It's really disheartening that Rick Riordan stance on the war I understand that he wants to be neutral on this stance but in my opinion by becoming neutral he only worsening the issue as many Palestines are dying that are mostly children, how the majority of Israeli are supporting the Genocide of Palestine, and how the government is trying so hard (but miserably failing) to justified the genocide. I will hold him accountable for what he said on this issue as during this period the choice is basically "you are with us or against us."
Part of me wishes he will realize what he said was wrong and understand the bigger issue that plays at hand. I will criticism for his actions as how can a man who promotes LGBTQIA and representation of minorities and disabilities in his books turn a blind eyes to Genocide of people. However we can only wait and see on his next move.
One last thing about your previous you said you don't group Riordan with other authors where do you would group him with? Also this is more on an opinion base answer but many people are boycotting companies that support Israel there as been another post on Twitter on boycotting authors. Rick Riordan happens to be one of them. Do you believed that he should be boycotted with other authors or he should be properly educated and apologized for his previous statement? If you believed he should be boycotted what do tou have to say to those who might have the mentality of "separate the art from the artist"
thank you for this ask, and i completely agree with you! it is extremely hypocritical of him considering what he preaches for in his books. i think he’s convinced he has properly addressed the apartheid by using very vague language that can be applied to anything, and in doing so, he’s addressed nothing really.
your first question on who i would group him with— probably other authors who are doing the exact same as him in their virtue signalling. i always like to link my other blogs to each other, so i don’t think it’s a secret that i have a red queen account and i’m pretty passionate about that. unfortunately, victoria aveyard is another fantasy author who has literally wrote a whole four-book series on the uprising against oppression but is now playing neutral in her address of the apartheid. rebecca yarros is in the same boat, although i haven’t read ‘fourth wing,’ fans have said there are large themes of oppression within the book. so if i had to group riordan it would probably be in the ‘i-like-to-write-about-it-for-profit-and-praise-only’ group.
in terms of boycotting, i think that’s a great idea! i would also like to remind everyone that the percy jackson tv show is coming out in a little over a month, but disney is a huge industry financially supporting israel as well ($2 million in funding), which is obviously far more damning than a poorly written address by one person. there is a boycott happening for disney as well— and the pjo show will be released on disney + . i implore everyone to not watch it on that platform!! personally i will be pirating it online (idk if i’ll get into trouble saying that here but lol oh well), because im pretty sure the boycott is only for withdrawing financial support, not simply consuming media.
i feel like separating art from the artist only works if that artist is… like, dead, and you’re using that art and its values as a historical insight to how the world was during its time. you can still like a piece of work that has a problematic artist, you can engage with the work (to an extent). but separating art from the artist barely works because either:
to engage with the art is to support the artist in some way, so that artist is making money based on your interaction with that (particularly in the case for singers and streaming of songs)
that artists’ views and values are so rancid that it’s literally embedded within the text itself. to ignore it is harmful.
harry potter is my all-time favourite example to use, because jkr is the scum of the earth, and her views are entrenched in her work. a lesser known example is sarah j maas and her books (she’s also not as dogshit as jkr, but then again, its not hard to be a better person than her). i’m not going to bag on these people for liking things by problematic people (would be hypocritical of me), i just think it’s cowardly not to address it when you come across it, or at least admit to it. to simply write things off as ‘separate to the artist’ is like purposefully turning off your critical thinking skills.
on whether boycotting or an apology is enough— if riordan did apologise and used specific language and not the nonsense he had in that blog, expressed his remorse for his ignorance and then actually did or said something to support the people of palestine then, yeah. that’s fine and that’s how we learn ig. but he should educate himself, too many activists, people from the arab community and especially palestinians are expected to be all-knowing and to educate everyone else on an already draining and personal tragedy. it’s been exhausting for me, i can’t imagine what they’re going through. if riordan (or anyone) needs to be educated, he should do it himself, and (at least in my opinion) i don’t think the info is very hard to find now. it’s just about weeding out the misinformation.
i think boycotting is a good idea as of now. it can serve to be a catalyst for self reflection for many people. also, as much as i hate most online discourses, talking about it online needs to happen. i don’t want these authors to forget, for a moment, about the ignorance they posted online during a time of international crisis.
