that cold-sweat wrung out feeling of finishing a fanfic at 5 am the sun peeking through your curtains onto your tear-stains, because god fucking damn it, what have you just read, why does it ACHE, you’re going to have an aneurism, people write things like this, just to leave you dry mouthed, the fundamental neurons of your brain forever changed, what is canon if not the way this writer plucks your heart out and eats it and licks their fingers afterward and—
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Painter James Potter, who constantly paints Regulus in every art style known to man kind.
Poet Regulus Black, who always makes his poems about or has his poems inspired by James.
Regulus Black and James Potter, who not only devoted their lives but also careers to the other while living more than happily in Brazil until their finale days and forever together in the afterlife.
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
and frame and control the focus:
honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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Inktober: Week 5
Happy Halloween!
"Agree to disagree, we both know who's right"
I thought about what other wacky stuff I could do with the vessel au.
What if Volo became a vessel for Giratina? What if he made himself a vessel on purpose and stole Giratina's power?
Originally the two were cooperating with one another but once Arceus tried to fix everything via a vessel/proxy, Giratina suedo abandoned Volo's plan a little (still mulling over the plot in my head) and left Volo without answers or assistance.
He would feel absolutely cheated. The most damning thing to refute all of his ideals and thoughts that the world was unfair and unjust.
He was abandon by Arceus and the one it outcast from the realms.
He is not the grand hero everyone loves.
He's had no just reason for all the wrong that has happened in his life.
He'd be furious. Insulted. He probably is plotting revenge of both god and vessel.
So if a pokemon won't listen, there are other ways to capture it. The red chain can steal back Giratina and bind it to him, making himself a vessel for a god instead of Gris.
But it doesn't work very well. Giratina's too big, too much for a mortal to house it without consequences. While Gris held off and fought off the possession, Volo foolishly takes on more than he could carry.
He's too blinded by rage, by the need to have victory over Arceus that he doesn't care if it's splitting him apart, or that he'll forever bind Giratina to his body due to the red chain's hold.
If Volo steals Giratina, he would become an imperfect vessel, a violitle bomb ready to lose his mind and tear the world apart.
(also I wanna add design notes so the tendrils are meant to be like tainted angel wings and I took artistic liberty to make the red chain more ribbony to add to the evil devilish flow going on.)
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“At the end of the day, we are all human beings. My father once told me, it's a world without borders. I miss you everyday, is what I secretly whisper.”
You see dad, I listened to you.–Joost Klein
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