#it doesn't make her RIGHT

[bluerosefox]

Uncle Damian Mode ACTIVATE

Twins Danny and Damian but! They both know where the other is (Damian going to Bruce and Danny being sent to the Fentons on a mission at a young age), has kept in touch and all that.

They just...never got around to telling anyone about the other.

That is until Danny comes interrupting Damian on patrol one night in a panic, pushes a bundle into his arms and hurriedly says "Read our texts! It'll explain! I gotta go, got a fruitloop on my tail! Be back when I can!"

And rushes off. When Damian looks down at the bundle in his arm, ignoring the yelling on comms and Nightwing rushing over, he is stunned to see a almost identical face to that of his brother staring back at him, only he can tell its female from the more delicate features.

When he later reads the texts his brother sent during his patrol... well he's tempted to go fruitloop hunting but he has a niece to take of... and inform his father of his granddaughter he's currently holding.

[imissthembutitwasntadisaster]

Donna Noble really got in the TARDIS and on trip number ONE like ONLY the FIRST trip she was like we are going to change history to save a single family because that is how it should work so that is how it does and then on trip number TWO on the SECOND trip she was like we are going to destroy an entire culture of slavery because it is right I don't care if we're two people and then on the THIRD trip she was like I am going to be unbelievably brave to save my home and everyone I love and then on the FOURTH trip she was like no living breathing thinking creature is less than a person and how dare you try to dehumanise someone like that how dare you not give her a name and the list GOES ON this woman NEVER MISSED there goes one of the kindest bravest most constant women you might ever meet and she's a temp from Chiswick

[vaguely-concerned]

sometimes I think of all the on-the-surface warm, well-meaning but deeply ineffectual advice and attention john gives harrow through harrow the ninth (make some soup and get some sleep! get a hobby! don't be so hard on yourself! self care harrow! as long as I need take no actual responsibility in this relationship whatsoever I would have loved to be your dad!) set up against the stark truth that with his other hand he has been staging her attempted horrific murder again and again and again like a living nightmare on the logic that it will 'put her down or fix her'. and then I find that I wish there is a hell. a special hell where twitch streamers turned necromantic death emperors go

[inkskinned]

one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.

in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.

disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.

desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.

in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?

we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.

except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?

and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.

to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."

this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.

in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.

the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.

and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.

some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.

the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.

we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?

"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.

there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.

[bixels]

I'm glad nobody's questioned why Sunset's personality is so different in the AU, but I'll explained anyways. AU Sunset basically has Tempest Shadow's personality. I decided not to adapt Tempest because too many redeemed villains, she doesn't play an important role in the overall story, and her broken horn is so cool and unique to her as a unicorn that any adaptation wouldn't do it justice. So I fused the two together. Sunset's backstory and hotheadedness with Tempest's tired, jaded, anti-social disposition and fighting skills.

Anyways, I hope it's not too jarring of a change. The more I develop Sunset, the more you'll probably notice how OOC she seems. I'll probably end up adopting Sunset into an OC once I'm done with the AU, since she's basically a completely different character.

[yashley]

Did she keep you trapped?

[mayasaura]

I dunno man. Maybe canon will prove me wrong, but I don't think the name Kiriona was forced on Gideon. Gideon, who has wanted her whole life to feel like she's wanted by someone and belongs somewhere. If her newly-found father took her aside and said "In the language of my grandparents, our ancestors, your name is pronounced Kiriona. I would like to call you that, to save on confusion." I just... I think she'd be cool with saying yes.

She doesn't really identify with it, and she has highly ambivalent feelings about the father in question, but the name Kiriona connects her with grandparents. It might have been what her great-grandmother would have called her, if things had ever been simple and kind enough that they could have met. Kiriona offers her a place to belong in connection with the generations before her. As much as it's not enough, not on its own and as isolated from those generations and that culture as she is, its also not nothing. And I can't believe it's less than nothing.

