#its also likely that most of the characters i write end up presenting somewhat in the gray/demiro area because of my own perception

[magic-is-something-we-create]

its arospec visibility day is it??? hi i am visible

and so are all these characters of mine!!

- Annie from TMS (AroAce) - Izak from Whispers (Aro + Bi) - Iggy from TMS (Aro + Gay, loveless) - Slate from TMS (AroAce) - Orev from Whispers (Aro + Bi) - Dusk from TMS (Demiro + Ace) - Lakia from TMS (Demiro + Lesbian) - Xiv from TMS (Aro + Lesbian, loveless) - Autumn from TMS (AroAce) - Katya from Whispers (AroAce) - Hunter from Deity Complex (AroAce) - The Champion/Aralian from The Lost (AroAce) - Jett from TMS (Aro + Bi) - Actaea from TMS (AroAce, loveless)

[tobi-smp]

well ! if I'm posting about my other interests ! have a little how-to guide for getting into marble hornets:

firstly, what is it.

that's an answer in two parts! it's a foundational indie horror web series on youtube that was beloved in its time for its mystery, atmosphere, and editing (pioneering or popularizing many of the techniques that you'll see more commonly now in the analogue horror genre, just with the budget of college students in 2009).

and it's remembered fondly Now for its fascinating representation of mental health (in how it subverts the harmful ways that horror tends to depict more stigmatized disorders, but Also in how it depicts mental and physical health in general), and the underlying queer themes that While subtext at the time have ultimately been confirmed as intentional as one co creators (and actor for the main character) has come out as bisexual!

it is Also a wildly creative and beautiful comic series. written solely by troy wagner (the aforementioned co-creator) and illustrated by jackie reynolds (a long time fan of the series and insanely talented illustrator). taking place after the events of the webseries, the comics take full advantage of this new visual medium to express the horror, atmosphere, and emotions of the series in a more visceral way. and being self published they're free to make whatever they'd like

done entirely in water color and ink, it builds beautifully on what was laid down with the original series and carves out its own identity and legacy.

it's also just very lovely seeing queer creators who were once writing subtext be able to just. Be Open about it. both about themselves and their characters. it's a horror story that happens to have queer characters mind, but it's just ! nice.

.

now ! being internet horror that's sat in that weird space between args and analogue horror (nightmind would call it Unfiction, but unfortunately that term hasn't caught on as much as I'd have liked) it's not as simple to get into as just like, Watching A Show.

that's not to say you Can't just watch it, but rather I have ways to help you get more out of it :>

1: The full chronological playlist for the marble hornets web series, including the totheark replies: [Link]

this is exactly what it says on the tin ! the entire series in order, I've even included the dvd extras at the end of each season !

two notes: firstly, the full series is captioned, and I think they're very nice captions! and secondly, there's a lot of loud noises in the series, which the captions help mitigate a bit. this is due in part to the nature of the kind of horror it is (though it doesn't have straight up jumpscares), but Also because troy wagner was HoH at the time he was doing the audio editing for the series.

there's significantly fewer issues with the audio as the series goes on (troy actually got surgery for his hearing!) but for the most part it's fine just keeping it Somewhat lower. except entry five. entry five is so very loud <3

.

2: The in-character twitter for jay merrick (the main character of marble hornets): [Link]

much like the youtube channel is presented as being ran by the main character/pov character of the series (jay merrick), the twitter was created to run along-side the main series! it mostly exists to give us further insight into jay's mental state and personal life that you don't get in the main series, especially early on!

it's a little cumbersome nowadays, especially since twitter doesn't Like being archival. but you kind of just have to scroll all the way to the bottom to when the twitter was created and scroll up to follow along jlkfasdjlkfdas

this is made a Little more difficult because the account got hacked in 2020 and reinstated 2021, so all of the dates are wrong now. but the account always posted when new entries were uploaded so it's easy to watch an entry, check what was posted after it was uploaded, and then see the link for the next entry and know to stop until you've watched.

you don't Have to do it this way, but I think it's the way to get the most out of it!

.

3: All of the translated codes for totheark/tta listed in order: [Link]

back in the day, youtube allowed you to make Video Replies, which would be displayed Under whatever video you were responding to! this feature was ultimately removed because of the tendency to do make clickbait in response to whatever was currently popular, but it was Wonderful in this instance !

the youtube channel and twitter were presented as in character, and they took advantage of this by having a second channel created (named totheark) start Replying to the entries as they were uploaded. these videos were highly edited and contained codes and secrets that were meant as messages to the main character (and the audience)!

there was a dedicated community for code breaking throughout the show's entire life, and this list here goes through every one! I like this one in particular because it Also gives us information on How the codes were broken, in a digestible way.

.

4: Nightmind's marble hornets explained series: [Link]

this is definitely Optional. it's obviously not official media, is outdated now that the comics have started, and I'd say was flawed even at its release. (it's not a spoiler if nobody knows what I'm talking about, so I'll say now that I'm not a fan of his theory with masky, and the seth theory is very famously silly).

BUT! I Do think it's a very good resource when it comes to putting certain crucial things together. as the whole point of the series is that it's a Mystery. you see nearly everything out of order and you're intentionally limited in what you know about characters and their motivations. this series works as a good jumping off point in that it helps to put things into Context and change your perspective on certain events and character With the benefit of said context!

like I said, it's not Required, it might just be helpful! a starting point to help chew on things once you've watched the web series in full for the first time.

.

Comics!: [Link]

comics ! they're all available on troy wagner's personal website! (along with other goodies that are periodically available!) you can buy them either physically Or digitally ! personally I'd recommend digital, as it's cheaper, instantly available, and the digital extras are wonderful!

they come with the script for the comics, a commentary version (including comments from troy and jackie on every page), and other extras like backgrounds, behind the scenes sketches, character art, etc!

I would very much so suggest buying the comics if you're interested. this is an indie project being ran and funded by two people (and again! there's other goodies in the store that are worth looking at). buttttttt, my friends may dm me <3

.

Extras! [Extras]

Anniversary streams [Link] on a few different anniversaries for the series several of the creators have done streams rewatching the series and reacting to it live ! this is a playlist where I've collected all of the instances that I could find :>

I Also included the dvd commentary here ! the format is different, but it's a similar concept so, why not ljkfsdajklfasd

.

Interviews, QnA's, and con appearances: [Link] exactly what it sounds like !

I was, at one point, overtaken by some kind of madness and hunted down for every single Person Records Marble Hornets Creators Talking About Marble Hornets thing I could find, and then attempted to put it in order. this is just ! for fun. I do so adore it though, I have one con panel that was recorded on someone's 3ds.

.

My silly posts:

some analysis posts I've main on my main account since having watched the series ! these all contain spoilers so I wouldn't suggest watching them until you've seen the show (though I Would suggest reading them if you do choose to watch the explained series)

this is my post going into what I think masky is supposed to be/represent, and why it's Important [Link] which I think pairs nicely with this post by tim sutton (one of marble hornet's actors) [Link]

my discussions on jay's mental health and behavior and how they're often misunderstood (which won't necessarily be needed if you've read through his twitter jlkfasdlkjafds) [Link 1, Link 2]

confirmation that jay is canonically queer :> [Link]

.

Social Media

Social media for various marble hornets creatives !

Troy wagner (co-creator, actor for jay): Tumblr [Link] Twitter [Link] Instagram [Link]

Jackie Reynolds (main artist for the comics): Tumblr [Link] Twitter [Link] Instagram [Link] Linktree [Link]

Tim Sutton (actor for tim (I know)): Tumblr (inactive): [Link] Twitter: [Link]

Joseph DeLage (co-creator, actor for alex): Twitter [Link]

.

and here's art jackie drew of masky marble hornets punching richard spencer in the face <3

[ghcstao3]

I saw your tags, you have challenged me!

Scary Show AU (cw for cannibalism and murder)

Ghost is a very well-known yet still semi-anonymous Voice Actor for spooky shit. There's a huge following for him because, regardless of what role he's playing, he does a phenomenal job. He's only listed in the cast list as "S.R.Ghost"

Typically he plays the role of the creatures in this super popular show called "Cryptid Season" which follows a gang of college kids desperate for extra credit in their Biology class so they hunt cryptids as evidence/to study for their papers. He does the voice over and some of the motion capture (he's a big dude) for the monsters and such, his most famous one being "Goatman" (from the demonic Goatman's bridge in I think Texas?)

Meanwhile Soap is this animator who's starting to become really popular, and he announces a new show in the work: "Consume", where he voices one of the two lead roles. It's presented as a show about a normal, if not very lonely man, being tormented by a demonic presence in his home.

Plot twist: dude's actually a cannibalistic serial killer and ends up quickly befriending the demon. The demon helps make the man harder to track by police forces in exchange for the bones and souls of his victims.

