#if it helps i already shipped them when i read the book <3

[aro-attorneys]

nrmt = jekyon?? tell me more share your theories friend

(All J&H characters mentioned below are from the The Glass Scientists webcomic; other adaptations do not count for this analysis)

Oh nice, free infodump real estate!

I'll start off saying that this is entirely subjective and not everyone might agree with the connection I made between the two ships.

Furthermore, at their core they're both very much their own unique dynamic. If this seems like a stretch to you, that's totally fine!

That being said, here are my theories/takes/connections (screenshots will mostly be from TGS since that's more easily accessible):

My brain sort of made the connection after recent chapters came out. The focus on Lanyon's feelings and how he expresses (or not expresses) them reminded me very strongly of the "thanks to you, I am saddled with unnecessary feelings line." It also reminded me of this bit from chapter 3:

(ugh feelings, am i right)

Lanyon has Edgeworth Vibes to me lol. They have their "repressed victorian man" thing going on (although Lanyon literally is one).

I made a post about Lanyon's way of expressing his feelings before if you're interested.

Comparing Jekyll to Phoenix might be a bit of a stretch, perhaps. But with earlier flashbacks about Jekyll's university years and the much, much earlier scene during the Frankenstein Play, I can safely say the following things:

Both started out more expressive/open about their feelings. Only after having their hearts broken (Phoenix with Dahlia and Jekyll with Lanyon), did they take a turn and bottle their feelings up or stopped expressing them in a healthy manner.

Both have...little sense of self-preservation. Phoenix has shown over and over again that he's willing to hurt himself or even die for the things important to him. Jekyll also literally admitted to being willing to die for science. Although Jekyll has gotten a little better with it. One of the major developments he's going through right now is putting himself and his feelings and safety first.

Here is the evidence for Jekyll's case:

And Phoenix is infamous for eating a glass vial with possibly still potent poison and running across a burning bridge. And he's been more than willing to get hurt to help the people involved in his cases. It's something about sacrificing yourself because you think something or someone else is more important.

Although Jekyll has been recovering from this mindset ever since Hyde forcefully took over his body:

Another thing I've noticed with both ships is that there is a strong mutual admiration for the other, but neither actually voices it. It's a little more obvious for Narumitsu, where Phoenix admits in Turnabout Goodbyes how much he looks up to Edgeworth after the class trial. And in the Miles Edgeworth: Investigations games, he expresses the same admiration for Phoenix. They both are influenced by the other all the time and it makes them better, more well-rounded people.

This mutual admiration isn't as healthy in Jekyon, at least not consistently. In Jekyll's manifestation of his mind, he sees Lanyon as the perfect gentleman, as someone to look up to and follow no matter what. Even though he broke Jekyll's heart many years prior. But still, Jekyll believes he became a better person for it. Vice versa, Lanyon used to be kind of a heartbreaker. But meeting and dating Jekyll changed him. He wanted to commit to a relationship* and not Hurt Feelings anymore if he could help it. Unfortunately there was an arranged marriage so there's that.

*I am not saying that suddenly wanting a romantic and sexual relationship made him better, it's the not wanting to break other men's hearts that made him better.

I think...that's it? If I had to put it shortly, I'd say both ships have a unique dysfunctional way of communicating. Avoiding sharing any thoughts or feelings and then being surprised that the other party is upset. They're disasters and I love to watch it unfold :) (mainly because there's also actual character development to look forward to).

[torpublishinggroup]

"Warning Signs Your Machines Are Trying to Kill You!" by TJ Klune

(Legally, I’m required to tell you that when smart phones first became popular, I bought one and then asked for the address of the app store because I thought it was a physical location I had to go to in order to download apps and not something already on your phone. Also, I was recently told I speak like an old person so as a warning, there will not be any slang you youths typically hear, especially on Tumblr. Any slang I’ve learned in the last five years has been against my will. I still don’t know what FOMO means, and I don’t care.)

1. Oh no! You and your family are trying to enjoy a movie night, but Overlord Prime (With Free Shipping) wants a sacrifice at the altar of their god, BeeZos. Should this happen, do not attempt to give Overlord Prime (With Free Shipping) a cantaloupe with googly-eyes on it and say that it is your baby. Overlord Prime (With Free Shipping) knows the difference between fruit and children. Instead, ask the machine to order dog food, and it will forget about eating humans for a little while.

2. If you own a very fancy vehicle that can drive itself, always make sure to carry a brick. That way, when the car locks you inside and attempts to drive you off a cliff into a gas station, you can break the window using the brick. You will then have to jump out, but make sure you do so in time so you can watch the wicked-ass explosion when the car hits the gas station, and you can revel in your victory over your car.

3. This one will hurt. I’m sorry, but it’s true. Chances are, you’re reading this on your phone right this second. To be safe, after you’ve finished reading this post and have clicked on the affiliated links to purchase my books, you should throw your phone into a volcano and then move to South Dakota where there are no machines, only wind and cows. That way, when everyone else gets the 5GZombieVirus that people on Twitter (I’m not calling it the other thing, shut up) seem to think is real, you’ll be safe with your cows on a windy day.

4. Get rid of your air fryer. Don’t ask me why, just do it. Red flags all around. Danger, danger.

5. Do you know of the Clapper? That thing first launched in the late 20th century (I wrote it that way to make me feel old) where the commercials showed cranky old people unable to reach their light switches, so they got a thing called a Clapper that turns your lights on and off when you clap? Guess what? Those will be the first things to try and kill you. If you love your gram-gram, save her from the Clapper. When she asks why you are destroying it with an ax, tell gram-gram it’s because you love her.

6. Do you live in a smart home? The kind where everything is connected to the internet, including your refrigerator? The refrigerator that holds your perishable foods? And oh, would you look at that: how many ice cubes have you kicked under it rather than picking them up when they fall to the floor? A dozen? A million? The refrigerator remembers. And it will spoil your food in seconds. What then? What are you going to eat? Canned food? Not if the refrigerator falls on top of you!

Unfortunately for you, this is where it must end. I hope this has given you enough information to help you survive the inevitable. If you do not heed my warnings, well. Who cares. I’m not in charge of you. Do whatever you want. Just don’t come complaining to me when gram-gram gets the clap.

[st4rtar0t]

What's next in love?

DM for personal readings

Picture 1

I sense that you may have been through a completion or some kind of ending, either or a relationship or a situation ship. you may have been feeling drained by all that has happened within the last week. You may even feel like you have bad luck in love or love and relationships may not be your strongest suits. You are being guided to work on yourself, the only reason things are not working out is because the universe is saving you for someone special. and you will be overjoyed when you meet them. But before that you will have to grow spiritually and emotionally because I see that you are not ready for a long term connection and yet you keep looking for it in wrong people. Deep down you fear being vulnerable and deep connections, you will have to work on it first.

You will meet them right after a spiritual awakening or when you will be working towards your life purpose. You are constantly in survival mode, be more open and at ease.

You may have to pause on dating somebody for sometime or you may feel like you don't want to date anyone anymore but whatever the case may be I see that you will be working more on yourself and your goals.

Things that might resonate : stars or stargazing, paperwork or court, smiling emoji or stickers, train or bus, butterflies, a gold ring or a bracelet.

Picture 2

okayy so i sense that you may be waiting for someone to contact you or you may have sent an impulsive text to somebody. or you may need to made a decision in some time. I do see that there is somebody that is interested in you and the feelings are mutual, you may already know who i am talking about but there is some kind of external forces that is stopping this person from approaching you, either you have somebody else or they are talking to somebody else. i do see that there is a third party or this person may feel like you have somebody else now. for some of you this may be an ex. I do see that you do want them back for some. but overall i see that you already know the person who is your future partner.

I also see that they may be connected to your family or you may meet them through your family. I see that they may always have earphones plugged in or they may be connected to music.

You may be wishing to be in a relationship with them because they seem to be your ideal type. one of you may have to move on from your past. their or your name may translate to wish/hope/desire etc.

things that might resonate : clock or clock tower, office work, untuned guitar, blood ties, inner circle, yes, 21, 31, 46.

Picture 3

I sense that you guys may be thinking of moving out or changing locations soon. You may meet this person while travelling or they may be your neighbour in the new neighbourhood. I see that some of you may be talking to somebody who lives at a distance or you will be talking soon, whatever the case may be, i see that this is somebody new. This person maybe rich or they belong to a respected family. For some of you this person might be your future spouse. They may have a deep voice or husky voice. You guys may not be considering a romantic relationship at first but the feelings will increase over time. I sense that you are really intuitive yourself and you already be having dreams about them. I see that they may offer some kind of help to you, both financial and physical.

They may be an air or earth sign, especially Aquarius and Taurus. They may have long hair or thick hair. Their is really significant here. They may work in the education sector or medical sector.

I see that they find you really attractive and charming. You may be wearing yellow or yellow may be really significant in the first meeting.

Things that might resonate : Butterflies, crows, black cats, white, river or water body, cloudy day, 10,5, 17, library or books.

[kaziwi]

Don't Mention It

Character(s): Law

WC: 1,153

Summary: You and the crew celebrate Law's birthday...but not in the way he'd expect

Note: happy birthday law <3

Law slowly opened his eyes, waking up from a good nights rest. It was rare for the captain of the Heart Pirates to get his full 8 hours, but after Bepo had asked to cuddle he couldn't say no. The soft fur and warmth radiating from Bepo lulled him to sleep, and now he lied awake, way behind his schedule.

He knew what today was. His birthday. Law just never liked the idea of birthdays...and the memories that came with them. Each year he begged the crew not to mention it, and treat it as a normal day, but they always failed to do so. He hoped this year would be different.

Law quickly changed out of his pajamas and made himself look presentable. He could already hear the teasing from Shachi and Penguin for waking up late. As he left his quarters, he noticed the Polar Tang to be surprisingly quiet. He made his way to the kitchen and was shocked to see a whole buffet of food laid across the table. And the best part...there was no bread.

"Mornin Cap! Never thought I'd see the day when you slept in," Ikkaku teased as she washed the dishes. He didn't even notice her here.

"This is more breakfast than we usually eat...is it for...special occasion?" Law obviously knew this was for his birthday, but for some reason he wanted to hear someone else say it.

"Hmm, I don't think so...unless I'm forgetting something."

Oh...that was kinda weird...Ikkaku didn't mention it was his birththday. No matter, someone else was bound to eventually.

Law sat down and began to take some of the food that was spread across the table. In all honesty it was probably the best breakfast he'd ever eaten. He handed his plate to Ikkaku and began to make his rounds.

He had expected to see Shachi and Penguin goofing off, or having to fix something that Bepo messed up, but everything was perfect. The ship was at top maintenance and all of the chores were completed. When he had gone back to question Ikkaku about where everyone was, she said they had all gone out to the island they docked at to explore.

It's not like Law didn't enjoy the quiet, he basically begged for it everyday, but it just felt strange. He decided to use this opportunity to go to his room and read a new medical textbook he got. Hopefully that would help to pass the time.

Knock Knock

"Captainnnnnn open upppppp!!!"

Law didn't even know how much time had passes, but it seemed Shachi and Penguin were back from exploring the island. Law reluctantly let them in, knowing that they were going to make a big deal about it being his birthday now.

"Cap you will never believe what we found," Shachi started.

"Close your eyes and hold out your hands okay, trust us," Penguin said excitingly.

Law let out a long sigh and indulged their request. Something was put in his hands. It wasn't too heavy...but it wasn't light either. He opened his eyes, and his jaw almost dropped. It was the limited edition Sora Warrior of the Sea art book. He could see how Shachi and Penguin's faces beamed at his reaction.

"I knew you'd like it Cap! We saw it while exploring today and knew we had to get it for you!" Penguin said while Shachi nodded in agreement.

"Wow this is...," Law started, "Amazing, thank you both.."

Caught up in the excitement of his new gift, Law almost forgot that this had to be a birthday gift, there was no way it wasn't.

"So, what prompted you to get this gift," Law questioned, "Was it because it's a special day today?"

"Is it? We just saw it and thought you'd like it," Penguin said, looking at Shachi.

"Yeah, I mean we can return it if you'd like," Shachi chimed in.

"No! No you don't have to. I really like it, thank you again," Law said with a hint of disappointment. Was it really a coincidence that they bought him this gift, or were they lying about not knowing it was his birthday. He ushered them out of his room and sat back his desk. There was no way the whole crew forgot it was his birthday....right?

Throughout the rest of the day, each one of the Heart Pirates made their way to Law's room and gave him a gift. Even Bepo came in with a bouquet of flowers (they were actually weeds) that he has picked just for Law.

Law was very appreciative of all the gifts, but was a little sad no one had said happy birthday yet. He knew each year he begged them not to, but now that they hadn't acknowledged it at all....he almost missed the attention.

It wasn't till later that night, after they had eaten his favorite dinner, made only entirely by "coincidence", that he got his first happy birthday.

Knock Knock

"Come in Y/N-ya," Law said, eyes not looking up from his book. He could already tell it was you, since you were the only one not to visit today.

You walked in, holding something behind your back.

"Happy birthday Captain," you said with a big smile. Law looked up, a little shocked by your words, and stared into your eyes.

"You..said it.."

"I mean, I'm sure you realized that all of the gifts, the ship being in tip top shape, and the food wasn't all a coincidence. Everyone wanted to make your day easier and fun! We just didn't want to mention it was your birthday since you always tell us not to....but I'm sure by now you figured it out."

Law really hadn't thought that all of these acts were for his birthday. He had a small suspicion, but without anyone confirming it he didn't want to get his hopes up.

"I know my gift isn't as big as everyone else's," you smiled sheepishly, "But I still hope that you'll like it!"

You handed a small box to Law as he took it with caution. He opened it up and gasped at it's contents.

Inside was about 40 collectors coins, all ones he didn't have in his collection.

"Y/N-ya...how...I mean.."

"I started finding them a few islands ago and decided to get as many as I could for your birthday! Everyone else also pitched in a little and gave one to me if they found one!"

He dumped the coins on his desk. Each one with a new island's name on it. Sabaody....Water 7....Alabasta...and even some places he hadn't even heard of.

"Thank you," Law said, a soft grin appearing on his face, "Tell everyone else I said thank you too."

"Of course Captain," you said as you left the room, eager to tell everyone that operation "Celebrate Law's birthday and also respect his wishes by not mentioning it" was a success.

[nikosama13]

"Wanna play a game?" (Luffy, Zoro, Sanji x reader)

Description: One shots with the monster trio. In each fic you play a "game" with one the boys from the monster trio. Who knows..? Something spicy might happen..

Side Notes: Hellooo loves! Please enjoy these oneshots with the monster trio. <3 ..⚆ _ ⚆ (Most likely spelling mistakes + my requests should be open.) Ps: The Zoro oneshot is my absolute fav.

Consider following for more..?

~~~

Luffy:

It was a casual and rather peaceful day on the Thousand Sunny. The Straw Hats, including you, had just left a port from a short supply run… already off to find another adventure.

However, it was a rare occasion for it to be this peaceful.. Zoro was napping, Sanji was cooking, Nami drawing her maps, Robin was reading her new books, Franky fixing the ship with Ussop’s help, and Chopper making his medicine.

That just left you and Luffy..

You were just resting on the deck with a chair when you heard one of the Sunny's doors open. To your surprise it was Luffy.

“Ughh.. im hungry and bored and sleepy..” Luffy said, walking sloppy.

Well he was, until he saw you.

“Oh hey y/n!” His eyes and posture snapped into place.

“Hello Luffy..” you raised your glasses and rested them on your head.

“Wanna play a game?” Luffy’s voice also sounded like it got a little happier and excited.

“Sure I guess..” you gave him a smile anyone would fall for.

His gaze was stuck on you. He just blinked a few times before a slight burning sensation on his face struck him.

“U-uhm.. So how about like.. two truths one lie..?

It shocked you that Luffy actually knew that the game existed and let alone how to play it.

“Sure” you gave him a puzzled look.

“Me, Ussop, and Chopper played it once!” Luffy smiled.

Oh, well that explains how he knew.. Ussop always made up fun games for them to pass the time on the ship.

“Ok I’ll go first!” Luffy plopped down next to you on the floor, a look of confidence and blush showed on his face.

“So.. one is I hate meat, two is I want Sanji to cook, and three is I like y/n..”

“W-wait what!?” your eyes were practically popping out of your skull.

“Uhm..” he smiled and then looked down.

He covered this face with this hat slightly and muttered something out..

“Yeah, I like you.. So?” he continued looking down.

“I do too..” you looked away.

Then he looked up immediately after you said those words. His eyes sparkled brightly.

“Really!? You do!?” then he leaned his head on your thigh.

“Yeah..”

You both were a blushing mess but eventually as the days went by you shared a passionate kiss on the deck in front of Nami which made her choke and spit out her water.

It was safe to say you belonged together. ~(˘▾˘~)

~~~ Zoro:

For Zoro it was like any other day on the Thousand Sunny, minus the fighting parts.. Today you decided to get your moss head and play a game. Now what game exactly you ask?

