#i've never seen more than one of them at a time

[lovemomhatepolice]

inCHident - charles leclerc

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pairing: charles leclerc x fem!reader

warnings: drunk! reader and Kelly, English is my second language!

type: fluff (funny? i hope so)

word count: 1k

summary: there is nothing funnier than you and your good friend Kelly Piquet, with whom you imitate your partners after alcohol and their famous action of 11 years ago...

more content: formula 1 masterlist, charles leclerc masterlist, max verstappen masterlist

“You know what?” You laughed, uncertainly walking down the stairs hand in hand with your boyfriend Charles.

“I'm listening to you, baby,” the man replied, holding you carefully by the elbow and waist.

Your head was spinning. The amount of alcohol on that day probably overcame you too much, or at least at that moment. Partying with Formula One drivers after races was something you loved. That atmosphere, that closeness of everyone together, the successful partying… well, and your beloved girls who proudly stood by their boyfriends as you did.

“You're a good boy,” you grinned, squeezing his hand. “Really, I've never had a better one in my life.”

Charles giggled under his breath, well aware of your condition. Ay, it wasn't the first time he'd seen you in it, and it probably wouldn't be the last either.

“Well, in that case I'm glad,” he replied, helping you up the last flight of stairs at Max and Kelly's temporary lodging for this trip.

That's where the two of you held your after-party after a good partying at the club. You didn't often do this, as mostly everyone was already tired after the fun at the first place, but today quite a few of you still had a lot of energy in you and you definitely couldn't let it go.

“But really Charles.” you said, stopping in front of the stairs.

You were then standing in a place somewhat isolated from the room where all the rest who had come with you were sitting. They were not all drivers, on the contrary, you ended up with about ten people. The rest simply let go of further fun and either returned by plane to their homes or to their hotel rooms.

That's why hardly anyone could catch the fact that you managed the “bathroom” task, which earlier caused a lot of laughter. Leclerc just didn't want to let you go up the stairs alone, and heck knows - you could still fall down them in those heels.

“Really what?” he laughed, grabbing you by the waist the moment you threw your arms around his neck.

“You really are a good boyfriend. If it wasn't for you, I probably would have peed there, it was a must,” you whispered in his ear as if it were a secret, which brought a smile to his face.

“Mhm” he muttered, stroking your hips through the thin material of your dress.

You moved closer to him and kissed him lightly, grinning into his mouth at the same time. However, you were soon interrupted by a shout from Kelly, who, unbeknownst to you, suddenly jumped out from around the corner.

“[Y.N] I HAVEN'T SEEN YOU IN A LONG TIME!!!”.

You quickly turned around, abandoning your boyfriend's embrace, and threw yourself into the arms of the brunette, who stood behind you with her arms spread out. The hallway was filled with your squeals.

“Kelly, how I love you! You are so beautiful today, what am I saying? You are beautiful every day,” you replied, giggling.

You and the girl moved towards the living room and sat close to each other on the couch. Charles moved behind you, however, sat on the armchair next to you. He was well aware that he didn't even have a lift at that moment, when you continued to be giggling and in each other's embrace.

Everyone in the room was listening to some story by Lando, who was telling it with great passion, but you were in your own world. You whispered something in each other's ear, burst out laughing afterwards, paid each other compliments, and much more. It did not even cross your mind that Max was not in the room. You only found out when he entered the living room in a down jacket and looked at you and Kelly with a surprised look.

“Max, what happened?” asked Oscar, giggling under his breath at the sight of Verstappen.

Max shrugged off his jacket, depositing it on the couch behind you, making the brunette hiss from the touch of cold on her warm skin.

“I thought she went out...” the man began, but was not given the chance to finish, as he was interrupted by his girlfriend.

“NO, HE'S JUST UNFAIR,” she began to say loudly, grabbing your hand, which you quickly picked up on. You loved to laugh at your boyfriends. "I'm leading, he want to pass, he push me, I push him back and after he push me off the track. JUST NOT FAIR"

"Thank you, thank you Max" you replied, pretending to hold the microphone.

A volley of laughter went throughout the living room, and you could feel Lando's phone pulled out on you, which was most likely recording you, but you didn't pay much remark to it. So did Charles, who measured you with his eyes as intensely as Max did.

Kelly rose on the couch, catching in her hand the remote control that lay on the coffee table, and pressed it to her lips, sitting cross-legged. The girl tilted her head toward you and raised her eyebrows slightly, lending authenticity to the “interview.”

“Charles. What's happend with emm Max?" She asked and put the remote control to your lips, encouraging you to use it, like a real microphone.

You looked at Max, who was standing behind his girlfriend with a disbelieving face, and burst out laughing, but quickly stepped into your role again and put on a serious face. Just like fifteen-year-old Charles, giving an interview at the time.

"Nothing, just an inCHident... on the race" You replied, shaking your head in a familiar way.

“I think I just cried,” replied Lando, choking back his own laughter and wiping away the tears that really did trickle from his eyes.

Everyone in the living room laughed, including you and Kelly. Well, okay, maybe not everyone. Max and Charles looked at each other in disbelief, time and again shifting their gaze to you.

“I can't believe it's been twelve years and people continue to remind us of this,” muttered Charles, trying to break through the loud laughter and applause in the room.

All he got in response was a pat on the shoulder from Max, who took the seat next to him, and they both looked at the rest of their friends, wondering where in their lives they had gone wrong that they had chosen such people...

A/N: please do not copy or translate my work! if you have any issues regarding this please contact me in the messages :)

I hope it brought at least a slight smile to your face. AND what more can I say? happy (but belated) inCHIdent anniversary!

[astro-enthusiast]

Astro Observations 2.0

Thank you all for 222 followers! <3

Take these observations for what they are: personal observations.

Super duper long because I love you all. :)

Aries moons tend to always be on the move. Often times, these natives have something energetically "off" at home which results in them not even wanting to be there. They're the type to always be at work or at their friend's place. May have parents they want to get away from. At least one of their parents leans toward a more masculine energy.

You cannot be in your feelings when you talk to a Virgo moon. Their love language is literally telling you all the ways you can improve yourself. It's not necessarily that they're trying to make you feel some type of way, they genuinely don't think there's anything offensive about it. They're naturally attracted to "fixer-uppers" and they love a good project. Only problem is, people are not your projects and your loved ones are allowed to be flawed.

On the note of Virgo moons, they also have a tendency to be permanently unimpressed. My mom has this placement and my sister and I always wanted grand reactions to the stuff we did as kids, but we never got them. Even to this day, my mom is the queen of giving absolutely nothing extra energetically lol. They literally look like this emoji --->😐. Unless they have fire placements, they tend to be the definition of stoicism.

I've been studying the relationship between Scorpio moons and their mothers for a while now because it is such an interesting dynamic. I noticed in the past, that Scorpio moon natives may experience a rather controlling mother figure, but I've recently noticed that this controlling nature goes both ways. Yes, their mother has control over them and their actions, but they have just as much control over her too. They're almost like puppets to each other. It's an incredibly intriguing dynamic that honestly leaves me speechless. Makes you wonder, in these specific situations, "Is anyone here truly the victim?"

We've talked about how moon signs can manifest and what your mother may have taught you, but what I have yet to touch on is how your moon sign reflects your mother's pregnancy experience. I've studied this a bit and I think my mom is the perfect example! My sister and I have opposing moon signs: Cancer and Capricorn. I've spoken to my mom in-depth about both her pregnancies and here is how she describes them:

-Pregnancy with Cancer moon: she was overweight, gained 50+ lbs during her pregnancy, used food to cope with her abusive relationship, was on bedrest, too depressed to do or go anywhere, spent most of her days in the house crying.

-Pregnancy with Capricorn moon: she was in amazing physical condition, gained less than 20 lbs during pregnancy (10 lbs of that was baby), had endless energy, worked out every day, worked overtime at her job, was broken up from my dad, lived alone, was in her bag.

Opposite moon signs and two completely different pregnancies!! Crazy, right?!

I've heard the theory that Capricorn moons are the eldest child, which is true in many cases. However, in my experience as a Capricorn moon, I'm the youngest and my eldest sister is a Cancer moon. But that doesn't debunk my "big sister" energy lol. My sister has always referred to me as her "big little sister" and when we were younger and my mom left us home alone, she always left me in charge. My Cancer moon sister was known for her big emotions and ability to quickly lose control. This dynamic has always been funny to me. Ex. We had a tornado watch (super rare where I live) and my sister was running around the house screaming and crying. While I was calmly in my bedroom playing dolls keeping it kosher. 🤣

God really did give his toughest battles to Virgo, Scorpio and Capricorn moons. No one else is doing it like us! We came equipped with everything we needed to handle ALL the bs in our families.

Don't scorch me fire moons, but where is the personal accountability? I've seen water signs talk their way out of some situations, but the way a fire moon will dance around the truth really needs to be studied. I made this observation before and a Sag moon came for me which is how you know it's true. 😭

Moon sign compatibility is so real y'all. As an earth moon, I mainly form deep connections and bonds with other earth moons and *some* water moons. The other elements just don't do it for me. Even with my fire placements & degrees, I still struggle to understand fire moons.

I've read before that Leo moons have a tendency to be selfish, which I concur depending on the situation. But I think the reason why some of them act like this is because often times, they are either the only child or the favorite child. So they literally don't know what it means to compromise or not get their way. I've only met 2 Leo moons (that I know of) years apart and they both had the same tendencies and personality. Let me know if you've had a more positive experience with this moon sign!

Fixed moons may have mothers who are very controlling over their lives. Their mothers have a “fixed” idea of what their child’s life should look like. They have a tendency to have a puppet & puppeteer relationship. I’ve noticed that because of this, these natives tend to have one area of their lives that their mother can’t control and they spiral out of control in that area. Kinda like a “look mom, you can’t control me in EVERY way” type thing. The most common areas I’ve noticed this in is their sex lives and drugs/alcohol use.

Of course the above note is based on personal experience. I’ve heard quite a few mothers of fixed moons say to other people: “I made them do this” “there was no way I was gonna let them not do this…” like the kid has no choice in the matter.

Okay, enough about moon signs. For now...

This may not be too popular with the astro girlies buttt I believe we have a tendency to attract the versions of signs we speak into existence. For example, when I first started studying astrology, I was sick to my stomach to see that I was a Sagittarius rising because I had back-to-back experiences with Sagittarius suns stabbing me in the back, so I told myself they were the worst. In time, I wanted to accept all of my chart which included my own Sag placements. I had to heal my understanding and perception of them to see them differently. Now, I attract the funniest and kindest Sag suns! It all started with me. This is your sign to heal your trauma with that placement. 🤍 (yes, this is also a message to myself). What you see won't change until you change what you see!

If there's anything a mutable rising is gonna do it's change their physical appearance.

Earth risings, rising at earth degree, or chart ruler in earth house: these people are less likely to take bold chances and risks with their appearances. Not really the type to dye their hair crazy colors, although they are quick to get visible tattoos.

Virgo in big 6 appears naturally put together. They don't really have to get ready because they stay ready. And they expect the same from you, especially if you're their romantic partner. This is amplified if they have Libra or Leo placements.

I’ve noticed Virgo suns and risings are much less likely to wear makeup. I see them with it maybe once a year and even then it’s like one coat of mascara and some highlighter. One thing I have heard a lot of Virgo women say is that they literally don’t know how to do their makeup which may factor into why they don’t wear it. Virgo moons however do tend to wear makeup.

Aries and Scorpio placements are very protective of their loved ones. One wrong look in their direction and they're ready to pounce.

Gemini-Sagittarius axis: if there's one thing these placements are gonna do it's laugh at absolutely nothing for an extended period of time.

