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charcubed · 1 year

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Disneyland's Rogers: The Musical, propaganda that turns Steve Rogers into more myth than man, and revisionist history (possibly) to a purpose

Any of my thoughts in this post could just be me reading too far into things. I'm very aware of that, and please know that this post exists just because this sort of thing is fun for me! This is a thought exercise where we propose "What if we live in a world where the MCU is actually doing a cool and interesting thing as a longcon?" If you have anger at Marvel, that's valid and relatable, but please don't get angry at me or imply I'm an MCU stan who doesn't think critically about the mouse. Thanks!

Breaking news: I'm back on my bullshit!

A quick personal recap: I infamously hated Avengers: Endgame for a long list of reasons (and I even rewrote the movie). One of those reasons is that I've always taken issue with Steve's ending. But in the years since then, and as the MCU's phase 4 has evolved, my frustration at Steve's "ending" has turned into an ongoing and legitimate theory that the MCU could be slowly leading into a loosely adapted Secret Empire plot line. I know we've all been joking about Steve being trapped or about an imposter Steve since 2019, but uhhh, it's kind of not a joke to me anymore? It feels weirdly plausible at this point and so I enjoy discussing the potential.

You can find a full elaboration on that here, where I wrote out my "Steve was snatched by HYDRA" theory in 2021.

In that post, one of the things I mentioned at the time was Rogers: The Musical being in the Hawkeye trailer.

[The musical's] very existence is an example of how in-universe the stories of the lives of the heroes are being commodified, especially (in terms of how they’re framing it) for Steve’s. The heroes are no longer seen as people, if they ever were. They are, as Kate Bishop says to Clint in a recently released clip, more about “branding.” Sam Wilson will be redefining the shield moving forward in a Cap context, but simultaneously, the world is still enamored by Steve Rogers as a symbol in his own right. And that is ripe for manipulation as a Trojan horse to control public opinion… whether in the context of things like this by themselves (is the musical portraying Steve accurately, or is it painting an inaccurate picture of him the world accepts as fact?) or in future (is this propaganda that makes the public see Steve a certain way and continue to love him, to set up a fake or brainwashed Steve coming on the scene later?).

Now a form of the musical exists in full, at Disneyland and all over Youtube. Considering some of its baffling content – which I will break down below – this perspective seems even more strongly worth considering.

I have two main reasons for why I'm defending examining this musical so closely:

1. It is (arguably) an in-universe piece of media that has bearing on the MCU canon. It isn't like any other typical Disneyland attraction; its very existence is meta and it was in canon first. Obviously it's seen in Hawkeye, but there are also posters for it in several different phase 4 properties. It's lurking in the background indefinitely. So what can this musical tell us about what the wider public within the MCU is being told about the life story of Steve Rogers?

2. This Secret Empire graphic – which is animated in the center of the stage of a prolonged period of time – feels like a literal sign to pay attention.

Granted, this is obviously still ancillary material. 99% of the MCU audience will never see this musical, whether in person or on YouTube. But just because it isn't a vital piece doesn't mean it's automatically an entirely irrelevant piece.

They've given me an inch with that sign and I'm taking a mile.

So if you're interested, please join me on this journey :)

For the record, let me just say that I salute the creative team behind this show. It's pretty fun and the songs are catchy, the sets and costuming are cool, and the cast is overall very talented.

It's also fucking maddening. LMAO.

Why? Firstly, because of the seemingly deliberate ahistorical inaccuracies. We all know Ant-Man is wrongly shown in the Battle of New York, which originally "came from [the Hawkeye showrunner] and Marvel, as something to further aggravate Hawkeye as he watched the show, and also as a comment on how movies and articles and people always get something wrong." It seems like they expanded those meta nods, but most inaccuracies are now in service of glorifying Steve and Peggy's "love story." Yes, romance objectively makes for good theater; but again, I feel that this is worth examining considering the full context.

And secondly, Steve's ending is framed as an offer presented to him, convincing him it's the happy ending he deserves because he's tired. In my mind, these two big elements go together, and I'll walk you through the details of what happens in the musical before I tie the thought threads back around into some theorizing.

For your reference, here's a list of the main songs and story beats:

• "U-S-Opening Night" - the Starkettes (who are basically a Greek chorus) frame the show's story, and then it turns into an ensemble that loosely takes place at the Stark Expo. • "I Want You" – Steve's "I want" song about trying to enlist in the army. • "Star-Spangled Man With A Plan" – Steve performing on the USO tour obviously, and then there's a reprise with an added voiceover that (very briefly) covers the Howling Commandos' rescue + the war via comic book imagery. • "What You Missed" – Fury and the Starkettes tell Steve some pop culture things he missed while he was frozen, + they tell him about the Avengers. Then Fury goes down a list of other hero characters, including the Guardians? Doctor Strange? Wanda?? It plays loose and fast with time, because many non-2012 characters are bafflingly mentioned in this nonlinear Avengers list – including the Winter Soldier (???). • "Save the City" – this is the song seen in Hawkeye, with the civilians + the Avengers all involved, but it's slightly different here and expanded to also reference other battles. • "End of the Line" – Old Steve presents main Steve with the time stone as an opportunity for his happy ending, and they reflect on things together. (Yes, this is insane.) • "Just One Dance" – Steve and Peggy reunite and sing about their love. • And then there's basically a reprise of "Save the City," with the Starkettes and the whole cast closing the finale out.

