.... But producer, in the same article, clearly said this album is ALL conceptual and based on storytelling.
But same producer said, they started album as conceptual but it ended by being autobiographical at the end ? And how song is about happily finding a woman when in reality Jimin was feeling lonely and desolate?
I read that entire article. Please screenshot for me where he said it was autobiographical.
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gojo would kill your work husband. but if he were the work husband, that's a different story
REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you
but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact.
he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared.
he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date
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Tired of the false dichotomy between "you should create for yourself without desiring any form of connection" and "feedback is everything and without it there's no reason to create." Neither of these things are wholly true, and it's frustrating to me that people have taken "create for yourself" to mean "you shouldn't want feedback or enjoy it, you should create in a vacuum with no hope of human connection" and are lashing back against what they think it's saying rather than what it's actually saying. I love comments and feedback and connecting with my readers as much as anyone and would never discount the value of that experience and I try to be the kind of engaged reader I would want to have because I know how much it means. I especially know how much it means to a niche creator because I've been that creator myself and I so treasure the readers who took a chance, gave my stuff a try, and stopped to say something supportive about it.
But that's also exactly the thing: the things I want to write are often things that do not in any way guarantee me an audience, but they're what I enjoy, and creating for myself is what gets me through those long first drafts where I know there is no guarantee of an audience because the reality is I'm choosing to write this thing and nobody owes me a readership. Internal motivation matters because there are parts of the creative process where internal motivation is all you have. I've seen people give up or nearly give up on projects that probably would have found an audience, if a niche one, because they convinced themselves that nobody would care and then couldn't motivate themselves to care. Or they decided that a small audience wasn't good enough; they need their work to be Popular or it was worth nothing.
And if someone doesn't want to invest themselves in creating something that might have a small audience, well, that's their choice. But creativity is inherently an act of risk, and a lot of amazing art would never be made if the creator wasn't willing to risk silence, rejection, loneliness. Yeah, those things suck. I'm not saying they don't, that's why it's a risk. But art isn't always about safety. Sometimes it's about creating because you simply have to get this thing out of your head, and you hope someone will connect with it, but you don't know until you try. So everything can't be external motivation. It just can't be. It's too limiting, it's too stifling. I can't live that way, personally.
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Greek mythology/the Olympians has been my hyperfixation for going on two decades now and I just… Soap as Dionysus.
Always brings a good bottle of wine and a few rooted cuttings of ivy as a housewarming gift. If he’s fixed his attention on you, he’ll also put a few sex toys in the little bag he brings. Puts them right on top for the pleasure of seeing your scramble to try to shove them in a drawer or tuck the whole gift in the closet.
He’s a great time. Has this intoxicating way about him. Like life is a stage and he’s the director. Playful and fun, though a little too enthusiastic at times. Handsy when the two of you hang out. You assume that’s just his nature and excuse it accordingly. Hard not to, gorgeous man that he is. A divine kind of handsome. Like his features are an eons-old amalgamation of all the most beautiful features humans have ever had.
And he gets strangely possessive, even after you’ve been nudging back his wandering hands or putting your hand between his mouth and your neck all night. Borders on vindictive and aggressive if he’s not in the right headspace.
It’s a bit terrifying to see him snapping his teeth in the face of some man at the bar who had only just asked you if you’d wanted a drink. You swear later in the night you see him babbling feverishly to a group of his friends. It sounds like total gibberish, and his friends look even more confused than you feel, but his eyes are wide as saucers and his hands are flying about hazardously. You don’t think much of it after Soap pulls you by the waist to the corner booth and tips a cocktail up to your mouth.
He keeps you out until all hours of the night. Insists on staying jovial. Club-hopping to find the best crowd, best music, best conversation. Keeps you up and active for so long that the confines of reality start to become fuzzy at the edges.
Sexuality expressed through bodies writing and twisting in drunken dance. Bumping up against one another. Collecting strangers and your own sweat in fat beads on your skin that make you shiver when they get heavy enough to trail down the small of your back.
When the room is spinning enough to make you stumble just a bit and you’re unable to do anything but giggle about it, he’s somehow able to make sneaking off into the family bathroom together seem like a good idea. He seems just as drunk as you are, slinging an arm around your shoulders when you walk. Bellowing a laugh when his hand grazes your tit but making no attempt to pull it away.