Taurus and Libra placements, do you really need that new blouse? Or that new stationary knowing dang well you have more than enough? No, put it back. Aht! PUT IT BACK. And keep your receipts, so when you get home from that impulsive purchase, you can bring it right back where you got it from.

Something about Virgo, Scorpio, Sagittarius and Capricorn placements in dark academia that really does something to me chile...dark academia was made for us!

Saturn rules teeth. Saturn placements and aspects can describe your teeth’s appearance and health. Saturn aspecting Jupiter may have larger teeth. Aspecting Mercury may result in the native having smaller teeth or possibly getting veneers. Saturn aspecting Venus can manifest as the native receiving many compliments on their teeth/smiles. In the case of harsher aspects, the native can feel their teeth directly hinder their perceived beauty.

I’ve noticed people with prominent Gemini/Virgo/Mercury placements are much more likely to have gaps in between their front teeth. Often times, this is a result of their teeth being on the smaller side.

Virgo placements (esp. moons) can have naturally “perfect” teeth that don’t require braces. But upon closer inspection, you can see their teeth are not perfect, but rather, the imperfections are so minuscule you have to truly look to find them.

Libra Suns typically go for either the relaxed look (very natural appearance, not much makeup) or all the frills (makeup, couture, luxury). I have yet to see an in between. Libras with Scorpio/8th house influence enjoy darker colors and go for a much more relaxed look. More likely to portray a dark feminine embodiment of Venus or a more natural feminine. Especially if they have Virgo placements.

Aries suns (males and females) are the BIGGEST sweethearts and I don’t see enough people praise them for their pure hearts. 🥹

DO NOT under any circumstances copy, paste, reword, rewrite, translate, or repost my work.

All Rights Reserved to astro-enthusiast.

[tobiasdrake]

Hi! Absolutely adore your DBZ analyses, thank you so much - just spent a delightful time reading them all. I was wondering, since you've commented on Chi-Chi and Goku's marriage, what do you have to say about Vegeta and Bulma's relationship? (I've always been entranced by it - mostly because as with all his romances, Toriyama had the wisdom not to show any of it onscreen. But I'd love to know your thoughts about it.)

Bulma and Vegeta are a match made in Hell, and they deserve each other. (Which is to say yes, I love this ship.)

Hooking Bulma up with Vegeta was a hell of a narrative swerve. Generally speaking, stories rarely do this; They rarely let characters break up once they're already invested in a romance, unless it's supposed to be like a love triangle thing.

And Bulma? Bulma was invested. At least, to a degree.

This was the birth of the original Bulma romance that ran through about half of the manga. Two teens interesting in the opposite sex suddenly realize the availability of the other and a relationship is born.

Toriyama says he's bad at writing romance but to be honest, this has always hit me as more believable than your typical drawn-out five-seasons-of-pining Will They/Won't They affair. I'm a girl. You're a boy. Wanna go out and see what clicks?

And these two... these two do not click. We only really see their relationship from Bulma's perspective but it's clear that these two are miserable together.

The manga sorta takes Bulma's side, in that we never really get to hear Yamcha's opinion about their relationship one way or another. When he's around, all he wants to do is talk shop about martial arts. Since Toriyama doesn't like to write romance, we simply don't see much of it from them. What little we do hear about it comes from Bulma complaining about how miserable she is.

Bulma is pretty much always pissed off whenever the relationship is in focus at all.

Anime filler tends to take Yamcha's side instead, portraying him as a put-upon victim of Bulma's jealousy and abuse. A nice guy who doesn't deserve the way she treats him.

It's not hard to buy into this interpretation of their relationship since, as noted, we rarely get anything from Yamcha with regard to his relationship to women or Bulma specifically but we know Bulma's a lot. It's easy to accept Bulma as the "bad guy" of this relationship because. Like. Remember that time she enslaved a sentient being? Good times.

Though one particular moment from Yamcha later on kinda stands out as a bit of a retroactive Yikes.

Yeah. Uh. Threatening violence against a woman for rejecting his bro is a bit of a Yikes. Is this who we were supposed to see Yamcha as all this time? Because, if so, it might have helped to let him opine about the relationship more. Just saiyan.

According to Toriyama in interview, Yamcha and Bulma ultimately broke up because she caught Yamcha cheating on her. I guess that's what him being "popular with girls" was supposed to mean: Once he got over his gynophobia and found confidence with the opposite sex, Yamcha became a player.

But that doesn't necessarily come across from the statement, "Bulma can't stand that Yamcha's popular with girls." A lot of fans took that to mean girls just like him for no reason, and Bulma's unreasonably jealous about it. The anime took that position too.

Note that the "Yamcha is popular with girls" thing isn't helped by the fact that we never see it on-panel because he's only ever talking shop when he's around. But we do see a wandering eye from Bulma often enough.

There's nothing wrong with enjoying the aesthetic appeal of another party even when you're in a monogamous relationship, but it doesn't really present the "Other party is a womanizer and cheater" case when you're the only one ever seen doing this.

So it feels like there's a lot about Yamcha and Bulma's relationship that never made it to print yet influenced later decisions. Those decisions ended up being controversial because the foundation for those decisions was never laid. Here, Toriyama's disdain for writing romance worked against him.

But ultimately, regardless of whose side you take, it doesn't really matter. It doesn't matter who the "bad guy" is. A healthy relationship does not have a "bad guy" in it.

Whether or not Yamcha cheated, whether or not Bulma's just an unreasonably jealous hell-beast, it doesn't actually matter. What matters is that once you reach the point where you're taking sides over which party is the most obnoxious asshole and I hate you and I wish we never met... this relationship is not working for anybody.

It doesn't matter who the bad guy is. It doesn't matter who deserves the blame for this relationship being a toxic shithole. That there is blame to throw around in the first place is the problem. Every relationship has its ups and downs but if one party is constantly miserable for years and has possibly been looking for an escape hatch since year 1, that's not a little tiff.

What matters is that these two are not working out. Any time we see their relationship in focus, they are miserable together. The anime tried to do some patchwork on that with audience reception by giving them some cute moments as well, but because those moments aren't canon the pair remained miserable.

And then this happened.

Despite everything, I think we all assumed that Bulma and Yamcha were going to work it out. Fictional relationships are often portrayed as tumultuous. To a writer, nothing says true love like being constantly miserable and despising every waking moment you spend with your awful, nagging ball-and-chain of a spouse. That's just. Like. What the straights think romance is. It's weird.

I think we all thought that was going to be the deal here too. And then Trunks came along and said, "Nope, actually, they finally severed the cord."

Again, Toriyama says he's bad at writing romance but holy shit, the toxic and miserable relationship actually ended. The two characters involved who only got together out of loneliness and desperation later found they were incompatible with each other. That's so real. Much moreso than a lot of fictional romances.

Instead, we got the absolute crack ship that is Vegeta and Bulma. What a wild-ass revelation for Trunks to drop.

Like. Until the end of the Namek arc, this was the only time these two characters even met.

She also saw Vegeta for like two seconds here.

That was it. That was their entire history together until Goku defeated Frieza while Kaio sent everyone to Earth. But that's when everything changed for Vegeta.

Stranded on Earth with no ship, no affiliations, no ability to leave the planet and nowhere to go or be and no obligations to anyone but himself, Vegeta's circumstances were wildly different than they'd ever been before. He had become one of the Namekian refugees.

And Bulma was offering refuge.

Hard to resist, indeed. That moment is absolutely hilarious in retrospect. Bulma rolled a Nat 20 on that charisma check. It's pretty clear who the instigator of this relationship was.

Like. It needs to be stated that at this point, the only thing Bulma knew about Vegeta was that he tried to kill them all multiple times, and also he's kinda hot. But. Like.

It's Bulma. Anyone who doesn't expect this from her by now either hasn't been paying attention or started watching the English dub of the anime when they did Z first.

So, naturally, Vegeta is a kind and loving man and became a phenomenal husband and fa--

Wait. No. I got my notes mixed up. It says here Vegeta's a rotten dirty bastard. Like. Chronically. He has Supreme Dickshit Syndrome. It's genetic.

Most of Bulma and Vegeta's developing relationship happens offscreen. From what snippets we get, Vegeta has a tendency to vanish during the day, but he still lives at Capsule Corp so Bulma sees him around.

By the end of the three-year timeskip, it's official. Or semi-official. Yamcha and Bulma broke up at some point during that timeskip and Bulma's given birth to Trunks.

As for Vegeta, he's evidently moved out of Capsule Corp and into his own place.

I guess he's still keeping contact with Bulma since she knows what his intentions are. Not to mention he found his tranquility during these three years, though it's somewhat ambiguous as to what exactly brought that peace to his heart.

But the relationship is off to a rocky start nonetheless. Clearly something went down between Vegeta and Bulma that drove Vegeta out of Capsule Corp. To. Uh. Somewhere.

I like to imagine Vegeta living in some shitty West City apartment he rents off a stipend Bulma's sending him that he refuses to openly acknowledge. Like, room 101 is a down-on-his-luck tax accountant, room 102 is a couple with a kid trying to make ends meet off two retail workers' salaries, and then room 103 is Vegeta, Prince of All Saiyans. Sometimes he goes to community events and pretends he isn't having fun.

No lie, I would absolutely watch that as a sitcom.

As for Vegeta himself, he's still a rotten dirty bastard.

Worth noting that Vegeta's saying this as a Super Saiyan which means he's drunk on the form's enhanced aggression. But. Still. Vegeta is an absolute monster being dragged kicking and screaming into a pleasant life that he'll one day resent himself for enjoying. This is his arc moving forward.

It's not so much a redemption arc as it is a domestication arc. The uniquely evil even by Saiyan standards Vegeta is gradually being changed by his new terrestrial life. He doesn't want to own up to how much he enjoys it here. Seven years later, he's still desperate to avoid owning up to it.

He doesn't want to be happy here. He doesn't want a loving wife and a son who looks up to him and the most lavish home wealth can afford him and easy, comfortable days spent with friends and loved ones by his side. He doesn't want a happy ending.

But it's like Bulma warned him: Dragon Ball's queen bee is hard to resist.

Welcome back to Capsule Corp, Vegeta. We hardly even noticed you were gone. Honestly, Future Trunks deserves a lot of the credit for this; Watching him die at the Cell Games was what flipped the switch in Vegeta's head that he wants the family he and Bulma have spawned together.

Sure is a good thing we have Dragon Balls because this is a hell of a time to suddenly decide you love your son. But we see the consequences of that seven years later, since Vegeta moved back into Capsule Corp from... I don't know, wherever he went. They're gonna miss him at the next community poolside summer BBQ event for all tenants.

Part of what makes Vegeta and Bulma work, I think, is that they're on the same page about one crucial point. For Bulma, there is one person who will always take precedent in her life above all others. Romance comes and romance goes, but this is the relationship that matters most to her.

Especially when it comes to martial arts and fighting. Bulma doesn't know a lot about the subject, but she knows that Son Goku is her #1. She has no reservations about saying that to her lover's face either.

When fists start flying, Bulma knows who she's rooting for. If Goku's involved, then it's not her guy. That's. Just. Something that anyone who wants to be with her has to be willing to understand. The single most important relationship in Bulma's life will always be her friendship with Goku.

And the thing about Vegeta is... He kind of agrees? Like. See above, re: I wanted Babidi to destroy my feelings for Bulma so that I could become the warrior that can fight with you, Kakarot.

As much as Goku will always be Bulma's #1, he'll also always be Vegeta's #1. He even gets included into Vegeta's fond farewell to the family he loves.

Goku is basically the platonic third in a two-person polycule. This is the second marriage that this poor ace plays a vital role in despite having no real interest in romance whatsoever.

Bulma is selfish, spiteful, petty, and vain. At one point, DBS: Broly directly compares her to Frieza; A comparison that manages to be unbelievably unflattering to both participants.

