#it feels so present

[weirdcultstuff]

You know when you’re having a conversation with your friends and you bring up whatever mildly interesting thing you’ve been thinking about that week? Like a book or a movie or a hobby or whatever? Like, everyone gets a casual turn to talk about whatever they’re interested in at some point in the hangout and, when it’s your turn, you talk about your thing?

Every time I go to do that, I just end up in a loop talking about The Bad Stuff. Not in a distressed way, just like: that’s what I’m thinking about always so that’s what I end up talking about for thirty minutes. And I’m very tired of that.

[bereft-of-frogs]

There’s that post that’s like ‘everyone should get into a tiny niche fandom at least once’ fully agree, that was really fun -- but I would like to add that everyone should get into a fandom where their opinions run counter to major fanon because it really teaches you about sticking to your guns and trusting your interpretation of the text without having to rely on peer validation

because WHAT are people talking about sometimes

[charliebugz]

When Izzy first walked out I was worried that he would be made into a joke that the crew would laugh at

but then he started singing and the dancing began and I realized that he wasn’t meant to be a joke at all. This is the most open and happy we’ve ever seen Izzy and the show treated it that way. Not mocking him but instead celebrating this moment.

When we talk about queer representation it’s usually just focused on queer relationships, but what I love about this episode is it shows other sides of being queer. That moment where Izzy saw Wee John doing his makeup and had a realization that he wanted that too? That is what being queer means to me. The crew singing along and cheering for him? That is what being apart of the queer community means to me.

What i love about this show is that it shows queer joy, not in a sanitized way, but in away that is messy, beautiful, and without any mockery or shame.

[legionofpotatoes]

Lead them to paradise.

[hansoeii]

crowley

[loumands]

I feel like many people have a fundamental misconception of what unreliable narrator means. It's simply a narrative vehicle not a character flaw or a sign that the character is a bad person. There are also many different types of unreliable narrators in fiction. Being an unreliable narrator doesn't necessarily mean that the character is 'wrong', it definitely doesn't mean that they're wrong about everything even if some aspects in their story are inaccurate, and only some unreliable narrators actively and consciously lie. Stories that have unreliable narrators also tend to deal with perception and memory and they often don't even have one objective truth, just different versions. It reflects real life where we know human memory is highly unreliable and vague and people can interpret same events very differently

[bluegiragi]

mutt. (small explanation under the cut)

early access + nsfw on patreon

so. a couple of lore things here.

Roba only took one of the blood vials before he went out to fight Price. But during Ghost's final interaction with Vernon, he smashes all of the remaining ones over the floor. When he finally killed Vernon, the impact of the blow splashed blood onto his hands, which he then used to a) slash Roba across the face and b) literally grab his tongue. So you can kind of assume that Roba's gotten a much much higher dose than he's supposed to safely take.

Also, his symptoms look pretty similar to the transformed state of Konig, no? Rabid, mindless, inability to talk, and most importantly, he's huge. I think my thought behind this is that the way the world used to be, monsters were way WAY larger than they are now. Roba was underselling it when he said that the vial "unlocks what is dormant" - probably a better description is that it strips away any hybrid's evolutionary 'safety cap' so to speak, in exchange for the original being's mind.

[cock-holliday]

Idk a lot of the backlash to broadening who falls under what terms comes from the need to distinctly fall under the specific label you worked towards…but distance from adjacent labels only limits your allies and puts you in a rigid box you can’t come back out of either.

Saw a post by a trans woman horrified by the concept of having overlapping experience with femboys because “fuck you I am a woman.” You are. A woman with a lot of overlapping experience with a GNC man. You’re not a GNC man. He’s not a woman. And the gap between you two is not a chasm.

“How dare you say trans men are similar to butch lesbians. Trans men are men.” Yeah, men with similar experiences to butch lesbians. The butch lesbian isn’t a man. You aren’t a woman. And the gap between you is not a chasm.

This mindset doesn’t even account for GNC men who also ID as women, trans men who use the label of lesbian. Butch can be a label for a person of either AGAB.

