#indie plot idea

[jetaiimee]

PLOT IDEAS I'M ALWAYS UP FOR

1. boss & secretary secret affair 2. married man hooking up with a younger girl and their relationship develops into something more, but he refuses to get a divorce because of his reputation. 3. brother's best friend fooling around with the younger sister. 4. angry make-up sex. 5. modern romeo & juliet. rivaling families with big and successful businesses set in ny or london, forbidden love affair. 6. parents adjusting to having a new born. making time for each other, having sex after the baby arrived, a seductive nanny perhaps?

[teehee-vibes]

Hey gang. What if Indie Cross was a Dungeons and Dragons campaign?

[sophenelisse]

⋆˙⟡ — plot ideas !!

hey y'all!! i'm back at it again — meaning i'm bored, it's a dreary autumn, and i'm finding myself retreating back to cutsey fantasylands in my mind 🥰 listed below are a few plot ideas i've had in my notesapp for a while — as always, send an ask or a private message if you'd be interested in any of these up !! happy writing !!

childhood sweethearts (on the rocks)

a plot where muse a and muse b have been friends since childhood — here and there, they would have a one night stand, but never really allowed themselves to progress into anything more than just friends. now, as adults who are figuring out the dating scene isn’t as easy as their parents made it seem, muse a and muse b are seeing each other more and more frequently. eventually, muse a starts seeing someone new, and has less and less time for muse b. i’m talking jealousy, tension!!! muse b realizing maybe they’ve had feelings for muse a the whole time, muse a having to make tough decisions — either continue dating this new person or hurt muse b!!! i liiiiive for drama pls

childhood sweethearts (with a twist)

okay but a plot where close childhood friends reunite — except muse a was in love with muse b growing up, and muse b became muse a’s best friend’s high school sweetheart. muse a concealed their feelings for muse b all throughout their friendship, in high school & college, although both muses definitely had feelings & felt sparks for one another long before muse b started dating muse a’s best friend. despite the connection they’d felt, neither wanted to jeopardize any of the friendships between the three, and ultimately, muse b ended up married to muse a’s bff… except now, years later, muse a and muse b reunite at muse a’s best friend’s funeral. imagine the hurt of losing a loved one but having the comfort of yet another loved one?? blurred lines, tension, second-guesses…….

let me take care of you (southern charm)

okay so i’ve been kicking around a ranch hand plot where muse a is looking for help around the ranch they’ve just inherited due to a death in the family, and seeing as they’re just one person with lots of land, and virtually no knowledge on how to take care of it, it’s impossible to go it all on their own… enter muse b. muse b, a man who not only knows how to work the land but can take care of the ranch with ease, finds it impossible to not take care of muse a, while he's at it. just give me texan sunsets and lovers with low static music crooning in the background from some vinyl record please & ty

friends with benefits (with feelings)

a friends with benefits plot where muse a is dead-set, hellbent on not having a relationship and not getting too intimately involved with muse b; muse b has been in love with muse a for years, and muse a knows this, but still can’t bring themselves to get emotionally attached. i need tensionnnn and like, a lil toxicity ykwim??? for the angst omg 

will you come find me (after the after party?)

so hear me out — a plot where muse a and muse b met at a friend of a friend’s party & instantly hit it off. muse a is immediately infatuated with muse b — they laugh, talk, drink; they even make an incredible beer pong team. at some point during the night, muse a decides to put the moves on muse b. however, after leaving to get them some drinks, muse a comes back to find muse b kissing someone else… and to make it worse? it’s their boyfriend/girlfriend. tbh this plot could have the potential of a shakespearean comedy if we did it right akdjgh ok i'm talking messssssssyyyy 

you feel like home (but i’ve got a different address)

okay so i need a tense plot where muse a and muse b are soulmates, beyond the shadow of a doubt — but muse a is married to a nightmare of a spouse. little by little, they spend more time together one on one, but it’s getting increasingly harder for muse b to see muse a with their spouse, especially knowing how that spouse treats muse a. idk this is a rough plot/work in progress plot but i feel like it has potential to go somewhere!!!

