#i'll try and make this post more presentable later

[sangsterizada]

Thomas Brodie-Sangster as Jack Dawkins in The Artful Dodger (2023)

Thomas + eyes + hands

[diningpageantry]

haaaaiiii guyyyyssss (gn) probably gonna be on here more often again soon. life events occurring. have occurred? still occurring, i suppose.

i'll probably post abt it more in depth at some ltr point, still in the very early stages of some stuff. i dont want to classify them as positive or negative things, however they're certainly things.

there's a lot of thoughts in my brain (hah), and ultimately i want to share them, but for now this is kind of me waving at everyone with a smile while my life has an "under construction" sign

[ahgasegotarmy116]

Want Some Help? | Jeon Jungkook One Shot

Summary: When your boyfriend can't seem to satisfy you anymore your roommate decides to lend a helping hand. Pairing: f!reader x Jungkook (crackhead roommate energy) Word Count: 4.7k (got a little carried away but when don't I 😂) Warnings: Explicit language, smut and cheating. He spits in her mouth at the end lol and hella pet names. Aight that's all you're getting lol gotta read the rest to find out. a/n: This is the last thing I'll be posting before I go on a little hiatus. I'll make a post in a couple of days to explain but I'll let this circulate a bit before I do. I hope you enjoy it! (barely edited lol) Requested by a lovely anon 💜

The sounds in my room are obscene to say the least, more from Brian's side than mine today though. I don't know what it is but something about him isn't doing it for me anymore. Is it the fact that I have a new Adonis for a roommate? Perhaps, but Brian's need to overcompensate for it makes situations like these even more awkward than they need to be. 

"You like that?" he asks, him being so close to cumming with me barely working my way up to it. "Yeah" I respond breathily, trying my best to play the part so this can hopefully be over sooner rather than later. "Fuck" he groans at the sight and sound of my little gasp when he just barely hits that spot but I know he won't be able to figure out how to do it again. 

Brian isn't a selfish lover but the dynamic between us has changed ever since Jungkook moved in... 

He hasn't been as focused on me which now that I think about it is pretty damn selfish. I'm just making excuses for him at this point. He's more focused on his ego and playing it up for my roommate than he is into loving his girlfriend. I don't know how much longer I can be in this relationship if he keeps acting like this. 

"Shit I'm close, are you?" he asks and I nod my head furiously, thanking whoever might've been listening to my plea and seconds later he's cumming inside the condom and I do my best to copy the moan that I let out when he's actually done a good job at satisfying me and it seems to be convincing enough since he's giving me that cocky grin before he kisses me again. 

"You wanna shower?" he asks and I shake my head, "You go ahead, I'll shower later. Plus, didn't you say you had work early tomorrow morning? I'll let you get cleaned up in peace so you can head out" I say and he nods his head before going to the bathroom and throwing me a towel before closing the door and turning on the shower. 

Luckily he didn't try to clean me up because there's definetly not much to clean since I didn't cum.

Once I'm finished and I've made myself somewhat presentable I put on my robe and head out into the kitchen to grab myself a glass of water. "Have fun?" my roommate says from the living room couch as I pass by on my way to the kitchen. "Shit Jungkook you scared me" I say, holding my hand to my chest. 

"Sorry, I didn't mean to. Have a good time tonight?" he asks again, his eyes dragging up and down my form, lingering on my chest and when I look down I see that my nipples are very visible unbeknownst to me since I hadn't cared to think about the fact that Jungkook might've come home. 

I wrap my robe tighter around me and cross my arms as I head into the kitchen. "Yes I did thank you very much. Did you?" I spit out quickly, hoping to avoid talking about my sex life with him. "It was alright. I had a long week so I decided to turn in early but um..." he trails off as he watches Brian walk down the hallway and into the kitchen, giving Jungkook a stern look before coming over to talk to me. 

"You alright?" he asks before placing a way too intimate kiss on my lips in front of Jungkook who I see has turned his head back to the TV and isn't bothering to pay attention to the game Brian is trying to play with him. "Yeah I'm fine. Are you heading out?" I ask, very hopeful that this visit will come to an end and thankfully luck is on my side this time. 

"Yeah I gotta get going but I'll come over again soon" he says, looking over at Jungkook before giving me one last kiss and heading towards the door to put on his shoes. "Text me when you get home!" I say and he winks at me before walking out leaving me rolling my eyes once the door is shut. 

I slump against the counter, glad it's finally over and when I look back over at Jungkook he's not too interested in whatever he has playing on the TV anymore, his focus solely on me. 

"What?" I ask him, brows scrunched together and trying to figure out what his deal is. "Why'd you fake it?" he asks and I choke on my spit, caught off guard by the unfiltered question. "Excuse me?" I ask, scandalized that he had been listening enough to even catch onto something like that. 

"You probably wanted it to be over huh?" he asks, assuming what the answer was and unfortunately that was the case but I'm not letting him have the satisfaction of being right. "I don't know what you're talking about" I say, turning on the sink to fill up my cup again but before I can even pull it out from under the tap he's taking it out of my hand. 

"Hey!" I call out, trying to grab it but he holds it just out of reach. "Can't keep you satisfied anymore?" he asks raising a brow at me, a smug look on his face since it seems he can read me like a book based off of my body language alone. "He keeps me very satisfied thank you very much, not that it's any of your business" I say and reach for my cup which he thankfully relinquishes. 

"I know you're lying" he say and I cock a brow at him, not knowing how he could possibly know the truth. "Oh yeah? What makes you say that?" I press, placing the cup on the counter and crossing my arms over my chest, forgetting the fact that I'm completely naked under this and giving him a better view of my cleavage. 

"You're not very quiet when you do it by yourself you know. What do you use? A dildo? One of those little roses? Maybe both?" he questions leaning in closer to me and making my eyes bug out of my head. "How did yo-" "These walls are paper thin doll, so believe me when I say that I can hear every little thing you do to yourself in there. But please, don't stop. I would hate to be deprived of that pretty little voice of yours even though it is quite distracting sometimes" he says, grabbing my cup and holding it between us as a clear invitation to leave if I so desire. 

I take it and rush back to my room, slamming the door behind me and I can hear him chuckle from the kitchen. Fuck he really wasn't kidding when he said these walls are thin.

I flop down onto my bed facedown and scream into my pillow, utterly mortified that he's heard me ever since he got here. I need to wear a muzzle at this rate  since there's no way I'm stopping just for his sake. A girl's got needs and if Brian isn't going to fulfill them then I've gotta do it myself. 

I get up off my bed after I finish my little temper tantrum and change the sheets before taking my robe off and jumping in the shower to hopefully wash off all of Brian's scent. I can't stand to think about him anymore especially after what Jungkook said about him...

After finishing up my shower and drying off my hair I reach into my drawer to get my tried and true rose bud to help me out tonight. Yes he guessed right but I'll be damned if I ever let him see it.

I lay down and try to turn it on and after I've used it for a minute or two it just shuts off. "Fuck" I groan out, forgetting the fact that I had forgotten to grab new batteries for it. The TV remote has the same size batteries right? It's worth a shot to go check since I'm pretty sure he's gone to bed already. 

Walking out to the living room in my robe again I'm met with Jungkook still sitting on the couch watching the same thing he had been when I first came out here. 

I try to turn back around once I've seen him but he stops me by asking me if I needed something. "I just wanted to borrow the batteries from the remote but you're still using it so no worries" I say and try to leave but he stops me again. "I'm pretty sure I bought a new pack of batteries not too long ago" he says and I sheepishly admit I used the last of them. 

"Oh okay well here, I can just finish this up on my laptop" he says while taking the batteries out and putting them in my hand, giving me the source of my pleasure for tonight. "T-thanks" I stutter and close my finger around them as if they would disappear if I let them go. "Is everything okay?" he asks and I nod my head while walking down the hallway, not knowing that he's hot on my heels. 

"What do you need the batteries for?" he asks as we're a few feet away from my door making me jump. "Didn't know I was behind you?" he chuckles and I glare at him, hoping that'll make him back off but it does the exact opposite, causing him to smirk and glance around my room and soon notices the rosebud that I stupidly left in the middle of my bed. 

"I was right" he smirks leaving me groaning and rolling my eyes as I storm into my room, not bothering to close the door since I know he's not going to leave me alone anytime soon. 

"What? You know I'm just teasing you. You're free to do as you please doll, I'm not gonna stop you. I was even nice and paused my movie so you can have your fun too" he says, leaning against my doorframe and since he's being shameless I will too, deciding to switch the batteries out and turn it on to check but unfortunately it does the same thing and dies less than thirty seconds after I turn it on.

"Shit" I curse under my breath and he stifles his laughter by covering his mouth. "Yeah yeah laugh it up. You're just lucky all you need is your right hand to get off. Can you just leave me alone?" I ask, laying back down on my bed, exacerbated and ready to call it a night since the odds have flipped again. My good luck for the night being Brian's quick departure. 

I don't pay attention to how high my robe has ridden and it seems as though one of my legs has slipped through the gap giving him a full view of my upper thigh and hip, one wrong move leaving me exposed to him. 

He gulps but I don't bother to notice and only do when he clears his throat. "What do you want?" I say, throwing my arm over my face trying to hide the shame that all of this has caused me but fail miserably. "Want some help?" he asks and I sit up right away at his words, "What?" I ask, my reaction as dramatic as if he had grown two heads. 

"Do you want some help? I can get you off real quick if you'd like? It'll be like one roomie helping the other" he offers as causally as if he had asked to borrow five bucks. "You're joking, right?" I scoff but it seems as he very well is not as he take a step into my room and he watches for signs for protest but I give him none. 

"Not really no. I'm simply offering to help a friend in need. That's what we are right? Friends?" he questions as he takes a step closer. 

He calls out my name when I've stayed silent for a while, not being able to take my eyes off him even if I tried. As long as he stays in this room he's got my attention. "R-right, friends" I respond and he takes a seat on my bed, a respectful distance away but it feels as if he was already on top of me. 

"But Brian-" "Doesn't need to know" he says, cutting me off and making it harder and harder for me to say no. He scoots closer to me and takes the rosebud out of my hands, unbothered by what it's used for and simply places it on the nightstand next to me. "It's your move" he says, leaning closer to me, his breath fanning my face and I look at his eyes, mine going back and forth before his look down at my lips. 

"Tell me to stop" he says, making things easier for me but when he's mere millimeters away I lean in. 

It's soft and sweet at first, our lips connecting and breaking a few times, still giving me an opening to pull away and say stop but after a few more kisses like that he deepens the kiss. While keeping our lips locked for longer he angles his head a bit more, his tongue now in my mouth and soon he beckons me to do the same and I do which gives him even more of a green light. 

He places his hand on my cheek and angles me just right before he switches up and presses down on my shoulder a little and leans in closer as a silent plea for me to lay down. 

I crawl back on the bed instead and he follow as I lay down on the pillows with him hovering over me. "Fuck been thinking about this view for a long time" he admits and before I can say anything in response his lips are already on mine again.

"Can I take this off?" he asks, toying with the tie that is seconds from coming undone of it's own accord. "Yeah" I say, adrenaline pumping through my veins at the thought of doing this, of cheating with my roommate who is someone I won't be able to run away from after this.

He pulls the belt and in one smooth motion it's undone.

The way he looks at me as he takes both sides of the robe off of my body is a sight that could make me cum untouched if given the chance. Watching his eyes darken up as they roam all over my body until he's tracing them back up to mine where it's as if a whole new man is hovering over me, one that looks so insatiable and ready to break me at any moment. 

"Fuck you're so pretty" he say, leaning back down to kiss me but soon trails his lips down my neck and to the valley between my breast. He settles on kissing one of them and slowly brings his lips closer to my nipple where he looks up at me for permission which I give right away. He smirks and puts his thumb and pointer fingers into his mouth making them wet. He places them on the opposite one twisting and toying with it before he places his mouth on the one in front of him. 

Once his lips make contact my fingers immediately lace through his hair, needing to ground myself with something and he hums around in in approval when I tug on it a bit. 

"You sensitive here doll?" he asks when he lets go of it, the cool air causing a chill when it hits my damp skin, him having made a mess of it from his clear desire to do this. I let out a whimper in response and he nips at it before switching to my other breast to give it the same time and attention he gave the first.

My hips start to buck up after a couple more seconds of him switching between my breasts and lips when he hears those pretty voices he had talked about before, wanting to taste them on his tongue this time. 

"Someone's eager" he says against my lips but I turn my face to the side leaving him kissing the column of my neck until I'm squirming about leaving him smiling against my skin. 

"Does my doll want more?" he asks and I whimper in response, not being able to bring myself to utter words of confirmation when I have a man like him already causing me so much pleasure, but it's not enough. 

I need more.

"Jungkook please" I breathe out, done with this teasing and so worked up already from not gaining release earlier. "Please what?" he asks trailing his lips back up to mine and kissing them one last time before pulling back and waiting for my answer. "Please help me cum" I plead, wanting what he had promised me earlier. 

He chuckles dryly and places a kiss on the corner or my mouth before responding. "Here I am taking my time with you but you still only want one thing. Don't you like it when I play with you like this?" he asks, trailing middle finger down my torso until he's come in contact with my clit, sliding further down past it and checking to see what my true physical reactions have been to his ministrations. 

"Seems like you do" he says, circling around my entrance with that same finger when he feels how wet I am. "This all for me?" he asks and close my eyes once he's dipped one of his fingers in while using his thumb to draw circles around my clit but once my breathing picks up a bit everything stops. 

"What?" I pant, confused as to why he would stop. "I asked you a question. Is this all for me y/n?" he rasps, looking down at where his fingers had once been and cursing when he notices how wet they are. "Y-yes, all for you" I choke out and he leans in as if he was going to kiss me but stops before I can even brush my lips against his. 

"Can you say my name princess?" he whispers, posed as a question but we both know the only way this continues is if I comply. "Jungkook" I whisper out, his name now tasting different on my tongue. It's almost if I have to put more effort into pronouncing each letter, my throat suddenly running dry. 

"Louder doll. It's the least you can do to help me forget how you've moaned his name in here time and time again. Probably another sad excuse of an act to fake your high" he says, going back to playing with my center, his finger going in and out at a faster rate now before easing his way into putting in a second one. 

"Fuck Jungkook" I groan, this time a little louder than before that grants me a kiss on my neck, his motives to stay away from my lips being to hear all of my reactions to what he's doing to me. Wanting to discover new sounds and reactions that sound more genuine and are ones that I can't even hope to hold back with the pleasure he's giving me.

"That's it, keep going. Want your voice to be the thing I remember most about this, hear it over and over again, ingrained in my memory. That way when I forget how you taste it'll be something that I'll still be able to come back to. Hearing how I make you feel, not yourself and definetly not your sorry excuse of a boyfriend, me. Let me hear how I make you feel" he rasps in my ear making me shiver and arch my back off the mattress. 

"Jungkook please, please" I beg, my ego gone, the only thoughts in my head being him and how incredible it'll feel once he's made me cum. "Just like that doll, scream my name if you need to, I don't mind" his calm cool and collected tone of voice driving me mad. How can he be whispering these things in my ear and taunting me like this while I'm a complete mess under him, barely being able to breathe let alone think straight. 

I pulse around his fingers and he can tell that I'm close when I let out a moan after he hits a certain spot, hitting it over and over again, knowing that that's going to be the thing that'll make me come undone. 

He leans back and looks down at me, his flushed cheeks and swollen lips make me insane, his calm and cool façade in my mind broken when I see the way he's watching me. Taking in every gasp, every moan, every whimper of his name and it makes him want to try even harder to get me to that high, needing to see what I look like when I cum.

"Just like that doll, you're doing so well, sound so pretty" he murmurs and with a few more words of encouragement I'm coming undone. When I try to look away he grabs my chin and makes me keep eye contact, making everything seem even more intense. 

Once the rising and falling of my chest has slowed down and his playful fingers inside me gain him whines of overstimulation he finally takes them out. 

I expect him to get up and wash his hands but instead places them in his mouth, moaning once my taste hits his tongue leaving me swallowing dryly, needing that glass of water now. 

"Open your mouth" he says after he takes his fingers out and I comply curiously, doing as he asks and the next moment I feel him spitting in my mouth before smashing his lips on mine one last time. 

After kissing me senseless and exhaustion flooding my system my kisses become sloppy and he laughs against my lips before finally pulling back. "Where are you going?" I ask and he laughs again at my groggy state. “I'm going to go get a towel to clean you up" he says and I sit up quickly, my mind slowly clearing up. 

"Wait, what about you?" I ask, taking note of the tent in his pants but he simply chuckles and brings back a warm towel just like he said.

I had expected the same treatment Brian gave me today but when I try to reach for it he pulls back. "No you lay down, you're still out of it" he says, trying to be serious but also satisfied that he only had to use his fingers put me in this state. 

After he finishes cleaning me up he gets up and throws the towel in the laundry basket and comes back to sit on the bed next to me, cupping my face and studying my features. "You okay?" he asks, clearly sensing regret already. 

"Yeah I'm fine. I just never thought I would do something like this" I admit and he mouths a quiet 'Oh' and takes his hand off me but I grab it before he can get too far. "I'm sorry I'm just confused and clearly not thinking straight" I say, trying to backtrack knowing that I've hurt him by saying that. 

"Thank you for doing this for me" I say timidly and he laughs. "What?" I ask, clearly not understanding what about this situation is funny. 

"I'm sorry" he says, his laughing soon dying down and I wait in silence until he's finally composed himself. "I'm sorry it's just that it’s not everyday that your hot roommate thanks you for finger fucking them" he chuckles and my cheeks heat up, thoroughly embarrassed now that he's put it like that.

I reach behind me and grab a pillow and throw it at his face which makes him laugh even more. "Jungkook stop this isn't funny" I whine and he stops a couple minutes later. "Alright alright I'm sorry, you were just getting way too serious about it" he explains and wipes away a fake tear. 

"This is serious! I just cheated on my boyfriend with you" I exclaim and he shakes his head, placing the pillow I threw at him out of my reach and sighs before responding. "You and I both know that you've been ready to end that relationship for a while now" he says and I open my mouth but the words die in my throat.

"That's what I thought" he says and we sit there in silence for a moment while I pull the sheet over me. "Just break up with him already, I can clearly see that you're miserable" he points out and I hate that he's right. 

"Why do you care? Should I break up with him so I can mess around with you?" I ask and he shrugs his shoulders. "We can do that if you want to, but from a friend's point of view I think your life is so much better without him" he says and I sigh, knowing again that he's right, telling me the things that I've thought about over and over again but just never did anything about. 

"I'll talk to him" I say and he nods his head. "Good because with the number I did on your neck he's definetly gonna know that something went down" he laughs and my eyes go wide, forgetting to tell him to not leave any marks but I know I'm fucked. 

"Here" he says, grabbing the hand mirror I have on my dresser and I know from one glance that hoodies and turtlenecks will be my new signature look until this all clears up.

"Jungkook" I growl and he giggles, never taking my scolding tone seriously. "What? Don't act like you didn't like it" he chuckles and I sit up, grabbing that pillow and throwing it at him again. "I hate you" I huff but he laughs again before placing a knee on my bed and making it dip under his weight. 

My breath hitches as he inches closer and I can't do anything but lay down, slowly trying to run away from his lips in my mind but falling back into that same position we had been in for who knows how long.

Once I'm flat on my back and he's hovering over me again I swallow as best as I can, making him let out a dry chuckle. "Wanna run that one by me again doll?" he asks, cocking a brow at me and I press my thighs together, hating myself for doing it but needing some sort of something to keep me sane but it's of no use.

He leans in closer and I hold my breath, not knowing what he's doing or where this is going but when I close my eyes I’m granted with that same chuckle again. 

"Goodnight princess" he says against my lips, his weight gone off my bed seconds later leaving me sitting up in process. "Wha-" "My pretty doll needs to figure out who she wants to play with if she wants more" he taunts and I cross my arms and pout a little, hoping that'll get him to come back. 

"Aw don't be like that. After all the work I put in to help you feel good. I thought you would've been more grateful, not greedy" he taunts and I roll my eye before uttering a quiet 'Goodnight'. "Thanks for giving me material to help me fix this" he says, looking down at the very clear outline of his hard on and I swallow again, intimidated from finally being able to see his full size. 

"I promise, if you make up your mind...I'll make it fit" he teases and winks at me granting him a scowl in response. He grabs the door handle at the same time I grab the pillow and throw it which he blocks by closing the door. "Goodnight doll" he says one last time and shuts it behind him. 

I spend the rest of my night willing myself to sleep and when I finally start to doze off I start hearing Jungkook's soft moans and grunts leaving me wide awake again. Now I really know he wasn't lying...

Taglist: @jkslipppiercing @trina864 @kaitieskidmore97 @goddesofimortality @coolbluedude @coralmusicblaze @whoa-jo @00frenchfries00 @pastelpinkjoon @joonwater @hehurst23 @ye0nvibezzn @olimpiiaa @hrtsj1m @bangtans-momma Rest of the tags continued in the reblogs 💜

Join my Taglist!

Feel free to fill out the form or just comment on any of my fics to be added :)

[changisworld]

“Why do you make me feel like this, pretty?”

fuckboy!hyunjin x reader

Word count; 5,902

Summary: After hyunjin took your virginity, you grew attached despite trying your hardest not to. You find out he hooked up with someone the day after it happened which broke your heart, making you cry.. but of course, hyunjin caught you crying. He didn’t really know what he felt, it being new to him, as he tries to refuse the silly ideas popping into his brain, he can’t ignore how much you being upset is making his heart.. hurt?? Surely he doesn’t like you too..?

18+ ONLY, MDNI, SMUT UNDER THE CUT.

©ANY translation, copy & paste, posting of my work is strictly forbidden for ANY posts/ writing i post.

main masterlist here

part 3 here

**This can be read on its own despite it probably being confusing but i highly recommend reading part 1!**

SMUT WARNINGS: spit/drool, PIV, needy reader, pet names, shyish reader, rimming( f rec), oral ( f rec), fingering (f rec), finger sucking, unprotected sex, jealous jinnie, edging???,pull out method, literally 1 spank, slight dacryphilia, jealous jinnie, soft jinnie, kind jinnie, hyunjins a tease obvs, slight aftercare, wayyy fluffier ending than last time you're welcome!!