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does anyone want to join me on the aventurine/argenti train. it's got all the perks of being as funny as any other argenti ship - especially given the random absurdity of their first meeting. what the hell was argenti doing in the depths of the nihility? who even knows anymore man. but like also i think it has the potential to be really sweet?
aventurine hasn't let anyone In since his sister died. he's long since forgotten how to Trust, and Love, and how to BE Loved. and this, combined with enormous amounts of survivor's guilt and trauma and being treated as an object, has really done a number on his self-esteem. he doesn't act like it (because he's learned that it's dangerous to be vulnerable; it's the one gamble he's not willing to take), but 2.1 gave us that glimpse into his inner dialogue and it is Bad in there
between his conversation with acheron, the note veritas left for him, and finding a sense of closure in the apparition of his younger self, he's on track to becoming better. we can see it in the way he pretty much immediately reaches out to the trailblazer to get some things off his chest once he gets his phone working again. and the way he's accepting what is basically a form of therapy from the doctors of chaos. but his self-hatred has been building up for years, and it's going to take a long time to unpack and unlearn all of that
so like, in comes argenti, right? he's a loud show-off, but he is SO earnest. he sees the beauty in everything and everyone. he's kind, and gentle, and so full of love. he also comes off as a bit... lonely to me? he's spent so much of his life chasing after idrila's shadow, and only catching a glimpse of them in his many near-death experiences (and isn't that something to think about...........). he's not like, secretly miserable or faking or anything - i think his exuberance is 1000% genuine. but humans are social creatures; everyone wants and requires at least some form of closeness and intimacy. to have a love to pursue in This realm... someone he can see and hold without needing to have one foot in an early grave . i think that would be good for him. that's all
anyway, it's clear that argenti was pretty enchanted by aventurine
like yeah that's kind of just how he talks normally but !?@,%&#& that's a lot of awfully romantic things to say about one specific person out of the several you apparently rescued (??????? god i love this guy he makes no sense. literally why are you even here bud). it seems that aventurine's more subdued state left an impression on him too, and well wouldn't it be pretty in character for him to start popping in randomly... as he does, because he can apparently just go wherever the fuck he wants. to check on this sad yet oh so beautiful peacock.. to try to bring a true smile to his face... to show him how kind and beautiful the universe can be......
i think aventurine might have a hard time laughing off offers of comfort and company and the beginnings of a courtship if it comes from someone like argenti. this man couldn't be disingenuous if he tried. he doesn't wear his heart on his sleeve as much as he rips it out of his chest to show you. it'll be a learning curve regardless - aventurine is too used to needing to constantly prove his worth to keep anyone around and to keep them from hurting him
but do you see it. do you see the vision. do you see how Sweet this could be. aventurine is about to receive more roses than he'll know what to do with
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gwynplaine and dea through the seasons [id under cut]
id: a seven-panel digital comic in a watercolour style showing gwynplaine and dea from the man who laughs together in various natural scenes. on each panel is a stanza from the simon & garfunkel song 'april come she will'.
the first panel reads 'April, come she will / When streams are ripe and swelled with rain'. it shows a young gwynplaine and dea running after the caravan in a sunny spring rain shower; gwynplaine is covering dea's head with his coat.
the second panel reads 'May, she will stay / Resting in my arms again'. it shows gwynplaine and dea lying on a sunny hillside, their faces obscured by daffodils in the foreground.
the third panel reads 'June, she'll change her tune / In restless walks she'll prowl the night'. it shows gwynplaine and dea silhouetted against a field in the evening light; gwynplaine has his hand raised to shield his face.
the fourth panel reads 'July, she will fly / And give no warning to her flight'. it shows gwynplaine and dea sitting together in the door of the caravan as the sun sets, with hills receding into the background.
the fifth panel reads 'August, die she must / The autumn winds blow chilly and cold'. it shows a desolate snowy landscape, in the centre of which the child gwynplaine kneels beside the vague shape of a body in the snow and reaches out to the baby dea.
the sixth panel reads 'September, I'll remember / A love once new has now …' it shows gwynplaine and dea sleeping together in a warmly-lit room; dea has her head on gwynplaine's chest, and his face is turned towards her. his hand is resting on hers.
the seventh panel reads '… grown old'. it is a close-up of their hands from the previous panel. end id.
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