#i'm not very good at deciding on a time line for the comic

[talesfromthenorsesmouth]

i drew this for the pose and then I was thinking it would be cool to design some boxing posters for Nina and Deirdre before they started being henchwenches, because they have had a varied set of careers before settling on babysitter for an angry strand of cooked spaghetti

[zosanbrainrot]

PART 4!!

01 02 03 04 05 06

I stg I'm kicking yall in the shins one last time, we're ALMOST done with the angst!

Let me tell you I had this finished(!) twice(!), but no, I had to go back and change it lmao

In my first go the fight scene was much more rough, it was hard for me to draw from the beginning, I'm not really good at this sort of thing. So I took a little break from the comic and when I got back to drawing the last two panels (static ch close ups) they turned out so GOOD and CRISP! I just had to go back and redraw the previous ones. Didn't change the composition back then, just made the drawings less sketchy and fixed minor mistakes. This panel in particular went through bigger fixes, I couldn't get the pose right:

I emphasized the arch in Zoro's back so it's more clear he's hunched over, the head is lower, and the hand on his stomach wasn't looking good, so I switched its direction and I feel it looks more natural now. The whole pose is shifted to the side now, whereas in the previous ones it was more straight up, but I wasn't conveying perspective well.

So after that I had it all exported, loaded into drafts and as I scroll it on my phone I'm like... There should be one more panel where Zoro's getting kicked : | Imma need to change it AGAIN.......

It just didn't flow well. I work on the comic in chunks so I haven't put these panels together before, I always saw them side by side in my main file.

I just didn't like how you go from Zoro getting kicked to him being thrown, it just felt disjointed to me.

So first I looked through the three sole volumes of BNHA that I have at home to maybe understand drawing fight scenes just a little bit better. That's how I got to the new version of Zoro getting kicked so there's more lines showing movement etc. but most importantly you have the kick and Zoro's reaction separate. So now Zoro's face has a bigger closeup, you can see his open eye.

In the previous version it was more distant, the closeup wasn't as big and you couldn't see his expression well. With just the side view you could only see he's in pain but nothing more than that,whereas when you have a full view of his face you can get much more from that. You see where he's looking, you know he's looking at Sanji when he kicks him in the guts.

I guess that's why, in the first version, I was trying to still show his face where he's being thrown off of Sanji bcs I felt the side profile wasn't doing it's job, but at the same time it felt off, like there was less force in the kick bcs his head wasn't following the movement idk. Also he was def too big in the frame. So now Zoro's smaller to emphasize the perspective more, the head is down, the right arm is more to the side and there's more lines, the flame is more aggressive now and bursts into the sides when it comes in contact with Zoro's body to show the impact. I know they could be better still, but this is the best I can do right now and I'm happy with the result!! I'm glad I kept pushing it! These poses were VERY confusing to draw lol

Alsooo, it would make more sense if Sanji threw Zoro in the other direction, over his head like in karate/judo, but I wanted to keep my directions consistent. I had to have Sanji standing back to the carriage, so he doesn't notice the spear being thrown and Zoro facing the carriage so he can get hit from the front, right after he gets up. It's like..... did he not see it? Did he get hit on purpose? You decide lmao

Though I'm probably too rigid with my 'camera', in BNHA you see the action from any and every direction, i guess it adds to the dynamism of it all, also there's just many MANY more panels in manga lmao

Judge giving me major "isn't there somebody you forgot to ask" vibes at the end there lmao I hope you forgot he's even there and this comes as a surprise!

[ushiwakatrash]

The Bakusquad as Roommates

A/N: Hey babes, it's been a while! I've been so busy will college so I really couldn't write. But, yeah, I'm (kinda) back <3333

!Warning!: smoking (weed too)

According to the new rules, UA has decided to place two people per room.

(This deviates from the original plot line)

See the Dekusquad version here.

Bakugou Katsuki 爆豪 勝己

Did not like the thought of sharing his space with someone random but as per UA's orders, what choice did he have?

Very clean and very strict about house rules

Will constantly nag about how you can't do chores right

Your first weeks were a disaster. He was so scary and so intimidating, you thought he was the concentrated essence of evil

He's blunt and mean, but you figure out he just has a hard time expressing himself

One morning, he cooked breakfast for you but went with lame excuses like "I accidentally cooked too much." or "You look dead so fuckin' eat!"

Since then you went along with his shitty excuses and used them when giving him dinner

"Bakugou, you can have this 'cause I don't feel like eating anymore." or "They looked good so I bought twice as much for, uh, no reason at all."

Seeing your efforts in trying to be a good roomie, he warmed up to you eventually

Now y'all just argue like an old couple

Kirishima Eijirou 切島 鋭児郎

Looks tough, but he’s the sweetest guy you’ve ever met.

A literal angel

Day 1: friends

Day 2: besties

Day 3: you would take a bullet for him

He’s kinda messy and his punching bag takes a lot of space but hey, no one’s perfect

He always waits for you before he eats, and always saves you a plate when you’re running late because of extra training

You seek each other for comfort. Especially when Kiri feels insecure about how his quirk isn’t flashy or how he thinks it won’t make him a top hero one day

You, of course, would never want or let him think that way. It will never be a chore to remind him how he’s so strong and sturdy and how his muscles are hot

You know how much potential he has so if you have to repeat it a thousand times again and again, so be it

MUST PROTECT THIS CINNAMON ROLL

Kaminari Denki 上鳴電気

Had the idea of the old ‘bucket of water on top of the door’ prank as a big welcome to his roomie

What he didn’t calculate is that you have very sharp and fast reflexes.

Before the bucket falls on you, you hit it and the water splashes on Denki

Both of you were stunned at first but you recovered quickly and said “feeling cold, sparky?” with such a smug smirk

His face instantly got red and he stormed out of the room with comical tears shouting ‘MEANIE!!’

An hour later he returns, 2 popsicles in his hands. He hands you one as an apology and both of you reconcile, even if it’s his entire fault

You both get in trouble for blasting heavy metal at 3 in the morning MULTIPLE TIMES

The two of you made an agreement to do this ritual with headphones on because Mr. Aizawa had threatened to make you switch rooms

Sero Hanta 瀬呂範太

Ah, the potheads unite

It was a secret that you tried to keep under wraps since but the your roomie figured you out instantly

At first you both just shared vapes, trying out different flavors the both of you would buy

until you saw a bag in the bathroom that had an oh so familiar scent

You confronted Sero about it but he just gave you a 'what's the big deal' look so you shrugged it off

a few nights later he invited you for a session and you obliged, only if he kept it hush

this has been a routine since you could remember and Aizawa has never suspected you. I don't know about Mr. tape man though.

Ashido Mina 芦戸 三奈

There was no adjustment period for the both of you whatsoever

You both became instant besties and shared EVERYTHING

from skincare to clothes to maybe thongs at times but hey, girls do that shit

As if being roommates wasn't enough, you still hung out after class hours

Mina has been your greatest support system especially with boy trouble

Break a man's heart and she's as proud as any mother could be

Your heart is broken? A tub of ice cream and shitty movies are ready for you

She loves you like her own sister and constantly worries for you

Honestly the best roomie in town

𝓜𝓪𝓼𝓽𝓮𝓻𝓵𝓲𝓼𝓽

[greenflowerceo]

hii im suuper late to my own week ik (i'll post the rest of the days from time to time, college applications were a pain </3 but i've got most of it down

This piece is a redraw of my very first post ! This has been a wip since the start of the year so my art style unsurprisingly changed a bunch as i tweaked the lines and colors. it's not the best but it's looking as good as it can be!

as for the zine, people are free to draw up pieces for the week up until the end of september and we can compile it all together! it's not really the usual zine format but who knows.. we can maybe try to figure out a way to formally start a more structured zine project for these two

Anyway! I've decided to dedicate my greenflower week posts to my headcanons I've made up for them from the past 4 years.. I figured you guys could take a peek into my brain since I haven't really been good at that unless you catch me in a vc :") there's a buncha hcs and old ass art i never posted finally unearthing under the cut if you wanna take a peek

So, first thing: Body headcanons..

i took super long getting what i want with this waay back when I started posting cause I was still figuring out a lot with my art. i couldn't get in good details/features that would properly differentiate them or make them fun to draw. I wasn't striving to be really innovative with the designs or anything, I just wanted them to feel like characters I like looking at and thinking about

finally, i'm somewhat able to settle on these as of right now! It will most likely update as the time passes and my art changes, but this is what I got!

basically the main idea is that i wanted Lloyd to be bulkier but sharper. grew up fast and has all these edges, but then you get to know him and he's just a big ol dork. Mostly wears loose-fitting clothes that hides his figure, but he's quite built underneath

Brad's a lil taller and pretty lanky. my art style may not be able to show that properly but lloyd can snap him in half <3 he also seems hella chill but that's probably cause he got balls of steel after living through a million ninjago invasions

This thing below is an old outfit concept I have for a project that I've been working on. does not reflect my current headcanons with his physical appearance but i do like his clothes

I think he loves his role as the green ninja, saving the world and such. it came with lots of baggage and reflection but i do promise that he enjoys it for the most part. I think him wearing green is kind of like wearing work clothes so he tends to avoid it on days when he's free to keep from being too ready to jump into ninja mode

i do tend to keep him in green though cause the fandom sure does love their color-coded ninja

anyway .. that's about most of what i've got for this that looks good enough to post, so here's a bunch of other doodles/sketches, both old and new ToT

oh and a quick comic too cause why not

one more: bonus greenflower yuri

thanks for coming to read this far :) there'll be more soon

[meanbossart]

Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)

As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.

Lets use this drawing for example (the character on top of DU drow belongs to @namespara )

I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:

I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.

Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:

Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.

Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.

So, with the reference in hand, I go over the sketch again:

Now you may notice that I don't stick to the reference 100%. There's three reasons for this:

posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.