— as always, send an ask or a private message if you'd be interested in any of these up!! happy writing 🥰🥰

[scftlightz]

okay  so  i  had  to  type  it  before  i  forget  it.

a  witness  protection  couple??  like  they  could  be  total  strangers,  exes,  friends,  ect.  but  they  both  could  have  witnessed  a  crime  (  that  could  or  could  not  be  related!  )  so  they  get  paired  in  witness  protection,  and  living  far  from  what  they  could  remember  about  their  old  lives.  having  new  identities  and  given  certain  restrictions.  bonus  points  if  it's  and  older  pairing.

[slickvinyl]

𑑛 001. PLOTS INSPIRED BY MY SPOTIFY.

𝐩𝐢𝐧𝐤 𝐥𝐞𝐦𝐨𝐧𝐚𝐝𝐞 / muse a and muse b have this flirty situationship ⸻ they’re sweet and sour, like pink lemonade on a summer day. muse a is an optimist, always looking for the bright side, even when muse b is distant or pulling away. their dynamic is like the perfect summer fling. muse a wants to believe there’s more than just a fling, but every time they bring it up, muse b either disappears or drowns it in sweet talk and promises that taste good but fade away quickly. muse a is stuck in that in-between, waiting for the ice to melt in a cold drink, knowing that something sweet and refreshing won’t last forever.

𝐤𝐢𝐬𝐬𝐢𝐧𝐠 𝐢𝐧 𝐩𝐮𝐛𝐥𝐢𝐜 / muse a and muse b are best friends who have been dancing around their feelings for years. they’ve never let themselves slip, never let the world see that their touches last a little too long. but one night, at a crowded party, they can’t hold back anymore. they’re kissing in public ⸻ and it's undeniable. the thrill of it all tastes electric, but as they come up for air, they’re faced with the reality: what now? everyone saw. there’s no more hiding behind jokes. it’s either everything or nothing, and neither of them is sure which they’re ready for.

𝐡𝐞𝐫𝐞 𝐰𝐞 𝐠𝐨 (𝐮𝐡 𝐨𝐡) / muse a and muse b have always been in each other’s lives ⸻ circling, always “almost.” but every time they think they’re ready to be together, something comes up ⸻ an old flame, a new job, an argument that never really ends. it’s always: here we go again. but this time feels different. this time, muse a can’t stop the feeling that it’s now or never. muse b is more cautious, worried about repeating the same mistakes. they’re both tired of the back and forth but can’t deny the fire when they’re together. it’s a gamble⸻ will this be the time they finally get it right, or just another “uh oh” moment they’ll never learn from?

𝐬𝐚𝐦𝐞 𝐦𝐢𝐬𝐭𝐚𝐤𝐞 / muse a and muse b broke up months ago, but neither of them has truly let go. they still text late at night, still see each other "by accident," still end up in each other’s beds knowing it always ends the same. muse a swears they’re over it, but every time muse b calls, they pick up. muse b keeps saying they’ve changed, they’re better now ⸻ but the apologies feel recycled and the delusion has worn off. muse b ghosts them and asks like they don't even know muse a's name. it’s a cycle, like a song on loop. they both know how this ends, but it’s easier to replay the same mistake than face the silence of letting go.

𝟓 𝐦𝐢𝐧𝐮𝐭𝐞𝐬 / muse a and muse b are in an early-stage relationship where every moment feels precious. muse a, always on the move, is constantly pulled away by real-world responsibilities, while muse b yearns for just a little more time together. each morning, as muse a prepares to leave, muse b playfully pleads, “just five more minutes,” hoping to prolong their shared intimacy. their dynamic is a delicate balance of love and the ticking clock, showcasing the bittersweet nature of our favorite moments and the wish to make them last forever.

[terrorbitch]

open to: w & nb.

plot: our muses are frenemies (maybe codependent besties who hate and love each other, rivals of some sort, sorority sisters, etc.) and they got into a fight before a big party and ended up splitting up in the beginning of the night. now that it's been a few hours, your muse is looking for her and ... well, surprise! super 'innocent' and mildly religious romy is in the woods with a lower classman. and they lock eyes?

there was a secret anger that boiled underneath the surface. every time her 'friend' tried to set her up with some guy at one of these parties, he was always such a loser. thankfully, she had a few girls she could pull away to help take out her anger on. sneaking away, deep into the woods, she had pushed the girl onto her knees. she already forgot her name, but she had looked up at her eagerly ⸺ and ro couldn't help but smile at the way she did. with her dress pushed up, she grabbed the girl by her hair and made quick use of her mouth. a movement caught her eye for a moment, glancing over to catch said friend staring at them. for a minute, ro thought to push the girl off of her... but instead, she kept eye contact. instead, she moaned out a little louder and pulled her closer. she daringly stared into her friend's eyes, feeling so much better than she had before.