Let’s backtrack really quickly..

You, Nami, and Robin were speaking about Zoro, you simply didn’t know how to get closer to him. It didn't help that he was reserved and always grumpy, as you like to call it. So Robin, being the brightest in the group of girls suggested to you that you should ask or more so “bribe” the moss head into playing a memory game with you. It sounded harmless but it would definitely have the moss head interacting with you. So you thanked Robin and ran off to put this idea to the test.

Eventually, you found Zoro dozing off into a nap. However you’d have to get to him before he slept because waking up a grumpy man isn’t a pretty sight.

“Hey Zoro! Wanna play a game with me?” you smiled and sat down in front of him on the deck of the Sunny.

“Huh..? No, why would I..? That’s for kids like Sanji and I want to rest.”

He looked back down and was about to doze off again.

This is exactly what Robin, you, and Nami anticipated so it was time for plan-b to be put into action.

“Oi, moss head I’ll give you buckets of booze, but only if you play.” You said smiling, sure of your plan bound to work.

Then his eyes popped open immediately.

“What’s the game..?” Zoro’s face slightly changed to a smile.

“It’s a simple memory game.. k?” you prepared the rules in your mind.

“Fine, get this over with… or..”

You could have sworn he muttered “..or…”, but after all it wasn’t your place to ask him what he had said when you randomly intruded on the man’s peaceful napping session.

“Ok so I'm gonna make up three hand signals in a random order and I'll add to it each time, your job is to copy me. Plus if you fail once you lose and we switch places.”

His mind took a second or two to process all of that info but it seemed like he understood, hopefully..

“Alright..” he looked up at you, now he was giving you his undivided attention.

Robin's plan was working.

After a couple of rounds he eventually failed and snickered at you. Now it was his turn to make up the hand signals..

“Watch me, I'll win!” you smiled confidently.

“Yeah, yeah totally.” The look he gave you was mischievous, like he was planning something you couldn’t predict.

And so he did..

His first movement was to grab your collar and pull you in closer, his second was to lift your chin and lean in on your soft lips, and by movement three..? Well let’s just say you and him were a blushing mess. He assumed that you knew what movement three was already supposed to be..

“Repeat that.” He smiled at you with a deep look.

“Fine I wi-” he cut you off..

“And the third movement too. Unless you don't wanna win..”

“Deal, watch me!”

You repeated the steps of grabbing his collar and lifting his chin. You pulled him in closer and looked up at him unsure about this whole situation.

“Do it” he said while looking at you.

You slowly brought him in closer and kissed him. The kiss lasted for a while until you eventually broke apart.

You were a blushing mess, as for Zoro?

“So where’s my booze at..?” (I was literally screaming when I read this over, this is my fav)

~~~

Sanji:

Sanji, as being chef of the Straw Hats was usually always in the Thousands Sunny’s kitchen, either he’d be taking orders from Luffy to cook something tasty like meat or be making special drinks for the lady’s around him.

However, today was different, he decided to finally take a break that he needed. He was walking around and wandered into the Sunny's library. There he found you, studying or reading. Either way he found it cute. When you noticed him and smiled, his heart fluttered.

So as bold as Sanji is, he sat in the seat right in front of you, staring you down intently.

“Whatcha reading there y/n?” he gazed at your book.

“Oh.. nothing much, Robin told me if I had any free time to read it because it was really good. I believe it’s alright.. I’m not too crazy over books.”

He loved the sounds of your voice. The way you talked and looked at him while you glanced at your book at the same time. It was all too much and too perfect for him.

And then all of sudden his day dreaming was abruptly ended by a wave. This wave shook the library and luckily only some books fell out of their place.

“Awh man..” you looked disappointed.

“Sanji, if it isn’t too much to ask, could you help me clean this up..? ..I think Robin would really appreciate it.” you smiled softly.

He took no time to accept your offer and helped you clean up.

As you two were busy cleaning and placing all the books back into their spots, Sanji came around a weird box named “Twister”.

“Hey y/n, look at this.” he faced you with the box in his hands.

“Oh, that’s interesting.. That’s a fun game, I wonder what it’s doing in the library though..” you seemed puzzled.

Sanji adored the face you made when you were confused. Then a great idea popped into his mind.

“Would you wanna play?” he smirked at you.

“I suppose it wouldn't hurt to, do you know how to play though?”

“Not really.. But I wouldn’t mind you teaching me~” He chuckled.

After a long 15 mins of reading the rules over to Sanji, he finally grasped the main idea of the game. This was really his kind of game.

“Ahh.. I see, let's start then~!” He began setting out the mat on the wooden floor of the Sunny.

Then you both began to play and spin the spinner, further and further into the game your limbs both got tangled and tangled.

“Right leg on blue, left arm on red…”

Sanji was trying with all this might to not look up at you with your ‘interesting’ position balancing over top of him. Eventually your muscles both gave out at the same time and you landed on top of Sanji.

Since Sanji is the Sanji we all know and love he automatically nose bled and proceeded to pass out.

With Chopper’s help he was just fine, but those newly discovered feelings he had only for you weren't.

~~~ Finish line here!

Comment your fav Oneshot! <3

Consider following..?

(This is probably one of my fav posts of all time. ᕙ(⇀‸↼‶)ᕗ)

[devine-fem]

i am BEGGING you to make that jondami ship guide. not because i need anything to make me ship them more than i already do but because they deserve to have their good moments highlighted

Jondami/Damijon shipping guide.

A collective guide to any cute moment between Jon and Damian in DC comics or motion pictures. Any moment that could make a reader like them more as a ship will be put all here in one Tumblr post.

• Superman (2016) Issues #10-#11

This is the first time they meet each other and they immediately knock heads. Jon’s lighter than life personality clashes with Damian’s cold personality and they don’t seem to get along but you can tell there’s something growing behind the eye rolling and tongue clicking… a friendship?

• Superman (2016) Issue #20, #21, #25, #26 (mentioned), and #43.

• Super Sons (2017)

This is the first of the Super Sons series, the series is really short but gold nonetheless. No Super Sons comic that I don’t like but this one is my favorite. They still are knocking heads and refuse to call each other partners but they grow and learn to be heroes together.

• Adventures of the Super Sons (2018)

They slowly start to get used to each other and this comic shows that Damian isn’t just straight up mean but is starting to somewhat ‘like’ Jon.

• Challenge of the Super Sons (2020)

The last main Super Sons comics. This one is fine but I love the others so much. These comics are essential to know Jon and Damian period, it’s the main comics of each others story and in a way they are important to each others development.

• Batman and Superman: Battle of the Super Sons (2022)

Now after all that reading treat yourself to a movie because Jon and Damian got their own movie. This is what started Jon and Damian for a lot of people and this is probably where a lot of you are from. This movie is great and fun. They made Damian wayyy nicer than in the comics and their friendship easier.

• DC Rebirth Holiday Special (2016)

Please find and read this. It’s so cute. I love it so much.

• Dark Nights: Metal issue #3 (2017 -2018)

They make a rock band in the beginning, its so cute.

• DCeased (2019)

• DCeased: The Unkillables (2020)

• DCeased: Hope at World’s End (2020)

• DCeased: Dead Planet (2020)

• DCeased: War of the Undead Gods (2022)

This is such a good series, and story in general please read it. DC peaked with this one and its so angsty. I don’t care what comphet was happening, Jon was there for Damian like no one else. I think Damian ends up with Cassie which is weird to me because Damian has never shown interest in anyone before but I excuse it since it’s not really gonna happen again since they were in a relationship just for the story to be more high stakes and sad. Jon and Damian’s relationship was at the forefront and for comic book readers DCeased made people see the potential in Jondami.

• DC’s Terror Through Time (2022)

This is so cute, please read this. It’s a halloween special and they switch uniforms <3!!

• DC Saved by the Belle Reve (2022)

They help a nonbinary person navigate school and it’s so damn cute.

• The age up incident.

(Disclaimer: You can pretend this never happens and I wouldn’t blame you for doing that.) A writer named Brain Micheal Bendis comes into the writers room for DC and ages up Jon in short. The story is that Superman goes missing (He travels to War World and gets stuck there) and Jor-El comes back to meet Jon and he takes him on a trip to explore space, then they get trapped in a wormhole, Jon gets stuck on Earth-3 and has to fight Ultraman. He’s stuck in a volcano for five or six years and becomes seventeen (we think) when he comes back. This was sad to me because it took away all the potential interactions for Jon and our ability to see him grow up, it was rushed and purposely so. Jon takes up the title of Superman somehow and starts to date some guy named “Jay Nakamura.”

• Superman: Son of Kal-El (2021) Issues: #1, #6, #14, and #15.

He does get a boyfriend here and I think it’s amazing the fact he simply gets a boyfriend but no one really likes his bf so… and the are real reasons why Jay as a character is problematic BUT if you just don't want to see him with someone else than every time you see a pink haired twink, quickly skip.

• Adventures of Superman: Jon Kent

• Super Sons (2017) Special

This is them reuniting after the age up and it shows how Damian reacts to it. I can’t actually find this and if anyone can please let me know where it is. I can only find bits and pieces of it scattered across the internet. All you need to know is that he doesn’t like the age up anymore than us since he says “I miss my friend.” which is really sad to me because the age up ultimately really hurts what people like about their dynamic as well as tarnish Jon’s character almost completely.

UPDATE: found it, it got attached to

• Dark Crisis (2022) till Issue #5

This is fine, after issue four Jon and Damian are not there anymore and if you read half the story just for jon and damian you might as well finish it.

• Green Lantern: Blackstars (2019) issue #2

They hug here. You’re welcome.

• Action Comics (2016) issue #1030

This is the best thing to come from the age up. This is so cute of them.

• Teen Titans (2016) Issue #43, #45, and #46

i didnt really like this, im not gonna lie but it has some damian and jon interaction worth noting with jon being protective over damian.

• Flash (2016) Issue #797

jon defending damian. this is such a cute moment for them. jon talks damian up and says how hes the strongest person he knows and how hes misunderstood.

• Legion of Super Heroes (2019) Issue #2 & #3

dont read this. its rlly bad but this is full of jon being the number one damian apologist, quality jondsmi moments over quantity. worth mentioning • Trinity Special: World’s Finest literally them raising a child together but their ages are a bit wonkey, i still dont personally know what age either of them are supposed to be there...

DC MEETS HANNA-BARBERA - Super Sons x Dynomutt

I’d say they aren’t exactly written right, well over all they are but their personalities are more relaxed and they care about each other a lot and will go out of their way to make sure the other is okay and protect them from danger, make them laugh etc, theres nothing wrong with this, its really cute but you can tell its not the typical jon and damian writers is all. I like it.

• Dark Crisis: The Dark Academy (2023)

• Wonder Woman (2016) Issue #800

- Fandom

Artist that draw Jon and Damian:

(I don’t know any of these accounts intimately so if they’re problematic in any way than I am sorry in advance)

Sheiya Vlad

Pechaghtlecha

Corinthianrm0

Hobiiiebrown

spider-jaysart

arunneronthird

Twitter

Hokke

Gozer

@_1209E

YouTube

Justice Lords Animation

Japanese Animation

Super Sons Meme Animation

- Fanfics

Trust fall by Ididloveyou_once

Those Who Wait by InsaneTrollLogic

moving in stereo by TheResurrectionist

Reasons to Not Fall in Love by nanami

Growing Pains

These are fics I read and liked, I don’t have much. I don’t read a lot of Jondami fan fiction so I insist that you recommend your own fanfiction in the comments. (Don’t hate me for the self promo)

- Music (A silly lil playlist I made for them)

END

[theoi-crow]

The chess game between Medea and Jason and how Medea's original story is a feminist story:

So a few days ago I was talking to @teawiththegods about a book he had read that was a feminist re-telling of Medea. The author seemed to have lacked a very fundamental understanding of Medea's character because Hecate wasn't mentioned in the book at all, which is wild since Hecate is Medea's go-to goddess for every spell she does!

But as we talked further it was clear the author also lacked a very fundamental understanding of Medea and Jason's relationship towards the end of their separation but it's one of my favorite parts of Medea's story which, in my opinion, makes it feminist by itself but not many people understand that because they lack the ancient context for which it was written that drives the point that:

Medea won a chess game where the odds were stacked in favor of Jason and the game was rigged against Medea herself:

How were the odds of the game stacked in favor of Jason:

1) Medea couldn't kill Jason or he'd win:

One of the main things people complain about regarding the story of Medea is Medea killing her children and wonder why she didn't just kill Jason instead. But the reason why she didn't do that, and why she couldn't kill Jason at all was because she would have immortalized Jason's heroic persona.

In ancient Greece they believed the best thing someone famous could do was die at the height of their popularity so they wouldn't have time to ruin their own reputation and legacy. At the beginning of Euripides's Medea, Jason is at the height of his popularity. This is evident by the king of Corinth wanting him to marry his daughter because he was the legendary Jason from Jason and the Argonauts (the ancient equivalent of being the modern leader of the Avengers since he also assembled legendary heroes in his ship like Hercules and Orpheus).

Jason knew he had the upper hand and if Medea killed him, he would forever be remembered as a hero who was tragically killed by his jealous wife (in the same way Agamemnon was killed by his own wife Clytemnestra) and Medea herself already had a bad reputation for killing her own brother, despite her only doing so to help Jason escape her father.

2) If she killed Jason, her own children would have to kill her:

Her children would be bound by the gods to kill her and if they did kill her, the furies would come to torment them for killing their own mother.

In Aeschylus's Oresteia, written a good 20 plus years before Euripides's Medea, One of the main tragic points in the story was Orestes being duty-bound to avenge his father which meant he had to kill his mother. In ancient society this was a rule. Children, especially sons, needing to avenge their parents, especially their fathers, so Jason knew that if Medea killed him, not only would she ensure his heroic legacy, but the ones in charge of carrying out his revenge were his sons, the keepers of his legacy, who were also the great-grandchildren of Helios (Medea's father was his son).

Medea preferred living with the guilt of killing her own children rather than the thought of forcing her own children to kill her and be forever tormented by the furies if they did, or be punished by the gods for not avenging their father if they did not. She had already killed her own family member for Jason before, so killing again for Jason would be a type of dramatic irony that now also affected him.

3) If she did nothing Jason would still win:

When I say Jason had everything, I mean he had everything. He was going to become the king of Corinth and live his life as a hero.

Medea is the reason behind him getting the golden fleece and she is the power behind all of his success and he was going to take her credit and cast her out of his new kingdom along with their children. He didn't care if his children were going to be bound to a woman who had a cursed reputation and be doomed to living a life of extreme poverty. He only cared about getting rid of his previous family to make room for a royal family, in his opinion, a proper life fit for a hero. He was Hera's favorite and even Medea could see that he had insulted Hera (the goddess of marriage) by not honoring his own marriage vows to her. Jason was being selfish and Medea couldn't let him just get everything he wanted.

Imagine working so hard to help someone you loved and trusted and you sacrifice your own comfortable and cushy life only for them to steal your credit, take all of your stuff and curse you to a life of poverty, and despite how he fucked you and your children over, your children still had to praise their father because they are bound to his legacy! He is the reason why you are irrelevant and no one will ever remember you except as a stepping stone for HIS success!

Jason took Medea's credit, used her as a stepping stone to reach his heroic status and had children with her who were a part of taking care of his legacy and bound to avenge him if she killed him. But if she chose not to do anything to him he would win either way and his legacy was set to be praised forever, this time as a king who could continue to expand his legacy and potentially turn into a god like Hercules. There was nothing she could do about it.

How she won and ruined his legacy and reputation:

1) Using her status as Jason's property:

Like most ancient Greek women, Medea was seen as Jason's property which made her his responsibility.

A lot of people think it was unnecessary for her to have killed the princess of Corinth because it wasn't the princess's fault who her father wanted her to marry but Medea was trying to kill the king of Corinth himself and she knew he was going to hold his dying daughter without realizing he too would get killed through the poisoned garments. Plus Medea knew the princess of Corinth wanted to exile her children with her and doom them to a tragic life which is why she sent her children with gifts from Helios in order to beg the princess to change her mind about exiling them.