You & Hyunjin walk off campus, you still hiding your face from him, embarrassed at the tears now staining your cheeks, your face tinged red, you also don't fail to miss the looks you & Hyunjin are receiving from other students walking past the both of you, his arm still around you & you can't help but feel judged, so you push his arm off.

"Forget the cafe, I'm just gonna go home, I feel.. sick. I'll see you later Hyunjin." you murmur, still not looking at him in the eye.

"Y/n stop being weird, just cmon. I promise to cheer you up." He replies back, reaching out to cup your cheek but you move your head before murmuring a quick 'bye' before walking away from him hastily, leaving him standing there, confused & a bit annoyed.

He watches as you turn the corner & he huffs before kicking a stone nearby. 'Why do I care she's actually upset? 'What did I do wrong?' 'I hope she's okay' & 'Shit how can I apologise' are all thoughts that race through his head, no matter how much he tries to shake it all off, he genuinely feels guilty. But why? He never feels sorry for the girls he fucks n chucks, so what makes it different? He barely even knows you? He only spoke to you for a week which is barely anything. He sighs before pulling out his phone & going onto his contacts, about to call Joy, another one of his side things, before deciding against it, instead calling his friend Jisung& asking to meet him.

⭑･ﾟﾟ･:༅｡.｡༅:ﾟ::✼✿　　✿✼:ﾟ:༅｡.｡༅:*･ﾟﾟ･⭑

Twenty minutes later Jisung meets him at the local dog walking park & they end up sitting on a bench, talking about random stuff before the topic of you comes up, but not because of Hyunjin.

“You’re lucky you got to partner up with y/n for that assignment, I got put with Changbin so obviously i fucking failed, tryna do that presentation on the spot was absolute torture, you still talk to her? she seems quiet as hell.” Han sighs, sipping his bubble tea through his straw & Hyunjin laughs.

“Ay! I actually helped her so shut up, just because you both have no more than eight brain cells, i’m just proof there is such a thing as looks & beauty. Nah, we haven’t really spoken since, just been busy i suppose & what the hell am i meant to say to her?” Hyunjin replies, a quick chuckle leaving his lips.

“What do you mean you’re proof that looks n beauty exist, y/n basically invented it you idiot. Wha'cha mean what are you meant to say to her? Did you fuck her too or something?" Han questions, leaning forward.

Hyunjin just kisses his teeth before nodding & Han just raises his eyebrows. "fuck, I didn't think someone like y/n would get around that way. Can you do me a favour n start speaking to her again n put in a good word about me I wanna approach her but she feels intimidating, you get me?" Once Hyunjin hears these words, a bad & gross feeling bubbles up in his stomach.. is what he feeling... jealousy?

"Uhh.. you're really not her type, she's not up for dating, she told me. Go try your luck with someone else." Hyunjin says in a bitter tone, not looking at the man in front of him & Han scoffs.

"You chat shit Hyunjin, stop gatekeeping! I'll just use my charms & trust me, we'll be fucking a week later n dating two weeks later." Jisung jokes, patting Hyunjins leg but he pushes it off.

"You're ridiculous Jisung, she won't want what's between your legs." Hyunjin spits out before standing up off the bench, stretching out & sighing. "I have things to do, you can keep day dreaming, I'll see you later. choke on your boba." Hyunjin jokes with Han & he spits out a bubble as a response before he walks away, leaving Han on the bench.

⭑･ﾟﾟ･:༅｡.｡༅:ﾟ::✼✿　　✿✼:ﾟ:༅｡.｡༅:*･ﾟﾟ･⭑

He walks through the rest of the park, thinking about Hans words & he can't get over it. 'Why am I so jealous?' 'Who does he honestly think he is talking about y/n like that?' 'They wouldn't even look good together.' are things that keep racing through his head & he is getting more pissed off as the seconds go by.

He gets out of the park & he keeps walking on the pavement, not having an actual destination in mind.. until he seen you walking out of a random convenience store across the street & a lightbulb lights up behind his brown eyes.

He picks up the pace of his walk as he follows just far enough behind you on the other side of the road until you reach your apartment complex before entering & he can't help but feel like an absolute creep, but that doesn't stop him. He screenshots his location on find my Iphone, just so he won't forget where to go later on as he walks back the way he came, heading to the main line of shops near the campus.

He strolls around for around twenty minutes, looking at random little trinkets, bookmarks with the college logo on it, which he cringes at due to the look of it, before he keeps walking until he reaches a little florist shop.

He enters it, aimlessly walking around, fingertips grazing over a few roses & tulips, admiring the pretty colours as he sets his eyes on a bouquet of lillies. He picks it up, giving himself a better look at it before deciding he is happy with it, heading to the counter.

He places them down, not paying attention to the cashier as he looks at the little vases beside the register.

"Can I get this pink vase to- ohh, I didn't know you worked here Jennie, hiya." he says, surprised. "Sure. You know, Lisa doesn't like lillies, I suggest you get her daffodils, her favourite colour being yellow n all." she responds, smiling up at him. "Ah, they.. they're not for Lisa so I'll pass. Can you fill up the vase with a bit of water too? I think that's what you're supposed to do, right?" he says quickly, hand coming up to the back of his neck, the awkwardness filling the small space.

"mhmm. £29.11 is the total." She says in a cold voice, taking the tag off the vase as she turns around to the small sink, filling up the vase 1/3 of the way. She dumps the bouquet in the vase with no care at all before pushing it towards him, giving him the card machine. He pays, a strained, awkward smile on his face before saying thank you & leaving.

⭑･ﾟﾟ･:༅｡.｡༅:ﾟ::✼✿　　✿✼:ﾟ:༅｡.｡༅:*･ﾟﾟ･⭑

After buying you a box of chocolates & a Vanilla bean smelling candle & following the path you walked on earlier, he ends up back outside your apartment complex.

He sits on the front steps, waiting for someone to leave the building so he can catch the door & once he is inside, he begins knocking on every door, talking to each person who answers in a quiet voice, Ignoring the confused looks of other students who recognise him who are all definitely wondering why he is knocking doors looking for you, making sure you wouldn't hear him & then refuse to open the door.

He reaches the fourth floor, mouth slightly dry from all the talking he has had to do & he is beginning to doubt his memory. He knocks on the third door & takes a step back, waiting for an answer as he hears footsteps & he can't help the smile that spreads across his face as you are the one who open the door.

"Surprise, & I'm not just talking about my pretty face. Can I come in?" he chirps as he raises his arms, making sure you see what he has brought despite it being almost all you can see, not missing the chance to give you an up & down look, you wearing black tight shorts & an oversized off the shoulder graphic shirt.

"Hyunjin, I told you I was sick.. How the hell do you know where I live?" you question, honestly just confused. "Does that matter? I asked a question, Don't leave me standing here I went to like twenty doors to find you!" he pouts. You roll your eyes & begin to shut the door but Hyunjin stops it with his foot.

"Okay okay okay! I followed you, but not in a creepy way I swear! I just wanted to.. apologise? But I knew you would ghost me If I text you." he says in a sulky voice. You groan before opening the door back open, his pretty face poking through the gap. "You are a creep, you know that? Why you apologising?" you question him, crossing your arms, not amused but slightly flattered despite not showing it.

"I'm not going to broadcast my deep, heart warming words in the corridor for everyone to hear, just let me inside, pleaseee." he pouts again & you just sigh before moving out of the way so he can enter, taking his shoes off as soon as they touch your laminate flooring.

You walk into your connected living room & kitchen before sitting on your corner kitchen counter, your legs swinging off it as Hyunjin follows behind you, looking around at the cute random decorations hung up on your walls & on the mantle pieces.

He places the flowers on your coffee table before walking back into your small kitchen & leaning on the opposite counter top, still holding the chocolates & candle.

"Okay, Can I give you my apology now? I rehearsed this to make sure I get everything right." He tries to joke but you just look at him with a blank expression before nodding, encouraging him to continue. "Okay, I didn't realise how much I've upset you & I'm sorry for not trying to check up on you sooner & stopped speaking to you. I partially didn't even mean to ghost you but I also genuinely thought you wouldn't speak to me anymore since you're always so concentrated on lessons & studying, I thought you would have thought I was getting in your way. I'm also sorry for fucking with that girl & you overheard it, if I'm genuinely being honest, I did it to try wipe my mind of you. I know what we did is a huge thing & it was wrong of me to have acted the way I did, if i'm being honest, this was the first time I did what we did so I just didn't really know how to act, but I'm genuinely sorry y/n. Chocolates?"

He blurts out, not taking his eyes off you as he feels his cheeks go hot, the nerves & also the way you're looking at him making him flustered. You both sit in silence for a minute, him waiting for a response & you thinking of a response.

"Gimme the box & light the candle for me, second drawer to your right n you will find a lighter. If you felt like this all week, You've still had seven days to come n tell me this but instead you've let me feel like shit for a week, this was the exact reason I was unsure to do it with you Hyunjin, in fear something like this would have happened & instead of just growing a pair & talking to me, you fuck someone else to just try forget?" You reply, your voice getting a bit shaky without meaning it, the feelings of it all hitting you again.

Hyunjin listens as he digs into his pocket & pulling out his own lighter & lighting it before putting it on the counter & he walks the few steps over to you, handing you the chocolate before standing right in front of you, leaning his hands on the counter on the outside of your legs, caging you in.

"Please y/n, don't think like that. I know I should have swallowed my pride n apologised earlier, I was just trying to convince myself I didn't give a fuck but I do, hence why I'm here. I honestly think you used those crystals & manifested this or something." he mumbles the last part, looking away from you, his ears going red after hearing his words out loud & your legs stop swinging as you pause at his words.

"What do you mean you actually give a fuck? What are you trying to say." you reply back, resisting the urge to reach out & stroke his hair. Hyunjin sighs & shakes his head. "Don't make me spit it out y/n, It's just gonna sound like a lie to you." You get an anxious feeling in your belly before taking his chin & guiding him to look back up at you. "Hyunjin, just say it, it's only me here anyway. Just say what you gotta say." you respond in a quiet but firm voice, honestly scared.

He doesn't have much option but to look at you as he lets himself melt into your hand lightly before taking a deep breath. "I.. care about you? I don't know, it feels weird but like... I genuinely felt like shit after how I treated you n i've tried to bury it but it just won't leave, I don't really know what it is about you n honestly it scares me." he says in a quiet, quick tone & your jaw drops.

You just freeze as you both just look at each other in complete silence not including the quiet crackling of the candle & your living room clock ticking. Hyunjin can't bare the awkwardness anymore as he gets shy for the first time in years, moving his arms to stand completely upright but you pull him in by the shirt to hug him, tears threatening to leave your eyes as his arms wrap around you in return.

"This better not be some sort of sick joke Hyunjin or i swear I'll kill you, you're gonna boost my ego to a fraction of what yours is." you half laugh as he nuzzles his face into your neck, inhaling your sweet smell. "It's not, dead serious. You're just different n I don't know how to feel about it, stop casting spells to make me attached to you. I've been itching to ask to see you all week, I wish I wasn't being so stubborn." he muffles into your neck, moving his head side to side slightly, his nose tickling your neck, making you lean more into him, chuckling at his stupid joke.

"Stop with the silly magic jokes, you're ridiculous. I want to say you're not forgiven since you need to prove to me you're not talking out your ass but I do accept your indeed heart warming apology & I appreciate it just more than the flowers n chocolate." you say in a soft voice & you feel Hyunjin smile against your neck before he moves & kisses the tip of your nose, smiling like a Cheshire cat.

"That's what I wanted to hear, I wouldn't be able to handle it if you had told me to fuck off, my first ever rejection coming from the first person I've ever bought a present for that isn't my mom." You chuckle at this before hopping off the counter, grabbing the box of chocolates that were staring at you.

"Rejection? You tryna say you like meee?" you tease, taking his hands before swaying them back & forth & he rolls his eyes, chuckling. "Was it not kinda obvious? I wanted to say it without directly saying it in case I embarrassed myself but... yeahhh I have a tiny crush, I think you made us soul tied or something." you just 'tut' at his remark but your face goes bright red at his confession, cheeks hurting from how much you're smiling.

"I'm touched. Got thee famous playboy hwang Hyunjin to like like me, not sure if it's a surprise but I like you too." You kiss his cheek before leading him to the couch as you sit on it, him flopping next to you. "Enough of the soppy talk for now or I'll get embarrassed, you can choose a movie while I get us a blanket." He just nods & you hand him the box of chocolates & he begins opening them as you scurry to your room to get your favourite fluffy blankets.

⭑･ﾟﾟ･:༅｡.｡༅:ﾟ::✼✿　　✿✼:ﾟ:༅｡.｡༅:*･ﾟﾟ･⭑

You both end up watching a recommended Netflix romcom suggestion, both of you devouring your chocolates but you pay no mind to it.

Some point throughout, your legs end up swung over his as your head lays against his shoulder, him stroking your hair with one hand as the other hand caresses your thigh.

Every few minutes or so, you focus less on the movie & more on his touch as his hand slowly rises up your leg, then your thigh & his hand is now grazing against your inner thigh over your tight shorts, giving you goosebumps, which he doesn't miss.

This continues up until Hyunjin repositions himself, pushing your legs off him so he can lay down over your thighs, his view now sideways of the TV, not that he cares, not paying the slightest bit of attention anyway as you momentarily tense up beneath him.

You continue stroking his hair, sometimes digging your fingers into his scalp a bit to scratch it, making him let out a satisfied hum. You can't help but keep looking down at the beautiful man laying on you & you can't help but smile to yourself.

As if he can feel your eyes burning into his skull, he moves the blanket down your legs enough to expose your legs enough for him to begin planting little pecks on them, slightly tickilish but you don't miss the wetness now pooling under your shorts. "Stop teasing Hyune." you speak up, your voice quiet & he just chuckles.

"If you don't want me to tease, I won't complain if you lay back." he replies, not bothering to look up at you as his hand reaches to squeeze your thigh softly as he keeps giving your legs kisses, suckling at them slightly,

You think about what he says & you would be stupid to deny the chance, your pussy clenching around nothing. You lightly push his head up off you & he takes the hint, moving & you push the side of his arm, towards the edge of the couch & he looks at you slightly confused but does what he thinks you're hinting at, getting onto the floor right in front of you, looking up at you with his pretty eyes.

You give him a shy smile before you take it upon yourself to wriggle your shorts & underwear off, leaving your bottom half completely nude, biting your lip in anticipation.

"You really got this desperate since last time I saw you?" he teases & you put your hand in front of your cunt, covering it with how shy you've just started feeling but he is quick to pull it back off, looking at the small shimmer on your middle finger before licking it off in one go.

"Don't be shy, gorgeous. I've been just as desperate if not more, can I get a taste?" he says in a sweet voice, not looking away from you, stars in his eyes. "Please.. If you want to." you respond, hiding your face in your hands but he reaches up & swats your hands away yet again as his other hand begins to slowly drag through your folds, making your hips buck.

"Stop hiding, where's your confidence gone hmm? Do I make you that nervous? trust me, there's nothing I want more." he leans in & kisses right next to your lip before smirking at you & sinking back down onto the floor, blowing cold air onto your now soaking cunt, making your legs tense up & he tongues his cheek as he watches your face twitch.

He spreads your folds open, getting a better view of your hole, clenching around nothing before he licks a long, slow strip from your hole to the top of your clit, letting out a low groan in the process. "Taste better than anything y/n, I fucking swear." he says as he looks up at you for a split second. "eyes on me, if you look away I'll stop." he voices before digging in.

You do as he says & make eye contact with him as his mouth latches onto your cunt as he begins letting spit roll off his tongue, mixing with your juices just before slurping it back up, not afraid to make as much noise as the mixes of juices allow.

You weave your hand in his hair & play with his hair & scratch his scalp for him as he suctions his tongue onto your swollen button, both of you groaning at the same time.

"Hyune, so good" you whimper out, your breath shaky as your eyes struggle to stay open & you feel Hyunjin smile against you. He brings his fingers up to your clit before rubbing it in a steady rhythm as he lets go of before his tongue find its way into your opening before beginning to tongue fuck you & you throw your head back, your moans now louder than the TV still playing behind the both of you, your legs now closing around his head, not that he pays attention to that anyway, if anything he is enjoying it.

You begin to clench around his tongue which he remembers is your tell tail sign you're about to orgasm, your moans getting higher pitched & your grip on his hair getting tighter & he chooses to worm his tongue out of your hole before pinching your clit between his two fingers & dropping a glob of spit to it before giving it one more lick, smirking.

"I wanna try something I think you might like, turn over so you're facing your back to me, hunny." You huff at the beginning of a future orgasm beginning to appear suddenly bubbling away but you do as he says, slightly confused.

You get up on your knees & rest your elbows on the back of the couch, you now looking at the wall behind you. "Why am I fac-" you're cut off as Hyunjin spreads your cheeks & begins fondling them as he begins suckling on your pussy from behind, letting out a satisfied hum behind you as you begin kneading the couch until your fingers begin to ache, biting your lip to try hold back moans.

"G-gonna cum Hyunjin, keep g-going." you whimper, pushing yourself into his face, seeking even more from him if it's even possible & he gives you a quick slap on your ass as he removes himself from your cunt again, much to his own displeasure.

"Don't bite your lip y/nnie, I wanna hear you fully, Mkay?" he speaks from behind you as you yelp at the impact & he hums as he keeps kneading your ass, giving it a few kisses. "Your ass is to die for, you know that? Gonna taste it." Before you can even process what he says, your mind too full of lust to understand, he is letting a glob of spit fall past his lips & it landing right on your tightest hole.

You try jerk your hips away from him but he is quicker & pulls you back to him, keeping a tighter grip on your ass, keeping it spread as his tongue begins to graze over your pretty pucker, his eyes scrunching together as he smiles against you, tongue now drawing patterns on it as he lets go of one of your ass cheeks, going down to your leaking cunt again before entering two fingers, instantly finding the same G-spot that made you orgasm only a week or so ago.

Your hips buck at the new sensation & you let out a long mewl, letting your face fall onto the back of the couch as your knuckles turn white from how hard you're clenching on it.

Your pretty hole is clenching & pulsating on his tongue as he lets out a deep growl at your taste, so different compared to your cunt but still enjoyable, you're moans getting to an even higher pitch as his tongue enter inside you, swirling around as much as the tight ring will allow.

"Hyun- please l-let me cum, s-so- fuck!" you basically scream out, not even being able to find the strength to lift your head up to look at the man behind you as your pussy & ass clench around his fingers & tongue but right before you cum, Hyunjin pulls completely away, again & your legs shake from the painful pleasure of yet another stolen orgasm.

Hyunjin leans over so his clothed chest is touching your back & he tilts your head so he can see your pretty face & he sees your now tear soaked cheeks & your pretty, glossy eyes.

"Awww, pretty girl couldn't contain their tears, could you? I promise you can cum now, I don't have a condom on me though beautiful so do you just want my fingers hmm? or my tongue?" he questions as he strokes your now damp hair out of your face, pouting at you.

"J-just fuck me Hyune, j-just pull out." you whiimper back to him, your breath so unstable it's difficult to even push the words out. Hyunjin opens his mouth to re ask you, just to make sure he is hearing things right but you wiggle your naked ass against him & he bucks his hips before just nodding before kissing your shoulder & then shimmying his pants & underwear down, freeing his pretty cock.

He spits onto his cock, pumping it into his hand a few times, letting out a hushed groan before he aligns his tip with your pussy, rubbing himself against it a few times to coat his tip in your juices before prodding his tip against your hole, before pushing just the tip inside.

"I'm still gonna be gentle, it's only your second time, tell me if this position is uncomfortable." he speaks behind you & as you mumble out an 'okay' while your face now being mushed against the cushion again, he pushes his hips forward very slowly until he buries himself to the hilt, you both letting out a moan in unison.

He stills inside you, trying to not cum instantly from how hot your walls feel without the restriction of the condom he wore last time, his hands coming to rest on your hips as he waits for your signal to continue.

Your breath staggers as he pushes forward, the stretch being a bit painful but no way near as painful as last time & after a minute or so, you push yourself on his cock experimentally, making you both hiss.

"You- please move, mak-make me cum Hyune, p-please." you elongate the last word, turning your head to the side so he can actually hear you. He takes a deep breath & pulls out half way before pushing back in, the both of you letting out a whine as his balls slap against your clit, making it even more intense for you.

Hyunjin sets a steady rhythm, lightly using the tips of his finger nails to add sensation to your back, tickling it but also feeling nice as you know it will leave those pretty little red marks later on. Both of your moans & whines fill the small apartment, not even thinking about how your neighbours can one hundred percent hear you.

"Y/n yo-you're too tight, s-so warm." he breathes out, lifting his leg & standing it on the couch for a better angle as he keeps rutting into you, leaning over your back again to kiss your cheek, your moans going straight into his ears.

"To- so big hy-hyune, pleas-e lemme c-cum." you whimper, your eyes scrunching closed, the ends of Hyunjins hair tickling your face as he begins to nibble on your earlobe, your cunt clenching impossibly tight around his cock, almost suffocating it.

"c-cum with me baby, h-hold on for me." he groan back as he tilts his neck into an uncomfortable position just so he can kiss your lips. His tongue instantly enters your mouth & you suckle on it, tasting the remaining taste of your juices from what he hasn't already repeatedly swallowed, making you moan in content.

Hyunjin speeds up his pace slightly & your G-spot loves this, making your legs almost give out on the spot as your brain turns into mush. "I-in my s-stomach Hyun-deep." you babble out against his lips, barely even knowing your own name at this point.

As Hyunjin stands back upright after giving your shoulder a few pecks, his phone begins to ring. Your eyes spot his phone on the other end of the couch, where he was sitting earlier but he reaches over & declines it before shutting his phone completely off, throwing it to the side, his pace not slowing once.

You don't bother questioning it, instead focusing on the noises of your slick & his balls connecting together mixed with the sweat of the both of you, sloppy clapping noises of your skin connecting filling the room, your legs begin to give out as Hyunjin worms his fingers down to your clit yet again before rubbing it frantically.