[indieyuugure]

Hey Indie, i have a question about your au (indie tmnt) karai is gonna be mutated into a mutant white worned viper like the 2012 séries or in an another animal?

Enjoy your time with your friend <3

Thank you! Yeah I had lot’s of fun! Always good to see an old friend ^v^ hopefully it won’t be so long till we see each other again.

Hm…well I’ve had this idea floating around in my head for a little while now, though I’m not totally 100% on it.

Idk yet how I want it to happen, the sketch on here has a situation like how Jennika was mutated, though I’ve thought maybe a 2012 Karai situation could be interesting too (like Leo brushes her fingertips but doesn’t quite grab her hand and she falls into a vat of mutagen anyway).

If I did do something like this though, it would definitely be temporary! As much as I love the idea of them both being turtles, the DNA situation is so…complicated and weird and I just really don’t wanna have to deal with it, plus it gives me an excuse for a plot where Donnie’s gotta figure out how to make retro-mutagen, which I could then use later, but who knows, I haven’t really thought about it too much.

Good question! :]

[thewriteadviceforwriters]

Hiii, I just dicovered your acc and i'm loving it 🥰 I have this lil problem where I have in mind and write scenes but without a plot. And I'm very fond to the characters so I can't put them into a plot because I don't want them to suffer or a think if they do suffer it'll we forced and too much. Any tips for that?

How to Plot A Novel If You Only Have Characters & Scenes

So, you have a great cast of characters and some exciting scenes in mind, but you're struggling to put them together into a cohesive plot. Don't worry, you're not alone. Many writers struggle with plotting their novels, especially when they have a strong focus on characters and scenes. I have also been facing difficulties with this recently. But fear not, in this article, I’ll help you explore how you can plot a novel even if you only have characters and scenes to work with.

Why Is Plotting Important?

Before we dive into the how, let's first understand why plotting is important. A well-crafted plot is the backbone of any successful novel. It keeps readers engaged, creates tension and conflict, and ultimately leads to a satisfying resolution. Without a strong plot, your novel may fall flat and fail to capture the attention of readers.

Types of Plots

There are many different types of plots, but they can generally be categorized into three main types: character-driven, plot-driven, and hybrid.

Character-driven plots focus on the internal struggles and growth of the main character. The plot is driven by the character's desires, flaws, and decisions.

Plot-driven plots focus on external events and conflicts that drive the story forward. The characters may still have their own arcs, but the main focus is on the events and how they affect the characters.

Hybrid plots combine elements of both character-driven and plot-driven plots. They have a balance of internal and external conflicts that drive the story forward.

Understanding the type of plot you want to create can help guide your plotting process.

How to Plot A Novel with Only Characters & Scenes

Now that we understand the importance of plotting and the different types of plots, let's explore how you can plot a novel with only characters and scenes.

Start with Your Characters

Since you already have a strong cast of characters, it makes sense to start with them. Take some time to fully develop your characters, including their personalities, motivations, and flaws. This will help you understand how they will react in different situations and what conflicts they may face.

Identify Your Main Conflict

Every novel needs a main conflict that drives the story forward. This could be a physical conflict, such as a battle or a chase, or an emotional conflict, such as a character's internal struggle. Identify what the main conflict in your novel will be and how it will affect your characters.

Create a Story Structure

A story structure is a framework that helps guide the flow of your novel. It typically includes the beginning, middle, and end, and can be broken down further into acts or chapters. Creating a story structure can help you see the bigger picture of your novel and how your characters and scenes fit into it.

Map Out Your Scenes (High Priority) 🚩

Now it's time to map out your scenes. Start by listing all the scenes you have in mind, even if they are not in chronological order. Then, arrange them in a logical order that makes sense for your story. This may require some rearranging and tweaking to ensure a smooth flow of events.

Connect Your Scenes with Conflict (High Priority) 🚩

Once you have your scenes in order, it's time to connect them with conflict. Every scene should have some form of conflict, whether it's internal or external. This will keep readers engaged and drive the story forward. Look at each scene and identify the conflict present, and how it connects to the main conflict of the novel.