Binary trans people wanna separate themselves from each other and from nonbinary people sooo bad. Now it makes eggs feel like the jump from GNC woman to man is an insurmountable journey. A femboy gets told he’s making a mockery of trans women’s experiences. A transmasc femboy is seen as just a faker. A butch trans lesbian is seen as a faker.

These labels are all just plots on the map, not one side or the other. You journey to the farthest edges and you find twinks and lesbians who look and act identical despite being supposed opposites. It’s all made up, we’re all queer.

[iphigeniacomplex]

it’s very easy to tell the good satires and pastiches from the bad ones because the bad ones are too afraid to live within the form. like if you are doing work with fairy tales and you are refusing to look closer at the underlying logic and unspoken rules of what can seem at first to be a senseless form, you are not going to create meaningful work. to borrow a turn of phrase originally used by maria tatar, if you refuse to enter “the house of fairy tale” as anything more than a gawking tourist, you will miss the particular order to the way the table is set, the rooms that are locked vs the rooms that are simply difficult to enter, the set of the floorboards and the position of the furniture. whatever you build will then be a gilded imitation of how you believe the house of fairy tale ought to look, the table set according to your educated specifications and every door open. there can be no interrogation of themes from a writer who views the form as beneath them!

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[un-pearable]

ngl one of the most useful things i’ve internalized from doing art online is never tell people what to criticize. don’t preemptively apologize for things or point out where you think you fumbled, it’s just priming people to notice minor issues that might not actually matter and hit you where you’re sensitive and throw you off your game. don’t tell people your weak points. if it’s a genuine problem they’ll point it out

[poorly-drawn-mdzs]

Gaslighter? I hardly know her!

[First] Prev <–-> Next

[crimeschild]

the barbie (2023) experience as an afab non binary person is just [reconnecting with your femininity and love for pink bc you couldnt when u were younger bc being too girly will get u made fun of] [feeling guilt bc u dont identify with being a girl but girlhood is so inherently beautiful and magical and no experience is truly like it] [healing the inner child in you by allowing yourself to enjoy dolls and pink and maximalism] [unapologetically letting yourself wear pink and be stereotypically girly in a society where being non binary means you have to be presenting androgynous 24/7] [getting your grown-up heart shattered and then put back together again by your inner child using sparkly glue over and over in the span of two hours] [realizing that no matter what you do you have somewhat experienced girlhood and it shaped you to be the person you are today and you will never get to erase that experience or truly disconnect yourself from it] [appreciating and understanding your mother in a way that you thought wasnt possible without experiecing motherhood]

[knifearo]

i hate the concept of platonic and romantic as a binary i hate the concept of platonic and romantic as a sliding scale of "less" to "more" i hate the concept of platonic and romantic as the only two options i hate the concept of platonic and romantic as significantly different things i hate the concept of platonic and romantic as all encompassing i hate the concept of platonic and romantic as the two halves of a shallow concept of love that doesn't actually encompass anything at all i think we need to overhaul every popular conception about "types" of love so we can talk about things that are real and true for once

[bullagit]

due to personal reasons i am now firmly on team “i hope aziraphale does change heaven for the better actually (going on the assumption that his return is as straightforward as it seemed etc” 

like if the alternative is just this ohhh he’s so NAIVE and SOFT and so WRONG and he’ll have to LEARN A TOUGH LESSON etc etc nonsense then yeah 1000% go for it babe knock it out of the park

i hope choosing hope and kindness pays dividends. i hope the soft traits that made other characters continually disparage and underestimate him and his intelligence turn out to be his greatest assets bc i kinda don’t give a shit about a “toughen up it’s the only way everyone else knows better” life lesson for this character

(which like honestly a lot of the rhetoric is dismissive of the fact that persistent goodness in the face of an existence of disparagement takes great strength and that at the end of the day aziraphale has always been able to stand up in his own way)

[fumifooms]

I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after

The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually

Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-

He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.

And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.

When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings

"Man they really know what you hate huh". Being socially unaware literally plagues him, he knows, he knows it so well.

It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)

"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species