#it's so good to learn more about the lovely people here ;_;

[heretherebeturtles-comic]

Hello! Many people have said this but ill say it too, I LOVE YOUR COMIC SO MUCH ( ´ ▽ ` ).｡ｏ♡

I really wanted to ask you about how you do the backgrounds? (Something i struggle with) whats the process? Like from start to finish, also, to do the rise backgrounds do you use reference from the show and generally real photo of ny? Or do you come up with them? And last question- The shadow and light on the background- Like HOW

i know it’s a lot of questions but i’m just so curious qwq and wanna learn to be better, thank you again in case you read this and respond, in case you don’t, i hope you have a nice day and a wonderful life uwu keep up the great work! (≧◡≦) ♡

Backgrounds are a really broad subject and I'm always a little overwhelmed when asked this question. Just like drawing the human body, backgrounds take time, repetition, and practice!

My answer got a bit long, so it's going under a read more :) but if you digest info better in video format I found this on youtube

It pretty much goes over everything I wanted to say, but in a much better way. I wish I had found it before writing all this out lol

ok, first of all, I'm not a teacher nor was I built to be one of those cool helpful art tutorial people who do a full coloured tutorial filled with illustrations. This is just going to be a messy "how I do backgrounds / environment layouts from start to finish." kinda thing.

... lets start with a sight tangent.

Sketch from Life!!!

If you want to get better at backgrounds I recommend doing some sketching out in the real world!

When I was first getting into doing backgrounds I went to cafes and parks to just sketch the buildings and objects. Sketch rocks, flowers, clumps of grass, garbage cans, bottles, tables, street signs, etc. If you are drawing a tree observe how the trunks twist, how the bark flows, or how the leaves are bunched.

If you can't leave the house the same still applies! Sketch the interiors of your house, the walls, or common objects like chairs and bookshelves. How are objects stacked? items on the floor?

If you aren't comfortable with drawing outside or in public you can take some photos to draw from! They are good for practice and you can use them again as references later. Alternatively you can find pictures online of buildings and objects to sketch as practice.

All spaces have objects in them, it becomes easier to draw those kinds of spaces when you already have spent time observing and sketching them.

ALSO! They don't have to be good sketches! It's just to build out your mental catalogue and strengthen your perception of perspective.

now the actual thing...

BACKGROUNDS

(the pictures used for this are my own. I dug them out of my 2022 folder)

Backgrounds have slightly different rules based on what you are making them for. Videogame Environment Concept Art vs Animation Layouts vs Comic Backgrounds vs Illustration backgrounds.

They all follow the same basics, which I will go over here, but the intention and function of those designs are going to be different. It's all about how you set up the scene and what it's purpose is!

Brainstorming and Thumbnailing

I like to think about a location as though it is a character. An abandoned old house with creaky sagging floorboards is very different from a futuristic space ship with sharp metal floor panels. A gas station has a very different feeling from a library.

I usually start by asking what is this location's story? Why was it built and for what purpose? What kinds of things does this room need to fulfill that purpose? You don’t need solid answers, but its good to be thinking about it while you are working.

Next, sketch some ideas for how this place is going to look. For me, this usually involves drawing the idea from multiple angles and then making lists & small sketches of the objects I think should be filling the space.

Example: The main character of my original work is a Wanderer. They collect a lot of things on their travels, but those items have to be small enough to be easily carried in a backpack. I wanted his room to be in the corner of an attic, walled off by curtains, and filled with trinkets. You can see some of my brainstorming above.

References

I only look for references after I've done some sketching and planning; this is to solidify my idea first so that I don't accidentally copy anyone else's work. I will make a moodboard with pictures of lighting, colours, items, rooms with specific ceiling beams, old chairs, etc. basically whatever I feel fits the vibe.

Honestly, I don't use references as much as I should. For ROTTMNT fanart I look at backgrounds and screenshots from the series to study the style. I also reference actual photos of NYC to get a feel for how Rise condenses the visual information.

In general, it's good to have references of real life objects/locations, because there are so many details like cracks in pavement, stickers on polls, crowning on buildings, fancy fencing, weird chair legs, etc. that you might not think of. It's the imperfect details that can make a location feel more alive.

Perspective

Once you have your chosen sketch we move to.... the infamous perspective boxes. Doing backgrounds is just learning to be comfortable drawing So Many boxes and carving items out of them.

Many better artists than myself have made videos on perspective, vanishing points, and all the technical bits. Videos like THIS ONE and THIS ONE are helpful (this post is great too!!). There are probably a lot of classes to be found on Skillshare or Schoolism. I learned a lot of this in my college art course, so I can't give you a specific video which helped me.

You can get by and be a good artist without learning this stuff. There are quite a few successful artists who have admitted they never bothered to learn perspective (one of these people even made a whole graphic novel series).

I personally avoided properly learning this stuff until I was in my 20s because I thought it would be boring and difficult to do. tbh I really wish I had learned it earlier because it's so much fun to make those silly little boxes imo. It looks scary and complicated but, just like drawing humans, it just takes time, repetition, and practice to develop the knowledge and skills.

Cleanup

You have your boxes and lines! Cool! Now to make a scene out of it. Fill in the details, get everything placed were you want it! Generally, the lines of each item will point back towards the horizon line, but they can have different perspective points.

Generally you would want to clean it up and get your room completely sketched before doing the lineart. I tend to combine the steps (not recommended)

Lineart

I've mentioned how I do this before. Closer objects have thicker lines and more detailed inside. Further objects have thinner lines and less detail. I didn't quite achieve that balance with the image below, but it's close enough.

Colours and Shading will have to be a separate post. In the meantime, I highly recommend the book "Color and Light" by James Gurney. I used to borrow it from my local library and a good chunk of my knowledge was learned from it :)

[salmalin]

My sincerest apologies and warmest welcome to my rant about FF7: Crisis Core. Or, as I like to call it,

Propaganda: The Video Game

I say this with the utmost affection. Crisis Core ranks really high up there in my favorite Final Fantasy 7 installments. I played it when it first came out, borrowing it from a friend to play on a borrowed PSP. And, the more I learn about the game and the more I replay it, the more everything lines up.

This game is not about Zack Fair.

This game is about how Capitalistic Propaganda can sink into every aspect of life to the point where it is entirely indistinguishable from reality. And it’s very overt about it. So…

Here we go.

My treatise on Propaganda’s starring role in Crisis Core.

Part One: The Timeline

Something that a lot of people gloss over due to decades of Child Heroes in media—Japanese Shonen and Shoujo series in particular—is how young these protagonists are. We’ll hand-wave a lot of stuff in non-live-action series with just a little bit of suspension of disbelief. And that’s honestly just accepted these days. But here’s the thing about those hand-waves.

Final Fantasy 7 doesn’t do that.

Now, FF7 hand-waves a lot of stuff. For example, how far you can travel in a day by foot, the distance a man weighing approximately 165lbs can jump after being genetically fused with what might as well be a cocaine demon (Jenova), and how much hairspray one can reasonably carry on a cross-country journey while on the run from the feds.

Age is not one of them.

Exhibit A: Yuffie Kisaragi.

Do I really need to say more? She acts her age. So does Zack. And Aerith, even. Most of the characters in the original lineup were over twenty for a good reason. We see several kids in the series, and they all act their age, too—both the OG and the remake. Age is not a thing that FF7 really grapples with. It’s something they take relatively seriously.

Now, to the point.

Zack is 16 when Crisis Core starts…

… and he was 13 when he ran away from home without his parents’ knowledge to join the military.

Which accepted him.

At 13.

Without a parental permission slip.

Think about that for a second.

… Or for the next several parts of this breakdown.

Part Two: The Main Character

As I mentioned in the introduction, Zack is not the main character of the events of Crisis Core. Instead, he is the focal point of the second person POV. This is not the first time Square has done this. It was done most notably with FF9, FF10, and FF12. (I’m not going to go on an Akira Kurosawa rant right now, but please check out his film “The Hidden Fortress”. FF12 and Star Wars episodes 4-6 borrow heavily from this film.) The purpose and position of this character is such that they might best witness the effects the other characters make on the world as their stories unfold, usually in the role of a love interest. For Akira Kurosawa, it may have been told this way because these people are most effected by the decisions being made.

“Well, then, Sal,” you may be asking, “who would you say is the main character? Would that be Aerith, since she’s the love interest, like in the other games?”

No, actually.

It’s the antagonist.

And by that, I mean Genesis.

Hear me out. I used to hate Genesis, for I was once young, full of judgement for flamboyancy (thanks, internalized homophobia), and was led by the narrative to believe he was mean to his friends. Then I met my Lovely beta who loved him, so I wrote a fic for her as a gift. So for that I kinda just… read stuff. Because that’s the thing about Propaganda—you gotta read stuff to navigate it. I read the in-game emails. I re-watched all the scenes I could get my hands on with him. I read his wiki and tried to track down more information about him. Then I watched the scenes in Japanese and gained a better understanding of not just Genesis, but Sephiroth’s character. And I realized that Genesis was put on this road from the start. In fact, a big part of the fact that he’s seen the way he is in Canon—only at his most hostile and lowest points—is because the story is told through Zack’s point of view.

So before we get into the breakdown, here’s the hard facts about Genesis.

1. He was a test tube baby who may or may not technically be Angeal’s fraternal twin brother, which we are not going to unpack right now.

2. He was adopted by a relatively rich family.

3. He was a child genius (which requires not only resources, but drive to achieve), and at a tender young age of like… ten or something? He decided to mess around and literally invented pasteurization. Which is incredible, and really speaks to his knowledge of the world and ability to grasp complex concepts even at a young age. But, again, this is not the time or place to unpack that.

4. He was best friends with Angeal, who might as well have been the sweetest, kindest boy to ever walk the Planet. (I’m biased. I love him.)