Create a Character Arc for Each Character

As your characters go through different conflicts and events, they should also experience growth and change. This is where character arcs come in. A character arc is the journey a character goes through, from their initial state to their final state. Create a character arc for each of your main characters, and make sure their actions and decisions align with their arc.

Add Subplots

Subplots are smaller storylines that run parallel to the main plot. They add depth and complexity to your novel and can help develop your characters further. Look at your characters and see if there are any side stories or relationships that could be explored in a subplot. Just make sure they tie back to the main plot in some way.

Use Plotting Tools

If you're struggling to put all the pieces together, consider using some plotting tools to help you. There are many resources available, such as plot diagrams, beat sheets, and storyboards, that can help you visualize your plot and ensure all the elements are in place. If you need help with scene structure use my new scene workbook here.

Real-World Examples of Plotting with Characters & Scenes

One example of a novel that successfully uses characters and scenes to drive the plot is "To Kill a Mockingbird" by Harper Lee. The main conflict is the trial of Tom Robinson, but it is the characters, particularly Scout and Atticus, and their reactions to the events that drive the story forward.

Another example is "The Hunger Games" by Suzanne Collins. The main conflict is the Hunger Games themselves, but it is Katniss' internal struggle and her relationships with other characters that keep readers engaged and invested in the story.

Final Thoughts

Plotting a novel with only characters and scenes may seem daunting, but with the right approach, it can be done successfully. Start by fully developing your characters, identifying the main conflict, and creating a story structure. Then, map out your scenes, connect them with conflict, and create character arcs. Don't be afraid to use plotting tools to help you along the way. With these tips, you'll be on your way to crafting a compelling plot that will keep readers hooked until the very end.

If you require assistance with developing your scene structure, you can access my Scene Workbook for Writers at no cost.

I am sorry to the individual who sent me this question. I have a lot of questions in my Tumblr inbox and have only recently come across this nice question. I apologize for the 4-month delay.

[agronzky]

⠀⠀⠀𝐏𝐋𝐎𝐓𝐒 𝐈𝐍𝐒𝐏𝐈𝐑𝐄𝐃 𝐁𝐘 𝐀𝐁𝐁𝐀 𝐒𝐎𝐍𝐆𝐒. ♡

Below you’ll find five plots created inspired by the songs of the swedish group ABBA. These can be used in romantic plots, but also adapted for other types of narrative.

ONE OF US. ( 1981, The Visitors )

Muse a and muse b had a relationship for a few years, but broke up for having very opposite visions of life. Muse a is an artist, sees the world in color and dreams of knowing more about everything, being an enthusiast of all things creative and artistic. Meanwhile, muse b is a businessperson who comes from a traditional family and has always dreamed of becoming the best in their field and living a peaceful life. A few years after breaking up, they meet again, having achieved some of their dreams. Muse a is a recognized artist, travels the world and can live life according to their own wishes, while muse b has achieved a high position in a global company, is recognized and lectures on business and how to achieve objectives. However, they both feel there is something missing in their lives and cannot feel truly fulfilled. The reunion therefore causes mixed feelings, mainly fights about the past, about how muse a cried for months or how muse b felt too small and useless. But something inside them still shines through and maybe there's still a chance. Or will someone get hurt in this story once again?

WHY DID IT HAVE TO BE ME? ( 1976, Arrival )

In a charming seaside village lives muse a, a talented young violinist whose passion for music sets them apart from the rest. Cheerful as ever, their contagious joy and love of life has always attracted curious eyes, especially those of muse b, an introspective painter who finds beauty in the little things. Their lives take an unexpected turn when a summer festival is announced in the town, promising a talent contest. Muse a and muse b end up getting involved in the planning of the contest, causing them to suddenly grow closer and start spending a lot of time together, whether naturally or not. Because muse a is very authentic and distracted, they get into a lot of trouble to make the contest happen, which forces muse b out of their comfort zone. Feelings begin to emerge naturally, making them think "Why did it have to be me?" and deciding, unaware of the other's decision, to perform in the show as a way of expressing their feelings.

