the tupperware and straightens up from where he was leaning on the table. "Want me to put that up for you? You can finish it later."

Danny looks down at his plate, then slowly nods. "Yeah. Sorry."

"No worries. You went through some shit. It's not surprising that you don't have much of an appetite." Duke reaches over the table to pop the lid back on the tupperware, then stands to put it in the fridge.

When he turns back, Danny is no longer visible.

Or, at least, his physical body isn't visible. Duke can still easily see his aura, a vibrant green that has streaks of white moving through it like a current of water, which leaves an outline of his body. Danny is also trying to sneak out of the Hatch.

"Oh," he says, "I didn't know you had invisibility. That's pretty cool. I can still see you, by the way."

Danny becomes visible again, glaring at Duke.

"That's such a Batman move," Duke grins, "I should have expected it."

"What was a Batman move?"

"Sneaking away as soon as I turned around. B does that all the time with the Commish. And everyone else, honestly. Though, to be fair, we all do it because we all learned from him. Yeah, you'll have no trouble fitting in with us."

"I don't think what I'm doing should count, since I'm using powers."

"Dude, watch this."

Duke makes sure Danny's looking at him, then bends the light around him to hide him from view. He can see the exact moment Danny realizes he's vanished when his eyes go wide and he takes a few steps closer.

"Signal?"

"Still here," Duke reassures. "Haven't moved an inch." Then he releases his grip on the light around his head, a fun little trick he figured out a few years ago that makes it look like he's a floating, decapitated head. The goons always love that one.

Danny looks at his head. Looks at his invisible body. Then looks back to his head. "That is freaky," he says, a slow smile dawning across his face. "I can do that too."

And sure enough, Danny's body becomes invisible, save for the outline of it in his aura, and now there's just two floating heads in the Hatch.

He's not sure who cracks first, but in no time, they're laughing like everything's alright. Danny's expression brightens and suddenly he's years younger, all the stress falling off his shoulders in the face of their mirth. Like this, he could be any other guy in one of Duke's classes, talking nonsense just to pass the time, quick to laugh and without a care in the world.

This is what he wants for Danny.

This ease, this calm, this lightness in his heart: Duke will keep them safe for Danny.

If nothing else, Duke can be a safe place to land for another meta who needs, more than anything, someone willing to be there for him.

(masterpost for all parts)

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[moonbeamwritings]

"I hate you.”

The statement comes as Satoru leans against your door frame, your hand pressed to his shoulder as you try to get him to leave — to be on time for his train, for anything, just this once. It's a losing battle, trying to kick the lanky, lovesick sorcerer out of your apartment. He hovers in your doorway and lures you in with charming smirks and sweet little kisses. Just one more, he promises, all cheshire grinned and rosy cheeked, one more and then he'll finally go. And then one more turns into two turns into three.

“Oh yeah?”

You poise your hands on your hips. “Yeah.”

Without wasting a second, he takes your chin between his fingers, thumb ghosting along your bottom lip. His other hand curls around your waist. "Care to explain why?"

“You just-” You scoff, scrunching your nose in frustration, and when Satoru can’t stop the gooey smile from growing on his face, you rush to take his face into your palms, the pads of your thumbs resting in the curve of his dimples. “These. I hate these.”

“What?” A chuckle forces its way from Satoru’s throat, clipping his words as his skin warms. His hand abandons your chin in favor of finding purchase around your wrist, his thumb skimming your pulse point as it goes. “Use your words, angel.”

You groan, eyes rolling. “Your stupid smile and your stupid dimples. I hate them and I hate you. I just wanna-” And then, as if a switch suddenly flips, your gentle touch morphs into a pinch and then a squeeze, and suddenly Satoru’s cheeks are positively squished. 

“Whe- Hey. Ow, o- Baby-”

It’s not your fault, you think. It’s not your fault he’s so handsome, so damn near perfect it makes your knees weak. You’re not responsible for any acts of violent cute aggression, honest. And besides, if his little huffs and giggles are anything to go by, Satoru loves the attention – as usual.