5. As a teenager, he became fixated on Sephiroth, who had gained national acclaim as a SOLDIER despite them being the same age. (Please see part 1 and think about that for a second.) He then goes to join SOLDIER and brings Angeal with him. And Angeal brings his step-father’s puritanical “hard work is honorable” mindset with him. (On that note, Angeal and his father’s arc really are a wonderfully scathing letter to companies that overwork their employees and how toxic/unhealthy that line of thinking is. But. Again. We are not unpacking that right now.)

6. At one point he became consumed with LOVELESS, a series of poems with heavy prose and symbolism thicker than syrup. It got to the point where he was so well known for it that there was an entire fanclub dedicated to both him and analyzing the text.

7. While he was in SOLDIER, he repeatedly had his achievements publicly accredited… to Sephiroth.

Over and over and over again.

Everyone did, really. They mention it in the beginning of the game. Sephiroth even got public credit for Zack’s raid on the castle when he wasn’t even there. How much of his legacy is real? How much of it is made up? How much of it was faked? We don’t know. No one knows. But he keeps getting credit, anyways. And when Genesis confronts him about it, Sephiroth doesn’t care. In the Japanese version of their fight scene, you could even say he indirectly implies that he wants Genesis to take his place as the “hero”. In the English, Sephiroth’s line is, “Come and try.” But in the Japanese the line is closer to, “Wouldn’t that be nice?” Which, depending on how you take his tone, can mean wildly different things—from mocking, to earnest, or even admiration—which is especially to tell because he might be annoyed with Genesis at the moment.

Fun Fact: In Ever Crisis, Sephiroth explicitly says they are making up his achievements in the press to target boys his age for recruitment. (Thus why they accepted Zack at age 13.)

My theory on this line is that he is being cynical; that Genesis doesn't understand just how harrowing and even humiliating his experience has been. This only enforces my theory that the "come and try" translation in the English not only does a disservice to a line as wonderfully heavy as, "Wouldn't that be nice?", but fundamentally misunderstands Sephiroth as a character.

8. Genesis then took the fight to Shin-Ra. Inspiring a good chunk of their staff to leave the company, he then staged multiple attacks on facilities, staff, and the main building—which also spilled out into the city of Midgar. He murdered his parents, buried them, killed everyone in town, and… Yeah. It wasn’t pretty. A lot of innocent people died simply because they were vaguely associated with Shin-Ra. These are the actions of a villain. What’s more, this is clearly a sign that he has been acclimatized to death and violence by Shin-Ra to the point where he doesn’t even consider taking hostages.

Except.

Except the entire town was a Shin-Ra town.

Banora, canonically, was a Shin-Ra built town, which means everyone there was basically an employee of the company. No one was safe. Everyone was a threat. And that…

That was how he was raised. And he finally knew the truth—that every moment of his life was touched, controlled by Shin-Ra, all the way down to his very conception. He has never known freedom. He has never known his own identity. And now that very cage was killing him, slowly and painfully, and turning him into something that couldn’t even be recognized as human. He was watching himself rot in the mirror, and it was all because of Shin-Ra’s greed. And as he searched for salvation, he sunk into LOVELESS as he always had, hinging his entire life on Minerva’s Gift because he knew he was dying and that was all he had.

9. And then he died…

10. … but then it turned out LOVELESS was actually kind of a blueprint, and he did meet the Goddess, and he did get reborn without his degradation so he was rewarded for his journey in the end.

So why wasn’t Genesis the main character of the game?

Simple.

His actions challenge the status quo without being about the status quo. It’s a story about revenge. It’s a story about retribution. It’s a story about answering mass violence with mass violence and ultimately being rewarded by it. And while, yes, the series is an action-based violence simulator, the violence in the original FF7 was a guided, tactical effort. (For all that the characters aren’t the brightest bulbs in the sun lamps.) But the biggest, most obvious shift in the narrative happened when they realized their role as terrorists—bringing mass violence to the company via bombing and open aggression—was just resulting in increasing levels of retaliation against uninvolved people. They might as well have been a child beating the ankles of a giant. The goals and themes of the game fundamentally change when they realize that answering mass-scale societal violence with mass-scale physical violence was not only unsustainable, but also wasn’t going to solve their problem.

FF7 is about change and learning when violence—and what kind of violence—is appropriate in the face of different threats.

Genesis’ arc undermines all of that, and making him the main character would contradict the very heart of the OG game.

So, instead, we are positioned as Zack, connected to him through a mutual friend. From there we see all the damage and horror this vengeance brings to those living under the status quo.

But also, that plotline’s a major downer in a lot of ways, so they needed to lighten things up a bit to keep audience involved. And that’s why Zack is, well…

Part Three: Zack is a Himbo

Please, for the love of all that is holy, keep in mind that everything I say here is with the utmost affection.

Zack is dumb as a rock.

He is a charismatic, enthusiastic sixteen year old jock who ran away from home at thirteen years old to join the military. Which, please know, why I say “military” I mean “private security guard force with a standard-issue Death Baton and a license to kill”. The first scene in the game is him being excited that he gets to murder a bunch of people in a simulation, which he is immediately scolded for by his mentor. He is a glorified, souped up private security guard who is canonically only in it for the glory at first. He wants to be a “hero”, but doesn’t seem to fundamentally know what that means. And, over the course of the story, the definition of that clearly changes for him.

Which tracks, because the story takes place over a period of time with high stress.

Occasionally I see people saying they wish that Zack had more complexity to him, and honestly? The game. Would be. SO. BAD.

Full Disclosure: I am not the biggest fan of Zack specifically because he lacks a lot of nuance. I wish he was a bit more complex, too. But I also know that would break the game. What’s worse, if he was still on Shin-Ra’s side because he understood Shin-Ra’s mission… Well… That would make him a villain, or a cog at best. That’s not main character material. It would make the ending more messed up, though.

Anywho, Zack was thirteen when he left home. He had no formal education. He didn’t tell anyone what he was doing. He even joined without a permission slip from his parents. This means that Shin-Ra was accepting thirteen, possibly fourteen year olds into the military. (Some people will say this tracks because you can get a job at fourteen in many parts of Japan. But, and this is important, you aren’t allowed to be a security guard until you’re quite a bit older, and you need a specific license for it, much like in the US.) Clearly they didn’t teach this boy critical thinking skills. Not because he’s a himbo, but because having their Super-Powered Private Security Force With A License To Kill think independently would explicitly go against their interests. (EX: Genesis.)

Shin-Ra needs SOLDIERs to follow orders or the company would no longer be able to function. Seconds and Thirds aren’t even allowed to reject missions. (One could argue that sending certain someone on back-to-back missions would be a good way for them to eliminate undesirables within the ranks by sending them to their deaths, which… would make an incredible fic idea, actually.) We already know that First, Second, and Third Class rank assignments do not actually reflect the power of the SOLDIER. This is canon. I would instead argue that those who make the rank of First Class aren’t necessarily the most powerful, but are instead the most visible in the media, thus the easiest to market, and/or the easiest to manipulate and control. (For a great example of this, see The Umbrella Academy.)

The point is, Zack may have been elevated to his position as a first specifically because he is malleable and single-minded. Even after all he saw with Genesis, he stuck by the company to the very end, with the exception of the time Sephiroth was literally guiding him to fail a mission. Zack allowed himself to take Shin-Ra’s side every time, taking down their enemies and following their orders, preserving his “honor as SOLDIER” as he had been taught. The only thing that made him stop…

… was literally getting put in a jar.

It was when he was no longer a SOLDIER.

Part Four: Honor

There is no such thing as SOLDIER Honor.

I repeat: There is no such thing as SOLDIER Honor.

It is a fictional thing that is borne of an ideology based around hard work. It only has power because it is believed in. It is an intangible social construct similar to the law, mathematical order of operations, and gender roles. So why are Angeal and Zack obsessed with it?

Pretty simple.

Angeal’s step-father followed it.

Now, we know three things about Angeal’s step-father.

1. He was chill with the fact that Gillian was already pregnant when they started dating.

2. He was a very good father.

3. He worked himself to death trying to pay off the sword he bought Angeal.

This, of course, says a lot about Angeal considering he rarely uses the sword. He essentially sees that sword as the symbol of his step-father’s life. Everything he uses it for, he sees as more important than his step-father’s life. That thing is usually Zack.

Zack, who is the child who joined the military based on stories of heroes.

Zack, who rises against Angeal in the name of his own step-father’s ideology and tries to talk him down, even at the very end. But Zack fails because he fundamentally doesn’t understand what’s going on, partially because “Soldier Honor” is just one more aspect of this narrative he was given. It is a narrative that Angeal has had to step away from, even though he doesn’t want to leave the memory of his step-father behind. He was a good man. He was a good, hardworking man.

And that is why he died.

Corporations will use you up until there is nothing left, then honor your memory/sacrifice. Shin-Ra was doing the exact same thing the company his step-father worked for did; using up SOLDIERs until they outlived their usefulness. And Angeal was horrified to realize that his “SOLDIER Honor” wasn’t honor at all.

It was willingly submitting to control.

But, unlike Angeal, over time, this meaning changed for Zack. Partially because he didn't understand it fully in the first place. It became about acting with integrity. It became about helping people. It became about not lying down and watching the abuse Shin-Ra handed out in exchange for literal money; for maintaining the status quo.

At the very end, Zack understood what it meant to be a hero.

Part Five: The Conclusion

To sum up, Zack believed in and idolized the propaganda spread by Shin-Ra at such a young age, and was so convinced by it, that he ran away from home at thirteen to join the military.

He was their target demographic, so they happily took him into their ranks. What’s more, people think this is normal enough that we see no one opposing this, because the only people who oppose Shin-Ra are “extremists” or “violent terrorists”.

Zack then became their loyal puppy, groomed to fill his role as super-powered attack dog to sick on anyone they deemed appropriate, and he filled the role. He believed he was doing good. He didn’t think they were invading another country, because that’s not what he was told.

He went after Genesis, because that’s what he was told, and he wouldn’t let Genesis’ actions shake his faith in the company.