Right out of the gate, let's address this: the main reason you're going to see some fans pissed about this musical is not only that Steve and Peggy's ~epic romance~ is made a pillar of the story... but also that Bucky's importance/involvement in Steve's life is minimized as much as possible.

And they took Bucky-related elements from canon and made them center more around Peggy instead.

• For some weird reason, Peggy is in the Stark Expo scene. When a soldier is hitting on the Starkettes ("hey sweetheart, I wanna dance!"), Steve tells the soldier to show the ladies some respect. The soldier grabs Steve and throws him down, and then Peggy swoops in to yell "Pick on someone your own size!" and punches the guy before walking away. So she's given Bucky's TFA line verbatim, and she is given the role he had of saving Steve from bullies. There is blatantly no reason they couldn't have had Bucky still serve that function and be truer to "history," because he briefly enters this scene in uniform less than a minute later to announce he's shipping out to the 107th – and then he spins off with a date on his arm. (We don't see Bucky on stage again until the full cast comes out for the finale!)

• After the Star-Spangled Man show, Peggy rushes in to talk to Steve. Steve is excited about his USO performance (???) but she urgently tells him to listen as she says that the 107th has been captured. Peggy apparently knows it's Bucky's division, and she knows Steve is going to go, so she tells him that she's already arranged transport for him. This is a subtle twist from the truth of how it went down in TFA, in which Steve recognized 107 as the number of Bucky's division, and his dogged determination inspired Peggy to relent and help his rescue mission. Here, Peggy is given a stronger role in the Cap origin story. And before Steve rushes off, Peggy sings a short untitled ballad hoping for their dance, so Steve pauses before he leaves to ask her to go on a date with her when he returns. • The most egregious Bucky-to-Peggy change of all is the song "End of the Line," in which the infamous Steve and Bucky line/promise (that broke Bucky's brainwashing...) is re-contextualized to be about ???? Peggy waiting for Steve in the past??? Old Man Steve and regular Steve sing it together. But we'll go back to that in a minute.

Again, I get it, yeah? It's for theater. Whatever. But in reality, the obvious logical truth is that Peggy is centered (to the point of taking elements from Bucky's story, and in turn Bucky is downplayed) because they needed to convince the audience that Steve going back in time to be with her makes sense. Steve's time travel ending had to be justified, so the Peggy and Steve "love story" had to be a pillar in this with everything else being given lesser weight.

And the inherent selfishness of him doing something as big as going back in time also had to be justified... which is why they do their best to convince you Steve fought so much he deserved it.

Let me elaborate on that by describing the lead-up to the "End of the Line" song.

So, right before "End of the Line" is "Save the City" – which includes Steve belting "I can do this all day!" repeatedly, of course. It's the 2012 Battle of New York as the Avengers come together to win.

As they begin to disperse, the song then transitions to a voiceover alert mentioning Sokovia being under attack by artificial intelligence (a.k.a. Age of Ultron). The Avengers group rushes back to center stage to say "Save the city! Help us win!" together for battle again.

And then things get fucking weird.

Because the next voiceover threat is "Washington DC. Attack: the Winter Soldier." This is not accurate to the order of events! The Winter Soldier events were before Age of Ultron; the public of the MCU would also know this.

And suddenly on stage Steve is now in the center while everyone else gestures to him. Instead of singing with him, they're telling him "Save the city! Help us win!"

Then, another voiceover: "Wakanda, under attack" (Infinity War) and again, Steve is centered while everyone else points to him. The ensemble says, "Save the city, help us win! Save us all from the state we're in! Got to hear you, got to hear you, got to hear you say..." as Steve is buckling to his knees under their pointing. And as the lights go down to one spotlight on him and everyone else leaves, he says "I can do this all day" one last time, but now it's subdued.

The implication is that Steve has been fighting and fighting, people leave him or he loses them, and he's tired.

And then fucking Old Man Steve arrives.

He says "On your left," because yes, they gave him Sam Wilson's line. BATSHIT.

So now there's two Steves on stage! There has been no mention of Thanos or infinity stones or anything up to this point! (I can only assume that's because in the MCU universe no one would want to be reminded of the trauma of "the Blip" – though it's pretty wild that they're allowed to know about magical time travel?)

Steve is baffled by Old Man Steve's arrival. I, too, was baffled by Old Man Steve's arrival.

As Steve questions how this is possible, Old Man Steve shows him the time stone from his pocket – and only the time stone – which Steve recognizes.

OLD MAN: "You've got to remember where you've been to know where you're going." STEVE: "Where am I going?" OLD MAN: "A date with destiny." STEVE: “Destiny. So we’re the hero till the end?” OLD MAN: “That’s the thing about endings, Steven. They can be rewritten.”

Lmao???????

Steve starts singing about how he hopes this means they "win" and calls himself a "tired hero."