What would killing the king and his daughter do to Jason? He would be blamed for not knowing how to "handle" his woman and "control" her, as was expected of men back then. Her outbursts were his responsibility.

Her killing the leader of Corinth and his only successor made Corinth vulnerable for another kingdom to invade. As Jason's property this made Jason the reason behind Corinth's downfall, thus causing Jason to be known as a cursed hero who will ruin your city-state if you try to associate with him or even welcome him into your home.

2) Jason depended on his children to fix his reputation:

Did Medea have to kill her children? Yes, because she knew that if she didn't whether they wanted to or not, they would undo everything she had done to ruin him because when ancient Greek people did well their fathers would also be praised because their father's names were used as a last name for the child for example: Odysseus's full name is actually Odysseus son of Laertes and thus in the ancient world whenever you praised Odysseus you were also praising his father Laertes.

Similarly, Jason's children had a duty to fix their father's reputation which means that if she allowed them to live, they would also do their best to uphold his reputation and undo everything and Jason would still win. Even if they didn't like him or they didn't' want to they had to. Plus already being the great-grandchildren of Helios, the sun itself meant they were already great, which meant their father was already great because they had "son of Jason" attached to their names as a last name.

So imagine your ex has ruined your life because before he came into your life you were the princess of Colchis, the granddaughter of the sun itself, your father was a demigod and your aunt was Circe! The same Circe who turned Odysseus's men into pigs. You had everything and you left your glamorous life because you fell in love with someone who stole your credit, used your ancestral connections to Helios and ultimately betrayed you. And now that you found a way to ruin him in order to avenge yourself, your own children, regardless of their own complicated feelings towards their father would have to undo everything you did and uphold his legacy as a hero so he still won. But killing them would ensure your ex will be seen as a walking bad omen and ruin his reputation forever.

3) Killing her children sealed Jason's fate:

Jason never expected Medea to kill her own children, no one did because no woman had ever done that before but Medea herself was already a walking curse, she knew that if she killed her children the world would pity them and never blame them for what she did but if she allowed them to live they would be at odds with her because of how society favored fathers plus she also risked ruining their reputation and living a miserable life anyway because of her own reputation.

Being exiled meant they would potentially have faced a lot of SA as children who are doomed to wander and potentially live as slaves if they got kidnapped. Medea herself would have to be a sex worker if she wanted to make money to support her children as a single parent while Jason lived a glamorous life as the king of Corinth.

If she killed Jason they would have to kill her no matter how much they loved her or they would be cursed by the gods.

If they live they would automatically fix Jason's reputation if they gained glory and would have to blame their mother in order to explain why their father, the hero, was cursed. No one would care that Jason stole her credit and she was angry about it because they were married and according to their customs, she is his property and her credit is his credit.

But if Medea killed them, they would not be blamed for anything, they wouldn't be used as pawns to fix Jason's reputation and Jason would also be blamed for not knowing how to "handle" his wife and save his children, and Medea would finally get the revenge she has been wanting for every wrong Jason has ever committed. He would finally feel the pain she felt from his betrayal. He would finally feel as helpless as this game of chess made her feel. He would finally suffer in the way he made her suffer.

In the end she cursed him to live a life where his reputation was ruined and when he finally became irrelevant, he died being killed by the rotting wood of the very same ship which once made him great.

Checkmate.

[suzannahnatters]

Subplot Romance

Over the years I've created some twitter threads on writing and history and I've decided it's a good time to start compiling and sharing them on this Tumblr. I'm going to tag them "writing".

-

Here's what I've learned about writing subplot romance. (People who write genre romance probably already know this stuff. It's those of us who are mainly leavening romantic subplots into fantasy novels that need this info).

1. Romance = fundamentally character-driven. All internal conflict & internal growth. (Can these two trust each other? Will their character flaws drive them apart?) The more study you put into creating characters and building character arcs, the better your romantic writing.

A romance arc is not the SAME as a character arc, but it 100% NEEDS solid character work undergirding it.

2. Romance needs two ingredients: a compelling reason for the characters to be TOGETHER, & a compelling reason for them to be APART. This forms the conflict in the romance so do not skimp on either.

Eg, a common mistake in male-penned stories: female lead has no compelling reason to want male lead. "He's a good-looking warrior dedicated to winning her throne!" Yeah nah, she's literally surrounded by good-looking warriors dedicated to winning her throne, why's he different?

3. Romance needs chemistry = a believable spark of attraction. Something that blew my mind when I realised it: romantic chemistry =/= sexual chemistry. Sexual chemistry (purely physical attraction) is simply PART of romantic chemistry.

Romantic chemistry is a good deal broader. (Read/watch some good romances to see how chemistry is built by different storytellers. One fave of mine is the Romola Garai EMMA. Peerless friends-to-lovers chemistry. Watch the actors' body language; the way they gravitate to each other; the way their faces light up)

Chemistry tip A: if the driver behind sexual chemistry is lust, the driver behind romantic chemistry is trust. Protag needs/wants someone to trust. It's the way you play with trust/distrust that will create romantic tension.

eg: love interest holds protag's hand. With sexual chemistry, protag simply feels a jolt at the contact. With romantic chemistry, protag feels comforted and trustful - then betrayed when it turns out LI is tracking her pulse to see if she's lying to him (see: MISS SHARP 😇)

Chemistry tip B: if protag is falling for someone, that person should occupy their mind. LI should be mentioned/thought of each scene, even when absent. When present: LI consistently provokes unaccustomed emotion - either positive or negative, depending.

Chemistry tip C: make the characters their best/most lovable/most iconic selves when with each other. Quirkiness, smarts, hilarity. Make these the most fun character scenes in the book & the audience will ship them. Passionately.

4. Build romantic chemistry/attraction through escalating moments of trust and tension. If aiming for happily-ever-after(HEA)/for-now(HFN), then the overall arc is towards greater trust, but you need those moments of tension to give the big payoff scenes appropriate catharsis.

OTOH, if you're writing a tragic/backstabby romance, you need the trust/comfort moments in order to sell the big tragedy/betrayal.

5. Trust, comfort, & happiness are POWERFUL. This is what genre romance thrives upon. Even in dark/spiky stories, the most surprising thing in the story can be the moment when the LI DOESN'T betray the protag. That too can be wildly cathartic. Use it.

6. Just as character-driven skills help you with romance, so if you master romantic writing, you'll be better able to write ALL types of relationship - platonic, friendly, hostile.

OK that's all so far. Two book recs: ROMANCING THE BEAT by Gwen Hayes & THE HEROINE'S JOURNEY by Gail Carriger teach you the rules/expectations of genre romance so you'll know what the rules are for a happy romance subplot & how to break them for a tragic version.

[theonewiththefanfics]

Dare to Hope, Dare to Dream (Part 2/?)

Synopsys: For three years now, Astarion and his love have been relegated to living in the shadows as he lost his ability to walk in the sun. But one day hope is reignited, and the vampire can't help but reminisce how he got where he is now.

Pairing: Astarion x fem!Reader

Genre: angst, fluff, SMUT

Warnings: violence, abuse, talks of SA, character death, SMUT (if there is anything else that should be tagged, please do let me know)

Word count: 5830

A/N: I have not played Baldur's Gate 3 (I don't own a PS or a PC where to play it. all of this is based on the info gathered online and through Neil's own gameplay etc. Please be kind :) )

Part 1

The composing of the letter was quick work, as excitement thrummed through their veins, but every passing day diminished the accumulating hope.

It was agonising, waiting for Gale to respond. Where usually Astarion’s mind was preoccupied with Y/N, now it was occupied by that damned tome and that damned fucking page he couldn’t read.

There was a huge possibility it could be nothing but a simple song or a poem. It could be a curse for all he knew, but something in his still heart screamed it could be the thing that set him free from living in eternal darkness and making his love live like that too.

He’d give anything, pay any price for Y/N to be able to walk in the sun again, and if his hand was in hers, wrapped around her waist or tucked against his chest as they enjoyed the wonders of the world in colour, not the perpetual greys of night, he would beg on his knees if he had to.

His love didn’t seem to be fairing any better. She was fidgety all the time, where she used to be able to sit and watch Astarion patching up a shirt of hers or adding gorgeous swirls of gold and silver, now she organised and cleaned his whole tailoring room over and over again. Y/N cooked almost obsessively, way too much food for just one of them to eat, and it almost drove him mad how restless she’d become during sleep as well.

Worry ate at him that Y/N hadn’t gotten proper rest in days, all because of that damned book. Would it be worth it? Would her losing sleep be worth it in the end? Nothing that hurt her was, not in Astarion’s mind, but whenever he asked her to leave something be, said that he’d pick it up, she’d simply shrug and say, “No time like the present.”

Taking into account his feedings as well, his heart twisted at the thought that all of this was weighing on her shoulders, but luckily at least some of the burden of wait was lifted when Gale’s answer came.

To their relief, the wizard gave them good news and apologies, as he’d travelled beyond the Sword Coast with his grandfather, but would be taking the first available ship to Baldur’s Gate. It would take at least three weeks of travelling, but he would waste no time beyond that and go straight to their home, and that left the two anxious lovers to occupy their time however they could.

Y/N had already rearranged the whole library twice by then, half in search of figuring out where this mysterious book had come from, half in absolute boredom, while Astarion had taken to sowing and stitching dresses and tunics and shirts and trousers and even a gorgeous set if not a scandalous one of lingerie for Y/N (which he had promptly ripped to shreds that same morning she’d donned it to go to bed).

She’d admonished him through a desperate moan, as his tongue had skimmed against her neck, lace scraps still around her ribs and hips, nothing more left of the intricate design he’d so patiently made. Not that it’d covered much in the first place.

“I’ll make you hundreds more just to rip all of it off again,” Astarion groaned as her hips ground up against him, delicious friction causing him to respond in kind.

“But it was so beautiful!” Y/N whined when Astarion took her wrists in one of his hands and held them in a tight grip above their heads.

“Nothing is as beautiful as you completely bare and uncovered for me. So… delectable…”

Let’s just say neither of them could get out of bed after the sun had set, as their legs wobbled at the lightest touch to the ground, leading them to another day of sleeping in, and a night of passionate debauchery.

However, as much as Astarion wished to stay like that with Y/N, both of them naked and twined in bed, other things had to be done around the house, and at that moment, he’d asked Y/N to model a dress for her.

He didn’t dare say the cut was based on a sketch hidden deep in his drawers, and originally it was made of white lace with an accompanying veil, not the jade colour he’d cut it in now.

“Do you think we’re harbouring false hope?” she asked, colour-coding his threads and placing the box neatly back on the table after Astarion allowed her to redress and was happy with how the skirt flew around her hips.

“In what way, my dear?”

“I just,” Y/N huffed, sitting down on the arm of the chair next to him, watching how his quick fingers stilled their needlework so as to not poke her accidentally. “I don’t want you to be disappointed if this… if this isn’t what we think it is. I know how much you miss the sun.” Y/N gently threaded her fingers through his moon-white locks. “I know how guilty you feel for me having to forego it. You don’t have to say anything,” she interrupted whatever was on Astarion’s tongue. “I can see it on your face.”

He looked down at the green gown’s hem he was embellishing. He’d tried so hard to hide the guilt seeping through his veins. He didn’t want her to know that; he already burdened her life as is.

“I can’t say it wouldn’t hurt if what we hope doesn’t come true.” Astarion put the needle and dress on the table, turning to Y/N and pulling her into his lap. “I wish I could give you the world, but I can barely give you half… if even that much. You deserve so much more than what you’ve deemed enough. I just want to… give you more…”

“My Star, please don’t even think you’re not enough for me.” Y/N brushed a pale curl behind his ear.

He gave her a rueful smile. “A little mind-reader you are, aren’t you?”

She simply shrugged, melting against his chest, his undead heart beating just a tad stronger at how much comfort she got from simply being held by him. “It’s not so hard nowadays when you’ve become an open book to me.”

Astarion had nothing to respond to that because he knew he had, at least with Y/N. He might not voice it out loud, but his heart was open. Yes, fear still lingered in bleeding gashes around the edges, but he knew, she’d always be there to dab at the pained spots and heal them with a kiss.

“I’m not leaving,” she mumbled, pressing a kiss to his temple. “Not now, not ever. Not when the sun sets or rises. An army would have to come in and tie me up before dragging me away from you. And even then, I’d be kicking and screaming, biting my way out to get home.”

Astarion’s breath stuttered, but he didn’t mention what the words of her referring to him as her home did to him. “I just want if only a minute to stand in the sun with you. If that’s all I’m given for the rest of eternity, it’s what I’ll take. Just a moment with you in the sun.”

Y/N took his chin between her thumb and pointer finger, tilting his head up so their eyes could meet – his scarlet ones brimming with unshed tears, her own Y/E/C ones filled with nothing but sure-fire determination. “Whatever is in that book, spell or no, we’ll figure it out. But one day, I know, you will be able to walk in the sun again. I’ll make sure of it. Even if I have to raise all nine hells, I’ll find a way.”

“I know you will.” Astraion sighed, letting the tears roll down his cheeks. “That’s what I’m afraid of.”

Y/N’s laughter was the most gorgeous symphony to his ears. She gave a light kiss to the very tip of his right one, a shiver of pleasure rushing down his spine. “We’ll figure it out, my Star.”

That morning, just a couple of hours after their conversation, as Y/N was closing all the shutters to their home so as to not let in the sun of the new day, Astarion slid his palm into hers, tugging her to their bed while kissing every inch of her skin he could get to.

He needed to be close to her, he needed to sink into her and fuse together, become as close to one body as possible, otherwise, it was like he was going to combust from the love unless he could bathe her in it.

“I need you,” Astarion whispered against her cheek, as Y/N wrapped her arms around his neck.

“You have me,” she responded in kind. “All of me is yours if you want it.”

A shudder went through his body as he swiftly, but tenderly rid both of them of their clothes, gentle hands running over Y/N’s hips and sides, as she lightly squirmed away from him when he playfully dug his fingers against her ribs, before trailing their way to her stomach, where a jagged scar stood slightly raised against the rest of her body.

“And I’m yours. Body and soul,” Astarion said, still looking at that scar while he slowly slipped his frame to rest atop, his cock sliding through her already slick folds, lightly nudging his tip against her clit in a teasing manner.

“Mine,” Y/N sighed out dreamily, as he filled her, her legs locking around his hips, ankles crossed over the small of his back to pull him deeper until their hips rested flush against one another.

A slight whimper escaped him as he affirmed. “Yours… just yours, my love.”

He’d never thought that such a word as “mine” would bring him such feelings of love and adoration.

Astarion had always wanted to belong. He’d always wanted a family, friends or a true lover to build his life with, but for a horribly long time, all because of Cazador, that wish was locked away in a tomb just like him. And after a while of pain and misery, he just gave up on the idea as a whole. Belonging to someone became a despised thing, a notion he had no free will. He was a pet, a thing to be had and done with as his master pleased.

But then that Nautiloid ship happened, and he gained allies. Who morphed into friends, and then Y/N, the oddest one of their group, became so much more than that.

That night when he’d offered himself to her, he’d been ready to use his body as coin, as he’d been taught, if it granted him food, shelter and protection. Astarion was used to whoring himself out, but that wouldn’t be the worst he’d done. At least Y/N was nice to look at. She included him in conversations during the day and asked for his opinion. It would most certainly be lovelier than the other times.

Yet she’d surprised him and said no. She still offered him all the things he asked for, even her neck if he needed to feed, but Y/N was adamant she would not take sex as payment for such things.

Astarion took a surprised step back. “Am I – do I not appeal to you?”

Why did it sting? Why did the thought of the answer being “yes” hurt so much?

“No,” she shook her head. “It’s just that you don’t have to ask for those things and sleep with me as payment.”

“Oh.” That stumped him truly. His mind reeled at her words. “Then what is it that you want?” A cheeky comment was right there for him to spit out, but he refrained.

Y/N shrugged. “I don’t know. Maybe patch a hole in a shirt, if it gets too ruined? Help me carry part of my loot if it gets too heavy? We’re friends, or at least good travel companions, I’d like to think.”

That moment had changed everything for Astarion. It had changed how he looked at himself and what he could ask of the world. She’d helped him learn he could say no.

When Y/N had been close to decapitating that vile Drow Araj after she looked at him like he was a puppet for Y/N to use, Astarion had confessed that night – his whole plan of seducing her, securing his safety and getting in her good graces so he always had someone to have his back if suddenly the rest of their party decided to turn against him.

The kiss they’d shared, initiated by Astarion himself, felt like the first kiss of his life. He was jittering like a youth as Y/N’s lips pressed to his. And for the first time in ages, he thought maybe he had someone, to be with not belong to.