Then he went after Angeal, hoping to get answers, only to become more confused. Angeal taught him about SOLDIER honor. He taught him about a higher calling. He was the one who made Zack truly loyal to the company. This challenged everything Zack knew.

He went with Sephiroth, planning a small rebellion of their own (a white lie on paperwork) to get answers, only to find things he wasn’t ready for and couldn’t fully understand.

Zack is shaken by each of these events. Horribly. At times, we even watch him grieve. But time and time again, he doesn’t leave the company. He sees the damage they do first hand, and he doesn’t leave the company. The company isn’t the problem, to him. He reads their emails, does their dirty work, and “maintains his SOLDIER honor”.

Zack swallows what they give him right up until what they give him is torture.

Zack swallows what they give him until he becomes their victim.

Every step of the way, Zack is fed a story of how the world is. He was raised on it. He lived it. He became part of it. He was paid peanuts to enforce the status quo Shin-Ra installed in the world by force, and he was proud of it because it was, to him, something to be proud of.

Zack believes the propaganda whole-sale, and we get to watch, from the point of view of an outsider, as it slowly destroys his life before killing him.

Propaganda has the power to make suffering normal. Propaganda has the power to make murder righteous. Propaganda has the power to take a thirteen year old boy out of his home so they can give him a sword, and when they point him in the direction of their enemies he charges of his own volition, because they made him believe in their cause. And he believes in their cause because he believes that it makes life better for everyone.

But that’s not what’s actually happening.

That’s just what he was told.

Crisis Core is about propaganda, and the depths to which it can affect our lives. It changes our belief systems. It changes our perceptions of reality. And when it’s torn down around our eyes, it can make us go insane. It can make us violent and unreasonable as we realize just how much violence is being forced upon us—violence other people just plain do not see. It's just a a piece of paper. It's just a law. It's just a job.

It's just a war.

Final Fantasy 7 was about Fascism.

Crisis Core is about the propaganda that built it. It is told from the point of view of a boy, then a man, steeped in it. He watches until the people suffering around him—Sephiroth, Genesis, and Angeal—are twisted into villains by the truths and lies around them. Genesis and Angeal are tortured by truths, Sephiroth is transformed by lies, and Zack is subsequently hunted down to conceal them.

Crisis Core is Propaganda: The Video Game.

[fxirybun]

🪷 PAC: your platonic soulmate’s personality

this is a collective reading ! take what resonates and leave what doesn't. i cannot guarantee 100% accuracy. take the pac reading lightly ჱ̒ ｰ̀֊ｰ́ )

ෆ⸒⸒ pile one 🥀

hello there pile one ! your platonic soulmate is someone who's giving a bad bitch energy and doesn't allow themselves to be taken for granted. whoever this person is i feel that they have a powerful energy within them , it's like if someone wants to bully you your platonic soulmate is more than ready to throw their hands at them lol.

i can see that their tongue is as sharp as a knife , a metaphor for how direct their words are and how others would think that your platonic soulmate is very harsh or domineering. they're outspoken and aren't afraid to voice out their opinions since they believe that their statement holds truth in it.

this person has a confident presence within themselves and i'm getting that they may be into manifestation. it's as if they can turn all their ideas into tangible plans because they have this inner willpower to create those opportunities and they have the right equipment to turn their desires into a reality. due to them having a wide variety of skills , people are jealous of them and would do the means to bring your platonic soulmate down.

this doesn't stop them though 'cause they're the kind of person who seems to thrive in a competitive environment. it allows them to exert more bold effort since your platonic soulmate wants to prove their enemies wrong.

ෆ⸒⸒ pile two 🪻

hi , pile two ! i'm getting a hint that your platonic soulmate may have gone through a terrible heartbreak in their life and how it brought them a baggage of emotional pain. this experience made them more cautious when letting someone enter their life. regardless of past wounds , they know how to deal with this lingering pain through means of healing. it also allows your platonic soulmate to be wiser and more empathetic.

i feel that they're someone who has a layered personality , similar to an onion. in addition , this person is presumably able to face any havoc that will come their way. they can be both compassionate and courageous simultaneously and how they are being perceived as a source of support for others due to their encouraging words.

they seem to be the kind of person who appreciates forming a mutual connection with others. i sensed that your platonic soulmate is currently in the process of learning to let go of the heaviness that they've been carrying in their back. whoever this person is , they seem to tend to take too many responsibilities that lead them to overcommit.

the good news here is that this person is releasing all this pressure that they're feeling because they're striving to create a balanced life where they are not overwhelmed. they garnered the strength to withstand the mist.

ෆ⸒⸒ pile three 🦋

hello , pile three ! i can see that your platonic soulmate is someone who just goes with the flow. their personality reminded me of that one student in class who's labeled as the "joker" due to how unhinged or funny their jokes are lmao. they love to spread positivity to the people around them including the environment itself , making them the kind of friend who is fun to be around.

this person is not afraid to explore the unknown just so they can go on board for new experiences , not allowing fear to gain control over them. despite their carefree personality , your platonic soulmate knows how to be serious when it is needed , especially in situations that are not for the fainted heart. this person is aware of balancing their free-spirited nature and their mature side when it comes to confidential matters.

i feel that your platonic soulmate is someone who cares deeply about their loved ones , especially those who are considered dear to them. they have this gentle approach and seem to know how to comfort someone in troubled times. this person is an expert in trying to connect to someone on an emotional level.

i kept hearing the lyrics "you've got a friend in me" from the movie toy story and how it resonates with this reading about your platonic soulmate. you can always rely on them , pile three ! as i'm getting this ride or die , bonnie and clyde , best friends for life dynamic.

[shiphappen-s]

Ok so like brace yourself bc I haven't read the brick and I'm playing fast and loose w canon here but you know that line in Bring Him Home where Valjean is looking at Marius and is like "he's like the son I might have known, if God had granted me a son"

What if Marius and Cosette swapped places. Marius was always a sensitive boy and he always had his quirks and such (personally I HC him as autistic / on the spectrum but like again fully fanon/musical based pls don't come for me). And where those more vulnerable sides of him would have been mostly squashed under the care of his grandfather, valjean nurtures them. And Marius just looks at valjean like he hung the stars in the sky, he's everything Marius wants to be when he grows up. A man who can protect himself and his family while still being kind and generous and sometimes nervous just like he always is. This guts Valjean because he feels so unworthy of this love and innocent childlike devotion. Marius should want to be so much more than a convict on the run from the law, which actually results in him telling Marius about his past early on in an effort to quell this thing but only ends up making Marius love and respect him more lol. Anyway I'm getting off topic

Cosette who was never taken from the Thenardiers, who grew up hungry and cold and right next to Eponine. They had a vicious rivalry until their early teens but once Eponine stopped getting daughter privileges and started getting punished the same if not more than cosette they formed a quick alliance. Eventually they became thick as thieves, often dreaming about the day that Fantine would come for her child and cosette would convince her to take them both out of this hell. Eponine is eventually the one to find out what happened to Fantine. Learning that her mother died alone and cold and abused because of the thenardiers simultaneously broke and forged something in Cosettes soul. Eponine became more and more bitter about life and the world but Cosette could not watch idle as the thenardiers continued to ruin people's life. She starts stealing from them and distributing it to the poor, purposely botching their jobs under the guise of being clumsy/stupid, subtly taking their attention so that Eponine or gavroche could nick food or medicine or whatever they needed. This eventually puts her on the path to bump into the Les amis and she quickly joins them and rises in the ranks. Her and Enjolras, though from completely opposite upbringings, are a United front when it comes to ideals. She is merged into the inner circle and becomes close with all of the boys, becoming a mix of big sister and little sister to all the students in attendance. Grantaire gets on her nerves a bit but he's so similar to Eponine that she can't stay mad at him. Especially bc he's never cruel and she can see his point most of the time, it's just annoying to be interrupted all the time lol

Cosette would fall immediately for the shy well read rich boy who spends his days giving to the poor and helping the needy as best he can. Marius would fall instantly for the girl with fire in her eyes and bruises on her knuckles who speaks passionately about equality and freedom for all.

(There would also be no love triangle with Eponine here bc she's had her eyes on the good looking intellectual man who serves as the right hand of Enjolras. He helped her in a tight spot once and he didn't flinch at her state or even ask for any kind of repayment. She doesn't know his name yet as she hasn't crossed paths with her sisters group all that often but the people in that group sometimes call him the guide. She usually keeps her cards close to her chest on this kind of stuff but she's planning on tagging along to the next meeting of his so she can see this man in his element and determine if his kindness was a fluke or not)

[afsosville]

You know what would've been nice? Shen Jiu ending up on a different peak that's actually good for him. Maybe Qian Cao, or the beast taming peak could've been hella therapeutic. Or the alcohol/brewery peak to drown away all his sorrows. But what if he stayed fucked up, in a way that's actually good and productive for society? Yeah, I wanna toss him over to Yin Hui and let him run wild! I've seen many iterations of Yin Hui, the fanon peak for espionage and poisons in fanfics. By extension, Yin Hui is also covertly the assassination peak, and I wish this peak got more attention around here tbh. Why do I think this peak is the most well suited for Shen Jiu? BECAUSE ASSASSINS. Duh.

So here comes a baby demonic cultivator Shen Jiu and the Yin Hui peak lord immediately wants him. Shen Jiu would be more readily accepted by his peak martial siblings, and no one would bat an eye at Shen Jiu, his standoffish personality or shady past. A lot of Yin Hui disciples are from questionable backgrounds since the Yin Hui peak lord naturally has to be very particular about selecting their disciples. Yin Hui was established to protect the sect and its people by any means necessary. Sure, the rest of the sect may fight against the supernatural, demons, and the undead, but Yin Hui fights an even greater monster: people.