"You–" you shake his head in your hold like a dog attacks a chew toy, "drive me crazy."

With bright eyes and puckered lips, Satoru asserts, "But you love me."

You let out an exaggerated sigh, like admitting what you both already know to be true is such a bother, but your hold on his cheeks softens just as your frustration melts into a shy smile. "I do."

Satoru's nose brushes yours and you can feel him press a smirk against your lips, his voice just above a whisper as he teases, "I knew it."

He kisses you then, stealing the breath from your lungs just as he did before this whole back and forth began. And when he pulls away, you can't help but remind him, "You're gonna miss your train."

Satoru guides you back into your apartment, shutting the door behind him with his foot. He pulls you close again. "I'll catch the next one."

[imfinereallyy]

I wonder if you look both ways (When you cross my mind) pt. 2

pt. 1 pt. 3

🐝･ﾟ ･ﾟ·:｡･ﾟﾟ･✦ʚɞ

June 1996, Chicago

Steve doesn’t exactly know when Eddie Munson became one of his best friends, let alone when he fell in love with him.

He supposes both things occurred between the end of the world, and Eddie’s back walking out the door for the last time, unbeknownst to anyone. Though, that is five years of time, who’s to say when it really happened.

Dustin will argue the friend part. He likes to think it was he who brought them together (it certainly wasn’t; in fact, it put a real bump in the road for them). Dustin also thinks, which Steve is more inclined to think is true, that the two of them had become friends during Eddie’s slow recovery and Steve’s guilt complex, which made him feel responsible for him.

Which—ouch, Dustin—but years of therapy would prove him right.

Little shit.

Dustin doesn't know about the love part, though, and Steve doesn’t think much of the party knows except for one or two of the perceptive ones.

Looking at you, Lucas.

Robin likes to argue that Steve doesn’t know when he fell in love with Eddie because Eddie was different from everyone else.

Steve puts everything into love, moves fast, falls hard, and ultimately gets crushed by his own passion. Steve doesn’t know how to take things slow or wait around for the right person.

Until he did, with Eddie.

Steve managed to have a slow decent into the madness of loving a man like Eddie Munson. And he never did anything about it, although he didn't mind. Steve was okay with just being friends and loving from afar.

Until they weren't even that, and Eddie was gone.

Steve can't think about that now, instead he should probably worry about the man himself breaking into his apartment at 3 a.m.

"Get. Out." Robin hisses, breaking Steve from his thoughts.

Suddenly, Eddie stands. His hands thrust forward in a placating nature, and nervous energy radiates off of him. "Robin, please—"

"No, Munson. You don't get to disappear from our lives for five years, and then break into our apartment!" Robin whisper shouts, the metal bat waving around in her grip.

Steve still hasn't said anything, still unsure of any of it is really happening. But he can't help but warm at Robin's fierceness.

She will go down swinging for Steve, even against someone she cares about.

Fuck, he loved her.

"Give me one good reason not to bash your skull in with this thing, Munson. I dare you!" Robin took the metal bat and pushed it into Eddie's chest.

Steve gets a good look at him as he stumbles backward. He doesn't look much different—well that's a lie. He does look different; more tattoos, more piercings and Steve is pretty surprised to catch him wearing anything other than a band tee. It is just so all quintessentially Eddie. The jewelry is all silver, any tattoo he got after 1986 appears to be in black and red ink only. Even his tee is still black despite the lack of a band on the front.

"Birdie, I don't think you should have Steve's bat in your hands, you're a bit dangerous." Eddie tries to grab the bat from her hands but Robin yanks it back.

"Oh, fuck you, Munson! You don't get to call me Birdie, and this is my bat. Steve's is wooden and full of nails and underneath his bed. You should know that, or has the last five years really rotted your brain?" Robin is now waving the bat around with gusto, nearly missing Steve's head at one point.

Trying to shake himself from his frozen state, Steve decides it is probably in everyone's best interest if he steps in.

"Robs." Steve speaks gently, hand on the bat as he slowly lowers it down. Her shoulders drop, the fight draining out of her in seconds. "It's okay."