In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!

While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).

Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.

Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)

Now, for the question many of you may want to ask:

"Can I trace this junk?"

And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.

However,

If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.

Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".

So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.

Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.

A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.

[bob-artist]

Just found you via your funny dream comic. Good stuff 😆. Definitely gonna read the rest, and I was surprised you had your own website. Looks good on mobile too. I’ve got a comic that some friends keep trying to build me a site for but I’ve been telling them no because it seems like between webtoon and social media nobody is interested in personal sites anymore.

Have you noticed an uptick in engagement from your site? Would you recommend going that route? I’d like to hear your thoughts.

I’m also interested in how you decided to build/host it, if that question isn’t too lame.

Anyway, glad I found your comics!

Ah thank you for checking out Into the Smoke's website!!

Oh, I have SO many thoughts about independent webcomic sites and why people should have them. I have so many thoughts, and I'm so so sorry.

Why did I decide to have my own webcomic site?

First of all, this is not a lame question and I wish we could all have this conversation more often, so I could maybe write just a paragraph instead of this whole dissertation!

1. Because I lived through webcomics history.

I launched my first webcomic in 2011. I watched the webcomics scene shift over the years from self-hosted sites to third party sites, and I saw what it meant for independent creators. We lost vital infrastructure, relationships, habits, and control over our own work. I think self-hosted sites are an important backbone for creators, even if/when their largest *numbers* come from a third party site.

We’re all supposed to be helping each other, not fighting each other to satisfy the algorithm. Our early tools (webrings, link trades, comic databases, sharing each other’s posts) were small but meaningful, and they also helped us maintain a community mindset in a long and sometimes lonely line of work. When we started leaning on hosting sites, we let a lot of those tools and relationships decay. And now a lot of people are locked into imbalanced relationships with hosting sites that leave them with very little agency and control over their work and how it’s shared (or isn’t shared).

Hosting sites are great for removing barriers to entry (cost/time to build a site). And a lot of them have large built-in audiences. But the big ones aren’t run by people who care about creators. They’re designed to extract the maximum value from your work while giving you the least they can get away with. Use them if you want (I do), but don't be dependent on them.

2. Comics are the main thing I do for a living, and a website gives me the tools to promote my work and build relationships with my readers.

Most apps and third party sites actively prevent or suppress these things. On your own site, you can share all the info you want about your upcoming Kickstarter, your tradpub book release, your merch, etc. You can collect email addresses for your newsletter. You can literally just talk about your weekend, and you’re not gonna have a 150-character limit.

Yeah, not everyone wants to read a wall of text (ha ha...), but acting like a person reminds readers to treat you like a person. This is one of my main gripes with the apps and social media - they suppress human connection and present you like a cog in their machine that only exists to churn out free content.

3. I have a consistent home base and full control over how my work is displayed.

I don’t have to fight against an app that’s trying to direct my readers toward whichever content is most profitable for them. On an app, the readers “belong” to them, not you. (Who has their email addresses?) So if I'm putting effort into promoting my comic, I'm promoting my own site. (oh look, I just did it.)

Hosting sites/apps aren't designed to showcase your work. They showcase the app’s collection, and they're designed to keep readers on the app, jumping from creator to creator. This can help readers find you, but it also devalues your work and dilutes its impact.

And the app might not show your work to anyone anyway. Tapas is a great example; they recently redesigned their site to prioritize their Originals, and independent creators are hidden away in a “community” tab with barely any discoverability anymore. This is always the struggle on a third party site.

4. I hate censorship.

Into the Smoke is Teen 16/17+ and Demon of the Underground is R/18+. My comics aren’t even explicit, but I still can’t post my true, uncensored vision for either story on third party apps governed by Apple’s App Store and Visa/Mastercard’s tight content restrictions.

If webcomics exist exclusively on apps with heavy censorship, we’ll never have the diversity of storytelling and freedom of expression that’s necessary for groundbreaking or subversive art to happen. And that’s bad for everyone.

Adult brains need to engage with adult concepts. Difficult and triggering topics need to be explored in creative spaces. Artists need freedom to stretch their creative muscles without falling into the damaging patterns of self-censorship that come from having to tiptoe around arbitrary platform rules.

We can’t let the rules of like 3 American companies dictate what every webcomic reader around the world is allowed to read.

5. An independent website can’t easily be taken away from you.

Just make regular backups! You can always move to a new web host and redirect URLs if needed, and you won't lose your readers. On the other hand, you can easily lose the bulk of your audience on a third party site based on circumstances outside your control.

Let’s talk about Smack Jeeves, a formerly popular webcomic hosting site that was bought out and then shut down, leaving lots of cartoonists homeless. Or we can talk about the Tumblr NSFW purge of 2018, where I lost a huge chunk of my first webcomic’s following and most of my webcomic mutuals, even though my own account stayed within the rules. Or Musk buying Twitter, the platform where I once found my literary agent through a publishing event but now get no traction at all.

Have I noticed an uptick in engagement from my site?

I don’t have analytics on my site yet. But, up until a few days ago, that's where people were reading, thanks to my own efforts and the support of my comics friends and all of y’all who shared my ITS posts. (THANK YOU ALL!) I didn't have any discoverability on Webtoon or Tapas yet.

I got 10-15 new patrons between May 25 and June 5. Up until a few days ago, I even had more ITS newsletter subscribers than Webtoon subscribers.

What happened a few days ago is my Webtoon mirror suddenly blew up with 100+ new subs a day. I don’t know where I’m being featured, but I know I’m only getting those readers because Webtoon suddenly chose to grant me visibility. That can end just as instantly with an algorithm tweak or them deciding not to show my comic anymore. (When my first webcomic was in one of their pay programs in 2018, I went from $300 or $400/month to $0 overnight due to a policy change.) So I’ll enjoy it while it lasts, but I won't de-prioritize my website.

The new Webtoon readers are awesome and supportive, and I’m 100% thrilled to have them. But the Webtoon influx isn't resulting in a Patreon influx like my website launch did. I wouldn't expect it to, this early in the story. But it's consistent with my past experience polling my patrons: even when 50% of my readers came from the apps, 90% of patrons read on my website. (Your audience may vary.) And since I depend on crowdfunding for my comic, that's important to me.

Would I recommend going the route of having your own site?

For anyone who’s just testing the waters with webcomics, it might be overkill.

But for anyone who’s committed to their webcomic, I recommend having your own site AND mirroring on every third party site you can, provided you’re cool with their terms of service. It's important to meet readers where they are. Let those hosting sites lend you their readers. Some readers will even want to visit your home site where they can read ahead, read the uncensored version of your comic, get more info, or sign up for your newsletter.

Just remember, no one will discover your independent website all on their own. They’ll only find it through the work you put into promotion. But the reader that cares enough to come to your home site is a special type of reader.

So how do you get readers to visit an independent webcomic site?

Find your allies

These are people who work in similar areas as you who want to help you succeed, and whom you want to help succeed. Chat with each other, help each other, promote each other, boost each other, link to each other (psst, my links page just went live!), be there for each other - behind the scenes and in public.

God, I am SO bad at approaching people, but this is important, and not just for comics.

Be part of a community

Really, this is an extension of the above point. It's easier to find your allies if you're part of a community.

I’m a member of the Cartoonist Cooperative, and they’re a GREAT group of talented people all across the comics industry. The mission of @cartoonistcoop is to help create better conditions for comic workers through cooperation and collective action, and I’ve found so much help from them with Into the Smoke and comics as a whole. (JOIN! They're great!!)

The goal of the co-op isn't to drive traffic to your website. But being part of it has helped me at every level of crafting my comic, including promoting it and making it good enough that I can take pride in promoting it. And it's helped me ground myself as part of a community after I lost so much of mine in past years of burnout and platform enshittification.

Another option: @spiderforestcomics is a great webcomic collective full of supportive creators, and I believe they’re open to submissions till the end of June! They also have an awesome collaborative community mindset, and I've known some of their members for years.

Direct readers to your RSS feed and newsletter

Getting readers to your website is great, but they need to keep coming back for future updates, and it’s hard to remind them without an app notification. You may need to teach younger readers what RSS feeds are. Inoreader is a great RSS reader for the 2024 era.

The dreaded SEO

That’s Search Engine Optimization - optimizing your website so that people can easily find your comic via search engines. That’s a topic for another day, but feel free to research it!

Paid promo

This can be tricky, and I really only recommend spending promo money if you’re making a comic on a professional basis, because then it’s an investment you'll make back.

That said, Comicad.net is a great independent site where you can buy banner slots on other creators’ sites. I just ran small campaign myself. (And no, I won’t ever be offended if you outbid me!)

I haven’t bought any Tumblr Blaze slots, but I got BOPPed (blaze other people’s posts; apparently that’s what it’s called, lol) once on this account and once on a side blog, and both were highly impactful. (Thanks, friend!!) So I consider it a solid option, and it looks really cheap compared to other social media sites. (Never trust Meta.)

And where can you learn more about building a webcomic site?

I know you didn't ask, but if I'm gonna share all this, I might as well give folks a starting place to actually do the thing.

Now, I’m *bad* at offering cheap and easy web solutions. My specialty is hard and expensive. But my one piece of advice: PLEASE make your webcomic site mobile friendly for the current generation of readers! When we talk about barriers to entry, remember that more people have phones than computers, and many can't afford computers.

Anyway, here's some webcomic website resources from OTHER people!

The Cartoonist Co-op has LOTS of great resources on building webcomic sites! Several of them! Check them all out!

@screentonescast has a podcast episode on webcomic web design and one on RSS feeds!

@jeypawlik also has a great comic about how RSS feeds work.

So, congrats if you made it this far. Go make a website, y'all! And if you read any indie comics, go visit the creator's website!