It’s less easy to be oblivious when you’re in the bathroom together. The muffled music filtering through the bottom of the door. He’s pressing up against you even though now there’s no crowd to excuse his practically grinding his groin on your hip.
It smells like sweat and generic brand bathroom cleaner. You hum when he staggers to the urinal instead of griping at him about how crass it is to take a piss right in front of you. He props himself up on the wall with one hand and a moment after you hear the teeth of his zipper come undone, he lets out a throaty, satisfied groan.
You busy yourself looking in the mirror. Checking your makeup. Seeing if you look as drunk as you feel. It’s filthy. There’s a web of cracks coming from the bottom left where it looks like someone tried to send their fist through to the wall behind it. It makes you a bit dizzy to look at and you have to bend at the waist to get close enough to see the way your mascara has smudged all around your eyes.
And all of a sudden there’s a burning heat behind you. Sickly, feverish heat pressing straight into the pillows of your ass. Soap’s spidery reflection shows up just over your smile sporting a wicked grin. Teeth and eyes flashing.
You try and swat him away, all too used to his comings-on, but he digs his fingers into the fat of your hips bruisingly hard.
“C’mon, hen. Been driving me mad all night. Relax a bit. Jus’ need this. Need you. Please.”
He has to lay flat over your back to hiss in your ear. Teeth clenched like he really needs to put some effort behind his words to sound polite. Like a petulant child who’d just been reminded by their mother to practice manners.
You were practiced in batting back his advances, but for some reason his grit made you falter. His gaze seemed to be burning a hole through you in the mirror. The idea that something inside him was hitting a roaring boil that he couldn’t stop from flowing over made your brain go foggy. The opposite of sobering. His aberrant need was contagious and catching quick.
He smelled like sweat and cheap cologne and dry, sweet wine and woods. Flirty and masculine and overwhelming. And he’s warm and strong behind you, even if he’s pushing his hard cock into you.
Who were you to deny him the pleasure of snapping his hips into your backside a few times? Letting his fingers impatiently tug at the button of your jeans and hastily tug them down with your underwear until they pooled around your ankles?
It didn’t help that the sound of him sending a glob of spit into his hand made you clench around nothing. A familiar warmth gathering between your thighs that made you shift a bit to chase the momentary relief even a touch of friction could provide.
He couldn’t even afford you the decency of pretending not to see. No. Instead he points a spotlight on you and insists you perform for him again. Nudging your legs apart and pressing his thigh flush against your core while purring the filthiest things in your ear.
“Ken I jus’ needed to wear you down, mm? Thought ‘bout this before we went out. Always did get sloppy when you drink. Jus’ needed a little push. That’s it -Jesus- cunt’s so wet. Gonna take good care of her.”
And the club is so packed full of drunken, dancing bodies that hardly anyone notices the way you two stumble out of the bathroom fifteen minutes later. Even though you’re still fumbling with the button of your jeans with shaking hands.
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as much as i enjoy the more wholesome fantasy high parents like jawbone and sklonda and the thistlesprings there’s something so compelling and achingly real about bill seacaster that makes him my favorite. he and fabian have a relationship that is so deeply unhealthy and entrenched in distorted ways of viewing other people and parenthood and the world, and yet is so fiercely and undeniably loving. like, is bill seacaster a good dad? what does being a good dad even mean for someone like bill? bill seacaster has such unrealistic and toxic expectations of fabian and a myopic, entirely self-centered way of relating to him for most of his life, and yet, you truly get the sense that even if fabian disappoints him again and again and never steps out of his shadow and never becomes the man bill wants him to be, bill will never love him any less than completely and unconditionally. bill seacaster is a man who has built his entire life and sense of identity around doing whatever he wants and never facing consequences and never thinking about anyone else. bill seacaster becomes disappointed in his son. and he finds the idea of that so unacceptable that, instead of demanding that fabian meet his expectations, bill loves him so much that he reconsiders his entire concept of himself and the purpose of his life, and he grows. a man whose legacy and identity was based around selfishness and narcissism and unwillingness to bend, and fabian makes him change.
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