When she cried out in ecstasy as Astarion started to move, slowly dragging his hips back and forth, allowing her to feel every ridge and dip and immersing himself in the warm, wet feeling surrounding him, his thoughts couldn’t help but wander to that moment in the Szarr Palace when Y/N had cried in pain instead as Cazador’s knife dug deep into her gut.

She’d gone in for an attack in an attempt at freeing Astarion from the grasp of the Ascension ritual, and she had almost gotten Cazador, had the vampire not moved in the last second, twisting away from her sword and delivering the critical hit himself.

Someone screamed so loud, the sound verged on popping Astarion’s eardrums. It was only when his throat went raw he realised it was him screaming.

Cazador didn’t even bother to pull the knife out, letting Y/N drop to the ground in a heap, her blood trickling out of her wound and pooling around her body, staining the tiles a deep red.

Astarion wanted to retch at the sight.

“Pathetic,” Cazador spat. “Both of you.”

Nothing but white-hot rage coursed through Astarion’s veins as he watched his master walk around Y/N’s crumpled form, nudging her with his foot as if she were nothing more than a worm.

“I cannot deny,” Cazador mussed. “For a brief second, I did consider turning her into a new addition to our family. It would have been fitting – my prodigal son, returning and bringing the last piece I need. A fitting punishment, for your disobedience, Astarion, wouldn’t you agree? You’ve broken pretty much all of my rules, and someone has to pay.”

Cazador turned his back on Y/N, obscuring Astarion's view of her. “And how poetic would have it been, had it been you draining her, taking every last drop of her blood, only for me to sire. I think I would have enjoyed your screaming immensely, but no matter. It would only be a waste of time.” The vampire master smirked at a struggling Astarion. “Tell me – was her blood sweet? It smells absolutely delectable. Maybe I should have a little taste.”

“Fuck you!” Astarion roared. “Damn you to all nine hells!”

Cazador only chuckled. “Maybe a couple of decades in that tomb of yours will do you good. Remind you of manners. Or maybe I will let Godey -,” but he didn’t manage to finish whatever horrors he was already painting in his mind as he choked on the words.

The vampire’s dark brows furrowed as he slowly glanced down and saw a blade protruding from his stomach, the hilt buried deep against his spine.

Surprise, anger and confusion all flashed across the immortal’s face as Y/N yanked the dagger out. Cazador slowly turned and found Y/N standing before him, a hand clutching against her stomach.

“That,” she gasped. “Is for what you did to me and this,” she thrust her hand again, this time letting the blade go clean through Cazador’s neck, “is for what you did to Astarion.”

She left the blade there, taking a few steps back on swaying feet, but it was enough of a distraction to break Cazador’s concentration and Astarion dropped free.

He was on his feet in an instant, pulling the knife Y/N had plunged back out and then smashing it deep into Cazador’s gut over and over and over again until there was nothing left of him but a mangled, almost cut-in-two, corpse.

Astarion dropped to his knees, chest heaving with exertion, his whole body covered in blood, all of it Cazador’s. Who was dead.

Cazador was dead.

His master, his torturer, the one who robbed him of his life and choices was finally gone.

Relief rolled through him like a tidal wave, his body slowly but surely wracked by sobs as catharsis set in. Two hundred years of pain and misery, two hundred years of not owning his body or mind, and now he was suddenly free.

He didn’t know how to process such a realisation. It seemed almost easier to live his life in fear, to constantly look over his shoulder and go to bed with the thought his miracle of a chance at life could be taken away at any moment. In that way, he didn’t have to create friendships or relationships, he didn’t need to get close to anyone and risk losing them. He could just always keep peeking through the tiny slit from the boarded-up window, instead of poking his head through the crack in the door.

So what was he to do now, when that door had been blasted wide open?

“Y/N,” Astarion whispered her name, his head snapping up and scanning the hall, quickly landing on her body.

She’d collapsed about fifteen feet away from Cazador, but it took him less than five seconds to be by her side. With trembling hands, he took her by the shoulder and turned her on her back, so he could see her face.

A sob raked through him. “Please,” Astarion begged, pulling her head to rest on his thighs. “Please don’t leave me.”

“Star,” his name was a moan of pain from Y/N’s lips. And he hated it.

It was supposed to be a sigh of pleasure as his tongue lapped against her sweetest spot, a groan of delight when he sank into her, his hands holding hers, lips pressed together in a reassuring kiss. It was supposed to be a laugh between hiccups as he joked and snarked. It was supposed to be anything but this.

Her body was covered in so much blood, and had it been Cazador’s he would have been fine, but he knew it wasn’t. It was her own, that sweet and tantalizing scent of it running up his nose. Usually, the tiniest drop of it, could turn him feral, but all it did now was make bile rise in his throat as more and more of it coated his hands and the floor around them.

“I’ll complete the ritual,” he choked, brushing a strand of matted-down hair away from Y/N’s face. “And then I’ll save you.”

“Don’t,” she gasped, begging him. “Please don’t.”

“I can’t let you die,” he could barely manage the words, but she still heard them and shook her head.

“And I will not let you kill innocents just to save my life.” Y/N clutched at his arm as tightly as she could with all her remaining strength that was weaning with every passing second. “If you do this, I will never forgive you. You’ll become just like Cazador. And I know you are so – so much more than that. Than him. Don’t let Cazador win. You – you fought so hard,” she sobbed out, half at the implication of what he’d overcome, half at Astarion pressing down on her wound as he attempted to staunch the bleeding, but to no avail. “Don’t throw all of it away. Not for this.”

Astarion swivelled his head around desperately as if a response on what to do could be found in the room, yet nothing but Cazador’s mangled body and the pool of blood it’d created answered.

“Please,” he whispered, leaning down and pressing his forehead to Y/N’s and once again repeated. “Please don’t leave me.”

“I won’t,” her response was barely a puff of air. “I will always be right here with you, Star. To the very end.”

Y/N placed her palm right where his undead heart broke into pieces, and when she closed her eyes, the only sound left was the echoes of his screams.

He might’ve been screaming for ages, Astarion didn’t know nor did he care. All he knew was that his love, his sun, his reason for living was gone.

The sound of the door being broken down invaded his mind, as many pairs of footsteps entered, but Astarion paid no mind to his friends. They could all go to the nine hells with Cazador for his sake, as long as he got to stay with Y/N.

He heard Karlach, the gentle giant of their group gasp out Y/N's name, and even Lae’Zel’s hiss of surprise was unmistakable, the scene before them rendering the rest speechless.

“She almost looks like she’s sleeping,” Astarion muttered, tracing his knuckles against Y/N’s cold skin. So close to his own temperature he didn’t feel the difference. A tear splashed against her cheek, rolling down her temple and disappearing into her hairline.

“Astarion, Shadowheart can help,” Wyll said, stepping closer, but the pale elf just shook his head.

“No,” he muttered, tracing her unmoving features with his thumb. “No one will hurt her. Not anymore.”

“Astarion, she won’t hurt Y/N,” Gale piped up. “We can bring her back.”

But he wasn’t listening anymore. He didn’t care what they were saying. No one else would ever touch her. No one would ever dare hurt her again. He’d set the world on fire if they so much as touched a hair on her head.

His friends however had different ideas. With apologies on their lips, they grabbed him, ripping him away from Y/N, her body unceremoniously dropping to the ground from where her head had been resting against his thighs.

“I’ll kill all of you!” Astarion screamed, trying to bite and scratch as he was pulled further and further away from Y/N. “Some friends you are!”

It took Karalch physically ripping him away from Y/N’s dead body, Lae’Zel and Wyll helping her pin him to the ground as Shadowheart and Gale crouched beside his love, while Astarion trashed against their hold.

“He took her,” Astarion wailed and roared, his pain echoing in the chamber around them. “He took her!"

There was no need for elaboration. Not even Lae’Zel, always so quick to show her disdain against emotion, spoke. Instead, she moved a bit to the side, so Astarion could at least be granted the gift of seeing Y/N’s face as Shadowheart and Gale hovered over her dead body.

“He killed her, and I could do nothing about it,” Astarion whimpered, eyes focused on the serene look his lover had in death. He only hoped she felt at peace wherever she was.

A pale blue light glowed from Shadowheart’s hands, Gale’s power feeding hers.

“It won’t work.” He let the tears fall freely from his eyes. “She’s gone.”

It was a resigned statement from someone who was completely exhausted. He’d prepared for never leaving the Szarr palace, for dying, if he had to, but he’d never prepared himself for losing Y/N. She had become such a staple, such a sure thing in his life, he no longer could imagine how a single day without her smile could go. But now she was gone and –

His brows furrowed. It had to be a trick of his mind, a hallucination his grief-stricken heart was conjuring up, but there it was – the sweetest sound in the world he never thought to hear again – Y/N’s heartbeat.

A ragged intake of breath shattered through the hall, and he watched as her lashes fluttered. Her lungs stuttered as if they needed a minute to reconnect with her brain before they levelled out and remembered how to breathe.

Karalch, Wyll and Lae’Zel released their hold, and Astarion slowly sat up on his forearms. When Y/N took in her first full steady breath, Shadowheart slumped over, Gale already having expected it, dropping into a crouch and allowing her to lean on his side.

He couldn’t believe it. Y/N had died in his arms, he’d watched her life’s blood seep across his hands, and yet there she was – on the ground, her heart beating and lungs dragging in short breaths, barely but still.

“She needs rest,” Shadowheart said, running a soothing hand down her friend’s cheek. “As do I.”

“Let’s get back to the inn.” Wyll approached and helped the exhausted cleric, as he wrapped her arms around his neck and lifted her up, without much of a fuss. Lae’Zel and Gale hovered over Y/N until Astarion was capable of getting to his feet, knees trembling like a fawn's. Whether they were there for him or her, Astarion didn’t know but appreciated nonetheless.

“Would you like me to carry her?” Gale offered, a gentle look on his face, nothing but concern evident, but Astarion shook his head.

“I’ll do it.” His voice was raw from the screaming and crying, but he didn’t care to clear it as he gently lifted her up.

Y/N’s head lolled to rest against his chest as if on instinct and he had to push down a sob as he felt her warm, alive body curl into his own, like so many times before now.

Karlach laid a leather jacket across Astarion’s naked shoulders, but all he could concentrate on were the shallow breaths entering Y/N’s lungs, her slow but steadily beating heart and the way her fingers curled against where his still one rested.

The whole trek back to the lodgings they’d procured previously, Astarion was numb, completely and utterly numb save for the incessant need to check if Y/N was breathing. He was struggling to figure out his emotions.

As he laid her down in the bed, Karlach lighted a fire and Gale promised to bring a cloth and some warm water for Astarion to clean Y/N up, he couldn’t help but grieve Cazador.

He didn’t stray from his love’s bedside not even for a second, keeping vigil day and night, but most importantly watching her chest rise and fall with deep, even breaths, yet some part of him mourned his master as well.

Three days after the events of the Szarr Palace, Astarion had reluctantly agreed to have a quick wash while Karlach watched over Y/N. He regretted that decision more than anything because sometime during the ten minutes he allowed himself to get rid of the crusted blood, she had awoken.

When he re-entered the bedroom, Astarion almost fainted at the sight of her beautiful Y/E/C eyes boring into his scarlet ones.

“Hello, Star,” she croaked through a smile, and he almost crumbled then and there by the doorway, had it not been for the tight grip on the knob.

Karlach made a quick exit, but not before placing a warm palm against his shoulder, giving him a slight nudge in Y/N’s direction, though he didn’t need one. It was like she had a magical pull, making him stumble across the room before his knees gave out with a hard thud and his hand desperately sought out Y/N’s. When their fingers entwined in a tight hold, he swore to himself to never let go of her again.  

“I thought I lost you,” his voice broke. “I – I thought I’d never see you again.”

“I’m sorry,” her own tone was quiet, barely a whisper. “But I couldn’t just let him hurt you more.”

“I know. I know you… I just…” He huffed, brows furrowing as he searched for the correct words. “I thought when I got my freedom back, you would be there by my side, but instead you were the cost of it.” Astarion choked on the word “cost”. “But at the same time, I couldn’t help but mourn the loss of him.” He didn’t say his name, he’d decided Cazador wasn’t worth having the honour of a name spoken aloud.

“And it felt disgusting. He hurt you. He took you from me, and yet… I didn’t even have him left after your… your… heart stopped,” Astarion took a shaky intake of breath. “I was completely and utterly alone. When Shadowheart appeared, I was almost tempted to ask her to revive him just so I could kill him again for what he did to you… and maybe, just so I wasn’t alone.”

Astarion lifted his gaze, resting his cheek against the palm Y/N had untwined from his, so her soft thumb could brush away the rivers of tears spilling down his face. “Please don’t leave me again. I’m – I’m not strong enough to go through it once more.”

“You are, my Star,” Y/N kissed his forehead. “You are so strong.”

“Let me rephrase that then – I don’t want to go through anything in life. Not without you by my side.”

“I promise,” she muttered and leaned forward pulling Astarion to lay next to her, sealing the vow with a kiss.

And though he still struggled with nightmares of that fight, though he still woke up breathless at times, arms desperately searching for the warm body that always occupied the other side of the bed, the deepest reassurance he could ever have that everything was alright, that Y/N was safe and sound, were moments like these when her body melted against his, where she was panting and gasping and so full of life, especially as Astarion hit that one spot that made Y/N throw her head back in a moan of pleasure.

Her nails dug into his shoulders with such a delicious taste of pain, never drawing blood though, but always leaving crescent imprints he wanted to keep on his body forever. Like Y/N’s touch could erase everything Cazador had left on him.

Y/N’s back arched, and Astarion used the moment to slip his hands underneath and pull her upwards from the bed so that she was resting in his lap, legs wrapped around his waist, chest to chest, and him buried so deep, it made both their eyes roll to the backs of their heads in pleasure.

She’d taught him sex could be wonderful. It could be meaningful and lovely, instead of a means to an end or a bargaining chip to be used. It had taken a while for Astarion to grow comfortable with even the thought of her touching him, but nowadays, he became quite the grump if he ever awoke not in Y/N’s arms, even if it was for such a simple reason as nature calling her.

Her touch was the balm on sunburnt skin, her kiss was a reassurance that it needn’t go further than that and he could always say no and would be listened to. But in moments like these, all Astation wanted was more. He wanted to feel her squeeze around him, to hear her breath choke at the back of her throat, he craved to feel her pulse race as she climbed higher and higher, closer and closer to her orgasm with every thrust of his hips.

Sex had been something repulsive and vile to him. Now it was the most beautiful thing he felt blessed to participate in, all because of the woman moaning his name above him.

“I’m so close,” she whispered in his ear as Astarion kissed her neck, heart thundering in her chest.

“Let go,” he muttered, a shiver rolling down Y/N’s spine at the pleading tone of his words, making her grip his back tighter, and dig in her nails more. “Let go, I got you.”

She whimpered at his coaxing words and tightened so much around his cock, it became almost impossible for Astarion to keep pumping in and out, so he slid a hand down across her chest to her clit, just to push her over that edge she was teetering on.

Two deft fingers circled around the swollen bud, once, twice and that was it for Y/N to break. With a sigh of his name, she came, hard, taking him along as well, the orgasm surprising Astarion with its intensity and how quickly it’d crept upon him.

Bliss exploded through his veins, and his nails dug into the small of Y/N’s back, always careful to not hurt her, but deep enough to leave moon-shaped marks on her body, the same ones she no doubt had left along his back and shoulders as they both succumbed to euphoria.

A moan got stuck in his throat before slipping past his lips as Y/N ground down one final time, before stilling her hips and relishing how he filled her until the mix of their pleasure ran down their thighs and stained the sheets below. Never mind that though. It was a problem for future Astarion and Y/N.

They both were trembling as, slowly, the orgasmic wave subsided, and as they came down from their highs, Astarion couldn’t help but place a cheeky kiss on Y/N’s neck, letting his fangs skim along her skin and feel her pulse spike at that.

Y/N let out a breathless laugh, her hands slowly skimming up and down his spine, body still rocked by pleasure. “If you want a snack, you know all you have to do is ask.”

“I’m fine,” Astarion mumbled, burying his nose in the crook of her neck. “I just… I just love you. That’s all.”

At least that’s what he said, but underneath laid a thousand other words – I need to feel your heart beating. I have to feel your skin against mine. I need to hear you breathing and know that you’re alive and here with me. That he wasn’t imagining it as some sort of a hallucination and wouldn’t wake up back under Cazador’s control with her body lying dead on the ground by his feet.