[lunar-years]

It's interesting that when Keeley is telling Ted about the implications of that photo of him and her leaking to The Sun, she says "Jamie is going to go mental" but it's not followed up with "he's going to think i cheated on him" or "he's going to break up with me" or "it's going to ruin our relationship" it's instead followed up by, "there's going to be photographers all over us!" And later when she's talking to Rebecca it's, "My god, Jamie would've been so pissed off with reporters poking around in our love life." There's something to be said for like, she never once expresses doubt that Jamie won't hear her out on the truth or believe what she tells him. The major focus of her concern is just keeping their business out of the press. Their relationship in season one is far from perfect but there's a lot of implicit trust between them.

[bitchthefuck1]

I feel like people sometimes have a tendency to paint Inej as a little too wide-eyed and borderline naive and I feel like that's such a misread and disservice to her character, because her faith and hope for a better future isn't some misguided assumption that everything will be okay or that the world isn't so bad. She knows exactly how bad things can be and exactly what kind of evil people are capable of, and she's saying "fuck you, you can take my autonomy and my childhood and maybe I'll never see my family or home again, but I will literally die before I let make me think that the shit I've been through is all there is. The beauty and love I experienced was real and valuable and nothing you do or say will make me let go of that or believe it's not possible for me to have again," and it is genuinely the most incredible and real thing in those books.

Inej has fought tooth and nail for every ounce of goodness she has and she'll keep wringing it out of the world because those things are real and possible no matter what, and there's nothing naive about it.

[starflungwaddledee]

Oooo starstruck dee has little stars at the bottom of her feet! Are they just aesthetic or would they make imprints into the ground? (like pawprints)

exactly like that! though she's not the only one...

edit: might need to add some additional dialogue to this to make it more clear, but a clarification in the interim; he knows about his own footprints. he's just surprised to see something similar already there when he knows he's only just landed. he lifts his own shoe to confirm that they're not identical (and also to reveal this to the viewer). seems his stoicism beat off the clarity in this one, sorry 😭

[booasaur]

Monarch: Legacy of Monsters - 1x04

[stop-breaking-my-heart-dragonage]

I said I wasn't going to get started on the topic of Aveline ruining Carver's chances with the guard but I lied okay, it's Carver Hawke defense hours.

Here's the thing; it doesn't matter if you believe Carver was or wasn't fit for the guard. That's a different debate that I'll get to. What matters is Aveline's in no position to tell the guard not to accept his application. Why does she think that's her right to judge whether or not he's fit?

Carver should've had the chance to prove himself one way or another. If it turns out he's not a good fit, then let him fail. Let him learn from it.

"Oh but failure could mean lost lives-"

Aveline doesn't get to talk shit about failure and the people. Plenty have died on her watch yet she still believes she's a good guard and Guard-Captain.

"maybe Aveline's protecting him, Carver could die while on patrol-"

Carver could die working in the Bone Pit, or serving as a templar, or when he's running around with Hawke. Carver could trip and fall down a set of stairs and die. In fact, he can die in the Deep Roads, somewhere he wouldn't have to go if the Hawke's weren't desperate.

Either Carver fails as a guard, or more likely, he succeeds and proves himself worthy of it.

But let's be real, Carver probably kept getting rejected due to being a Fereldan with a past of smuggling/mercenary work and Aveline only reaffirmed the decision, either because they asked her what she thought or she stuck her nose in unprompted.

But what irritates me is that she admits to telling them not to accept his application, and then has the balls to call Carver too proud to take up a trade or find another line of work.

Carver tells her, "And who would take on a Fereldan apprentice? Maybe in another year I could work my way up to pissboy." He has a good point here. Aside from the guard, the only other place Carver could work and use his skillset is with the Templars. Or go back to mercenary/smuggling work.

And Aveline doesn't even have a real answer for him. No suggestions, no encouragement, nothing. Just "Fine, let's crawl down some holes. Good bloody luck for your sake."

Also, if you do the Mark of the Assassin DLC in Act 1-

Aveline: You should see if any of the noblemen are looking for new men-at-arms. Carver: Are you trying to get rid of me? Aveline: It's a role with some autonomy. A good fit with your training and... tendencies. Carver: After serving King Cailan? You want me to suffer some poncy git who needs two servants to wipe his own ass? I'll find my own way, thanks. Aveline: I wish you would.