STEVE: "But sometimes I wonder, who will save the savior? Can we really do this all day? So here I am, now and also then. Just a man, looking back at where he's been." OLD MAN: "The road is rough but wounds are healed by a thing called time. You can't forget what's waiting at the end of the line."

Me, watching this: the fact that he says this out of the blue makes absolutely no sense.

There's a bit more singing, including "end of the line" repetition, and then Old Man Steve pulls out the time stone to essentially show visions of... I don't fucking know. Past, present, and future?

That's pre-serum Steve, Steve with Mjolnir, and Sam Wilson as the new Cap. This is the only reference to Sam in the whole thing.

More singing, and then: Peggy's silhouette.

OLD MAN: "Can't forget who's waiting..." STEVE: "I can't forget who's waiting..." BOTH: "Don't forget who's waiting..." STEVE: "At the end of the line."

At this point I'm like, what in the hell?

Did Old Man Steve just brainwash normal Steve into thinking "end of the line" is now about Peggy? Because uhhhh, sorry, that's what it feels like!

Then Steve uses the stone to go back in time, reunites with Peggy, etc. etc. finale.

It's truly some crazy shit.

[drags hands down face]

Look... there's a lot to unpack here, and there's a lot that gets me about it. I know this is dramatized for the stage! I KNOW! But the fact that Old Man Steve shows up to convince Steve he should go back in time makes me want to gnaw on furniture.

Another person essentially uses the lure of a life with Peggy to tempt Steve into doing this, dramatized or not. That is how it's framed.

It's a hell of a way to frame it, and it makes Steve's ending stand in even starker contrast to so many other things in phase 4. Desperately trying to go backwards when you shouldn't or to bring back a lost lover is an evil temptation, and it results in a trap or negative cosmic consequences for basically all of the other characters in the MCU.

• In Shang-Chi, Wenwu is tempted by the Soul Eaters beyond the Dark Gate. They use the voice of his deceased wife to convince him to set them free. • In "What If" episode 4, Doctor Strange becomes evil in a desperate bid to save Christine and he destroys his universe. Along the way, he tries to tempt/trap the good Strange who's fighting him by using visions of Christine, but good Strange knows she isn't real. • Wanda's grief and desire to bring back Vision leads to – well, you know. • In No Way Home, Peter trying to undo things is what causes the multiverse problems.

And the fact that they frame it as Steve being tired, so basically the argument is he deserves that time travel ending (just like MCU fans who defend Endgame say in real life)... Well.

There's no way to make it hold up, especially because in "What If" they explicitly subverted that and had Captain Carter not go back in time despite how she felt she'd "earned" it.

Lastly, in this musical as Steve decides to pursue time travel as his course of action, he basically has the meaning or memory of "end of the line" rewritten for him. I refuse to not think that is some nefarious shit. Yes, it's not out of the realm of possibility that it's just some general Disney erasing Steve and Bucky nonsense.

But... this is on another level to me. I do think that it's a blatant choice that they had to be aware even general MCU fans would call bullshit on. Everyone knows it's inaccurate. "End of the line" is embedded in pop culture consciousness as being connected to Bucky. It just is! Surely that means it's not a stretch to theorize it could be deliberate meta commentary.

How, in the MCU world, would the in-universe playwrights even know the phrase "end of the line"? How the fuck would it be accidentally applied to Steve and Peggy? Not to sound like a crazy person, but who the fuck was rooting around in Steve and/or Bucky's personal business or their brains in order to obtain that knowledge and then remix it, and why? Neither of them would flippantly mention it in the public eye or interviews ever. So where did its inclusion come from?

And in the finale ensemble, this is Bucky's line when he comes out on stage and salutes + points to Steve: "Don't forget who's waiting..." And Old Man Steve completes it with "...at the end of the line."

What on God's green earth am I meant to do with THAT?

Smh.

The vibes are fucked, folks.

The MCU public wouldn't know enough to say the vibes are fucked. The MCU public wouldn't know the origin of "end of the line" as a phrase. But us? The ones who know the "true story" via the movies? We can call bullshit.

Whether the creative team behind this musical did every aspect of this consciously or not, in my opinion the fact that they had to tweak canon "history" to A) make Peggy's involvement in Steve's life more central and B) emphasize Steve as a tired hero all works as commentary on and almost a condemnation of Endgame's frustrating ending. In a way, it's also what Endgame did with the compass and 1973 moment with Peggy as well.

Steve's ending had to be convincing.

It's theater.

And so, maybe the same is true for the in-narrative perspective of this musical in the context of the MCU world. What purpose would it serve to tell the MCU public a feel-good narrative about how all Steve Rogers wanted was to no longer be a tragic man out of time and get to make a life with his best girl? To frame it as being about how he fought so hard for years and so he earned a happy ending? To minimize and nearly erase Bucky's importance in his life?

Who would want to do that sort of propaganda, and why?

The MCU civilians are given this happy explanation and maybe don't widely question it. Who cares about the details or logistics if it makes a good story, I guess. It's a stretch, but maybe they mostly applaud it. Maybe they're happy for "America's favorite son" (not unlike people who uncritically liked Endgame). In a way, it's even a rehabilitation of his image (after the Accords) like putting the shield on the Statue of Liberty. And maybe they'd even be ready and waiting to applaud if Steve ever made a dramatically selfless and de-aged return to the spotlight or a position of authority.