The Yin Hui peak lord manipulated things so that the first impression the rest of the sect has about Shen Jiu is 'that new badass Yin Hui disciple that killed the criminal Wu Yanzi and saved the future sect leader!' (Seeing as Wu Yanzi would be the very sort of ppl they assassinate, he's already getting goated on Yin Hui too.) So Shen Jiu is known as that new prodigious disciple from Yin Hui and is getting some goddamn respect! And just because of his association with his peak, fewer people are inclined to question his background and whatnot since there's an understanding that the identity of the YH disciples needs to be heavily guarded. The Yin Hui peak lord finds out about the Qiu's soon enough, and they erase any and all traces leading back to Shen Jiu. Even framing it in a way that makes it look like WY did the massacre. Any credibility Qiu Haitang could've had for Shen Jiu's murder accusations is thrown out the window. (Ain’t no way in hell the Yin Hui peak lord is going to name SJ that stupid trauma inducing name like a certain Qing Jing peak lord, that's for sure.)

I'm pulling in elements from MDZS over here. In my version of Yin Hui, they have disciples who practice demonic cultivation, but they make sure it's in a safer way that won't hurt them. There's a surprising number of disciples who have damaged cultivation and chose to cultivate the ghost path. The previous generations of Yin Hui peak lords have created Wei Wuxian's inventions in this AU, and is used by the rest of the peak, like the compass of ill winds, paper metamorphosis, the spirit attraction flag, and empathy. I lowkey want a Wei Wuxian that's native to SV to be the Yin Hui peak lord, now that I think about it. He's good with his kiddos and would be an awesome shizun. And ofc, Shen Jiu is a reflection of his environment, so he's certainly making an example out of Wei Wuxian, one of the only positive influences in his life.

Shen Jiu still has his violent tendencies, so nothing has changed about that, but he learns to take that pent-up energy out on missions instead. And he does them well. It even gives him an edge. Everyone else thinks he's just reallyyy good at his job, as expected of the talented head disciple of Yin Hui!!

He really does try his best to not be an ass (bc he gets the love he deserves on Yin Hui) and ends up venting in a different way (coz he knows better than to take it out on people who don’t deserve it.) His shizun really gave him the free reign to kill sl@ve trad3rs, human tr@ffick3rs, r-ists, and other scum whenever he wanted, in the name of stress relief lol. If killing a particular person becomes politically complicated, like the Old Palace Bastard, then you best believe he's going to scheme like the little schemer he is. He's going to Nie Huaisang the OPM.

Since Shen Jiu is not salty about his fucked up cultivation, and his martial siblings respect him, they get along just fine. His cultivation is some parts similar to Wei Wuxian's: Shen Jiu is a ghost cultivator influenced by music. Sure, he may not be that great of a spiritual cultivator, so what? He's pulling up like the Yiling Patriarch with his demonic cultivation and a haunted guqin of his own.

And guess what? Shen Jiu enjoys teaching. He's training miniature assassins, spies, and the art of demonic cultivation, so forgive him if he's more than a little enthusiastic about it. I imagine that he's exactly like Shifu from kung fu panda when it comes to teaching. Still extremely harsh and strict when training, but outside of actually teaching, he's an attentive and caring shizun. And yes, he completely does act like a father figure who is proud of his murder babies, and ends up being called A-Ba so much that all of Cang Qiong thinks he's officially adopted every single one of his disciples. (After being saved by SJ on a mission, NYY persistently begs SJ to take her in even though he desperately thinks Yin Hui isn't a good fit for her. And then, after being under him for a while, she's completed her first mission successfully, has smn else's blood on her face, and is smiling brightly. 

Ning Yingying: "I completed my mission shizun! Are you proud of me?"

Shen Jiu: "..."

Some other peaklord: "Haha like father like daughter! She's definitely your girl alright!"

Shen Jiu: "...!?!" )

Yue Qingyuan is conerneth about his Xiao Jiu, but as long as he's happy, who cares. Shen Jiu has a better relationship with the other peak lords, so when asked about why he visits brothels, he straight up tells them that it's the best place to gather information in the dark. He doesn't have that mentality of "why explain myself when no ones finna believe me anyway" He actually trusts them and is more honest with time. Shen Jiu does come clean about killing the Qiu's at some point, and the peak lords are all like-

"I didn't hear shit"

"See, I'm blind in my left eye, and 75% blind in my right-"

"Completely understandable, Shen shidi!"

They don't even ask why he did it and just assume he had a valid reason, and he absolutely fucking did.

Oh, Shen Jiu gets accused of playing dirty? Liu Qingge, he literally kills ppl and makes poison as a daytime fucking job ofc he's gonna play dirty! Shen Jiu tried killing you that one time on the well mission? Bro you good? The fact that you think he tried to kill you and failed?? You just insulted an entire peak of disciples and their ancestors. You would've been dead before you could even think of sensing their killing intent if it were true. And there was a witness too, doofus. Be fucking for real. Nahh coz there definitely would be more people who are taking Shen Jiu's side whenever the two of them fight.

Shen Jiu uses a shit ton of versatile weapons because most of his fighting and cultivation prowess comes from his wits and adapting to fighting with different styles/methods. He is kinda similar to Xie Lian bc both of them lack spiritual energy/qi (damaged spirit roots in Shen Jiu's case), but that does not mean they are weaker. It just means they learned to train their body and minds instead of relying on cultivation/qi. He has a massive arsenal of weapons along with the demonic cultivation.

Yin Hui has got to be my favorite fanon peak, and Yin Hui! Shen Jiu plauges so many of my waking thoughts, I can't stop-

I can add elements from my other hyperfixation into this AU, the Avatar Chronicles. Which are the written books from ATLA. The criminal organization Kyoshi joined, the Daofei, for example, could be a good plot point. Or the Platinum Affair from the Yangchen books. If you don’t know what the Avatar Chronicles are, just ignore this last part lol.

[desecrated-guacamole]

I know I’m *checks watch* twelve years late coming to this realization, and two years late to talking about it when it would’ve been at all relevant, but godDAMN

Young Justice wastes NO time being good after season 1. The producers really just said “hey, y’know all the characters and relationships you’ve loved seeing develop for the past 26 episodes? Well actually, fuck that, fuck them, and fuck you! Everything’s different now, everyone’s developed in new ways that you won’t get to see, but not even in a way that makes sense for a FIVE YEAR TIME-JUMP!”

Take Robin for example; in the five years that take place offscreen, Dick becomes Nightwing, Batman recruits Jason Todd as the new Robin, Jason Todd gets killed, and Batman recruits Tim Drake as the new-new Robin (oh and also Barbara Gordon becomes Batgirl). I love the Batfamily, but I can barely call it the Batfamily when we don’t ever actually see them becoming a fucking family! We don’t get to see Dick struggle with his mentor’s legacy, we don’t see Jason struggle to live up to the Robin that came before, or Barbara picking up crime fighting despite what Bruce tells her to do because fuck that guy. We don’t get to see any of them grieve Jason, we don’t get to see Bruce go off the deep-end, only to be brought back by a young Tim Drake, who shows him what makes Batman, well, Batman; helping those in need, saving people.

INSTEAD, we’re introduced to two characters we knew that are now wildly different with ZERO explanation as to why, and one that we’ve never seen before and is (so far in my watch) severely underwritten, but because they’re the characters we love from the comics we’re supposed to love them here. It’s using the iconography of the characters to get us invested without putting in any of the actual work DEVELOPING them as people. It’d be one thing if this was the first time we met any of them, but we’ve already been introduced to Barbara, and we’ve spent an entire season with Dick, but now both of them have undergone massive development we aren’t made privy to.

I read an interview with Greg Weisman talking about the time jump, and he says this;

“We wanted a big time jump between the first two seasons to truly illustrate what our series was about, i.e. GROWING UP. After that, honestly, it’s more about what feels right. There are always things we want to skip, so that they become reveals.”

Man, I wonder if maybe allowing the audience to actually watch the characters grow and change might illustrate that growing up thing better than just skipping ahead so you can make it a reveal??? Imagine a show where we get to see these characters grow up together, maybe even grow apart, some leave, some stay, some are replaced, some come back. Like, imagine getting to see Dick reckon with the fact that Batman REPLACED HIM, only to watch that replacement die! Imagine getting to see Tim Drake come to Dick for advice, instead of just skipping ahead to the point that they’re already an established team. Imagine getting to see M’gann help Gar learn to use his powers for the first time. Imagine the team throwing a goodbye party for Wally and Artemis! Imagine seeing Wally and Artemis continue to develop their relationship instead of just jumping to them being fully moved in and together! WE WERE ROBBED!!

Like I’m still gonna watch it (not in the least because my roommate’s already seen it) but I need everyone to know I’m doing it under duress. I love these characters, and they did not deserve this lazy bullshit. I do not understand how Greg Weisman made Spectacular Spider-Man because HOLY SHIT the writing decisions made on this show are pissing me off, and don’t even get me STARTED ON CONNOR AND M’GANN BECAUSE WHAT THE FU

[downbaddetective]

I'm finally coming back to one of my previous posts. (Thank you to @m-eowdy for the reminder to finish the thought. I'm sorry if it's a little disappointing after the wait.)

Specifically these two shots of Edwin being completely covered in our two most important colors, because the symbolism here is significant to me.

I lost the original thoughts that I had (unfortunately migraines make me forget things) and by the time I was feeling kind of okay I knew that there were things I wanted to say but couldn't remember how. So, instead, I sat and rewatched the show, taking notes so that I could make sure that I wasn't making anything up.

So, color symbolism in this show is so stupidly important, and it's called out by characters in universe (thank you, Niko). We obviously see our characters in their colors, Edwin in blue, Charles in red, Crystal in purple, and Niko in pink. But it's also not that cut and dry. Edwin, in all reality, is very grey, Crystal wears a lot of different colors, and so does Niko. Obviously, part of that is because the girls aren't dead and have to change their clothes, but the colors that are worn are still significant to their state of mind and the events happening around them. With Edwin and Charles, it's very similar, though a little different. Charles' red gets darker as he is more and more affected by what happens at the Devlin house. Edwin, though, barely shows his blues most of the time, but when he becomes vulnerable, he sheds his grey layers, and we see it a lot more.