They're the same picture. A revelation that would probably be horrifying to both.

And Vegeta. Especially Vegeta. But. Like. She warned you she was irresistible. You didn't take her seriously and now look where you are. Married to the She-Frieza. Maybe you should think about your life choices.

This is just. So much fun. As I said at the outset, Bulma and Vegeta are a match made in Hell who make it work because they're both similar brands of awful.

As for Yamcha, it's a little known fact but Yamcha rebounded and moved on with his life. He stops having much story relevancy after he leaves Capsule Corporation so we see very little of his private life from there. After retiring from martial arts and splitting up with Bulma, Yamcha's left without any story hooks to keep him involved.

But there was this interesting moment, when he realized they had a Shenron wish to spare.

After Krillin comes up with something better to use the wish on, he takes it back and claims it was a joke.

This is, surprisingly, a point of contention in the fandom as some of Yamcha's fans prefer the idea that he died miserable and alone after Bulma ruined his life by leaving him. This takeback gets pointed to as proof that he made up his girlfriend entirely. However, in context, it's clear that a) he's trying to brush off his earlier attempt at making a petty wish and b) the thing he's transparently pretending was a joke is the necklace wish, not the existence of his new girlfriend.

Like Bulma, Yamcha moved on with his life after the break up of their miserable relationship. And that was the final word that was ever uttered on Yamcha's romantic prospects, because this was the last time he was ever meaningfully involved with anything at all.

[suzukiblu]

do you have any kryptonians hcs that you think would be fun to see incorporated in more fics out there? like cultural stuff & biology

Ones I've seen before and really like:

Kryptonians purr

Kryptonians are built physically harder/denser/heavier than humans and don't have much "give" in their bodies

Kryptonians can tell that humans aren't the same thing as them, but humans can't QUITE tell that Kryptonians aren't the same thing as them; there is just the tiiiiiniest bit of uncanny valley there when they aren't deliberately trying to pass for humans, though

Kryptonians immediately just "recognize" other Kryptonians as being Kryptonian ( though maybe this one is at least IMPLIED in canon, though I've never been totally clear on that one--but like, a stronger version of it, if that makes sense?? )

Ones I've been slooowly forming myself for personal use:

Kryptonians have different voices and different hearing, in the sense that a Kryptonian has more tones/nuance in their voice and can HEAR more tones/nuance in a voice, and a lot of other species' voices sound flat or toneless to them because they lack those additional tones

"chiming" as a way for children to get their parent/caretaker's attention; basically a specific musical little sound that they make

Kryptonians typically only being physically expressive or emotive with close family members/friends, and vocal communication frequently being more emotive/descriptive for them than physical is

Kryptonians come in just sliiiightly brighter colors than humans do--eyes, hair, skin, etc

it takes a long time and extended time together to "learn" someone's heartbeat

food is generally served on specific complementing dishware, in terms of color/shape/specific meal

most clothes involve multiple layers, mainly a fitted undersuit that covers as much skin as possible, and then an overrobe or two that hide(s) the shape of their bodies as much as possible; specific cuts of drapery are a big thing in their fashion

wearing house crests is a Big Deal all the time and involves certain rites of passage/ages/etc

diet being fairly simple and minimalistic; they have rice but not really bread, eat more fish than red meat, and cuisine tends to concentrate on very subtle and natural flavors; there's not typically a lot of different things on their plate and they don’t generally use chemical preservatives in daily life

to a Kryptonian it'd be a LOT more normal that Kon and Match got made in test tubes than it'd be that Jon and Chris got made via natural births, and there would absolutely be a "is cloning worse or is just leaving your kid's DNA up to chance worse??" kind of argument going on there, culturally speaking

( also I could go on for a fucking MINUTE how Jon being a successful and healthy hybrid who is also apparently fertile enough to have at least one descendent alive and well in the thirty-first century is an insane and weird thing that makes very little sense that I DESPERATELY wish came up in more of the fics/canon that I see involving or mentioning him; seriously, Kryptonian DNA is so complicated that Bizarro syndrome is a regular thing in clones produced from it even by people who SPECIALIZE in cloning, but the kid who just got whatever random genes won the random race is the one who came out perfectly stable and healthy and has ZERO health issues/concerns? like, EVER?? hOW, canon. HOW. )

I will actually live and die on the hill of "Lex is more genetically compatible with Kryptonian DNA than Lois is" because fuck a) biological determinism and b) loving couples DO frequently have to deal with genetic incompatibility and that's just much more interesting to me narratively, and also I love the weird little not-quite-tragedy of that concept, both in how Lex refuses to be an ally to someone he actually is so naturally “compatible” with and in how Lois would have genetic compatibility issues with someone she loved so much and was loved BY so much

ONE DAY I will write the fic where Jon is actually NOT a healthy hybrid and has a ton of health issues from birth and can't even use any Kryptonian powers without having a freaking asthma attack or HEART attack, resigns himself to it just being an unavoidable Kryptonian-human hybrid thing and that he'll never live up to his dad or grow up to be "Superman"--and then one day an oblivious newborn bb clone Kon shows up out of the blue in perfect health with EXTRA superpowers and very publicly declaring that HE'S gonna be Superman someday, and everyone in the Kent family has to just deal with that and how they all feel about it. ONE DAY.

[somehow-a-human]

Moonlight Serenade & Good Omens &... Lost...?

DO NOT ASK NEIL ABOUT FAN THEORY.

First off: I am a certified former band kid. I've been playing the trumpet for 17 years. I did marching band in high school & college, I served pep band march madness basketball realness, I'm a bona fide concert hall bitch, and I considered becoming a professional musician.

Because of this, the music of good omens is something I have been ACTIVELY avoiding! The risks of hyperfixating and spiraling into it are HIGH!!! I spent so much of my life deeply entrenched in music, all genres, all time periods & It's hard not to have a proclivity toward it. But I also expect it to be a huge topic and a deep hole to inevitably fall into.

But could I hold out forever? no. and something finally pushed me over the edge. Wait for it..... Lost. Yep. The fucking TV show Lost. WAIT WAIT, don't leave! STAY WITH ME!

Why Lost? And what does it have to do with Moonlight Serenade and WHAT DOES IT HAVE TO DO WITH GOOD OMENS?! Well my lovelies continue under the cut with me and keep an open mind...

Okay so... Lost. Yes, the insane 2004 mystery plane crash island adventure drama. It's a wild ride, and a masterpiece and a little bit crazy, but overall pretty damn good. I've been on a rewatch spree and wouldn't you know it... parallels between lost and Good Omens kept popping up in my brain!! I mean they are both detailed intricate mysteries so it makes a tad bit of sense but there was one little detail that *might* be a *clue* so I figured I'd make a post cause why not? I promise you don't need to know anything about Lost to follow this!!

First off, what are some of the recurring themes of Lost the TV show you might ask?

Life & Death

Timelines & Time Travel

Literary Allusions (Catch-22, The Bible, A Tale of Two Cities)

Prophecies & Premonitions

Symbolism of Black & White

Yeah okay, that tracks, but look there are 121 episodes of Lost and 12 episodes (so far) of Good Omens so there's bound to be some overlap for these two ineffable mysteries.

You'll be thinking about now, "BUT WHAT DOES THIS HAVE TO DO WITH MOONLIGHT SERENADE?!" I'm getting there, shhh, lemme pet your hair gently and keep giving you background information to build it up shhhh...

If you've never seen Lost there is a very good chance you're mighty confused at this moment, so let me reassure you, you don't need to know anything about it to understand the connections I'm going to make. A brief synopsis is: Oceanic flight 815 crashes on an island. The plane crash survivors quickly discover the island is more than it seems to be and holds many secrets and mysteries. A lot of people die, most of them are murdered, it's giving Lord of the Flies. That's honestly all you need to know.

Time Travel & Alternate Timelines

Time travel is cannon in Lost. It's super confusing and I'm not even going to try to explain any of it here. It's honestly just not worth it. If you'd like to try and read about it, the abridged version is here, but I don't think the details are important. Just know it's real and confirmed and exists.

Okay so, In Lost season 2, episode 13 "The Long Con" two of the plane crash survivors are trying to find a signal on a radio they've found. While scrubbing they come across a signal playing Moonlight Serenade by Glenn Miller. One character mentions it must be from somewhere nearby, but the other counters that this type of radio can pick up signals from anywhere in the world. There is a beat and then another character jokingly adds "Or any time. Just kidding, dude."

It's later confirmed that the Lost characters in 2004 are indeed picking up a radio signal from 1940 that is playing Moonlight Serenade, a product of time travel.

Congratulations, you've made it to the point where I'm going to bring Good Omens into the mix. In season 2, episode 4 "The Hitchhiker" we open seeing Aziraphale driving back from Edinburgh late at night/early morning. Uncomfortable with the darkness and silence he asks the Bentley to "play something that's got a bit of swing? I'm in the mood for something modern."

The Bentley obliges the angel, as she always will, and we are shown a shot of the radio specifically lighting up, so we know she's tapped into the radio to play this for Azi.

But hold on. Aziraphale asked for "modern"? Moonlight Serenade is most certainly not modern. It was recorded in 1939! I'd say in 2023 it's anything but modern, maybe not in Aziraphale's long lived opinion, but certainly in the Bentley's opinion, given she's only a 97 year old car.

I think you can see now what I'm saying here. I think the Bentley picked up a radio signal from 1940, maybe 1941? Episode 4 is of course our 1941 blitz magic show bullet catch flashback extravaganza, so... it makes sense. I know we like to headcanon Crowley and Aziraphale listened to A Nightingale Sang in Berkeley Square in the bookshop in 1941 after the bullet catch, but what if they heard Moonlight Serenade on the radio instead?

What does it mean?

I think it could be a *clue*. A reference to this small moment from Lost and a nod to the first hint of the canonization of time travel in that series. We know Crowley can control time to some extent and we can see some evidence of time discontinuities and possibly time weirdness in season 2 so is it a hint that timeline funkiness IS happening? Do I want to get into the fact that the main character in The Hitchhiker, the Twilight Zone episode this episode is named after, is actually dead? No I don't, not now anyway.

SO! There it is... weird little connection that I couldn't get out of my brain. It just seemed a bit too... ineffable.

As always this is all for fun and all for fans! Don't ask Neil about these things, they're for us to have fun with. And something else that I don't think some people on here understand about meta-analysis; the goal of it is not necessarily to be correct. It can be, if that's your thing. Refuting peoples posts, theories, analysis, and headcanons because you personally don't agree with them and telling them they're wrong and stupid doesn't achieve anything. Meta-analysis is an exercise in critical thinking and creative writing. You could write meta about how Spongebob is a critique of the loss of christian values in modern society and you wouldn't be right or wrong, you'd just certainly be a person who wrote that for sure though. Just, be kind to each other, share ideas, you're allowed to disagree with someone's ideas or have different ones of your own but don't be cruel in saying so, don't call someone stupid, that's just silly.

Love you all, do something kind for yourself today <3

ps. The moment I see Michael Sheen with blonde hair come January I'm gonna bark like a dog, that's all. Thanks.

[shaunashipman]

I'm a new 9-1-1 viewer (binge watched the first 6 seasons like two weeks before the new one came out and been watching season 7 as it comes out) and I'm so glad I found your blog because it annoys me how most of the conversation around the show is always about b*ddie and I really needed to find people who weren't b*ddie shippers. Like, I get why people ship it even if I don't particularly see it or agree with it but they're always trying to prove how this plot point or the other points at them becoming canon next episode and it's so annoying? Especially now that Tommy is in the picture because I think he's such a great LI for Buck and has so much endgame potential but they're all talking about him being a "stepping stone" for their ship and completely ignoring how this is a chance for him to be in a loving, stable relationship in the long run, something he absolutely deserves.