"In your s-stomach hmm? You can cum for me angel, n-not gonna last, too w-wet n tight." he squabbles, breathing frantically & this i all you need to hear as your entire body tenses up as finally, your orgasm hits you like a brick wall & you let out a squeal & Hyunjin has to grip onto your hips as his life depend on it in order for you to not flop & slip off the couch.

Your noises & the way your pussy flutters around him is just too much for him to handle & as much as he doesn't want to, he pulls himself out of your wet, hot walls as his cum spurts down your ass & back, throwing his head back as his cock quite literally pulsates as his balls empty, a high pitched whimper leaving his lips, breathing staggered.

He comes back to his body quicker than you do & he helps reposition you so you're fully laying on the couch, trying to make sure his cum doesn't get onto any other surface.

He grabs his underwear & wipes the cum off your back in a comfortable silence, slightly twitching as he wipes it off. He leans over your back again before kissing your earlobe. "Did so well, so proud of you, still so pretty for me despite being sticky with sweat." you both weakly laugh as you turn onto your back before using the ounce of strength you have left to pull on his wrist.

"cuddle." is all you say as you pull on him until he lays on top of you, half his weight dangling off the arm of the couch as he lays his head on your chest, listening to your still racing heartbeat & he can't help but feel secure.

⭑･ﾟﾟ･:༅｡.｡༅:ﾟ::✼✿　　✿✼:ﾟ:༅｡.｡༅:*･ﾟﾟ･⭑

You both sit like this for a while, talking to one another about what you both spoke about in a bit more detail & also just talk to each other about things you don't know about one another, things like family pets, favourite colours, favourite brands etc.

Hyunjin ends up powering his phone back on & you are both just scrolling through his for you page, when you remember his phone ringing. "Quick question hyune, who was it that called you? If it was important you coulda stopped to answer." you ask him, not lifting your eyes from the video playing on his phone screen, not really thinking too much of it.

"Don't stress it, it was just someone I'm not gonna be speaking to anymore." he replies in s tired voice, still scrolling. His reply slightly confusing you. "Who? I don't mean to be nosey or anything but now i'm curious." you respond back, your fingers in his hair now pausing.

Without saying anything, he switches apps, onto his call log & it's Lisas name at the top.. nineteen missed calls. He just sighs as he presses on the 'more' option before deleting her number & deleting the Imessage conversation without even bothering to read her spam of texts, yelling, crying & cussing him out before switching apps back onto tiktok without saying a word & you just blush, your hands cupping his cheeks from above, your thumbs just below his eyes.

"You're cute." you say as you squeeze them playfully & he just 'tut's but still, he melts himself into your touch.

I'm not completely sure if I want to leave this story as a two parter orrrrrr do a third n final part but to everyone wanting a happier ending here you all are!

Tags: @troublemaker02 @ismokeeweed @lmhcats @isagerada @tsunderelino

[genericpuff]

Lore Olympus just pulled off the biggest whiff in webtoon history.

I promised I would choose one of two headlines and of course, this is the one we wound up with. But should we really be surprised? Rachel herself seemed to be telling on herself down to the minutes leading up to the finale, fully confirming to us that yes, she's been writing this comic at the last minute, by the seat of her pants, for ages now.

(that second one was literally posted TWENTY FUCKING MINUTES BEFORE THE COMIC UPDATED.)

Welp, let's get into it. Possibly the last essay I'll ever write about this dumpster fire of a comic (but probably not, let's be real LOL)

CONTENT WARNING: DISCUSSION OF SEXUAL ASSAULT AND FASTPASS SPOILERS FOR THE SERIES FINALE AHEAD!

Holy crap, where to even start with this. I knew it was going to be bad. I knew it was going to be rushed. I knew it wasn't ever going to live up to what I had hoped it would be years ago when I was still a diehard fan.

But I didn't think it was going to fall quite this hard. Despite bracing myself for the worst, Rachel has once again let my expectations down through a final display of explosive mediocrity and disappointment.

Yes, the episode is called "You're Welcome", and yes, that instant "ick" you're feeling is the exact same as what we're all feeling. This title plays into the dialogue later, but what a shitty, lowkey mean-spirited title for the series finale.

Now, before we get into the actual episode, the WT ads for this are just... so desperate and misleading.

They are trying SO HARD to hype up something that isn't there, and at the last minute to boot, because Rachel definitely hadn't written any of this ahead of time.

First off, the bit about the gods being in "eternal chaos" of course isn't a stake worth worrying over because Gaia literally does away with Ouranos in the first 5 panels.

Did you really think I was joking about that 5 panels thing?

That's it. That's the death of Ouranos. As mysteriously and quickly as he arrived, he was gone, after Gaia ripped out of him what appeared to be some purple sunny side up - but it's actually, in fact, Apollo.

And that's when we start to get some of the worst dialogue I've ever seen throughout LO. Remember when I said LO's dialogue was like Shenmue 3? Welp, the finale decided to continue that tradition and further fuel the suspicion that this entire thing was written by ChatGPT.

Oh, by the way, that "thank you, ma'am" was Artemis' first and last line of the episode. So once again, just like in Episode 248, we're completely robbed of her reaction to Apollo being a rapist piece of shit and the character development she could have had as a supporting character. The women in this "feminist retelling" really couldn't be more half-baked.

Gaia stumbles upon Persephone, and I'm not even gonna fucking bother showing the panels where Gaia says it's time to "make things right" because they literally don't matter. Why don't they matter? Because Rachel just had to get in one more pointless time skip.

We're shown a sequence of pointless images that I'm not gonna show as I don't want to waste my image limit on them, depicting Hades having a sad day because his small wife isn't with him and oh nooo what could have happened?? Did Persephone finally divorce him ??

Nah, we couldn't possibly have an actually happy ending in this comic. Instead we get a completely pointless phone conversation between Hades and Hecate-

Not only is the grammar particularly bad in this episode, but the actual script-writing is atrocious. We literally did not need this phone conversation to happen because-

-we're cutting BACK TO THE PRESENT THAT WE JUST CUT AWAY FROM FOR A 3 MONTH TIME SKIP. FOR NO REASON BESIDES SHOWING HADES BE SAD OVER SOMETHING THAT ACTUALLY ISN'T THAT BIG A DEAL, AS YOU'RE ABOUT TO SEE.

I- I LITERALLY HAVE NO WORDS. I HAVE NO WORDS TO DESCRIBE WHAT THE FUCK THIS IS. ALL I CAN HEAR IN MY BRAIN IS THE LEGEND OF ZELDA ITEM GET MUSIC-

-BECAUSE THIS WHOLE THING SUDDENLY SOUNDS LIKE SOME CONTRIVED FETCH QUEST. WHAT DO YOU MEAN HADES AND PERSEPHONE HAVE PROVEN 'TRUE LOVE' IS REAL? WHAT DO YOU MEAN THEY HAVEN'T USED 'LOVE' AS A FORCE FOR DESTRUCTION?? ARE WE FORGETTING THAT HADES MUTILATED A GUY IN THE NAME OF 'LOVE'? THAT PERSEPHONE LITERALLY INVADED THE HOME OF HADES' CANONICAL FIRST WIFE BECAUSE SHE FELT MILDLY THREATENED BY HER?

This whole concept of "true love" that Rachel is trying to convey feels so juvenile especially for a series that has sold itself as being mature and thought-provoking and progressive.

HAHAHA SO FUNNYYYYYYY why does Rachel write like this. this is, at best, the writing of a 13 year old on fanfiction.net, which I SHOULD KNOW, because I WAS ONE OF THEM. BUT I'M 28 NOW AND RACHEL HAS ANOTHER 10 YEARS ON ME.

Okay, this is the part where I'm CONVINCED Rachel either just mashed this into the episode in the MINUTES leading up to its release, or she used ChatGPT or something. Because NONE of this dialogue makes any sense. Beyond how stilted and lifeless it is (seriously, this dialogue reads like something from Empress Theresa) Gaia is clearly meant to 'replace' Erebus here which I SHOULDN'T HAVE TO EVEN EXPLAIN IS SO FUCKING DUMB, but ALSO what is even Persephone trying to communicate here? "That is true, but it was a deal I was willing to make and ties me to the Underworld. Please don't change me." What? Gaia hasn't even insinuated that she's going to do anything to Persephone, why is Persephone immediately jumping to this conclusion? What does 'changing' her mean? Is she asking Gaia not to force her to sacrifice something (which she never did)? Or is she asking Gaia not to strip her of her Underworld status? Because again, why is that even something Gaia would do?

Maybe this is harsh but I'm pretty sure even Empress Theresa is more coherent than this, what in the flying fuck is Gaia talking about?

"I can just see the potential for conflict! To relieve you from the burden of the whats, the hows, and wheres." Like... okay, first of all, that second sentence isn't even a complete sentence, it's a dependent clause left hanging, but also what the fuck does this MEAN. Is she EXCITED for the conflict but then contradicting herself by saying she wants to relieve Persephone of that conflict? Or is she saying she can see the conflict it would cause for Persephone to have to perform duties in both realms and trying to insinuate that she's going to relieve her of those complications?

Here's what I think happened - I think that second 'sentence' wasn't supposed to be a sentence, but the start of the sentence to the next panel-

So with that theory in mind, the sentence becomes, "To relieve you from the burden of the whats, the hows, and wheres, you are to spend three months in the Mortal Realm to do spring and the rest of the year in the Underworld. That seems fair to me."

It's still a very poorly written line of dialogue, but at least with that fix in mind it makes sense. But man, you can really fucking tell this episode was submitted at the last minute because that's a serious syntax error that should NOT have happened in this two-time-Eisner-winning comic.

Errors aside, it's clear that Rachel is following through on having Persephone spend only three months in the Mortal Realm, rather than the traditional six. There ARE other translations that have that number closer to four, but those four are the time she spends in the UNDERWORLD, meaning she's always spending either equal or MORE time in the Mortal Realm. Of course, Rachel doesn't want her self-insert small wife power fantasy to actually have to be separated from Hades despite this being a retelling of The Abduction of Persephone, so instead of her spending three months in the Underworld, she's now spending them in the Mortal Realm, literally doubling the MINIMUM amount of time (four months) she was originally meant to reside in the Underworld.

But oh no, apparently those three months are STILL NOT SHORT ENOUGH FOR PERSEPHONE-

Of course, Rachel "Retcon" Smythe had to have her cake and eat it too. I always worried something like this was a possibility, but I never thought she would actually prove me right - not only is Persephone only separated from Hades for three months out of the year, but actually he can visit her any time he wants to, so really, they're not separating at all.

I think Rachel needs to look up "reunion" in the dictionary, because if you can visit each other any time, then that means the 'reunions' are no longer special occasions. This completely removes any semblance of depth or meaning from all of the storytelling leading up to this, all of it with the expectation that this was a retelling of the Abduction of Persephone, because that's what Rachel said it was going to be. At this point it's safe to say that Rachel has zero business attempting to "retell" mythological stories, because she doesn't even seem to grasp the concept of why they were written the way they were to begin with. Either that, or she really just doesn't care, and the only reason for making LO a Greek myth comic at all was to propel her career.

This also brings me back to those promotional ads, the other one that posed the question, "Will sacrifice be enough to bring these two back together?"

This is stating the obvious, but I need to make it perfectly clear - Hades and Persephone have never sacrificed a single thing. The only thing they could POSSIBLY quantify as a "sacrifice" is "not being tied at the hip for a few hours", because even Persephone going on the equivalent of a work trip next door is apparently enough to make Hades sad as we saw in the 3 month time skip panels. Why is Hades so sad and lonely if he can visit her any time? Why is he acting like he hasn't seen her in years when he's actually on his way to reunite with her? Why is Hecate calling to ask him if he's "okay" as if he JUST got separated from her, but actually he's about to literally go to the Mortal Realm to reunite with her?

Hades hasn't 'sacrificed' a damn thing, neither has Persephone. They've both always gotten exactly what they wanted, even at the cost of breaking the story's own established rules. Their 'sacrifice' is equivalent to what billionaires think are 'sacrifices' when they can't buy another yacht or go on that third overseas vacation for the month.

And even outside of this episode, when have these two ever sacrificed anything?

I've tried so hard to think of what sacrifices have been made by the characters within LO, and I genuinely can only think of one - and that was when Artemis chose to go to the Mortal Realm with Persephone instead of staying with her family in Olympus. That was a genuine, selfless sacrifice, made by a character who has been shelved in favor of focusing on the self-centered pink and blue airheads.

Being forced to be apart for a couple days to do the equivalent of a day job and whining about it the whole time is not a 'sacrifice'. Neither of these characters have ever sacrificed anything, they just feel like sacrifices because they have the integrity and empathy of soggy cardboard.

sigh Anyways, we're back in the present and Hades and Persephone immediately decide they're gonna have sex because ofc, and then we get this gem of a panel-

MMMMMM

FUNNYYYYYYYYYYYYYYYYYYYY JOKE

For some reason it's just a common thing for people to just be in Hades' home, and they can't seem to get any privacy as a result of this, but I digress. Turns out they still need to have that coronation for Persephone.

There is... so much wrong in these three panels.

First, to state the immediate issues - why the fuck are they mentioning Apollo at Persephone's coronation? Like first of all, no shit Apollo isn't gonna be there, but also, if this is supposed to be an event for and about Persephone becoming Queen of the Underworld, then why in the WORLD is Apollo even being mentioned? This is supposed to be a "feminist retelling" where the victims are empowered and heal from their trauma, but LO once again can't try to show any sort of positive growth for the victims without bringing up the assaulters and giving them screen time. It just goes to show that Rachel's idea of "healing" is purely rooted in the revenge, and not the growth. It's a very high schooler approach to this subject, hellbent on showcasing how all the meanies from the past are losers now and life just sucked for them forever, but inadvertently proving its own point that the victims haven't and can't move on because the narrative is spending so much time on caring what's going on with the abusers. It's the "I don't care! Look at how little I care! I'll prove it to you by putting in the effort of showing you how little I care!" approach, it doesn't really feel like moving on.

It's not about how Persephone and his other victims could have grown and healed, no, Rachel always needs to highlight just how much worse the bullies and haters and abusers are doing to make the victims seem like they've healed by comparison. Don't get me wrong, I can understand wanting to showcase the downfall of a character like Apollo, but this just... isn't the right context for that? Because it's once again taking attention away from the victim to focus on the abuser. It's once again spending screentime on the voices of the oppressors rather than the oppressed.

And speaking of, what the fuck is this punishment even? I knew Rachel wasn't gonna be able to resolve this plotline properly, she never had the capability to, but ... community service? Are you fucking for real? What is this even a punishment for even? Was this EXCLUSIVELY the SA, or does this ALSO include his attempts to overthrow Zeus by poisoning him, nearly killing Daphne, Eris, Eros and Psyche, trapping Eros and Psyche in an enchanted basement, and framing his father's 'death' on his half-sister? Because if so, how in the world is anyone content with community service? He hasn't even been turned into a mortal, HE'S STILL A GOD, so what's to stop him from going "WE'LL MEET AGAIN, SPIDERMAN" and trying something else? How is this a reasonable resolution in ANY context?

This is why I talked at length about what an issue it was to hide what Apollo really admitted to. Because now we really don't know what exactly he confessed to, and thus we can never really see the point of views of the victims outside of just Persephone - and we still don't even get Persephone's, because she just walks away from him and then he gets eaten by Ouranos and next we see of him is him doing community service! Once again, any emotional development that could be given to Persephone and the other victims is stripped away to make room for the point of views of the oppressive men. In this, the two-time-Eisner-winning "feminist comic" that is LO.

And that brings us to the "where are they now" segment. Yes, as we all feared, there's a "where are they now" segment, and it's as rushed and underwhelming as we ought to have expected it to be.

There is just... so much to unpack here, and yes, all of it is delivered in the dumbest way possible that only raises more questions than answers.

So Rhea and Metis are just back and we're not gonna talk about the implications of them being alive again?

Dionysus is a 3 month year old in the body of a teenager / young adult, and his mom is just alive now because Hades conveniently got his hands on more ambrosia and brought her back to life offscreen? But somehow Triptomelus and Hedone are still child-sized relative to their ages?

How did they 'heal Zeus'? And why is he so content with losing his power as King and Apollo being sentenced to community service after making an attempt on his life? How does he feel about the letter that Hera gave him? Did he even read it?

Where the fuck is Hebe in all of this? Is she okay? Do people still think it was her who put Zeus in a coma? Or did Apollo confess to that, too?

You're telling me Hera and Echo are just in a relationship now despite the fact that Hera is literally racist towards nymphs and there is ZERO reason for them to have a relationship in the comic beyond the fans making gratuitous headcanons out of it? How is Rachel, a bisexual woman, so bad at writing actual lesbian relationships and giving them the same amount of attention as the heterocis ones without shoving them into the background as props for insincere queer rep? And what about Hera herself? How did she overcome her role as the Goddess of Marriage to finally divorce Zeus?

"Ares is still a dog!" Haha! Ares is still a Persephone simp! Happy end!

Why is Eros just standing there smiling at the camera struggling to be seen past Hedone who's just floating right in front of him? You're telling me there wasn't a better place to put her out of that entire panel?

"Hades and Thanatos have been making more time for each other. Sometimes they even have a conversation." I'm sorry, is this supposed to be funny? The man abused Thanatos for years, treated him as just a lowly employee when he was literally his adopted son, and now you're trying to play it off as a joke that they're "making more time for each other"? What the fuck is this?

TGOEM disbanded? Why? What about the women who were genuinely a part of it?

Also, Artemis and Selene are just good friends now because reasons? Because they're both affiliated with the moon, I guess? Why is Selene even in this comic-

"They are still looking for Kassandra". Who? And why? This feels like such a last minute addition to acknowledge a character that the comic spent WEEKS foreshadowing only to have her finally appear as a pointless McGuffin, but it's so last minute that it does nothing. I'm assuming it's Eros and Psyche looking for her, but like... why can't they find her? They're gods, tracking down one mortal shouldn't be that difficult LOL ???

And also, where the fuck is Leto?? You're telling me she was an accessory - maybe manipulating Apollo, maybe not - but we don't see what happened to her? Is she just back to being a social outcast then? jesus christ this comic isn't finished-

Kassandra is where the "where are they now" sequence ends, and we're treated to one final horribly written dialogue scene between Hades and Persephone, where they tell each other how much they love each other in a desperate attempt to convince the audience that this is, in fact, a romance.

There's this thing in romances called chemistry, and if you're good at writing it, you shouldn't have to write dialogue like this. You should be able to see how much the characters love each other through their actions, through their small behaviors around each other. It's not always about what they say out loud, it's about what they don't have to say, because when two people really share that close of a bond based on love and trust and chemistry, words often aren't necessary.

Hades and Persephone do not have that chemistry. It has been apparent for years now, but this final exchange really is the nail in the coffin. There are no microexpressions or subtle emotions, no subtlety in their word choice, and nothing unique setting their voices apart. It's all just "wow thank you for being such a wonderful amazing partner, you are amazing and I love you" word salad that has to do all the heavy lifting for the completely non-existent chemistry that's been at its absolute worst throughout this entire season.

And worst of all, despite this story trying so hard to be focused around Persephone, around her story, her trauma and her healing, her voice... it's still all just about Hades. In the end, she's thanking Hades, and forcing him to say "you're welcome". All of it is trying so hard to convince us that Hades has been a positive addition to her life, that she 'owes' so much to him, but we've obviously seen plenty throughout the comic that begs to differ. And even if he were a better person than he is, it still doesn't change the fact that once again, the men are being held up above the women, with the women being grateful to the men who choose them. LO can try its hardest to convince people that it's feminist, but it is, at best, reinforcing the very same structures of the patriarchal system that it claims to despise and rebel against.

We do get one line from Hades acknowledging Persephone's part in the relationship-

-and it falls so fucking flat because it's still about him and what she does for him, and because nothing about their relationship was built on any sort of organic chemistry. There was a lot more chemistry back in S1, but it was still predicated on Hades lusting after a vulnerable 19 year old girl.

Yep, and that's it. That's the end.

Except it isn't because Rachel wanted to try and be smart by including an 'epilogue' that's really just stretching the episode out pointlessly for another few panels. And of course, we had to get another time skip, just a final dose of salt in the wound, this time to years ahead when we inevitably had to reconnect with Persephone and Hades in the future after Melinoe was born.

To recap, Melinoe doesn't remember... because Hades had Morpheus erase her memories.

This plotline has really started to give me the ick because it actually feels very familiar. Bear with me here, because I'm gonna go on a bit of a tangent about my own original work, but it's because I wrote a plotline exactly like this years ago.

There's this... turning point, in Time Gate: Reaper, when the main character Uzuki is kidnapped by a Reaper (see: undead) who wants to experiment on her in the hopes that he can somehow gain her abilities to bond her soul with others (which later allows her to literally possess people after she becomes a Reaper herself). Mitsuhiro, the male deuteragonist who kickstarts the plot by telling Uzuki she's got a limited amount of time left to live (which he knows thanks to his magical death timers that mark themselves on his skin), feels an immense amount of guilt after finding out she was kidnapped by the Reapers (at this point she's been gone for three months), as they were originally after him; he worries that she was made a target simply due to him associating himself with her, and vows to rescue her.

With the help of some other spunky teenagers and anime trope characters, Mitsuhiro does eventually rescue Uzuki - but for the three months she had been gone, she had been tortured, abused, and experimented on, causing her mind to split and for her to lose any sense of awareness of who Mitsuhiro or her other friends were. She was no longer herself after the hell she had been through.

Mitsuhiro's solution to this is to have Springlock - another Reaper with motivations that are not yet clear to the cast - erase her memory. This is not a light decision that comes without consequences - for the remaining duration of the story, Uzuki is plagued by night terrors and panic attacks, unable to really remember what happened to her aside from whatever brief flashbacks her brain recalls in its haze of memory loss. She is traumatized, both physically and mentally. She has lost three months of her life and memories, and doesn't know how to explain why she's covered in scars that are still healing, why she's missing organs, why she's now blind in one eye, and why the sound of scraping metal and ticking clocks gives her panic attacks. Mitsuhiro has convinced her friends that she's suffering from memory loss due to trauma, but only he knows the truth that he forcefully took her memories away from her, without her consent. This was not the right choice to make. It was not noble of him, it was not a grand gesture of love, he made a decision on her behalf without her consent that has now resulted in her becoming a nervous wreck. Sure, she still would have had PTSD if she remembered what happened, but at least she would know why and could then seek adequate help. Without those memories, she has nowhere to begin to heal. And so we see the consequences of this throughout [AFTERBIRTH] and even the upcoming Thread of Fate. It is a long-term problem that is not going to be solved overnight, especially not with Mitsuhiro withholding information from her.