[genericpuff]

in the wake of LO ending, especially over the next three weeks as the FP updates become free, this is your public service reminder from a fellow anti that you should be following tumblr / fandom etiquette and keeping antiLO/critical LO posts to their respective tags (#antiloreolympus , #antilo, #locritical, #loreolympuscritical) as best as you can

yes, it's our own responsibility to curate our online experiences by following the accounts we like and blocking the accounts we don't, and using the general search bar on tumblr absolutely opens you up to the inevitable risk of seeing something you don't wanna see, but we as the critical side of the fandom should be doing what we can to make it easier for people to curate by labelling our criticisms / shitposts / etc. about LO with the correct tags ! this ensures that if someone doesn't want to see anti/critical stuff, they can do their part to block those tags and don't have to worry about it leaking into the general tags. I don't think it's that big of a reach to expect that general fandom tags will contain content from, y'know... people who are still genuine fans and not talking shit LOL

And yes, this is why you will not see me ever using the general loreolympus tags when posting my own critical essays or Rekindled. Obviously what you decide to tag your stuff with is on you, but I'm gonna ask y'all to please remember NOT to use general loreolympus tags when reblogging my stuff!! that's not to say my content is entirely off-limits to fans of the comic (we actually do have people in the Rekindled community who enjoy both!), but what I do here obviously isn't tailored specifically to general fans of the comic and the general LO tags are what those fans are using to find content from other fans, not hyper-driven maniacal anti's like myself ╭( ･ㅂ･)و

Just because it's no longer an unpopular opinion to rag on LO doesn't mean our slice of the fandom is now the whole pie. It's easy to think when you spend so much time in the critical part of the fandom that LO is somehow "dead" but like, there is still very much a dedicated fanbase to this comic and it still has some of the highest stats on the platform. We can't in good faith complain about fans coming into our spaces complaining about criticism existing if we're not gonna follow the rules of etiquette and label our stuff properly. And hey, at the very least if we properly tag things and they still find it from journeying into the anti/critical tags, then that's on them at that point. We don't have to take that "stop being such a meanie to two-time-Eisner-winning NYT bestselling creator Rachel Smythe" shtick from anyone, but we do gotta be willing to respect the lines that are drawn in the sand so that we don't tear each other apart over this dumbass webcomic LOL

[stuckwthem]

in the world of boys, he's a gentleman. | enzo v. (eng version)

summary: after watching you waste your time with other dudes, your best friend has some things to confess to you. pure fluff. a bit of angst.

you never thought riding in a dress on a bike would be such an exciting experience, but there you were, clinging to enzo's body and trying to keep your balance on the back of his bike while laughing like crazy. 

to contextualize it, enzo had been your best friend for some time, ever since enzo had rented a room in your apartment two years, so living together inevitably turned into a genuine friendship. from time to time, your best friend and roommate was also your superhero. whether it was reading your mind when you were starving and didn't want to cook, or always coming home with your favorite sweets, or saving you from ambushes.

when your messages came on enzo's cell phone earlier, complaining about a date that was going from bad to worse with a slightly arrogant guy, he didn't hesitate to get up and hop on his bike to pick you up. the very idea of imagining you on a date with a horrible guy, and worse, a guy who wasn't him, made him nervous, so now you were in this highly unlikely but completely comical situation. he hadn't given you a choice.

"i can't believe i did that," you said, bursting out laughing, which enzo reciprocated by shaking his head. "imagine his face when he comes back to the table!".

"i'm so sorry for him", replies enzo with irony and a smile that indicates that no, he doesn't regret that he stole you from that douchebag.

"i bet you do" leaning your head on the brunet's back, you replied in the same tone. his body is warm and a little sweaty, but his scent is good and familiar.

enzo was riding the bike down the street, while you held on by wrapping your arms around his waist, the night breeze enveloping you. silence fell for a moment before you decided to break it.

"enzo, seriously, you didn't have to do that. it was going to be fine. it was going to last a few more minutes."

he chuckled, shooting you a corner glance. "well, judging by your desperation in the messages, i'd say 'fine' is a pretty generous word."

you snorted, feigning indignation. "i was dramatizing it a bit, you see."

"i know, i know. but honestly, i couldn't let my friend spend a horrible night with some idiot guy. after all, who else is going to put up with my stupid jokes?"

"oh, is that what i'm here for, a mate who'll put up with your jokes?"

enzo smiled, amused. "among other things, sure. but seriously, i wasn't going to let a guy get away with it one more time."

she rolled her eyes as if offended, but couldn't hold back a smile.

"where do you want to go?" she asked suddenly, leaving you a little confused.

"i thought we were going home," you shrugged.

"i can't let you go home so dressed up without having had a decent date!" enzo exclaims, turning his head slightly, allowing you to see his indignant expression.

you process what he just said and feel your heart skip a beat. he was either guessing things or....

"so we're going on a date?" is your automatic retort, and then, trying to disguise, you clear your throat, worried that you're reading the wrong lines.

maybe, in addition to roommate, best friend and occasional superhero, enzo was also a little crush of yours. one that you had tried to forget through terrible dates that always sent you back to square one: enzo. enzo, who bought you your favorite ice cream when you got your ass kicked when you first met, even though you never talked to him directly about your favorite flavor. enzo, who always waited for you at home with a movie session and a warm blanket. enzo, who always listened to everything you said. enzo, who was your weak point.

"if you want to call it that, we'll have a date, yes," he says, and involuntarily your hands tighten around his waist. 

after a few minutes pedaling through the quiet streets, you realize the familiar, everyday route. maybe enzo has changed his mind. you really were on your way home and all your expectations had fallen apart. until, slowly, he stops, and the next thing you know, you're in front of a corner pizzeria. the same new pizzeria that had opened a few days ago near your house and the one you kept telling enzo about.

"pizza?" he asks as if waiting for your approval."

enzo holds out his hand for you to get off the bike and he follows you right away. it's funny how you contrast, while the older guy is wearing casual and simple clothes, you're dressed up in that stupid dress. inside your head, you curse the moment you agreed to go out with that idiot from before. he really didn't deserve all your prep, but enzo, wow. he really seemed to study every part of you and admire every aspect of you. from the most innocent way that some loose strands of your messy bun framed your face to the most indecent way he noticed how beautiful your legs looked in that tight dress. 

the two of you had to sit outside, as it was crowded inside, and when you sat down at the small sidewalk table across from enzo, your best friend let out a long sigh as he stared at you. a sigh that said: finally. 

"but to be honest with you now, you don't know what a relief it was to see you out of that restaurant," you confessed, with a light, hearty laugh.

"was the mood that bad?" the boy asked with an incredulous expression.

"there was just no mood! the guy went on and on about the life lessons he learned when his dad stopped giving him money for a month, or how i shouldn't feel special if he took me to his apartment after dinner. and we had just arrived!" you exclaimed in amazement at enzo, who suddenly looked serious. too serious. "he hasn't asked me a single question in 45 minutes!".

"what an asshole!" the brunet muttered, rolling his eyes. enzo's gaze turned away from you for a moment, following his own hand as he fiddled with the sauces and plucked pieces of napkin off the table. "why do you keep hanging out with guys like that?"

he asked, still not looking at you, and suddenly your blood boiled, rushing to your head. you took a deep breath, feeling a pang of disappointment hit your chest, not believing what enzo had just said. 

"are you implying that it's my fault? i'm responsible for men being totally selfish and..." you close your eyes, involuntarily placing your hand against your own chest. indignantly.

"no! that's not what i meant, my love." enzo lifted his head quickly, meeting your gaze, hurt and betrayed. 

he felt like a complete idiot, desperate at the way you were looking at him, not quite sure how to back down. he stood up straight in his chair, leaning over the table to reach for your hand, ready to defend himself when a waiter stopped right next to him.

"good evening, lovebirds! what can i get you?" the man asked, his tone friendly and cheerful, in contrast to the flaring tempers at the table.

you laughed wryly at the waiter's confusion, a regular occurrence whenever you went out together, and folded your arms, turning away from enzo.

"ahm, hello," he scratched the back of his head in bewilderment, and then realized he hadn't even looked at the menu. he fumbled over the pages, didn't know what to order, and suddenly looked lost.

"two pieces of marguerita, vegan option, please," you said, straightening up. "and a coke, with lemon, for him."

enzo looks at you anxiously as the man takes your order, his leg dangling under the table, brushing against yours unaware. the contact makes your whole body shudder, but you still don't look at him. the waiter leaves the table and announces that he'll serve you shortly.

"look, i'm not saying it's your fault. not at all, chiquita," he says, his voice low and his tone worried. you look at your nails, pretending to be indifferent. a little dramatic. 

enzo sighs and brings his knee to yours. you squint, indifferent, while he moistens his lips as if trying to find the words on the tip of his tongue. 

"i'm trying to tell you that you deserve better than these guys. you know it, i know it." the way he conducts what he says is slow and careful, he continues. "you deserve someone who really appreciates you, who sees all the amazing things i see in you. these dudes you go out with clearly don't see the amazing person in front of them and completely miss the opportunity to meet the best person they could ever have in life."

your eyes automatically rise as you hear what he says, and your lungs don't seem to perform their routine action. your lip trembles nervously. tears gather at the corners of your eyes, because you have to tell yourself that you're only saying that because you want his good, because that's what a best friend would say. and you have to wrestle with all those words before you go to sleep, swallowing all your feelings.

"you know, you're kind, incredibly smart, even if you still think you can beat me playing mortal kombat by pushing all the buttons at once." enzo continues, softening his lecture, making her laugh under her breath. "you're funny, talented, real. cute."

unable to resist any longer, you meet the brunette's gaze again, who gives you a small smile as he notices you slowly give in.

"not to mention your patience, especially when i decide to cook and leave the kitchen as a battlefield." 

this time you can't contain the smile that spreads across your face, remembering the last time enzo had tried to prepare food. really, a denial for cooking. 