Now, I think that it's worth mentioning that Edwin and Charles swap their afterlife colors, so when they look at each other, they see their afterlife. The red and blue also give us clues as to things that they're hiding. Red being often associated with anger and blue with sadness. That being said, I'm now getting to the symbolism in the fact that Edwin is one of two* characters to be washed in both hell's red and death's (heaven's?) blue like this.

Edwin's entire journey is kind of impeded by the fear of getting caught by the afterlife and being sent back to hell. Red is his constant source of fear, hell being the biggest example, but Charles in his red is also the cause of Edwin's issues. Charles is the reason why both the Cat King and Monty have some type of red associated with them during interactions with Edwin. These colors are omens for Edwin. Charles essentially shared his blue afterlife light with him. They were meant to be detectives together, and that's where it all starts, right there in that attic. The red, on the other hand, is indicative of the bullshitery that is incoming, including the worst-case scenario, aka BEING DRAGGED BACK TO HELL. RIGHT THERE. IN THE APARTMENT THAT THEY GO LOOK AT RIGHT AFTER THIS. (Even though it is definitely at least partially his own darn fault.) The fact that we see these two scenes out of order also indicates that by the end of it all Edwin has overcome the previously stated bullshitery. We see Edwin interact with these two colors as a collective much more in the show, and it's seems it's because this was Edwin's time to learn and grow, and I suspect that if we get a season two at some point, we will see that flip so that Charles can have his turn.

All in all, I am absolutely in love with the colors in this show and I will probably have more to say later but I wanted to finish at least this part of the color analysis so that I could have a resolution to the previous post. I don't think I was able to recover all of my original thoughts about the significance of these two, but I think I got a pretty good chunk of it. I do want to say that I've seen the other color analyses floating around. I will be taking a look at some point, but before doing my own, I will be avoiding them for now because I want to write about my own perception rather than accidentally just stealing other peoples work.

(* Ngl, a little worried about Jenny if we ever see a season two)

[vodika-vibes]

Hey Vodika!

I hope you're feeling better. I don't know if you accept requests, but I'll leave this here. Could I ask for a story with Commander Neyo? The situation would be that Neyo is eavesdropping on her S/O's conversation with her friends. He hears her friends say that she should break up with Neyo because he is a harsh, cold, uncaring clone and that she will not be happy with him. Neyo hears this and is devastated. He knows he may not be the best when it comes to feelings, but he loves his S/O. His S/O finds him and learns that Neyo overheard the conversation. That's why she wants to do everything to prove to him that she loves him and wants to be with him no matter what. 💓

Take care of yourself!

People Who Matter

Summary: Neyo overhears a conversation between his cyare and her friends after returning home from a long deployment.

Pairing: Commander Neyo x F!Reader

Word Count: 1082

Warnings: Toxic friends

A/N: Hi there! I do take requests almost constantly, even if it might take a bit for me to get to your request! I hope you like this!

Click HERE to be added to my taglist!

 Commander Neyo is an asshole.

He knows it. His men know it. His General knows it.

It’s a carefully cultivated persona that keeps his brothers from prying too much into his private life and keeps him from getting too close to men who probably won’t survive the year.

That might make him a cold person, but being raised to die in a war will do that to a man.

The one good thing in his life, the only good thing in his life, is his cyare.

So far as he’s concerned, she’s perfect in every way.

His cyare isn’t a Coruscant native. She’s from some small planet in the mid-rim and came to Coruscant for school. And, once she graduated, she just refused to return home.

He once asked why, late one evening, and she just laughed and told him that she was happy on Coruscant, happy with him, and she was not quite ready for the responsibility that came with returning home.

Neyo didn’t push at the time, and he still won’t push now, if she’s happy then that’s enough for him. Though a large part of him can’t quite understand why she’s so happy with someone like him. 

But, right now, he’s not going to question it.

Because her love for him means that he’s allowed to decompress from the war in an actual apartment, with a proper bed and an even better shower. Not to mention home-cooked meals and as many kisses as he could ever want.

Silently, Neyo keys in the code to the apartment that he half lives in, and he pauses in the doorway, just before he calls out to his cyare. He hadn’t warned her that he was returning early, wanting to surprise her, though now he feels like he should have.

Since the shoes piled at the door suggest that she has company.

He steps into the laundry room, which is right next to the front door, and tugs his armor off, setting it on the shelf that she bought for that very purpose. Then he peels off his blacks and pulls on the casual clothes that she leaves in the laundry room for this very scenario.

It’s not much, a tee shirt and dark red lounge pants, but to him, they’re more comfortable than the softest shimmersilk.

Only then does he step back into the hallway and head towards the living room. However, he stops before he opens the door.

He stops because he hears his name.

“So, the reason we invited ourselves over,” Neyo scowls at the comment and the voice. That is Nalia, his cyare’s oldest friend on Coruscant, and, in his humble opinion, the worst person in the galaxy. “We wanted to talk to you about Neyo.”

There’s no reply for a moment, and then his cyare speaks, “You want to talk about Neyo?” Her accent is thicker than it normally is, and Neyo knows without having to ask that her “friends” have been bothering her about things again.

“We do.” Another woman says. That’s Linly, another one of his cyare’s friends, though she most often plays the role of Nalia’s flying monkey. “I know that you love him.” She almost sounds concerned. Almost.

“You need to break up with him.” Nalia interrupts.

“...I beg your pardon?”

“Listen, he’s cold and mean and uncaring and he’s only using you for your body—” Nalia lists.

“You don’t know him, at all.” His cyare counters flatly, “I’m not breaking up with him.”

“Look,” Linly interjects, “He is very handsome, but if it’s his looks you want, he has millions of identical brothers—”

“Enough.”

“He’s not good for you,” Linly continues, undaunted. “He doesn’t deserve you.”

Neyo winces. As much as he loathes these two women…they’re right. He doesn’t deserve his cyare. He never has. She deserves someone as amazing as she is, and that’s definitely not him. 

He grimaces and rubs the back of his neck, he shouldn’t be listening to this. This conversation isn’t for his ears. And he’s about he walk away, when his cyare replies.

“You don’t get to decide if someone deserves me or not.” Her voice is flat and unimpressed, “The only person who gets to decide that is me, and I’ve decided that Neyo is perfect for me. And now I’d like you to leave.”

“Look,” Nalia says with a sigh, “We’re not leaving until you agree to break up with him.”

Oh.

Oh, absolutely not.

Neyo decides that he’s heard enough, and he slides the panel door open and steps into the living room. Immediately, he feels bad for not interjecting earlier.

His cyare is pressed into the corner of the couch, her hands curled into fists, while her “friends” loom over her.

“She said she wants you to leave.” Neyo says flatly, throwing every ounce of “unimpressed Commander” into his countenance as he can.

“Neyo!”

His gaze flickers over to his cyare as she pushes between her friends and hurries to his side, her arms sliding around his waist and burying her face against his shoulder. Neyo doesn’t bother to stop himself from lazily rubbing her back, pleased to have her against him again.

“You can leave,” Neyo says, his tone just on this side of polite, though the death glare he’s directing at them is enough to have them scurrying out of the apartment.

He doesn’t relax until the front door slides shut, and the lock automatically clicks into place. And then he’s wholly distracted by his cyare’s arms sliding around his neck.

“Welcome home,” Her smile is soft and small, and Neyo leans in to press his forehead against hers.

“Glad to be back,” He replies, his gaze scanning her face for any signs of distress, “You alright?”

“Yeah,” She shifts and lightly rubs her nose against his, “Just annoyed.” Her arms tighten around his neck, “They’re not right, you know?”

“About?”

“You not deserving me. You deserve everything and more.”

“I don’t want everything. I just want you.” Neyo counters with a small smile. “But you know, you could do better than me.”

“Never. Not in a million years.” She corrects, shifting once more to brush her lips against his.

Neyo doesn’t let her get away with that, pulling her closer so that he’s able to kiss her properly. “You need better friends, cyare.” He mumbles against her lips.

“A problem for later,” She replies as she tugs on the collar of his shirt, “I need to welcome you home now.”

@imabeautifulbutterfly

@n0vqni

@bad4amficideas

@justiceandwar98

@Mira-Loves-Star-Wars

@tiredbi-peach

@dukeoftheblackstar

@trixie2023

@kimiheartblade

@padawancat97

@falconfeather23435

@etod

@bb8-99

@kiss-anon

@continous-mistakes

@yoitsjay

@liz-stat

@cc--2224

@adriennelenoir

[cerise-on-top]

Hiya! I was wondering if you could do TF141 with a S/O that is a clown who does ballon art? I think it would be silly and fun -🐍

Hey there! Sure I can!

TF141 with a Clown!S/O

Price: I think he’d be impressed with you. It’s not every day you find someone, whose purpose at his job is to entertain people like that. He’s a captain, he’s meant to be serious at all times, so there’s not much room to joke around for him. He probably would try to visit you here and there, provided you don’t work at birthday parties. But a circus? Or maybe just on stage? Yeah, he’d try to see you here and there, if he can. He’d probably be more than happy to accept a balloon animal from you. I think he’d be very happy to receive something along the lines of a turtle or tortoise. It seems very impressive to him. While I do believe he’d love to engage with you as part of the audience if your work permits it, he would leave you alone if you seem a little overworked. While he can appreciate a good joke or two from you, he won’t force you to be funny around him. If all you do after work is cuddle up to him and seek his comfort, he’s happy. He’s not the funniest person out there, but if you ask him his opinion he’ll try to come up with a nice routine for you.