Reading about Melinoe having dreams about her experiences trapped in Tartarus with Kronos ... it felt familiar enough that I had to talk about why the insinuations of this are so fucked up. I know there are people who are gonna handwave it away as "she's just a kid", "these are gods so what does it matter", etc. but ... it just feels like such an oversight to have Hades effectively erase her memory of her trauma and then hint at them still being present in her mind through her dreams. She did not ask for that. And the fact that she's now dreaming about it all does not bode well. But we're supposed to think Hades made the correct choice, regardless.

But none of this is effectively expanded on or explained, because we get one final scene of Melinoe and Demeter visiting Persephone, who has just given birth to... Makaria?

So it turns out Persephone and Hades are just able to have biological children now. Don't know why, but of course they both look exactly like Hades.

What I was really confused by though is the fact that it's Makaria and not Brimos. Do you remember Brimos? The child that was foreshadowed in Hades' original fantasy dream sequence about his future children about Persephone?

Either Rachel completely forgot about him, or she saw all the criticism over the fact that Brimos isn't a confirmed child of Hades and Persephone (rather, an epithet that can apply to basically any Underworld god including Persephone and Hades) and that her "research" was dependent on a book she read when she was 13 and decided to axe that. But she went to the effort of establishing that all the dreams Hades had were , in fact, canon visions of the future, so good job Rachel, you created yet another plothole on top of the hundreds of others.

And that's where the series ends, on a final nuclear-family-photo of Persephone, Hades, Melinoe, and Makaria. Of course, Dionysus and Thanatos aren't present in this shot because this is Lore Olympus and only biological children count /hj

Why Rachel couldn't move the "the end" portion to THIS part, I don't know, but I'm also expecting way too much of the person who finished this 20 minutes before it was due.

So that's it. Six years and that's what we get. I didn't expect much, but I was still incredibly disappointed, as were many others who walked away from this dazed and confused. Maybe it's all the "haters" deserve at this point. But what of the fans? While many of them are celebrating this ending at best and tolerating it at worst, I can't help but think of the fans of this comic who hung on for so long in the hopes it would "pay off", just for it to go out as gloriously as a wet fart.

As for me, I have such mixed feelings about Lore Olympus ending, but none of them pertain to the comic itself. Most of what I'll miss from this comic isn't the comic itself, but the people who have made reading it every week so fun, the artists and writers who have enriched the content with their own interpretations of what could have been, and the experiences of being part of such an amazing community made up of people who are as long-term-obsessed about this piece of media as I am.

I get people who ask me a lot if it's "worth it" to be so engrossed in the LO slander, who assume that I'm going to "regret" ever being a part of it all... but from where I'm standing right now, I couldn't ask for a better view.

Even if I didn't love every minute of it, everything I have here I owe to this comic. This stupid, wonderful, boring, amazing, pile of shit comic.

[endivinity]

Hey yall!

it's been one of those weeks. a very, very expensive week. my savings will be completely wiped, but I can't open commissions, so it's not looking too hot for me right now. I'm not in any danger of eviction or other major consequences, but I can't front the costs by myself.

If you'd like to help out by chipping in a little bit, I've got the tl;dr over here! https://ko-fi.com/endivinity There's a pack of every public deathclaw artwork available through that as well, if you'd like a bonus incentive.

Long version and plan of attack under the cut!

I've been medically unemployed for a couple of years now. I've also been recently diagnosed with ADHD - inattentive. I was given an initial trial course of meds for them, which so far aren't working in any helpful ways. NZ has free prescriptions... but it does not have free mental health diagnoses, and especially not for adults. The initial diagnosis appointments cost me $1100, and there are at-cost followup appointments and other medical related costs that are chipping away at it. My medication will need reviewing and possibly switching, which requires more at-cost appointments. This was fine for me to pay! But. Miraculously, I barely self-medicated prior to diagnosis but when I did.... it was with sugary foods. I'm sure you can see where this ends up :'D

The other day I got hit with a dental bill that was not only staggering, but the treatment itself was a gutpunch. I'm not quite at root canal level but two of my teeth are tending towards it, even as the dentist commended my brushing and flossing. The quote is between $3200-4000 (give or take a couple non-priority preventative treatments). I can get government funding assistance up to $1000, and anything beyond that is a loan.

And unrelated I NEED new glasses, because the vision in my left eye from uveitis has deteriorated significantly. this costs less at i think $200-300, but the government does NOT assist with this for... some reason??

The plan of attack:

I'd - hoped, that the meds would let me focus more on owed work. I'd hoped I'd be able to clear the board. That's not the case right now. I'll keep trying, but for now I have to focus on the present.

So, the Ko-fi page is open! There's PWYW files of every deathclaw art I have, so if you'd like to help me out and get convenient lizards instead of browsing my posts, that's the option for you. I will also be making deathclaw designs to auction. I'd like to do customs in future because there's a hungry hungry market out there, waiting for me to do so, but that'd be a commission and I wouldn't complete it. So, premades it will be. My Inprnt store is currently barren; I will see about getting it filled. That'll be linked later. I can't mail out my print stock I use for cons, because I don't have a car or easy access to shipping packaging for larger prints. (And shipping would be immense because, NZ)

So far those are my only attainable options. If you have other suggestions though, please let me know! <3

[blackhairedjjun]

rebound and restoration

pairing: choi yeonjun x fem reader | genre / tropes: angst -> fluff, friends to lovers, post-breakup, non-idol au; ft. soobin + mentions of the rest of txt; reader is yeonjun's age (soobin calls reader "noona") | word count: 5.4k | warnings: post-breakup heartbreak, profanity, food, kissing

additional note: fic is mostly written but contains a few texts

summary: with his heart still aching after just getting dumped, yeonjun turns to you, one of his closest friends, for comfort. that is, until he kisses you - and your friendship starts to change.

author's notes: honestly i feel like if i don't post this soon i'll be dissatisfied with it forever and edit it endlessly and it'll never get past my drafts LOL perfect is the enemy of done!! anyway i wrote this while i was feeling stressed and insane during the holidays and wanted... an angsty kiss for whatever reason. lmao yeah

(support by reblogging banner by @cafekitsune)

when yeonjun arrives at your apartment, it’s still early in the evening; the two bowls of pho you ordered for takeout are still hot, and you’ve left your laptop open at a selection of cheesy netflix rom-coms. perhaps the selection is a bit ironic, but you mused that the feel-good escapism is just what he needs.

he pulls you into a hug and you give him an extra squeeze and a few pats on the back. you can’t help but ruffle his hair a little as he pulls away. 

“hey, jjun...”

“y/n!”

“how are you feeling?”

“ah, a bit better, i think.”

he gives you a slight smile, and you’re too relieved to notice that it doesn’t quite reach his eyes. it’s a miracle to you that he’s even smiling again two weeks after his breakup. you still remember the cracks in his voice when he called you after it had happened, the rims of his eyes red with crying when he finally crashed at your place half an hour later. that night you held him tight as he told the story to you in between sobs: hana had broken up with him over a call that lasted less than a minute. she was bored and tired of him and just stopped caring, she said, if he were a toy she could throw away if she didn’t want to play with it anymore.

you swallowed back the anger in your throat back then, though you couldn’t help the tears of your own that fell. now you push the anger back down again as you lead yeonjun to the small table at your kitchenette, one of the bowls of pho steaming in front of him. now is not the time for indignation; your friend needed comfort, and it’s comfort you will give.

yeonjun’s eyes light up at the sight of the pho. your heart swells, and you don’t hold it against him when he sits down ahead of you and picks up his chopsticks, ready to dig in. in between slurps he grins like he’s just received the best present of his life. “this is so good!” he said in between mouthfuls of noodles. “it’s been way too long since i had this.”

“i know! feels like we haven’t had this in ages.”

“remember when we tried to make our own?”

“oh god, not that!” you laugh, dropping your chopsticks. “we got impatient and that broth tasted like nothing.”

“your kitchen smelled like ginger though,” yeonjun recalls with a giggle. “it was nice visiting for a while.”

“my kitchen smelled like ginger more than the actual broth, jjun.”

“maybe we can try again one of these days? and if we mess up, at least you’ll have a nice-smelling kitchen again.”

all you can do in response is laugh, and for a moment you forget that you stopped having pho nights together when hana entered his life.

he fills you in on video game night with soobin and kai, shopping with beomgyu, and his so-called revenge gym day with taehyun; he beams with pride while describing his new weight record just as much as he does when talking about managing a hard-earned victory over soobin at tekken. you laugh along with him, knowing that his friends blocked out their schedules just to comfort him for a day. and when you talk about your new project at work and the new books you bought yourself as a treat, his eyes fill with that indescribable look you’ve seen before. you can’t quite place what it is, but it reminds you of afternoon light, of summer days, of lingering hugs after a long day together.

you don’t need to ask for yeonjun to help you clear out the table and pick up the snacks you set aside for your movie, and you make no effort to resist. there are no words exchanged: he simply places all the disposable pho bowls and chopsticks together, and you reach for a clean garbage bag and put them all in. the only communication between you is a shared look and a nod.

perhaps it’s just your imagination, but that look lingers a little longer than you’re used to, and you can’t help but give him a satisfied smile.

you’ve seen him look at hana that way, too many times to count, especially during that early-dating phase when the thrill of emotions was still high. you wondered what it was like to be on the receiving end of that gaze, for yeonjun to look at you as if you were the most precious thing in the world. and you wondered if hana really was that precious 一 if she were just as precious to him as you, his best friend, if not more so.

you let yeonjun select the movie. at first you doubt your idea to present him with rom-coms, of all things, but you let out a sigh of relief when he happily chooses one of them. both of you have seen this one many times over, but you don’t mind. there’s comfort in knowing that a happy ending is guaranteed to happen.

the two of you are slouched on your couch together, the laptop balanced on a pillow between the both of you. yeonjun sits close to you, an arm around your shoulder, a gesture that he hasn’t done with you since he started dating. you let yourself lean against him (so that you can see the screen better, you tell yourself). the two of you start a running commentary on the movie 一 “why would he say that?!” “aww, they look so cute together,” “oh god, that was so stupid!” 一 and both of your laughter fills the apartment, the sound like a duet in harmony.

it’s so easy this way, you think 一 just you and your best friend in your own little corner of the world. you steal a glance at yeonjun while he’s absorbed in the final confession scene, a soft smile on his lips and his eyes gleaming with anticipation for the big kiss. a string of memories flash before you before you can help yourself.

“she said yes,” he says, his whole face flush with excitement. “she said she’ll be mine.”

his hands are on your shoulders and he gives them a gentle squeeze. “there’s no way hana can’t like you. you’re one of my best friends, i’ll make sure you get along.”

“i think hana’s mad at me,” he tells you as he fiddles with the beanie in his hands. “but don’t worry about it, we’ll talk it out, i promise.”

his head is in his hands as you sit across him from a restaurant booth. “i don’t know what i did wrong, she looked so bored through the whole date...”

you hold him close as he sobs in your arms, his whole body shaking. “sh-she said she’s... tired of me…”

“y/n?”

you snap back to reality as yeonjun glances at you, his head tilted. the ending credits of the movie have started to play. “are you okay?”

“i-i’m fine.” you reach out to touch his cheek, then hesitate. “are you okay?”

“i’m fine, y/n.” he picks up on the meaning of your words. “i know i looked really bad that night, but i’m getting better, i promise.”

“good.” your eyes meet his, and your cheeks grow warm. “we can have nights like this as many times as you want until you feel better, okay?”

“yeah, i know. i missed having nights like this, actually.”

“me too. i really liked it when we did this all the time...”

“i know. i’m sorry. hana didn’t like一”

“hey.” your hand comes up again and this time, you gently hold on to his cheek. “it doesn’t matter what she thinks anymore.”

“y/n... i’m really sorry. i feel like i neglected you, and you’ve been my friend for so long...”

tears form in his eyes, and you feel them warm against his cheek. you wipe them away with your thumb as you move closer to him. he continues to ramble as you do.

“i feel like an idiot. like a total dumbass.” the pitch of his voice begins to rise. “god, i was so convinced that hana and i were the perfect couple, that we’d be happy. i-i thought about her more than she d-did about me, y/n, and i stopped hanging out with you一 when you’ve always一”

“jjun, please don’t apologize anymore,” you say, your voice trembling. “i’ve never been mad at you over her, not even once. i just want you to feel better, okay? i... i just want to see you be yourself again.”

you want to see the yeonjun you’ve always loved.

you’ve lain awake at night wondering if he’s ever sensed your feelings for him, and if he’s ever felt the same way. on the day he told you that he and hana were officially together, you spent that night sobbing in your bed, convinced that your friend would never see you as a lover. and yet you said nothing of that night, and of other nights similar to it, because you told yourself that if hana made him happy, then you would be happy too.

and now you want more than anything to see him happy again.

yeonjun says nothing, but instead places a hand on top of the one you have resting on his cheek. you feel it trembling, but you don’t resist as he grasps your hand to intertwine his fingers with yours. he swallows hard to push back the rest of his tears, and his eyes soften. once again there’s that indescribable look of his that makes you feel light.

“y/n...”

he says your name softly, as if in reverence. his face inches closer to yours and you don’t pull away; instead you feel lighter than ever, your gaze falling to his lips as your eyes flutter shut. everything that follows feels slow, gentle; his nose brushing against yours, then your lips on his.

he kisses you slowly at first, but as you kiss him back you fill with a new fervor, wrapping your arms around his neck and letting him wrap his arms around your waist to pull your body flush against his. warmth blooms in your chest, and every movement of yours betrays your feeling: your lips moving against his, your hands making their way into his hair. you want to kiss him until the pain he feels has been replaced by the love you have for him 一 i love you, i love you, i love you.

you’re completely absorbed in him and let out a soft sigh when yeonjun snaps out of it 一 he breaks apart from you, breathing hard, eyes wide as he’s hit by what he’s just done.

“shit, y/n一” he gets off the couch, one hand running through his hair over and over again. “i’m so sorry. fuck, i shouldn’t have done that一”

you’re snapped out of your trance as you stand up to chase after him. “jjun, hey, wait! listen to me—”

he’s picking up his bag from the foot of your couch. he can’t even look at you, instead occasionally letting out a shit or two under his breath.

“yeonjun, please一”

you stand in front of him to block his way from the exit. at first his head is bowed, avoiding your gaze, but when he finally looks up his expression is solemn.

“you are not a rebound to me,” he says at last. “please don’t ever think that i just used you to make me feel better.”

“i never accused you of that! look, i’m sorry too, it was my fa一”

“i’m really sorry, but i can’t stay here anymore. i’ll make it up to you, y/n, i promise.”

“wait一”

yeonjun walks past you and before you can protest any further, he’s out your door. you push it open and try to chase after him, but after a few steps you stop, thinking better of it. what would stopping him even do?

you walk back inside and slump back down on the couch. the screen of your laptop faintly glows, and a half-eaten bag of chips has fallen to the floor. all at once the reality of what happens sinks into you: the kiss, his words, his departure.

you are not a rebound to me. the words echo in your mind.

a strange tension fills you, and you can’t even tell what emotion it’s supposed to be from: confusion, frustration, anxiety. with your whole body seemingly on edge, you grab a throw pillow from the opposite side of your couch and press it into your face.

you sob into it the tension crashes down on you in full force.

一

for the next few nights the scene replays in your dreams: yeonjun leaning in ever closer towards you, your lips meeting his in a fervent kiss 一 each night’s dream-kiss more fervent than the last 一 and him suddenly pulling away. you awaken each time just as he breaks the kiss, the shock and confusion coursing through you again, and immediately after you reach for your bedside table to check your phone.

still no text from yeonjun.

you consider texting him again, but each time you type a new message you erase it, the blinking cursor driving you mad. how would you even know what to say? do you want to apologize? to beg for his forgiveness? to ask if you can still be friends?

you hate to admit it, but every morning you lie in bed for a few moments more to allow the dream to sink in. the look on yeonjun’s face appears vivid to you, from his eyes blown wide to his mouth slightly agape. your mind travels back to the moment he breaks the kiss, as if a sudden force pushed him away, the shock of it hitting you. then it wanders to the kiss itself, the feeling of his lips soft against your own, his arms warm as they hold you by the waist…

you shake the memory away, drag yourself out of bed, and continue on with your routine: breakfast, shower, get dressed. you resist the urge to check your phone for as long as you can. you stare at the little contact photo you set of yeonjun and remind yourself: you’re his friend. you need to help him heal. 

you recount your worries to soobin over snacks one day.

“i feel like i’m being selfish,” you say in between munches of potato chips. “he hasn’t even moved on from hana”— soobin winces at the acridity you mutter her name with—“and now one of his closest friends kisses him like she’s madly in love. how is he supposed to move on? he’s hurting enough as it is.”

soobin sets aside the bag of chips you just finished. he rubs his face with his hands as he tries to choose his words carefully.

“you’re not being selfish, noona. you sound like you’re trying to be careful so that you don’t hurt him,” he says at last. “and yeonjun hyung feels just as bad about it. he feels bad that he even started the kiss, and for making you feel like a rebound. you two sound like each other, to be honest.”

“i know he feels bad, it’s just 一 i don’t know how that will fix...” you wave your hands wildly in the air, “this.”

“you can start by talking to each other?”

“he didn’t reply to my last texts. and i… i don’t know if i should text him again.”

a moment of silence. soobin opens a pack of candy and chews on it, just to give himself time to think. he fiddles with his phone as he does, absentmindedly scrolling through his old texts, when one of them catches his eye.

“so, there’s this new restaurant that beomgyu wants to check out.”

“really, soobin, what does this have to—”

“he was thinking of inviting all of us there to hang out,” he continues. “including you and yeonjun hyung. we can plan for it a week or two from now so that you have space? and then you can get used to talking to him again there. if things get awkward, i can ask beomgyu to fill in.”

you purse your lips. “i dunno, i might cry if i see his face again.”

“if you don’t feel like it, just call in sick.” soobin’s mouth twitches into a small grin as he says it — you know he’s used that excuse to get away from social situations he doesn’t want to be in. now you’re starting to see the appeal of it.

“okay. i’ll think about it.”

—

ultimately you do decide to go, and two weeks later you’re the first to arrive at the restaurant. you can feel your hands trembling as you push the door open and your heart hammering in your chest. in your head you’ve prepared what you want to say to yeonjun and you mentally rehearse your words for the hundredth time.

you slide right into the booth and take a deep breath. you check your phone to keep yourself busy, letting yourself calm down until your hands have stopped shaking. as you’re scrolling through your camera roll looking at some memes beomgyu sent you, someone slides into the booth seat opposite yours.

“hey, y/n.”

yeonjun gives you a shy smile and the nervousness in your stomach kicks into overdrive. he looks much better now; the bags under his eyes have lessened, and his smile seems genuine. still, you can’t help but remember the last time you saw him, and you shudder.

he sees your reaction and winces, averting his gaze. when he speaks, his voice is soft. “y/n... are we okay?”

the question breaks you and whatever words you have prepared fly out of your mind. as you try to grasp at them again, tears prick at your eyes.. “yeah... yeah, we’re okay,” you say. you take a gulp of water to hold back the tears. “i was never mad at you, jjun, i’ve been worried out of my mind一”

“i’m sorry i never replied to your texts.” he places his hands atop your trembling ones. “i just felt so ashamed that i didn’t know how to face you.”

“and i’m sorry i never tried texting you again, i just didn’t know what you thought of me, and i was so scared that i lost you...”

“i was so scared that i lost you.”

you sniffle. “that makes both of us then. god, we were so stupid.”

“i missed you, y/n.”

“i missed you too, jjun.”

you let out a laugh of relief and he laughs too. with the sound of his laughter melding with yours, everything else seems to melt away: the tears in your eyes, the other noises of the restaurant, the baggage of the last two weeks. sitting before you is your old friend, holding onto your hand to comfort you, laughing together with you just like you always have. 

and just as always, you want nothing more than for your friend to be happy.

“so,” you begin, giving him the most reassuring smile that you can muster, “let’s start over?”

yeonjun glances down at the table, but you can see his eyes crinkling as they usually do when he smiles. “yeah, let’s do that.”

when beomgyu enters the restaurant right afterwards, all it takes is one glance at the scene before him to understand what happened. he turns his head towards you, meeting your gaze, and you give him a nod.

it’s going to be okay.

一

the kiss becomes an unspoken part of your history together, never mentioned and never acknowledged. you stop searching for hidden meanings to it, and instead settle on the explanation that it was simply a spur-of-the-moment reaction from pent-up post-breakup emotions. it doesn’t matter to you whether or not this explanation is true; it’s the explanation that gives you the most peace of mind, and that’s what matters. as the days pass, you think of it less and less, and eventually it is filed away in your memory, like a book never checked out of the library collecting dust. 

in the meantime, you pour your energy into rebuilding both your friendship with yeonjun as well as his fragile heart. the first few hangouts with just the two of you are awkward with a tinge of melancholy, with conversations feeling a little too short. fortunately, your shared friends are there to help: you and yeonjun are invited to video game nights at soobin’s, or a cute new cafe that kai wants to check out, or just a walk around the park. the silences feel less awkward when it’s quickly filled by a joke from beomgyu or witty remark from taehyun.

from time to time you see the shine in yeonjun’s eyes disappear, even for just a moment, when he encounters something that reminds him of “the ‘h’ word” (as beomgyu refers to her): a park bench where they had a date, or a dress on a passerby that looks a lot like something she would wear. sometimes one of his friends would recognize it and quickly divert his attention elsewhere. soon those diversions occur less and less often as fewer and fewer things remind yeonjun of her.

but things don’t truly feel normal to you until a month and a half later. your project at work has gone well, and yeonjun has completed the first draft of a mixtape he’s making. just as you muse to yourself that a reward would be nice, your phone buzzes.

that afternoon you and yeonjun stroll down the shopping district a few minutes away from his house, trying on this and that. it isn’t long before you find yourself spending over your budget; it’s hard not to when yeonjun is constantly egging you to buy something you really want. “c’mon, y/n,” he whines as you put back another cute button-down on the rack. “you deserve it! you can wear it to work for the next phase of your project!”

he giggles when he sees your eyes light up at his words. “we do have another presentation for it,” you muse.

still, you draw the line when you spot an elegant tan jacket worn by one of the storefront mannequins. you stare at it longingly as if you’ve found your soulmate, and yeonjun sweet-talks you into entering the shop and trying it on. but when you see the hefty price tag on it, you sigh.