"as a cook, you're a great actor," you mutter, which makes enzo chuckle and take advantage of the space you're leaving him.

"and when you have those creative bursts, writing or creating your own recipes. it's fascinating to see your mind in action, and i always wonder how someone can be so.... unique. how you light up wherever you go, how you make things seem so much easier when you're around and...".  

enzo seems to be in the middle of a great discovery. he laughs to himself, shaking his head, as if he regrets having said all that and his eyebrows rise, almost in a gesture of desperation.

"got it," you say, a little sheepishly. your cheeks heat up and you suddenly feel like a teenager.

"anyway, i guess what i'm trying to say is that you're an extremely lovely person." enzo seems to relent, and his body softens in the chair. "and anyone who doesn't see that doesn't deserve to be with you."

his breath comes out as if someone has just punched him in the stomach. your hands run across the table, seeking his, which grasp your fingers gently. you say nothing for a long moment, during which the waiter returns and serves you in complete silence. 

his confession gives the atmosphere another kind of tension. before you could respond, enzo averted his gaze, as if trying to escape the intensity of the situation.

"you know what? forget what i said. let's enjoy dinner and forget i said all that. what am i? shakespeare? don juan?" he joked, trying to lighten the situation by gesticulating exaggeratedly. he takes a sip of his coke, disguising his desperation.

"enzo," his name on your lips comes out as a plea. everything hits you at once. the awareness of his feelings, the awareness of yours. he shakes his head negatively and lets go of your hand.

"it's okay, you don't have to try to comfort me and tell me we're friends, i know. i've accepted it." enzo rushes over, running his hands through his hair, nervous.

"enzo," you tell him, firmer now. "why didn't you tell me before? why didn't you take me on a date before?".

he seems to be choking on his own breath, his nostrils flaring and his chest rising and falling rapidly. enzo looks at you with a mixture of surprise and disbelief. his eyes search yours, as if trying to read your expression and understand if those words were real. how can someone know you so well and not have a fucking clue?

"because i... i didn't know how. it was always easier to be your friend. to stay in the comfort of not risking too much. not to feel the rejection. taking you on a date seemed to cross some invisible line, and i was afraid of messing it all up". 

he hid his face in his hands, laughing to himself. enzo looked on the verge of collapse, frightened. you had never seen him like this. you quickly got up, sitting down in the chair next to him, quietly touching his wrists.

"how stupid you are," you state, laughing. he looks at you with an offended and confused expression. "you really haven't noticed all this time?".

your best friend's face fills with something akin to expectation and dread. expecting the fatal blow at any moment.

"wait, you mean... that you..." he starts to stammer, but you interrupt him with a smile.

"yes, enzo. me too" your confession makes his face light up and then he blushes. was he really 30 years old? because you were making him feel like a kid.

"i never thought..." he murmurs, and you complete the sentence.

"that i could feel the same way? well, now you know. it was obvious." you laugh, moving a little closer to him. "how could i not fall in love with you?".

enzo feels your whisper on his lips, sending shivers down his spine. your warm breath mingles with his, uncertainty hovering between the two of you, unfamiliar territory to traverse. enzo's gaze examines your face, searching for any trace of indecision, but he doesn't find it, and then his eyes drop to your mouth.

"if only you'd let me show you all this sooner," he whispers too, as one of his hands, large and warm, rests on her thigh, under the thin fabric of her dress, and the other rests behind the back of her chair.

"you still have time" 

and with your confession, it's as if he loses control. his pupils, darker and dilated now, are the last thing you see before you feel soft lips against yours. your breath is suddenly cut off and a shock runs through your body, shutting down your entire nervous system for milliseconds. he kisses you eagerly, as if making up for all the other opportunities he'd missed. the hand behind your shoulder moves quickly to the back of your neck and a gasp escapes you. his mouth tastes sweet, like cola and lemon mixed with his own flavor.

enzo can barely contain himself, the rest of the world ceases to exist when your tongue passes over his lips, as if asking for permission, and he almost rolls his eyes at the sensation. god, how he had dreamed of that. he had replayed it in his mind a million times and then blamed himself for it. he shook off the thoughts when he felt your fingers run over his scalp, while your other hand gently stroked his cheek. as if a tornado of emotions wasn't going on inside him at that moment. everything that had happened so far made this moment worth it. 

after almost five minutes, the real world seems to return, as does the need for oxygen, useless, in enzo's perception. the sounds of the street echo in his ears again, everything slowly makes sense again. the world stops spinning as you look at each other with wide, goofy smiles on your faces. you bring your finger to the corner of enzo's lips, carefully wiping away the traces of lipstick. it makes him want to ruin the rest that remains on your beautifully delineated lips.

"so, what do we do now?" you ask, still a little limp, trying not to laugh. the feeling of kissing your best friend, something that had crossed your mind a million times before, seemed far away. in fact, it was something much better than you could have dreamed of.

"i suppose we could start with a first date," enzo suggests, feigning some nonchalance, shaking his shoulders. his fingers wander over your face, brushing aside a few strands of hair over your eyes. it's so sweet and peaceful that you want to treasure just that moment among all the others.

for the rest of the night, you eat that cold pizza like it's the best you've ever eaten. the rest of the dinner goes naturally, lightly, with kisses and sighs, conversations and confessions, like everything you needed. like everything was finally in place. a millennial alignment. it was so easy to be there, next to him, no need for masks or disguises, to be in front of him was to be able to see yourself from the inside out. without hiding anything, without any desire to run away. completely immersed in each other. it was like dreaming half awake. it was just perfect.

there were uncertainties, saved for the distant future, it was terrifying to lose that connection you had. but maybe it wasn't the right way, maybe it was unforeseen and completely chaotic, but it was the best and last first date of your life.

for my girlies who asked me to translate it, i hope you enjoyed <3

[onesidedradiostatic]

vox's outfits through the years, based on what little we can see

let's talk about the eras of vox's outfits. I've been trying to figure out how to properly express this post for a while considering the poor quality or little details of the photos we've seen but it was difficult.

this could easily be a bit inaccurate because of that

but REGARDLESS.

so you know how it's a common theory that vox modeled his outfit after alastor, bowtie, pinstripes, upturned collars? even with a cast full of bowties (like man vivzie really loves her bowties), their outfits are pretty similar, sir pentious likely modeled himself after one or both of them too (but he's not relevant to this post, just thought I'd address him since he's the other one with the similar fit)

but you know when those aspects aren't visible in vox's fit?

his picture with val

(where he... presumably partners up with him for the first time?)

in this picture, there's no bowtie, there's no upturned collar, you can barely see any visible pinstripes (although difficult to truly tell due to the quality of the picture, I can only see a vague stripe across his sleeve), even the coloured tips of his fingers aren't visible in the picture, the qualities that are reminiscent of alastor are barely present

however, in his photo with alastor...

which is presumably taken BEFORE the one with val which we can assume because

val fell 20 years after vox, and alastor fell before vox, giving a 20 year period where vox likely associated with alastor without val

the alastor photo is black and white while the val one is in colour

in that photo...

...vox seems to have visible pinstripes on his shoulder. which isn't much, but when he's standing right next to alastor like that, the similarities stand out. even with that small part of his shoulder, it clearly mirrors alastor.

of course, most of vox is obscured in this photo so I can't say it with 100% accuracy (we can't tell whether or not he has a bowtie and upturned collar or not. whether he started out with the stupid orange-red turtleneck). but with the alastor mirroring? seems to show mimicry of alastor during the time when they were friends.

this is working on a LOT of assumptions right now due to unclear details of the photos but what it seems like to me is

vox mimics alastor's fit -> vox/alastor falling out + partnering up with val -> stops mimicking alastor -> alastor disappears for 7 years -> starts mimicking alastor again? (current fit)

the possibility of him changing his fit to not mimic alastor in his picture with val could put his falling out with alastor at around the same time as his partnership with val, but this is working off a bit of a weaker assumption due to like 80% of vox not being visible in the vox + alastor photo. so feel free to take this one with a grain of salt.

very interesting to me though, that there was a period of time, in the beginning of his partnership with val where he wasn't mimicking alastor, but somewhere down the line to his current fit, he decided to start mimicking him again, despite this definitely being an era after their falling out. that he for some reason, despite hating alastor now, decided to go back to mimicking alastor, whether consciously or not. maybe even because of how much he felt his absence during those 7 years?

or maybe vivziepop just really likes pinstripes and bowties and upturned collars and there isn't a deeper meaning to this who knows

this is a post I've wanted to make for a while, but the finer details of the photos being unclear has just made me constantly make edits to it due to unknown factors, like I said, it's very possible certain details are inaccurate due to lack of information, but I'm trying to work with something here, so hopefully this is comprehensible.

although not the cause of this post, this comic got me to revisit this in my drafts (and has a really good take on vox mimicking alastor during his 7 year absence, which DID inspire one of the hypotheticals of this post) so check that out

[directdogman]

Hello Hound!! Since it's Dialtown's 2nd anniversary, I've been planning up a few "general" related questions about your series that I've been meaning to ask, but I decided to save them up for the big day because why not? Anyways, here's what I've got, these were meant to be fun to answer so don't sweat it :]

1: How do you feel about Dialtown's success? Are you proud of how far you've come? 

2: Which character was the MOST fun for you to write, and which was the most PAINFUL?

3: What is something you wish more people would talk about or just know about related to Dialtown in general?

4: If you had the opportunity to write a FULL complete, detailed life story of any of your characters, who would that be?

5: What's a character you wish you could have given more screen-time or just in general content? (Considering iirc you were trying to make sure Dialtown wasn't TOO long, so I was wondering if this ever came to mind)

6: From what I know, you've been doing the job of cosplaying several characters in the game and acting out their sprites, which one was the most fun to act out?