Cast:

Soap as the killer

Ghost as the demonic entity

Gaz as a detective who's new to the case but also best friends with Soap's character

Price voices the seasoned detective who's been working this case "too damn long"

Ghost and Soap ABSOLUTELY fall in love while recording scenes together. The banter, the flirting, the sexy scenario of cutting up a corpse together; it's too much not to fall in love irl

(actually such a big brain idea but I don't know how you'd write it tbh lmao. Maybe the show itself, where the boys keep their names? Idk the original idea turned into something much greater)

took a minute to figure something out i'm ngl but i did. something (in any case i would love to see your proper takes(s) if you'd be up to it, seeing as it's your idea!! i feel like i couldn’t do it justice)

-

Just like any other actor, Ghost had to audition for the role.

His agent books it for him without consultation, knowing the project would be right up his alley—horror, monsters, no face required—and Ghost makes no argument in sending in his tape. He recognizes this process and takes no issue with it, and once out of his hands, he waits patiently for a congratulatory offer or a gentle rejection.

Just like any other movie, or show, or what have you. Consume is no different.

Supposedly. At first.

John "Soap" MacTavish is... many things. He's charming, according to most. Talented. A joy to be around. A man who wears more than several hats of a project, which certainly tells of someone trying to worm their way into the commercial industry.

He has the spirit and creativity, Ghost will allow him that. But he also doesn't know when to stop talking as soon as the important work is done.

Is Soap professional? Sure. Does Soap make sure all jobs are done with efficiency and done well? Yes, he does. Does it make him any less of a nuisance to Ghost? Absolutely not.

But Ghost would be damned if the project doesn’t find its way into his soft spots, despite its nature. He’d be damned if he doesn’t fall in love with Soap’s animations and the hard work and craft he puts into them.

Then he blinks, and the pilot is premiering. It does well (again, considering its content), and Consume is properly green-lit.

Which is when Soap proposes the idea of recording their lines in the same room. Together. Facing one another. Because banter, and chemistry, and whatever other reasons he insists upon.

Personally, Ghost wants to decline. He’s always felt somewhat awkward when recording as such with anyone, but professionally? He couldn’t really say no, could he?

And it is awkward, at first. There’s more takes than usual, and Ghost can sense Soap’s frustration, though the man never expresses it. He just plasters on a tight smile, calls for a break, and pulls Ghost aside.

Surely, surely this is where Ghost gets fired. This is where Ghost is told he’s going to be replaced, where he’s told to say goodbye to Gaz and Price and wish them luck, and move onto his next gig. This is where—

“Have I done something wrong?”

Soap’s face is so earnest. So painfully sincere.

Ghost clenches his jaw. Shakes his head.

“No, I—“ He sighs. “Just have to get used to the… face-to-face. Let’s—I’ll try again.”

Soap smiles wider, now, as he nods, something kind and warm and brilliant.

The second try goes much smoother. Ghost takes a deep breath and eases himself into scripted dialogue, into witty banter and subtle flirts like it’s any other project.

They continue to record lines as such, just the two of them, each episode at a time. At some point, Ghost worries, the line between script and show and reality gets blurred. At some point, he fears, that flirting becomes genuine.

And what would he know—the reviews only get better as that line becomes less and less clear. Natural, real-feeling dialogue, critics say. The relationship is authentic, claim viewers.

The love is actually heartfelt.

And fuck, if that doesn’t make Ghost realize a few things about himself.

About Soap.

Consume is no different, his ass. He might have to have a stern talk with his agent in the near future.

(Or not.)

[your-local-grubdog]

Pikmin 4: Heritage Theory

Warning for MAJOR Pikmin 4 spoilers, including: various end of day conversations, post-credit events, late game piklopedia and treasure hoard entries, and also the final boss.

As a sort of re-boot of the franchise, Pikmin 4 introduces a lot of new ideas to the series. Among them is the idea that the various alien species in the game are much more closely related than we first realized - and perhaps more connected to PNF-404 than we would have ever thought in the other three games. I wanted to go over the various texts in the game that touch on this idea and talk about them a little because, hoo boy, the IMPLICATIONS. I call it a theory in the title for a lack of better wording but it honestly just feels like a canon fact that's never directly stated. There's just that much evidence, much of which all but outright says what happened.

Apologies if the images are a little low quality, Tumblr crunched them up badly. I provide image descriptions so hopefully that makes up for it.

As this has many end game spoilers (which, final warning for those), I'm going to assume that anyone reading beyond this point knows the basics of the game's story, world, and characters. Thus I won't be explaining every last little thing.

Somewhat early on, Olimar makes the following observation in his Voyage Log:

[ALT ID: Olimar's Voyage Log, entry 60, "Lost Civilization": Some of the objects I call treasure seem to be more complex than they initially appear. It makes me wonder... who made these? And where are they? I don't sense their presence here at all, but I suppose they could be hiding in the shadows, secretly watching me. END ID]

This vaguely threatening entry does confirm that the characters, or at least Olimar, are aware that there was indeed a civilization on PNF-404 at some point. It should also be noted that the Japanese website includes notes from another character who is also aware of the ancient civilization, though the canonicity of it is debatable. I'll get back to that "they're in the shadows, watching" line in another post, as it presents its own can of worms. For now, what matters is that the characters are aware that this planet was once inhabited and Nintendo is drawing attention towards that.

Where this starts to get weird and interesting is with Olimar's Treasure Hoard entries on the Heroic Shield, Memory Fragment (Center Right), and Buddy Display. I can't show all of their text in just one screenshot and the pikipedia hasn't added every treasure note to the Pikmin 4 treasures as of writing, so I'll only be including the segments most related to this conversation.

[ALT ID 1: Treasure Hoard, Olimar's Notes, Heroic Shield (segment): That would mean these living beings must have looked something like us... I wonder who they were and what their faces looked like. Could they have been our ancestors who migrated through space to our planet long ago? (the treasure is a pin showing the helmet of a human-style spacesuit) END ID 1]

[ALT ID 2: Treasure Hoard, Olimar's Notes, Memory Fragment (Center Right) (segment): I'm amazed that such a similar species could exist in the far reaches of outer space. I've heard that organic components can travel through space on meteorites and comets. Could there be a connection between my planet and this one? (treasure is of a puzzle piece with part of a dog's face on it) END ID 2]

[ALT ID 3: Treasure Hoard, Olimar's Notes, Buddy Display (segment): I can't find any evidence of them in any of the existing creature databases. But there's something familiar about them. It's almost as if I've met them before... I guess I'll chalk it up to an ancient memory that's been imprinted on my genome. (treasure is a photograph of two earth dogs) END ID 3]

There is so much to unpack here alone. Olimar straight up theorizes that there may be a connection between PNF-404 and Hocotate, even going to far as to propose if maybe the people of PNF-404 (or at least the people who made the Heroic Shield) may be his ancient ancestors. He does also theorize that a meteorite may have carried "organic components", which is technically possible, but I'm not sure how that would occur in a way that carries said components from one non-destroyed planet to another and leading to creatures evolving in eerily similar ways. Honestly, I'll chalk that one up to an early theory of his, a red herring on Nintendo's part, and thus not something to think about too much. Especially sense, in the Buddy Display, he considers his ability to somewhat recognize Earth dogs as an "ancient memory... imprinted on my genome". While I'm not sure of the science behind such a claim, we also have to take this from a story telling perspective - which is that Nintendo is all but screaming "there is a connection here". Not just in relation to the aliens and the planets, but also in relation to the dogs.

Speaking of the dogs, Olimar's notes on the final boss of the game presents yet more evidence to a connection - this time focusing more on the connection between Earth dogs and space dogs.

[ALT ID 1: Piklopedia, Olimar's notes, Ancient Sirehound (segment): These results would indicate that 99.9 percent of the canine creature's DNA matches Oatchi's, and that the only difference between Oatchi and Moss may be the natural presence or absence of a leaf tail. END ID 1]

[ALT IDs 2 and 3, as one naturally leads into the other: Piklopedia, Olimar's notes, Ancient Sirehound (segment): If these two theories prove to be true, it would suggest the possibility that this ancient creature is a common ancestor to two canine species from vastly remote star systems. And that, perhaps, there are even more hidden secrets out there that could hint at a fascinating yet inconceivable truth the universe has yet to reveal... END IDs 2 AND 3]

I'm not sure what else to say here; the evidence speaks for itself. The Ancient Sirehound and Moss - both from PNF-404 - closely match the genetics of Oatchi, who is from an entirely different part of the universe. For the Sirehound to be genetically related to Oatchi, then members of the Sirehound's species would have had to leave PNF-404 and migrate to other planets. Their care takers - humans - would have had to go with them.

I also find it worth pointing out that the Sirehound's arena is filled with various human items, such as shoes and toys. It's honestly a little haunting to find them so deep in a dark cave, unused by humans for who knows how long. The ruined toys in particular really get to me. We don't know how old the Ancient Sirehound in particular is, but the idea that humans once hid in this cave from something or that their dog brought the items here for comfort is really depressing.