But mostly, the public is being conditioned to not know or to forget that anyone else like Bucky Barnes or Sam Wilson would possibly know Steve Rogers the person well enough in the modern day to call bullshit on any of this – or on his hypothetical miraculous future return.

So. Sure, it's probably nothing.

But what if it's not?

-------

UPDATE: @faeriecap added to this post with some incredible information and further behind-the-scenes context about the MCU/Marvel stuff at Disney parks! Check it out here :)

#rogers the musical #rogers: the musical #steve rogers #captain america #captain america meta #marvel meta #imposter steve #anti-endgame #peggy carter #stevebucky #mcu #marvel #stucky #anti-endgame steve #char writes things #me: is anyone else going to write about this being propaganda? no? fine I'll do it myself #I should not be posting it after midnight but I don't want to be tempted to fucking look at it again tomorrow. be gone you monster

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ikemenomegas · 1 year

Note

in light of gojo's unsealing, ive thought about diff cute scenarios

gojo being the type of person to get his mate's phone and snap hundreds of pictures of his face

this would probably never happen given gojo's privacy when it comes to his marriage but in a different world i can see this happening Gojo naming his alpha as "mochi seller' on his phone and Itadori seeing the message pop out from the lock screen and accidentally somewhat outing gojo's rs when he asks him in front of the other students why the mochi seller sent an ily message

the tender moments where gojo lets his infinity down or lets his alpha inside his infinity and he gets to relish in the warmth of their skin

the sappy things gojo's alpha has to sometimes do whenever gojo gets too rowdy and they need to placate him for whatever reason (re: alpha reading a map together with nanami scenario)

gojo sending his alpha a picture of two rocks by the sidewalk with the caption: 'us'

gojo asking his alpha if they would still love him if he was a worm and the alpha saying: "no<33"

Awww! These were really cute anon! Very happy ending which I feel like we're going to need a lot of in the coming weeks...

(Also I ran with it but why is their name "mochi seller" haha)

[Ao3 link for those who prefer chapters]

⬖ Photomaton

"Device storage insufficient, please move or delete files to make room?" you read, nonplussed.

Nobara sighed. "Sensei, I showed you how to do that weeks ago."

"I did do it." You frowned, opening up your files. Why were there so many pictures...

Nobara rolled her eyes at you and beat a hasty retreat when your hand went to your mouth as your face went warm.

There were rows and rows of photos, none of which you had taken.

Most of them were selfies, but some of them were obviously the result of Satoru propping the phone up and attempting to pose for the camera.

He must have been swiping your phone every time you left it sitting out or went to sleep. He didn't rest much, but there were so many, more probably than you'd been able to take in the last five years.

There wasn't much thought for such things when you only saw one another a handful of days every month. The focus had gone to managing the present, not on taking pictures. You'd only really thought to regret it after that terrible Halloween, when you worried you'd never see him again.

Some of the photos framed Satoru inside one of your homes. Others were almost ugly shots, taken way too close, or blurred with motion artifact. There were pictures of him haloed in the night glow of streetlights or washed out in the halogen light of a konbini. There were those made grainy with low light and some that took your breath away because he was nice looking.

Furtively, you looked up but were alone and you silently thanked your student's exasperated impatience. A few of the photos showed just too much skin to be exactly proper.

You thumbed down. The pictures were a story all their own revealing some of what Satoru did when alone and you savored the honesty. You had to keep apart from one another for so long.

The last thing in the camera roll was a video.

It opened with the shuffling sounds and the wobbling display of someone walking. Satoru wound around furniture in the darkened interior of your apartment.

"I'm home. You're asleep right now," he said lowly, "probably won't be later. I don't know how most people can sleep so much." He spoke half to himself, the deep night laying over his words like velvet.

There was the sound of the door to the little balcony opening and then the faint tinkle of the glass bells hanging from the eaves.

"Must be nice," he mused, "you get to miss a lot."

The image on the screen steadied as he rested your phone on the rail. The familiar view of the city resolved as faint golden starbursts of light. The rustling of Satoru's clothing faded until all you could hear was the faint rush of night wind and his breathing.

The video went on for over a quarter of an hour. You scrolled your fingers across the screen. He didn't move, the picture stayed the same. You leaned against a wall and listened to the last few moments, your heartbeat low and slow, your breath in sync with his from some time both here and long ago.

Satoru spoke, amused over the night-sounds:

"Don't delete this. I'll know."

⬖ Daifuku

"Good job," Gojo congratulated his dust-stained students as the veil fell.

Maki and Toge glared while Yuuji gave him a tired thumbs up from where he was laying on the ground.

"Dinner is on me tonight." Gojo ignored their halfhearted grumbling. "Decide where you want to go."

He anticipated a larger than normal ding to his wallet, but they'd earned it (and it wasn't as though he couldn't afford it). Beating this curse was no minor feat and it had been a particularly crafty one, which was why Gojo had gone with them just in case.

The students made noises of acknowledgement with varying levels of anticipation, but to no one's surprise, Yuuji was the first to roll over and dig around for his phone.