7: Speaking of sprites, do you have a sprite you could consider your favorite, out of ALL your characters?

8: Do you have a specific line of dialogue you could consider your favorite throughout the entire game?

9: Could you ever see Dialtown expanding into perhaps sequels or maybe even prequels? More DLCs mayhaps? Heck, maybe even a Dialtown 2 or a Chapter 4??

10: If you could make any fan-made interpretation (such as headcanons, designs, or ships) canon if given the opportunity, what do you think would be your pick?

11: What was the MOST fun part about developing Dialtown? Coming up with new characters? Writing them? Adding all the bizarre dialogue options?

12: And last but not least — on a scale of 1-10, how fun was developing Dialtown just in general?

That's all I have for now, and I'm really excited to see your answers!!

I normally don't answer this many questions, but... alright, sure, tis the season!

1: How do you feel about Dialtown's success? Are you proud of how far you've come? 

Yeah, of course! I'm a lil proud, admittedly, but I'm aware of how comically little I really have to do with it all, even if I did make the game. Luck does play a LOT into it, of course. Granted, I made my share of predictions that wound up being useful, but it always comes down to lady luck at the end of the day. I've seen good projects fail and bad ones go viral. It's really all just a hodgepodge of probability and whimsy. That being said, I am very pleased with DT's success, and the community that's formed around the game! It caught me by surprise!

2: Which character was the MOST fun for you to write, and which was the most PAINFUL?

Gingi's always fun to write. And Mingus. Most painful is tough to say. Maybe Crown. I got a little weird when I wrote his full backstory, kinda caught up in the emotion Norm talks about. Never been a fan of stories getting cut short. You gotta wonder what would've happened if he'd made different choices, y'know?

3: What is something you wish more people would talk about or just know about related to Dialtown in general?

Honestly? Karen, probably. She's super underrated for sure. The fandom still loves her, but she doesn't get the same kind of attention as Oliver, Gingi, Randy, Norm. She's worth it.

4: If you had the opportunity to write a FULL complete, detailed life story of any of your characters, who would that be?

Oh, I already have. I have this monstruous 30-40 page document detailing Crown's life and entire career. It's quite a read. and quite a mind-fuck if you don't know Dialtown's universe too well.

5: What's a character you wish you could have given more screen-time or just in general content? (Considering iirc you were trying to make sure Dialtown wasn't TOO long, so I was wondering if this ever came to mind)

Oh yeah, a few characters had scenes that were cut. Stabby, Shooty, Mingus, Bunny, even Bigfoot! There's also the game's cut 6th datable, who was an interesting character with ties to other characters in the cast who I wanted to do more with. Ah, maybe one day.

6: From what I know, you've been doing the job of cosplaying several characters in the game and acting out their sprites, which one was the most fun to act out?

Bigfoot. I made the ape noises in the suit. Had to. It felt right.

7: Speaking of sprites, do you have a sprite you could consider your favorite, out of ALL your characters?

I quite like Norm's set, Mingus' too. Karen's poses too are quite good.

8: Do you have a specific line of dialogue you could consider your favorite throughout the entire game?

That answer probably changes every day. I like pretty much any scene where Mingus loses her temper.

9: Could you ever see Dialtown expanding into perhaps sequels or maybe even prequels? More DLCs mayhaps? Heck, maybe even a Dialtown 2 or a Chapter 4??

I'd love to make sequels one day! I've got a lot of ideas for where the characters/story would end up. By the time DT1 wrapped up, I'd conceptualized way too much stuff to put in one game (without it taking another few years to finish), so if I ever wanted to make sequels, I'd 100% know where to start! But, that's a later down the road conversation.

For now, I'm gonna keep working on the Roger DLC and if there's demand for more, I can go from there :)

10: If you could make any fan-made interpretation (such as headcanons, designs, or ships) canon if given the opportunity, what do you think would be your pick?

I guess I COULD do that with, like, anything. Nothing immediately springs to mind, since, y'know, I'm in control of the canon anyway. I will say, I've seen headcanons and theories that ARE scarily accurate to canon, to the point where I've feared people would just think I'm lifting stuff from the fanbase! It's a good thing I talk about these things with collaborators, huh? I've got a PAPER-TRAIL!!!

11: What was the MOST fun part about developing Dialtown? Coming up with new characters? Writing them? Adding all the bizarre dialogue options?

Finishing a new scene and realizing how stupidly long it was (without me realizing it) was always a treat. But yeah, writing the characters had to be it. Specifically any scene where a character the audience knows meets someone the audience doesn't know well (or at all), with the dynamic changing. Those are fun to write.

12: And last but not least — on a scale of 1-10, how fun was developing Dialtown just in general?

Hard question to answer. I do really wanna give a high number, but truthfully, a lot of game dev actually isn't super 'fun'. Some tasks are, granted, but many parts are a slog. Sitting and formatting dialogue, and then adding text pauses and pose changes isn't exactly a super thrilling activity. The engine itself also has some issues which I have to work around that adds to the workplace. Play-testing a scene for the 4th time isn't super fun either, or trying to figure out why the game crashes on some PCs and ONLY very rarely... Those tasks are Sisyphean to some degree.

...But, while most of those parts aren't fun, it's all still rewarding. There's a sense of accomplishment when you finish a scene. You get to look back at your hard work, remember the hours you spent typing dialogue into a text box and formatting mass amounts of pngs, painstakingly + manually getting the game's awful pre-loader to deal with the sprites right, etc... and suddenly, at the end, you've got this lil experience that people can play and enjoy. Somehow, the sum of all of those not so fun activities has created something that's going to make people laugh, feel happy. That's special. and even if some parts of development weren't super fun on their own, that's always what I remember. That in the end, all of those not so fun days mattered.

The route I agonized the most over was Oliver's. I went through a few weeks of writer's block, and now, it's one of the most popular routes in the game! Crazy how that happens. I was SURE for about a week that people would rank the route at the bottom! That's what I mean, all of the stress I went through trying to figure it out amounted to something people connected with! To think I almost CUT the route entirely!!!

And y'know, God knows Dialtown gave me something to throw myself at during a time where I REALLY needed the outlet. I'm very grateful to the project for that. So, I'll give DT an honorary 8 out of 10, even if it wasn't a consistently 8/10 experience making it heh heh! Sure glad I did, though and I'm very glad if any of you reading this had a really good time playing it! :)

Thanks for the questions!

[maxwell-grant]

hi. you've mentioned Donald Duck a few times in your posts, with scrooge being one step removed from pulp heroes, Donalds Paparinik (Italian superhero identity which I love, the new PK Adventures where lovely) in terms of their relation to the Diabolik line of European superheroes and Donalds general tendency to run head first down slippery slopes. so I'm wondering if you have any further thoughts on his comics and weird place in the superhero/pulp world

Oh God, do I. I mostly wanna talk about the superhero side of things but I feel like it's worth mentioning I grew up with Donald Duck comics, specifically the Carl Barks ones. The picture above wasn't taken by me but I own and recognize like 7 of the books in it, my mom always bought these that collected several of his stories and had these beautiful painting covers so we could read them together, and I still flip through them on occasion and love them very much (I really wanna buy a translated edition of Life and Times of Scrooge McDuck to read with her but those cost a liver). Donald Duck was one of my childhood hyperfixations and I got my hands on all the comics and movies and cartoons I could find with him, and I actually did read several of the Italian comics, I could go down the stationery right now and grab 5. I first stumbled on Paperinik via those, and for long I didn't think much of it, because Donald Duck moonlighting as a superhero for decades isn't the kind of thing that comes up often. I just thought Paperinik was a weird but funny idea for the longest time and always liked rereading a story where he puts on the costume to scare a rich jerk into leaving his granny's farm alone. And THEN I stumbled onto PKNA, Paperinik New Adventures, and oh my god this rules so much.

Actually one of the best superhero comics I've ever read, it's just constantly and consistently doing these wild absurd stories and swings into genre territory and quality storytelling. It's famous for opening it's first issue with aliens genociding an entire planet and I thought that was kinda overselled, and it's not frequently this dark (sometimes it actually gets darker though, and I probably stopped before it could really get there), but it is a very weird comic. It's more akin to Fantastic Four's serialized consistency than any kind of graphic novel prestige storyline but it is frequently so good at what it does, even the lamer issues are still worth reading. I like describing it as Donald Duck falling headfirst into Batman-level resources, forced to deal with Superman problems (on both the "huge sci-fi horrors" and "people being really, really irresponsible dicks" ends), while trying to stay Ditko's Spider-Man and failing. These do not feel quite like any Donald Duck comics I'd read before and while they would hold up with a different character, I do think they deserve credit for how they make it still always feel like you're reading a Donald Duck story, if a slightly different one. In fact I'd even say PKNA actually makes the concept feel more suited for Donald Duck in a way that brought the idea full circle.

To those of you that don't know, Paperinik started as a villain, or more of a revenge fantasy. By that point there was a tradition of doing a lot of parody stories with Donald that started in 1953. By the late 60s, readers were dissatisfied with Donald Duck always constantly being mistreated by the rest of the supporting cast and losing unfairly, so it was decided to have one of those parodies feature Donald Duck as uncovering the fortune and resources of "Fantomius" and becoming a masked rogue able to get back at them by achieving the impossible, in that he both steals from Scrooge and defeats Gladstone's luck by framing him for it.