[ALT IDs: various hard-to-see images of the human items in question, including: pillows, pipes. gardening tools, a fork, adult sized shoes, baby sized shoes, various children's toys, and other objects I couldn't quite make out. All of them are either partly submerged in water or at the very edge of water, leaving them covered in mud. END IDs]

I think by now it's safe to say that, yes, humans left Earth with their dogs at some point in time. Yet there are still MORE pieces of evidence to suggest this idea, this time coming from Shepherd's family history. Because we really needed to be beat over the head with evidence, I suppose. All are presented in numerical order as shown in-game.

[ALT ID 1: Rescue Journal, Shepherd Family History, entry 1: Thanks to the technology that has come from space exploration, our lives have grown much easier and far safer, and on-planet rescue requests have decreased dramatically. But as migration into space continues to grow, our services continue to be needed. So I'm happy to announce we are extending our rescue services to the frontiers of space! Signed, Paniya Shepherd, 82nd Captain. END ID 1]

[ALT ID 2: Rescue Journal, Shepherd Family History, entry 2: We've done it at last! We have flown to space! Out in this great, limitless expanse, not a sound can be heard. And yet, I can still clearly hear the pounding of my own heartbeat. Space--how it overflows with possibilities! There can be no doubt. This is one giant leap forward for our kind. Signed, Ed Shepherd, 65th Captain. END ID 2]

[ALT ID 3: Rescue Journal, Shepherd Family History, entry 6: The Shepherd family has lived with dogs from the very beginning. We understand that if we love and respect these creatures as we do our own--if we pay attention and observe their behavior closely--then we can break down the walls between our species and truly understand one another. Signed, Kain Shepherd, 16th Captain. END ID 3]

[ALT ID 4: Rescue Journal, Shepherd Family History, entry 7: "Beyond the sky itself there lies a beautiful blue planet." Those words have been passed down from captain to captain, calling to each of us. I can't imagine what sort of place this blue planet might be, but it's said to be home to even more dogs and folks that we have here. One day, I hope to fly beyond the sky...and into space. Signed, Maris Shepherd, 7th Captain. END ID 4]

[ALT ID 5: Rescue Journal, Shepherd Family History, entry 8: Many years have passed since we first began to make this land our new home. Still, we need more time to complete our environmental adaptations. In the meantime, we must survive so that, one day, we can pass down this new history to our children, and pass down the ways we've learned to rescue and protect everyone. One day we will live here in peace. Signed, Mark Shepherd, 2nd Captain. END ID 5]

[ALT ID 6: Rescue Journal, Shepherd Family History, entry 9: The surface! We made it at last! Finally, we can begin making a fresh start here on this planet. Of course, it will take many long months and years before what we've built here will be anything like what we once had. But we won't be alone. Our beloved dogs will be by our side as we walk this long, difficult road. Signed, Aral Shepherd, 1st Captain. END ID 6]

There is so much here, all confirming that ancient Giyans (and Captain Shephard's direct ancestors) 1) migrated to this new planet in search of a "fresh start" and 2) proceeded to migrate to other parts of space many generations latter. It also hints that they know of a "blue planet" - a common nickname for Earth - which is home to more people and dogs. Most certainly, it is the planet they came from - making Giyans human, or at least an evolution of humanity, and perhaps all other alien races in Pikmin 4 (from Hocotations to Koppaites to Ohrians to Conohanins to anyone else from the twenty one named planets (excluding PNF-404) in the series) are also descendent from Giyans. It would explain why they all look so similar in game - though we can safely assume that Hocotations are at least descendent from Giyans based on Olimar's notes. Further more, the leafling cure requires cells from a non-leafified individual who is genetically similar to the individual in question. We're never told how Yonny gets these cells (and, given we're talking about Yonny, I'm too afraid to even ask) but the fact that the medicine works for anyone regardless of what their home planet is suggests that they are, in fact, more or less the same species.

How different the various aliens look from Humans is easily chalked up to evolution. We know minor changes in height could, theoretically, happen within just one or two generations spent on a planet with different gravity than Earth's. It would make sense that this would be exacerbated over many many more generations, especially if the gravity is much stronger. Which, to quote the Pikipedia, "According to Brittany, the gravity on Koppai is roughly ten times stronger than on PNF-404." Given their matching heights, it's probably safe to assume similar applies to the other planets, and thus over the generations the people shrunk. Again, the exact scientific validity of this is questionable, but given the semi-fantastical nature of Pikmin I believe we can suspend our disbelief enough to let this story work. We already have to do that for how the Pikmin as a species function, after all. As for oxygen becoming toxic in the 8th history entry Mark Shephard does state that "we need more time to complete our environmental adaptations". Be these natural or artificially induced (as he is only of the second generation), it is again safe to suspend our disbelief to say that humans just adapted to these new worlds. Besides, Koppaites at the very least retained (or possibly gained back?) the ability to tolerate at least low amounts of oxygen.

The real problems come in the time frame and the loss of history. It's never stated one way or the other if people are aware of their ultimate connections back to Giya, so I won't discuss that, but it is very obvious they have forgotten their connection to Earth/PNF-404. Furthermore, it's made clear that the Giyans lost the ability to travel through space by the 7th generation and only regained it by the 65th. If they had access to space flight, they would certainly have archives of their heritage - and they do indeed seem to have some idea of what it is, given how Earth has become a legend. Yet, the Shephard family history as far back as the migration to Giya was preserved - why not anything else? The inconsistencies and questions make this part of the tale hard for me to ignore, yet we have no answers. This is pure speculation, but if I had to provide an answer I think a solar flare hit Giya and destroyed their technology, making them start over. Perhaps these early Giyain-Humans were so reliant on technology at this point that there were no books or oral traditions to preserve this heritage lost when the tech was destroyed? Though, somehow, the Shephard family would have to be one of if not the exception to this. Again, the previous is pure speculation, but it's the best we can do for the time being.

There's also the question of when and how Earth dogs changed to look like the Sirehound, which would of had to happen before the migration to space given that Oatchi has the same body plan. And then why did Moss's species become so much smaller?

Still, even with all these plot holes, I think it's pretty damn clear that Nintendo intended for our favorite little aliens to be the evolutionary decedents of humans. How and if they'll use this plot point remains to be seen, but it does open up a whole bag of opportunities for the universe of Pikmin. One that, frankly, deserves to be explored.

[salmoncakepls]

A meal to remember. @iwtvfanevents

During the past year I have read and interacted with some of the most creative and talented writers. It astounds me the amount of skill that is in this fanspace and for this meal to remember I wanted to highlight some of my favorite writers and give them their well deserved flowers

Overview: With this fanspace I have traveled through many different universes, explored characters through an analytical lens that parallels the show itself, enjoyed these stories in fun, wholesome*, and interesting ways ! I have seen such beautiful creativity and I wanted to highlight some of my favorite fic writers and really delve into what I enjoy so so much about their writings in no particular order xoxo 

@nakiaslilhoodoo | SnakesandRabbits

Your fics are truly like comfort food to me like I love sitting down after a long day and reading like truly sweet stuff. A lift truly did give me that christmassy feeling during the holidays. It’s stuff like that that makes you say aw this is sweet you know, like matched with Then Leave like yess innovative trans lou / Lily I love that so so much. And we also have comedic aspects in em’ too which I love how your fics never fail to make me smile-- I remember getting giddy at the Chess series (I was like oo what’s coming next like I loved the lil beef its just very fun). Ohh and I cannot forget to mention The Time We Have which is quite beautiful. I like the calm of it, yes I can feel the fresh morning itself--it's just like the little things you know, those little moments are oh so lovely. 

@blacclotusss | BlaccLotuss

I love how you explore Jonah and Louis’ relationship like ion see much of it but you’re my go to in these especially alternate realities. Like the sweetness is off the charts in your fics and I love the fluffiness and how you branch out into that mix-medianess in Come Home to Me and your exploration of that sweet parts of Claudia and Louis together through Letters* .  Also woahh just god the sweetness in Sexual Immorality I love how you write Louis and Armand together, dialogue is just so so nice.  And the roleplay in the ending like oop you never fail to like get me with endings like reminding me of how shocked I was of Charred’s  ending, just so good and so insane. I loved the gothic fluff of that one itself, woah. 

@blueiight | southernhummingbird

Poeticism in unimaginable ways, you really have it.  I remember first reading rhododendron and like just the feeling was of an instrument the way your words just literally string me along. And then it’s like you pull out bangers after bangers in the delta breeze [dare to breathe] it’s nostalgic, beautiful, lush and heart wrenching all at once, again the words strung me along so perfectly. Lipstick traces is so so vivid and I love the story being told here, you pack so much in small sections it’s so astounding and inspiring to me < 3

@dictee | boltcutters 

I remember first reading dirges and oh my god not only are you somewhat of a prophet but you enraptured me into the beauty of your writing. It had lead me to the first taste  just quite beautiful it feel like a page ripped out of season two... and l just love how evocative it is. I also feel like I’ve gone on and on to you personally about how astounded I am by i am amazed by peace just dyke loumand is presented so so gorgeously--you’re writing in this reminds me of a past memory. It is so absolutely insane how you display your writing chops just so wonderfully. 