He tapped the screen and groaned.

"Sensei, mine's dead. Can I use yours?"

Gojo unlocked it and passed it over without a thought. He wasn't particularly hungry, the kids could figure this out without his interference for once.

"Um, Gojo-sensei?"

"Hm?"

"Why is a "mochi seller" reminding you to stop at the pharmacy and sending you heart emojis?"

With uncanny synchrony, Maki and Toge's heads turned to look at their teacher.

The phone in Yuuji's hand buzzed faintly.

"I love you?" he read, sounding alarmed.

Toge's eyes went a bit wide but a grin that curled a bit too much at the edges and showed teeth took over Maki's face.

"Text back," she said, scrambling to her feet.

With all her quickness, she swooped in and snatched the phone when Yuuji hesitated.

The phone buzzed once more.

"I'll be home by 8:30, probably," she read.

Gojo took advantage of Maki's triumphant look to slip the device from her grip.

"I knew it!" she pointed at him. "I knew you were hiding something."

"Grown ups hide lots of things," he replied blithely. He was confident none of the students could tell that moment had been more like someone walking over his grave.

It was not as though he intended to hide his relationship with you. Hide implied shame, concealment on the other hand had been security and was harder to let go of. There would come a moment when the kids prised the truth from him. He was not about to have that moment with his kids now, or hopefully ever, because they accidentally read his texts out loud.

Maki reached for his phone and he easily tipped out of her way, walking off and heading towards a neighborhood he knew (and the students did not) had a lot of very good restaurants.

He was silently very thankful when the implied threat of no food at all distracted the students. Or at least had Yuuji barreling past Maki and kindly dropping the matter in favor of promising to "only look at the map this time, was there a good katsudon place nearby?"

⬖ Goose Down

Satoru spotted you hunched over a rail with your umbrella open overhead, held in the crook of your elbow.

He could tell from the set of your shoulders that the summer sun was getting to you, despite the cursed tool taking a majority of the pressure off.

Your energy was butter yellow and burnt red and lithium pink, mixing slowly around your body as you slowly cycled power into the umbrella and the short sword held loosely in your hands.

Satoru ducked around a corner and took a peak at your face. Your eyes were closed.

Smirking quietly to himself, he crept around, Infinity a barrier between himself and the world. For just a little longer...

You jumped when he dropped it, nearly dropping your sword and automatically holding the umbrella high enough for him to fit under it.

"Hah-"

"Speechless?"

You gaped at him, mouth hanging open.

He nodded as if you'd just confirmed it. "This is what they don't tell you about marriage. Making someone's heart race is important even after the wedding. We'll probably be together forever at this rate."

You mouth closed and then went a little wobbly.

"It's hot," you finally said, miserably. "And it's too sunny."

He couldn't hold back his laughter as he stepped closer and folded himself around you. Your scent tingled pleasantly in his nose and your skin was warm from both heat and light, like a sun-warmed blanket.

"Oh," you said faintly, "you're cool," and you all but melted against him.

"You could just go inside," Satoru said. "I sent the students off on an adventure. We wouldn't be bothered."

"That sounds nice," you murmured, but didn't make any move away from him.

He didn't either. He didn't feel much like letting go yet.

⬖ Orange Kazoo

Sometimes, you reminded yourself through your already strained patience, Satoru just needed to be left alone to make noise.

For a moment, you considered begging him for just a little peace, but you knew he was doing this for your benefit. Shibata Kin was a difficult pill to swallow.

"I never expected anyone to send Six Eyes to join us."

It was the weakest and most recent of Shibata's barbs. The oily way he said it and the implication that anyone would dare to subordinate Satoru to this boot licker rankled.

Satoru crinkled the package extra loud on a bit of melon bread and smiled. "I was in the neighborhood."

He took a bite, chewed and swallowed while you flipped through the mission report on a clipboard.

You sighed, exhaling your worry, and handed it back. "Let's go then. It looks like all the victims disappeared from the same place so we should start there."

That place was a building that straddled a moderately busy subway station and stacked part of a shopping mall, a cluster of private clinics, and a cram school all on top of each other.

Satoru trailed behind through the store, stopping at kiosks and chatting with saleswomen, picking up and putting down objects.

You could feel Shibata's irritation transform into something far less internal as he turned to you.

"He's like a child," he remarked coolly. "Sure we shouldn't just ditch him? The curse doesn't sound that hard to deal with since I've got you."

When you ignored him, he kept talking.

"He shouldn't even be here," the man drawled.

You shrugged. "Well he is."

Shibata sourly appeared to swallow whatever else he wanted to say. You turned around to see where Satoru had gone to. The thought of being stuck with the bitter other sorcerer was worse than waiting for them to pick their bickering back up.

He waved a stuffed cat in sunglasses at you and nodded eager agreement when you pointed out a cute little sparrow holding an umbrella on a shelf behind him. Sometimes, it was best to just humor Satoru and play along.

When you turned back, Shibata Kin was gone.

Since you were all concealing your residuals from the curse you expected was in the building, you had no idea where he went.

You looked over your shoulder. Satoru was gone too.

Well.