He had a stint as a master thief until it was decided it made him too mean, so he morphed into a superhero trying to overcome his prior bad reputation and using his new skills and gadgets (still prone to malfunctioning) to deal with his typical rogues and new ones, and having the admiration of his nephews who don't know that Unca Donald and Paperinik are the same. PKNA, in turn, was sort of a reboot, shedding the previous history and pretty much getting rid of Donald's traditional supporting cast and having Donald stumble onto a different set of resources and means to fight crime, but keeping the idea of Donald Duck having a superhero alter-ego that nobody suspects. The scale and menace of the threats he's up against DRASTICALLY increases, and if anything that fact is crucial to what allows these to still feel like Donald Duck stories, even with Paperinik being a genuinely impressive and cool hero able to save the world. Nobody believes Donald Duck could be a cool and impressive person if he tried, and so Paperinik becomes not just a power fantasy, or a call to something better or be someone better, but it becomes a key component of Donald Duck stories: a thankless job he's expected to do that he doesn't want to do until his pride or something crucial is on the line. These are still parables about human failures and what can be learned from them.

I'd even say a big part of why they succeed is because they introduce a character who can pick up Donald's slack as a comically unpleasant ill-tempered grouch in need of a lesson protagonist in Angus Fangus, a character who's sort of J Jonah Jameson meets Harvey Bullock. Angus has it out for Paperinik and gets up to a lot of the antics you would traditionally expect Donald to be doing if this was a classic Donald Duck comic (and even has a Gladstone-esque rival of his own in another reporter), and getting to learn lessons and be humbled and even have his own set of impressive moments. The choice to give an entirely new cast around Donald greatly added to the comic's ability to experiment and do new things while still keeping the core of Donald.

I actually like a lot of these new dynamics better than the ones he traditionally has, I love The Raider and Lyla and One and oh god Xadhoom, Xadhoom is so fucking cool, such a cool design and name, this powerful roaring supernova stickbug alien person in a crusade of murderous vengeance who names herself her language's equivalent of creditor because the death of her entire planet is the DEBT SHE WILL COLLECT IN BLOOD ENERGY and she is just the most 90s anti-hero ever made except she's stuck in a Donald Duck comic getting into comedic situations and learning to laugh and feel emotions and learn from her mistakes again whether she likes it or not. These two are so good together.

Even with a superhero lair and supercomputer and gadgetry handed to him, Donald Duck is so comically outmatched against his opponents he still winds up winning through guile and will and comedic trickery. Donald desperately wishes he could go on self-serving ventures or just sit at home and enjoy tv, and not get dragged into dealing with murderous alien invasions, or cyberpunk revenge stories, or collapsing future timelines, and still having to solve those problems so there's a world to come back. The stories are frequently fun and they are prevailingly comedic and very good at it too, but they also get a lot out of taking weird turns into unexpected territory.

I haven't finished it because I wasn't able to find it in full or keep track of what's the og series and what's the reboot, still trying to sort that out, but god what a find this series is. What a great strange turn in the history of this great strange character.

[miguelhugger2099]

Godly Outing

Summary: You invite Miguel for a picnic. (Gods AU) Previously I went extremely overboard for some reason. Miguel x Fem!Reader, Fluffyyyyy, Not proofread unfortunately, Word count: 2,378

Miguel was nervously waiting by the oak tree where you both had decided to meet up at. As gods, it was nearly impossible to have small moments for one another so Miguel was always starstruck and fidgety when it came to seeing you again. He glanced over at the horizon where the sky had begun to change from blue to a soft pink and purple hue in the clouds. The sun used its orange and yellow glow to highlight the curve of Mother Earth.

In his right hand, he had brought a small basket filled with various fruits and wine he had bought with his human money. He made sure to wear gloves this time so as to not soil the goods and make it rot in his hands. Again.

In his left hand, his arm held a blanket for you two to lay on the grass with. Miguel would rather succumb to the eternal flames of the inferno than ever stain one of your pretty dresses. The sun had begun to set and he took that as his sign to place the blanket down and sit on it while he waited.

Miguel fiddled with the handles of the basket, occasionally opening it to double, triple, and quadruple check if he had everything. Gods didn't need to eat but it didn't mean they couldn't. In fact, it was you who had suggested this occasion. His hands shook when he recalled your sweet smile asking to see him again for a ‘picnic’, you told him the humans called it.

It was rather comical the sight you found once you arrived, a basket of your own in your hand. Miguel was staring into the distance, his large body taking up nearly half of the blanket. His head snapped towards you when he heard footsteps, his shoulders tensing. How cute. He relaxed when he realized it was you and stood up to walk towards you.

“My lady…” He whispered, taking your free hand and lifting it up to his lips and pressed a soft kiss to your knuckles. You felt your face heat up and Miguel noticed the darkening of your cheeks but refrained from commenting about it. He simply enjoyed the view of your shy smile.

“My lord,” You greet him, curtsying with a small bow of your head. “Sincerest apologies if I had kept you waiting.”

Miguel shook his head, standing straight again but never letting go of you. “No need. I arrived early.” His thumb gently caressed the back of your hand. “May I?” He took his other hand out, asking for the basket in your hand.

You looked at it and politely rejected it. “It's alright. I'm very much capable.” You joked softly, your grin widening when Miguel went wide eyed.

“I-I did not mean to offend you, my lady–” You laughed and waved him off.

“Nonsense, I know what you meant. However, if it brings you joy then you may.” You offer the basket to him with a teasing grin.

Miguel huffed a small laugh, a rare sight where his fangs poked out from underneath his lips. The kind of smile where the corner of his eyes crinkled faintly, and a smile line appeared. “You frighten me, my lady.” He took the basket and led you to the square patch of fabric on the ground. He only let go of your hand once you sat first and you were comfortable, placing you basket next to his and sitting beside you with a respectable distance.

“Do I? I frighten the powerful God of Death?” You tease. Miguel smiles at you.

“I'm not as powerful compared to you, darling.”

“Are you flattering me, my lord?”

“Is it working?”

“Try harder.”

“Of course.” Miguel tries to hide his smile from the playful bantering, his hands making quick work to open the baskets and take out the contents. “You seem to interact with the humans more often lately.” He comments, pointing to your dress. It was vastly different from his attire, a simple black robe that enveloped his large and muscular body. The only thing new about him was the gloves you had brought him. They barely fit, a little tight, but he was grateful nonetheless. You, however, had the style of a modern farmer girl. A simple solid dark red dress that ended just over your ankles to expose your brown boots, along with a square neckline. A dirtied white apron around your waist with an equally dirtied white puffy undershirt to give some modesty to your chest. The only original thing of yours that stayed was the crown of branches on your head, this time accompanied by blooms of daisies.

You take the time to help him, grabbing some grapes and bread. You reach in your basket for some wooden utensils, rolling up your sleeves. “I’ve grown very fond of them,” You reply. “They’ve started to create things of their own. It’s exciting.” Your eyes light up with pride and Miguel can see. He hesitates for a moment, brushing aside the jealousy that sparked in his chest for your attention.

“Tell me about it.” He says gently anyway, placing a few cut up orange and apple slices on a wooden plate you provided. You stood up a little straighter, subconsciously leaning towards him.

“They have this thing called music.” You smiled broadly.

Miguel quirks up an eyebrow. “Music?” He repeats, handing you your plate. You take it graciously.

“I’m not sure what these so-called instruments they have are called yet, but oh,” You swooned. “It’s beautiful, Miguel. They have so much fun and they dance!” You began rambling on about things Miguel couldn’t understand, your hands waving in the air if they weren't popping fruits in your mouth. His line of work was vastly different from yours but he didn’t dare dim your light.

“What is…dance?” He hesitates softly, interrupting your stories with a meek voice. You paused, your hands in mid-air, stopping their motion. You blinked at him and brought your hands back down, placing a finger on your chin while you thought to yourself.

“Dancing… Well, dancing is…” You were stuck on how to explain it. You saw the way mortals danced, whether in groups or with two people. They could be fun, they could be mellow, they could be comedic and they could be romantic. You began to blush, looking down and fiddling with the stem of the grapes you had eaten prior. “Dancing is…when two people…move together.” You explained awkwardly, snapping the stem into a smaller piece.

“Move together? Forgive me, I don’t understand.” Miguel places his plate down on the side. He couldn’t tell if the color in your face had changed or if it was the sunset.

“It–It goes with music and people are close to one another. Whether as friends or as, um, lovers.” You begin cleaning up the plates and other fruits you hadn’t finished.

“Lovers?” He took a step back. “Is it used for procreation?” He tilted his head.

You felt the heat burn your cheeks. “Absolutely not!” You squeaked. “It’s for fun! To enjoy the time with the other person and–and…”

Miguel didn’t understand why you seemed so embarrassed about these things. You were seemingly more and more human. More and more distant and… different from him. He looked at his lap and tried to imagine what this ‘dancing’ looked like.

Before he could speak, there was a faint trail of smoke in the now night sky, a little farther from where you two sat. Miguel tilted his head up and narrowed his eyes, assuming the worst. He stood up, about to tell you to stay behind before you jumped to your feet after hearing a soft holler. It made Miguel tense up but you had lost that blush on your face and it was replaced with a bright smile.

You turned to him. “Come! This is perfect timing!” You lifted the front of your dress and ran off without another word, Miguel’s hand reaching out and barely missing you. He chased after you, following your hair bouncing with each step and the red dress being swished from side to side. The closer he got, Miguel began to see fire letting off that trail of smoke in the sky. Abruptly, you stopped right outside of a small village. Miguel stood behind you protectively, his eyes glancing around for any danger or sudden work to be done. Instead, all he saw was a flock of people all huddled around the fire. Some were twirling each other around, others were sitting and talking and some were coming out of their homes with plates of food. They all had smiles.

“Come, I know them. Friends of mine.” You turned up to look at his apprehensive face. He wasn’t sure. He felt out of place and too different. Miguel wasn’t as radiant and sociable like you. He’d stick out like a sore thumb. You saw the whirlwind of thoughts consuming his mind through his clouded eyes. Once you took his hand, he cleared up and looked down at you.