@knifeeater | serpentskirts

You have the type of writing style that makes everything so so beautiful. I think the romantic-eroticism in each of your stories are just shown in such a beautiful rhythmic way like in  perpetuum mobile and also in glass--which when I read it I feel like I got so caught up in your words it’s like your descriptions are consuming me. 

@enterprisery| flowerplots

Your writing feels like calm, the way your words are given to me. Like even in your erotic gore ( your heart inside my chest ) it feels like I’m just taking a breath-- and speaking of which breath, held  just displays that your creativity knows no bounds, in every fic you write it just fits so perfectly for these characters and it’s so wonderful how you write them in their descriptors (like in push too far --which btw I love the way it is formatted, so so unique) and in their dialogue (like in hunger )--it’s all so beautiful. 

@meastyeyes | meastyeyes

I really love Keep me Humming the fluffiness is really nice and I love how the vividness in it can match what we could see in the show. I enjoy how you show that love through Louis very very gorg the tension of it all amazing. 

@weather-mood | weathermood

All your stories have an air of magic in them like of course with your incredible list of fairytales The Princess and the Pea (aa louis princess moments I love) ,  Once Upon a Wine Dark Sea ( Which just fits so well--siren-vampirism yeah I love just seeing how you display these characters as different mythos, your universes are so out of this world it is amazing.),  and  rumplestiltskin (which  I remember when I first read you had that beautiful air of mystery in that beginning and to come to find out it was simply armanlou roleplaying antics--it kind of unlocked something in me) but also seeing that freshness and dreaminess that is featured in fairy tales also in your stories that are not necessarily based off of that (such as Train Tracks , Glass Coffins and Golden Roses, and mental topology experiments to the tune of bubblegum bitch ). Just an amazing selection of works--in your long fics they always keep me guessing where it’s gonna go and I love that. 

@nlbv | nlbv

Your writing is just so so amazing, descriptors off the charts I must start  with baby father in which you start off with me already visualizing everything. The mood is set in such a nostalgic way it’s vividness takes me into the scene. Exploration of Louis and Claudia is always so gorg and you do it so so wonderfully. And I remember, oh, I remember reading the different stories in Scenes From A Marriage how you can take moments from the canon out and expand upon it, keep the scene running all with gorgeous prose. 

@shewhomustbecalledking | dirtygoldensoul

a holy love is so so atmospheric I feel as if I am in the universe itself when I  read it. And I feel like that’s a common thread within your stories. Because whenever I always feel like I’m falling into the world whether it’s more grounded in the rivalry induced beautiful liars or being put into the true blood inspired Under the Blood Moon you just know how to create these worlds and quite wonderfully so. 

@devotiondroid | themasterletters

Your ability to put these characters in the show in different situations so eloquently is so so astounding to me. I remember when I’d first started reading your writings and seeing how the plot literally kept me guessing and it had done the same in cord of communion and especially in quizas (which, I am obsessed with to this day it has an amazing grasp on me). And the way your genres can shift and morph from wolfsbane to in a lonely place like it feels like you can do it all and still enrapture me--such beautiful prose and such an engaging writing style just fantastic. 

@diasdelfuego | gaypiratedivorce

Little Kidnaps was one of the first (if not the first) IWTV fic I have ever read so your writing instantly implemented a special place in my heart. And  this fic--and nox itself-- is something that I always kept going back to and rereading every other time it’d update or come to my mind. You have such a beautiful vision of the IWTV story itself (and the VC as a whole) and how you balance these characters is just so wonderful--it kept me reading in times I was deprived from the show. But your lovely writing does not stop there of course--I’ll let you win really is so so gorgeous wow like you got me with the noir setting and it astounds me how vivid you write it and also try to swallow the wave is so amazing as well from start to finish and your writings just do that certain amount of re-readability that I will always keep coming back to you.  

@iwtvdramacd18 | The_Lame_Goat

Your descriptions in stories are out of this world the tiptoeing between romance and horror and romance inside that very horror is very gorgeous--Lunacy is a great example of this, and the way it is set up in little fragments ( non- linear) it is just wonderful what you’re doing and continue to do. Prey Drive I feel like is also in this category and oh I do love me some prey drive (it’s one of those goat classics™ ) and I come back to it because it does pull me in with that chase with that hunt--just all of it is gorgeously written. I think what also just drives me to your writing is your characterization and I think in  Wolfkiller it is especially on display. I love how you write Claudia and the horror of Lestat --Wolfkiller never fails to make me say ‘You get it’ because you really do and it drives me insane. And of course special mention to To Pluck Gently At Strings it goes so hard I became a Armand/Nicki understander because of such vividness in the descriptors just great !

@kittyldpdl | kittyldpdl

I’m not sure if it was the night island  or bass in my body that I had first read but regardless I had been coerced by your writing. Like it is banger after banger with your fics, your prose so beautiful and it hypnotizes me into reading more and more. cleave/tie left me wondering what was next, left me thinking about it for days in and out and rereading it the effect just leaves me going back to it again.  And I know I’ve talked to you at length about your fics (lol when I was reading the bloody chamber I was like was that an #kittyldpdl reference ) but I feel as though I could go on and on about how amazing your prose is. Footfall had me again feeling that same way, falling in love with your writing again, making me curious about it all--mixture of the gore eroticism. Fantastic and inspiring all around ! 

Collaborations:

dirtygoldensoul x gaypiratedivorce Collab: 

And it’s quite amazing how both of yall can beautifully mesh their writings--this is displayed wonderfully in overlords I spent a whole day reading it and catching up on it, y’all writing combined truly encapsulates that air of mystery and a feeling of nostalgia (but in an ominous deja vu type of way). That just very thing entrances me immensely. 

MasterMood Universe:

It was a holiday season gift, it was a valentine's day gift--and it keeps on giving. Like it was insane from the start and you both, as I mentioned, have a feature in your writings where you cannot tell where its gonna go and it leaves you anticipating and excited to see what happens next. And of course bonus points because of how wholesome* the whole teachers’ pet series is. I  can tell y’all had so so much fun writing these stories because I can see it directly through the writing and it only added to my own enjoyment. 

weathermood x nlbv Collab: 

 Pirouette is an amazing look into Lily and like I love how yall take this little bit we have of her in the show and expound on her in such a complex way. I love in general just taking off little parts of the show and making more of it but this is next level--and y’all did it so wonderfully woah. 

The_Lame_Goat & kittyldpdl Collaboration:

Y’all writing together stuns me to the point of extreme amazement. The wrath  of the lamb has some of the most beautiful and addicting prose ever, and it is such a wonderful blend of y’all two it scares me !! The story and the words itself just absolutely wonderful--it’s the type of thing you have to read over again and slow to just get that feeling of when you’d first read it. So excited but apprehensive for the second chapter (PLEASE PLEASE PLEASE give me a warning before yall post it I need to mentally prepare and I dont wanna die !!!!! )

I want to specially mention ‘House’ which just shows the talent on full display at full force. Like in general I have never seen anything like it before--for starters just the immense collaboration between 7 people who are so dedicated to not only the show but their craft as well--and to do that and for it to flow so beautifully is absolutely both insane and amazing to me. The whole concept of the story being akin to like a game--trying to essentially escape the house, being forced back in and in turn being plunged into little scenes of the house itself--excerpts of the past through the overall horror element of the house itself. Going through hallways to try to complete it and find every bit of the house--it is so vivid in the way that the chapters are set up. When you get stuck you really feel stuck and the high emotive chapters really get you and then you’re pushed into a calm moment and everything feels okay or not quite right--I love the many many combinations of the ways you can go (how the house gets bigger so it feel like the possibilities truly are endless !).  I remember when I first read it and I was absolutely astounded. I felt every level of emotion, the happy, the sad, the nostalgia--just everything that makes the show the show is put into ‘House’ gracefully. Such a masterful collaboration, I wanna hang it up on my fridge. House inspired me to make D;I the way it is-- the interactiveness grabbed me and the story itself made me play along til’ the end (& again) and I will keep rereading until it consumes me whole. Mwah Everyone who wrote in it did such a lovely job even when I tried to look at a single chapter it entrances me and pushes me into reading the whole thing <3

That’s about it--I do feel like I missed a few fic writers ( but ofc if we ever have something like this again I’ll make a bigger list so I have more time~~)  I always try to comment on stuff I enjoy so just know I see ur talenttt & I see you. I just love the creativity in general and woah everyone is so so amazing 

[makshu]

Kamaitachi songs that I think fit JSHK characters

Hello there! I thought about making this post because many of this artist's songs remind me of JSHK

–> Well, but who is Kamaitachi you ask me? Kamaitachi is a Brazilian singer and composer who writes songs on a variety of themes, the most common being romantic and horror themes. His musical style is varied, with indie, rock, blues, pop, jazz and others in his composition.