MONEY, MONEY, MONEY. ( 1976, Arrival )

In the busy alleys of a bustling city, muse a is trapped in a routine of debt and financial difficulties. Working tirelessly at a job that barely pays the bills, they dream of a life of luxury and comfort. In a twist of fate, muse a meets muse b, a charismatic businessperson who has always lived in a world where money has never been a problem. When they notice muse a's situation, muse b decides to hide their lifestyle for fear of being attracted to them for that reason alone. Muse a begins to get closer to muse b, having someone to talk to who seems to understand everything. However, muse b's lies start to cause a lot of confusion for both of them and they have to choose whether they really want muse a to live in a lie forever or to tell the truth.

LAY ALL YOUR LOVE ON ME. ( 1980, Supertrouper )

In the picturesque setting of a coastal island lives muse a, a lonely sculptor whose heart was closed after a traumatic relationship. Everything changes when they meet muse b, a mysterious person who arrives on the island in search of a fresh start. As they grow closer, muse a discovers the painful secrets that muse b hides, making their time together a way to begin to heal past wounds. Discovering they've both been through toxic relationships and a series of betrayals, muse a and muse b contemplate the possibility of love no longer existing and have to deal with this situation. But when muse b's former partner turns up on the island looking for reconciliation, muse a realizes that their hearts are no longer closed to love. They're completely won over by muse b and will do whatever to have them.

WATERLOO. ( 1974, Waterloo )

Muse a is a determined and charismatic person who works as a tour guide in a historic town. Their lives change when they meet muse b, a charming and enigmatic historian. Their attraction is immediate, but they soon discover sharing a rivalry in the search for information about an ancient secret of the city. As muse a and muse b compete to unravel the centuries-old mystery in an almost real war of espionage and tactics, they discover how they'll need to combine the information they've collected individually if they really want to uncover the secret. As time goes by, they discover more in common than previously thought, find it much easier to work together and start to having a lot of fun with everything discovering more of the town and themselfs.

[soultiies]

plot idea: muse a is a pro athlete from a small town and their whole childhood was their parents pushing them to be the best to play at a professional level. muse b was their high school relationship but low and behold graduation came around and when muse a got offered a professional contract they chose their sport over love because it's what they worked for their whole life. but hey its christmas break and they're back in town for a few days and they think theyre some hot big shot. give me hot steamy angst yes.

[tatisources]

give me this super broke but madly in love couple. muse a was a trust fund baby not doing much with their lives except living large. muse b was struggling to make it to the end of each month. somehow, they met and fell in love. muse a parents were against their child being with muse b and threatened to cut them off if they didn't end the relationship. not only did muse a not end it but they skipped town with muse b where no one knew them and started fresh. they live in a trailer, have weird neighbours but at night, they stay up and look at the stars, entirely happy with their lives. we write it all, from their first meeting to the complications of them together to their happiness. give me them over decades, the whole of their lives.

[petitsdieu]

i've watched someone's playthru of the quarry (2022 video game) and i'm afraid i need a plot inspired by it.

[lucifersbonemarrow]

Discord writers call!

After a lengthy break from writing, I'm trying to get back into things!

If you're the type to enjoy writing dark fantasy, cult themes and mafia / organised crime aesthetics, drop me a message or like the post and I'll reach out to you!

I'm primarily on my phone so I'm short concise replies that keep the story moving for now. Around 1 easy para max.

I don't use - nor will I use - faceclaims. This seems like a big deal for many but my OC's are fictional and no RL person works for me. I'll be as descriptive as I can be when writing them though.

All I ask is that you are 21+ , I don't write with anyone under that as I like to do darker themes and NSFW storylines.

I like to double up or create a mumu rather than one thread to keep OC's even be it MxM, FxF & MxF. The sky is the limit.

I don't particularly have any rules. Don't make things weird and it should be cool, y'know?

[mideums]

rough plot idea set in a dystopian future world where muse a is a successful, world-renowned scientist who values their solitude and independence. after a near-death experience, muse a craves human connection in a world that has made that sort of relationship increasingly rare to come by. they end up buying muse b, a basic android companion, to keep them company, even if it is artificial. eventually, they become unsatisfied with the android’s very basic emotional capabilities and decide to make updates to its software so that muse b can be more human-like. muse b develops something similar to consciousness and suddenly can feel and think independently. they crave new experiences and, most importantly, muse a’s unceasing attention.

[farfallasplots]

𝐏𝐋𝐎𝐓𝐒 𝐁𝐀𝐒𝐄𝐃 𝐎𝐅𝐅 𝐎𝐅 𝐁𝐄𝐘𝐎𝐍𝐂𝐄́ 𝐒𝐎𝐍𝐆𝐒.