You tapped your fingers over your pocket and then decided to let them go. Satoru always seemed to know where to find you and Shibata had called you here as backup. You should probably go kill what you were looking for before it nibbled on him.

Many fewer curses than you expected lingered in the shopping mall. They were bizarre places with as many secret passageways as an ancient castle. Away from the popular shops and crowds, it quickly grew quiet and the bright gleam of displays gave way to more neglected halls.

On your way, you passed a small bank of capsule machines. You crouched down, and smiled faintly to yourself. Abandoned in the furthest reach of the shopping mall, almost near to where a service entrance lead to another stretch of winding halls and tunnels, the items here were both ancient (by city standards) and ridiculous.

Packages of candy that still held their shine but were likely far past their expiration date sat beside tiny figurines of a frog-shaped toddler in a little red hat. You grimaced back at those and moved on.

Near the end of the row was a machine that sold tiny musical instruments, plastic and paper and probably terrible sounding, but it wasn't expired food or frog children. You stuck a few coins into the slot and turned the dial.

An acid green ball spat out from the slot.

You picked at the latches on its side while you found your way further and further into the little used corridors.

There was a flash of something, like a burst of camera illumination from behind a door on your right.

You slipped through it, pulling your blade free from its sheath at the small of your back, and emerged into a tunnel that looked to be connecting to the nearby subway station. Not far ahead, the darkened path split into two.

You flipped the sword around so its blunt edge rested against your forearm and sprinted, dashing across the intersection.

A blur of motion came at you. As it grazed by, you snatched at that movement and sprang into the air, high enough to crouch on the ceiling of the tunnel.

The curse was a near perfect twin of the one a little ways down the way the attack had come, which should have maybe been your first hint. The one that had come at you was grinning, its face a rictus mockery of a theater mask.

They both sat, crouched like toads. You feinted toward the one that had come towards you, and at the last minute flew down to the other, its mouth bent in a painted looking frown.

It backed up in surprise, but not far enough and your blade nicked through the face, which was hard like dense wood. The air around your other hand shimmered in heat, as you struck for the thing's cavernous eyes.

It emitted a furious, scolding gurgle that almost reminded you of some of the window teachers from high school, and swallowed the burst of heat before it could crackled around it into full flame.

You hardly had time to reinforce your body with cursed energy before you were blasted from two directions, letting the momentum carry you and trying to wrap the more opposing forces and the roaring sound of displaced air into your own cursed energy. But something about it resisted you, and you were unable to absorb as much of the attack as you usually would.

A racking shiver radiated through your body right before you were caught by a broad hand on your back.

"Hi," Satoru said sweetly.

"Hi," you panted, automatic, eyes still fixed on the curse.

"What's going on?"

You looked up at him with incredulity.

Hoisted in his other arm was the limp body of your other companion.

Satoru's head cocked to the side, curious as he looked at the curse.

"I don't know yet. I hit it and then--" the mask of the frowning curse was ash blasted and the notch from your first strike still there, but it was not as damaged as expected.

You regained your footing and stood upright.

"If I give it another go I think I can figure it out."

He tilted his head.

You sized up the two curses waiting outside the reach of Satoru's infinity.

"Oh." You reached into your pocket and handed him the green orb.

"What's this?"

"Dunno," you said with a faint smile. "I got it for you."

"Aww, you shouldn't have."

Maybe not. Satoru thinks gachapon are funny, you should show him the line of machines if you get out of here the same way you come in, then he can choose something himself. You still have a few coins on you.

You flew at the grinning curse, both hands on the hilt of your blade, cursed energy flashing into a point a good six inches out from where the metal itself ended.

You held, crystalizing your own movement for a moment and stared deep into the thing's empty eyes.

It twitched, and then its arm moved and you slashed downward, intending to cleave the limb away.

The blade hit, you knew it did. You were able to dodge the attack you anticipated from the smiling curse. The frowning curse in front of you struck back, almost at the same time.

You pulled on some of the reserved momentum you'd held back in your initial strike and barely twisted out of the way.

You lifted the gleeful cackles of the twinned curses from the air and tried to twist them into a crackling rope of flame to surround the grinning one again. As you had expected, the damage did not seem to completely take and you were forced to duck when a bolt of heat tried to sear your back, culminating in another blast that shook the tunnel and thew you once more.

"That's enough."

Satoru appeared at your side again, pulling you back behind the shield of his power when the curse's retaliation threatened to cut through you.

"This one's a bad match for your technique," he murmured thoughtfully.

"Is it reflecting through the faces?" you asked, catching your breath.

He hummed.

Absently, you realized you could scent the sharp, fresh smell of citrus on his breath - the smell of the biting orange flavored candy you'd shared with him on the train ride here.

"If it reflects yours too--" you trailed off. What you did was firmly in the realm of the "real" and Satoru's abilities were not. If this curse were to reflect back blue, or red, or heaven forbid purple... well you'd never seen or asked up until if Satoru could stop his own techniques. It seemed a tactical oversight in this moment.

Satoru stepped forward.

"Stabilize him," he instructed flatly. He'd tossed Shibata Kin's still body where he had been standing barely a minute before.

The curses had moved closer and pressed together, beginning to meld into one another before your eyes. The damage you had already done was fading further.