Honestly sometimes I feel like b*ddie shippers don't even care or like Eddie and Buck, they just want them to kiss onscreen and ignore their well written arcs just because they don't end up in them being canon (which honestly after seven seasons of the same clownery they should have learnt by now that maybe it's just not happening and that's okay! they're well thought out, fully fleshed characters that don't need to be involved romantically to have a satisfying storyline!)

welcome to the fandom, and my blog 👋👋👋

it is unfortunate that the show has so many great characters and dynamics that get consistently drowned out by a single fanon ship. i get it if you're just here for b*ddie, but to make a big fuss over losing a single scene in another couple's big episode? when you still got something? sometimes you need a reality check that the show is actually about other people too

fandom is not about hunting for hints that your ship is going canon. like, i have never seen a fandom that seems to spend more time "proving" their ship is gonna go canon than actually, you know, doing fandom stuff. (i was not in spn/destiel, idk what nonsense went on there) we're supposed to ignore what the TPTB say while we play with our dolls because it doesn't matter, not ignore what they say because clearly they're lying and misdirecting and building up to do what they have have said, as explicitly as they can in tv world, won't be happening. this obsession with "going canon" is, frankly, weird in fandom.

my blood pressure goes up when i read the phrase "stepping stone". even if bucktommy doesn't last, they will never have been a stepping stone. one, because it is a relationship, and relationships can't be stepping stones, that is such a cynical way to look at things and really makes me wonder about some of these people's real life relationships (yeah i know it's fiction, but y'all take it too far in your vitriol for it not to be invading your personal lives) and two, because b*ddie is not happening, so it can't be a stepping stone to it.

they have done everything they can except saying "b*ddie isn't happening" because in tvland ambiguity is your best friend. but ryan calling eddie heterosexual twice is not ambiguous. and i've already said, but ignoring what ryan has said about the coming out scene because it doesn't fit your headcanon is extremely disrespectful. it is fiction, but it is fiction made by people drawing from real life experiences and y'all are shitting on that

and tommy does have such potential!! they like to shit on us for saying that, "oh he's only been there for 4 eps, we don't even know anything about him", and, ignoring that we actually do know some stuff about tommy, more than we've gotten for other LI's, that's why we say potential. we are looking at possible future storylines and seeing how tommy could fit. we are looking at what was lacking in prev LI's (not in a deficient way, just in a compatibility way) and seeing how tommy can fill the spaces they couldn't.

we're basing our theories of him at least sticking around for a bit, not on wardrobe hints and coded gazes and what actors post on their socials, but by what we've seen on-screen, what has been said in interviews in black&white no hidden meaning, and by simple knowledge of story pacing.

and we could be completely wrong. that's part of it being a theory; the acknowledgement that it is not guaranteed . once you start insisting something is 100% going to happen, it's no longer a theory

wow this got long 🫣 sorry for making you read all that, if you're still here lmao. but conciseness is not my strong suit, so enjoy my babbling if you stick around, and feel free to drop in my inbox anytime

[pumpkinbxtch]

Yes well, I've been following you for a while and I like a lot of yours… Well everything, I would like to request a Leo Valdez (We all love him, I don't argue) x Children of dionysus, thank you!

love at first eightminutes sight ෴⁠

— leo valdez x children of dionysus!reader

warnings; none, language a/n; hi! thanks for reading me. i'm so flattered 🥹 i hope you like it ): andd ik, In the photo they are cherries but let's be silly, lol.

Those 8 minutes were the toughest for Leo.

Dealing with his concentration issues when people talked about things he wasn't interested in was bad enough, but having to face someone as cute as you while that was happening didn't seem like a good decision on Dionysus's part. Leo was surprised because, being the god of wine and other pleasures, he thought Dionysus would understand.

— Valadez, are you listening? — The god tapped the table, bringing Leo's attention back. Leo saw his name on the corner of the blueprints made by Athena's children and wondered why that man never bothered to pronounce his name correctly, neither his nor anyone else's.

— Yeah, sir — Leo replied, not too enthusiastically, but it was enough for Dionysus to continue his speech, which Leo decided to ignore to keep admiring you. Seconds were enough for him to notice how your lips sparkled with some kind of gloss that tempted him even more to taste them, as well as the way you occasionally bit your lower lip, making him wonder if it tasted as sweet as your gaze, which, unlike his, was focused on your father's explanation.

— Do you understand?—Dionysus asked insistently, thinking Leo was playing dumb. Although he wasn't wrong, the son of Hephaestus nodded confidently for him to continue.

If he could get closer to you... would you smell like grapes? Maybe with a gentle breeze, he could find out, and then he wished he had Jason's power.

— Am I right? — Your father asked you in the middle of his explanation, and you nodded.

— Yes, father.

Leo opened his eyes slightly wider, hearing your voice for the first time, feeling a warmth in his fingertips warning him not to get too excited, or he would end up revealing his interest in you in front of everybody. The way you smiled at Dionysus made him truly want to be interested in what he was saying, but it was a lost cause; you had him in some kind of trance from which he didn't want to escape either. How would Leo feel if he were able to make you smile?

— Then, in this part of the plan is when you come in — Leo was startled by the sudden increase in volume and nodded repeatedly to disguise it, stealing quick glances in your direction to avoid being caught. So when your eyes met his, Leo almost burst into flames from embarrassment. You didn't immediately look away; you held his gaze, and he saw a sparkle in them that he had never seen in anyone else's. Was your mother Ariadne? Were you made of something truly divine, being one of Dionysus's only children?

A smile began to form at the corner of your lips, making Leo feel like he was about to fall flat on his face, but the table he was leaning on wouldn't allow it.

—So? — Dionysus asked, tapping the table hollowly, and the empty look in the boy's eyes said it all: He hadn't heard a damn thing. The god let out a guttural groan and rolled his eyes, muttering something about when his father's punishment would end.

You let out a laugh that immediately relaxed your father's shoulders, and to Leo, it seemed better than any power anyone else could have. Dionysus snorted and rolled up the blueprints, handing them to Leo, who clumsily took them.

—You'll figure it out, kid. Now, scram.

No, he didn't want to leave. Leo began to stammer, trying to find a reason to stay a little longer, but before he could do so, the god was dragging him toward the exit with a flick of his finger.

— Father — you called, and his attention shifted to you, halting the magic. Your father's purple eyes questioned you, and you smiled calmly as you pointed to some papers on the table that had slipped from the blueprints.

Dionysus tried to take them, but you stopped him, asking him to let you do it for him. Leo was dumbfounded. Would you accompany him to the exit? Had he died again? Why didn't it feel as bad as the first time?

Your hair shimmered in the light as you leaned over for the papers, and he noticed that your nails were painted with burgundy nail polish. Everything about you was intoxicating, new, and when you started walking, he felt a heat burning from within him as if he had taken a sip of sherry. Was it because he had fallen in love with you at first sight? Or was that the effect you had on him?

The tips of your shoes touched his, causing him to lose his balance, and you shook the notes in the air.

— I'll walk you out —you said. Dionysus glanced sideways and suppressed a curse because he knew you very well. You never approached anyone.

Leo swallowed hard and nodded, taking steps back to walk with you to the exit of the Big House.

—And well...— Your words came without warning, even to you. You didn't know you had the courage to confront a guy as handsome as him. When Leo turned to you, his curls bounced, making you want to run your fingers through them... and you did.

The brunet jerked back and started to stammer again, yeah, he always acted like don juan, but few times did someone approach him the way you were doing.

—And well?— he asked when his tongue allowed him to form something coherent. You sighed as you descended the first step.

— Are you going to ask me out, or are you going to keep staring at me every time my father calls you?

He froze, wanting to meld into the porch wood, but you didn't let that happen because you pulled him towards you, confirming many of his suspicions. Yes, you smelled like grapes, and you were more beautiful up close.

— Do you want to go out? — he managed to ask after stuttering like an idiot. He looked at your eyes shining along with the smile you showed him, and now he knew how it felt to make you smile, and he had become a fan of it.

— I'll see you around, repair boy —and you pushed him down the last porch step before going back inside.

Oh shit, to hell with the camp blueprints, he had to plan a good date for you.

*don juan: kind of womanizer but not that too much.

[fourteentrout]

random headcanons about ACOTAR men

i've already brought some of these up in pasts posts or comment sections but i'd figured i'd put them here too for fun

i always imagined helion as being like. ridiculously tall. like 7 feet at LEAST.

though all high fae have unnaturally long limbs and fingers, it's most obvious with the vanserras.

tamlin's canines can obviously lengthen into fangs, but even when they're resting naturally, they're visibly sharper than average.

rhysand's ears are pointed, but have more of a round arch to them and they're less long than non-mixed high fae ears.

i've talked about this one before, but high fae don't really have facial or body hair aside from pubic hair--and im talking like only in the crotch region, not pubic hair like under the arms, or even trailing below the belly button. they can't grow beards, and their smoothness is just another testament to their distinct lack of humanity. this applies to almost all high fae, except tamlin. he def has a happy trail and can grow stubble at the very least. his father considered it somewhat of an abomination, and would use it as an excuse to punish him when he couldn't come up with any other "valid" reason.

lucien's eye prosthetic extends beyond the actual eye--the gold gilding has also been implanted within the areas of flesh that had been clawed away above and below the eye socket, as almost a metallic skin graft, so it almost looks like he doesn't just have a mechanical gold eye, but an entirely gold skull underneath.

eris vanserra has short hair, and his drip is endless. he prizes jewelry as one of the most important garments a male can wear and is never seen leaving the house without it. his outfits are always tailored perfectly.

i always saw tarquin as having either desi features or central american indigenous features, but with hair shorn almost in a buzz, reminiscent of the style of deep-water free divers. i know it's an uncommon interpretation, but it's been what i've envisioned him as from the start.

in a similar vein, I always saw thesan as east asian, because i'm like 95% sure he states that his parents are from xian, which i assume is SJM's stand in for all of asia, which obviously encompasses an insanely large amount of cultures and common physical features depending on area. however, i always pictured him as specifically chinese inspired because xi'an is an actual city in china that has been around for a WICKED long time, so i just always assumed he was modeled with a chinese visual in mind.

cassian is bisexual. this one i've had since maybe the moment he was introduced. the bisexual vibes just radiate off of him i can't explain it.

azriel is a switch but he's more into bottoming than people often assume.

eris enjoys sports.

the illyrian males have traditional styles of dance reminiscent of hardcore slavic dances, like the ones where the dudes are like spinning around on their knees and crazy shit like that. the more they are able to keep their wings from scraping the ground, the more successful a dancer they are considered to be.

ok i have to go to bed so that is all for now

[nouvell-vague]

begin again.

warnings: toxic relationship, mentioning weight, slight cheating, insecurity, i think there's more but please let me know !!

you've been thinking that love isn't worth it and only makes you heartbroken and crying every night for the past eight months. you got used to ellie's behavior while you were in a relationship with her. she was always late on your dates—always. even being 30 minutes late was pretty early for her, or worse, she didn't come at all without telling you. she didn't like it when you wore any heels, even those mary-jane shoes you've been dreaming about, because she thought you looked uglier wearing them. ellie is the one who makes you worry about getting fat whenever you gain even a small amount of weight. she doesn't like your appearance if it doesn't match with her taste. she never laughed on your funniest jokes, always mocking your music taste and called it gross. you spent three weeks with crying alone in your bedroom after you caught her cheating with another girl, and it's not just a 'girl', the girl she cheated with was your close friend that you always vented about ellie to her which makes you think you didn't even deserve any love. you broke up with ellie right after the night you caught her, through message because you couldn't even stand yourself to see her face, it hurts so bad, so bad that you thought all girls were the same as ellie. ellie had made you so afraid to having a relationship again, with anyone.