Y/N hummed in content, pressing a kiss to Astarion’s chest. “I love you too. So much.”

A smile bloomed on his lips as he pulled away just a bit so he could cup Y/N’s face between his hands. “I don’t know what I may have done in my previous life, and I certainly don’t know what I did in this one to ever deserve someone like you, but whatever it was… I’m glad I did.”

The way her eyes shone would have brought Astarion to his knees, had he already not been kneeling on the bed. Y/N was just about to pull him in for a deep kiss when their moment was disturbed by the bell of their house ringing.

They knew it was daytime. And only one person would ring it then.

Astarion looked at Y/N.

She lifted a brow. “Ready to figure out what’s in that book?”

He pressed his forehead to hers. “With you, I’m ready for anything.”

Tags:

Everything tags: @palaiasaurus64 @supernaturalbaesduh @thatawkwardlittlefangirl @sea040561 @staryeyedgirl @deathbyarabbit @m-a-t-91 @maladaptive-ninja-returns @averyrogers83 @gallifreyansass @dewy-biitch @avxgers @unlikelygalaxygiver @magicwithaknife @ollyoxenfrees @bnhvrdy @tvwhoresblog @thatkindofgurl @sj-thefan @lestersglitterglue @im-squished @strangersstranger

Astarion tags: @spacebarbarianweird

A/N: I am in love with pixels on a screen...

[rockalillygirl]

Murderbot Holding Hands

(Minor spoilers alert for Artificial Condition, Rogue Protocol, Exit Strategy pls check the tags)

First real post because I’m shy. Don’t know why it’s going to be a hyper-specific murderbot meta but here we go:

I’ve been rereading all the books after finishing System Collapse <3 and I want to talk about a small moment in Artificial Condition that I’d never noticed before. It’s near the end of the book when Tapan is in ART’s medsystem after nearly dying, and SecUnit says that when Tapan wakes up it’s holding her hand.

When Tapan woke, I was sitting on the MedSystem’s platform holding her hand. (Artificial Condition, p. 155 in my ebook)

I thought it was a really sweet moment, but it also kind of puzzled me because of SecUnit’s aversion to touch. Later when I was reading Exit Strategy, I noticed a similar moment when SecUnit holds hands with Mensah to help disguise them as they’re trying to escape TranRollinHyfa.

[Mensah] took a deep breath and looked up at me. “We can look calm. We’re good at that.” Yeah, we were. I did a quick review to make sure I was running all my not-a-SecUnit code, then I thought of one more thing I could do. As we stepped out of the pod, I took Mensah’s hand. (Exit Strategy, p. 87)

Reading these scenes felt different in a couple ways. In my opinion, SecUnit taking Mensah’s hand in Exit Strategy seemed like more of a big deal because it was a part of SecUnit’s reunion with Mensah, and we see its thoughts and emotions leading up to it. And it tracks that SecUnit might feel ok holding Mensah’s hand in that situation because of their close friendship. But the moment in Artificial Condition is more mysterious. We don’t get any of SecUnit’s internal monologue at the beginning because the scene opens when Tapan wakes up. And even though it’s clear in the book that SecUnit likes Tapan along with Rami and Maro, I wouldn’t say their relationship is anywhere near as close as its bond with Mensah. So why did it hold her hand?

I think it’s a neat moment that’s fun to ponder! And I have some vague ideas I’d like to share about it. (Some of this is based on the books and some is my speculation as an ace/aspec person dealing with touch aversion.) (Also none of these thoughts are mutually exclusive!)

Maybe SecUnit saw holding Tapan’s hand as a form of first aid after her traumatic experience and didn’t want her to panic waking up in a strange ship’s medsystem. This fits with SecUnit bracing itself to hug Mensah in Exit Strategy. (The memes of this moment are perfect lol)

But I was the only one here, so I braced myself and made the ultimate sacrifice. “Uh, you can hug me if you need to.” She started to laugh, then her face did something complicated and she hugged me. I upped the temperature in my chest and told myself it was like first aid. (Exit Strategy, pp. 82-3)

But I feel like SecUnit might not care as much about comforting Tapan in a similar way if it hadn’t already built up some kind of trust with her? Which brings me to Thought 2:

I think SecUnit might have felt safe holding Tapan’s hand because of the moment in Artificial Condition in the second transient hostel when Tapan laid down next to it. (Ofc I think rescuing Tapan from Tlacey’s ship was also a factor, trauma-bonding and all. But to me this moment in the hostel is more important.)

Thirty-two minutes later, I heard movement. I thought Tapan was getting up to go to the restroom facility, but then she settled on the pad behind me, not quite touching my back… I had never had a human touch me, or almost touch me, like this before and it was deeply, deeply weird. (Artificial Condition, pp. 136-7)

This is one of my favorite sequences in Artificial Condition (which is also my favorite book in the series because of ART! And because I find it quiet, reflective, and weirdly cozy even though objectively few cozy things happen now that I think about it). The scene is pretty mundane with a lot of fun bits like SecUnit pretending to need to use the restroom, be on a diet, etc. And we usually don’t get to see SecUnit hanging out with only one person. So it gives room for some small, but important feelings that I don’t think SecUnit has time to explore when it’s busy saving the day. Like how it feels about physical contact with humans.

(idk it reminds me of how like in ghibli films there’s usually at least one scene with the characters eating a meal or something because it sort of grounds everything else. I just like it!)

Tapan being close to SecUnit seems to throw if off-guard, but the context of the scene feels non-threatening and pretty mellow. So I think this gives SecUnit the opportunity to check-in with itself about this new experience. It still feels weird about it, but not in a scary or upsetting way. I think it’s almost this mutual vulnerability (Tapan feeling vulnerable and seeking comfort and SecUnit feeling vulnerable about her closeness and its own boundaries) that creates a bond between them, and that’s why SecUnit reaches out to Tapan to comfort her when she wakes up onboard ART.

That scene has become really special to me. And I would argue that it’s an important moment to SecUnit too because it brings it up again in Exit Strategy, along with a later moment in Rogue Protocol, thinking about times when it’s experienced physical contact with humans in a non-traumatizing way.

Except it wasn’t entirely awful. It was like when Tapan had slept next to me at the hostel, or when Abene had leaned on me after I saved her; strange, but not as horrific as I would have thought. (Exit Strategy, p. 83)

These moments seem to lead up to SecUnit offering to comfort Mensah later on because it’s reached a point where it feels willing to do so for her sake, even if it doesn’t want to seek out that kind of comfort for itself. And it’s really cool to see SecUnit navigate this throughout the books.

SecUnit starts the series with a strong innate sense that it doesn’t want to be touched by humans, but it’s allowed to refine those feelings in light of its new experiences. It’s boundaries are situational and personal, and even well-meaning humans sometimes struggle to understand them at first. Other times, SecUnit finds it difficult to understand it’s own feelings regarding touch and even changes its mind. But, importantly, the narrative always presents this as valid and worthy of respect.

This is a much more nuanced and realistic portrayal of defining boundaries than I’ve seen in a lot of media- one where it’s a constant and sometimes confusing process of self-discovery.

And these might seem like obvious concepts to some people, but they weren’t for me growing up. I really wish I’d read these books when I was younger, and maybe I would’ve given myself more grace to define my comfort level, grow, and change. But I’m glad that I’m in a place now where I can see and appreciate these things in what’s become one of my favorite series.

Anyway, I don’t want to say "thanks for coming to my TedTalk” lol. But very grateful to anyone who reads this and hope it was thought-provoking. Would be interested to hear other people’s thoughts on these scenes!

[poppitron360]

Ok so in another post I talked about all the reasons why Valzhang is better than Caleo, and I wanted to do one on Valgrace as well (lmk if this should become a series).

Bear in mind I am only on HoH- I haven’t read all of the Caleo bits yet, but I know she ain’t gonna treat him right.

I was originally SUPER sceptical about Valgrace (“I ship them platonically” “Jason is the Token Straight Friend”) and while I don’t think it was ever cannon I 100% THINK IT SHOULD HAVE BEEN.

Seriously, my eyes have been opened to Valgrace, to the point where the fanfic I’m writing about them currently clocks in at around 5,934 words.

I am OBSESSED. It is a PROBLEM.

And some of the fanarts/fanfics of them are SO CUTE I COULD DIE- it was hard NOT to ship them after reading some of y’all’s stuff. Keep up the good work.

Anyway buckle up ‘cause I’m ‘bouta write a whole dam essay on this.

1. The whole appeal of Jason Grace’s character is that he sees through your insecurities and lifts you up because he is too pure for this world. So narratively speaking, why is he with the most stable character? Yeah, Piper’s got issues, but compared to the others? She’s doing pretty well for herself. I mean, her parents are ALIVE!! Wouldn’t it just make more sense, narratively speaking, to put Jason with the MOST insecure character??? He can support Leo, help him in his arc, and it would give Jason a time to shine by highlighting his best qualities.

2. Throughout most of the books, Jason is the ONLY ONE who actually consistently sees through Leo’s mask. Everyone else’s POV of Leo is “Haha Leo said something funny and goofy and we’re all trying to be serious here, Leo. Gods, he’s soooo annoying!”, whereas Jason’s POV is like “Jason could see that Leo was desperately trying to keep it together for the good of the group, and he thought that was noble and brave and good and kind and awesome.” Like I said above, he’s able to lift Leo up because he sees him, and knows him. Something Calypso never did. There are several interactions, during TLH particularly, where Jason is just like “Hey, Leo? You are great. You are awesome. You have saved our lives multiple times. Whatever just went wrong, it wasn’t your fault. Stop beating yourself up about everything. You are a valued and respected member of this team. I love and appreciate you.” And Leo still puts up those walls with the jokes and the sarcastic remarks, and Jason is nothing but patient with him. Calypso was never like that.

3. I can’t find the line in the book, but there’s a bit in HoH where Jason’s worrying about the “To Storm or Fire, the World must fall” line in the prophecy, and he says words to the effect of “I like living, but I’d rather I die than Leo, anyway horses-” and seriously?? Rick missed a trick by not making them a couple. There is WAY more potential for angst if there’s that romantic feeling involved, knowing one of them is going to die, and both being willing to sacrifice themselves for one another like this is “Merchant of Venice” or something (I will explain the obscure Shakespeare reference in the comments). Calypso would never give up her LIFE for Leo, and Leo would only give up his because she’s hot.

4. Okay, most of this is copy-pasted from my post about Valzhang, but it still applies, and it applies to them maybe more so. They get so much more time together to establish a meaningful relationship. Their arc carries over all five books, and we get to form connections as a reader to them both, so the payoff is a lot more satisfying. Unlike Calypso, Jason is his own character separately, and not just an add-on to Leo’s arc. Their friendship is a key focus in their chapters, and a key point in their character development, as Jason is the first person Leo ever opens up to about his mom. When Calypso showed up, Leo had already gone through that journey of letting down those walls, so it was a lot less meaningful. They had little to no time to develop a relationship, and we never get a chance to care about Calypso as a person. She’s just kind of a plot point for Leo/Percy’s own development, and never her own character.

5. What separates Leo and Calypso from the other relationships in the series is that they were not written for each other. Frank and Hazel? Written for each other. Jason and Piper? Written for each other. Percy and Annabeth? FUCKING WRITTEN TO BE TOGETHER FOREVER. Cal was brought in during BoTL to cockblock Percabeth, and then Rick realised Leo “needed” a girlfriend, so picked her. But you know what two characters were written to be best friends right from the get-go? Like literally it’s established in the first couple pages of the first book? Jason and Leo. Much like how Valzhang were always meant to be rivals, Jason and Leo were always meant to be best friends.

6. Like I said in the last post, Leo doesn’t NEED a girlfriend. He can heal his trauma with friends and found family, learning to love and accept himself, learning that he doesn’t actually need the attention of a hot girl to be valid. Jason is the best person to help him on that journey, seeing as how his character thrives in uplifting others. The only person who ever loved Leo unconditionally died when he was eight. His blood relatives abandoned him, and he clearly wasn’t treated very well in the foster homes. He constantly feels like he has to work to prove he’s earned his place among the Seven because for him, family has never been a guarantee. Jason cares for Leo even when he’s fucked up, even when he’s a crying mess on the floor, even when he feels most like he doesn’t deserve to be cared for. Leo thinks he needs the attention of a hot girl to give him validation. What he really needs is to find a place among his brethren- and Jason offers him that place.

So, kids, that was it for today’s edition of “Why Literally Any Ship Is Better Than Caleo”. Tune in next time for our fav ✨trauma twinsies✨ Valdangelo!

[x-liv25-jamieswife]

my ranking of the tig/tgg ships. this is my opinion (i think that gigi will end up with slate but since we literally dont know anything about them, i’m not including them obviously). this will probably change as the rest of the tgg series is released (although the first spot wont ever change). i love every single ship on this list. just cause one is at the bottom of my ranking doesnt mean i dont like it.

1. avery and jameson: i think this is quite obvious if you know me. they're my favorite ship in the entire world. their dynamic, banter, development, tension, chemistry etc is just out of this world. none of the ships in the tig universe will ever compare to these two. no words will ever be able to properly describe how much i love them.

2. hannah and toby: i think about what these two could've been a trillion times a day. we don't even know that much about them yet they still manage to be on of my favorite ships of all time. i'm so excited for their novella (even though i know its going to destroy me). they're the epitome of right person wrong time (aka one of my least and most favorite tropes). toby's letters to hannah have made me cry more times than i'd like to admit and everything about them is just pure perfection.

3. libby and nash: again, we don't know much about them but they're literally so adorable and complement each other so well. i wasn't very sure about them at first because i felt like libby was just another one of nash's projects and not an actual love interest, but i now absolutely love them. i love how libby went from sort of not liking him to falling in love with him (she never said she didn't like him but whenever he was around in tig, she would tell him to shut up and stuff) while nash just immediately fell for her. i'm so excited to read more about them in games untold. im sure the fluff is gonna be tooth-rotting (im hoping they're story is gonna help me recover after reading tobannah's novella)

4. savannah and rohan: i honestly really love their dynamic and banter. the tension between the two of them was unmatched and i'm really excited to see where this is gonna go. rohan is so down bad for her its crazy (this dude would not stop thinking about her). rivals who cant keep their hands to themselves, vow to destroy each other, and then become lovers? fuck yeah.

5. max and xander: the only reason they're not higher is because we don't know a lot about them. that doesn't mean i do not absolutely adore them though. i think max and xander are perfect for one another. i feel like they're each other's confidants and only allow themselves to be vulnerable around the other. they're also super unproblematic which i love (no angst (that we know of), just fluff). i think they make each other happy and that's the most important thing.

6. lyra and grayson: i feel like this is the most controversial part of this post. most people really love them but, personally, they're not my thing. i do like them and find them cute, but i just feel like jlb has written better romance. this is obviously subject to change because the rest of the series isn't out yet. they complement each other really well and all, but i just think that they're sort of plain (i don't mind plain when the couple isn't the main focus (like maxander and libbynash), but lyrason is one of the main ships so i just expected more). i also think they're rushed. i know that there will be complications in the next two books and that they're not officially together, but i feel like they shouldn't have kissed at the end of book 1 and stuff (i wanted to add that there's a difference between rohannah's kiss and lyrason's kiss. lyrason already have feelings for one another (their kiss was romantic and fluffy). rohannah on the other hand kissed each other simply because they're physically attracted to one another, they don't have feelings for each other yet. ig you could say lyrason's kiss felt more like an ending (if that makes sense??? idk how to describe it). i want to reiterate that this is my opinion and i do like them, i just think there's better.

6. rebecca and thea: i really like their story, their angst, and the two of them together, but my hatred for thea keeps me from loving them. thea is one of the worst characters in tig (excluding the villains) and i feel like rebecca deserves better. although, like i said, i do like the two of them together, i don't think they're endgame. i think thea is a little unhealthy for rebecca (i mean, thea knew that rebecca struggled with her self worth and shit and still chose emily over her relationship with rebecca the night emily died). idk i feel like thea's priorities aren't straight, and she needs to get therapy and realize that some of her behavior isn't right before committing to a relationship with rebecca (i also think rebecca isn't in the right state of mind to be in a relationship. she needs to find a way to overcome her self-esteem issues before entering a serious relationship with thea. i feel like if she doesn't, their relationship would just become toxic and unhealthy because rebecca wouldn't stand up for herself when needed). i have a lot more to say, but i'm probably just gonna make another post about it.

honorable mention: emily x trash. i think they have a lot of chemistry and they should probably be first but im not ranking them cause emilys dead and the trash deserves better.

its like midnight for me as im writing this so i apologize if some of this doesn't make sense. again, this is my opinion, and you are obviously entitled to your own.