Gaz: Oh, he loves it. Ever since he was little he loved clowns. He always thought them to be a nice source of entertainment. He’d totally support you being a clown and would also try to come to your shows, if possible. Although he’d hate to distract you during work, he’d probably make some jokes here and there to help get your audience laughing. He can be very funny since he’s so sassy, so there’s a good chance the two of your work well together. He’s in love with your balloon art. In fact, I do believe he’d ask you about how you do it and learn from the resident expert. Yes, that includes him blowing up his own balloons and trying to contort them into animals and whatnot. Though, be prepared, the first thing he makes for you is a balloon dick. He can be unserious too at times and will laugh if you roll your eyes at him. He probably would try to help mend your costume if it got torn somehow. And he would also try to keep it clean since he’s a big fan of it. I think that, at the end of the day, he’d love to try and make you laugh as well, whether it be by telling you a joke, making up his own routine, or otherwise.

Ghost: Not a big fan of clowns. At all. He thinks they’re super scary and untrustworthy to have around. What are they smiling about? The state of the world? Yeah, he’s not too happy about you being a clown. But then again, there’s a good chance you’re not happy with him being a military man either, so he sucks it up. He’d be hesitant to go to one of your shows since there’s a good chance there are other clowns there as well, who wish for him to participate in their tomfoolery. No thank you. You’d need to give him a good reason to go, such as paying for the ordered food or giving him free tickets to your show. But once you’re home? He’s gonna pretend to have come up with some good jokes for you to use. None of them are child friendly. You’ve heard his jokes in the “Alone” mission. And yes, he will insist on you using the most fucked up jokes you’ve heard in your life. “Why did the noodle kill itself? Because it was torte-lonely.” And yes, he does laugh at his own jokes from time to time as well. He’s a comedy genius in his eyes and he genuinely does not understand why you’re so disturbed by his humor.

Soap: He loves you, so he loves you being a clown as well. He adores your bright and colorful costume. In fact, if you’re somewhat of a similar size he’ll ask you if he can wear it as well. He can be a rather silly man, so he’d love to be silly alongside you. I think he’d try to impress you by making a few balloon animals of his own in secret and showing them to you when you least expect it. He wants you to look at him and go “Wow, Johnny, you’re so cool and epic and handsome and I love you!” It strokes his ego. Will go to your shows if he can and actively participate. He’s not the funniest person either, but he tries to go along with your slapstick humor. I think he’d probably leave after your show, just to come back a few minutes later and participate again. Yes, he will actively flirt with you and see if he can stun you into silence. Will also make a few dirty jokes, for which you have to silence him afterwards. It’s all in good fun until you hit him with the squeaky hammer. Will pretend that you hate him after you’ve hit him with it. But will still dote on you when you’re home.

[jiao-ming]

Aventurine

From: Honkai Star Rail

Theme: Fluff?

(Photo from Pinterest)

——— ☆ • ♧ • ♤ • ♧ • ☆ ———

You never really saw a reason to live, all life was is a circle of meaningless. The things you knew about life was that it was better to be feared than be loved.

Ever since you could remember, your life was filled with misfortune. Each time you meet someone, they'll either kill you on site or kill you later on. If you think it'll be different, it wasn't...I wouldn't...

You had a wonderful gift of power, if it was even called a gift. It gives you more of a curse then blessings, everytime someone founds out about them you'll be in danger. So you eliminate the danger as soon as possible, even if you thought they'll be different...

But something stranged happened one day...

You were just chilling on a rooftop of a building in the middle of the night. Then you heard the rooftop door open, you were ready to kill the person but they spoke up to you.

"The rumors say that you'd be in the tallest darkest building in the city..."

You turn your head and face the masculine voice, you saw it was a man who wore expensive clothing. The clothes he wore had designs like of different gambling games, it caught your attention by his bold style.

"What do you want from me."

You said coldy to the male, you didn't want to be here any longer. If he tries to stop you, you'll kill him.

"It's not want, more like a need."

The male says smirking at you as his eyes shine with excitement. This made you confused by his choice of words. Your guard was up, what is he up to.

"Who are you...?"

You said confused with wariness, you already had your gun ready if he tried something.

"I'm Aventurine, part of the IPC—"

You immediately cut him off by shooting him by the side of his head. His eyes widen by the sudden violence.

"IPC huh...I don't associate with any of you people..."

Your eyes glare at him as you spoke harshly towards him, you never liked the IPC. The organization is just pure evil with no good side to you, maybe the way you think about them was because of all your encounters with them. They all acted hostile and violent to you, with the fact of them having a terrible image in the galaxy.

"Come on now, I heard some of my associates were troubled some to you. But I assure you I'm not like them, I communicate other than fighting."

Even after Aventurine said that you still had your guard up, you held your gun up to him if he tries anything. Even the slightest movement will cause Aventurine his life with you, but all he did was smile to this.

"Doesn't matter, you all are the same. If you want something you'll take it by force."

After you said does words Aventurine laughs at it, this made you confused. Why was he so careless of showing his reactions, what was his plan.

"What if I tell you I'll help you find a reason to live."

This caught your attention, why does he know this! How does he know this! Your eyes glare at him harshly, you didn't like what this situation was turning to.

"What do you want in return..."

You said knowing this wouldn't come for free, everything has to come in a price. No matter how big or small it is, you learn it the hard way...

"What I need in return is for you to be part of the IPC,—"

That didn't surprise you, it would make sense on why he would want you to work for the IPC. With your power it would be handy to have someone like you. But the next part of his sentence caught you off guard and left you speechless.

"—and also be my bodyguard."

You look at him like he was a mad man, it wasn't like he was the first person to ask the question of you working for them. But for him to ask you to be his bodyguard!? Now that was new...

"Pardon—What?"

"You heard me! Be my bodyguard and I'll help you find a reason to live."

Was he stupid of something...No he couldn't be! Why would he ask you! Knowing how you're a so called wicked beast who is filled with sin! A known demon among citizens! He could just have hired you to do the dirty work! But he asked you to be his bodyguard! So why!?

"Why, have you heard of me?"

"Of course I did, why wouldn't I ask you to be my bodyguard if I didn't heard the rumors."

So he does know...Then why did he want you still!? Did he have a death wish or something!? Is he a mad man!? Was he manic!? Questions keep flooding your head, but you soon snap out of it when Aventurine spoke out.

"So? What do you say?"

He says with a smirk as he held his hand out for you to shake to agree to the proposal. You stare down at his short height and then to his hand, will it be worth it? Almost everytime someone ask you to work for them you decline them, and if they threaten you, you'd kill them. But now...

"Fine, I accept..."

You said as you walk towards him and shook his hand, this was something that might go terribly wrong. But then again maybe terribly right...Aventurine smirks at your decision, he then pulls out a pin. It's design was similar to his ascetic and a piece of paper, he then hands it to you.

"You'll be under me now, hope you can start work tomorrow."

He says walking away from you while waving, you look at your hand and stare at the paper. It had an address and a number, must be his address and number. You let out a sigh, you wonder if this was a good idea. But what can you do now? What is done is done, now you just have to wait for the out come...

——— ☆ • ♧ • ♤ • ♧ • ☆ ———

Sorry if I got some spelling wrong...

English isn'y first language ╥﹏╥

If you want part 2 ask me!

I'll be happy to write it :3

[miraculouslbcnreactions]

"Him guilting Ladybug into staying quiet is why Lila is able to maintain her power for 4 more seasons."

I mean, I would blame more the writers for taking way too long to have Adrien realize his advice was bad.

(Post the quote is from)

Reminder that I am never actually blaming the characters, they are not real people. That's why this is explicitly a writing blog. In the context of the writing, yes, the pacing of everything Lila was terrible and is the real source of the issues. That doesn't change the fact that Adrien is the main narrative tool used to keep Marinette in line, thus me "blaming" him.

As you said, Adrien looks bad here not because he didn't understand how to handle the situation and gave bad advice, but because it takes him so long to realize that his advice was bad and apologize.

During Lila's first appearance, we see Adrien chastises Ladybug for being too mean to Lila, never once acknowledging that it was valid for Ladybug to be upset (S1E26). She is painted as fully in the wrong even though Lila was actively manipulating him and Ladybug arguably protected him here:

Adrien: Wait! Lila! (Lila runs away) Hey, what was that all about? Uh, I mean, weren't you kinda harsh with her? Ladybug: I...I don't put up with lies, especially when they're about me. (yo-yos away)

During Lila's second appearance (or, at least her second appearance where she actually interacts with the cast) he further drives that message home by telling Marinette to let Lila lie to people because he's more worried about hurting Lila's feelings than he is about removing Lila's power (S3E01):

Adrien: Are you going to tell everyone? Marinette: 'Course I am. Lila is— Adrien: (interrupting) A liar. Yes, I know. But do you really think exposing her will make things better? If you humiliate her, she'll just be hurt more. Making a bad guy suffer has never turned them into a good guy. Lila: Ladybug and I are like two peas in a pod. Marinette: So we just stand by and let her lie? Adrien: As long as you and I both know the truth, does it really matter? Marinette: You're right, maybe it's not such a big deal.

We'll circle back to how terrible this advice was in a second. First lets finish off going through the sequence of events.

And finally, at the tail end of season five, Adrien openly acknowledges that he's been giving terrible advice (S5E20):

Adrien: I'm sorry, Marinette. I was wrong. I shouldn't have told you to not act against Lila. If you give the slightest opportunity to people like her, they'll grasp at it and cause disasters in no time. And now, you're the one who looks like a bad person. Marinette: (reaches out to hold his hand beside her) You thought you were doing the right thing. Just like with Chloe. That's another reason why I love you, Adrien. You always want to see the good in other people. But sometimes, the good we think we see in some people is just a reflection of our own, and we end up being fooled by our own kindness. (They squeeze each other's hands.) But we'll find a way to expose Lila eventually.

If we look at these three moments in a vacuum, this is honestly a good character arc for a character like Adrien. He's a peace keeper, which is a wonderful match to Marinette's blind justice approach. It's good that Adrien is there to balance her out! It's also good for him to learn that his approach doesn't always work and that you can't always keep the peace.