then you met abby anderson a few months after you ended relationship with ellie. she's one of dina's friends that she had been friends with since 9. basically, dina is a matchmaker between you two since she was tired of abby because she had a crush on you for a while and she always vented to dina. you didn't really know about her since you always set your boundaries because ellie was really easy to get jealous. you were full of skepticism at first because you weren't really healed from the past, but dina convinced you that abby is different from ellie, completely different. the first meeting with abby was not really fine; you didn't pay much attention as your mind was busy with your fears and you barely listened to her voice. but as the time went by, what you feared about her was absolutely wrong. a month after the first meet, you could see how abby treated you and it was... different—no, ‘different’ wasn't enough to describe it. abby did things that ellie never did to you, and she didn't do anything that ellie always did to you.

dina was right about abby. she's entirely different from your ex-girlfriend. she always comes earlier than you on every date, or when she comes over your house—she'd came 10 minutes earlier than she said. she bought you a pair of heels that had been on your wishlist for months, saying that those heels looks so good on you.she always got your back every time you feel insecure about yourself, she would praise you, saying sweet things to your ear. she never mock your music taste, instead, she's amused. “you are.. wow, i've never seen any person who has a lot of music vinyls in my life like.. ever! do you mind if i play one of them? maybe i would like it.” then she played one of taylor swift's vinyl on record player, and she liked it, loved it even. which is why ‘so high school’ stayed on her 1st on repeat songs for months. abby laughs on your jokes, every jokes, even when you tell one of your jokes that made ellie pissed off, abby would laughing as she throw her head back like a little kid. “that is the funniest joke, you know?” oh, and it feels so strange to you because your ex would never do that, ever. saturday night, abby came over for another movie night and after the movie ended, you both shared stories, but you struggled to tell yours properly because you felt a bit shy and worried—worried that abby wouldn't listen as attentively as you did. however, she proved wrong. she listened to your stories, got excited, and, god, she even remembered your stories too well.

and on wednesday, you were on a date with abby, again. you two walking out from the cafe, your arms hugging abby's, wide smile on your face. you were about to get into abby's car, while she already inside. but you couldn't move your body as you saw your ex-girlfriend, alone, standing not really far away from you and looking at your eyes. there's no such gaze that you always saw on her eyes back then, you couldn't tell what she was doing. abby was confused why were you still outside, she went out from the car, “is there anything wrong—oh,” abby approached you right away as she knew what were you staring at, swiftly opening the car door for you while keeping her other hand on your back. “hey, let's go. don't we have another place to go?” your eyes were switched from ellie to abby, little awkward smile appeared on your lips. “yeah– sorry." you muttered. once you two already inside, no one breaks the silence, it was all awkward. you couldn't help yourself when your mind went back to those bitter memories, you didn't even realized your mouth opened as you started to talk, “so, abby, uh.. months ago when ellie—” right before you could say more, abby put her left hand on your palm hand, “angel, i just got an idea. what about we watch some movies this christmas? i used to watch those movies with my family every christmas, and i think you'll love it. what do you think?” your gaze was locked on hers, watching how well she tried to change the topic so you wouldn't have to bring up about your ex-girlfriend again. abby smiled to you warmly, waiting for your answer. and you couldn't help yourself from the tears on your eyes—you've never experienced anything like this before, not with ellie, who never appreciated you the way abby does. you began to think that perhaps love is worthwhile if you find the right person. maybe love doesn’t always lead to heartbreak, and maybe you can open your heart again and learn to trust someone new. in fact, you feel incredibly loved with abby, and she makes you feel like the luckiest person in the world.

the tears were coming down through your cheeks and it keeps going as abby's hand wipes your tears, “hey, hey, hey, angel, are you okay? is there something wrong or my idea was—” you shook your head in response, trying to calm down, but you were so overwhelmed by your feelings. “i'm fine, abby. i just...” you trailed off, looking at abby, who looked completely worried. you let out a small chuckle through your tears. “i'm really fine. i'm sorry for bringing up about her again all of so sudden when it's only two of us here, and i.. i never felt like this before when you tried to change the conversation and i really appreciate that, and all things you did to me it's all make me feel like.. i really deserve so much love because back then you know that i was—” abby cuts your words as her lips pressed against yours, and you didn't think twice to melt into her kiss. it was full of love and affection. once the kiss broke, you could see her warm smile, hand caressing your cheeks gently and wiping your tears away at the same time, “shh, don't bring that up again, okay? i know back then was too painful for you, and i want you to get over it because i want you to be happier than before, you really deserve so much love, angel.” you really sure about your face turns red as she speaks, you couldn't hide it. her words were made you feel better. “abby, can we.. uh..” it's hard for you to say the right words as you want to ask her for another kiss, but you were too shy. “speak up, sweetheart. before we go to gelato store that you recommended to me earlier?” oh really, those nicknames were always successfully made you flustered every time. “i– oh, fuck it.” asking her only prolonged things, so rather than wasting time stuttering, you chose to kiss her with your eyes closed. you felt embarrassed but happy when you heard abby chuckle during the kiss. and if dina asking you if you have already healed from the past after this date, you would answer it in less than ten seconds. yes, you healed.

a/n: i don't even know what am i writing right now but yeaaahhhhh !!!!!!! another weird fic is out !!!!

[do-androids-dream-ao3acc]

Well here are two for you.

Transfer thoughts and feelings when Buck considers joining the 217.

Anchor - for dating a pilot, Buck, never seen or dated someone so ground and stable as his boyfriend.

Hellloooooo sorry for being slow, this is finally my filling of another BuckTommy prompt! Nonny, I worked with your second one here and I'm afraid that the first one is probably not gonna happen, my muse is not striking there at all. Sorry about that! 3 more prompts are gonna come, no worries.

TLDR: Another BuckTommy, this time another approach on S07e07.

Exceptional

–– I won't deny the lies and deception I've sought, I've learned, I've grown ––

"Eddie's acting weird lately," Buck says.

"Do we have to talk about Eddie now?" asks Tommy, and the question is justified.

Buck's couch is just big enough for him to lie stretched out on it, his head in Tommy's lap. They just had an excellent meal, and satiety, contentment plus a good helping of wine lulled them both into a very pleasant mood. The kind of vibe that will make more of Tommy's gentle kneading of Buck's shoulders in no time – though talking about another guy is a bit of a mood killer in the process.

However, turns out that conversations about Eddie are unavoidable if you’re with Buck. And maybe there's something to it, because he adds, "I think he lied to me."

Something in his voice seems to catch Tommy's attention, he bends over to look at Buck. Those blue eyes are mesmerizing, and Buck would be willing to forget about it, to make Eddie a problem for another day. But Tommy... he's just too observant. He knows that Buck's trust is almost boundless, and that he’s fragile, should it be shaken.

"Why would Eddie lie to you?"

Another valid question.

"Something doesn't add up," Buck begins, and because he starts gesticulating wildly, Tommy captures his hands gently and holds them tight. "Christopher says Eddie bought a scented candle. What does he need that for?"

"Maybe he likes the scent, Evan."

"He's also been really nervous lately."

"Stressful job?" offers Tommy, definitely the voice of reason.

Although the subject is effectively over – for this evening – because Buck can't resist those blue eyes or those talented hands, he can't get the matter out of his head. Tommy thinks he should just ask Eddie, but how on earth is he supposed to do that? Buck realizes that his evidence for "Eddie's been weird lately" is very thin, and buying scented candles or acting suspicious is not a crime. 

But the pieces of the puzzle are adding up, albeit very slowly. Christoper says, Eddie washes his clothes every night, yet he used to hate even his weekly washing day. Athena casually remarks that she saw Eddie's doppelganger in Silver Lake. Because it couldn't have been Eddie, he thinks Silver Lake is overly hip and expensive, and he prefers completely different restaurants than the one where Athena saw someone who looked very similar to him. Strangely similar, that's for sure. Hen says that she collided with Eddie while reloading the firetruck, and he reacted weirdly when she asked him about a key ring he accidentally dropped and she had never seen on him before. 

The incidents pile up, and the 118 begins to worry. Tommy, although permanently in Buck's thoughts, hovers on the sidelines as far as the 118 is concerned, and his and Buck’s crazy shift schedules ensure that he doesn't catch much. He is therefore totally unprepared when, after what seems like an eternity, they finally have an evening off together and he is greeted at the door by Buck with, "Eddie's cheating."

Buck, contrary to popular belief that probably only exists in his own mind, is not an idiot, and he's completely smitten with Tommy. He knows it's not the smartest (or even the most polite) move to greet his love interest with another guy's name, even before the welcoming kiss. Buck is just so distressed, it makes him jittery. And he knows that Tommy has every right to be at least surprised, but more likely annoyed.

Tommy, however, doesn't even raise his brows at this greeting, and he is neither surprised, confused, annoyed nor offended. He just enters the loft, closes the door, looks at Buck attentively, and puts a hand on his arm (all the fine hairs there rise up) saying, "You're upset, Evan." Then he gently leads him to the sofa, they sit down, and Buck thinks, yes, indeed, I am.

It's just that he didn't expect this reaction. Buck knows he's a nervous wreck when things go differently than expected. For the most part, he has himself under control, he has adapted strategies, although his therapist describes this as evasive masking. But these strategies are usually necessary, because Buck has often run into walls. He's been told he's annoying, exhausting, overreacting and a dozen other unflattering things. Never before has someone he cares so much about taken him so seriously.

Tommy just lets Buck talk. Buck gives him his spiel on everything he knows about what happened, and it’s a confusing story about an Eddie’s-dead wife-lookalike. And then he drops the bombshell, at least that's how he feels, by saying, "I did that once, Tommy."

"You dated a doppelganger?"

"I'm serious," Buck says, but he can’t really blame Tommy for seeking to lighten the mood in this absolutely muddled affair. "I cheated."

He doesn’t elaborate, because this is nothing he likes to think back on. None of his best moments, definitely. And what kind of confession is that anyway? Is this something you tell someone you've only been out with a few times, had a few nice (hot) nights with? Rather, is this something you tell someone you care so much about? But maybe just then, Buck thinks. Maybe just then.

"You're scared," Tommy says, and it hits Buck to the core.

There's an icy knot in his stomach since Eddie told him the truth, and it finally has a name. The nervousness, his restlessness, all that shrinks into a single feeling, even if it doesn't make it any easier. Fear doesn't disappear just because it's recognized.

"Evan," Tommy says, and the care in his voice almost melts Buck, "I'm not afraid you'll cheat."

Buck takes a breath, but the words that were already on the tip of his tongue have suddenly vanished. That’s a strange thing to say, isn’t it? Just now, Buck’s confessed he cheated on a former lover, and most people would probably have replied reflexively that he had nothing to fear, that they would never do that to him. Even though it was him who cheated.

"How can you be so sure?" Buck returns, and strangely enough, he’s almost angry.

Because, let's break it down, Buck, when it comes down to it, the people he cares about will not want him, and they’ll leave. And if they don't, then he will leave; save himself the pain, because there has already been enough of that. He already knows what they will say, how they will react, doesn't he? Only... it’s different, it’s so different with Tommy.

Eyes as blue as a mountain lake, muscles saying don't mess with me, gentle words yet pithy charisma: inwardly and outwardly, Tommy is quite contradictory. But an enigma he’s not. A rock, Buck thinks, yes. That's what he is.

"I'm sure," Tommy replies with a confident smile, "because you want me as much as I want you."