You knelt at Shibata's side, shaking back your sleeves. "You know this is going to poison him."

You carefully set two fingers underneath his right collarbone, and three a few ribs below his heart on the left and focused in on the flickers of electricity that powered a human body.

"Oh well." Satoru's grin was a baring of teeth. "He'll get over it better than being dead."

You could sense the arrhythmic flutter of Kin's heart, like the popping scatter of an overloaded lamp, like a fractured version of that flash you had sensed earlier.

"You know he was trying to set you up right?" Satoru asked as he batted away an experimental chunk of rubble the curse tossed his way with a flick of his wrist. The stone was aimed right for the face of the smiling curse and even as it hit, it seemed to bounce back, hitting Satoru's shield and falling to the ground.

You sparked a bit of your energy to pure electricity, sending it jumping from one side of Shibata Kin's chest to the other.

"It crossed my mind," you admitted, murmuring as you concentrated. "But I didn't pursue the thought."

Satoru snorted. Yes, alright it was more likely you'd decided thinking about it too hard was going to distract you from the mission but you were here anyway.

You counted the pulse of electricity between your fingers to your own heartbeat until Kin's matched, or at least matched better than before.

When you pulled your hands away, Satoru cracked his knuckles. It looked like he was going to go in for physical attacks.

"You might need to manage the tunnel," he said.

Yet another reason this was a bad match up, not just for you but for him. Satoru did best in wide open spaces where he had room to move and didn't need to worry too much about collateral damage. Dropping a ton of rock on your heads and collapsing the buildings above sounded like a thing that could happen.

You had barely pressed your hands to the ground when Satoru was off like a shot.

The curse wasn't that strong - a high end second grade or low level first grade at best given that it wasn't itself attacking to provoke a response - but it split into those two halves of itself and reformed again as needed to minimize the impacts Satoru rained upon it or flank him.

Limitless lay against his skin between each strike so he remained unmarked, but the cavernous space still rocked with noise and dust shook from the gaps between tiles. You steadied it best you could, absorbing the oscillations and dampening the noise.

It did not take long for the frowning curse to realize what you were doing and send the smiling one racing for you. With one hand on the ground and one on your sword, brimming with unspent potential, you raised the point.

"Nah ah." This seemed at once to you and the monster charging your way. Satoru appeared in its path and bodily kicked it away.

It did not take long after for the twinned curses to be dispatched. Although the only reason you weren't holding your breath is because you were gritting your teeth with the effort of holding the ground together and trying not to shake apart yourself.

Satoru in motion, in a fight, particularly when physical constraint demanded more of his ingenuity, was always a sight to behold.

He came back to you looking unfairly dewy post exertion, with his hair in a sort of windswept disarray, the fabric around his shoulders bunched up. He shrugged out the wrinkles and dusted off his hands.

Your briefly pressed a hand to his knee after you steadied the last tremor from the ground.

"Thank you."

Satoru tapped his forefinger twice against your temple as he walked by. "A feedback loop between you and that thing would have been very messy."

You stood up, swaying slightly.

Even though Satoru would have happily dragged Shibata to the exit point, you insisted on tugging him upright and at least moving him through the air to a place where the three of you could safely rest and call a car.

You had settled him against a wall and were calling Akari when he finally stirred.

"What happened?" Shibata asked weakly.

You turned around to look at him and from Shibata Kin's tepid expression and the sound of shifting cloth behind you, you assumed Satoru must have copied your movement.

Still, you gave him a faint smile and couched down beside him. He didn't have the strength to move away as you grabbed his wrist and felt his pulse. It was thready, but he'd be good enough to get the rest of the way above ground until an actual doctor could take a look at hime.

"We're all alive," you explained unnecessarily.

Shibata Kin's eyes moved from your face to over your shoulder. Sweat beaded his brow and upper lip.

From behind you came a buzzing hum, somewhat approximating a sad tuba. Waa wa wa waaaaaaaa, it trailed off.

Satoru had a the wide end of a grape purple kazoo held between his teeth, his sunglasses already exchanged for the bandages he'd had wrapped around his eyes.

Only just in time, you ducked your face into your shoulder and hid a smile.

⬖ Pet rock

You were walking down some quiet residential street, trying to match the map to the trail of the curse you were tracking. It was not very intelligent, but it had a pernicious little ability to draw other curses to it under the banner of a powerful command. You'd been swatting third and fourth grades out of the air as you chased it, trying to wear down its arsenal.

It wasn't a terribly good strategy however and the thing had been winding its way through side streets to buy time. If you could get in closer, you could chop away at more of its train of screaming fears, maybe get a head start on the main peril. Thus the attempt at navigating and figuring out its destination so you could cut it off.

At least Hirano-san would be happy. Maybe. Culling curses required balance; they were their own little ecosystem. As long as the things aren't eating anyone, a certain amount of apex predators in an area could be a deterrent, like the old practice of putting powerful relics out like roach traps. Have the inevitable critters fight and eat one another rather than their human hosts.

A notification popped up over the map, and then another after it.

You felt your shoulders drop as you recentered yourself with a faint smile.