It's not okay. Steve doesn't understand what's happening right now. But Steve is okay as long as he has Robin, and Robin has him. Steve hopes she understands that's what he meant.

Robin nods her head, and shuffles closer to him.

Steve takes a shaky breath, "What are you doing here, Munson?"

Eddie cringes at the use of his last name but doesn't comment. "Listen, I know it's weird me just stopping by suddenly—"

Robin snorts, "I wouldn't exactly call breaking in 'stopping by'."

Eddie shakes his head, ignoring her. Stray curls start to fall loose from their bun. "I just want to talk, for you guys to hear me out."

Steve rubs a hand down his face, he is getting too old for this stuff. Being blindsided, being surprised—being thrown sideways and upside down. Sure, twenty-nine isn't exactly old, but Steve has lived practically six different lifetimes by now. There is so much damage to him—physically and emotionally. He is supposed to be past nonsense like this.

Robin takes his silence as permission to snip at Eddie, "No. Go away, Eddie. You don't get to do that. Get out."

Eddie moves a step forward, he is now illuminated completely by the side table's light. He looks tired—good but tired. It's not the kind of tired you see of someone in distress, not the ache that comes along in the tunnel that has no light in the end. No, Eddie looks tired in the way that comes with healing. Like working hard exhaustion. As if coming home from a long but good day at work, and the night grows weary.

Eddie opens his mouth to argue, but Steve cuts him off. "It's fine, Robbie. It's late; let him crash on the couch."

Eddie's shoulders sag in relief, "Thanks, Stevie, we can talk—"

"No." Steve chokes out, moving his hand towards his throat so he can remember to breathe. "You don't get to call me that. And we're not talking about anything. You'll sleep here, but that's it. I might not want you here, but it doesn't mean I'm going to let you wander the streets at night."

"Steve, please—" Eddie reaches out his hands to touch Steve. It is most likely going to be a gentle touch, but Steve can't help the way he violently flinches.

Eddie looks taken aback, eyes wide and full of sadness. He pulls his hands back.

"No, Eddie." Steve grabs Robin's hand and starts to pull her to bed. She doesn't protest and instead leans into his touch. Steve turns over his shoulder to look at Eddie again. "You'll stay the night. It's not an option. But my morning? I want you gone. I don't want you to be the first thing I see after sunrise."

Steve turns quickly back around, ignoring the pained grunt from behind him.

Bypassing Robin's bedroom, Steve pulls them both into his. Robin doesn't question it and instead makes herself comfortable in his forest green blankets.

Steve quickly follows after, snuggling into the bed beside her. People have thought them weird over the years—always in each other's spaces and knowing every little thing about each other. Partners, friends, family—all of them had something to say about it, never even bothering to understand.

Well, except Eddie. Eddie appreciated it, accepted it. Adored it at times.

"Are you really okay with this, Dingus?" Robin whispers softly between them.

"No." Steve never lies to Robin; she'll know. "Not at all, but I'm not going to let him wander the streets, no matter what I loved him at some point. I don't let the people I loved, get hurt."

Robin squints in pity, "Loved?"

"Not now, Bobbie," Steve whispers.

Robin nods, "Besides, I'm pretty sure 'Ed Sloane' can afford a fucking hotel room."

Steve lets out a loud snort, it echoes throughout the room. "God, don't remind me. What a stupid fucking name."

The two of them dissolve into giggles, bumping their heads together. Under the covers, they clasp their hands together tight. "I just don't want you to derail your life, for someone who walked so easily out of it. I know you have that important lunch with Drew tomorrow."

Steve takes a breathe through his nose, "Yea, I do. But it'll be fine. He'll be gone before I'm even up. You know Eds, he's a runner. Wouldn't stop trying to prove it, in fact."

Robin's face is scrunched in pain, and her eyes pool with pity. It's as if she knows something Steve doesn't or sees something he chooses to ignore. She doesn't comment on it, though. Instead, she raises an eyebrow, "Eds?"