Buck falls apart in the most pleasant way. Because that’s true. In all this mess, that is perhaps the only truth. Yes, Eddie lied, yes, the man cheated on his girlfriend, and yes, the parallels are scary because it's clear Eddie is shying away from a relationship. Eddie doesn't fall in love half as fast as Buck does, and he has certain morals and standards, and he has Christopher; all of that makes the affair seem so scary.

But Buck finally realizes that this can be solved. Eddie isn't just his friend, he's family, because family isn't what you're born into. Family can be a group of people who trust each other, and you don’t leave them alone, you take care of them and pounce on problems together.

And what is Tommy in all this?

Tommy with his loving gaze, his hand resting on Buck's arm, his thoughts only on Buck. Tommy, who doesn’t think he’s a nuisance because he’s talking about Eddie; he thinks Buck cares, and that’s valuable.

Tommy, somehow, is all of this and way more. For a pilot, Buck has never seen anybody so grounded, so stable as his boyfriend. Above all, he has never experienced anyone bring him down to earth so quickly, so easily and with such an inimitable look. His fear hasn't completely disappeared, perhaps that's quite impossible, but it's buried far, far down in a heap of thoughts that now revolve mainly around Tommy. He doesn't deserve the man at all. But he doesn’t voice this thought, because he allows himself a little selfishness. After all, Buck was struck by lightning and came back to life, only to be struck a second time. By Tommy.

"That's right," he says quietly, and then, as if it were a very sudden, very exhilarating realization, he repeats it, louder. "It's true. I want you."

Lock, stock and barrel, he thinks, and now his boyfriend finally gets what he deserves: all of Buck’s attention, all his care and affection.

Oh, and a kiss.

[doe-eyed-fool]

Fear Of The Known

Lucifer x Fem!Angel!Reader

|Chapter Six|

In a near desperate attempt to forget about everything plaguing Y/n's mind, she took up learning portals from Michael. Which might not have been the best idea, considering he's still learning himself. While he could teleport himself anywhere with ease, creating a portal to another world was something entirely different.

And it took a lot of hard work and patience to perfect it. And Michael, well...He was trying his best.

But Y/n couldn't work up the nerve to ask Galim to teach her. She was always so tense around them, despite Galim being one of the kindest angels in Heaven. Michael just made her feel more at ease.

"I can't believe you've existed since the dawn of creation and yet you haven't learned how to make a portal." Y/n teases, trying to lighten the mood. Michael rolls his eyes. "Give me a break, I told you I'm better at fighting than magic. Trust me, you haven't been around as long as I have. My youth was full of many failed magic attempts."

"Aw, baby Michael." Y/n giggled at the thought of a child size Michael, causing him to blush slightly. "Anyway." Michael clears his throat. "Just repeat after me."

Michael stands straight and holds out his hands. Y/n did the same, she then inhaled and exhaled in a calm pattern. "Good. Now just clear your mind, and focus on where you want to be."

Y/n closed her eyes and tried to clearly picture what she saw last time. A wide open meadow, filled with flowers. The sound of the birds and running water. The warmth of the sun in the bright blue sky.

Nothing happened, so she inhaled deeply and tried to remember more of what she saw, what she heard, what she smelled. Earth truly was a beautiful place. It's nature was beyond all compare, simple and yet so vast and complex.

There was a small swirl of light forming just before Y/n's open palms. Michael's eyes lit up with excitement, but he refrained from speaking as not to throw her off.

Y/n wondered what night was like on earth. She's heard stories of the stars that littered across the dark blue sky. How they shined and sparkled, they along with the moon, casting just enough calming light in the darkness.

Y/n smiled at the thought, the thought of just how many wonderful things the Earth had to offer.

'Lucifer would have loved it.'

The light grew brighter and larger, and the portal finally opened. Michael's once previous excitement, quickly faded as he saw where this portal lead.

"Y/n..."

Y/n opened her eyes, her mouth fell slightly agape in surprise. Just before her, was the portal she had created. The color was the first thing that caught her eye. Then came the warm air, the uncomfortably warm air. Then there was the sounds of chaos ringing loud in her ears. Y/n swore she felt her heart drop as realization set in.

Y/n froze, unable to think clearly or utter a single word. Michael stepped in front of her and quickly closed the portal. The last thing she saw, was a large building atop of a hill. He turned to Y/n, a look of slight panic in his eyes.

"Y/n...What did you just do?" He asked, though it was obvious. He knew it, but he just couldn't believe it.

Y/n had created a portal to Hell.

"I...I don't..." Y/n muttered.

"How did you do that? You've never even been to Hell! How could you have pictured where to open the portal?" Michael asks, more to himself than to her.

Y/n looked down at her hands, they were shaking. He was right. She's never been to Hell, she's most certainly never pictured it with her own eyes. So how could she have...

"My visions." Y/n looks up at him. "I've seen Hell in my visions."

Michael was hit with the sudden realization. That was right. You had been tasked from God to keep up with Charlotte Morningstar's future, of course you've seen Hell.

"Ok." Michael exhales. "That makes sense I guess. But you...You weren't suppose to open a portal there! You suppose to open it on Earth. What happened?"

"I..." Y/n sighed. "I was thinking about Lucifer. Maybe that's why..."

Michael fell silent, so did she. Even after ten thousand years, mentioning Lucifer was still a sore subject for them both. As much as they like to think they've moved on, they never truly will. Or have...

"Well...No more of that." Michael tells her with a sigh. "Here I was worried something might happen to you on Earth. Then you go and open a portal to Hell of all places." He laughs weakly.

Y/n turns away from him. "It won't happen again. I'm sorry."

"It's fine Y/n. But yeah...I think it's best if you don't do that again." Said Michael. "I think that's enough portals for one day..."

Six months had passed, and it was finally time for Charlotte Morningstar's arrival. Y/n had informed Sera of this months in advance. She was still furious with Sera, but she could do nothing but do her duty and warn her of this very day.

Sera had little to say to Y/n, so the two parted with a brief exchange and barely spoke to each other since. Not that Y/n had anything to say to Sera, after learning about the exterminations.

Emily of course noticed, but Y/n simply told her that she and Sera were much too busy to really see each other. It did little to ease Emily's concerns, but thankfully she didn't push for a further explanation.

Y/n knew what would come from this meeting anyhow. Charlotte Morningstar would make a case that sinners could be redeemed. However, try as she may, Heaven would not be convinced. She would have not choice but to return to Hell, where she must prepare for Adam's attack.

During that meeting however, Emily found out about the exterminations. That certainly cleared things up about Y/n and Sera, but now she was left heartbroken and betrayed. She knew it was wrong, but what could she do? Despite being a Seraphim herself, she did not hold as much power as Sera.

Sera tried to put her at ease, insisting she handle things from here. But Emily could not ignore what was going on anymore...

She wasn't the only one who now knew of the exterminations. By now, everyone was aware of what she had been doing in secret. Everyone except for the civilians of Heaven, of course. And in due time, God would know as well.

Y/n was half expecting God to call for her, to see what the results of these exterminations had caused. However, there was nothing. Y/n even tried to reach out for Michael, but even he was unavailable.

It turns out, God and his angels were discussing the extermination along with Charlotte Morningstar's plans for redemption privately.

Y/n couldn't explain it, but she had a sinking feeling in her gut. So much has happened so quickly. And now God was involved. She could always look into the future for some closure.

And yet something held her back from doing so. Her nerves, her anxiety, or, it might have been fear. Fear, not of the unknown, but of what would become known.

A part of her didn't need to see the future to know that the results of this would be catastrophic. Y/n had seen it before, the possibility of Sera's punishment was becoming more set in reality now.

Y/n wanted to be more rational about this. Sera hid something this big from God for so long. Of course she would be punished for it. That is simply the consequence she must face. But Y/n did hate it for her. Sera might have had good intentions, but the way she went about it was wrong.

All of this was starting to become overwhelming. Y/n was unable to sleep because of her racing mind. The one relief she got from this, was that Adam and Lute could no longer threaten her now that everyone knew. But it did little to put her at ease.

Y/n sat up in her bed and stared down at her hands. She was avoiding the future for far too long now. She had to look. Really, she had no choice. One way or another, someone will ask her to see what comes next. And so, she closed her eyes and looked into the future.

This time, she was seeing through her own eyes. And all she could see was red. The same red, the same heat, the same sounds all that came from that portal she made months ago. And as she looked up, breaking the scarlet sky, was the gateway to Heaven opening up and down through came two angels.

A knocking caused Y/n to open her eyes, loosing the vision. She blinked a few times before the knocking was heard again. She got up from her bed, still in a state of confusion as she was making her way to the door.

She was in Hell. Why was she in Hell? What possible reason would there be for her to be down there? And who were the two angels coming down from Heaven?

Y/n reached the door and opened it. Standing before her was Michael, and he looked exhausted.

"Michael? What are you doing here so late?" She asks.

Michael tried to offer a smile as he spoke. "You got a minute to talk?"

Tags-

@bloody-delusion-expert

@simbalioness

@annybah

@alientee

[varpusvaras]

They are both breathing hard when they finally get back to the Senate.

Fox leads her through a smaller door, one that Leia, even with all her time spent in the Senate Dome has never even seen before, and pushes her into an elevator that currently has only three maintenance droids in it. They all beep at them, but quiet down when Fox shushes them. He takes the coat from Leia, while Leia starts to comb her hair open. They need to work fast, so Leia unceremoniously puts a part of her hair in her mouth, while she starts braiding another part of it.

Fox watches for a moment, before he reaches for her head.

"Same part from this side too?" He asks. Leia raises her brows at him through their reflections on the elevator's shining wall, but nods. Fox pulls his gloves off, and takes a part of her hair into his fingers, and starts to braid with surprising speed and skill, managing to match the tightness of the braid to hers closely enough when in the moving elevator. He holds the braid in place until Leia gets to tie it up, and pulls both the braids behind her head as she starts to braid the last braid on the front.

"You seem to know what you're doing", she comments, as her mouth is now free from hair.

"I braid Thorn's hair a lot", Fox answers. "And I've seen this same hairdo on your mother. The last one goes through the middle, right?"

Leia swallows, but gathers herself quickly.

"Yes", she answers, and throws the last braid over her head as well. He pulls it through and tightens it up. He's much gentler than Leia's or Mama's ladies-in-waiting, who would pull the braid so tight that Leia could feel the pull in her teeth. "Mother used to wear this when she was younger."

It was one of the braids that were easy to do, even for someone who wasn't too experienced in tying up the Royal ladie's hair, so it was many times chosen when there was, for some reason, not too much time for doing the hair to any of the more complicated upstyles. Mother had liked it when Leia had been small, especially on the days she had had more time to spend time with just Leia and father. Leia had learned to do it pretty young as well, so she could match up with mother on their days out.

Something turns and tightens inside her chest for the thought that Fox had spent enough time just looking at her mother, and paying attention to every little detail, that he knows how to do the braid without instructions. It's bittersweet, because it also makes her feel warm amidst all the turmoil. He has paid enough attention to her mother to know how to braid hair.

Fox backs away a bit, and hums.

"Looks neat enough", he says, and starts to pull his gloves back on. "Deep breaths. We're there in just a moment."

Leia has just enough time to touch her hair and turn around, when the elevator stops and beeps, and the doors open. Fox holds the coat for one of the droids.

"Put this into trash", he tells it. The droid beeps, opens its compartment and stuffs the coat in, and then wheels out after the two other droids. Fox steps out first and glances around, and then waves for Leia to follow.

"I'm going to take the maintenance door, and go up to the next floor", he tells her as they walk down the corridor. "Go straight from here, and take the elevator on the right side of the hall. I'll be there."

Leia nods. She brushes her fingers against his, and he curls his fingers around them briefly before they part ways.