“It’s alright. I’ll be here.” You whispered softly. You were worried you overstepped, maybe Miguel wouldn’t consider you comfort. But, his shoulders relaxed and he squeezed your hand. With a gentle smile, you led him out the shadows by the hand and greeted your friends. You spoke in a language he didn’t understand and froze when unfamiliar eyes landed on his much bigger frame. He hunched on himself to appear smaller and non-threatening. The people simply smiled politely and spoke in their foreign language.

You’d soon know these as the banging of drums, the whistles of flutes and strums of a guitar, all accompanied by the sweet sounds of singing. Miguel watched with a soft gaze, taking in the humans you seemed to love so much. He saw how happy they all seemed and his chest swell with pride knowing that it was because of you they could feel such happiness. The joy of being alive.

Miguel saw a few couples in front of the fire, skipping and twirling each other around with giant smiles. He looked down at you, your own gaze focused in front, taking in the beauty of it all. He wanted to make you smile like that. He then glanced further down at your intertwined hands and squeezed tighter to gain your attention. You looked down at your hands and then up at him with a concerned look. “Are you alright?” You asked with worry.

He took a sharp inhale to prepare himself for the question he was about to pop. “May we…” He licked his chapped lips. “If I may be so bold as to ask you for a dance?” Miguel stared deeply into your eyes, hoping you wouldn’t see the fear of rejection in them.

Your mouth opened slightly in shock but you quickly recovered with a bashful smile. “I would love to.” Miguel felt that particular weight lift off his shoulders and led you to the middle of the dance circle with unsure steps. He had been watching the humans dance for a bit but this was all still so new.

Miguel felt you lift his chin up, your touch electric. You gave him a knowing look, helping him lift his other hand to your waist. His breath hitched, feeling a turmoil of emotions touching you so close like this. His hand tensed before resting on you while you brought your intertwined hands up around shoulder length. You then placed your now free hand on his shoulder; a common start. “Just follow me.” You whispered. Always, he wanted to say back.

Slowly, you two took small steps towards and away from each other, gradually getting Miguel used to small spins. His eyes were downcast, making sure he wasn’t stepping on you. The villagers watched from the sides, amused at this burly man being as shaky as a deer. While he wasn’t looking you took the time to admire him. His bushy eyebrows furrowed in concentration with his fang biting down on his bottom lip. He subconsciously held you farther away to keep his eyes on his feet. You pressed yourself closer against him, chest to chest, which made Miguel snap his head up and widen his red eyes at you.

“Eyes on me.” You smiled and Miguel gulped. Your warmth was radiating off onto him and he melted. You saw him nod and purse his lips, focusing all his attention on you. He eventually became more relaxed, his hand on your waist tightening. The lead traded from you to him with Miguel twirling you and spinning your bodies around the dance circle with the others, finally in sync.

Miguel gained more confidence, letting go of your hand so he could place both of his hands on your hips. Your arms went around his neck and he gently lifted you up in the air. He saw your hair flutter from the force of it and your smile widened as much as those happy couples he saw earlier. He did it. He made you smile like that. Everytime he thought you couldn’t get more beautiful, you always proved him wrong.

He brought you back down and made sure you were chest to chest again, becoming more and more addicted to the warmth you gave him. He leaned his forehead on yours, slowing down to just feel you. You mirrored his action fondly, breaths mingling after the small exercise.

“My lady, I…” He spoke gingerly.

“Yes?” Your heart beat louder and you wondered if he could hear it.

“I think…” He trailed off, staring deep into your eyes. “I-I think I…”

You waited patiently with a bated breath.

“I think I understand… why you love humans so much.” He said finally. You blinked twice, strangely feeling a twist of disappointment in your heart. You shrugged it off and smiled.

“They’re wonderful, aren’t they?” Miguel didn’t answer.

For the rest of the night, Miguel enjoyed the feeling of your in his arms and enjoyed the feeling of life even through his cold grasp. For tonight, the Goddess of Life and God of Death pretended to be humans and danced under the stars with the music echoing in the air.

A/N: theyre so cute their smut is about to go so hard

[thechekhov]

so ive been following you for years now and i love your comic but mostly what i see now adays is your awesome reactions and asks and stuff - which is great! - but i decided to break down and read your comic on tapas. i didnt realize how much i missed and the impact of just sitting down and reading it is much more intense. youre a very talented storyteller and i knew that but im still blown away by this. thank you so much for sharing your skills, time, energy - especially since i saw you recently say you basically do this and work and nothing else. which makes me wonder what are you gonna do when you're done with WD!Steven? like do you have other projects youd like to work on and i just missed you saying so? whatever you do take care of yourself!

That's very kind of you.

I do indeed have SO many projects I want to work on.

Unfortunately, I'm a bit committed to WDAU at the moment. I am trying to draw other stuff on the side, but it's very difficult to fit stuff in.

One project I wanted to do was a little slice of life comic series about my partner and I living in Japan as a mixed couple.

Another was an original comic that I still hope to have the time to launch someday.....

And there are actually other projects, like an SU ttrpg that I wanted to put out, which is currently on hold because... Again... I'm too busy to finish it.

The reason I haven't talked about these projects much is because I feel incredibly embarrassed about posting anything that isn't at least some level of completed-ness. I don't want to announce something that I'll never get to finish. So unless I have a good head start on something AND I know I have a few things lined up to share, I kinda keep quiet....

[dami-is-delusional]

Fighting or Flirting?: A Series of Confusing Events (seriously. someone stop them.) - Steve Rogers x ExHydra!Male!Reader

Summary: You used to be an experiment, curated by Hydra to be a living weapon. Somewhere along the line, SHIELD saved you and decided to place you with the Avengers. As the superficial leader, Steve Rogers tried his best to welcome you. Somehow it all went downhill from there... until it didn't!

(enemies to lovers, might not be the most accurate Steve, my second fic ever so i apologize in advance.)

PART TWO: Meeting the Avengers (and your downfall... jk it's just your future bf!)

If someone were to see your expression on the car ride to the Avengers tower, they would've assumed someone had just killed your puppy. But nope, you were simply upset that you had to join the team of heroes. Were you even going to get paid for this? Probably not. You sighed, the agent who was driving paid no mind. Now, one might be questioning why you were so against joining the Avengers. If it were anyone else, they probably would've been absolutely thrilled! Who wouldn't want to be in the same space as the heroes of New York? You. That's who.

It wasn't like you had anything against them. No, quite the opposite. You admired their heroism and their desire to keep people safe. You found it noble and extremely cool. It was like something out of your comic books. The real problem was the fact that you would have to work with them. As in teamwork. As in talking to them. As in socializing and having to hold conversations.

Due to your experience at HYDRA, you knew how to do many things. Like how to intimidate and interrogate people into giving you information. How to sneak around buildings without making a sound. How to end someone's life in 74 different ways. You know, the basics! What you didn't know how to do was how to interact with other human beings. Making conversation past a basic introduction? Not your thing! Turns out that being isolated from humanity for a good portion of your life doesn't exactly do wonders for your social life. When SHIELD took you in, you were perfectly content with going on solo missions where you only had yourself to depend on. That's what most of your life has been like anyways. It wasn't anything new. You went from one set routine at HYDRA to another set routine at SHIELD, both in which you were by yourself.

Now, you were being added to a team of people who already knew each other pretty well. You would be an outsider who didn't even know how to knock on the door. You didn't know how people behaved around each other. You didn't know how to get closer to people. You had very low hopes on surviving this. You sighed once more and the agent driver ignored you and your brooding once more as well.

The tall and imposing Avengers tower stood like a mean taunt. Poor little Y/N is going to have to function like a normal human being! Let's hope they don't secretly hate you! You looked up at it and grimaced. It almost felt like the building was making fun of you and already predicting your inevitable doom.

"Maybe doom is a bit much. Oh, who am I kidding? If I'm lucky, the building will explode and I won't have to talk to anyone," you thought hopefully. You looked at the tower for a couple more seconds. No explosion. You sighed for what seemed like the hundredth time that day. Before you could decide to run away to India, you stepped into the building.

The elevator ride up to the floor you were told to go to was nerve wracking. Questions and doubts swirled inside your mind like a snowstorm trying to keep you frozen where you stood.

“What if I can't do my job properly? What if I can’t figure out how a team works? What if I trip when I step out of the elevator and that’s all they think about?” Luckily (and unluckily) for you, your thoughts were brought to a stop when the doors of the elevator opened. Taking a deep breath and giving yourself speedrun mini pep talks in your mind, you took your first step as an Avenger.

CRASH.

Several people stumbled over to the elevator and tried their hardest (and failed miserably) to look normal and stoic. Clint Barton and Tony Stark seemed to have toppled over each other in an attempt to be first. Natasha Romanoff and Bruce Banner approached in a much more orderly fashion, the former looking as though she was going to whack the first duo. Finally, the poster boy of all of America. Steve Rogers. How could someone look like a Greek statue and a golden retriver?

“So these are the Avengers… at least I didn’t trip!” you thought, feeling the most joy you could muster up from this day.

The owner of the building and the man who could probably buy your entire life with one phone call started to speak first.

"So you're the new member that Eye-Patch was telling us about! Welcome to my- our tower," Tony said in greeting, correcting himself after a sharp nudge from Natasha. You knew both Natasha and Clint since they were also SHIELD agents like yourself. You hoped that they could help you out so that you didn't actually have to talk to someone entirely knew about it.

"Yeah, I'm Y/N L/N," you answered simply. You were already off to an awkward start as you stood there, unsure of what to say. You had expected this, of course, but it felt ten times more unbearable in real life.

"It's nice to meet you. I'm Steve Rogers, welcome to the team," came a kind and gentle voice.

You looked over at the source and saw Captain America himself, smiling politely. What were you supposed to say to that? You didn't want to lie and say you were happy to be here.

"Shit, should I smile back? Do I say thank you? Oh wait, a thank you sounds right..."