“i can’t justify this, jjun…”

“but you look great in it! and you want it so much. you’ll feel worse if you don’t get it.”

“maybe…” you glance down at the shopping bags in your hand. “i dunno, i’ve spent so much already.”

you sigh in defeat and turn back to the store exit before you can second-guess yourself. yeonjun doesn’t follow immediately, but instead watches you go as he lingers a bit longer.

later that day, the two of you sort through all the things you bought (mostly clothes and accessories, but also a vinyl for yeonjun and a novel for yourself) in between giggles and wide eyes and a shower of compliments. yeonjun puts on a completely new outfit for you and struts down his apartment like a runway model, and he pulls you up from the floor to do the same. soon you’re laughing and clapping at each other’s performances, and yeonjun even whips out his phone to take photos of each other’s best looks.

as you rummage through your haul for one more outfit to assemble, your eyes land on a familiar spot of tan fabric. your mouth falls open when you pull it out and see that jacket — the one you’re pretty sure you didn’t buy. you glance up at yeonjun and he licks his lips before forming a mischievous grin.

“jjun, is this...”

“it’s yours.”

“you didn’t have to一”

“i saw the way you were looking at it, y/n. i just had to get it for you. c’mon, put it on.”

hesitantly, you take off the jacket you’re already wearing and put on the new one. it fits perfectly, just a little loose to let air flow in, and you love how it frames your figure. yeonjun is still smiling at you, but it’s a different smile. he looks at you as if you’ve transformed in front of him.

“you look really pretty,” he says. “let me take a few pics, okay?”

he snaps a few photos of you and you pose for the camera, and a comforting warmth settles over you. if this happened a few months earlier, you would have blushed and your heart would be doing somersaults, but now all you feel is a light flutter. everything feels fit in, like the final piece of a puzzle slotting into place.

you lock eyes with yeonjun as he takes the last photo and puts his phone away. as you whisper “thank you” to him, the gleam in his eyes is reflected in your own. there it is, that indecipherable look of his that makes you feel warm.

you still love him 一 there’s a part of you that still knows that. but over the last month and a half you’ve simply learned to live with your feelings, letting them fill you with lightness for a few moments and then letting them go. feelings or not, you’re just glad to have yeonjun in your life again. even as a friend, his presence is a soothing balm against the stresses of life.

一

months later, yeonjun is sprawled on your couch again, his head on your shoulder as you scroll through your list of rom-coms on your laptop. at one point the two of you resumed your pho and rom-com nights, and you’re glad for it; few things give you as much comfort after a long week of work.

after scrolling back and forth a few times, you pause on the same movie you’ve always watched together and give him a quick look. he simply smiles.

“don’t you get sick of this one?” you ask.

“not really, the ending always feels nice. are you… tired of it?”

“no no, i— i was worried that you’re tired of it.”

“me? never.”

“perfect, ‘cause i’m not either.” you give him a knowing grin and press play.

at this point you both know this movie so well that you recite along to every line. you do the female lead’s lines, yeonjun does the male lead’s, and you even sing along to the soundtrack. yeonjun stretches out on your couch even more, his head ending up in your lap, and in the movie’s quiet moments you find yourself playing with his hair. when the big confession happens you can feel him holding his breath and then releasing it in a laugh when the two leads finally kiss.

the credits roll and he glances up at you, smiling in satisfaction. you smile too and hum along to the end credits song. as the movie ends, you let yourself bask in it: you stretch out your arms, yeonjun sits up to lean on your shoulder again, and you lay your head atop his. the two of you remain like that for a while, sitting in comfortable silence.

“don’t you ever get jealous of them?” you ask.

you feel his head shake a bit as he chuckles. “i hate to admit it, but yeah. rom-coms always make getting together look so... fun.”

“right? i wish my life was like that.”

“god, me too.”

“i swear, it drives me insane,” you huff. “every time i watch this i want to start dating again or something.”

a few more moments of silence. yeonjun lets out a soft exhale and you feel his body grow tense. the air in your apartment seems stuffier.

“speaking of which, i have to tell you something.” 

“me...?”

you’ve never heard yeonjun sound so solemn. his head weighs down on your shoulder. “y’know, i’ve been uh... thinking of dating again.”

“oh... where are you dating this time? did beomgyu set you up again?”

he shakes his head, looks up at you for a split second, then looks down at his hands. you see the tips of his ears turn pink.

“actually, i... i have someone mind. someone i want to ask out, i mean.”

with those words the feelings you’ve brushed aside for so long come back in full force. your heart beats so hard it feels like it’s slamming into your chest. when you speak, your voice shakes.

“oh... who’s the lucky one?”

“i-i’ve known her for a while. she’s sweet and fun to be around... we’ve been hanging out a lot more often these last few months. we get along really well, at least i think we do...”

“sounds like you have chemistry with this special girl,” you say, the words heavy on your tongue. the hammering of your heart floods your ears. “so what’s stopping you from asking her out?”

yeonjun sits up to face you fully. you sense the effort it takes for him to look at you 一 has he ever been like this around you before? 一 and you reach for his hands. they’re trembling, and his ears go from pink to red.

“a long time ago,” he starts, voice shaking, “i kissed her. i kissed her after my last breakup. and i wasn’t thinking straight, i was just so lonely that i wanted to be loved again 一 but i can’t do that to yo— to her, she’s one of my best friends, i don’t want yo— her to be a rebound 一 but then you said we could start over so we did and i dunno, at one point i started liking you, i fell so hard i don’t know wh一”

you interrupt him with a kiss, your lips gentle on his. you feel him kissing you back, his movements gentle as his hand comes up to hold your head in place. you find yourself pressed against him and he’s even warmer than you remember, warmer than those dreams you had so many months ago.

when you break apart, his eyes are glazed over in a look of pure admiration. 

“y/n...”

“jjun, i...” heat spreads across your face. “i’ve loved you for years.”

“then why didn’t you say anything?”

“how could i? what if you didn’t feel that way and it ruined our friendship? and with all the other guys too?” your heart is still beating fast but you let out the words while your boldness still has a hold on you. “and then you dated hana and i cried but i wanted you to be happy 一 then you broke up and you kissed me and i liked it, and i hated myself for liking it because you were 一”

yeonjun pulls you into him, arms encircling you, and as you keep rambling into his chest he soothes you with one hand combing through your hair. his other arm grips you firmly, and your own arms find a firm hold around his neck.

“i love you too, y/n,” he whispers into your hair before leaving a kiss there. “it’s okay.”

“i love you, so much...”

he pulls apart to get a good look at your face. as he sees a few tears start to roll down your cheeks, he brushes them aside with his thumb.

“so this girl,” he says, affection lacing his words, “after we kissed, she said we could start over. and we did. and i’m really glad we did, because i fell for h一 for you so hard.”

you lean your head forward so that your forehead touches his. “really?”

“really. and i...”

“do you want to kiss her again?”

yeonjun’s breath hitches and his eyes meet yours. there it is 一 that same look of his that makes you feel light. the one that, you realize, makes you feel loved.

“can i?”

“please,” you whisper.

he closes the gap between your lips and his, and this time you feel only relief and bliss.

[lucabyte]

i'm so curious about your character gender reads now tho 👀👀

(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)

(I turn around to face you.)

Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.

So, (I put the cheese back in the fridge.)

This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.

(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)

(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))

It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)

Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)

So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)

(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)

Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).

I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.

SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.

CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES

When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.

Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...

This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.

[Image: Interactions with the change craft textbook in acts 2 and 3/4.]

In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)

The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.

[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]

Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)

[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]

So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.

MIRABELLE.

Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.

Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?

[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)

Whereas…

ISABEAU.

When Mal du pays speaks as Isabeau, it says the following;

"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."

I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.

Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.

Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.

So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.

Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.

[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]

[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]

While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.

The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.

Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."

But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.

Speaking of which.

2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.

HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)

I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.

Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.

It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.

Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*

And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.

And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.

But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.

(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)

3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.

Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.

My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.

ANOTHER NOTE ON THE 'NOT A GUY' THING.

Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.

But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.

ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?

The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.

[Image: Prologue Isa calling himself a mother hen]

And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.

... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)

APATHY AND SURVIVAL

It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)

It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.

So. That line about the dress. Let's unpack the line(s) about the dress.

THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.

Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.

In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)

Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'

NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....

Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.

I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.

To, try and segue back to what I had initially written, we'll pick up here...

Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.

While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.

... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.

It's in acts 3 and 4. It's a line I already brought up.

"You're thinking about crafting your body. You seem to have all the time in the world now."

good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.

This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.

If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.

I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--

*coughs* Ah. Ahem. Right. The uh, academic tone.

Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?

Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...

Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.

TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.

This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.

In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.

ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.

Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.

There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.

DE-PERSONING. AND LOOP. OH JESUS . LOOP .

Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.

People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!

When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.

When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.

Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.

Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.

[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]

And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:

Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.

While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.

Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.

This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.

TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.

Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.

(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)

Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.

And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.

But I don't know anything about japanese so ! If I'm off the mark, discard this!

LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.

While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.

Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.

Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.

Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.

As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)

Tl;Dr:

Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland

They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.

Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.

They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.

They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.

The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.

They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.

Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?

But most of all:

It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.

(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)

(Now for some bonus material)

ADDENDUMS:

PERSONAL BIAS NOTE:

Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.

I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.

This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.

STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):

MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:

I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.

BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.

ODILE, WHAT'S HER DEAL?:

Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.

Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.

HEADCANON NOTE: INTERSEX SIFFRIN

I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration

haha gotcha its fuckin themes again. its always themes with me.

But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.

So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.

HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE

I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".

[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"

Bonus bonus:

[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"

[the-californicationist]

Lost the post but it was so good and I'd love to get your take on it!

Price getting videos of you playing from home while he's deployed, and you aren't exactly quiet. Well, the boys hear it and it leads to them watching it at some point (with your permission of course!). I thoroughly believe Price loves showing off what's his and is comfortable in your relationship to consider sharing you with his team, maybe even in more ways than 1?

Maybe Price and reader record themselves a separate time to show the boys? I don't know I'm frothing at the mouth thinking of Price showing you off!

I am slowly making my way through these asks!! Thank y'all so much for being patient. As soon as I clear out my list, I'll turn the ask button back on.

This premise is so hot! Hope this is sort of what you were looking for?

Show and Tell

Price opened your video in the middle of Ghost’s briefing presentation. Luckily, only the task force was in attendance, but as he played the clip, your lust-filled moans echoed throughout the small conference room, unmistakable. All eyes turned to him, and Ghost halted mid-speech.

“Uh, sorry…” Price muttered, quickly swiping away. 

“Fuck, Cap. I know you showed us her photo, but she is damn fine,” Gaz chuckled, leaning over his commander’s shoulder to try and look at the screen.

“Eyes front, Sergeant.”

“Only seems fair to share, mate,” Johnny quipped, a gleam shining in his eye. 

Ghost put his hands on his hips, 

“If it was important enough to interrupt my presentation, maybe it’s important enough to share with the class… sir.”

Price sighed and sent off a quick text. He was asking you for permission to share. It wasn’t the first time that he’d asked you, but all the others had just been the odd picture here and there; a fancy neglige, or a holiday swimsuit… it was harmless. But, this was something else. To his surprise, you messaged back with an affirmative “Yes!” and a winking emoji. 

“Fine.”

Ghost held his hand out and beckoned for the phone,

“C’mon. We’ll put her on the big screen.”

Reluctantly, and a little worried things had gotten fully out of hand, Price handed over the phone. Your enthusiastic response was the only thing propelling him forward at this point. He wasn’t possessive, but he wasn’t much of a sharing man. 

But, then, there you were… in all of your beautiful glory. You were using your vibrator and sitting on the tile floor of your bathroom, burying a thick silicone dildo in your pussy to the hilt. Your moans echoed through the room again in spectacular 4k. 

“Mmm! Oh! Fuck… John, fuck me. Please! Yeah! Mmm. Just like that. Ungh!”

And then the video replayed on its loop. Every time, your shining lips would buzz with the whir of the vibrating wand, and your pink pussy would stretch to accommodate the toy that you were fucking yourself with, slicking it with your fluids and making it gleam. Your tits were bouncing as you rode it up and down, and your head was thrown back in beautiful abandon. 

“Alright, that’s enough,” Price decided. 

Ghost handed him back the phone with a sly smile, 

“Holy shit, Cap. She’s quite the little spitfire.”

Soap’s hand reached into his canvas pants and obviously adjusted himself, hardening like a stone. He let out a low, approving whistle. 

“She let you share that?” Gaz asked in disbelief.

“Yeah,” Price nodded, not sure what to say. 

“I want to see more,” Soap put a hand to his forehead in shock.

“Well, that’s all,” Price shrugged, and then added, “...for now.”

The whole room shifted a bit. Everyone was on edge. The rest of the briefing went by as quick as a flash, but before everyone left the room, Price suggested, 

“You know, it would only be polite to send one back.”

Later that night, he got three enthusiastic notifications. In each one, his men were jacking off to her, complimenting her, talking about what a pretty pussy she had, thanking her for sharing with them. Unzipping his pants, Price decided to add one of his own. 

As his hand worked him hard, he watched your video over and over again. He imagined how your tight little cunt felt around his cock, and how sweet you tasted. He imagined how you liked to whisper naughty things in his ear, talking to him about sucking him off in front of his task force, making them watch. Price knew you wanted to do more exhibitionism, and he encouraged you when he thought about how hot it would be to watch you discovering that pleasure. 

His cock throbbed in his hands, and he whispered into the phone as he videoed himself, 

“Such a naughty girl, you were, showing yourself to my men. We put you on the projector. You looked incredible, missus. You always look incredible. Had all of us achin’ for you. Thought Soap was gonna come right there. Ungh…”

Price tightened his grip and thrust into his palm, rubbing his foreskin up and over his swollen head, slicking himself with his precome over and over and over until it became almost too much. He told you,

“So, we decided to pay you back. For your gift. Hope you send us some more, baby. So fuckin’ hot. Mmm, fuck… my cock misses you, love. So bloody much. F– Fuck!”

Price’s orgasm erupted from his body, coating his belly in white, creamy liquid. He just kept coming and coming, thinking about how you would look with all your pretty holes filled twice. Stuffed so full with no escape. 

He sent off the files one by one, starting with his own, and he waited for your reply. 

The next morning, he woke up to two messages. One was a text, and the other was a video. The text just said: Wish you all were here with a heart emoji. When he played the video, he realized what you meant. 

You had lined up your toys, four of them, all in a row on the bed. Price pressed pause and went to go find the boys. He decided it might be better if they could all see your performance together. He set you up on the projector again, and his men filed in one by one, eager to see what you’d sent. 

“She said she wished we were all here, so I thought you lads might want to see what she sent.”

“Fuck yeah, we do,” Soap sat front and center, wiping a hand down his face, eyes glued to the screen. 

Ghost chuckled, 

“You’re a lucky man, sir.”

“That’s the fuckin’ truth, innit?” Gaz agreed. 

Once everyone was settled, Price pressed play. 

You were wearing a little black bodysuit made of silk and lace, and he could see your dark nipples through the fabric. He knew which one it was. It was crotchless, and just the memory of fucking you in it made him hard.

You sat on the bed, the four toys spread out in front of you, and you picked up the first one gently. You grabbed some lube from off-camera and squirted it all over the toy and leaned forward, squatting over it, working it into your asshole in tight little thrusts, moaning ever so sweetly as you let it fill you up. 

Then, once it was fully sheathed inside of you, you reached for the two toys in the middle, using the lube that was left on your hands to make them slip against each other. You used one to rub through your pink folds, teasing your hole with the head of it, and then — inch by inch — pushed it into your wet pussy. You took the second one and, with quite a bit of difficulty, tried to fit it in next to the first, stretching yourself out even more than you had in the first video, even with these much smaller toys. 

Price couldn’t believe his eyes. You were like some sort of sex goddess, showing off skills he didn’t even know you possessed, and your screams of pleasure were making him drunk with pride and lust. He heard a zipper go down and watched as Gaz started fucking his own hand, right in front of him. 

“Sargeant,” Price admonished him, but Gaz just shrugged and kept jerking off his long dick, 

“Sorry, Cap. Can’t help it.”

Another long moan from you drew Price’s attention back to the screen. You were reaching behind you, wrapping your arm around your body, and fucking yourself in the ass with the largest toy, calling out to him, 

“John… please. I need your cock… I need all of your cocks… ungh, fuck. Fill me with your come. Every hole. Please?”

Then, for your final performance, you used your free hand to feed the final toy into your throat, gagging on it and letting your drool run down your chin. Your legs were shivering, something that Price knew wasn’t easy to achieve. You must be so damn horny. He smiled, palming himself over his jeans, so proud of you for bringing yourself such pleasure like that. 

Ghost grunted, and Price looked over to see him hunched over, spilling his come onto the floor of the office. 

The video ended, and in the silence, the captain heard the wet milking noises of his men fisting their erections, trying to come to your incredible performance. 

Soap gasped breathlessly, 

“Hit play again, Cap’n. Please…” 

Price smiled, looking down at his team in all of their sex-addled joy, and pushed the replay button.

"Maybe we should all put in for some leave, hm?" Price suggested.

He was met with a very enthusiastic round of approving moans, and he felt the excitement rush across his skin like wildfire.

His pretty girl would have what she wanted, and he would make sure of it.

If you liked this story, you may also like one of my other fics: He Shows You Off! But, please heed the tags.

[honeytonedhottie]

planning basics⋆.ೃ࿔*:･📔

i feel like at this point im a planning MASTER i've been using notion to plan and organize my life for about two years now and before i discovered notion i used a manual planner. i've also made lots of content about planning but today i wanna just focus on the basics and how to organize ur life in a simpler fashion…💬🎀

SEPARATE UR TIME INTO QUADRANTS ;

so i like to separate my tasks into quadrants. im going to try and present it verbally. so the first quadrant would be urgent and important, things that are imperative for me to do. the second quadrant is important but not urgent.

the third quadrant is urgent but not important but its not necessarily imperative that i do them. and last but not least the fourth quadrant is what i classify as buffer time, mostly cuz its neither urgent nor important. and i'll go more in detail with that later on in the post. this is helpful because it helps u to place priority on the tasks that u have to do and not spend a day doing side quests while u have pressing matters that need attending to. this is called the eisenhower matrix.

THE DIFFERENCE BETWEEN CALENDAR AND AGENDA ;

so i keep a calendar and an agenda. the main differences between a calendar and an agenda is that the agenda is updated weekly, the calendar is updated monthly/whenever u make appointments.

i find myself looking at and checking my agenda more often then my calendar and thats mainly because im more in-depth on my agenda because im the kind of person who needs specific instructions to get something done. the calendar only tells u the date and the event but the agenda tells u more in depth about how to prepare and go about things.

DELEGATE AND OUTSOURCE TASKS ;

to delegate a task simply means to identify and give tasks that can be handled by others to free up ur time for more important work…💬🎀

GENERAL NOTION TIPS ;

use toggle lists

use THIS website for cute emoji combos (things like ❤︎ and ⋆.ೃ࿔*:･)

make a color scheme and stick with it

twitter headers work the same as notion backgrounds

GENERAL MANUAL AGENDA TIPS ;

color code tasks with adorable glitter gel pens. use post it notes to break down large tasks. like, write the broad task and on the underside of the post it note make a bullet list as u break down the task. mostly with manual agendas i just prioritize aesthetics because if it doesnt look good i won't wanna check it and perform it.

[taylormarieee]

Surprise, I'm your present-Day 5 Peeta Mellark

Prompt: Peeta has a surprise for you, A naughty one...

Pairing: Peeta Mellark x Fem!Reader

Word Count: 580

Warnings: Oral sex (f receiving), Lingerie involved, Porn with little plot, Dirty talk, Praise Kink, Fingering

"Baby, Come here I have a surprise for you." Peeta calls out. You run out wondering what it is.

"EEEEE! What is it!??" You aks jumping with Joy. He smirks and you look at him confused.

"You gotta open it baby. I'm not telling you if it's a surprise." He responds with a slight smirk on his face.

You grab the gift from his hands and begin to open it. When you tear the wrapping paper you notice it's in a Victoria Secret box.

You roll your eyes already having a feeling of what it is. You open the box and throw the top on the floor.

You reveal the Innapropriate chlothing and see a Red laced Lingerie. You chuckle to yourself when you see Peeta's eyes light up.

"Really Peeta?" You ask with a smirk on your face. He laughs and grabs your waist pulling you closer.

"Yes really, It's your first present. The next present is me." He says as he lifts you up.

Your legs instantly wrap around his torso as he carries you to your shared bedroom.

He puts you down on the ground and you quickly get the hint he wants you to change.

When you come out of the bathroom his hands are already on you in seconds.

He places you on the bed and starts kissing all over your body. "So pretty like this." He groans.

You clench your thighs at his praise. He notices and spreads your legs. He starts rubbing figure 8's on your clit causing you to cry out.

He kisses your neck and leaves hickeys. He nips at your ear whispering dirty things and praises to you causing more of your arousal to seep out of your wet cunt.

"Look at you my sexy whore."

"Love how much of a good girl you are for me."

"Look at the mess your making, what a good slut."

"Fucking take it you needy whore, take it like a good girl should."

You cry out feeling his fingers all up inside you. His thrusts deep and hard.

"Your being a bad girl, Zip that pretty mouth shut or I'll put it to good use."

You throw your hand across your mouth to muffle your crys.

He dips down kissing and nipping at your thighs before lapping at your leaking juices.

You cry out into your hand as he fucks you with his tongue. He groans into your pussy casuing your thighs to clench around his head.

He lets you suffocate him for a few seconds before prying your legs. apart.

His strong hands holding your thighs open as you twitch and shake feeling your orgasm coming.

Your moaning and your back. is arching at the feeling of your orgasm washing over you.