Leia holds her head high and walks without looking around, to the end of the corridor and through the next door, and she crosses the hall on the other side without anyone stopping to even look at her. She steps into the elevator, and puts herself into the corner in the back, behind a few other Senators and aides. She recognises a couple of them. It's strange, every time, to see people she has known all her life, but who now have no idea who she is.

The doors start to beep, but before they can close, Padmé Amidala steps in, and behind her is Anakin Skywalker.

Leia's heart slams to a stop, before she can control herself.

Deep breaths, Fox had just said to her. Deep breaths.

She breathes, and stares at the spot on the wall, trying to keep any unsavory thoughts out of her head. She had done it before, while being in the same room with him, while he was watching her cry in pain he was inflicting upon her.

He is just standing there now, not looking at her. She is safe. She is safe.

The elevator starts to move. Leia breathes in, and thinks about anything else than her birth parents standing right there in front of her.

[reallifetangent]

Just saw someone on TikTok saying the "You could live a thousand lives and never deserve that boy" saying that Cat King, Monty and Charles don't deserve Edwin and I've never seen so much bullshit in my life (as far as I can remember)

How come you throw down 3 character arcs and ignoring at least Charles' temper and context to put above on a pillar one character who has bad things as well.

Post was in Spanish, I'm translating what it said with the colors.

Sorry for the random rambling/texts, I had to get it out of my system and sorry if I had wrong stuff

Obviously spoilers about the whole series

Cat King: he started wrong and pressured Edwin on things he didn't know

There's an analysis post here that explains why the punishment made sense. Edwin was warned of not messing around with the cats. Cat King of course had moments where he made Edwin obvious and clearly uncomfortable, and either stopped there or stepped back. Even between all his flirty aura and wanting to play and be loved by this Twink Ghost, he still respected Edwin and was pretty much consensual (the bracelet not because again, it's just the punishment because of what Edwin did to the cats), like proposing counting cats instead of pleasing him physically as soon as he realized Edwin wasn't in that lane.

By the end of the season, he's the one that changes the less respecting from where they started (I think). He's still a flirty, charming, iconic, still respecting and asking for the hug, this time only calling him from the distance because he knows the context, they're mourning Niko, he can't be that flirty or attention seeker, he knows how much she meant for Ed. The flowers scene where it's both flowers for him but also for her (the flower's meanings about rebirth, purity, innocence. I think it's how Niko was for this world, but also huge kudos to this Reddit when I was looking for the flower scene)

Monty: tricked Edwin so the witch could have her revenge.

Monty is a Crow Familiar. He ofc owes loyalty to his witch. He was turned into a human with the condition of helping his master. And he catches feelings. He's been a human since what? Less than a week? He gets hooked by Edwin. He loves Edwin. When they kiss and Edwin says he doesn't love him back, he's hurt. And he's Esther's familiar. What did she do once she didn't get what she wanted? Plan on revenge. He's still hurt, he thinks Edwin didn't care about his feelings. He even said they shouldn't be friends anymore.

Damn, he even went along deeper even thinking that they wouldn't get the case since they were Ace Detectives, until he heard that the fungus ate ghosts/spectrals so this wasn't an easy revenge. He tried to lead them/him away from it. Then Cat King interrupted and well, shit went down. More hurt feelings, more disgraces. He gets back to Esther who dislikes that her dear crow familiar was on the side of Edwin and caught feelings. He didn't want to feel like that, he didn't ask to be hurt, didn't want to be human and have feelings. Ofc he couldn't be with Edwin as long as Esther is his witch, she still has control over him. And yet he tried to go against her orders. He even helped Charles getting away on last ep.

Charles: said cruel words, wishing he never died and throwing in his face that Ed would never be able to keep the group together because he can't and he lacks Char's charisma.

Charles was fresh from living on a loop that caught him because his reaction to trauma was too strong. He had to live(?) and watch over and over again a family suffering for the exact same thing that reminded him his living life. Even worse, he had to experience on bucle him trying to stop it just to be interrupted and made him watch it until the father was done, looking at the corpses and then the gunshot. Tell me about feeling helpless and useless when you are stuck on a loop where your attempt of trying to help it's not working and you are seeing it over and over again. Ofc he was more than upset for not being able to help, to stop Crystal from getting hurt, from Edwin lying to him because Ed was troubled in his mind, and Night Nurse reminding him the physical violence he lived, how he died.

Charles and Edwin died at 16. Sixteen. How many things they could've experienced but never happened? They'll never get to grow up. He died and he never had a chance to stand up against his dad and protect his mom. He lost the chance to keep the bullies away from others. He lost all the sensations, he lost most of his senses. Not being able to enjoy things because he can't feel them. He misses spaghetti, he said he might miss kissing (he and Crystal kissed, he said he didn't feel anything but well, as long as she does, he's okay with it). He misses being able to have people his age to hang around. And everything was taken away from him.

Ofc he tries to be positive about it, he tries to be useful to make up for not helping when he was alive. He didn't want to be like Brad and Hunter, but he wanted to be that cool guy loved by everyone and was an actual good person. You can't hold on a smile for too long without it turning into a fake one after having all of that. All those years he shoved away the familiar violence, until he had to live it again, two times, and see that he couldn't stop it. He's hurt by everyone (Edwin lying to him, the whole Crystal's case still unsolved, etc), and he reached the limit. Are you telling me he would just smile again and pretend it was nothing? He'd been doing that for so long, and now he was unable to hide it again.

And last but not least, Edwin.

Edwin Payne, sassy Edwardian Era Teenager who has an ego so big you can see it from space, plays hard to get on the cases, thinks he's better/smarter than anyone (one thing is being it, other is claiming it), thinking everyone is on his same level or page (the whole Does that look blue to you? We have the same left! Implying that what he says and knows are too obvious that forgets not everyone thinks like him. I relate to that soooo bad) Shoved away more than once Crystal, has more salt than the Dead Sea, calls out more than once Charles for trying to keep Crystal around, when Jenny was calling Crystal out for running or whatever he was shocked that Crystal wasn't paying attention to him like how dares she ignore me. And don't get me started with invalidating everyone's feelings when they said they were hurt or living a nightmare... We got it. Hell was a literal hell. But you're dealing right now with a girl who's around 16-18 and you're trying to solve her case, not a competition about "Who suffered the most".

Ofc at the end of the season he's finally fond of Crystal, he was finally accepting her as part of the team even without her powers, he's now able to express better his feelings, better at setting and saying things and stop assuming everyone is on his same level, he starts caring about people like Monty (even after breaking his crow heart, he apologizes and tries to explain that he was new to that as well and things could've been with them staying as friends until Cat King made his entrance and the reveal, Cat King with the whole Cat Mouse Game he was able to again, start accepting he has feelings and being the way they are is not bad, able to set boundaries, even allow himself to play silly things like actually counting the cats.

Edwin had to go through a lot of things to be able to actually be open and grow as a character. I feel everyone likes Edwin at the end of the season or praise his Salty Sassy Edwardian Teenager phase, and it's not bad, but please do not throw down other characters to get him higher. Or at least, don't throw them down like that. Do not treat him like it's flawless, just because you like his flaws.

I mean, I feel like I'm not writing nothing we haven't seen, like stating the obvious. Maybe a rewatch to see better the character arcs?

[shinobicyrus]

I've seen a lot of posts about Batman using his Bruce Wayne alter ego for the good of Gotham: job programs for felons released from prison, orphanages, charities, high wages for his employees, ethical business practices...the legendary post where Bruce Wayne goes to Wal-Mart.

Thus far I've never personally seen anybody really dig into the persona of Bruce Wayne the Billionaire Playboy. A handsome, rich, powerful man who always is seen at fancy galas, art openings, charity dinners, and wild parties with at least one beautiful woman on his arm.

We know Bruce Wayne is the mask, and its Batman who has a...complex love life, depending on the iteration we're talking about. Talia, Catwoman, sometimes Wonder Woman.

Bruce Wayne's dates, on the other hand, are all "normal" people. Maybe they're an aspiring actress, a supermodel, a prima ballerina, the occasional reporter...and every time there's that bit of nervousness at the start.

Sure everyone knows Bruce Wayne. Everyone knows the story with him. Sometimes his wilder parties make the news, but there's never really been anything nasty reported about him. Never...allegations. But he's a billionaire. He's one of the most powerful people in the whole city, nevermind the country. If he did have some skeletons in his closet. Well. Men with power have a way of making those kinds of stories go away, don't they?

As time goes on the Date's fears dissipate pretty quickly. Bruce Wayne is nothing but polite, kind, and at times charmingly awkward in an 'raised by his butler in a mansion' kind of way with his dates. Some of them can tell he's holding back, of course. Maybe the more perceptive Dates notice he's smarter than he lets on - playing the himbo or hamming up the "no-nothing rich boy" act to the cameras or some of his wealthy peers.

He also listens, is the thing. He's always listening to what they're saying, is interested in hearing about their careers, their hobbies, their lives. Really listens, too. Might refer to something a Date said weeks later off-hand. Buy out the whole museum for a private dinner date with a famous painting from an obscure artist they like, or a private performance with another's favorite band.

He has anecdotes and funny stories for days that somehow says very little about his personal life. The Dates know he has kids (it's practically a running gag in the news that Bruce Wayne has adopted yet another orphan) and maybe she might spot one of them at the mansion, but Bruce seems very keen to shelter them from any intense spotlight and scrutiny, and they all seem happy if a bit weird like him.

Eventually, there's drifting. He's a very busy man, with a very busy schedule. On more than on occasion his nice old butler will call and extend apologies that Mr. Wayne will not be able to make it this evening. Sometimes it's virtually impossible to get a hold of him over the phone. After a while they stop trying. None of them feel quite surprised by that. In the end, it just doesn't work. Sure, he's a little distant and doesn't make himself emotionally available...but he's not a bad person.

Especially when the so-called "exes" of Bruce Wayne start networking. Gotham isn't a small city, but the social circles Bruce Wayne travels in aren't as big. They don't quite gossip or complain about him. More like...who else would get it?

(I touched his side once and he winced...like he'd been hurt real bad there. He laughed and said it was tackle polo. How does that even-?)

(Somehow, after two dates, he saw right through me and listened while I told him what that casting director tried to do. He nodded, gave me the contact details of a law firm, and said not to worry about the legal fees.)

(I don't know for sure it was him, but it can't be a coincidence that my building got bought out from under my shitty landlord and we were all able to buy our apartments under market value.)

(He got my brother in the best rehab program in the city after his relapse. It probably saved his life. We'd stopped dating months ago, I still don't know how he found out.)

(He gave me a card with a phone number and told me that if I was ever in trouble to call it. Said one of his cars would come to pick me up, any time, any place, no questions asked. The one time I did have to use it after a bad party, it was Alfred.)

I think any tabloid reporter digging around for salacious stories or dirt about Bruce Wayne's love life would be completely and politely stonewalled when they try asking his former Dates. Even when money is offered. Every single one of them.

[dalekofchaos]

William Afton is not a loving father and is not sympathetic in anyway

Might be a hot take. But I honestly feel like William Afton always being awful works.

William Afton being an unfeeling psychopath who kills because he gets some sick pleasure out of it and because he discovered remnant is better than William being a loving and caring father who turned mad because he lost CC and Elizabeth.

Some people are just evil. William Afton is just pure evil. Freddy Krueger nor Pennywise needed motivations on why they killed kids. Not knowing why Afton does what he does makes things better.

And its probably the most engaging thing about Afton. Also his always coming back thing is the only instance that I accept a character coming back from the dead. Like, I've never seen this trope work EVER except FNaF.

William Afton just being a garbage person just WORKS. He is so evil that his eternal hell is facing torture at the hands of his creations and the one vengeful child who wants him to suffer.