Hoping no one took note of your obvious silent panic and hesitance, you cleared your throat, "Uh, thank you. I hope... we can get along...?" you weren't sure if you were actually replying or asking a question. At this point, you were just relieved that you managed to say something at all.

To your surprise, the recently defrosted Super Soldier just continued smiling. It was beginning to creep you out. "I'm sure we all will. We're excited to have someone new! You should join us for lunch, Stark is taking us to some shawarma place," Steve offered, his golden boy smile seemingly glowing and radiating with his optimism.

The idea of being thrown into a group social setting right off the bat made you want to jump out of a window. You prayed to some divine being that your face didn't automatically react and show your distaste to such a plan.

"I'm okay, thank you. I'm just gonna... find my room and settle down... and stuff," Lord, you wanted to shoot yourself because of how stupid you probably sounded to them. You saw the slightest falter in Wonder Boy's face but it was gone the next milisecond.

"That's alright! You do that. We can all get together another time," he suggested. You just sort of laughed awkwardly and walked past them with your bags. You wanted nothing more than to hide in a hole and never come out.

"F.R.I.D.A.Y is gonna help you find your room!" Tony called out as the group walked over to the elevator. You turned back slightly to nod in acknowledgement, even though you had no idea who the hell 'Friday' was. As you did, you noticed that Steve was staring at you oddly. He immediately looked away when you caught him. Weird... but who were you to judge?

The elevator door closed and you let out a shaky sigh. How long would you have to repeat the tedious and torturous act of making conversation? You picked up your bags, ready to crash into a bed.

Now for future references, if anyone asked you if you screamed louder than a tornado warning siren when a disembodied, robotic voice began talking, you will deny it with your whole body and soul.

So that's who F.R.I.D.A.Y is...

A/N: This totally did not take almost a full month to make, no you're just being crazy. I don't procrastinate EVER.

Side note, I don't know why I put this off for so long. I will try my best to be a tad bit more consistent in the future.

[suzukiblu]

who is match?

That . . . is a slightly complicated question, friend, because he keeps getting either retconned or getting given VERY alternate origins, hah. When I'M talking about him, I'm usually talking about specifically this version:

THAT Match is the OG version from the nineties, who was created by the Agenda as a clone of Superboy and meant to be the first draft/test run of a line of metahuman clone soldiers they wanted to produce to, like, sell to the highest bidder. He's an asshole who insists that he has no free will and therefore can't be enslaved while VERY CLEARLY BEING A PERSON WITH FREE WILL WHO IS BEING ENSLAVED, and the Agenda mostly trots him out to pretend to be Superboy and fuck with Project Cadmus or the superhero community in general or just try to murder Superboy/Young Justice/whoever they're annoyed with this week, I guess. His whole thing is he's better-educated than Superboy and knows more about literally everything but especially how their powers work, because he got the full education uploads (AND THE FULL INDOCTRINATION UPLOADS, JUST SAYIN') while Superboy got yanked out of his own cloning tube early and saved from . . . well, at least SOME of the mind control that Cadmus was gonna stuff in his head. SOME of it.

( goddammit, Lex )

This Match considers Superboy obsolete and himself as a better, updated version of their design, and again, is way better-educated and better with their powers. He is also way less creative and self-motivated, however, which tends to bite him in the ass when Superboy decides to get batshit in their fights. Like, that's generally how Superboy beats him, when he does: he just does something absolutely fucking STUPID and it works because Match is thinking "no one would actually be that stupid--oh my GOD how are you THIS STUPID?!?!"

Later on for no apparent reason they decided to have him genetically degrade and go Bizarro in Teen Titans, which annoyed the fuck out of me because it's actually the literal worst possible thing you could do to a character who prides themselves on being an improved design and more intelligent than their rival/enemy/foil, but like . . . the narrative was not really examining that, from what I know of it, the narrative was just "oh Bizarro Superboy is here to upset/freak out everybody while Kon is dead and also now he's being mind-controlled by an asshole and the good guys are . . . fine with that? for some reason??" and just . . . sigh. SIGH. And then he gets fucking murdered and used for scrap parts to make MORE Superboy clones, which oh my god, fucking horrifying TOO and YET . . .

Though apparently in Rebirth, he's alive again and they've semi-redone his origin and made him a clone of Superboy that Amanda Waller has inexplicably managed to produce and even more inexplicably somehow uploaded all of Kon's memories into? Somehow?? And is forcing to work on the Suicide Squad for her, because fuck Amanda Waller, jfc. And for a while in there he thought he WAS Kon, because like, how the fuck would he have known different. So that was fun for him to find out about, I guess! Especially because he ALSO started to Bizarro-degenerate about five seconds into that particular realization.

FYI KON HAS TRIED TO SAVE THIS BOY SO MANY TIMES AND IT HAS NEVER WORKED. NEVER. IT KILLS ME.

Also he seems to have inherited Kon's thing for older women along with his presumable memories, cough cough cough.

And ALSO there's a version of Match in Young Justice Animated who is actually OLDER than Conner, because he was directly cloned from purely Kryptonian DNA and then failed as a weapon because he wasn't controllable, and Project Kr was created as a hybridized clone after he became too unmanageable to use. He's apparently just full-stop psychotically violent due to shitty mental conditioning and instability in his Kryptonian DNA, and very much unbalanced, which is waaaaay different than the more calculating and educated version we first got in the comics.

It actually low-key makes me insane that they apparently just decided to make a character who was all uncontrollable violence and rage and just, like . . . never revisit him or actually HELP him despite the fact that he is EXPLICITLY both mentally AND physically compromised and therefore can't really be considered to be, you know, an informed asshole making informed asshole decisions any more than Conner was when his pod first got cracked. Project Match is a fucking baby who's had a very shit excuse for a "life" and has been CONDITIONED to respond violently AND is effectively suffering from a genetic disorder, but we're just gonna . . . ignore that, I guess . . . and punish him for it? I guess?? For being how he was made and not having the mental capacity to figure out how to be anything else in the, like, thirty fucking seconds of actual consciousness the series allows him??

And I am just not gonna talk about what they did to him in the tie-in comic, hahaha. FUCK that tie-in comic.

( one day I will write fix-it fic for you, YJ Animated Match. one day. I AM COMING FOR YOU. BE STRONG. )

[sweaterkittensahoy]

I ever tell y'all about the time I got a guy dumped?

Story time!

This is an oldie. Early aughts. I was working at a comic shop. We had a guy who came in regularly who would ask for the full-time comics guy. If he was there, this dude would NOT acknowledge me. Even if I rang him up.

One time, he basically tested me to see if I was worthy of his attention. He listed comics, and I kept going, basically, "No, I haven't read that, but I heard it's good" or "No, haven't read that, but that sounds cool."

It was very clear that because I wasn't lined up exactly with his tastes, he didn't trust me. My having jugs likely made this more difficult for him. Like, one night, rather than just buying what he wanted and have me ring him up, he said, "Hey is [the full-time guy] here?" and I said, "Lemme check," when the answer was 'Yes, but off-duty.' Dude came to the front of the shop to say hi and then he got stuck by this dude talking comics at him and then being like, 'You can just check me out right?'

Once the guy was out of the store, full-time dude turned to me and said, "Hey, I'm sorry that happened. I should have let you at least check him out so he doesn't think he can act that way."

I assured him it was fine. "He acts like that even when I do check him out," is I think what I said. "I know you've got my back. You don't need to have it for him."

We fist-bumped, the rest of the night was chill.

A few weeks later, I was working the closing shift, and fuckboy comes back in. He has someone with him this time. She says, "Why are we stopping here? You said we were going to dinner."

"We are," he says. "Just let me look around for a minute."

She is clearly not into it. I haven't said hi to fuckboy because I know what he's like, so I end up saying hi to her and asking, "Hey, do you read comics?"

And he scoffs, "No," before she can answer. And she looks at him like she wants to murder him.

"Well, I obviously read comics or I wouldn't be working here," I said to her. "So, what do you do for fun?"

And she and I have a pleasant chat for a few minutes. Meanwhile, this guy is piling trades in his arms like crazy, and she's side-eyeing the pile, and I KNEW something shitty was about to happen.

He finally comes up to the counter with a stack of 7 or 8 trades. This is a couple hundred dollars of comics. He sets them on the counter, and the girlfriend says, "Um, can you afford those AND dinner?"

"No," he says. "We'll just go home after this."

"But you said you were taking me to dinner."

"I changed my mind."

"Dump him," I blurted out. I truly hadn't meant to, but it fell out of my mouth anyway.

She tried to laugh it off. "Oh, that's funny."

He was glaring at me, but joke was on him. He had literally been the worst, and I didn't care. "I'm not joking," I said. I looked her dead in the eyes. "He said he would take you to dinner, then he brought you here when it's clearly not a hobby you share, and now he's deciding comics are more important than taking you to the dinner you were supposed to be going to. Dump him."

Fuckboy had zero answer. She just looked dumbstruck that anyone would challenge him. I rung him up, took his money, and told her to have a great night.

He walked back in a couple of weeks later and refused to even look at me. The full-time guy was working, so I went to the back to sort some back issues until fuckboy was gone. When he left, the full-time guy came back to me and said, "He says you ruined his relationship."

Me, suddenly remembering the last time he came in. "I told his girlfriend to dump him for being an asshole."

"She dumped him. He says it's your fault."

I laughed my ass off.

Epilogue: She came in a few months later with a different guy. They had just started dating. They'd met for lunch, and he said he was a fan of comics, and she remembered our shop, so she said he should visit. He asked if she wanted to go with him. She came in with him, and he clearly had a great time looking at what we had, but he also said to her, "Hey, I know you said you aren't into comics, but you said you really like biographies, so you might flip thorough Persepolis if you get bored."

And I was just like, "Dude, you nailed it. You fucking nailed it. "

I have no idea if they stayed together, but it was a nice bonus to getting her away from fuckboy.