Your eyes roll back as he swallows every last bit of your cum. Peeta being the needy boy he is was grinding on the bed the entire time making his eyes roll back as he came in his pants.

He moans into your pussy and you twitch feeling overstimulated. You cry out and tug on peeta's golden locks trying to get him to relent the abuse on your pussy.

When he finally lifts his head, his lips and nose are covered in spit and your arousal.

You smile weakly at him as he rubs his face clean. Licking his lips. He kisses your bruises and lays down with you relishing in your warmth.

He'll clean you and himself up later.

Taglist: @grixonsdoll @hotchstanaccount @aerangi @pinkcatgirluwu @itzdarling @number1gal @versatilehater

A/N: Decided to post this early!

[purple-obsidian]

miscommunication (18+, dick grayson x titan reader) wc 2.7-3.1k

⭓ this post contains suggestive themes and is not suitable for minors. reader uses she/her pronouns.

"Shit." You curse under your breath when you see your last two messages failed to send. There's just no signal down here. You sigh, and pocket your phone, mind wandering and trying to predict what mission Dick is taking you on tomorrow night. He usually tells you when its time for full stealth, so you decide you'll show up in civilian clothes. He wants to meet earlier in the evening anyways, so you guess it may be something undercover or staking someone out. You let your mind wander for a bit, before returning your focus to work, watching two men in overalls argue in front of the buildings water heater.

The next day, Dick shows up to your apartment right on time. He pulls up in his electric blue sportscar, sticking out like a sore thumb in this neighborhood. You can't help but grin when you see his car through your living room window. Checking yourself out in your bathroom mirror one last time, you make sure your concealed weapons and headpiece aren't visible, before grabbing your phone, keys, and wallet from your backpack. A sudden knock on the door to your apartment causes your eyebrow raises in suspicion, and you slip your shoes on before answering.

"Dick?" You greet the blue-eyed man standing in your doorway, surprised to see a bouquet of gorgeous white roses in his hands. His hair is styled neatly, and he's clean-shaven, too.

"Hey." He flashes you an excited smile taking in your outfit. "You look great." He comments, his brow furrowing ever so slightly as he looks you up and down, taking in your casual attire.

"Thanks… You didn't have to come up here and get me, though. I was on my way down. Am I under-dressed?" You ask him, noting the button-up shirt and freshly pressed pants he's wearing.

"No, not at all." He extends his arm, presenting you with the roses. "These are for you."

"Oh." Your eyes narrow in confusion, glancing between the roses and his expectant grin. "Thanks… I'm assuming I'll need these later?"

Dick clears his throat and tugs at the collar of his shirt. "Well… I mean… need is a strong word," he replies, chuckling awkwardly, "But you can leave them here, if you like. To enjoy when we get back."

Him saying 'when we get back' makes you think there must be some follow up or additional work to do after you complete your objective.

You grin, and take the flowers from him. "So, does that mean we're pulling an all-nighter?" You turn your back to him and walk towards your kitchen to get a vase for the roses. You just miss the bright pink flush that creeps into Dicks cheeks.

"Uhm… I mean, I didn't want to assume anything, here, but if that's where the evening takes us…” He scratches the back of his neck, and follows to join you in your small but tidy kitchen.

He finds you at your sink, filling a tall jar with water. "Yeah, I got nothing going on tomorrow. We can go all night if we need. I've been in the mood for some action, anyways." You explain casually.

His face grows even more red, suddenly feeling very warm in the shirt he chose to wear. "L-let's just get through dinner first."

---------------//---------------

Your eyes scan the fancy restaurant, taking in the scene, noting all the exits, eyeing the people occupying the tables around you. There's a quiet hum of conversation, laughter, and clinking glasses that fills your ears. You don't notice anything out of the ordinary, but you stay diligent, slightly annoyed that Dick hasn't told you why you're here yet.

A couple to the left of us. Man and woman. Mid-thirties, wedding bands, the woman is on her phone, barely paying attention to her date. We have another couple on our right, two men, could be 50's or 60's, hard to tell. Nice watches. Ordered the salmon…

Dick pokes at his pasta with his fork, a small frown on his lips. He's been acting weird since you got here. But he didn't give you any briefing, which makes you think he must be waiting for someone. He said you would enjoy what he had planned, maybe taking down an old enemy of yours? You wrack your brain, trying to remember the last villain who wronged you.

Dick says your name, snapping you out of your thoughts. "Hm? Yeah?" You ask, looking up at him blankly.

"Are you okay? You don't seem to be enjoying yourself."

The waiter passes by your table, refilling your wine glasses with a polite nod.

"Thanks." You tell him with a brief smile. Your attention returns to Dick, who's blue eyes are trained on your own. "I'm fine, Dick. Honestly? I'm just a little confused about what we're trying to accomplish here. What's our objective?"

"The objective," he sighs, and takes a sip of his wine. "The objective is to enjoy ourselves. Spend quality time together."

You barely hear the words he's saying, thinking instead of how he's already on his second glass of wine. He isn't even fake sipping, like you are. This isn't like him. Dick never drinks while he works, unless he's undercover. But even then he will limit himself, never wanting a mission to go bad because he was inebriated.

"Uh, Dick? Shouldn't we cap if off at one?" You ask, nodding to the glass in his hand. "We need you sharp, don't we?"

His eye's widen a little as he sets his glass down. You find it hard to place the emotions playing across his face. He almost looks offended.

"Sharp… right." He sighs, grabbing his napkin and wiping his mouth, shaking his head a little in disbelief. "You know what? You're something else. I really wanted this to be a chance for us to get better acquainted outside of work. I wanted to get to know you better." He waves down the waiter again, signaling that he's ready for the check. "But it's clear to me now why you even agreed to this."

Now it's your turn to go wide-eyed. "Outside of work? Dick, what are you-"

"I honestly thought you were different. I thought we had chemistry. Real chemistry. Maybe I was wrong. Seems like you're only interested in making sure I can perform later, is that it? An all nighter? You can't even humor me, and enjoy a nice meal together first? You've barely said a word, and you haven't even touched your food."

Realization hits you like a ton of bricks.

Dumb. You are so fucking dumb. This isn't work, this is a date. A real date. No wonder he's dressed so nice. He brought you flowers. Fuck, how could I be so dense?!

"I… Dick, when you texted me yesterday, I thought-"

"Save it." He grumbles, rubbing his temples and avoiding eye contact. "Let’s just get this food to go and forget this ever happened."

You sit up straighter in your seat, and reach across the small table for his hand. "Please, let me explain?"

He looks down at your hand, then narrows his eyes at you. "You're going to tell me I'm wrong?" He challenges.

You aren't used to this. His glare sends chills down your spine. You don't often find yourself at the receiving end of Dick Grayson's anger, but its unsettling every time.

"Y-yes. You're wrong." You curse yourself for stuttering, but your heart is racing now, nervous about how badly this miscommunication could affect your relationship. Your eyes plead with his while your hand rummages around for your phone in your jacket pocket. "I think I misunderstood your texts. Just let me pull them up real quick."

The waiter returns too soon, check in hand. Dick waste's no time laying down a few crisp bills before angrily standing up. "No need. You thought this was just a hookup. I get it. Never mind about getting it to-go. Why don't you stay here, enjoy the rest of your meal alone." He throws down another large bill, slamming it down with his fist right in front of you. "You can take a cab home."

"No! Dick, please!" You stand from your chair, cloth napkin falling to the floor, watching him stalk past you towards the exit of the restaurant, anxiety filling your stomach with dread.

► let him leave.

► follow him.

don’t steal my work. don’t repost it somewhere, upload it to another site, use it to train ai, or claim it as your own.

[bearambles]

sober (haymitch a.)

words: 3.9k

warnings: 18+, smut, unprotected sex, p in v, oral (f + m receiving) , teasing (?), too much plot 😭

notes: this is so late! i am so sorry to whoever requested, i got super busy and couldn’t post it the day i planned. also, this is my first ever smut! so i am sorry if this is terrible, i’ll get better over time. enjoy!

_

The party lasted hours. Your feet hurt, your stomach is churning, and your head pounds. You've never wanted your district bed more than now. This place reeks of wealth and lies.

Unfortunately, skipping these monthly events would anger Snow. He already dislikes you and your district, so you have to do whatever it takes to please him. If that means enduring long nights of drinking and throwing up, so be it. It's better than death, you suppose.

There's only one other District 12 victor here with you, and he disappeared halfway through the night. Haymitch, despite being a good friend and your former mentor, is possibly the worst person to rely on in these social situations. He's been sitting at the bar for who knows how long, drinking who knows how much. It's only when the host literally announces it's time to leave that you find him, slumped over the counter on a stool.

"Haymitch? Come on, we have to go," you urge, shaking his shoulders.

"What? No, let me stay. I'm sleeping," he mumbles.

"You're not sleeping. You're fine. Here, I have one of those drinks that make you throw up. It'll sober you up enough to say goodbyes," you say, handing him the glass. He pushes it back towards you without even looking up.

"I don't want that Capitol shit."

"This Capitol shit will help you a lot right now. Haymitch, get up!" You push his head to the side so you can see his face. He opens his eyes to look at you.

He's only in his late twenties, but his eyes seem older. He looks as rough as he acts. His hair is too long, and his beard is starting to come in slightly, despite him saying he'd groom himself for this occasion. Still, he looks handsome. Not that it matters; his current state reflects his antisocial night.

"Please. I'm trying to keep us out of trouble. You've been alone all night. At least come say goodbye to people with me. Then we can go home, okay?"

If harshness isn’t working, you'll try being soft with him. Sometimes, just sometimes, it works. It seems to today.

He sighs and sits up, steadying himself with his palms flat on the counter. He reaches for the purple liquid and swallows it like a shot, squeezing his eyes shut and grimacing.

"Okay, I'll be back then," he says, going off to throw up.

You nod and take a seat on the stool next to where he was sitting, waiting. You can't help but feel guilty. You should have stayed with him longer that night before he went off on his own. You knew he'd go drinking, but you didn’t know it would get this bad.

Since you've known Haymitch, he's had a bit of a drinking problem. Mostly under control when he mentored you—never more than tipsy. But in recent years, as more of his tributes lost the Games, it's gotten worse. It's weighing on him, you can tell. You want to help so badly.

"Okay, let's go," he says, returning a few minutes later, running his fingers through his hair. He's clearly sobered up a bit, maybe even washed his face. His breath smells of mint.

The host and his wife are among about a dozen people remaining by the time you leave the bar and walk to the main room together. Nonetheless, you both put on a show, shaking hands and smiling, thanking them endlessly. You never know who's watching, present or otherwise.

As you make your rounds to the last few victors, Haymitch latches his arm closely with yours. The move surprises you; you realize he hasn't been this physical in a while. It seems to come with sobriety or maybe just part of the Capitol's show. Together, you almost look like a couple. It's odd.

When you leave through the doors, he doesn't let go of your arm. It's a cold night, and you shiver, but the warmth of his body next to yours feels weirdly nice.

"Thank you," you say, looking up at him on the train ride home.

"For what?" he asks, furrowing his brows.

"For taking the glass. I know you hate that stuff, but—"

"But I need to get sober," he says, looking away from you into the distance.

"I didn't say that, but it's nice when you are. I mean, it's helpful with the image when you aren't stumbling around—"

He detaches his arm from yours.

"So I shouldn't drink because the President said so?"

"He didn't say so, Haymitch. I'm saying so. You shouldn't drink because I say so."

"And why's that?"

"Because I like you better like this."

He goes quiet, then looks down at his feet, his hair falling in his eyes.

"Yeah, well, it's harder than it looks, sweetheart."

"I know that. I'm sorry," you say softly.

The rest of the ride is quiet. It's just the two of you on the train, and any sound you make seems to echo for ages. Neither of you wants to speak; too much is unsaid.

You care about him; you know that. You just aren't sure how. Though it seems increasingly clear to you in moments like this when all you want to do is tuck his hair behind his ear and kiss him softly. You have no idea how he'd feel about that, though. You have no idea how he feels most of the time.

In fact, just then, it's the first time he's seemed to feel bad about his drinking. And it doesn't seem like he cares about his health or the Capitol's opinion on his image. It seems like he feels bad for disappointing you.

When the train stops, you both get out, him first, then you. He offers his hand as you step down, and you take it with a slight smile. His hands are cold, as is the night.

Your houses are directly next to each other in Victor's Village, making the walk there excruciatingly awkward. You can't tell what he's thinking, or if he's thinking at all. Finally, after what feels like an hour, he speaks.

"That stuff is really nasty, you know that?" he says.

You look up at him. "The purging stuff?"

"No, the desserts they were serving," he says, rolling his eyes and bumping his shoulder against yours. "Yeah, the purging stuff."

"I know. I'm sorry."

"Don't be sorry. You're right. What you said and stuff. That's all right. You're right."

You smile and look up at him. He looks back at you and smiles softly, then looks away. He clearly hates to admit it.

"Don't be cocky about it, though. And don't expect me to stop. It's not that easy."

"I don't. I just like you like this."

"Yeah, you mentioned that. What do you mean?"

You've reached your house, and he stops in front of your door, feet planted. He looks down at you with a questioning gaze, and his blue eyes seem to dart across your face. Your cheeks flush. You have no idea what to respond.

"You know, just... sober," you say, looking away.

"No, I know, but the 'like' part. What do you mean? Because you got all shy when you said it," he says, swaying a bit where he stands, impatiently waiting for a response.

"I don't know," you say quietly.

"You don't know?"

"No. I think we should go to sleep. You should go to sleep. No more drinks. At least wait until tomorrow."

You try to push past him to your door, but he takes both hands out of his pockets and gently shoves your shoulders back. Not hard, but enough to make you stumble. He gazes down at you and steps forward, closing the space between you.

"Whoa, you're so eager all of a sudden. Look at me," he says, tilting your head up with a hand under your chin. "Why are you so embarrassed?"

"I'm not."

"Yeah, you are. You like me?"

"Haymitch, stop. You're—" You stop, tears pricking at your eyes. He's teasing you, you're sure of it. The last thing you want is for him to figure out your feelings. Not after he's been your mentor, not after he's seen you at your worst, after he's been your friend (?) for this long. It doesn't make sense. You know that. And he knows that, most definitely. That's why you're sure he doesn't feel that way towards you. He can't.

"You're crying. I thought you were all tough?" he says.

He's right. You were tough. Crying makes you weak. You hate talking like this. So honestly.

"Stop it," you jerk away from his hand, which had crept up to your cheek. "Go to bed."

But you don't take a step forward, don't shove past him again. You just stand there, your breath heavy, looking away. He gazes at you like he's seeing you for the first time, his eyes darting from your eyes to your mouth to your body.

"I don't want to. I want to talk to you," he finally says.

"About what?" you say, still looking away.

"Us," he says softly.

"What about us?"

He takes a step forward.

"Come on, sweetheart. You're so good to me. Take care of me. Trust in me. Give me hope."

Your breathing speeds up as you feel his hand stoke your arm gently up and down as he speaks. You’d always been cautious of his words, so used to his drunken thoughts being untrustworthy and sometimes cruel. But this feels honest. Real.

“I know you feel something.” he says as you lift your head to look back at him. “You might not know what. I don’t know either. But c’mon.” 

He starts to lean closer and your eyes drift closed. Before you can even register, his lips are on yours, and you’re kissing back. Your hands hold his elbows and his hold your face. 

His mouth tastes of the mouthwash from the capitol washrooms. He’s so slow with you, like he’s trying not to scare you. You aren’t sure if he possibly could. 

Suddenly you pull away. 

“What’s wrong?” Haymitch asks, his eyes wide.

“We should go inside.” 

“Oh. Yeah.” He registers quickly what you mean. 

All along the village are cameras for the capitol to see what goes on. Although it’s unlikely you’d get in much trouble for a kiss, you never knew what would land you a meeting with snow. Or just become the talk of the next victor event. 

You push past him and unlock your door quickly, before turning back to him, motioning for him to come inside. By the time you close the door, he’s kissing you again, this time the careful act gone. He catches your lips and kisses you like his life depended on it. It’s messy and wet and you’re so turned on it’s insane. 

His hands both reach down to hold yours, and he pushes them up against the door. The motion catches you by surprise and you moan softly into his mouth. He hears you and holds down tighter on your wrists, just enough to feel but not to hurt. 

His knee starts to spread your legs apart slowly as he kisses down your neck, and you let his name slip from your mouth.

“Haymitch~”

He stops to look at you.

“Yeah? You like this?” He sounds like he’s genuinely asking. Like he needs to know. 

You nod, your brain already fuzzy. 

“Okay. Okay.” He sounds out of breath but resumes 

his task, getting down to your collarbone. 

Hes rough with his kisses when he’s below where any marks would be seen. As he unbuttons your shirt, he looks at you, smiling like an idiot. It hits you then that he seems to have wanted this as badly as you all along. He leans in to leave a soft kiss on your lips before pulling your sleeves off your arms and throwing your top to the floor. 

“Jesus…” He mutters as he looks down at your tits. 

You reach behind you to unhook your bra, and let it all forward and land next to your shirt. 

“Holy fuck.” 

You laugh quietly at his words. He looks up at you in awe and with a look of asking as he creeps his hands from your waist up to your chest. You nod and let out a sharp breath when his cold hands hold your tits and knead them slowly. 

You wonder then if he’d ever done this with a woman before. He was younger than you when he won, so probably not before the games. And after…he’d never really seemed the type. But then again, he was attractive and still young, so you couldn’t be sure. 

Besides him, you’d only been with one or two boys from district before you were reaped. They were, however, nothing like this. 

He takes one nipple between his thumb and pointer, pinching slightly. Between the pressure and his cold hands, you let out a noise of surprise and pleasure. 

“Does that hurt?” He asks

“No, just…it’s a lot.” You say through deep breaths. “K-keep going.”

He smiles and does the same with the other, and your hips jut forward slightly in reaction. He doesn’t notice, which you’re grateful for. You’re so eager it’s embarrassing. Every touch makes your stomach flip and your underwear wetter. 

Slowly he starts to kiss down from your collarbones to your chest and takes a breast in his mouth. He looks up at you as he sucks softly, his tongue swirling your nipple. His big eyes looking into yours makes you feel like you could cum then and there. you let out a moan instead. 

He plays with your breasts for a while longer before they’re nice and covered in both his spit and dark, red marks. He knew what he was doing, putting them where nobody could see. you thought of changing in front of a mirror days to come, just looking at them. Knowing it was from him. sober. He wants this. 

He gets to his knees before you can stop him, and begins to pull down your skirt. 

You’re left in your underwear, your slick having left a clear spot in the front. You turn your head in embarrassment as he touches up your thighs and leaves open mouth kisses. 

“All this from that, huh?” he asks, laughing softly 

“Shut up.” you mutter into your hand. 

“You want me to stop?” he asks, his fingers hooked under the sides of your panties. 

“N-no.”

“What was that sweetheart? C’mon, look at me.”

“Don’t stop.” you say, clearer now, making eye contact as he kneels in front of your pussy. You couldn’t be more vulnerable, and yet, you trust him with every inch of your being. 

He looks back at your core for a moment before licking a stripe up the thin fabric. You curse quietly and he pulls them down, the air hitting your heat before his tongue does. But when it does…

He laps at you like he’d wanted to for years, which you’re now sure that he has. The urgency makes your legs buckle and he uses both hands against your knees to hold them open. He switches between your folds and your clit, paying attention to both. Every so often he stops and just admires. 

At some point haymitch sucks at your clit, and your hands fly to his hair, pulling slightly. 

He lets out a groan of surprise against your core.

“Sorry, sorry…” you mutter, loosening your grip. 

“No, keep going, I like it.” he says, stopping to look up at you, his eyes nearly glazed over in bliss. 

You resume your hold on his head and tug as he continues. Between his lips and his tongue, you’re  overwhelmed. before you know it, you feel the coil in your stomach tighten. 

“Stop…stop…” you manage in between moans. 

He gives you one last kiss to your clit before standing up, wiping at his mouth with the back of his hand. 

“You okay?” 

“Just don’t wanna finish yet.” you say without thinking, before getting flushed. Even after all that, you couldn’t believe you were speaking to him like this. Haymitch. 

He smiles lazily and goes in to kiss you again, and you can taste yourself on his tongue. It should repulse you, but instead, it turns you on more. He's so happy right now, and it’s so hot. 

“Do you wanna go to my bed?” you ask him when you get a breath, his forehead resting against yours. 

He picks you up and carries you. 

Haymitch knows your house as well as his from all the press training, meetings, and late night conversations you’ve had there. He practically lives with you at this point (Besides the sleeping over part. Usually. Unless he’d passed out.) 

He drops you on your mattress and pulls off his own shirt in one motion. Your breath is caught in your throat. 

You knew he was in shape, at least he was when he had mentored you all those years ago. But even now, behind the big shirts he wears and raggedy jackets, soft abs trace his stomach. His arms as big as your thighs. No wonder the pressure on your neck felt so nice. 

He sees you staring and smiles, leaning down to tuck your hair behind your ear. 

“You gonna say anything, pretty girl?” 

You try, but you find no words. Instead, you kiss him, and slowly trail your hands down his chest. you can feel raised scars and for a moment, remember what he’s been through. What you both have been through. 

You reach his belt and whisper into his mouth, 

“Can i?”

He nods against your forehead and you start to undo it, throwing it to the side. You pull his pants down with urgency and run your palm against his boxers. 

He lets out a noise you’ve never heard him make before, a mix between a whimper and a moan. You smile and start to palm him faster, before taking him out of his underwear and looking between you at his length. 

He’s bigger than you expect, and definitely bigger than the boys you’ve been with before. A solid seven inches and thick. Your eyes can’t look away and your breath rises and falls. 

He takes your hand softly into his and guides it to his length. He looks up at you as he does, searching for any hesitation in your eyes. Instead, you look up at him before flipping you both over quickly, so you sit on his thighs. 

He’s strong, but so are you, and he doesn’t resist as you take charge over him. He does, however, look a bit surprised, and reaches to hold your hand again. You take it and kiss it, which he smiles at. Then, you lean down, and let a glob of spit dribble from your mouth to his cock. 