It isn't snippy or accusing. Her voice is soft against his cheek. Steve doesn't have the mental capacity to argue though. "G'night, Birdie."

"Goodnight, Stevie." She whispers.

Steve closes his eyes, knowing it will all feel like a dream tomorrow.

Steve is familiar with having dreams with Eddie in them.

🐝･ﾟ ･ﾟ·:｡･ﾟﾟ･✦ʚɞ

more to come i promise, especially after your (loving demands). especially my mutuals who yelled at me in the tags and my dm's (it made my day).Part 3 is currently being typed up. Also might fuck around and make this a full-blown ao3 one shot; who knows.

tag list!:

@stevesbipanic @withacapitalp @emryyyyy09 @brainfugk @blueberrylemontea-fanfic

@slv-333 @thetinymm @connected-dots-st-reblogger @helpimstuckposting @dreamercec

@goodolefashionedloverboi @stripey82 @little2nerdy @anne-bennett-cosplayer @resident-gay-bitch

@ghostquer @sourw0lfs @devondespresso

(please let me know if you don't want a tag, I had to guess by the comments, and sorry if you’re getting a random tag after posting, I had to fix the tag list cause tumblr is weird)

[hoshiina]

— a guy asks for your number ft. hoshina, narumi, reno

warnings: mentions dick and profanities in hoshina's

[eloquent-edits]

🗡️ “I can assure you, we are just friends.”

definitely not something that’s a little more than friends 🗡️ friends with benefits prompts 🗡️ 18+ prompts

While Person A is chatting with their friends, Person B sidles up to A and subtly trails a finger up their spine (does A stutter? go completely silent at the electricity going through their body? start to get red but manage to keep their composure? TELL ME WHAT HAPPENS)

B begs A to not leave any marks because they just can’t let this secret get out

For that beach episode: A takes off their shirt, exposing scratch marks from a recent session… B hides a sly grin as A is questioned about who they’re with

A is very physically affectionate in general, but has fallen into the habit of only bothering B in public with it

^ A wants to interact with B in many ways and just ends up biting their arm jokingly to satiate that desire (yes, their friends think this is weird)

B needs to be held accountable for finishing their work, so A comes over to hang out… they do not get work done for a while

At a party, B can’t help but feel a twinge of jealousy when they spot A flirting with someone

A’s childhood friend is in town and A is super excited to have them meet B (B is quietly panicking over making a good impression and wondering what A has said about them)

A and B are in the same anatomy class and they spend a lot of time studying together (A is most certainly a hands-on learner hehehehe)

“Is that B’s shirt?” “What? Oh, uh, yes… My shirt got dirty the last time I was over there so they’re washing mine for me.”

“Is that A’s shirt?” “Yes. What about it?” “…Does A know you have their shirt?” “Nope!”

They really only planned on the midnight rendezvous, not falling asleep afterwards, so A and B go get morning coffee together (they are both very grumpy but still enjoying each other’s company)

Inside jokes during sexy times bleed into their normal banter, leading to some questionable looks from their friends

A gets a little drunk and B expects them to slip up and expose their true relationship, but instead A is very wholesome and remains steadfast on their boundaries; B is so proud of them for this

B is desperately trying to get something off their mind, so A offers a distraction for the night… it’s Mario Kart and whoever loses owes the other a favor

Any of their plans to go out have to include wiggle room in case they get preoccupied (soon it’s not just B that’s always late to events)

While their friends are occupied in another room, A and B intertwine their bodies and try to stay quiet—key word here is TRY

“I bet A would really like [insert kink here]…” “Nah, they’re not really into that.” “How the fuck do you know that?”