–> In addition, Kamaitachi created his own universe in his songs, having connected songs telling a story such as 'Bob', 'O Sono de Emily' and 'Sr. Sono'. The name Kamaitachi is inspired by Japanese folklore, where "Kama" means cuts and "Itachi" means weasel, representing the sweet and sour crowd.

Well, now that you know him, let's get to the songs and characters! :)

Hanako-kun with 'O Fantasma'

'O Fantasma' translates to 'The Ghost', this song reminds me of Hanako not only because of the name, but also because of the ghostly and melancholic melody. The song demonstrates an internal struggle and a search for redemption. In the song, the lyrical self wants to remove a part of himself, which would be the "ghost", a part that haunts him. The part that reminds me most of Hanako is this one:

I was never an angel

I didn't even have wings to fly away

From what afflicts me

But I was once a demon

And I had to die

To learn how to live as a human being

The theme in general fits very well with Hanako, besides at the end of the song the lyrical self apologizes to someone dear to him for everything that happened. Promising to change and to no longer let the "rays of the past" haunt his life and everyone else's. Remembering Hanako with Yashiro or even with Tsukasa.

Tsukasa Yugi with 'O Sono de Emily'

'O Sono de Emily' translates to 'The Sleep of Emily'. The song features themes of friendship, fear and a plan beyond the tangible, featuring the lyrical self as a little boy named Bob who tries to reach out and befriend a girl named Emily. It's also shown that they are "shadows" and that Bob wants to keep Emily with him. This song reminds me a lot of Tsukasa's relationship with the entity, both in the old and new timelines. Unfortunately, I can't really develop the similarities since we don't know much about how exactly the entity works. However, we do know that Tsukasa makes friends with the entity. The song has a more intense and somewhat sinister melody, as if it were on another plane, and Bob's lines are kinda unsettling.

The song fits very well with Tsukasa's aura, as it presents a very powerful childlike entity that conveys fear of the unknown, just like Tsukasa in all its versions.

Nene Yashiro with 'Alice' (tw: drugs)

'Alice' alludes to the character Alice from "Alice in Wonderland" bringing a dark meaning that has been used several times, that Alice was under the influence of illicit substances and hallucinating everything she saw. Supernatural things are not things that people normally see, you shouldn't see things that don't exist, but Yashiro does. It wouldn't be so absurd, if we put it into reality, to imagine that Yashiro would be under the effect of something. The song brings up the theme of drug addiction and its terrible consequences, and yet, Nene, who truly sees supernaturals, has also had consequences (mostly psychological). And let's be honest, to an outsider, Yashiro really does seem to be hallucinating.

Tsukasa Yugi with 'O Treco'

'O Treco' translates to 'The Thing'. the song presents a dark and enigmatic narrative, where the lyrical self describes the unexpected and disturbing visit of a mysterious man.

I had to put him back on the list since this song really suits him as a mysterious antagonist (and there are many edits of him with this song).

Tsukasa is an enigmatic and unpredictable figure, always appearing out of nowhere and giving many jumpscares to the characters. However, most of the time he actually has an "invitation" when he appears, which is a deep wish made by a supernatural. I think the song suits him very well, especially in this new reality, where he's a bizarre and disturbing child entity, presenting the unknown and danger in the face of those who face him.

Hanako-kun and Aoi Akane with 'Às Cegas no Monte'

'Às Cegas no Monte' translates to 'Blind On the Hill' and the song brings a reflection on the journey of life and the relentless search for happiness. This song reminds me of them in the "To The Far Shore" arc due to the literal meaning of the song since we follow a "train" throughout the song. Throughout the lyrics, it's possible to observe many similarities, such as a train that runs without stopping, something that reminds us of dawn and the desire to still want to be happy even if "it's not the time to be happy."

In its meaning, the song presents the search for happiness, which is something that both Hanako and Aoi seek, even if it's almost impossible to achieve, and it's also about the journey of life, or in this case, the journey that has ended. The song has a calm melody, but it manages to bring a weight to certain phrases and this vibe reminds me of the two of them at the beginning of this arc, a heavy atmosphere but they still try to avoid it by talking about what their lives were like.

Hanako-kun and Nene Yashiro with 'Carnaval'

'Carnaval' which translates to 'Carnival' is about longing and desire, intertwined with the hope of reunion. The song features a lyrical self who misses the other person and who always asks if his partner is okay, indicating that perhaps they haven't seen each other for a while. And in the chorus, the song uses a metaphor, saying that the kiss of this person reminds him of Carnival (a typical Brazilian party) because of all the excitement and effervescence that this party brings.

This all brings out the essence of Hananene, this concern for each other, the occasional separations and the desire. And also all the little moments apart where count the minutes until they meet again. The song features an upbeat instrumental that creates a good vibe and brings a feeling of happiness, especially when you think about your loved one. Really a very good match with these two.

Hanako-kun and Nene Yashiro with "O Sol e a Lua"

'O Sol e a Lua' translates to 'The Sun and the Moon' the song addresses, in a poetic and figurative way, the relationship between the celestial bodies Sun and Moon, presenting the feeling of revealing oneself and mutual protection. Demonstrating love and how both are important to maintain life. In addition to the music having references to other spatial aspects.

I know that the sun and moon are concepts mainly attributed to the twins in JSHK, but considering romantic dynamics, Hanako and Yashiro fit perfectly into "sun and moon". Hanako is the moon being the most mysterious and serious side of the relationship and Yashiro is the sun being the most cheerful and lively part of the relationship.

I put them back on the list because this song is very hananene coded and I don't know how to explain it other than just saying "it suits them".

—

Well that's it for now, I hope you enjoyed this list and if you give the songs a chance I'll be happy too! Kamaitachi is a very plural and unique artist, and I really appreciate his work.

Thanks for reading ^^

[julik0vatay]

Hollow Knight keeps my attention in background while Im busy with other things so I am once again writing for sake of getting it all out of my head.

There's 3.7k words result under the cut.

Time loop with all endings smashed together, with some fix-it post-game speculations. Mainly focuses on The Knight and their journey, the Void, and finding hope in others. Not all characters appear, but its implied most characters survive. Alot of things are vague on purpose. Somewhat open but still happy ending.

Also posted on AO3!

Fool's errand

***** They walk the road under their feet like an ignorant fool first time. Everything fresh in its decaying glory, and they don't recognize a thing in their path. There is only vague need to go, and unfamiliar faces telling them they have places to be, and they follow, getting lost in the process.

They die a lot for their ignorance. They get used to it.

They end up their journey chained for cause they don't quite understand. And when they see no way out of that… Void (nothing but misery and regret) swallows them whole.

---

They wake up with a sense of deja vu accompanying their every step. They walk the road careful and methodic, noting every crossroad on their path. They listen carefully to words of not-so-unfamiliar faces now, but it seems like all roads lead to their demise, one way or another. And they could live die with it but it seems fates of others aren't much better no matter how careful they thread their steps.

They let their frustration out on the damned, bitterly think their fate is already sealed (ha!), and prolong the inevitable with wandering this cursed place. They get some insight for their troubles at least. There is a bigger picture they're trying to puzzle together but its not quite working yet.

When they exhaust their excuses they reach their end. They end up damning another along with them. And Void (full of guilt) swallows them whole.

---

They wake up and question their sanity. There is familiar road under their feel and friendly bugs who don't recognize them. Familiar weight of their nail gives them no hope for way out. They find lighter weapon to wield. This one feels heavy on their very soul instead.

They can carry that weight. They will carry everyone's regrets if they must. This place belongs to them by birthright after all, and they refuse to damn anyone else still lingering in these paths. They've seen more than enough deaths they couldn't prevent.

And when a crack in armor is presented to them they don't hesitate to slip their weapon in. There is bittersweet satisfaction of finally reaching source of their sorrows (some of them anyway).

There is other one by their side, restless and tired of fighting. They all can finally find piece. And yet… Void (full of hopes) drowns what is left of them.

---

They wake up and don't do a thing the way they're told. There are places to be and things to do and maybe they can find another way, save more than just a dozen lost souls if they try. Call them selfish and stubborn but there are bugs they don't want to see dead again. Call them fool for playing with fates against gods. They won't even try to deny.

They make their way in dreams and wonder if they leave a trace. Would someone remember their face when all is done? Would they want to be forgotten instead?

Climbing up is something they've done for half of their life (other half would be digging deeper). They're good at that. But this climb is harder than anything they've ever done, taking everything from them to keep their focus sharp on the goal.

At what point do they loose themselves in fighting?

Sight of their doomed siblings fills them rage. This is what was taken from them, and their judgement will be the price.

They rise and Void follows. They win and they loose themselves. They tear old light apart. Void (rage) swallows them both.

And Void is hungry in its wake and they can't do anything but watch as they're swept away in this sea of darkest tears. There is no voice to scream that this is not what they wanted.

Void (heavy and numbing) lulls them to sleep.

---

They wake up. They think for a long time.

They will try again. But this is not how they want things to end. They want to leave behind seeds of hope, not destruction. Even this damned trice over place deserves hope. They all deserve some hope.

They find new quest for themselves.