You wish he would?? Aveline, he was trying to find his way into the guard, a position he'd make a good fit for, and you helped deny him of it because YOU didn't think he would be good enough, I just-

If I haven't made it clear yet, I firmly believe that Carver would've made a great guard. He wants to help people, to be a protector. He's loyal, and despite what Aveline claims, he can follow orders and take his duty seriously. We see him do incredibly well with the Grey Wardens, after all. If he were a guard, he wouldn't have to go down into the Deep Roads with Hawke, and I think he would've been okay with that! He's so hurt and bitter when you leave him behind because that effectively tells him, "I don't need you." Carver's spent the whole first act telling you he wants to go on the expedition aka that he wants to be needed.

But if he were a guard, he would be needed elsewhere. He'd be in training as a recruit. He'd look after Leandra while you go. He wouldn't be backed into a corner with no income and only the templars left as his chance at forging his own path and providing for his family.

He doesn't get that opportunity, though.

By the way, if he becomes a warden, you can get this banter:

Aveline: I'm glad you found a place with the Wardens. Carver: Well, it's not the city guard, but it'll do. Aveline: Carver... it wasn't the place for you. Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well...

This banter makes me want to scream.

Aveline's just... she's so insistent that she's right. She's someone who will double down rather than entertain the idea that she's wrong and it's not just with Carver and the guard, it's with everything. The "my beef with Aveline" list gets longer and longer every time I replay da2, I swear.

Say what you will about Carver, whether you think he would've been a good fit or if Aveline's right and it wasn't for him, he was denied a chance and it cost him so much in the end. He either dies, or he joins the templars where he deals with Chantry's bullshit trying to brainwash him with "mages aren't people" and "magic is a cancer in this world", or he's infected with the blight and becomes a Grey Warden, forced to serve the rest of his life fighting darkspawn, tormented by voices and nightmares.

I will never not be bitter about this.

[bumblingbabooshka]

My name is [BRUTUS] and my name means [HEAVY] so with a [HEAVY] heart I'll guide this dagger Into the heart of my enemy

Something about having absolutely no choice in who you marry. About being literally forced by the law to spill blood - to accept this stranger as your husband over a man you truly care for or accept the fact that the man you love might die because you put him in danger. Something about risking becoming the wife of a man you've never even seen before a few minutes prior because you know anything would be better than putting your beloved in harm's way. Something about the trust inherent in that decision and in the way she speaks of it after. Truthfully, T'Pring doesn't know the captain and she doesn't know Spock. Either one of them could have taken her as their wife but she does know Stonn. She knows that Stonn will remain by her side no matter what. They made a plan together. They have an agreement which T'Pring believes will be upheld even though the plan changed with the arrival of Kirk. Stonn will always be there, always, and Stonn will be hers. Something about the language used around T'Pring: Ownership, subservience, non-personhood. T'Pring is an object that Spock can win. She cannot reject him, she has no say in the matter other than having Stonn 'claim' her instead. Even when Spock leaves after being very clearly rejected by T'Pring he says "Stonn, she is yours." as if despite her clear rejection he still owns her and is must formally 'give' her to Stonn. But the language T'Pring uses around Stonn is a break from that: "There was Stonn who wanted very much to be my consort, and I wanted him." Stonn who wanted very much to be HER consort and she WANTED him. The language here is very particular - It's not, for example: "Stonn wanted me to be his wife" - he is HERS. And she WANTS him. There's a mutual affection there and a strong trust - a trust which seems to be well founded since Stonn (though silent) stands by her side at the end of the episode. <- That might seem small but if Spock would reject her for 'daring to challenge' (again, the language is not 'because I don't want you' but more of an implied disgust at her having the AUDACITY to reject him) then it's not a stretch to assume that it'd be considered an insult in the TOS Vulcan society to NOT choose Stonn as her champion after a prior agreement. Anyway T'Pring was a woman in an impossible situation within a society which saw her as more of an object than a person and she wanted Stonn and Stonn wanted to be hers and she trusted that he would understand if she had to publicly pick someone else to ensure his life would be spared and he did understand.