All their friends take the BDSM test as a joke and A and B secretly take notes on what the other person likes/dislikes to make the benefits side better

If given the choice, A will always pick the seat next to B so they can tease them under the table

During a passionate session, A accidentally draws blood while gripping B’s back (A apologizes over and over while tending to B, who just has a shit-eating grin the whole time)

Whenever B cracks yet another terrible joke, A has to refrain from kissing it off their face

A and B take a break from the benefits whenever one of them wants to pursue someone else (your characters can have healthy boundaries and communication!!! I am BEGGING y’all to write characters that actually communicate with each other)

[nordidia]

having a very rough night so raph doodles needed to be made

when in need, mash two interests together

[austin-friars]

The "Lucky" One

[ywuji]

BABE! wake up!! new yuuji character description dropped! (link incl. spoilers for shibuya arc events)

yuuji lives to fulfill his roles, and this doesn’t change when he becomes your boyfriend. (f!reader & nsfw under the cut!!!)

he’s the sweetest, you think. always updating you on what he’s doing. even though he goes to the heavens and back on days that he’s busy, he’ll always make time to send even a little ‘i miss u ;(((((😭😭🙁❤️’

when he’s finally free, it goes without saying that he tells you about everything that kept him away, even the tiny little things. one week in particular, this included a daily update on a tiny rash on the underside of his buttcheek.

he’s also never shy with his praise and words of reassurance. also with soft, gentle touches, and actions that let you know he cares. he loves you and he makes sure you know it.

it’s not just you he lets know either, it’s his friends, his “brothers”, his teachers, and maybe even random strangers he happens to meet during the day. he takes all the opportunities he can to bring you up in conversation.

”oh that’s my girlfriend’s favourite flavour too...!!”

“oh yeahh...!!! my girlfriend told me about that the other day,”

“oh sorry, i’m busy. ‘m seeing my girl later tonight n i wanna look nice for her so i’m getting ready. tomorrow...? noo, sorry. she’s staying the night tonight so we can spend tomorrow together. …next week? ahh i’m sorry, i—”

even when he’s out with other people, he’s got you on his mind, taking random pics and selfies of things he’s doing, sending them to you accompanied by silly little captions. ‘kugisaki doing choso’s makeup! they miss u baby!!”

very specific hc but also whenever he does a live on whatever app, he’s always talking about you to the people watching too.

“guys i just miss her so much :(“

‘ji i’m watching ??’

“hi, babe. yeah i know, but i still miss you ;(“

he’s the cutest!

nsfw under the cut!

naturally, this also translates to the bedroom.

as your boyfriend, his sole goal during sex is to satisfy you, and god does he do that and more. your moans, your sounds, your body. he loves it all and has to show you.

yuuji’s into overstim—for you and consequently himself too. he genuinely cannot get enough of you. he needs to give you all his big, heavy balls can give. whenever you have sex, it’s always at least two orgasms for you, though it’s usually more than that—you both 'have the time', he tells you. his fingers, his tongue, his cock, and toys even, he’ll use anything and everything to make sure you’re cumming.

“y’look so good, baby, feel so warm… mhm, can feel you squeezin’ on my fingers… so cute.”

“a-ah…! my pretty girl.. my pretty fucking girl.. please cum, baby… just one more... please…”

“please, baby, i love you, please, please, can i cum inside, baby? inside..? please?”

his fav position is missionary. the mere idea of you laying there, all pretty n spread out for him will never fail to get him hard. he loves it’s so easy for him to lean over you and shove his mouth onto yours, as he mercilessly fucks his hips into you. he’s gentle but unrelenting with it—he doesn’t mean to be this intense, genuinely, it just happens that way. he just loves your so pussy much.

being able to see your face is probably his favourite part of the position though, watching your changing expression as he switches from a fast to slow pace and back to fast is something he wishes he could witness time and time again, so he makes it happen time and time again. (highest sex drive in the franchise if i may say)

he loves going face to face with you when you’re both about to cum. it’s hard for him to not fall onto your face when his orgasm hits, he can’t help it when your pussy feels ‘too good’ clenching so tight on him like that. he makes sure it doesn’t happen though, he would never want to hurt you.

when you manage to pry yourselves off of each other, he’s quick to tend to you. moments ago he was making you shake and cry from pleasure, and now he’s stroking your hair, massaging your chest, and talking about some random food craving he’s getting.

his aftercare is so lovely n he’s goofy with it too. so many side pokes, and dick, and butt, and pussy jokes, but you don’t mind. it’s him and you love him.