“Jesus christ…” he mutters, as you use your free hand to pump up and down. “When did you…fuck…feels so good sweetheart”

You smile and take him in your mouth, bobbing your head up and down quickly. His other hand still holding yours, he grips at your hair (much gentler than you did his) and makes a make-shift ponytail so he can see your pretty face. 

Despite the view, his eyes flutter shut in pleasure, and your pace quickens. You feel him pulse inside your mouth and you’re sure he’s about to cum. 

You take him as deep as you can before pulling off, leaving his cock hard as a rock and covered in your saliva. You admire your work for a moment before he reaches forward and pulls you on top of him by your hips so you’re right against his chest. 

“C’mere” he moans, fucked out, before taking his cock in his own hand and looking over your shoulder to position himself in front of your entrance. 

“You want this?” he asks, taking your cheek in his free hand and stroking his thumb against it. 

“Please.” you whisper. 

Slowly, he inserts himself into you, catching your moans in his mouth as he kisses you slowly. He stretches you out so well, and your slick helps him move without much pain. Still, you bite down on his lip at the feeling of being full once he’s in. You let out a whimper. 

“I know baby, I know. Shhhh. Tell me when to move, okay?” he looks into your eyes. 

For a moment you just kiss him, his mouth so warm on yours and his cock so warm inside you. You could die like this. 

Then, you pull away, and lift your hips, before slowly moving back down. 

“Fuck…” he moans, before catching into the pace you set and moving you up and down on his cock. “So perfect for me, yeah? You feel that?” 

You nod dumbly at his words. He could say anything to you at this moment, and you’d agree. He feels so good. So right. 

“You wanted this huh? Is that why you want me sober? To fuck me?” he asks, and you shake your head as you bounce on his dick. 

“Hm, but that’s part of it, yeah?” he insists, “You like this. Me. C’mon sweetheart, you’re needy. That's okay, I'm givin’ it to you. I'm here.” 

You fall against him and place your head on his shoulder as he fucks into you like you’re a doll. He knows just what to say to get you so embarrassed and so wet. The words only add to your pleasure and you can feel yourself getting close. 

“Haymitch…” you moan against his shoulder. 

“M’ close pretty thing.” 

He takes one of the arms holding your hips and moves to your clit, rubbing quickly. The feeling sends you over the edge. 

“Fuck, haymitch, i’m cumming~” you mutter, raising your head to look at him as you fletch down and your orgasm washes over you. 

As you come down from your high, he speeds up rutting into you, and you put each hand on one of his shoulders for support. His eyes are closed and his mouth slightly open as he mind your name over and over like a prayer. 

He lifts you off of his cock and back onto his thighs before cumming all over your belly. You reach a hand down to stroke him as he does, but he catches your wrist. He’s sensitive, you can tell, and you laugh softly. 

“Sorry pretty girl. Made a mess.” he says, looking in between the two of you. Between his cum and yours, there’s not a part of either of you that isn’t slick. He takes a finger and swipes a bit of his own before putting it in front of your mouth. Grinning, you take it in your mouth and suck, tasting him.

“Jesus.” he says softly, as you lay down next to him, your face buried into his neck. 

You lay there like that for a moment, breathing. His hair sticks to his face in certain places, and his cheeks are rosy. The reality of what had happened hits you.

“You know, this isn’t the only reason you should drink less-“ You begin, propping your head up on your hand. 

He sighs. 

“I know. I’m too happy right now for lectures though, alright?” 

You consider for a moment before deciding that’s fair. Laying back down, you cuddle into his side.

“You admit this is part of why though, huh?” he says after a few moments, and you can hear the smugness in his voice.

“Was it worth it?” you ask

There’s a pause.

“I’d do anything for you.” he answers.

And for now?

That’s all you need. 

-

tysm for reading! like + reblog if you enjoyed :)

[becauseimanicequeen]

The Timelines in 4 Minutes

Since the Olympics are finally over, and I have three episodes of 4 Minutes to go on, I thought I would spend some time trying to figure out the timelines.

I'm someone who figures out what I want to say by writing it out, so this post will most likely be me "thinking out loud" and drawing conclusions as I go, and then, at the end, I'll have a clearer view of the timelines (hopefully).

(This is most likely going to be one long-ass post, so beware.)

Let's start with some initial notes before I dive into the fun stuff.

The contents of this post may be influenced by some of my theories (pre-premiere theories, episode 1, episode 2, episode 3), and I might come up with new ones as I write this post (they will be highlighted in purple so possible readers of this mammoth post can choose to ignore them if they want, lol), but my focus is primarily on the timelines themselves and, perhaps, on the passing of time throughout the episodes as well.

As I start this post, I believe there are 3 timelines (which are subject to change as I continue to write):

The present timeline, which is what starts off both the 1st and the 2nd episodes (these are events from the future from our current vantage point).

The 4-minute timeline, which is where Great changes things (I've previously called this the OOBE timeline, since I believe Great is having an out-of-body experience and is "reliving" his past).

Then there's a possible third timeline (I've previously thought it might've been the real past, which showed us events that actually happened in the past paralleled with the 4-minute timeline) but I'm most unsure about this one, so I'll just call it the 3rd timeline until my thoughts are more clear about it.

Now... Where the hell do I start?

Time

It might be a good idea to start with the clues that there are different timelines at play and then dive deeper into the episodes to figure out what's happening.

Besides the obvious clues that Great is sent back in time when he has his moments of the 4-minute phenomenon (4MP), there are other clues that different timelines are at play.

The first clue shows up in the Korn and Tonkla scene from the 1st episode and all the way through to the scene where Korn drops Great off at his place after their family dinner.

This is where I'll be crazy about the details (but I'm a hundred percent sure they matter, especially since this whole show is about time), but if we look at Korn's watch when he arrives at Tonkla's place, it says 7:15-ish pm.

Later, when Tonkla wants a second round, it says 8:55 pm.

Then they get interrupted because Korn's dad wants him home for dinner. They have their family dinner, and then, when Korn drops Great off at his condo after dinner, Korn's watch says 7:15-ish while the clock on Great's phone says 07:13.

(Great already has issues with time, which I believe is the effect of him having a cardiac arrest at 11:00 in the present, but the time anomaly in this particular sequence is different than Great seeing 11:00 and counting when he's alone.)

This whole sequence is meant to be the same day Great hit Manee with his car. All of them (even the dad and Great's mom) are wearing the same clothes they wore when introduced throughout that very same day. Yet, the times on the visible watches and clocks tell us something strange is going on.

(Could this just be me overanalyzing the watches and clocks? Sure. But the interesting thing is that the time is still consistent in the sequence with Korn and Tonkla. It would make sense that they talk, then fuck, and then lie there butt ass naked and cuddling for a total of 1 h 40 min. And, again, considering this show is about time, I trust that the creators have been meticulous about those details, even if it means changing the time on the watches and clocks for every new take if needed.)

Considering what I wrote above, I might start calling the 3rd timeline Tonkla's timeline, because I feel like it revolves around him.

Either way, I will focus on the 4-minute timeline and the third one in particular because I don't see a possible 4th one right now (I might by the end of this post, though, lol).

The question is, then, how we can determine which scenes belong to which timelines. I will get to that further below, because first...

Let’s look at some more details I’ve noticed.

Blurry Edges

One of those details is the dreamy, blurry edges (I'm sure there's a technical term for this, but I have no idea what that might be, I'm just guessing that they're adding it in post-production, but don't quote me on that). Much of the show has a dreamy feel overall, but I'm talking about the blurry edges in particular.

I've noticed blurry edges in the following scenes:

When Great feels iffy in the elevator (ep 1)

I'm pretty sure there's some of it happening in the scene when Tyme is treating Manee, both in the ER and in the OR during the surgery (ep 1)

At the family dinner when Great's mom tells him he should go see Manee at the hospital (ep 1)

When Great feels iffy at the hospital before his second 4MP (ep 1)

When Great is sitting in Title's car talking about where View is (ep 2)

I'm not sure about this one since it's hard to tell because it's dark, but it might be used in the scene where Title beats the shit out of Dome (ep 2)

When Great brings Dome into the hospital (ep 2)

When Korn is having a meeting with Fasai and her dad (ep 2)

When Great feels iffy and has his fourth 4MP at the basketball court (ep 3)

When Win reads through Tonkla's brother's social media posts and comments, which is a memory of him doing it (ep 3)

And I'm pretty sure we're getting more of this since there were scenes in the trailer that had those blurry edges as well, for example:

The pattern I'm seeing with these scenes (if we exclude the first scene in the elevator, Korn's meeting with Fasai, and Win's memories, the latter might've had blurry edges just because it was his memory, btw) is that each scene has something to do with Great's 4MP, before the rewind and/or after the rewind.

(Perhaps the reason for the blurry edges showing up in Korn's scene is because he's the possible third character that's having an OOBE. And if this theory is true, there's a possibility that there's yet another timeline/reality/perspective present that entwines with both Tonkla's and Great's timelines.)

There are also the tilting camera shots (mostly showing up in scenes with Great), which I might get into next week as I continue to build on this post.

But, what does all this with the blurry edges mean?

I have no fucking clue.

Perhaps it's just meant to show that things aren't what they seem. Perhaps it's meant to show which characters are experiencing OOBEs (Great, Tyme, and possibly Korn)? Perhaps it's meant to show moments that are affected by Great changing them through his 4MP? Again, I have no fucking clue, yet (but it might start to get clearer as we get more episodes).

So, moving on...

Different Realities/Parallel Worlds/POVs?

There is another aspect to this whole timelines discussion I'm having with myself that I want to bring up. And that's the clues I've found that support the possibility of different realities/parallel worlds/different point-of-views. I'm not sure what to call them, yet.

So, let's dive into the moments I'm referring to and try and figure it out.

The second time Great experiences his 4MP, he goes to the ER's front desk and we're shown the nurse's actual desk where there's a clock that we're supposed to focus on because it's telling us that time will do weird shit again.

The moment Great has been sent back in time (after being in Manee's room), he's standing in the same position, looking down at the clock on the desk, and realizes it's happened again (just like when he hit Manee). However, this time, the things on the desk are different.

The time on the clock is the same, but the mirror is in a different position, 75 has turned to 74 (I'm not sure what these numbers mean), 77F has turned to 76F (which I'm guessing are Fahrenheit degrees), and the pink, blue, and yellow papers are lying on top of the folder the second time around.

If Great was sent back in time to the exact moment he was in before he went to Manee's room, the things on the desk would've been in the same place, right? So, he might not even have been sent back to the reality he was in before this 4MP happened.

Another clue is the sunrise and the sunset artworks on the wall at the hospital. We often see them by the entryway:

Then, in the 2nd episode, it looks like at least the right one is hanging outside Manee's room (which we've seen isn't anywhere near the front desk since Great had to walk around a bend to get to her room in the first episode).

Could they have more than one of those artworks in the hospital? Sure. So, take this with a grain of salt.

(Btw, I find those artworks so fascinating because sunrises are usually cooler (more blueish) while sunsets are usually warmer (more red/orangeish). But from our perspective, looking at them straight on, the warmer artwork has the sun setting in the west while the cooler artwork has the sun rising in the east. And, since the eye in left-to-right reading cultures often automatically goes from left to right, it's interesting that the sunset comes first and then the sunrise. Perhaps it's to show that the world is turned upside down now that Great is having these weird experiences. Or perhaps it's to show that the time between the sunset and sunrise will be important for Great and Tyme since Great watches Tyme pass those artworks (from sunset to sunrise) the first time he has visions of them having sex. But, I digress...)

Another set of clues is in the scene with Great and Tyme sitting on the bleachers by the basketball court and Great has another 4MP in the third episode.

The first time we see this wide shot, there are 5 people (excluding Great and Tyme):

4 of them are wearing white shirts (one with a darker cardigan), and they sit on Great's side. One wears a blue shirt and sits on Tyme's side. This is where Great asks Tyme why he didn't call before coming to the University.

As they continue to talk (and the camera shot is closer to them), you can see the top of the head of a girl walking towards the bleachers. There's also another person walking by, waving, but he's walking right past them rather than towards the bleachers.

Then, as Great thanks Tyme for the Thai tea and gets up to leave, we get this wide shot. The only difference here is that the girl who walked towards the bleachers is now sitting next to her friend. That seems logical, right?

But, then Great has his rewind, and he comes back to the moment where Tyme reminds Great to get his wound treated. Great tells Tyme about his precognition and Tyme tells Great that he will consult with one of his doctor friends. Then, as Tyme stands up to leave, we get this wide shot:

The two girls at the bottom left are in the same position but the girls two steps above and to the far left are different, the boy and the girl next to them are new, and the boy with the white shirt to the right is the same boy that sat on Great's side previously.

Coincidence?

Well... After Tyme tells Great that he can call him Tyme rather than Doctor, and Great says that they should grab something to eat after he gets his wound treated, we get this shot:

Now we're back to the original two girls to the left, there are new boys wearing black on the bottom left, and the boy in blue is back again. That's a lot of moving around in such a short time.

The only things that stay consistent in all of the shots are the bags (except for one of them) and bottles.

So, what's going on? Is this another one of those things that happened at the hospital where Great was sent back to a reality where things were different from the reality he was in before the 4MP?

Is the show giving us different perspectives? For example, Great's perspective before his 4MP, Tyme's perspective when he says he'll talk to Den, and Great's perspective again when Tyme has left? That could work for the hospital example as well since it was from Great’s perspective before the 4MP but turned into Tyme’s after the 4MP as he asked the nurse at the front desk who the guy that bumped into him was.

Or is the show just underlining how strange everything is during the 4-minute timeline (and Great's possible OOBE)?

Well, the latter might not be it because clues like this don't just show up when Great is around.

In the first episode when Korn comes to Tonkla's place, Tonkla's laptop shows he has something blue and yellow on his screen:

Then the screen is black as if it's been turned off:

Later, when it cuts to them lying naked on the sofa, it's just white:

Also, notice how the small spotlight behind the desk is positioned differently and pointing in another direction on the desk than in the first image above.

Could it be that Tonkla simply used the laptop and moved the lamp between them having sex and lying there? Sure. Again, if we look at Korn's watch from the beginning of this whole sequence (7:15-ish pm) to when Tonkla wants a second round (8:55 pm), we know he had 1 h 40 min to rearrange things and do stuff on that laptop.

But, you know, unless the house is on fire, who would move from that spot on top their sugar daddy who is lying there deliciously naked? And especially to do some stuff on a laptop? Fuck technology (the not-so-good kind of fuck) and fuck your sugar daddy instead (the deliciously bad kind of fuck). We all know Tonkla wants to. But, I digress...

Take this detail with a grain of salt if you want to (or a whole fistful). For me, though, this shows that there's a possibility that changes and inconsistencies like this aren't just happening around Great. And (to my crazy mind, at least), that it might be two timelines showing up throughout this particular sequence between Korn and Tonkla.

24 Hour vs AM/PM Clock Settings

And on the topic of inconsistencies... Another thing I want to point out is the inconsistencies with the digital clocks when it comes to them being 24-hour clocks or set to the am/pm thing.

The hospital seems to have a 24-hour setting in some cases:

But not in others:

This could be in the morning, of course, and the darkness outside Manee's window might just be because of the thunder/lightning storm (but I still think it's night rather than morning).

And then we also have Great (who, to be fair, has a special relationship to time in this show), who sees 11:00/11:02 both in the morning and at night:

And the am/pm thing is on his phone when Korn drops him off:

Even though his phone seems to have the 24-hour setting:

More than once:

But, again, Great clearly has issues with time and clocks/watches. So, this might just be a way to show how confusing it is to him.

But, what if it isn't? What if it's an indication that several realities are entwining? (Okay, I feel like I'm going with the term "realities" when it comes to this.)

My Timelines So Far

So, what are my conclusions after watching the first 3 episodes?

At this point, I think there are 3 timelines:

The present timeline.

The 4-minute timeline.

The real past/Tonkla's timeline (which is meant to show us the real past events that happened, most of it from Tonkla's perspective).

Having Tonkla's timeline be the real past is possible considering the inconsistencies in time during the Korn and Tonkla scene and then the Korn and Great scene in the 1st episode.

And before someone says this doesn't make sense because of all the missed calls Korn has (if anyone is still reading this, lol)... Well, that's because Korn exists in both timelines and the scene when he looks at the missed calls in that bathroom in the 3rd episode:

Could be the 4-minute timeline rather than Tonkla's timeline (the real past). That could make sense because all we've seen of Tonkla since Korn told him off over the phone is him waiting by his phone for Korn to call.

We never saw Tonkla call Korn again after being told off.

On the flip side, if Korn is in the real past when he looks at those missed calls in episode 3, it would make sense that when he wants to call Tonkla while he's waiting for Great at the bar (in the 4-minute timeline), the icons on the top right of his phone are different from the phone he looked at in the bathroom:

(Am I getting too crazy about this? Yes. Do I care? No, because it's fun.)

Could he be using different phones? Yes. Could those icons change depending on where he is and what settings he's using? Sure (I'm not familiar with Samsung phones so I have no idea what most of those icons mean). But it could also mean that we're seeing Korn in different timelines in these two scenes, which makes it possible for Tonkla's timeline to show us the real past.

(I personally prefer the option that the scene with Korn looking at the missed calls is from Tonkla's timeline (the real past) while Korn almost calling Tonkla in the bar, and then smiling at his phone as he's going to the bathroom, is from the 4-minute timeline where Tonkla's brother (who I believe is Dome) hasn't been killed.)

Also, I think showing us the real past is a smart way to show us what leads up to Tonkla beating the shit out of someone.

(I believe that scene is from the real timeline, and whoever he's beating with that rock, might have an effect on the things that are happening right now. I'm not sure what kind of effect, though. Perhaps it's a possible third person experiencing an OOBE and "living" in the 4-minute timeline. Perhaps Great is going through this OOBE to prevent that murder from happening after he wakes up (if he ever does). I'm not sure at this point.)

So, that's where I'm at with the timelines after 3 episodes.

And, when it comes to the inconsistencies in certain scenes, the easy answer is that they are just meant to show that this whole 4-minute timeline is an inconsistent mess of (what I believe to be) Great's OOBE.

But, I would personally find it more interesting if these inconsistencies (like all the people around Great and Tyme changing in that scene at the basketball court) are evidence that there is more than one character experiencing an OOBE and that the inconsistencies shown are there because the characters have different perspectives of the events happening.

Now, I had planned to make a flowchart of the scenes in each episode divided into the three different timelines I've written about above. But, I want to get this post out before the 4th episode drops tomorrow, and I just don't have time to make the flowchart before that (or enough images left in this post to fit something like a flowchart in it before I hit the pesky limit). So I'll wait with that chart until next week instead (when I'll continue to build on this post in a reblog).

Waiting to create and post the flowchart until after the new episode tomorrow also gives me another episode to nerd out about. It's a win-win for me.

[noneorother]

The grand unified theory of Good Omens S2, Hangs on a double meaning - Answering why .5 + .5 = 25 lazerii *The end?*

Part 1 l Part 2 l Part 3 l Part 4 l Part 5 l The end?

Welcome to the end of the Bonkers Meta Series featuring your favourite Art Director/Clue detective. This is it! I'm going to wrap up this series as well as I can with what I think really happened, the final 15 and why Crowley says the things he says. Meta, Spoilers, Beware! All that. “Armageddon only happens once, you know. They don't let you go around again until you get it right.” 

If you've read my Metatron post you'll know that I thought there were *at least* two time loops with tweaks to achieve different outcomes, seeing as we seemed to be presented with two versions of events a lot of the time, two similar lines of dialogue, double meanings for lines etc etc. If you want a really good recap of a lot of the Clues that have already been compiled already you can go through them here. Yesterday I added my own : The columns in front of the bookshop get stained by a demon, and the stain stays and goes. But why do we care?

Here's my final thesis using the context I'll put together below :

The Metatron is changing the past and the present on earth using the book of life. He's forced a time loop of the last few days at least 50 times over a period of (realtime) months to get the outcome he wants : the separation of Aziraphale and Crowley to allow him to complete the second coming. It only worked once. Let me explain.

1) Not time skips, but stitched loops

My theory about the columns goes like this : a demon touches the right column in the attack on the bookshop, and dirties it. The problem is, in every episode we get multiple versions of the column that are dirtier or cleaner. Why? Because a demon has been touching that column in *more or less* the same place and getting it dirty over time, but the effects on the bookshop only layer every loop and reset, instead of being erased. The layering aspect is super important and I'll get back to it. For now, if we take it that the column gets dirtier over many loops, we now know what we are seeing : a bunch of different time loops stitched together to create a sense of time moving forward in a way that we can understand the story, but that skip forward and backward through the loops. Cleaner column = earlier loop. Here's discussion about clock hands if you want evidence, some even saying the hour hand seems to be going backwards in the first episode or the last, or even that the minute and hour hands must be backwards to make sense. If we think of time skipping ever forward and actions getting deleted (as some have said), then clocks going backwards makes no sense. But if we think about it as a time loop where things and actions are ever being tweaked and changed, then OF COURSE the times won't make sense anymore. People don't show up at the same time if they don't do the same thing they did before. The biggest time discrepancies I've seen in a single scene are A) Crowley's phone and watch being an hour apart in S2E1 and B) Inside the bookshop between Gabriel's fly flashback in S2E6 and him and Beez holding hands, there's an hour difference on the clock. I think that by the time we get to very late loops, some things are happening up to an hour later in the day. A simple example we are shown up top is the Eccles cakes. They are there in the first part of S2E1, but then they are no longer there somewhere along the way. In the first loop we see an ordering action/receiving Eccles cakes action, which takes *longer* than just not doing that and going straight to the shop, so that loop will be slightly later. It gets infinitely more complicated the more loops you are looking at, and we have at least 50 of them. How do I know that?

2) A 25 lazerii miracle

If we know that effects on the bookshop are cumulative and don't reset (because columns), then let's try this idea on for size : Aziraphale and Crowley have been performing the same half miracles on the same spot for 50+* loops, and each times they are layering and getting stronger. .5 demon + .5 angel = .5 angelic miracle x 50*ish loops = 25 lazerii miracle goes off in heaven on the latest loop. Shax then confronts Crowley in his car about a mighty miracle, so we're in a loop here where we've layered quite a lot, but not the last loop because he still has the original glasses/ *but also* Crowley's sideburns are long. Compare it to the scene directly after, and how sunny and bright it is. We're in a later loop and and earlier loop simultaneously.