[lovemyromance]

Can people stop saying Elriels are changing Elain & Azriel's personalities to make their ship work?

First of all, SJM wrote a bonus chapter and 3 books of buildup in the background for Elriel already. We didn't just make up the fact that they're very into each other - SJM literally wrote that in the books.

We don't have to change anything about them. They are already attracted to each other and interested in each other in the text at this point.

Could we sit here and argue that Azriel sitting in the garden with Elain, Azriel sensing she's missing and in danger when the Cauldron kidnaps her, Elain looking to Azriel for comfort, Elain getting him solstice gifts, Azriel wanting to beg on his knees for a taste of her, Azriel giving her truth teller, Elain kicking the hounds off him, Azriel making everyone wait for her to eat dinner - We can sit here and argue and say those things are "strictly platonic" or "he's an incel who only lusts after her" (not sure how both can be true but okay). We can do that - but it won't change the fact that it is ON THE PAGE. THEIR MUTUAL ATTRACTION is IN THE TEXT.

Cool? Cool.

Next Point: Nobody is changing shit about Elain or Azriel.

It's like the antis saw one post about "oh Elain could be a cool warrior" all the way back in like 2015 and have held onto that like that one grainy af Elucien Facebook comment that one account keeps posting as responses to elriel posts (y'all know who im talking about right 😂).

Allow me to give you a refresher: It is currently 2024. Nobody is trying to make Elain be a warrior. I think most Elriels are of the opinion that we do NOT want ACOSF 2.0.

What we do want to see, is Elain potentially as a spy. AGAIN - not a warrior. This is not changing her personality. She is already a Seer - it is not a stretch to want to see her delve into her powers in the next book to use them to SEE and gather information. Elain is ready to help, she literally says "Find me when you wish to begin."

If people are complaining about fan arts where she's holding a dagger - I'm like 99% positive that dagger is truthteller and you cannot be complaining about an actual canon scene where she has been the only other person to touch that knife in 500 years, apart from Azriel. Not even Mor, his one time love, has touched that knife.

And Elain holding truthteller is in the official ACOTAR coloring book - BTW. So if you have an issue with Elain being depicted with a dagger - take it up with SJM's team.

Let's talk Azriel:

Genuinely not sure what people are saying we are changing about Azriel to better fit Elain?

People bring up the "oh he's too dark for Elain she will shy away from him" um. No. It's literally in the text how Elain calls his scars beautiful and does not balk from him.

Also .. what darkness? I did an entire post on what the hell is Azriel's darkness even and still, nobody had an answer for me because ??

We can't be reducing this man down to a job he took very very reluctantly and clearly hates. He doesn't like torturing people for answers, guys!! Y'all make it sound like his love interest can only work if she's his literal torture assistant or something 😭😭

"Hi azriel, you have a 11 o'clock coming in for the usual water boarding treatment." <tucks hair behind ear and nods earnestly> "and then afterwards, I will wash the blood off your knife and accept your darkness?"

Is that what y'all want 🤨🤨 don't be weird smh

Azriel says it feels wrong to touch Elain because HE FEELS UNDESERVING OF HER?? Have you never read a romance novel? The tortured hero being so reluctant to even touch his love because he's afraid his sins will taint her goodness??

Please people. Listen to like... a Hozier song before you try to understand this man because maybe then you might get a crash course on him. This man is so Hozier coded, it's insane to me that people think of him as some fuckboi incel.

Nobody is changing anything about Azriel and Elain. They are drawn to each other and understand each other without having to say a single word. Their love story is already starting out to be the healthiest: friends to lovers. They have been given a title: death & his lovely fawn.

Their very names mean Azriel "God is my help" or "Angel of Death" and Elain means "Light" or "Fawn" or "God has answered my prayers"

It's already on the pages and if you can't see the writing on the walls, perhaps it's time for a reread my friend.

[theladyrebecca2]

Stranger Things: The First Shadow (My spoiler-filled review and thoughts)

“Nerds, do you copy?”

Buckle up, because this is a long one! I've tried to remember as much as I can from when I saw the play on Dec 5th.

Disclaimer: This is in no way a complete recollection of things that happened. They really packed a LOT into it. This is just what I can personally recall, helped along by other reviews and recollections I’ve found online that sparked my memory. 

If you don't want to be spoiled, don't read any further!

Act 1.

After an epic intro scene, where soldiers on a ship at sea get dragged off by demogorgons (more on this later), we’re shown the Stranger Things intro exactly as though we’re watching an episode.

Chapter One: The Girl from Nowhere.

Hawkins, 1959. 

It opens with a young Bob Newby on air, talking on his radio show (the founder of Hawkins AV club! <3). We learn that he actually has an adopted sister, Patty Newby. She’s black, so she feels like an outsider (bear in mind it’s the 1950s/60s, so… yeah.) Principle Newby, their father and only remaining parent, is also very religious. 

He’s also the pastor (?) at the local church, and often makes Patty go to the church with him. She admits to Bob that she only likes to go to listen in on people’s confessions (some of which are really juicy). She also enjoys the choir there (?) as she likes to sing.  

Principal Newby doesn’t like that Bob and Patty read comic books. There’s talk about how some things are discouraged or outright forbidden because they involve sex (gasp!) and morally ambiguous behaviour. Patty in particular is looked down on by her father for acting rebellious. He disapproves of her answering him back. 

Instead of praying to God, Patty prays to Wonder Woman.

One of the first sections in the show’s programme is dedicated to the impact of comic books and science fiction on kids in the 1950s:

[This has always been the way with fiction. Whether you are talking about adventure, fantasy or sci-fi, stories set in faraway places reflect the anxieties of the here and now. Just as the children in Stranger Things turn to a fantasy game to help them make imaginative sense of a dangerous world, so we escape to alien landscapes to think about ourselves. As South Africa novelist Lauren Beukes once said, “By imagining the unimaginable, it’s possible to make reality more bearable.”]

[As Patty in Stranger Things: The First Shadow is aware, however, whether male or female, superheroes were almost exclusively white. Unless you happened to get hold of a copy of All-Negro Comics, published in 1947 by Black journalist Orrin Cromwell Evans, Black children would not see themselves represented in popular culture.]

[... in this age of technological advance and political uncertainty, [comic books] provided the thrills, the escapism and the imaginative fuel that audiences, young and old, needed more than ever.”] - Mark Fisher

Next, we’re introduced to Joyce. She’s Joyce Maldonado at this point. She’s half undressed and trying to find her clothes, obviously fooling around with Lonnie Byers, who is already talking down to her in a very casual way, telling her she’ll never amount to anything and that she’ll never leave Hawkins like she dreams of. It was another example of only physical attraction existing between two characters - there’s little to no emotional compatibility there. I sort of had the vibe that the scene was effectively introducing Joyce and Lonnie’s unequal power dynamics as they are in the show moving forwards. Lonnie sits with his legs encasing Joyce as they both sit on a mattress, and she’s visibly vulnerable in her bra, listening to him say these casually demeaning things to her. 

Joyce wants to direct the school play, although she’s pretending to Principal Newby that they’re doing Oklahoma. Oklahoma will serve as a smokescreen for the real play she wants to direct: The Dark of the Moon. This has its own page in the programme too: 

[From the depths of Scottish folklore to the Broadway stage, the journey of The Dark of the Moon is as shrouded in mystery and intrigue as the contents of the piece itself. Over the course of several hundred years, the story evolved from humble beginnings (The Ballad of Barbara Allen) into something rather darker and more brooding than its simpler folktale roots.] [In its original versions, it seems to have been an innocent, if tragic, ballad about a young man who dies of unrequited love, only for the grief-stricken object of his affection to follow him to the grave. There, they become a rose and a briar respectively, destined to be intertwined for all eternity.] - The Creel House front door, anyone?

[In 1939, it had somehow become part of the Appalachian mountain lore of the north-eastern USA… [sometimes] with a central theme of divorce rather than death. But perhaps its oddest reincarnation is as a regular feature in the annual school play catalogue across the United States… retitled The Dark of the Moon, the play recasts Barbara Allen as a young maiden desired by a witch boy whose request to be made human is granted on the condition that she is faithful to him for a year. When that condition is tested to destruction, tragedy naturally (or unnaturally) ensues. The play is rich with allegory, including themes as knotty as religious fanaticism, demonic possession and mob psychology, and with its plot of star-crossed lovers meeting across the divide between this world and a mystical parallel one, it’s a kind of Gothic Romeo and Juliet.]  -Michael Davies

In the next few scenes we’re introduced to a whole host of characters as they come into the high school, and eventually gather around for the casting of Joyce’s play:

Ted Wheeler, school jock, Mr Popular. Very much a ‘peaked in high school’ vibe. 🙈

Karen Childress, Ted’s popular cheerleader girlfriend. Ted and Karen are depicted as two teens who can barely keep their hands off each other. They constantly make out. It’s suggested that Karen is only dating him because he’s popular and um… well-endowed. 

Walter Henderson (who must be Dustin’s dad) is a total dick. He’s openly racist towards Patty at one point, earning him glares and snappy remarks from both of the Sinclairs who are present at the time. Patty has a horrible nickname at school, “mystery meat”, because of her unknown origins. But it’s clear with Walter's comments that her race also plays a factor in her general ostracisation. 

Claudia Yount (Dustin’s Mom). She has a cat called Prancer, and is dating Walter. I thought it was very fan-servicey to include Dustin’s parents at all, because we know canonically that Dustin and his mom only moved to Hawkins when he was 4th Grade. So I guess Claudia and Walter moved away, had Dustin elsewhere, then Claudia came back to Hawkins again with Dustin after Walter had left/divorced her?? 

Sue and Charles Sinclair. Again, it was a cute Easter Egg to include them, but all the parents of the OG boys being there felt very fan-servicey - especially with them all already being coupled up in high school. It felt too unrealistic and a bit jarring. I’m choosing to take this as they were literally intended as cute little Easter Eggs, and as prime opportunity for comedic relief (e.g. seeing Ted Wheeler as a total player, in total opposition to the Ted we know). 

Alan Munson. He’s a little strange and quirky, a lot like Eddie. He has a rock and roll vibe, and sticks out his tongue and does devil horns with his fingers, lol. The others don’t seem to know what to make of him, but there’s no animosity or anything. He’s really funny in all his scenes.

And of course, Jim Hopper Junior. To me, Young Hopper was like… a weird mixture of old Hopper from the show, and Steve! The actor did a great job, but yeah, it was giving Steve more than Hopper in some places (to me, at least). I don't know if this was intentional.

Hopper has some dad issues - his father is the chief of police, and they don’t get on. There’s a whole scene later on in the show where they even have a physical fight in the police station (although this isn’t depicted super seriously, and is actually part of a larger comedic section that involves some of the other cops in the station getting involved for laughs. At the end, Hopper and his dad sort of come to an agreement.) It’s kind of slapstick. They’re all falling over each other, and there’s even a part where one male cop falls against another face forward onto a desk, and it’s pretty suggestive (one is sort of mounted behind the other). Idk if this was supposed to be a standard ‘gay joke’ just for lols, or if it was more that the cops had an unexpected ‘moment’ together (they take a while to part from each other, and then they avoid each other’s eyes, so… idk). Just something I noticed happening off to the side.

Anyway, back to Act 1. We’re taken away from Hawkins High to outside the Creel house, and introduced to the Creels moving into Hawkins, just like they appear in the show’s flashbacks. They’ve moved from Nevada, and the reason they’ve moved is because something had happened with Henry, and this is meant to be a new start - it’s left ambiguous as to what exactly happened, but there’s mention of a kid that had been ‘left in a wheelchair’. 

At first, Virginia Creel seems somewhat loving towards her son, hugging and kissing him and trying to act ‘normal’, but she’s clearly unsettled by him. Henry is unpredictable, and almost seems to switch between different personalities: one that’s familiar, shy but friendly, and one that quickly rages and turns violent. 

Whilst it’s not explained WHY yet, we clearly see that Henry is somehow ALREADY under the influence of the Mind Flayer - and that he has powers.

Virginia becomes more and more openly terrified of Henry as the play goes on. Meanwhile, Victor Creel is generally absent the whole time as he’s dealing with his own ‘demons’ (severe PTSD from the war). People in Hawkins think he’s odd and weird. Remember that nobody understands PTSD at this point in time. 

Again, we get a spread in the programme about this: “These are the tranquilized fifties… the legacy of trauma in post-war America”:

[It is very likely that Corporal Victor Creel, 9th Airforce, missed the birth of his son Henry in 1945… Getting their bodies back to the US would be a huge undertaking… getting their minds home would be another problem, and one which no-one had thought to predict.] [Victor Creel is a familiar figure to us now: shellshocked, prone to outbursts, turning to alcohol to numb his trauma… what to do with the man who has seen atrocities - who is in himself a living testament to the fact that they exist, that they happen - who, in Victor’s case, may even have committed them himself? The answer was to bury him. Though shellshock was first given its name in the aftermath of the First World War… there was no widespread study of PTSD until after the Vietnam War, even though more than double the amount of American soldiers showed symptoms of PTSD during WW2 than WW1… Those suffering on the front were sedated and told they were exhausted… once they made it home, they were told not to talk about it: that they were lucky to be alive.]

[One response in particular would have been familiar to the Creels - the child who becomes aloof from their father, and who disengages from the emotional life of the family… Much like Jim Hopper and his father, there was often immense love between these children and their fathers, but they had no way to talk about the pain they were feeling.] -Beth Kelly

Henry is clearly lonely and feels misunderstood when he first moves to Hawkins. It’s like he’s aware that there’s a darker side of him that’s dangerous, but he can’t fully explain why he does certain things (e.g whatever he did to the kid left in a wheelchair). There’s a scene where he sees the smoke of the Mindflayer swirling around him in the void, and he yells, "What are you??"

He’s the new kid at Hawkins High. People at school think he’s strange. They’re not necessarily cruel to him, but they’re not really sure how to take him either. Joyce is pleasant to him. But the only person he really connects with is Patty Newby - who we know is also a bit of an outsider at the school because of her peculiar origins and skin colour.

It’s clear there is an instant connection between Henry and Patty. Henry in particular is obviously crushing on Patty, and acts awkward around her. They bond over their love of comic books, and decide to be friends. 

Anyway - back to Joyce’s play. So the reason she wants to direct the play in the first place is to impress some visitors from a university, so she can achieve a scholarship to study theatre outside of Hawkins. 

It involves “witches, satanism, religious allegory”. Lots of things that Principal Newby would definitely disapprove of (hence why she pretends that they’re doing Oklahoma). 

Joyce talks about the overarching message: “That’s what it’s all about in the end, isn’t it? Whether love can conquer fear.” (paraphrased). I think that was perhaps a really meta moment, and applies to THIS play and even Stranger Things as a whole.

Also there was something like, “they’re witches, not lesbians!”/ “They were witches as well as lesbians”… “Does it matter?” (again, paraphrasing, I can’t recall the actual lines, and I think this was either said at this point by Joyce and someone else, or a conversation that happened earlier between Bob and Patty when they were talking about a comic or story they had read. I’m sorry, I can’t remember!) But I thought it could be a reference to the Fear Street trilogy, maybe. I was on the lookout for any kind of LGBTQ+ imagery or dialogue, and yet my brain still managed to forget details by the end of it all (Act 1 needed to be 20 minutes longer, seriously. They went through so much dialogue so quickly, it was difficult to keep up. I feel like I need to see the whole thing again to properly take it all in).

Maybe I was tripping, or maybe I misheard, but I thought there was also a blink-and-you’ll-miss-it line about “the ending is happy and gay”. I wish my brain would have held onto those lines, but it happened so quickly. Something like, “the ending will be happy and gay”… “isn’t that what everyone wants?” Now, I’m certain they meant ‘gay’ as in ‘happy’ in the context, but I couldn’t help but side-eye that moment a little because it’s an outdated term in today’s language. It was, I believe, a quick exchange between Joyce and… I want to say Bob? Or possibly Walter? I honestly cannot remember. I'm begging people not to run away with this because it’s also totally possible that it was said in a derivative sense, like, “this story is dark, gothic and tragic... not happy and gay”, you know? "That's what everyone wants, right?" "Maybe, but this ends in tragedy." I really hope someone, ANYONE else caught these lines, and can give me their own two cents on it. (Curse my shit memory and also just how FAST those lines were coming at us during those scenes in Act 1… like guys, please slow down so I can actually take in what you’re saying!) 