They're no gardener but leaving flowers behind seems like good idea at the time. They think of bugs they now hold dear in their mind. It is a good place to start.

Not everyone they succeed in finding. They still leave flowers behind. Even those that fall appart in their clumsy hands may one day grow. They desperately hope it's enough.

There are bugs who refuse their offerings. Sister, scolding them for stalling. Dear friend, looking too lost in thoughts. Cheerful miner they're afraid to approach. Troupe master, only smiling at them before offering another dance. Lady they hesitate to call mother, offering a warning they don't understand. Snarky nailsmith, threatening to trash it.

But they still leave flowers behind.

They leave them on graves and in bugs hands and in places noone visits and they hope.

They give one to Elder bug, their first friend here. He's happy with present and it fills them with satisfaction of a job well done.

They leave one on kingdom's edge. They leave one next to road leading to fallen palace. They leave some for dreamers still sleeping.

They leave one next to their doomed still sealed sibling. Like a promize.

They give one to Seeker who calls them names. For giving them hope. And just as much - for themselves. If they fail again, this will be their grave. They already accepted that.

If there's nothing but demise waiting for them then at least they could try to save everyone else.

They try not to think about how they're their father's child, biting more than they could swallow. But. They're full of Void and Void is always hungry. They'll manage or die trying. And then try again.

They walk fallen kingdom's dreams. They can almost feel more unseen eyes on them. Not just seekers but bugs sleeping and dreaming of them. They wonder how others see them in their sleep. Do they see shadows creeping under their feet, looming over their mask? Do they see Void's countless eyes blinking back?

Sometimes they almost convince themselves they can hear their friends' voices calling out to them, cheering on them. They aren't sure it's wishful thinking or results of their efforts. They hold onto them regardless. This is what they are fighting for.

Their sister's dream is as sharp as when she is awake. Name freely given, name reluctantly accepted, name now cherished sounds harsh and true with her voice. They're nothing but Ghost and this will be enough. They decided so themselves.

Their lost kin is but a lingering wisper.

Their doomed sibling still standing tall and proud. Not loosing battle yet loosing war. They're here to change that. Even if it hurts every time they try.

They make this climb and they walk these stairs and they know what is waiting for them and they feel Void following their every step. And bright old light ahead can try to blind them all it wants. That won't stop them. Just watch.

They rise. They fall. Void (full of everything they ever loved and hated) welcomes them in.

They're storm within themselves. Sea current drags them along familiar path but this time they refuse to go under. It's not enough. Just by themselves it's not enough to lift sorrows of many. They try anyway. This is what they came here for. Hope.

Somewhere some part of them finds a speck of light.

And everything goes still.

*****

Hornet thinks they stalk her dreams sometimes. She can never quite catch their facemask anymore, only a shadow hiding in shadows. Footsteps fading in rustle. Clank of metal against stone. Ghost of a ghost.

But never in waking world. This one is full of dealing with survivors. Which there are surprisingly many considering circumstances. She blames Ghost for that.

She isn't quite sure what her place in this mess should be. She's survivor and fighter and self-proclaimed protector and yet she's restless and can't find her footings with so many bugs moving in and out and about.

And then there is her somehow still alive half-sibling. Not a vague figure in her memory but a breathing half-broken living thing. How to deal with this she doesn't know either. She did her part helping with what she could but wounds of mind are harder to heal than wounds of body. This is not her battle to fight.

She looks at what is left of crumbled kingdom and for the first time wonders if this one is not her fight either. There are bugs still standing and willing to build new life. They don't need her that much even if she is willing to help sometimes.

She decides to think about this later, when her mind isn't busy with more important things like survival.

---

They no longer have a title or a name they could call their own, even in the quiet of their mind. The mere fact that it is now QUIET there still leaves them baffled. They forgot it could be like this.

It gets noisier sometimes, when there are many things to keep track of, bugs coming in and coming out and none of them they recognize. Even princess (sister…) looks much older and stands much taller than they could recall. Then again their memory is patchy at best and painful at worst.

The one they recognize only stops by their dreams. The one who answered their silent cry for help. The one they never saw with their own eyes after waking (at least they think they didn't?).

Their mask is a mirror to their own, long outgrown. Their face is now marred with scar deep crack right in the middle, making two halves, held together by sheer force of will. They don't hide the damage even if it's not quite real. Shadows cling to them like cloak, long and ever changing, trail under their footsteps, wispy fog over their head. They never stay for long, only check on them and then fade away in shadows where they came from.

They appreciate visits being short. It's hard to decide how to act with someone who is your saviour and not-quite-but-not-quite-not a new God.

Still, they wish they could reach out. But when they try they can feel only Void wispering back. They aren't sure if they're deaf or just forgot how to listen.

And when they wake they're busying themselves with sights of everything and anything and there's much to think and they do just that - watch and listen and think.

They have life to live. They never expected to have that chance. They will not let it slip out of their hands. It is a promise in a form of a flower and they will try their best to keep it. Price for this was way too high.

This line of thought almost sends them down the spiral but they catch themselves. Not again. They did not survive this long going down that road.

One day at a time.

---

Quirrel finds himself lost in quite uncomfortable way. He was this close to calling it quits on this whole adventuring thing (and more than that but he's not going tell another living soul how close he was to the edge of water that day).

And now there is someone he expected long dead - awake and just as confused as he is - and he's running errands like a young fool again. And quite frankly he'd rather be elsewhere. He is too old for this! Life he was sure he left behind bites him in new ways every day he's here and what is worse he can't find one person he wants to see the most!

How come on all their journey over Hallownest they've met so many times but now that apparently infection is over he can't find a single trace of them?? Did they really meet their demise? He was really doubting that, after personally watching them fight.

But the longer he searches the more he looses hope. Everyone he asks gives him same answers - they've met his wandering friend before infection was wiped out (And wiped out it was!! Leaving no traces to examine but corpses!!) but never after.

He's sure lost wanderer is behind that. It's the HOW that confuses him more than anything. Last times he saw them were when they hesitated to break the seal - he could understand that, there were always things to prepare beforehand - and then when he wentured for blue lake, too tired of waiting for their return.

This one memory is a bit hazy, but he thinks they tried to give him something… Some pretty thing that felt too fragile in his rough tired hands so he gave it back with polite shake of head.

He regrets not holding onto it now. What was it that they offered him? Was it somehow important?

Could it be answer to their fate?

He finds half of an answer in place where he started his descend. Eldery bug, holding onto precious looking flower. It stirs his memory enough to ask. Elder is more than happy to talk but there is melancholy in their voice.

– Amazing flora, isn't it? It is a gift from a friend. I haven't seen them travelling through this old town in awhile… It got much livelier here since then. Doesn't feel like ghost town anymore. Too bad my friend isn't here to see. I wonder if they are wandering farther somewhere now…

That night Quirrel dreams of his silent companion. They're sitting on the bench in hotspring on the lake's edge next to him. They're holding pale looking flower, nothing but memory of a real thing. They don't look at him but still offer it to him. This time he accepts. It hits him like a blow that this could be second time they're saying goodbye.

Words feel wrong when he finally forces himself to say:

– Is this truly your end? Somehow I never expected to outlive someone so resilient as you, my friend..

They turn to him and breath catches in his throat as he looks at their mask, tracing with eyes deep crack running down right between their eyes. No ordinary bug could survive injury this bad. But they're not ordinary bug and he did see them survive similar looking wound.

He tries again:

– Surely that couldn't be it? I've seen you healing cracks before.. Unless this one runs deeper than that?..

They stare at him, as if thinking. Then shrug. He's not getting answers that easy.

When he wakes up there is a petal on his face. But he can barely remember his dream.

---

They linger in dreams for a sole reason of not finding a way out. Seeker no longer here, swept under raging storm they created and with that voice quiet they can't find an anchor.

Dreams of bugs come and go and they cannot manage to do much more than watch.

It makes their hands itchy for action. Pantheon stands quiet without Seeker to channel it.

Familiar faces are the only solace they can find.

They watch from shadows their sister's battles - with herself and the world they left behind. They don't go any closer. No reason to add another problem to already growing pile of them. She'll manage just fine without them, she did so long before they came back here.

Their taller sibling dreams rarely and all their dreams are a patchwork of pains long ignored. They don't hide themselves here because Void has no reason to hide from Void but they don't stay for long. Their fate won't be another burden on battered shell of their sibling. Let them heal.

Many bugs blink on their awareness, some more often than others. It warms their non-existent heart that they left something behind to be remembered by. That there are bugs still alive to remember them.

Nightmare flame visits once in a while with a polite bow. They can't decide if he appoves or not the fate they choose for themselves. They bow back regardless. It's nice to feel heat radiating from him. They don't mind another dance.

Void below their feet is quieter now. Storm passed and parts of it, of them, vaporated into nothingness. Maybe they found peace. But still they linger.

Some part of them, selfish and stubborn, still wants to live. There are siblings they want to see again. There are bugs they want to visit.

They wonder if their shell is still out there, unscratched, waiting for their return.