[200llbun]

Au where Dipper is deadass blind (working at the library) and cannot see the tall lanky monster thingy in front of him and just kinda assumes it's a human - he knows somethings a bit off about the guy, but he stops his assumptions there bc it's rude and he got over his paranormal phase years ago. (He didn't)

[possamble]

do you have any particular thoughts regarding marcille being a half-elf? its interesting to me considering the fact that she seems self-conscious about being a half-elf, but denies it when its brought up

i remember marcille looking visibly uncomfortable over laios simply asking her how old she is, which i think the only reason she might feel nervous about this is because it might reveal her as a half-elf to him.

she's never corrected anybody whose called her an elf either.

never mind the circumstances of the reveal, in which thistle goes on about how half-elves are inferior and accusing her of wanting to become full blooded elf, she seemed particularly upset like he struck a nerve-

i wish the half-elf thing was built upon more. also, underrated marcille line:

okay so i revisited this sequence just to make sure I could back myself up and it's just... man. there's a lot going on.

the first reaction we get from Marcille is this huge panel that takes up half of the page

she is viscerally affected. flushing to the tips of her ears with the intensity of it. and we see it again, a few pages later

so it might seem like she's embarrassed about it and lying to herself, but... I really think it's just that Thistle is accidentally hitting sore spots. If you really look at what he says to get these reactions

"you'll live out your entire life [...] and die that way too"

"a hundred years from now, nobody will be there"

Hear me out. I think, if he stuck to harping on about her inferiority without bringing up how terrifyingly long-lived she is, she wouldn't have been as bothered. But right now, Thistle is accidentally hitting all the marks on Marcille's deepest fears-- and this is after the Winged Lion promised her that her dreams could come true in an extremely vulnerable moment, so it also hits her slightly guilty conscience as well.

I do truly believe that Marcille isn't bothered about being a half-elf the way that people assume she'd be bothered by it. To her, the biggest problem with being a half-elf is that it's isolating.

On one hand, it's not hard to imagine why she'd distance herself from elves in the west. A lot of them can clock her as a half-elf on sight, unlike other races, and therefore she's always branded with this weird stigma of being Othered -- I would even say that she considers herself lucky for being born outside of elven culture instead of having to grow up in it. I mean, just... look at the way elves talk about her.

Skipping past the uncomfortable implication of what 'not tolerating the existence' of half-elves would actually entail, this is incredibly fucking annoying. You can see why she wouldn't want to be around elves much. You see a lot of Marcille reacting badly here, but honestly, almost all of it can be attributed to her freaking out that her bluff completely failed. She's honestly more paying attention to Izutsumi's footsteps and trying to coordinate an opportunity to escape.

And in the end, you see her built-up frustration at being asked if she wants to be a full-blooded elf like 2-3 times in a row.

Yeah, yeah, "the lady doth protest too much," and all. But we know Marcille. We know that she's a lot more embarrassed and horrendously unconvincing when she's being prodded about something she's actually self-conscious about.

Moving onto the flipside of things, it might seem weird that she "pretends" to be a full elf around other races, but it's not really that strange if you think about it. Again, people are weird about her being infertile or whatever, and a lots of them don't even know much about what sets half-elves apart from everyone else. I mean, look at how uncomfortable Laios is just asking her about it

and look at how exasperated and resigned she looks

And like... she's right. Where would that come up in normal conversation? Why would she go out of her way to tell them? She's functionally a normal elf to other races anyway -- got the ears, the abnormally long "childhood", and the huge mana capacity. Unless it's directly relevant or important for people to know, I don't think it's all that strange or indicative of insecurity that she prefers not to bother with it.

(This combined with her sense of being an "outsider" to elf culture also explains why she thinks elf superiority is embarrassing. She sees the way elves treat short-lived races from the "outsider" perspective nonetheless, and thinks it's obnoxious; especially more so because she usually has to play the elf around short-lived races and deal with the reputation of arrogance that elves have built up.)

The sad thing is, this all means that... she doesn't actually fit in anywhere. She doesn't like going out West much because of how elves treat her. But she's also an outsider in the continents she was born in, treated like this exotic long-lived alien choosing to live among short-lived races for some reason. She is always an outsider, the Other, no matter where she goes. Add in the fact that she'll live longer than literally anyone she knows, and it's honestly kind of heartbreaking.