The problem is that Adrien didn't actually get a functional character arc where he learned those lessons. The episodes are so drawn out that it doesn't feel like we watch him grow and learn. His apology is almost three full seasons after his second bit of bad advice, leaving us to wonder when he changed his mind because Lila does a lot of awful things during those three seasons. What moment made him realize that he was in the wrong here? We don't know, so this feels less like growth and more like the writers throwing in a scene to shut up fans who were still complaining about Adrien's terrible advice even though it had been four real world years since he actually gave it.

There's also the issue that Adrien tells Marinette, "making a bad guy suffer has never turned them into a good guy." This line implies that Adrien's goal is to help Lila change. The problem is that we never see him do that. He doesn't try to help Lila. The most we get is him making a deal with Lila to protect Marinette, but that's not him helping Lila change. He doesn't approach that conversation as if he's trying to help Lila see that what she did was wrong. He approaches it as if he knows that she won't change. It's less trying to make Lila a better person and more a deal with the devil:

Adrien: (sits next to Lila) I warned you once already, Lila, but you didn't listen. You hurt my friend Marinette, and that's not okay. Lila: Me? Hurting Marinette? But she's the one who- Adrien: I don't know how to prove you lied, Lila, because you're good at it. So you'll just have to come up with another lie, just as convincing. Only this time it's gonna prove Marinette's innocent. Lila: Why would I do that, Adrien? Adrien: Because we're friends, aren't we?

Minor Chloe rant incoming:

This is yet another situation where it would be so much better for the show if Adrien had actually done something to help Chloe change and succeeded. If he did that, thought it was a good path for everyone, and then tried to do the same thing for Lila, then this could have been a really great way to set him up for dealing with his dad. To teach him that you can only help people who want to be better without having everyone he tries to help stay "evil" as that's pretty depressing. As-is, we've literally seen him say that Chloe will never change so why does he believe that Lila can change? They're not portraying him as an optimist, they're portraying him as delusional. Terrible writing. Zero stars.

Rant over.

By the way, the above quote was the 24th episode of season three, roughly two seasons before Adrien's apology to Marinette. If he's viewing Lila as the devil here, then this should be where we get that apology. Or Adrien should approach this as him trying to make Lila better and Lila should play along, making Adrien think that he's right and that he's helping her change. Either approach would be better than the nonsense canon gave us.

In a well written show, this would all go down over the course of a single season or even just a few episodes. As-is, the season five apology feels like too little too late. What little kid is going to be able to follow this "character arc" and learn the lesson that Adrien maybe sort of learned? Casual viewers will likely not even remember that Adrien gave Marinette bad advice back at the start of season three because why would they? This is not how you do a good subplot. It's almost as drawn out as the Gabriel plot and that's insane! A subplot is supposed to be a short story within the story so that things feel like they're moving forward.

[coupsie-daisies]

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[eri-pl]

Silm reread 13: Maeglin (The 13 is a fitting number)

TW, CW, all kinds of warnings: Eol is in this part. And Maeglin. So, you know. All that stuff will be mentioned. And some discussion of what Maeglin's plans were.

Aredhel wants to leave, Turgon's reply is interesting. It's not "my heart", but "my reason objects" which a) is a rare phrasing (but makes sense here) b) it turns out that Turgon does have a functioning reason. Also, he says it will end badly for both of them. Huh. I have a feeling that turgon does not very well distinguish between foresight and reasoning.

Aredhel feels as if he was trying to command her and gets upset. I don't think he is. I think Turgon is more worried about his secrets, than sexist and trying to command her, because he is the brother. He says it, even. The problem is people knowing the city's location going out.

The only remotely patronizing thing he says is "there are dangers the princess doesn't know about". But I don't feel like his whole attitude towards Aredhel is patronizing.

Thingol hates the sons of Feanor so much he doesn't let their friends in, or at least people who are visiting them. Which… it's after he learned about Alqualonde, right? It makes a lot of sense.

So Aredhel goes through the spider-country. I knew it will appear somewhere. Her "bodyguards" are lost and have to run away, but she's fine and competent and goes to C&C's home but they're not home.

Also, only on this reread I realized, how far those journeys are. Also, elven timescales. C&C are chillin with the 3rd C on a vacation and it lasts over a year. Aredhel gets bored, wanders into Nan Elmoth and :(

So, Nan Elmoth. Enchanted by Melian long ago, but now dark, the darkest forest. I did talk about Melian being Melkor-aligned, haven't I? (Not as in: evil. As in "she was close to him conceptually by "birth" but did not join the rebellion.) This is just my hc, but I felt like mentioning it.

So, Eol. Eol is very dark too and kind of sus. He doesn't like Doriath, he fled when Melian did the Girdle (why?), he loved shadow. He is a goth and this is kind of sus. He's also pals with Dwarves (who were evil in the early Legendarium). This in itself is not evil, but feels like a foreshadowing nonetheless. Also, I think no matter his morality, in each case he would be much more likely to use poison than the Noldor were. (Maybe non-lethal poison, if he was a nicer person). Also, he invents cool black goth!mithril galvorn. And he made the two coolest swords in the Legendarium, but this will be said later.

Also, he blames the Noldor fot Morgoth's return (unjustly) and for some other things, as we see later (justly).

Also, the narrative feels the need to explicitely tell us that he is not a Dwarf, but a noble Elf. Also he is sad but handsome and has darkvision. Which is cool.

What is not cool starts here. He sees Aredhel being pretty and wants her so he magics her into not being able to leave the forest and into wandering into his house, where he invites her in.

And they get married. In circumstances not elaborated about, but even if she did fall in love, the gps-jamming trick was very not ok as a way to flirt. And yes, he explicitely did it because he wanted her.

"Nobody claims the marriage was non-consensual" says the narrative. which very much reads as Pengolodh going "I will not claim it for lack of proof, but I think it". Anyway, ok, let's take it at face value, she fell in love, ok, fine, he was handsome and had cool swords, I get it.

Aaaand as her husband he ordered Aredhel to not go in sunlight, and to not meet the sons of Feanor or even any other Noldor. this guy really needs a course on relationships. (To be honest to Eol, his parents are never mentioned and such stuff often is generational, so his fault might have been less that it feels. But still. I want to punch him.)

Maeglin. He is really good at reading people's minds, and at commanding people. Also, he's tall, dark-eyed, dark-haired, pale and Noldor-shaped. Tl;dr: he is really handsome.

Dad takes him to visit the Dwarves and Maeglin learns stuff. Mom tells him about the Noldor and Maeglin wants to meet Turgon and the Feanorians. Eol rants at him, partially reasonable (they mourdered our close kin and stole are lands), partially not (you are my son, so you will do as I say or I will bind you).

Ugh. his idea of a family. I'm pretty sure he had some orcs in the line, or at least some escaped thralls with a lot of emotional damage. This sounds like Angband logic.

Maeglin doesn't seem to love his father either: he wants to leave with Aredhel, because he learned all that he could from Eol (and the Dwarves), so what use in staying. I don't blame him. So they leave.

C&C don't like Eol (not surprising with his attitude towards the Noldor) and Curufin is said to be hasty (before it was Caranthir. I guess they both are?)

OK, I don't get it. Curufin disses Eol, but still he does tell him all he needs to know to find Aredhel (who is his friend, the book said, or at least Celegorm's). I guess this is the hasty personality at work.

Please, do not be like Curufin. when a suspicious / unknown person asks you about your friend's wherabouts, shut up, and check with your friend first. (Curufin did not have a phone, but still, he could have shut up.)

Also, Curufin, out of all people, gives Eol a sort-of-prophecy! With all the "my heart is telling me". Which checks out later.

"I can't kill you because the laws of the Eldar" — well, it is before Doriath, so maybe he still cares? Or maybe it's just "Maedhros would be mad at me".

Eol is good at sneaking, I suppose, but the guards of Gondolin are better at guarding. They catch him and, because he says that he's Aredhel's husband, they do not kill him against the king's explicit orders on what to do with tresspassers. I have no idea what to make of this whole situation (not logically, logically it makes sense. But narratively, thematically.)

Eol sees the city and is amazed, and gets even angrier and more hateful at the Noldor. It reminds me of something. "you have a lot of cool stuff, I hate you even more" is rthe exact same reaction as (canonically) Melkor has after his release from Mandos. and Turgon, just like Manwe, is clueless not reading people's minds and it wouldn't be posiible in this case anyway. And is kind and gives him the benefit of doubt.

Eol refuses to shake his hand, like an upset preschooler, and disses Turgon. He starts very reasonably (this is our land, you are proud and did a lot wring, also I don't care about your city's secrets), but then he gets on the sexism again. And heavily.

His argument is "I will take my son, but if you as the brother claim Aredhel, I am ok with this". Seriously. What. Where did you learn it? Dwarves? Are Dwarves this awful? Angband thralls? Orcs?

Also, he tries to kill Maeglin on the logic of "you can't keep what is mine", which (I am sorry to everyone who will feel offended on part of their blorbo) sounds like Feanor's attitude about the Silmarils. Or worse, depending how you read Feanor. Would Feanor rather see the Silmarils destroyed and noone getting them, or see them going to the Valar? This may need a poll. ;)

Aaand he curses Maeglin too. Idril has some kind of foresight and this curse makes Maeglin sus in her eyes.

Maeglin is going strainght to the top, he's important in the city, widely respected and appreciated by Turgon. He's got a circle of friends: people like metalworking gravitate towards him. He is in the city council, and does well and wisely. He is also a brave warrior and fights in the Unnumbered tears. And does very well. He is by far not a loser.

But. He is in love with Idril (happens, especially when you have emotional trauma falling in love is random and weird and not always with the best people for you). And he never talks to anyone about it. Which is understandable with his background, but also very unhealthy. It kills him from the inside.

Idril (who is apparently also really good at osanwe) notices his love for her and is freaked out. Which is fine on both sides. Not "fine" as "pleasant" but as "no blame here". Emotional issues often lead to someone's emotions "leaking out" and being uncomfortable to be around without any actual bounduary-crossing. Just the vibe. And Elves have this much more, they have semi-telepathy! Also, Idril is under no obligation to love him back, and she does treat him politely, so no blame here either.