*****

That faithful day the infection disappeared all of them woke up from the same dream. Dream of blinding light setting into inky stormy sea. Of night falling over endless day, with only stars blinking, mirrorred on sea surface.

This peaceful night all of them fall asleep to the same dream. Rain falling down, disturbing calm waters, storm brewing. There is someone lost at the sea with no anchor and no shore in sight.

---

Horner finds herself dreaming of sand under her feel. There is tide coming and she knows not to touch black waters below yet she stays where she stands.

Her red cloak and tall mask could be a beacon on its own but in case its not enough she calls out to the endless sea.

– Ghost of Hallownest!! Are you still there??

---

They dream of Void calling them in and have no choice but to answer.

They have a debt to pay.

They drop down into blackness below without hesitation and let the current drag them along.

Somewhere out there a cry of frustration sends waves over black surface. It is enough to give them direction.

They reach out.

---

Quirrel dreams of walking rocky tunnels under the lake. Claustrophobic feeling weights him down and he watches dark droplets slide down the walls as he walks.

There is pale flower in his hands and it's the only source of light guiding him in the dark. He holds it just a bit closer.

He knows somewhere out there is his lost friend. He just has to find them again.

---

Elderbug dreams of beautiful garden he wishes to grow. He hopes one day his friend will come to see it.

He's okay with waiting. They can take as much time as they need.

---

Nightmare can offer nothing but flickering firelights. They appreciate the sentiment even if it gives them no help in finding a way out.

They cry out send out a spell full of frustration before setting down again. It comes off of them in waves as they float on the surface of endless dark sea. No matter where they look they can't find solid ground anymore.

… Maybe they're approaching this all wrong.

They look back into themselves and search for something, anything. They can find nothing they haven't seen before, countless eyes looking back into themselves.

They keep looking.

They see countless lives cut shorter than blink.

They keep looking.

They see every step they made overlapping, ever-changing yet changing nothing.

They keep looking.

They keep looking until they realize some lights blinking don't belong to them.

They reach and find shiny petals swimming, shimmering in the dark.

They reach and hear voices calling for them, looking for them, waiting for them.

They reach and anchor themselves.

And then they wake up.

*****

Hornet wakes up with a feeling that certain someone did something that would result with more mess she'll have to deal with. Again.

She reaches for her weapon. She sees her taller sibling creep out of their nest towards the well leading down. She sees them drop down and curses under her breath.

She follows.

---

They know not what changed in the Void but its something they can feel. It calls them in, somewhere down there, no longer urgent but now more solid than before.

With energy they didn't realize they had they move down, down, down, towards source of disturbance.

They have pretty good idea what and who they're going to find.

---

Several bugs wake up feeling like they missed something important, unable to pin down what it was. And Myla, one of them, can do nothing but sing herself back to sleep.

Surely tomorrow she'll remember.

Surely.

---

The Teacher is frantically writing down notes when Quirrel finds her awake. Before he can even raise his voice there's a paper showed in his hands and he's walked out of the door he just came in.

– We have new readings and a direction! Go check it out, would you? We have no time to waste!

Scratching his head he looks at the mess in his hands. It's a rough map with several places marked for checking and he can't help but think that his friend's maps were far easier to understand.

Well, he was about to say he's leaving anyway. Latest dream left him aching for another search attempt. He might as well see what all this noise is about on the way.

---

They wake up.

There is headache coming in waves and everything swims before their eyes.

But they're awake now and it's all that matters.

They attempt to get up. Their body feels weak. Weaker than at the very start of they journey. With aching limbs they push themselves from the ground. They feel heavy. They are heavy. In fact they can barely fit into their old shell and they feel Void almost spilling over.

They feel pressure building behind their eyes.

They make first reluctant step.

*CRACK*

Thin line runs down their eye and they can do nothing but hold it down.

They're fragile. They will destroy their shell from within like this. This just won't do.

In attempt to release the pressure they try to heal. It helps nothing and leaves them drained instead. Well, so much for that.

They think about dreams. They let themselves spill into shadows under their feet. There, that will work for now. There is now a moving, horned, blinking puddle of Void looking back at them from the floor. Technically, still part of them. But it feels lighter this way.

They let themselves rest for another moment before trying to move again. Void clings to their feet and follows. It dances and thins and creeps like normal shadow would. Just much darker. Much longer. They can work with this.

They need to get out of here and deal with that crack before it gets worse. They have a sinking feeling it will leave a mark they won't be able to fix.

Its okay. They survived worse.

And most importantly…

They will see everyone soon.

[dykekingofhell]

With episode three of this season coming out this weekend, with the trailers making it seem like we’re going to be getting some 1700s flashbacks and some of Lestat’s backstory through the eyes of Armand, this is an interesting moment to discuss Lestat’s age and its role in the narrative of both the show and the novels. People frequently discuss how impact the aging up of Claudia from 5 to 14 is, but if you look at the rest of the cast and their novel counterparts, basically everyone has been aged up to various degrees, including Lestat.

Lestat’s age is changed both in terms of how old he was when turned into a vampire and how long he has been a vampire. In the books Lestat is turned quite young, at age 20, and he has been a vampire for about ten years when Louis first meets him in Interview With the Vampire. The show however is quite different with Lestat having been turned in his early 30s and already being a little over a century old when he encounters Louis. What I think most exemplifies this difference is the fact that Lestat’s mortal father is still alive at the beginning of the novel and is present as a character, something that seems bizarre if you are only familiar with the show canon. 

I think this shift makes many of Lestat’s actions read as if not less sympathetically in the show, at least differently. First is the fact that in the books Lestat is still very much learning to adjust to vampirism when he meets Louis. He isn’t a master of the dark gift, and he still holds some ties to his mortal life even if he doesn't talk much about his past; like his father is living with him and Louis for a period of time. So there is much less of a gulf between him and Louis when it comes to distance from humanity which in some ways makes their relationship read as more balanced. Like the reason Louis is able to partly forgive Lestat at the end of the novel is his realization that Lestat is also a lost soul who doesn’t hold all of the answers about vampirism.

Second, Anne Rice’s vampires tend to exhibit arrested development, being somewhat permanently stuck at the age they are turned, and so in the books Lestat’s instability and outbursts often read as a kind of youthful impulsiveness and immaturity which I think is lost in the show. 

And with all of this, I am really interested in how they intend to write his relationship with Nicki which we will begin to see next episode. Like so much of Lestat, this relationship is defined by the brashness of youth. This is a story of two young men who experience what reads as an explosion of a first love and leave their families to run away together in Paris. It feels like a coming of age story. So I’m really wondering how their dynamic will change with the two of them likely being about a decade older.

[angelwings-crossbowstrings]

Hey there, first time anon here! I wanted to review blood ties properly, since i binged it in like a few hours some time ago (oops) and let you know that i truly believe it is a masterpiece of writing, i’m talking good enough to compete with many published novels out there. I really love how this fic dives deep into one of the most interesting (unexplored!!) eras of the group, the winter, i also adore how its developed through the quarry and farm eras (i’m so excited for the prison as well) and how the real romance develops and is strenghtened by time.

 Daryl is a really hot’n cold guy just like i imagine him being in truth, i love the romance so much and the way the relationship between Daryl and our reader is the backbone of the story as it should be, it pushes the plot fowards and even affects characters that aren’t them in funny (and sort of sad) ways, your depiction of Daryl is so authentic he’s truly amazing, a bit of a dick sometimes, and so true to canon he’s not all self loathing, he’s got a lot going on and you can tell just by the reader’s POV, that even with all his flip flopping she can read him like an open book most of the time. I’m really really looking foward to how thumper being there will affect his development from now on, we know he has a Strong sense of responsibility and so now the whole prison arc (if that is where we go next, i don’t really know, you work in mysterious ways Murda) will have a bigger impact on him beyond Merle being present, also thumper too, i’m counting on her being much like him from what we’ve seen of her during the pregnancy, very smart and perceptive, you could even say... observant, but also an absolute menace (thats what i got from all the moving around at least) and i look foward to seeing all the ways she’s going to change Daryl’s brain chemistry every day, for better or for worse she will torment every minute of his day, i hope she is a true daddy’s girl that will make Daryl pay for for his every sin on this Earth by being a brat just like he is.

Most of the reason why i didn’t really comment on it normally instead of writing this freaky text is to comment on the development of secondary characters on this fic, i think they are very Strong and all feel true to the show as well, there is one relationship i absolutely love in this fic, only second to Daryl and reader really, its Lori and reader, maybe its my nerd brain overanalyzing but they almost feel like narrative foils in this fic (or is it parallels? let us know if it is intentional or not please!!).