And I think that's the crux of it. Marcille really doesn't act like she's at all self-conscious about being a half-elf because of any feelings of inferiority or being half-made or whatever. She considers herself a perfectly legitimate being and might even, in some ways, consider herself superior to normal elves because she's not blind with elf supremacy or whatever. (And whatever "elven biases" she displays, all of them are born more out of the fact that she's kind of bad at conceptualizing how other races age and mature compared to herself, not that she actually considers herself better or more mature simply for being an elf.)

I think that whatever self-consciousness Marcille has about being a half-elf is, instead, related to terror and loneliness. The reminder that it ensures she'll never truly belong anywhere for the rest of her very long life. The reminder that, in truth, even she's not actually sure how old she is by other races' standards (hence the discomfort when asked how old she is). She doesn't want to not be a half elf, or be a full elf or full tall-man-- in her ideal world, she's still a half-elf. She just gets to live out her life at the same pace with the people she loves and doesn't have to say goodbye again and again and again until she dies.

and one last very important panel, right after Mithrun tells her that all her desires would be devoured

In her ideal world, she's still a half-elf and reality magically starts marching at her pace. But failing that, the second best thing is that she's still a half-elf-- but one who is able to accept reality and let go of her fear.

(But the rest of the story pans out the way it does because, to Marcille, taking reality apart and reshaping it was less scary than simply and fully reconciling with it.)

[jtl-fics]

Fluent Freshman - Part 14

PREVIOUS

When Andrew came out of his bedroom to grab a second Allen wrench (he’s working on the frame of the dresser while Neil builds the drawers) he finds quite a few things to irritate him.

1st was the sound of his brother and his cousin arguing loudly. Andrew had been pretty clear that they needed to be quiet that morning but following Andrew’s clearly given guidelines was NEVER either of their strong suits.

2nd was the fact that there was a smell in the air that Andrew was unsure of. It wasn’t a bad smell. It didn’t smell like Nicky had left some component of the breakfast FF had bought to burn. Andrew sniffed the air again and…..lavender? It wasn’t really a smell that existed in the house of three college student boys.

3rd and most irritating was the fact that FF was not where Andrew had left him four hours ago on the couch. Again, Andrew had been pretty clear to both Nicky and Aaron that FF was to be left ALONE. FF hadn’t been able to go to sleep until Andrew had promised that nothing would happen to him while he slept.

He moves towards the kitchen table where Nicky and Aaron are eating some of the sour patch kids that FF had brought back as they argued, “He can’t be serious that Kate and I gross him out more than Andrew and Neil! I’ve seen how fast he walks away when they start getting gross.” He hears Aaron say.

“Aaron I have watched Smithy climb out a second story window because you and Katelyn started making out and he’d have to walk closer to you to go out the door.” Nicky returns. “I think you made him mad when you implied he was grossed out by Andrew and Neil. This is why I get spoon privileges and maybe, if Smithy is feeling forgiving, you can swipe your finger around the bowl.” he points at Aaron.

Andrew hangs back just out of sight.

He knows that FF does not like to be subjected to seeing PDA. A part of him feels…better at the confirmation that it really isn’t because him and Neil are both men. FF has seen them hold hands, kiss chastely, and lean on one another and been unbothered by that it was only when it started getting a little heated that  they’d realize that FF had left. FF never makes a scene about it, never scoffs in disgust or squeals in delight he just seems to see where it’s going and will leave if he doesn’t want to see it.

It’s nice.

“Well he’s probably mad at you for waking him up. Andrew said to leave him alone.” Aaron returns.

“He needs breakfast! He also has to take his ulcer meds at the same time so he had to wake up and eat something. He can go back to sleep after!” Nicky defends.

Andrew scowls. Ok. Nicky could live if that was the reason he woke FF up. Still, why the hell is FF in the kitchen and more importantly what bowl and spoon are Aaron and Nicky arguing over?

Andrew tunes his family’s argument out and heads to the kitchen to find FF putting a baking dish into their oven while incense burned on the counter (Andrew now realizes that was the thin box that had been in with the rest of the candy)

He sees the bowl and spoon that Nicky had mentioned and more importantly he can see the chocolate brownie batter on them. Andrew walks over to the bowl and picks it up. He wipes his finger along the inside and…

He closes his eyes for a moment to savor the flavor of the batter. He leans against the counter and his hand brushes against….a five hour energy bottle. Andrew knows he had thrown out the two he had found in FF’s bags before (Ulcer + exhaustion + FF = bad he didn’t need to be a math major like Neil to understand that math.)