3) Crowley's been testing So I've been searching for a *reason* that Crowley wears a turtleneck in S2E2 and thren new glasses and changes sideburns, and he seems to be up to some pretty crafty spy stuff, seeing as 1) he seems thrilled by it, and 2) he won't shut up about it (How will our hero cope? Jane Austen, nasty piece of work, master spy) There's also this Clue :

Crowley has a secret, as we know everyone with their hands deliberately in their pocket does in the series. I think Crowley knows before Aziraphale that something is wrong, because he's getting little snippets of memory and feeling, and so he's going off to try and change things about himself, the Bentley and the shop to remind himself in the next loop and leave himself clues or change outcomes if he fails to escape. In the early loops it seems like a fun spy mission, but by the end he's pretty tired and jaded that he doesn't seem to be making any headway on his own.

It *also* explains him throwing books and canapés on the floor in the bookshop to see if it changes in other versions. The problem being that Gabriel keeps cleaning everything up and reorganizing the titles to Crowley can't tell if it's his system or not. (lolsob)

It makes this line seem like he can't fit the loop pieces together anymore, and is trying to make headway without any information, rather than a pre-fall reference.

And this line probably much later in the loops (New sunglasses, long sideburns) :

Okay so! To recap : Everyone gets reset every time, and they make different choices because of past and present edits. But, most heavenly and hellish things don't obey earth laws, and therefore things like miracles start layering, and memories start seeping through the loops. (Point 4 is optional but absolutely hilarious, so I'd like to think it's worth speculating about)

4. The flaw in The Metatron's plan

There's a huge flaw in The Metatron's plan however, and it's that Heaven and Hell don't work like earth does. He's spent so many loops trying to get the result he wants, that he doesn't know that something crazy is *also* happening in hell. Every loop, Shax is emptying out the legions of demons until they barely have enough low level lackeys to go up at all. Hell is understaffed because no new people come into hell in the loop from earth, and they're sending all the demons that aren't subject to the reset into battle. This isn't a negotiation, it's a montage.

So the attack on the bookshop isn't one attack, but waves, and the waves get less powerful each loop. Stitched loops would also explain why Shax now hands Crowley his mail again in the last attack after *just* handing it to him on the park bench, like, 4 days ago in an earlier loop.

I don't have evidence for this directly, but if The Metatron put Maggie together with Nina successfully only in the last few loops, then she's fighting in the bookshop only a few times, and doesn't invite the demons in any other times, which might be why the only evidence is the column, and not books being ruined. But, it might also explain why the demon Eric gets discorporated a bunch of times in a row, he's doing it later and later in each loop. (These are kind of contradictory thoughts, I know.)

5. Aziraphale realizes too late. When I wrote part 4 of this series I was pretty awed by the fact that Aziraphale managed to figure out the Metatron was rewriting things after only hearing him say ONE LINE of dialogue. However after more thought, I think that he's been getting close to the truth a bunch of times by communicating with Crowley in previous loops. In each successive loop he tells Crowley later and later, and it's been getting them reset as punishment each time they figure it out together. By the end they barely communicate at all, because they can feel the danger. Watch his reaction here, in what we can assume is a *very late or last loop (because of the time on the clock)*

He stops himself from interrupting and telling Crowley something important he's just realized : that he's seen Gabriel and Beez get together before. "I know what this means..." 6. Saraqael is helping both sides without them knowing We see Saraquael helping Crowley immediately with the trial when she finds him in heaven. Why would she help Crowley without having ever met him before as a demon? The exchange of "Crowley I remember you, we worked on the Hosehead nebula together" and "I meet a lot of people, (*he doesn't say* I don't remember you)" is a code. They are both trying to communicate what they remember like spies on a bench in St.James park. Who recognizes who, who's trying to stop this madness. Maybe once Crowley gets to heaven this time he's seen multiple trials with multiple endings, and Saraquael has seen them too, I don't really know. BUT she's also communicating with Aziraphale at one point. Look at Saraqael in this scene again about the 25 lazerii miracle. She *remembers the book slap* and then the *looks* at Aziraphale in regards to Gabriel.

Yeah Gabriel, IT NEVER F*&?%ING WORKS IN ANY LOOP SO STOP DOING IT. - Saraquel, probably. Are Saraqael and Aziraphale testing later/earlier in the loops as well? Is this when the miracle was weaker? Who knows! 7. The Metatron job offer was many, many offers

It's really hard to tell with all the pieces of the puzzle moving around, but I think I can count 7 job refusal loops by Aziraphale in the last fifteen minutes. Here's a summary 1) Chinwag with Crowley in the room 2) We should go for a walk instead, here's a coffee 3) You don't have to answer immediately 4) Go tell you friend the good news (This is the important one), it's the last one where he tries to convince Crowley to come with him 5) I need to take care of my bookshop 6) The Metatron puts Muriel in charge of the bookshop, but Aziraphale wants to take something with him 7) Aziraphale straight up runs out to Crowley with "I think I-" 4, again) The Metatron takes him out of the bookshop. "Ready to start"?

Trying to screenshot all that would be insane, so just go rewatch it with all this in mind, and look at how the lighting changes inside of the bookshop and the jump cuts to different angles, and how his face resets every time. It's HEARTBREAKING. 8. The argument

I'm so blown away by the acting and writing (as well as the art direction) in this show, and it all comes to a head in the final argument. Many important lines have double meanings in series 2, because everyone is trying to speak in secret code to not get caught. Especially in the final loops.

In the last loops, we have an Aziraphale who is moving ever closer towards accepting the Metatron's offer, with the straw that broke the camel's back being he could restore Crowley as an angel**/save him; and Crowley who is moving ever farther away, by having to hide all of his Clue gathering, and confiding less and less to Aziraphale in each loop.

Check out the double meanings going on in this whole exchange if you consider that they are trying to save each other using secret codes neither one of them can hear. It's so shattering. Especially when you consider they've probably made it to this argument at least twice, and Crowley convinced him the first time. Why do I say that, you ask? 9. No Nightingales

Because I think Crowley remembers a loop where A Nightingale Sang was playing when they kissed, and Aziraphael didn't leave, but he knows they aren't in that version anymore. 10) I'm a demon, I lied. I'll probably post more abut the secondary characters because Shax, Furfur, Michael, Uriel and Nina etc all have roles to play, but for now, this is it.

----------------------------------------- Thanks so much for reading the gigantic post. If you disagree with my thoughts, or think this is terribly wrong, that's totally fine! I won't be offended. Without a real season 3, everything is just ether. Fingers crossed. I'd also like to thank The Ineffable Detective Agency, @embracing-the-ineffable, @cobragardens, @indigovigilance, @yowlthinks and more for inspiring me and feeding my brain with posts. *Loop numbers could actually be 25+ if you think that .5 demon mircales + .5 angelic miracles pour register as 1 whole miracle in heaven, I just didn't want to go into that in the main review. **The Metatron's meddling in the past seems to me trying very much to highlight to Aziraphale how *good* and righteous Crowley is, despite being a demon, in order to convince Aziraphale that joining him in heaven is a real possibility, and he should push for it.

[junkdyke]

That Time I Hooked Up With A Tumblr Mutual

Ok. Let me start by saying this is not a callout post, and this should be read as a humorous story, with some takeaway lessons at the end. Please enjoy my story of my weird ass encounter with a Tumblr mutual.

Part 1: The Backstory

Alight so boom. I had just returned home from a trip where I met a different Tumblr mutual. That trip was great but didn't end up going to plan, so long story short, ya girl was horny. I had never really had a one-night-stand or sought out a solely sexual hookup, so I started thinking maybe I could try it out, see how I like it. And through the sheer power of manifestation, that opportunity presented itself.

I was scrolling Tumblr and one of my mutuals posted asking if anyone was in (my area) and wanted to hang out. Mind you, I have never spoken to this mutual before. No DMs, maybe like 1 or 2 comments through tags and that's it. But, most of my moots are far as fuck, so when I saw she was near me I was like oh ayo, I'm free! Why not, I had nothing else going on! So I reply, and she DMs me.

So she introduces herself, we'll call her Chicle for reasons I'll get to later in the story lmao. Anyway, she gushes a little bit, saying she's been too shy to DM me and that I'm a really cool tattoo artist mutual, I say she's cute and seems cool, and she asks if I've ever been to this particular mall. I say I have and if she wants to cruise the mall with me. She says yeah I'd love to cruise the mall and "if I like her vibe, then maybe we can do something more fun." I say I'm down, she gives me her number.

So here is what I'm envisioning. We'll meet up at the mall, walk around and talk, get to know each other, have some laughs, get a snack, it was a Friday so maybe we could go out to like a bar or go dancing, and then maybe after that, possibly make-out or even have sex! I am not opposed to having sex after a first date if I'm really vibing with the person and if we've been talking for a bit before. Girls, this is not what happened.

Part 2: The Meeting

I get ready, and I drive to the mall. I park, we text on where to meetup and I head over to the Gamestop. I see her at the counter, go up and I'm like "are you buying Pokemon cards?" She starts laughing, she says "I didn't want you to see this!" I'm laughing, I told her it's cute, she finishes paying and we walk around. Cute start and thennnn it all starts to go downhill from here.

As we are walking out of the Gamestop, a minute and thirty seconds into meeting this stranger, she wraps her arm, not around my waist...but around my ass. And pulls me close. I'm instantly uncomfortable by how close this gesture is. She starts cooing in my ear about how she's "so glad I'm not a catfish" and "if I like her vibe because she really likes mine". We met not even 5 minutes ago, I have not had time to evaluate any vibes! But anyway! She asks if she wants smoke 🍃 so I agree, and we go outside, right across from where we just were.

I get to take like 1 hit from this pen, she then steps close to me and says "I'm so glad you're real" kisses me and squeezes my ass. I again feel the need to emphasize that at this point, it has still been less than 5 minutes since we've met, and we have exchanged about 10 messages only a couple hours prior. This is a stranger to me. ANYWAY.

We go back inside, she asks if I wanna walk around, I agree. We chat for a short bit of time, before we go to the food court. I wasn't hungry, so she got some food and we sat and talked. I had made some mention about my past and she wanted to know more so I'm like "okay, I'll give you my lore while you eat" so I basically tell Chicle my life story. Afterwards, we go to walk around more and I start trying to ask her questions so I can get to know her more. It becomes very apparent that she is not interested in getting to know each other lmao. I ask what she does for work, and what she's interested in, and she tells me she's interested in getting into (something animation related) and i'm like "oh ayo, that aligns with what I do" and start trying to get more info cause i'm curious, annd I get just the shortest fucking answers. Ok.

She ends up making a comment about how I'm probably more experienced than her, and I'm like "oh really? Well how many people have you been with?" and Chicle asks "are we counting online?" Now, there is nothing necessarily wrong with this...but it does become more clear on just how "online" this person is. Anyway, she has only been with a few people, never had a partner. It becomes very clear as to why she may have never had a partner.

Part 3: Inappropriate Behavior

We are walking around the mall, stopping in a few stores to look at stuff. Chicle is walking next to me and I am still trying to invoke conversation. But Chicle is not interested in conversation, because instead, she is deliberately and blatantly staring directly at my tits. What I mean is, mid-walking, she is at my side, craning her head to the side to make it incredibly clear that that is what she is doing. I straight up ask "are you...staring at my tits?" she confirms as such, and says something about her being a dog. The dog thing will come up again.

Chicle is at different points, holding me, kissing me, and saying various suggestive things. She grabs me and whispers in my ear "do you want to go back to my room" and I nervous laugh and say "uhhh, we'll see!" At another point, she says "you're so small, you want me to manhandle you and throw you around?" and I again nervous laugh. We're like in Hot Topic, and she start trying to makeout with me and grabbing my ass and says "you're making me so hard"(we'll put a pin in that) and I push her away and say "not in public". I can do a little PDA but this is a lot, and at this point I have known her for about 40 minutes, maybe an hour.

Continuing on, as we're walking through this crowded mall, she drapes her arm over my shoulder and starts grabbing my boob and trying to pinch my nipples, which I immediately pull away from and again say "not in public". Chicle again says "do you wanna get out of here and go back to my room" and I'm questioning what exactly she means, because the phrasing is a little weird. "what do you mean 'your room'?" and she says "I have a hotel room" so I'm a little confused cause I thought she lived in the area. She does.

"i got us a room"

Ya'll, this bitch preemptively booked a MOTEL ROOM without even asking me.

At this point, she has asked multiple times and each time I nervous laughed and said "haha maybe, we'll see, ehhh we'll see" To any normal person, my body language was extremely clear that I was uncomfortable. And again this is not a callout post, she is not a bad person, and everything that ultimately happened, I did consent to. But I will not sugarcoat the fact that this behavior was definitely inappropriate harassment, and there was absolutely some pressuring with the continuous asking. But as I mulled it over, there were 2 reasons I ultimately decided to agree and meet her at that motel.

I was craving intimacy

I had never done something like this before so..fuck it, let's do it for the plot.

And so, she gave me the address, we got in our respective cars, and we met at the motel.

Part 4: The Motel

We go to the room, put our stuff down, and I go to use the restroom. I'm thinking "oh shit, this is weird but alright, let's see what happens"

I come out of the restroom, wash my hands, and she comes over and we start kissing. Already it's fucking weird because the way she is kissing me is so goddamn fast, it's like someone inhaling a meal because they think it's gonna run away from them. Now idk about ya'll, but I like a slow, deep kiss. So already it's a mismatch, but whatever. She lifts me onto the sink, despite the weird kissing, it's hot. She has some really minty gum in her mouth, hence the name Chicle. Put a pin in that.

After a bit, we go to the bed, and I keep saying "how did you get me here" because honestly, I'm not fully comfortable, it's just a weird situation for me and I'm surprised I agree to it. But agree to it I did, so we get on the bed, and keep going. Now, even though she does not have much experience, she's not bad! But...I can tell there's certain things she's doing that I've seen. Or rather, read. Whew lad.

As we're getting into it, my clothes are coming off, she's saying "You're my favorite Tumblr mutual. I can't believe this is what my favorite Tumblr mutual is into." I don't even really know what to say to this because quite frankly, mentioning social media in bed in any capacity is kinda fucking cringe. But it just gets worse.

So, she's spitting on my pussy. And I, personally, have a strong aversion to spit. It's something that I tell anyone that is a potential sexual partner, but it this case, we obviously did not have a prior talk about our sexual boundaries. In this case, I'm like "okay whatever as long as it's just there" but I quickly say "hey uh, just please don't do that in my mouth or i'll throw up" lmao. She's like "Oh okay sorry sorry". But then at some point, without warning she smacks the FUCK out of my pussy, and I'm so taken aback I immediately say "UH DON'T DO THAT" and she again apologizes and says

"Oh sorry, you know I had to try that one. Like that Tumblr post, you know the one."

Ya'll, everything this bitch is doing, she is referencing posts from Tumblr. She is referencing the sexy fantasy butch/femme text posts from Tumblr and she is referencing them out loud. In the middle of real life sex.

She goes on to reference more posts, and the worst part is I know exactly the one's she's talking about. "Mutuals to lezz out with" etc etc, it's so fucking cringe, and she tells me about how she started wearing more of a certain article of clothing after I reblogged a picture of her in it and how embarrassed she is to admit that (I thought that was kinda cute actually) anyway

She's still going way too fast with like all her movements, I tell her to slow down and relax and I think at this point I mention how she did not have to do all that PDA shit from before. She says "well you know, on my Tumblr I do say I'm a dog" and then uh, she starts barking. 💀 literally starts going "woof, woof" and I tell her to s t o p. Jesus fucking christ.

Anyway, after mentioning Tumblr and calling me her favorite Tumblr mutual way too many fucking times, I'm on top of her. Mind you, this whole time, I'm kinda in and out dissociating, just due to how not fully comfortable I am with this. But ya know, I'm still going for it. Her shirts off, she has really cute boobs, and then I notice a really fucking huge bulge in her pants. And I fully dissociate. Not gonna lie, I started feeling really panicky, because straight up, I was not prepared for this. Physically, I'm still touching her, but my mind is fully disconnected, and I'm thinking "oh fuck. When she said 'you're making me so hard' was she being literal? I don't know if I'm comfortable with this. Should I tell her I want to stop? But I don't wanna hurt her feelings. Should I just take it? Well no, I don't really want to...maybe I'll just say 'hey is it cool if I don't touch it?' I mean, she's cute so ehhhhh let's just see what happens!" SO. We continue on.

We flip and she's now on top of me. She references another fucking Tumblr post, and says "do you wanna suck on this lesbian cock?", unzips her pants and pulls out...this MASSIVE transparent strap on. And I'm like oh, it was fake LMAO. Then I say "...yeah, so that's not going in me"

She ends up taking it off, I don't even know how the fuck she hid it in her jeans that entire time, and we continue on. Around this point, I'm starting to feel pretty spent, she did some other things like opening up my pussy to stare at it and describe the color, whatever, I'm kinda done and I just wanna cuddle. So we cuddle for a bit and again, it's physically nice but it's just so weird because she is SUCH a stranger to me that I can't get fully comfortable. She starts trying to start up again and I'm just not really in the mood anymore. She keeps playing with my nipples and typically whenever I'm touched in a way I'm not digging, I'll just take their hand and move it away as a silent but pretty clear way to indicate "no". But uh, I had to do that like 4 times with her before I verbally say "hey, please stop" and her response is "why" 💀 like wdym "why" bitch, cause i said so. I'm kinda surprised by this response so I start to say "Uhhhh, it's...kinda specific" and she goes "oh okay, sorry sorry".

So, honestly, I kinda just wanna go home but I don't wanna be mean and just take off. But there's also no way in hell I'm sleeping over in this motel room. So, I suggest we go out and maybe go to a club or something and she's like "uh, no. I don't like going out" 💀 like damn, maybe you should spend less time on FUCKING TUMBLR AND TRY GOING OUT IRL but whatever, instead we just go get food and bring it back to the room.

Part 5: What Could Have Been

We got some burgers, and she wants to open the Pokemon cards. We do, that's fun and cute, and she asks if I wanna keep some of the stickers that came in one of the packs.

Then she tells me that she had went to the library and checked out a book on tattoos since "she knows I'm a tattoo artist, and thought we could flip through it together." And I genuinely think this is such a cute fucking gesture, I think it's really sweet, and it frustrates the fuck out of me because of what this could have been.

I told her that she did not have to do all the PDA, it was a lot and it was excessive. She is not apologetic about it, and says that the reason she was like that was because "she needed me to know what her intentions were and that this was not just a 'friendly' meeting." so I reiterate that she did not have to do ALL OF THAT just for me to know that. And she just insists that in the past, girls have treated her like just a "bestie" so she needed to get her point across. Now call me old fashioned, but you could have just verbally fucking communicated "hey, i'm really attracted to you" and I would have caught the fucking drift. But okay!!

She asks me if I have any knives because I guess femmes tend to have a knife collection. I say no. And she fucking pulls out this huge ass lethal switchblade thing and is like "this is mine!" and i'm like oh god, this is it, I'm gonna fucking die in this motel room. But she doesn't kill me, she just shows me the cool knife and then puts it away. I have known this person for like 4 hours.

So, we flip through the book, and it's funny and cute, but she keeps trying to kiss me and instigate, and i'm just not interested, I just wanna flip through the book and go the fuck home. And that's pretty much what happens, we finish, I'm like "aight, ima head out" but

before i do

we end up making out again and then I think she was helping me put my shoes on?? she's on her knees in front of me and...she asks me to spit in her mouth. Once again, I have a major aversion to spit and i really, truly, do not want to spit in her mouth. But she says please...so I do like a half assed spit and hope it's good enough. She asks me to try again....so I get an accumulation and spit in her mouth, and she swallows it and i am so so sad about it 😭 and I finish getting my shit and I go the FUCK HOME.

Now here is what frustrates me about all this. Physically? This girl is extremely my type. I like the way she dresses, she has really nice arms, she has a cute face, she's really fucking attractive. She's interested in getting into the animation industry, which I'm currently also working on getting into as well. We could have talked about that and really had a cool discussion on what kind of projects she wants to do and what style she works in. She likes video games, we could have talked more about what games we like. She got this tattoo book because she knows I'm a tattoo artist, and I think that's really fucking cute. There's so many non-sexual aspects that could have made this a real fucking date where I got to know this person, and feel comfortable, and then we could have had really great sex because straight up, the girl was good. She may have learned it from Tumblr, and some of it was weird, but for the most part? She was damn good, especially for only having limited experience. This could have turned into something real! But NO. Chicle, instead, wanted to grope my tits in front of families an hour into meeting me, and made no effort to really let me get to know her in any capacity whatsoever! And it's not like she wanted this to be just a one-night-stand, because she had told me she was looking for a gf and asked me what I was looking for!

It just could have been so much better than this weird ass situation. And after the fact, she texted me and I answered a couple times, but when the following morning she said something to the effect of "it felt so good having you on my lap" I just never answered. Because prior to this, there was absolutely no established relationship, friendship or otherwise. And I could not see anything moving forward, because we couldn't backtrack into the aforementioned "could have been". I considered communicating how I didn't actually feel super comfortable with how things went, but I ultimately just decided to not reply. Shitty on my part, but again, there was no prior anything. And we just never spoke again, we remained mutuals, and so I never talked about this because uh, obviously she would see it. But since she blocked me, heyho now you all get the story!

Part 6: Epilogue

Now, the reason I decided to call her Chicle (Spanish for Gum)

So, while the nice minty gum was a nice gesture, her spitting that gum juice all over my vagina resulted in me getting a yeast infection💀 No more hookups.

So what lessons did we learn!

It's important to talk about sexual boundaries before having sex with someone!

Internet fantasy is not real life! Don't just do shit because you read about it in a fucking internet post or saw it in porn! (Especially when that person doesn't even make those kinds of posts, i don't reblog most of those for a reason)

Don't chew gum before going down on someone

Communication overall is really important for setting up any foundation, even if it is just a one-night hookup!

(yes this is ok the RB cause I spent forever writing this and I do genuinely think it's a very funny story. Sometimes ya just gotta do things for the plot so you get a good story out of it. No regrets, and my pussy is all healed up lmao)