DAUGHTER (ominous ballad)

could love kill? muse a loved muse b deeply. beyond, words, beyond worlds. muse a would kill for them. things were perfect between them, but for the past weeks muse a always had a hunch that something was off. muse b would come home late, reeking of the smell of cheap perfume. lip stick stains unapologetically tattooed on his neck. when muse a finally has enough, she follows him, tracks his messages, finds where that bitch lives. muse a walks into them in the act, with the night ending in a bloody horror.

SIX INCH. (ominous trap)

muse a is (insert city of choice)’s most famed night worker, by day she’s a loving wife to muse b, and to their knowledge a night shift nurse at (city’s) hospital. when’s she taken by her regular, son of (city)’s cartel, its up to muse b to find her and unravel the truth about her dark past and her ties to (city’s) most notorious drug family.

II MOST WANTED (pop ballad)

inspired by bonnie and clyde.

muse a & muse b, childhood friends turned lovers, turned notorious robbers are heading on their biggest and most challenging heist yet. robbing the biggest bank in los angeles. when the heist goes wrong, causing them to flee and head out east, they lay low for a few months before deciding to rob a small bank in (new city), ultimately leading them to a firey shootout and their demise.

[terrorbitch]

𝐬𝐩𝐨𝐨𝐤𝐲 𝐩𝐥𝐨𝐭𝐬 𝐛𝐚𝐬𝐞𝐝 𝐨𝐧 𝐦𝐲 𝐡𝐚𝐥𝐥𝐨𝐰𝐞𝐞𝐧 𝐩𝐥𝐚𝐲𝐥𝐢𝐬𝐭, 𝐩𝐚𝐫𝐭 𝐢.

mother’s daughter: muse a has had a pretty rough childhood. when her mother was a teen, she got pregnant early with muse a and was tormented relentlessly. it made her snap and attempt to kill the girls who were making fun of her. in the end, she was apprehended and put in a mental health facility to live out the rest of her days. fast forward 20+ years and muse b is the child of the ‘final girl’. everyone thought that the baby had not been born, but muse a is out there, terrorizing muse b and their friends because of what happened to her mother. she could be hiding in plain sight, being friends with the group (and has been for years) or is a stranger.

bury a friend: after a freak accident, muse a and muse b accidentally kill their mutual friend. whether or not it’s an actual accident is up to you. muse a goes completely numb, and muse b is picking up the pieces, trying to figure out how to get away from the guilt. muse a ends up having a taste for killing, and muse b is left trying to clean up their messes so they don’t get caught. 

twisted teeth: muse a is part of a coven of prominent vampires, who don’t often associate with other beings… especially humans. however, muse a is a bit of a rebel and likes to blend in with humans as a bit of a game. but when they meet muse b, everything changes. there is a primal desire to bond in a way that muse a has never felt before. now muse a is trying to figure out how to come clean to muse b, all the while trying not to feed from them. 

maneater: two cannibals who fall in love, but neither of them know that they eat people and their taste seems to be for each other. think of mr. and mrs. smith, but instead of having a hit on each other… they’re just cannibals. 

writer in the dark: muse a is a wanderer, going from place to place and just living life with nothing holding them back. muse b is a beautiful recluse, potentially some sort of demon/witch, who lives in a cabin in the middle of the woods. muse a ends up stumbling upon this cabin, and ends up getting locked in there with muse b. there is no way out, so muse a begins to learn how to live with muse b and being their muse.

rhiannon: muse a is a historian studying the hauntings of an old ghost in a small town, and has moved into a cheap mansion on the hill. newcomers will be bewitched by the ghost’s song. muse b is the ghost in question, burned by a scorned lover so she wouldn’t say his secrets. the ghost was murdered in the mansion that muse a is living in, and only comes to life when a resident is there. muse a finds themselves bewitched by the song and voice of muse b, who has been materializing in front of them. except it seems that the two are falling in love in an unconventional way. 

bring me to life: muse a and muse b were newly weds when muse a died suddenly. muse b did everything they could to save them, and was greeted by a demon after a last ditch effort to bring their love back to life. they do a ritual, and end up beginning muse a back to life… except something is wrong. muse a has some sort of bloodlust, and muse b has to figure out how to satiate it as they navigate living new life.