Anyway. Joyce is having trouble casting the main leads, John and Barbara Allen, as the two are lovers and will need to kiss, and nobody seems to have the right chemistry or is taking it seriously enough. 

At one point, Karen (acting as the female lead) confidently and passionately kisses Bob (acting the male lead), who’s awkward and flustered afterwards (this is done for the audience lols). 

After hearing her beautiful singing voice (encouraged by Henry), Joyce decides to cast Patty as her female lead. Meanwhile Henry has unwittingly found himself in this room along with everyone, and accidentally gets involved in the casting process. Joyce sees that Patty and Henry have chemistry together, so she decides to cast Henry as her male lead too. 

Henry and Patty grow closer. Henry tells Patty that he’s bad, and she should stay away from him. She doesn’t listen, and says just because someone has done some bad things, it doesn’t make them a bad person.

At one point they sit side by side by the confessional at church. Henry admits to her that he has powers. He tells Patty that he can hear what people are thinking - all the time. It drives him crazy (and says people are always ‘pretending’ to be normal. The vibe is very much in tune with his speech in Season 4 about how everyone is just in a silly little play, all playing pretend with each other, all trapped in these notions of living their lives in a way that society thinks is acceptable or desirable).

As an example later on in a separate scene, he points to Karen and Ted and tells Patty, “she thinks he���s an idiot, and he’s scared of her.” He points to more characters in this scene and says more about them (like Claudia and Walter, Sue and Charles, maybe even Joyce and Hopper?) but unfortunately I can only remember Ted and Karen’s. 

Patty convinces Henry that his powers are not evil, and that he should be able to control them and use them for good. Henry then creates a "vision" for Patty, where she can freely sing with people listening, and everyone around her joins in and appreciates her talent (I think she sings "Dream a Little Dream of Me"? Unless this happens later on. There’s definitely a moment where she sings a bit of that song. Henry associates it with Patty.)

In this vision, even Patty's father is supportive of her and her singing, and it’s quite a funny moment how she imagines him dressed in a saucy red cape, dancing in a way that he *definitely* wouldn’t approve of in real life.

So it seems Henry is actually able to show people their dreams as well as their nightmares. It suggests his powers are his own at this point (at least to an extent), and not necessarily always controlled by the Mind Flayer. 

Victor sees Henry talking to Patty at school, and mentions this to Virginia. He describes it as “harmless, just Puppy Love”, a first crush. 

Virginia is still worried, and tells Henry to stay away from Patty (for her protection). Henry gets angry. We keep hearing his voice change when he changes, like a deep, monstrous voice. It’s creepy, like it’s not really him in those moments - it’s like the Mindflayer using Henry’s body, speaking through him. 

While in the attic (his new favourite spot), Henry keeps becoming influenced by the Mind Flayer. He travels to the void frequently, from where he proceeds to start killing animals - the first of which is Dustin’s mom’s cat. It’s just like the Vecna attacks in Season 4, snapping their bones and blinding them. 

Henry seems to be aware that he’s the one responsible for these killings, and he keeps on going back to the attic, and the void, to keep doing it - but it’s unclear just how aware or remorseful he is about all this, or whether it’s 100% possessed!Henry during those moments. It certainly seems like it’s the Mindflayer making him want to do those things. When he first approaches Prancer, he’s friendly, calm and softly-spoken. The attack happens very suddenly and afterwards, I think Henry sort of ‘comes to’ and cries out in distress/remorse? 

Either way, Henry is definitely under the Mind Flayer's control at that point, and you can see the Mind Flayer smoke flying around in the void next to him. 

After Claudia’s cat turns up dead, Hopper is immediately on the case, wanting to find the culprit. He starts questioning people, and ends up approaching Henry at school.

I want to clear Hopper’s name in something here! I saw someone say that, in the play, it’s stated that Hopper says he hates cats. Whilst this *is* something Hopper tells Henry at this point, it was clear to me that Hopper was only playing mind games in the way an investigator will try to get a suspected criminal to confess: ‘The truth is, I hate cats. So I actually just want to shake the hand of the person who did it - they’re a hero in my book!’ He’s totally bluffing, and it’s just meant to show that he’s already thinking and working like a detective. Regardless, the tactic doesn’t work, and Henry brushes him off. Hopper remains none the wiser. 

When more animals start being killed in the same way, Hopper is the one who figures out that they’re all pets of Hawkins High School students who are taking part in Joyce’s play. He goes to her to request her help, and she and Bob both end up going out to look for clues with him (complete with torches, this gave major Season 1 vibes). 

Joyce and Hopper’s relationship is mostly antagonistic, but it’s clear they like each other and they flirt a bit. Meanwhile Bob admires Joyce from afar, wanting only to impress her and to find the courage to tell her how he really feels. There's some love triangle imagery throughout with where they stand. (Note: Bob does eventually admit to Joyce how he feels at the end, but she casually rebuffs him. I'm so glad they eventually ended up together because Bob was just too pure.)

Henry continues to be haunted by images of a monster reflected back at him in a mirror. I think we’re meant to take that as a representation of Mind Flayer!possessed Henry. He’s clearly afraid of himself, and what he’s capable of. 

The Mind Flayer appears to him as Patty, and taunts him by saying cruel things, like saying that he will end up killing her. In the vision, Patty starts pulling off her own hair until we see her brain. We hear a deep monstrous voice taunting Henry, saying he “will kill many, many more” - that they have seen it happen, and it is his destiny. (Time travel hints? The Mind Flayer can apparently see into his future, unless this was just an empty taunt that unfortunately came true, or a self-fulfilling prophecy). 

[Evidently, there’s something deeply disturbing at the heart of the human psyche about the possibility of uncovering the horrific within itself. When that horror is externalised… it creates a symbolic representation of our own nightmares, perhaps allowing us to tackle them more objectively and overcome those dark, disturbing impulses within us all.] 

[By investing fictional creations with the qualities we most fear - the horrifying, animalistic sides of our nature - we can, perhaps, face them more objectively and convince ourselves that we do, ultimately, have control over them… and ourselves.]

[... Perhaps the monster we fear most is the one we see reflected in the mirror. As Professor Mulrooney puts it: “The monsters in these tales are not necessarily the people we would call the monsters - Frankenstein’s creature or Dracula. The scariest part of these books is the humans.”] -Michael Davies 

The real Patty then interrupts the vision, and asks Henry if he can help her find her mother using his powers. He’s wary of doing so, but agrees to help her. He says she will have to come with him to his attic. 

Once inside, Patty tells him that it’s cold in there. Henry says he likes it cold. 

When Henry enters the void, he successfully locates Patty’s mom. She’s a singer, a show girl, working on a stage in Vegas. Patty asks him what she looks like. Henry says she looks like Patty. That she’s beautiful.

Suddenly, he loses control, and is once again visited by the Mind Flayer. Patty’s mom morphs into a terrifying figure who chases Henry through the void… and eventually catches him. 

We see the Mindflayer going into Henry inside the void, very similar to Will in Season 2 on the school field. (This happens either at this moment, or in a flashback at another point of the play. But it’s at some point!!) I think this was showing us that whoever Henry was, he’s fast disappearing into the darkness of the Mind Flayer, and vice versa - it’s like a fusion. 

Meanwhile, Mr Newby learns that Patty and Henry have been hanging out together a lot. He’s greatly displeased by this, and decides to go to the Creel House to fetch Patty and put an end to the budding romance. Romeo and Juliet vibes be vibing hard.

Downstairs, he speaks to Victor Creel, who is having a PTSD related episode and acting strangely. He says his wife believes the house is haunted by an ancient demon, and with everything that’s happened (and by how the lights keep flashing), he’s beginning to believe her. He feels like his demons have followed him from the war. 

Mr Newby then overhears the commotion from upstairs, and goes up to investigate. In the attic, Henry is holding Patty’s hand very tightly. He’s twitching and yelling as he fights against the Mind Flayer’s possession, and this frightens Patty. When her father walks in, he demands that Patty lets go of Henry’s hand. She tries, but he’s holding on too tightly. “I can’t!” Patty cries out.

Mr Newby is then attacked by Henry, controlled by the Mind Flayer. His body starts to rise up. Patty encourages Henry to fight back by telling him that she believes he is good, and that she loves him.

“Say it back!” she pleads to him. “Say it back!”

Henry responds and says he loves her too. Because of the love exchange, he manages to momentarily break out of the Mind Flayer’s control: Mr Newby drops to the floor, alive but badly injured. 

Joyce, Hopper and Bob were downstairs at this point, having followed radio anomalies to the Creel House (which they did via a machine that Bob built for them). They freak out and run away, and all come to the conclusion that creepy, crazy Victor Creel is the one responsible for Mr Newby’s injuries, as well as the string of violent animal deaths. 

[Joyce has some basis for believing Victor capable of violent crime, based as this may be in her own father’s war experience… When Joyce opens her copy of the DSM, first published in 1952, she will find no entry for PTSD… Instead, the symptoms she might recognise from her father were incorporated into depression or schizophrenia, rather than their own diagnosis. Short of a name for what they were suffering, traumatised veterans were left to find their own way through nightmares - through violence, alcohol or isolation.]  -Beth Kelly (from the Stranger Things: The First Shadow programme)

After the commotion, Henry removes his blindfold. Patty's father has broken through the attic floor, and he’s seriously injured. Patty is very afraid and upset. After a brief time skip (to the next day or two I think), we learn that Patty is staying away from Henry, who is worried that he’s ruined everything. The Mind Flayer starts to creep back in. We see a possessed Henry back in the attic, and Virginia comes up to him and says that she wants to help him, but she doesn’t know how. She reminds him that he needs to stay away from people to protect them. She talks about Patty, telling Henry that he shouldn’t see her anymore.

Possessed!Henry smirks and asks her if she’s jealous. There’s something insidious and disturbing in the way he asks it. Virginia recoils from her son and her “everything-is-going-to-be-okay” facade crumbles. We see she’s absolutely terrified of who Henry has become.

Henry creates a vision, so that it appears as though his pet spiders escape from their jars, and they run all over Virginia as she screams. She flees from the attic as Henry’s dark taunts follow her.

Henry’s sister Alice comes to the mouth of the attic. "Where is Henry?" She asks.

Henry: "He’s right here."

Alice: "You’re not him."

At this point, it was like the Mindflayer had almost completely merged with Henry. The lines had become more and more blurred as the play went on, and now it’s becoming hard to separate them - the ‘real’ Henry is finding it hard to come through and fight the possession. The Mind Flayer is winning. 

This really reminded me of Will and his own possession with the Mindflayer in Season 2. How they described it like a virus taking over, and how Will could have continued ‘disappearing’ until there was no more Will left. 

After the incident with Mr Newby, and her terror with Henry in the attic, Virginia has finally had enough. She willingly hands her son over to an “interested party” who describes himself as a doctor (who we know is Dr Brenner). He vows to take Henry to Hawkins Lab, where he’ll be safe, and contained. 

When he wakes up in the hospital, Mr Newby reveals to Patty that he actually stole her as a baby (?) in an effort to revive his relationship with his wife by having another child to care for - but it didn’t work, and his wife left him. He feels guilty about it, and wants to confess this to her after he almost died.

He tells her that he was attacked by a monster who made him relive his worst nightmares, and that “the boy”, Henry, actually fought back and saved him from death. He then draws the Mind Flayer on a piece of paper, hands it to his daughter, and tells her that this is what he saw.

After learning that Henry actually saved her father, Patty returns to his house to search for him, but it’s too late - Dr. Brenner has already taken him to the lab. However, she is able to communicate by calling out to him.

Henry contacts Patty through the void, where she is able to both speak and see him, despite him being at the lab. She tells him that she knows he is still a good person, and that he should return home.

———

Act 2.

On screen:

Chapter Two: Captain Midnight

So here’s the thing - the play paints us a totally different picture than Season 4 did in regards to Henry/Vecna. 

Henry was not inherently evil, like S4 suggested to many people - he was actually just a regular boy until ‘an incident’ occurred when he was younger, which is what gave him powers and started his possession in the first place. The end of S4 makes us think that El sent Henry to the Upside Down, which is where he meets the shadow monster and morphs it into the Mind Flayer with his powers.

But that wasn’t Henry’s first time there, nor was it the first time he saw the Mind Flayer. That was all just a REUNION.

It’s revealed that Henry actually disappeared into another dimension (Dimension X/ Upside Down) for a period of 12 hours when he was just a kid. He got lost near some caves in the Nevada desert, and when he returned, he had "completely changed in personality". 

He came back odd, ‘not normal’, and couldn’t socialise well. He also returned with dangerous powers, which he violently inflicts on animals. The Mind Flayer had clearly started possessing him from that early point, way before he even came to Hawkins. 

Let’s go back to the very beginning of the play - to the soldiers on the ship. It was Brenner’s father and his crew that were aboard this ship, the USS Eldridge, which had accidentally travelled into Dimension X/The Upside Down as a result of electromagnetic activity. 

This is based on The Philadelphia Experiment, or Project Rainbow, said to have taken place in the Second World War. The programme had a double spread on this: 

[Allegedly, wartime experiments caused the supernatural disappearance of a US naval ship… Project Rainbow was based on Einstein’s research into unified field theory through which [he] hoped to create a single theoretical framework to encompass all fundamental forces, including electromagnetism and gravity.] 

[Carl Allen claimed to have witnessed a strange event in October 1943 involving the naval destroyer escort USS Eldridge and scientists who were working on highly confidential technology which would make ships invisible to the enemy by using powerful electromagnetic fields to ‘bend’ light around them. According to Allen, they succeeded in doing just that. In fact, Allen said the ship was also briefly teleported 275 miles away to Norfolk, Virginia, before reappearing in Philadelphia. …It’s been suggested that the Eldridge’s official logs could have been deliberately altered… with the whole of Project Rainbow moving beyond top secret clarification.]  -Catherine Jones

Brenner’s father is the only survivor of this terrifying event. After returning from Dimension X and taken to a hospital, injured and dying, we learn that his blood type is now “unique” from any other human being. He won't survive a blood transfusion. His ravings about Dimension X before his death haunted and inspired Brenner for the rest of his life. Brenner started an experiment focused on finding and travelling back to Dimension X; his ultimate goal was to "create a gate" to reach it again.

Brenner enacted these experiments in the Nevada desert, where one day, one of his agents ran away with some of Brenner’s equipment near some desert caves. The agent was never found, but a Captain Midnight spyglass was - which was the exact spot where Henry went missing in Dimension X as a little boy for 12 hours. Brenner therefore began searching for the mysterious Captain Midnight comic-book fan who went to Dimension X and returned, watching him and keeping an eye on him. This is what led him to Hawkins: following Henry. 

Brenner tells us that Henry’s powers emerged after he visited Dimension X, and just like his father, his blood type is “unique”. He collects several samples from him. He also tells Henry that his powers become stronger each time he kills, and that’s why he gets so much satisfaction out of it. Brenner also tells Henry that he would get even stronger if he kills human beings, rather than animals.

During one scene, Brenner uses special equipment to see into and hear Henry's mind. He pushes Henry to the limit so he can hear and catch a glimpse of Dimension X. We hear noises similar to the Mind Flayer in Season 2 when Will goes into the Upside Down on Halloween night. The shape of the Mind Flayer appears on the screen (or was it the head of a Demogorgon? It was definitely something Upside-Downy), while Henry convulses. After this incident, Henry asks Brenner, “Can you take me back there?" 

Brenner also introduces the idea of anger to fuel Henry's power. On several instances he riles Henry up to get him angry, insulting him - and the result is always violence. He succeeds in getting Henry to kill a mouse/rat, which explodes into a bloody mess inside its cage, and then tries to convince him to kill a criminal who has been transferred to the lab with an agreement to be killed (he has a date with the electric chair later that week regardless). 

Henry refuses. He’s been speaking to Patty in the void, who has convinced him that he’s good and that he should return home. Brenner is frustrated with this, and becomes sure that Henry has someone that is "holding him back". He vows to find and remove this obstacle. But after Henry leaves the lab, Brenner tells his agents to let him go. He cannot force Henry to kill. “It has to be his choice."

Brenner is shown to have significant influence over Virginia. He’s been providing her with medication/tranquilisers, and tells her that her son desperately needs his help. He encourages Virginia to tell him who the person Henry is attached to. She does. Brenner promises her that he will take Henry back into the lab and that he won’t leave again. 

After Henry returns home, he reads his family's minds and learns that they are all afraid of him and unhappy with his return. He goes into his mother's memories and learns of the last interaction she had with Brenner, including that she wonders if he “may never have been good”, and whether "this was who he was the whole time." He knows that she was willing to give him up to Brenner forever. 