You know the meme

“Cool story, still murder”

For William it’s

“I’m just awful, it’s murder time children”

Also, William using his kids as an excuse to justify the murders does work, but only because he likes using his children and only wanting to bring his kids back in animatronic form can only work so they can do his bidding and collect more remnant so he can always come back. William being awful works.

Henry might've been neglectful of Charlie and Sammy, but William canonically abuses Elizabeth. He did nothing to help CC against Michael's cruel bullying and no, being the probable voice for psychic friend Fredbear is NOT a sign of good parenting. He used Michael to help him in his experiments and used him to clean up the mess HE MADE. William Afton is not a good father.

And if Midnight Motorist is about the Aftons, how is that not an abusive home? "leave him be, he had a long day" "I TOLD YOU not to lock the door" and then either it being CC or Michael, they broke the window to literally get away from the unhappy home.

And let's not forget he experiments on children in his fear experiments to recreate the events that lead to the death of his son.

William doesn't love his family. He sees them as objects he owns, and wants to force them to be perfect. And when they fail them, he replaces them.

There's a reason why Unbroken to me is the definitive Afton song.

He's so goddamn happy that he committed murder because of the remnant it gives him and doesn't give a shit about anyone else. It's chilling to watch. And the last line is so goddamn evil that it's amazing: "If I can't have my perfect little family, well, now I'll have plenty of time, to make a better one."

People have to realize that William never meant anything good whenever he wanted to "put something back together". It's referencing combining souls into one thing. When he did this in the novels, he did it because he believed it would somehow help him achieve eternal life. When he scooped a collection of remnant that came from who knows where into the Funtimes, it was likely for the same reason. He didn't want to help the Crying Child. He wanted the Crying Child to willingly give himself to him.

So I think Unbroken really shows how he is. Break them and put them back together. Let their combined cries build immortality.

This is why I use Unbroken as the definitive song and basis for William's motivation and goals. An unfeeling psychopath who sees killing kids as a fair trade for immortality and if he can't have a perfect family, then he'll just build a better one.

William in all his iterations is never shown interacting with his children in a positive way. The closest we get to him is telling his daughter Elizabeth not to go near Circus Baby. And even though Sister Location is when voice acting began to take hold of the franchise, we never hear how William speaks to his daughter. In these moments, the only instance of him speaking about his children in the games is up for debate. But if you believe the orange man in Midnight Motorist is Afton, he speaks about the runaway child with disdain and frustration. "he will be sorry when he gets back" whether it's Mike or CC he made them sorry either by locking CC in the parts and services in FNAF 4 or made Mike sorry via Nightmare Animatronics. All throughout the FNAF 4 cutscenes, he neglects his children entirely. Even when he is AT THE PIZZERIA with them, he doesn't acknowledge them during his own child's birthday party whose death is meant to be the catalyst for his descent into madness that the fandom widely believes and as that child cries out in fear, he is nowhere to be found.

Moving on from the games. Nothing about the books paints William to be a warm person. He's depicted in the novels as not only neglectful to Elizabeth, but physically abusive to her as well, even after she's killed by the animatronic she idolized, William does not soften at the loss of her, we do not see him grieve and he treats Circus Baby just as poorly as in the games, only thing missing is a scene of controlled shocks. Circus Baby is just a vessel for remnant and a devoted follower who is helping him with his experiments.

Game Michael is tasked with potentially cleaning up after William, but definitely with putting Circus Baby back together just as his father asked and his reward is getting scooped, being injected with remnant and having his body filled with animatronic parts and when Ennard abandons his body. Mike is left confused, alone and slowly rotting, but never dying. Immortal and restless.

In the movie William treats Vanessa like a tool to be ordered and it's implied Vanessa helped William cover up the the murders or killed as she was tasked with killing Mike and she lives in fear of him. When Vanessa finally stands up to him, he doesn't hesitate to dispose of her.

Whether it's the games, books or movies. William treats his living children as tools at best and obstacles at worst. I believe there is more than enough evidence to say that William Afton is not motivated by a design or desire to reunite with his lost loved ones or recreate some beautiful family. I don't think he wants to play pretend the way Henry seems to do in the novels with Charlie. Afton never really appreciated a single thing he ever had, not when he had it and certainly when he lost it. In Afton's eyes he only sees what others have and views things and other people through the lens of what they can do for him. He needs to be in control of his environment and everything should be at his disposal.

What motivates William Afton? He became enthralled with Henry's creations, jealous even. Perhaps they made him feel inferior as they were better than anything Afton had ever been able to create, so he studied Henry. The resentment in the obsession growing inside him as they became partners and their business was a success, it wasn't enough. He wanted the animatronics to be his own. He deserved them, he built the business and he shouldn't have to share the success with Henry, but he knew he needed Henry and that was infuriating to him and seeing Henry having the perfect family William always wanted was what caused him to kill Charlie that night. He wanted to take something from Henry and William needed to feel in control and for Henry to be vulnerable just to prove it could be taken away from him if William really wanted to and he did. What William wasn't expecting was that the security Puppet assigned to Charlie's bracelet would do exactly as it was programmed to do, it found Charlie and as she died, her soul fused to it. Upon discovering this, it would set William on a new path. He needed to understand why this would happen and how. Not because he was desperate to see his son or daughter again. But because he needed to be able to harness this ability to control it. His son lying in a coma would be brought back by his hands and he'd have the power to do something Henry cnever could. However he came to the conclusion he decided he'd need to kill again and he did. Stuffing bodies into the animatronics to see if they too would become possessed. Besides, who was going to go looking for the missing children in the suits? From here he would learn about remnant and conducted a particular gruesome experiment. What if a person died inside a spring lock suit? The result was something more powerful, but it was less predictable and obident than the others had been, but he did learn a valuable lesson about spring locks. He created the Funtimes to keep collecting and experimenting with remnant and he used electric shocks to keep them obedient and when he was no longer able, he enlisted Michael to continue his work.

We don't have all the information, but from what we do have, these motivations track with of Afton. Far more than the idea of a grief stricken father. If something happened to William to make him an insecure jealous man whose morality was shaped only by his own selfish desire. It happened before the events of FNAF. I don't think that's unsatisfying, I think it's a reminder of what we become when we reject humanity when our insecurities turn to jealousy, when we refuse to accept that some things are out of our control and allow fear to become hatred. While we can point to Henry and Edwin's rage against their respective machines, we also see the other side of them, the love of their children. You never see this human or soft side of William and personally I believe that's because it isn't there. William Afton's choices were not the choices of a man acting out of love or grief and that is why he's not a sympathetic villain and that is why it works so well and how it gets under our skin. When his actions are explained by those emotions because he's never been shown expressing them. If Afton is trying to rebuild his children, he is doing so to create loyal and obedient versions of them to do his bidding to make sure his work can continue and that he can always come back.

"YOU WILL DO AS I SAY. YOU WILL BRING ME WHAT I WANT AND IF YOU FAIL ME, THEN YOU WILL, BOTH OF YOU WILL BURN"

I believe this is what the original Security Breach story was meant to be. Vanessa was meant to be Elizabeth reborn and Gregory CC reborn as robots and tasked with slowly replacing William's body with animatronic parts injected with remnant and it lines up with what we know from the books. But Sony fucked the game and the original plan fell through and they course corrected.

Last few paragraphs from this video

But bottom line is, I don't believe William is this loving father with originally noble goals as the fandom likes to paint him because Scott writes William anything but than what the fandom portrays William to be and I think it's good that he's not a sympathetic villain. Sometimes some people are always awful and they don't have to have something bad happen to them. The masses have forgotten the simple pleasures of experiencing a nasty villain who delights in their crime and is the pettiest specimen one could ever design. William Afton to me is Scott pouring every negative/evil trait he could think up into the shape of a character and I just think it's good way to write William Afton.

There’s a reason the Afton Amalgamation is one giant Bunny made out of trash.

[akwolfgrl]

How sweet it is to be loved by them 17

This is a flashback

"Zeff!”

“Chef!”

“Owner!”

A cacophony of various voices screamed for him. The Baratie wasn't even opened yet. They hadn't even started morning prep. Everyone had just woken up, himself included. Not all the staff lived on the Baratie, just some of them. Not everyone had a home to go to after work. Patty and Crane being two of them. They were the first two to bust through his bedroom door. 

“What the hell do you thi…” Zeff started to yell until he saw what exactly they were all yelling about. Patty held Sanji arms length from his body by his armpits, Sanji hadn't hit a growth spurt yet, so he was still small for his age. The eleven year old was struggling kicking and clawing in antep to free himself. Blue flowers were blooming from his blond hair. Sanji was an omega, far too young to be presenting. Most omegas were rather late in presenting, typically not until fifteen to seventeen. They were usually the last to present. 

“Let me go!” Sanji yelled. “Fuckers!” 

“Fuck, Koushirou was right,” He owed him a drink and a call. 

“What do we do?!” Carne asked in a panic. There was not a single omega on this ship…except for Sanji. 

“Put him on my bed and bring me the den den, I have to make a call,” 

The chefs deposit the kid on his bed and scuttle out. Zeff sighs as he watches Sanji huddle in the corner of the bed, glaring at him, one hand gripping his hair thighly, and then the other arm warps around his knees. Soon enough, they brought him the den den and Sanji's stuffed goat. It was the only toy the kid had…he should probably rectify that mistake. For as small as he was, Sanji didn't act like other children. But seeing the boy clutching the goat like a lifeline was proof that he was still a child. A child going through a scary and confusing time. Zeff waited as the call was made. 

“Hello?” Koushirou's familiar voice came threw the snail. 

“You were right,” Zeff got straight to the point, the other omega had been right about Sanji. 

“It's a bit early but I'm not surprised, I suspected he and Zoro would be compatible. Zoro is in his first rut at the moment also early,” Zeff huffed a second warning would have been aprishted. “What flowers is he growing? “

“I've never seen em before, they're blue, ” Zeff admitted as he turned to Sanji, the blue flowers were scattered around his bed as the boy plucked the flowers from his hair, tears streaming down his face. “Shit!” Zeff took Sanji's hands in his own. Their hands were so small he could hold both with just one of his own.

“What's happening?”

“Sanjis plucking his flowers,” 

“Try scenting him, help him make a nest,” Koushirou instructed over the den den. 

Zeff let out a soothing scent, rubbing his free hand over Sanji.

“Noo! I gotta stop it! Fore he finds out!” Sanji whimpers out. “Were suppose ta be alphas! Fathers gonna be so mad at me! He cant find out,” 

“Eggplant it's OK, you don't have to be an alpha,” Zeff had assumed that the boy had been an ophen. 

“Sanji,” Koushirou's voice said. “Did your father tell you that omegas were weak?” 

“Yah,” Sanji sniffles. “He said they were weak and useless like me, even mom had been an alpha,” 

“Omegas are just as strong as alphas, I am an omega and a master swordsman. After your heats over, you should come visit. I'll be more than happy to teach the ways of the old country, where omegas were equal to alphas,” 

“Can I really?” Sanji asked, sounding hopeful,  Zeff wasn't sure if he was asking if he could visit or if he could be strong. Either way was the same answer. 

“Of course, what are you and Zeff going to make with your flower?” Koushirou asked, Zeff never had the opportunity to cook something with the flowers from an omega. He knew it was a common practice. 

“No! You can't eat delphinium! It's poisonous,” 

“Shh it's OK, eggplant. we won't eat it,” zeff reassured his boy. He tucked his blanket around his small body the best he could in a poor attempt at a nest. 

“Hmm let's see," Zeff could hear the pages of a book turning. “delphinium it represents someone with a big heart, the blue is dignity and grace, in love the delphinium symbolizes strong bonds,” Zeff counted to scent sooth and scent sanji as the young boy fell asleep a small quiet purr rumbling in his chest as clutched the stuffed goat.