Andrew shoves the bottle in his sweatshirt pocket as FF turns around and stares at him passively. FF’s eyebrow’s raise slightly but there’s no other reaction. Andrew considers that, perhaps, FF had wanted to lick the bowl.

He offers the spoon instead knowing it is the better prize but FF is the one who bought the ingredients and mixed together this amazing batter, so he gets first dibs.

“That wouldn’t be good for my stomach.” He declines and Andrew wonders if FF had taken his meds yet or, in his tired state, he’s forgotten to.

“When did you wake up?” Andrew asks.

“Hour ago.”

He should go back to sleep after he takes his meds but also knows that FF probably won’t go to sleep until the brownies are done.

“I’ll make the pie tomorrow.” FF says and Andrew blinks out of his thoughts.

Andrew decides to go get FF’s meds for him. He’ll make it clear to FF later that the guy doesn’t HAVE to keep making amazing desserts as a thanks for being invited to Columbia. If FF just so happens to WANT to keep making amazing desserts then Andrew isn’t going to be the person that stops him.

He shoves the spoon in his mouth and heads out to go find Smith’s bag and his meds.

Aaron and Nicky see him and both let out outraged noises as their quarry had been stolen.

Andrew ignores them and gets to the bag by the couch.

Who the fuck just has 14 bottles of five hour energy sitting in their bag??

***

When Andrew handed FF his ulcer meds he could admit to feeling grateful even if Andrew had obviously gone through his bag to grab it. He swallows it dry because Andrew is standing by the sink and he knows that until Andrew eats a brownie he is not in a position to ask for favors big or small.

(He learned his lesson from that one time with Captain Neil. If he wants to do anything related to Russian he has to be in the safety of his lofted bed under the cover of night and the cover of his…covers while he reads via flashlight. He will not be caught so flat footed again! These are all necessary precautions!)

Andrew seems to very much want for FF to be in prime condition for the hunt. Part of him wonders if he’ll be released amongst other game animals and FF had never felt more jealous of the turkey who got pardoned by the president the day before. Why does that stupid bird get all the luck? Where’s his presidential pardon?

That grateful feeling evaporates into a dust cloud as Andrew lifts a plastic bag, “Stop drinking these.” Andrew hisses, “They’re going to make your ulcer worse.” He points at FF.

“I need them.” He says.

“For what?”

“Five hours of energy at a time.”

“Pull out the brownies and go back to sleep Smith.”

“They still have 10 minutes.”

“Then I’ll pull them out in 10 minutes.”

“There’s a final step that I have to do once they’re fresh out of the oven.”

“What is it.”

“Smith Family Baking secret. I don’t make the rules.” FF gestures towards where the incense continues to burn, “Great Gran’s recipe and methods cannot be shared with non-blood relatives. My mom wasn’t even let in on the secret.”

Thank god

Andrew glowers at him.

Oh God

“It’ll be just 20 more minutes.”

Andrew’s eyes narrow at him.

“They’ll be worth it.” He pleads.

Andrew rolls his eyes.

“Go to sleep when they’re done. Take Nicky’s room.” Andrew commands.

“Take Nicky’s what?” Nicky leans into the kitchen.

“Smith is going to go back to sleep on your bed.”

“Yeah you look like shit Smithy. Don’t worry, unlike Neil and Andrew’s bed mine is all safe.”

Nicky zips out of the kitchen with Andrew hot on his heels. Nicky really is a good friend.

He performs the sacred rites necessary upon the brownies when they come out of the oven and takes a small corner piece to taste test and -

He closes his eyes and clasps his hands together in prayer.

‘Thank you Great Gran.’ He prays earnestly.

‘Remember to wash behind your ears’ he thinks he hears a whisper of grandmotherly advice in return.

That was probably normal.

He extinguishes the incense.

He cuts up the brownies, finds a decently sized plate, and sets the brownies out on the counter before he starts to work on doing the dishes. Yeah Yeah he could have been cleaning while he waited for the brownies to cook! That’s what you always do right? Clean as you go?