This is when the Creel murders happen, just like they’re shown in Season 4. Virginia Creel and Alice Creel are both murdered at the dinner table - and we know Victor is going to be blamed for it.

Is this Henry’s own mind now, turned to darkness and hate, or is it the Mind Flayer intent on eliminating all of Henry’s attachments? A monster who’s made a monster. I think it’s all left open to interpretation on purpose. 

After the death of his mother and sister, Henry goes straight to Hawkins High to find Patty, hoping to reach her before Brenner does. While at the school, he runs into Joyce, who voices to him her suspicions surrounding the animal killings, and what happened to Mr Newby at the Creel House.

At first, Henry thinks Joyce has worked it out, and that she knows it was him all along. “I wish you hadn’t done that…” he says, stepping closer. But Joyce clarifies just in time that she believes Henry’s father is the one who is dangerous, and that she believes he’s responsible for the terrible things that've happened in Hawkins recently. Maybe this is what gives Henry the idea to frame his father. Either way, he leaves Joyce alive. 

Both Brenner and Henry find Patty on the stage rafters, up on a high catwalk, ready to perform her part in the play. She’s initially wearing a set of wings as a prop, which are attached to the rafter to be lowered. Henry unties her from these wings, pleading with her to run away with him. An argument ensues with Brenner, where he attempts to convince Henry that Patty is his weakness, and that he needs to kill her to let her go. Patty tells Henry not to listen to him. 

During this argument, Henry loses control once more, and the Mind Flayer takes over. This results in Patty slow-motion falling from the rafters as the shape of the Mind Flayer overwhelms the stage. She hits the floor on her back, presumed dead. 

(The stage effects for this particular scene were absolutely incredible, by the way.)

Henry is later seen back at the lab. He’s fully subdued, confined to a straitjacket, mouth gagged, and sat in a wheelchair. Brenner says the implant (Soteria) is in, about to take effect.

If we believe what Season 4 showed us, the play skipped the part where Henry appeared dead alongside his mother and sister (just before Victor is then blamed and incarcerated at Pennhurst Asylum). So assuming that Brenner played a part in covering up Henry’s involvement in the Creel murders, Henry is presumed dead by the town at this point too. Unfortunately the play doesn’t address this, as instead we see Henry run immediately from the dinner table murder scene, straight to Hawkins High to find Patty. It’s a big inconsistency which I guess they want us to explain away with Henry being an “unreliable narrator” in the show. I guess he gave Nancy the abridged version of what happened!

Anyway, it appears that Henry later finds Patty in the void, despite Brenner telling him that he killed her. It seems she has successfully left Hawkins and found her mother in Las Vegas, just as she always dreamed of doing. She uses a walking stick, but otherwise appears alive and well. 

We hear and see static as Henry watches the scene unfold, and Patty glances over her shoulder, like she senses him. But then she turns her back and walks into the distance with her mother. 

An alternative take that I heard from someone, was that perhaps Patty is truthfully still seriously injured and is actually in a coma (similar to Max). They thought that maybe the final scene of Patty with her mother was actually just something that Henry was creating for her in her mind, as a sort of last semblance of goodness and love. I don’t think that’s what was intended, but it was an interesting take that I wanted to include! 

As the show nears its end, we’re presented with a series of newspaper articles relaying the tragic Creel Murders in Hawkins (possibly the same ones that Nancy and Robin find in Season 4). The Creel family all dead, Victor is blamed and sent to the asylum. The empty Creel House remains, a reminder of the horrors. It then shifts back to Hawkins lab, who are now recruiting pregnant women for experimentation. 

Brenner introduces a pregnant woman to Henry (who is still bound to a chair and fully subdued) and explains to him that the "blood transfusion" finally worked on a subject. He points to the woman's belly and remarks, “One, meet Two!" “You are as much a father to them as I am,” Brenner says at one point. Then, “Come… meet your brothers and sisters.” Even though we know Henry is not in any way related to the lab kids, they definitely played into the father/guardian/creator metaphor in the play. If not family by blood, then by circumstance. 

We see photos of the babies created in the lab, with their numbers underneath. We can recognise Eight as young Kali. Eventually we get to Ten, at which point the stage focuses on a now older Henry, wearing his recognisable Season 4 orderly outfit. He kneels beside a child with buzzed hair. 

"Hello, Eleven. Come with me.” He takes her by the hand, and they walk into the distance together. 

———

Some final thoughts:

Because of the incident with Patty during Joyce's play, we can infer that's why she is unsuccessful in her goal to impress the university, and remains stuck in Hawkins - just like Lonnie said she would.

Lonnie is awful, and I’m in two minds about how he’s handled in the play. They did a good job to show he’s always been a douchebag, and unlike what I’ve seen some people say, I actually think it was horribly believable that Joyce (who they establish likes 'bad boys') ends up going back to him and having kids with him. We know from Season 1 that there’s emotional abuse with Joyce and Lonnie, and to me, it makes horrible, horrible sense that it all ends up the way it does. I’m just not sure how I feel about Lonnie being used as any kind of comedic effect in the play (he makes a brief reappearance at the police station, where he’s been lying drunkenly handcuffed on some chairs the whole time during a scene... “It wasn’t me! I didn’t do it!" he says, or something to that effect). I feel like using him in that way diminishes how truly awful he is as a character. Maybe I’m just being too sensitive, but I’d much rather they had kept all the laughs and jokes for the other characters, and treated Lonnie completely seriously the whole way through. I don’t want to see him in any way ‘likeable’ or ‘relatable’ or ‘funny’, you know? Not even for cheap audience laughs. This is a guy who called his own kid son a f*g. Let's treat that with the gravity and solemnity it deserves, please.

Louis McCartney and Ella Karuna Williams as Henry Creel and Patty were great, and Isabella Pappas as Joyce was amazing. Dr Brenner was nicely emulated by Patrick Vaill (I personally think he was one of the most believable characters from stage to show). The best performance of all though was Christopher Buckley as Bob. Like, damn, give that kid all the awards! He was so believable as a young Bob, I actually forgot it wasn’t somehow a young Sean Astin on stage. *chef’s kiss*

As previously mentioned, all the parents of the kids are present in the play (and already coupled up). None of these characters are particularly fleshed out, and I think they’re mainly just there as fun ‘Easter Eggs’ to connect it with the show. E.g having Claudia own another cat that gets killed, seeing Ted Wheeler ironically as some kind of jock god who gets all the ladies (and cheats on Karen with, by the way!), Joyce holding an axe prop near the end mid-rant (“Why am I holding this??”) and Hopper making a remark about breaking his own foot (which he does in Season 4). 

They definitely seemed to be going back on the whole ‘it was Henry/Vecna the whole time’ thing from Season 4: the Mind Flayer has been pulling the strings from way before El sent Henry to Dimension X/Upside Down. We even see the Mind Flayer in the shape of a giant eldritch spider during the play, way before Henry appears to ‘shape’ it in Season 4. However, I think it’s also possible that Henry DID actually manage to take control of the Mind Flayer the second time he arrived in Dimension X (as we see at the end of S4). At that point, he’s killed all the lab kids and staff at Hawkins Lab, so he will be much more powerful now compared to the Henry from the play. By now he’s completely embraced the Mind Flayer’s philosophy, and is acting in its stead entirely on his own volition. Honestly? I think they’re going to leave it ambiguous on purpose. I think that’s why the play is technically canon, but totally not necessary before seeing Season 5. I think Henry and the Mindflayer are 'one' (lol) at this point - I think that’s what Vecna technically is. He’s like an amalgamation of this terrifying eldritch being that we can never begin to understand, but at the same time also something that is still deeply, deeply human.

The Henry side of him seems to be lost, but in a way Brenner was right - his feelings for Patty, whether ‘Puppy Love’ or real - was his one redeeming weakness in his early teen years. Judging from the play, I think it’s possible we might see a tragic sort of redemption moment in S5 (which I personally have mixed feelings about). But I do believe the play is supposed to be entirely separate, and that it’s possible Patty will continue not to be mentioned or relevant in the show (I hope I’m wrong). I just can’t help but be cautious in assuming the Mind Flayer is still the one in control after what they set up at the end of Season 4 (especially with Will saying, “it’s weird to know who it was this whole time” re: his own kidnapping and possession). I think Henry has become his darkest self as Vecna.

Speaking of Will… there were noticeably a LOT of parallels with him in Henry. Henry wears pretty much exactly Will’s outfit from Season 4, yellow tones with beige and brown. Meanwhile Patty wears a blue cardigan and a blue dress - at least in Act 1. I’m not hugely into the blue-and-yellow thing in a serious way, but even I noticed there were blue and yellow motifs for Henry and Patty. She wears a bright yellow top with her blue cardigan at one point too. I think there was definitely a mixture of both Will and El in Henry’s character.

Meanwhile Patty had noticeable similarities to Mike. She’s rebellious, outspoken, loves comic books, and worships superheroes.

Seeing the play hasn’t impacted my beliefs or hopes for Byler in any way. I think there are potentially good things to be taken from the writing, and potentially bad things too. My current confidence has neither been raised nor lowered, but what I will say is that it’s undeniable that the Henry x Patty relationship mirrors both Mileven and Byler, but especially Mileven. Hentty is obviously a star-crossed tragedy, deliberately set up like Romeo and Juliet, which we know is NEVER a good thing. I do find it interesting that their love confessions were an exchange, unlike Mike’s monologue. Patty is the one ‘present’, whilst Henry is the one trapped in the void with his eyes closed/blindfold on. It’s a high stakes moment. Patty tells Henry in desperation that she loves him, but she follows this up by pleading with him to say it back. I didn’t see anyone else talking about this, but it really stood out to me.

The play’s themes and messages still reflected what I believe the show to be about: rejecting forced conformity (it dealt with people’s ideas about what it means to be “normal” to fit in, about sex not being taboo, harmful black and white morality, and the damage that can occur from enforcing religious dogma)... and of course, like Joyce said, that love will ultimately conquer fear. Over and out!

[This kind of introspection throws up unsettling and complex ideas about the nature of human morality. What does it mean to be human? Who gets to decide who is “other”? How do we treat those who are different from us? These are huge issues, and far too esoteric for most of us to deal with in abstract. So the way we choose to explore them is in stories.] - Michael Davies

[thesunwillshineonusagain757]

I know your blog is very focused on Rhaegar x Lyanna but I wanted to ask what are other Game of Thrones universe ships you like. Can you give me a top 10 ?

This is a really cool question my top 10 is very weird. I like very different couples it’s my crack ship obsession. I’m gonna put an honorable mention to Sigorn x Alys Karstark, Arthur Dayne X Jaime Lannister, Sansa Stark x Margaery Tyrell, they are a cute couples but they don’t make my top 10 !

10. Alysanne Targaryen x Alaric Stark: I mean, I do have an obsession with stark/targaryen, fire and ice, ships so this was no surprise. My head canon is that this helped Alysanne with a lot of trauma from her first trip on Westeros where she was attacked. And I love that Alaric is kind of grumpy at the beginning but warms up to her with time.

9. Jacaerys Velaryon X Cregan Stark : Again stark/targaryen ship, but gay ! Two of the things that I love the most in life. I’m very sad that apparently Cregan won’t be making another appearance in this season of House of the Dragon. Because you know, I just wanted to see my ship or a little bit more of it.

8. Oberyn Martell X Willas Tyrell: This one is kind of complicated; For people that don’t know Willas is a book only character, he is the heir of HighGarden, when he was very young, he went into jousting, and he jousted against Oberyn. But sadly because he was so young and unprepared, he ended up having a very serious injury on his leg. And that caused the Martell’s and Tyrell’s to have even more beef than they already have, but the cool thing is Willas did not blame Oberyn. They became friends after this. So yeah I ship them because this one brings a softer side of Oberyn that we rarely see.

7. Jon Snow x Satin : I mean, bisexual Jon Snow, that’s it.

6. Ned Stark x Jaime Lannister : This one is one of the crack ones, and I know a lot of people will think I’m mad. But if you read the books, and you read Jaime’s POV you know for a fact, he had a huge fat crush on Ned Stark. Also bisexual Jaime Lannister !

5. Lucery Velarys x Aemon Targaryen : Oh we’re getting to the toxic one. This is more like a very dependent on the AU vibe. But I like the idea of forgiveness and growth. 

4. Brienne of Tarth x Jaime Lannister: I mean, you don’t really have to explain this one. it’s amazing. It’s probably the best thing that happens to Jamie in the books and in the series, and I will be eternally bitter of how they were treated in the tv show.

3. Arya Stark X Aegon Martell Targaryen : This the one that is the most cracked ship of all of them, but hear me out, yes, I know that the possibility of young Griff, being Aegon, is very slim, but I don’t care. 

2. Lyanna Stark x Jaime Lannister : I’m usually attracted to ships that are opposites attract, but that is not the case of this one. I would like to make the claim that Jamie Lannister and Lyanna Stark, are virtually the same person in different fonts. Middle child, of dysfunctional family, that lost their mom, has a very ambitious dad, and a kid that has to grapple with the weight of societal ecxpectations, but at heart are both rebellious. 

1. Rhaegar Targaryen x Lyanna Stark : I mean, this one is my OTP, of all the ships of all time. It’s my sensitive boy, and my tomboy girl, they’re everything to me and no, I will not be questioned or hear any criticism for it!

[thefuzzzz]

Ranking Nico Di Angelo ships as a multishipper with a crazy imagination, a Nico hyperfixation of 3 years, and the willpower of a god:

1. Solangelo - 8/10 I love them!! I adore Will in TSATS and he’s easily one of my favorite characters. I wish Rick had let us get to know Will separately before he was immediately made Nico’s boyfriend, but I love him anyway. I think they’re good for each other and very supportive. I think I spend too much time consuming media of them than their actual book interactions, because in media I hate their fanon portrayals, but I adore them in cannon. I only had the chance to read half of TSATS, but I thought it was cute!

2. Jasico - 10/10 I love them for the same reasons I love Solangelo, but Jason got character development and Will didn’t. Also, they had a cool moment with Cupid that I think about once a week at least. Jason is constantly someone Nico trusts and (I may be wrong) hugs at some point in the series. The only people Nico has shown direct physical affection to within the series (to my knowledge) are Will, Jason, Hazel, and Reyna. This proves how much Nico trusts Jason, even after Cupid. Also they’re silly and dumb and I love them so I’m right always

3. Nico x Conner - 10/10 I FUCKING LOVE THEM SO MUCH. Lemme explain. So when Nico came to camp he stayed with the Hermes cabin, but Luke was already fucked off (I think) so Conner and Travis were probably in charge of the cabin. Conner’s age changes several times, so I headcannon him to be just a tad older than Nico. I think since he knew Nico when he was a kid he can make present day Nico less doom and gloom and know when he’s truly happy. Also, Nico went to a notably strict military school before coming to camp, yk what they say, strict conditions raise sneaky kids. Thats right, these two are fucking nuts. They are little thieves. And I don’t even wanna mention the implications of Conner’s dad (Lin Manuel Miranda) being the god of travelers and Nico essentially being an eternal traveller. They make me so sick I love them

4. Nico x Clovis - 7/10 they were mentioned as friends MAYBE once and I took that shit and ran with it tbh. I don’t even remember if it’s cannon. I just love them. I THINK it was mentioned that Clovis helps Nico with his nightmares, but atp this shit might just be my imagination or a fic I read once. Anyways, Nico is noted as a very anxious person, and Clovis is very laid back. I really like that duo and the idea that Clovis can help to ground him a lot and help him relax

5. Valdengelo - 6/10 while I do adore them, they have hardly any time together or any bonding moments at all (Note: I am a hypocrite over Clovis let’s fight abt it) I do love media about them and consume it at rates not comprehendible by mankind though. Aside from no time together, I think they’re epic. Nico experiences a lot of the same things as Leo, such as losing his mother and general sadness, but they cope in wildly different ways (neither of which are healthy). Also, Nico grew up in the lotus casino. I’m sick of us all acting like he doesn’t understand technology. Let them be engineer boyfriends PLEASE

6. Pernico. - 0/10 I don’t care at all if other people ship them, since it’s fandom and you can do whatever you want. I just personally don’t enjoy their chemistry and see them more as brothers. You do you tho.

Keep in mind this is just my opinion please don’t take anything too personal!! I love all ships (almost.) equally and if you have any fic recommendations for any of these please give them to me I’m desperate

(Also, this doesn’t represent my FAVORITE Nico ship, just a ranking based on how much I giggle when I see them. It does not take many logistics into account)