At your hotel later that night, you recalled that Satoru had sent you a message. You fell onto the bed, wrapped up in the hotel bathrobe.

It was... nice, knowing that someone was waiting at home for you. Or if not at home, he was still busy as ever, out there in the world somewhere, thinking of you. Weirdly normal.

The message was a picture. You blinked up at it. Two little rocks and a flower growing out of a crack in the pavement to shade over them.

>> ?

Almost immediately you saw three dots appear.

<< it's us!

Is it? you thought skeptically, looking at the picture again.

The dots again.

<< You don't think so :(?

Your phone was buzzing in your hand before you had even a moment to answer.

It startled you enough to drop the phone.

Owww

"You took so long to answer. This is photography, are you discouraging my new passion? It could go on a greeting card."

The word salad was meaningless and silly, weightless.

"I dropped you on my nose," you said, eyes closed as you rubbed the spot the corner of your case had hit.

"Were you that surprised by it?"

A pause.

"It's cute." The notion of it and the fact that he'd sent it to you was cute.

"It is cute right?" His voice was bright but not overly loud through the phone, for which you were grateful, already settling into warmth. "The flower is poisonous too."

You curled up on your side and held the phone close. Maybe he'd get lucky and you would find something cute to send back to him.

⬖ Puddle jumping

a/n: You have no idea how much googling I had to do to figure out what the prompt meant. I am not on the tick-tock app lol or, I've found, a fan of this meme... the implication that girlfriends ask useless questions as a rule seems sort of meh. So I mostly kept to my original response to this which was "i don't know what that is and honestly probably neither does alpha"

Satoru was herding you down the sidewalk, occasionally listing one way or the other to get you out of the way of other pedestrians. Sometimes he did it for the simple fascination of how you swayed along by him like you were on a tether. Even while you eyes were all but fixed skyward, you stayed roughly the same distance from him.

It was the first day of sun after days of rain and also one of the first days he had off with you in so many apart. He had been too restless the day before, back off a bad mission that had more to do with the desperate unpredictability of people than the intrinsic darkness of curses. You had not resisted him when he drew you out, stifled by the low clouds and humidity and longing for openness. Even with Infinity blocking the rain, it had felt like being closed in again.

Relieved of their burden, the clouds had gone from iron grey to diaphanous white and pealed up and away in swaths like billowing curtains. This is what you were watching - their retreat from the earth. They had come so low they wrapped around skyscrapers and telephone poles on their back to their usual place.

Satoru watched the drowned earth. You had cut through a tree lined walk. The rich soil was churned and muddy and the long bodies of worms that had been washed out or crawled up were strewn about.

Your and Satoru's steps made no mark as he stretched Infinity over and around the two of you. Neither of you tread upon those blind, waterlogged creatures.

Satoru stepped behind you to allow a cluster of high schoolers to pass and hid a faint wrinkle of his nose as they squealed and ran by, realizing they were stepping on some of the remains.

Your umbrella was folded and carried at your side, and you tilted your head back at him, looking a little sun-drunk. He smiled at you. He could see the reflection of the sky in your gaze.

He adopted a pout, snickering internally as you immediately seemed to regain some awareness and a wary anticipation entered your expression.

"Would you still like me if I was a worm?" he asked.

You blinked at him. "Is this one of those things you learned from the kids?"

He slouched a bit, crowding into your space. "Would you still love me if I was a worm," he wheedled.

"Are you turning into a worm?" you asked, slightly panicked, hand going to his arm as though to check if he was going as wet and floppy as the poor things on the ground.

"I'm going to turn into one if you don't answer my question."

The last of the distracted fog lifted from your eyes as you shook yourself. You took his hand and pulled him close to let another couple pass you on the walk. They inclined their head in thanks.

There was no rush to get where you were going and you tugged him along a smaller path that cut under a row of thick-branched trees so you could walk side by side unimpeded.

"I still liked you when you were a semi-sentient six sided die," you pointed out, smiling slightly.

"It's not the same," he whined a bit, drawing out the words in a sing-song fashion.

"Isn't it? I'm not sure a die eight kilometers under the ocean is more useful than a worm."

"Hmph."

"Although I really hope the worm thing is hypothetical."

"Why?"

"Because with our luck that would mean I'm a worm too."

Satoru huffed a faint sound of amusement. "Nooo. You'd still be some kind of bird." He patted your back. "Don't worry I'll make sure to crawl out late so you can still be in time to eat me all up."

"... Are you propositioning me or telling me to hurry up?"

"Walk faster or I'll step on the backs of your shoes."

You did. The two of you walked faster and faster until you were all but chasing one another out of the park, laughing lightly as you dodged the spots of wet on the ground.

#ask answered #thanks for the little prompts #i started writing these when I felt a bit drained and it was nice to have some short things to work on #...I might have gone a little nuts with the banners whoops #also battle scenes always take forever to write it's good practice but ugh #that's why orange kazoo is so long #gojo satoru #gojo satoru x reader #lots of cellphone use for these 21st century kids #jjk #omegaverse #but no mention of omega/alpha so it's like another implied omegaverse thing i'm bad at this #alpha!reader #got it in before midnight my time so still Wednesday!#from the notebook

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