It will get worse, of course. On his side. But now I think it's not. also, I need English quotes.

"he loved the beauty of Idril and desired her, without hope" — this sounds as if he accepted the fact that she won't love him. Which is the appropriate reaction. Probably the only Tolkien quote, where "without hope" is a positive. Well, semi-positive. If he had some hope (or at least'; was open to the possibility) of finding another love or learning to live single, things would maybe go better. Still, this sounds like acceptance to me.

BUT

"But as the years passed still Maeglin watched Idril, and waited, and his love turned to darkness in his heart." — waited for what???

The interpratations I can think of:

Pro-Maeglin:

waited for this feeling to pass

just generally waited, as in: "he grew and stuff happenned"

waited for something to happen even though it was not possible — it worked for Indis after all, and I'm sure he knew this story — but fully passively and with no plan to do anything creepy (which I think would be an ok reaction, maybe unwise but not bounduary-crossing)

Mixed:

this sentence and the "without hope" sentence came from two different sources (both in-world and when Cristopher Tolkien complied the silm) with different characterizations of pre-capture Maeglin

Negative:

he regained "hope" (inquotes because it's a very nasty kind of amdir in this case and doesn't deserve the word) and flirted with her despite her protests, he was a creep

was even worse a creep and waited for the opportunity to "wed" Idril his father's way or worse (not only deceit but force)

had no hope for wedding but waited for revenge "if I can't have her, I will kill her" AKA his father's way again

I have no idea what the intended meaning is in here.

The "darkness" may be anything from trauma (more unprocessed emotions), through hopelessness (if I can't have Idril, I can't have anything good and y life is meaningless) to outright premeditation for rape.

Meaglin is a very ambiguous character in the text. He will get worse, but he will get worse after close contact with Morgoth, so it isn't necessarily a good measure of his personality at this stage. But there isn't one clear reading of him, at least in the text itself.

(eol is …. not ambiguous, but very ambivalent. He's got a lot of common sense! His political opinions about the Noldor are not all correct, but many of them are very on-point and better said than Thingol's. But also he's awfully sexist and violent.)

Also, no mention of Anguirel. :(

And I would love to see a connection between his unrequited love, "darkness" and the sword. This needs some HCs one day. The feelings resonating with the black blade, making it more deadly and precise. The metal cooling the feelings, making them a dark, icy thing that cannot be talked about. definitely needs a hc or fic.

[eldritchamy]

Hi, its the former Feralist again.

The worldbuilding just really struck a raw nerve on first glance? On second glance it wasn't nearly as bad as I thought but it STILL infuriates me on a couple of points, mostly in implications that people failed to think through. I've calmed down about it, because it IS just kink, but there are parts of the worldbuilding that I still cannot touch without being viscerally upset.

(I could get into depth if you want, but once again, it is just kink; I don't expect kink writers to think about every last implication of their worldbuilding.)

Anyway, I am currently reading my way through Abscission, which is helping somewhat with certain things that upset me wrt disability and stuff. I'm really excited to read your suggestions!

Signed, A (Formerly) Committed Feralist

(P.S. *specific* things... What appeals to me wrt inevitability in D/s is less "I can MAKE you submit whether you want to or not" and more "We both know you'll submit, because we both know that you *want* me to dominate you", which is not always the vibe in HDG. Sometimes it is, though! And that's why I'm still here! Also that little bit near the end of Grand Folia where Celosia says something along the lines of "Its not that I'm an Affini and you're a terran and I'm better and you're lesser. Its that I would ALWAYS find you - in any time, in any place, in any form - because you ARE mine" really REALLY fucking got me.)

(P.P.S. I may have written a few hundred words of a fic about an Affini playing a convoluted game of cat and mouse with a cute, awkward, evasive little terran who may or may not be a feralist spy. The Affini can't make up her mind, because every time she catches her at something suspicious, there's always a perfectly plausible explanation! Its gonna drive her absolutely NUTS.)

It sounds like you're more into dubcon than noncon. On one hand, this is the noncon intox kink petplay bdsm scifi setting, so a certain amount of noncon is pretty baked into the world at a systematic level that you're either okay with or you aren't.

But on the bright side, there ARE fluffier options that skew more in the direction of what I think you're looking for, because the setting ALSO heavily features things like hurt/comfort, recovering from trauma, learning how to love yourself, and accepting that you deserve to BE loved and cared for by others.

Abscission is a really good one for a protagonist that consistently and very insistently reaffirms their consent at all times. Autumn is very sure about what she wants and frankly spends a lot of time bullying Solanum about not being afraid to give it to her.

From what you're saying, I think you would really like a newer story that's only 3 chapters in called Good Sensory. The tl;dr is that there's an independent human who's too ace and autistic to feel comfortable around most Affini (who tend to be very flirty and touchy and she can't stand a lot of their textures), and an Affini who is ALSO really ace and autistic instantly wants to give her the world. The Affini is VERY sensitive, patient, and accommodating with her neurodivergence and goes out of her way to be very direct about her feelings and intentions.

Marsha (the affini) literally has this internal monologue about Sally (the human): "I admittedly could twist her mind and dull her dislike of certain sensations, but it would be far more satisfying to simply alter her life such that she never experienced them in the first place."

The story was written basically in honor of how much the author (a very autistic woman) loves her very autistic partners, and the joy of giving them experiences that are comfortable for them.

In particular, I think you will REALLY like their first date in chapter 2, which is one of the most gentle and accommodating scenes I have read for all of HDG so far. It's SO sweet.

Someone in the server actually just collected a list of recommended fics that skew much more on the consensual side. NOTE THAT I HAVE NOT READ MOST OF THESE AND CANNOT PERSONALLY VOUCH FOR THEM.

Intake Interview Wild and Domestic Child of the Wilderness How To Tame A Polycule Fermata Art Exhibition Flotsam Heart Cross Pollination Surrogate Bloom Sycanthe Lantana Alone in the Dark, Together Germination Reading the Leaves Nurture and Acquisitions Perturbance A Normal Grocery Run During Which No Domestication Occurs No Gods No Masters (the primary storyline anyway) Hers to Have, Hers to Hold Petals and Vines Weeklong Stay at a J-Cafe (edited)

I AM currently about halfway through Petals and Vines and can absolutely confirm it's one of the cutest stories in the setting so far. I'm loving every minute of it. 500/10 adorable. Millie is everything, she is the light of my life and I would die for her. She's approaching DAWN levels of cute. DAWN LEVELS.

I would also add to this list:

Inosculate by SapphicSounds (the affini refuses to do ANYTHING with the protagonist until she explicitly asks for it)

Through The Looking Glass by PyxxieStyxx and TheMothCourt (the protagonist does get embarrassed/humiliated quite a bit, but she is VERY INTO IT and is given ample opportunity to back out or revoke her consent at any time, which she never does because she is having the time of her newly lesbian life right now)

I WOULD caution you against writing for the setting if you have mixed feelings about the worldbuilding, and especially if you haven't read some of the most foundational works of the setting like the original, Abscission, Divaricated, For A Better Universe, and a couple others. You should also familiarize yourself with the Rules and Axioms for the setting, as they're important for how the community functions as a creative space.

(The point is not taking things we like OUT of the sandbox to play with, it's bringing something of our own INTO the sandbox so we can play TOGETHER. But we play NICE in that sandbox, because we want the people who play in it after us to have that same joy we did. If your goal is to CHANGE something about the setting, then you're not playing the same game as everyone else in the sandbox.)

I'm pretty confident at this point that I have a good feel for the lore, vibe, and mechanics of the setting to comfortably start writing for it, but even I'm still holding off because there are some other Big Foundational Stories (Divaricated, Wellness Check, No Gods No Masters, probably Nurture and Acquisitions) that I want to experience and understand first, because when I'm ready to start contributing, I want to make sure I do it right.

Also, there actually IS a story literally CALLED Cat And Mouse, and it's one of the top 10 stories in the setting (sorted for Kudos on AO3). I cannot personally vouch for it because I haven't read it and don't know anything about it beyond that it's a Predator/Prey dynamic, but it has the same author as Good Sensory and her stories (though incredibly varied, tone wise) haven't let me down yet. Sheepwave is a very evocative writer and whatever kind of mood she's going for her in her stories, you're gonna REALLY feel that mood.

Sweet Poppy (one of her more famous stories) is a blood curdling psychological horror story. I am terrified of Poppy. She's easily the scariest Affini I've read yet. That's a HARD story to read if you can't stomach it, but it's very well done. It's the kind of story that you can't stop reading and ALSO it makes you sick to your stomach.

The only other story I've read from the setting so far that filled me with anywhere near that kind of nauseating dread was Independence Is Easy by SapphicSounds. If you're REALLY into doll kink, you might love it, but if you're not, it's absolutely a horror story. I don't regret reading it, but I was definitely way more into the first half than the second half. The protagonist DEFINITELY needed to be domesticated, but not by this specific Affini. I've seen lots of people be REALLY obsessed with it, but based on what I can gather from your tastes, I would NOT recommend this one to you.

In regards to the worldbuilding, the main thing to remember is that HDG is at its core a WILDLY SELF-INDULGENT kink setting where the most immutable aspect is that everyone deserves to be loved and cared for and given a better life. It was made by gay auDHD trans women FOR gay auDHD trans women, and the real fantasy is just that there will always be someone there who loves us unconditionally while accepting us for our truest selves and telling us that we deserve to not hurt anymore. All of the scifi worldbuilding exists to supplement that. The Affini are overpowered by design.

It's not intended to be realistic, it's intended to be wish fulfilment where inevitability is coming for you, and that inevitability is kind, and loving, and PROFOUNDLY horny.

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[iknowicanbutwhy]

Puyo/Madou, meet ISAT. ISAT, meet Puyo/Madou. I'm sure you have everything in common and this is not at all a completely random crossover of my two current interests