Well have you ever been baking brownies that might be the difference between life and death? No? Well then FF is just going to have to stop you right there because he had the oven light on and his eyes GLUED to these fudgey squares.

Who knows what the cousins’ oven would do? He doesn’t know this oven. He and this oven are taking their first whirl together and it could decide to turn on him at any time. They don’t have the brotherhood that he and the oven at his Gran’s house have built over the years! This oven could be one of those ones that maintain their temperature by turning on the broiler! He felt like he could never again recklessly trust an oven after he tried to make crescent rolls in the Viking Oven at his step father’s house and had gotten them back blackened by the broiler.

That oven had been the SINGLE thing he had been excited about during the kitchen remodel which means naturally it was the thing that had betrayed him.

He lets himself think of all the ways he hates the Viking brand as he finishes the dishes and puts everything back to where they belong.

He walks out of the kitchen with the platter of brownies and sets them down on the table where Aaron and Nicky are sat. “Oh my god they smell amazing.” Nicky says and immediately his hand is shooting towards the plate and picking up a corner piece.

FF valiantly resists the urge to slap his and Aaron’s hands away. He needs these to compel Andrew into letting him live.

“Oh wow, those do smell good.” He hears Captain Neil’s voice and when FF turns around Captain Neil and Andrew are both there. It is only in that moment that he realizes that he should have bought some vanilla ice cream to go with these.

Andrew’s love of ice cream was not unknown, probably even infamous. He was the man who, during the summer training, had been so possessive over the soft serve machine in the cafeteria that anyone who wanted any had to ask Captain Neil to get them a bowl or risk being threatened.

He starts towards the door. At this point Target probably isn’t even that bad, probably just some irate people who didn’t come with the rush and are mad they missed out, maybe some officers talking to witnesses on who threw cast the first Wii remote, and workers who will hate him marginally less (unless he gets the same check out person and they remember him (unlikely))

His progress is arrested by a hand grabbing his hoodie.

“Where are you going?”

“I forgot Ice Cream.” And he could get a five hour energy to slam on the way back home.

He then finds himself being pulled down an unfamiliar hallway.

Ah, the anticipation had been killing him more than the fear of his demise. His brownies had not contained the requisite amount of grandmotherly love to save him he had been relying on extract (Great Gran’s spirit guiding his hands) instead of organic (he does not have grandchildren or children for that matter)

Maybe ice cream would have been the deciding factor? He’ll never know.

He closes his eyes and lets himself be dragged. He’s too tired to fight.

A door opens, and he finds himself sat on a bed.

Weird.

“You are falling asleep standing up. Go back to sleep. I’ll leave you at Eden’s if you fall asleep in the booth.” Andrew threatens.

What.

FF knows about Eden’s.

He has heard about it from Nicky trying to get him to agree to go but he’s pretty sure it’d be like introducing an Amazon rainforest frog to the Sahara desert in terms of survivability for him.

“We’re going to Eden’s tonight?” He manages to ask.

Andrew raises an eyebrow at him but answers, “Yes.”

“I’m not really interested in clubs. I don’t drink out in public or dance.”

“Neither does Neil. I just drink. We can stay in the booth.”

“I don’t want to interrupt your time with Captain Neil.”

“It’s fine, neither of us hate spending time with you.”

“I don’t have clothes for a place like that.”

“Nicky grabbed some for you. You’re coming tonight. Go to sleep.”

With that Andrew pulls Nicky’s curtains close, shuts off the light, and closes the door.

FF, always very much like a bird when placed into a suddenly dark environment, starts to feel some of the  exceptional sleepiness that he’d been pushing off through sheer manic desperation to earn another day of life.

He lays down in Nicky’s bed and is tired enough that he can ignore the sheer amount of body glitter on the sheets (does Nicky excrete it like sweat??) and starts to let himself drift off to sleep.

Eden’s might be something completely out of his wheelhouse but-

A conversation with Nicky from when he’d been trying to get FF to go comes into his mind and he sits straight up in bed as Nicky’s words roll around in his head like stale hotdogs at a gas station.

“Eden’s is cool, even though there’s some sick shit in the basement.”

Eden’s is a Secondary Location with a BASEMENT.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

NEXT

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