 I really love the interactions with Lori and reader, i’ve Always felt like she is overhated in most fics (sure she kind of messes up, but only wants the best most of the time) and here she feels really close to how it truly is in the show, and its so sad, especially contrasted with the reader. They both start in different positions/ -reader is in a very casual relationship with Daryl- Lori is commited to Rick (and somewhat casual with shane, but not really) - Reader knows the ins and outs of survival out there and is not completely vulnerable - Lori relies on the men around her for everything including emotional support, - Daryl is initially cold towards reader as usual with him - Lori has the full attention of both Rick and Shane/. But slowly the places of these two in the world are reversed, not completely but still, Reader gets sick and vulnerable, she doubts herself and her destiny in this world and needs a lot of emotional and physical support, she is no longer that huntress in the woods and needs to rely on a man ( still very Strong on her own tho, that birth scene is seared in my brain forever) and others to survive.

Meanwhile we have lori, and her journey is what it was in the show, she starts off with support from a lot of people, especially Rick and even Carl, but loses it and ends up sort of lonely and the presence o our reader only makes it more apparent, reader IS what Lori wants to be now relationships wise, her pregnancy was not all well but she had the support of Daryl most of the way, while Rick is distant, Can’t imagine what its like from  her perspective, seeing reader and Daryl together, him keeping her warm Always looking out for her, meeting her needs. Meanwhile Rick is out there doing thangs y’know, stuff. But she never resents reader for it, not visibly at least, she is a good friend who reassures and comforts her, and has to mostly make do on her own (and with Carol’s help, i imagine) and is really a wise figure during this pregnancy, i think in this fic her develpment really shows how she got to her s3 form. And yeah, i really love the interactions between them very much, it’ll be even sadder to see reader’s perspective of that day...

I also adore Carol in this fic very much, i think it shows how much of a caretaker she is in canon as well, we forget that everything she does, she does for someone else, Always looking out for others before even thinking of herself and really being the rock of this group ( a rock that can easily bash some skulls in) Also love Hershel having to stick his hands in places he wouldn’t go with a gun, bless his heart for not being mad af at Daryl in That scene, i know i would have lots of opinions about having to touch the man’s fluids y’know. He’s also a guiding light though this whole pregnancy, which is depicted in such a realistic way i’m in awe every time i think about it, things i had no idea could happen, how it really makes you feel the passage of time during this winter with both dread and wonder (especially with thumper rolling around in there, kid really is a menace) and with the birth scene, i knew Daryl would be the first to fold he was Always the weak link in that van, i’m sorry. Also sure Maggie is also coming out of the van with at least one new trauma, but she can handle it, Hershel will Always be God’s strongest soldier bless him twice. Also its really funny thinking of this whole thing on Rick’s perspective, it must all be one long ‘’TF is going on back there???Omg walkers!!!What do you mean Daryl passed out???Omg herd!! What do you mean its stuck???where am i going??!!’’.

And oh my God this ‘’review’’ is more than one Thousand words long, its time to stop i sound like a stalker, so sorry but i’m a Nerd with an overactive brain, i’m almost at the point of sending fanart attached, but yeah I REALLY REALLY love this fic like many do, i hope you receive all the love you can for it and are Always succesfull with everything you do, its really one of the best finds in modern fandom i’ve seen lately. Sorry for the mistakes, i’m not even near being good at formatting and punctuation in english lol. So yeah have a great night, we’re all really excited for the next chapter, i hope you’re also taking some time for yourself as well, its very important, Thanks for everything Murda

(PS: is it weird i forgot to talk about all the smut? Its really good, one of the best i’ve ever ready, sorry lol)<3

Okay, here we go!

This review was just… I cried. Hard. I mean, I love everyone’s reactions and replies but this just… wow.

Exploring the missing months was something I was so excited to do. Especially in this sense. To have him going through these months not just growing closer to his survival buddies, slowly finding them to be more of a family, but also exploring something we didn’t see on the show at all: being a partner and a soon-to-be father. I wanted to test those waters and see if I could stay true to who he might be had this all happened in canon.

One of my biggest concerns with every chapter is the struggle of keeping him in character while being with reader. I’m so happy that you feel like I’ve done that! The story will likely always be from reader’s prospective so to know that I am articulating what is happening with Daryl through her eyes is encouraging. I want to make sure that their struggles and victories are equally explored.

Thumper is already a daddy’s girl. She calmed when he was around, they had a connection which is 100% a thing. My daughter was slightly the opposite. She was calm and never moved much; to the point I would go to the ER to make sure she was okay. But then I found that when my sister was around, my daughter would wiggle and kick and roll. I just started calling my sister to come over if I got worried. That’s where the inspiration of having them connect like that came from.

Thumper is going to challenge both of them. I won’t say much more than that but they will definitely struggle as new, first time parents.

Merle will appear. I also won’t say much more about that.

I don’t dislike Lori. I think she made some impulsive choices to ease her pain and fear. I also think that sometimes she was more blunt or yappy than she needed to be but it came from a good place. I wanted to incorporate that, like when she wanted everyone to leave Daryl upstairs. She meant well, but spoke out of fear. Reader adores her. They had their moments but I wanted reader and her to be close, like Lori being a guide for her and just a good friend. Lori does see the changes in Daryl, really showing when she’s whispering advice to him. When she’s in the van with reader and they talk, I hope I really expressed Lori’s solemnity. Just “I’ve done this before” but you can tell that she’s carrying a burden and it’s not the baby. She’s yearning for what she’s seeing. That’s why she steps in to help. She wants to see in them what she’s missing. Yeah, that scene will be difficult.

Carol is my queen. I love her so much. She will always be the biggest cheerleader for Daryl and reader. In every story I write. Here, she wants to make sure reader had the support that she never had with Sophia. There are going to be some really deep moments that involve Carol in the next chapter. Or it may be the one after that. I also love to show Carol’s growth from the sidelines. She’s a secondary character in this series but not by much.

I honestly wish I had included more of Rick in the birth scene. Maybe I’ll do a “deleted scenes” series lol.

Omg, fanart. 🩵 @bananafire11 has done two. One for The Dixon Chronicles that was a surprise and it’s attached to the chapter. And then one for my birthday that I’m printing and hanging on my Daryl wall. I will never ask for art from my stories unless I’m going to pay for it but I will never turn it down!

This was such an inspirational review and it really allowed me to think about the way I’ve constructed this story so far (not in a bad way). I appreciate every word and I’m so so happy that the series is getting love like this. I am always so hard on myself. I’m still learning to write for myself and be glad that others like it but as a bonus and not something that defines my writing. If that makes sense.

Thank you so much for this. I hope I answered your questions and gave some insight on where my head is with certain scenes and characters.

Whoever you are, thank you. I love you. 🩵🩵🩵🩵

[drconstellation]

First-Order Archangels

Part 3: Seeing Eye to Eye

Part 1: Maybe You'll See An Archangel Part 2: Foils of War

This is a topic I've wanted to address for some time (ha!) concerning a discussion around Jim's moments of lilac-eyed possessed prophecy and Crowley not wearing his sunglasses around Jim inside the bookshop in S2. I've had rough thoughts about what's going on at these times, but because its more of a sub-textural implication, rather than being overtly stated I guess I've hesitated somewhat and wanted to think it through properly first. Then I started writing this, and as I starting checking things, one thing led to another...and it's tripled in size. Enjoy the juicy long length!

I've decided to included this meta as part of the First-Order Archangel series as it will focus on Gabriel and Crowley, and their connection with time and prophecy. Both of them wear wristwatches - Gabriel seems to wear one instead of an angel ring, which I find most curious. Both have moments where they talk about the future that has been revealed to them. But when it comes to the Great Plan of the Almighty, they couldn't be more opposite.

The Seer and the Herald

Time is Crowley's domain. He can stop it for short periods, and he seems to know about fragments of human science and technology in the future. For example, he suggests to Mr Dalrymple that a change in hygiene might be beneficial, upon meeting him. It could also be said that he acts an oracle, as he gives advice and counsel, both here with Mr Dalrymple and in 1941 when he warns the Nazi's to flee before the bomb arrives, and that they won't like what comes after. (Although, 1941 was a case of Crowley actively manipulating the outcome of the future, so perhaps that doesn't count.)

Crowley: You might want to think about washing your hands. It's gonna be all the rage in a few years, I'm telling you.

Gabriel, as the Herald, is also given knowledge of the future. It was said he spoke to Daniel several times, explaining the visions Daniel had, which were of things to yet to come, and he was tasked with the "foretelling" of the births of John the Baptist and Jesus to their prospective mothers. I realize none of these examples are GO canons (yet,) but there is also the interesting parallel character in S1 of the lawyer Giles, who delivers the second manuscript of Agnes Nutter to Newt and Anathema the day after the Nopocalypse in S1 who is definitely Gabriel-coded and "heralding" the future possibilities there.

Tense Moments

There are two times during S2 that Jim is possessed by a divine spirit that takes over his corporation, turning his eyes back to Supreme Archangel Gabriel-lilac and putting words into his mouth.

The first instance is about the past: in S2E2 Jim recites a verse from Job 38:7 - and Aziraphale and Crowley both remember it, because they were there when the words were said.

The second instance, towards the end of S2E3, is about the present...

"There will come a tempest, and darkness, and great storms."

...and the future.

"And the dead will leave their graves and walk the earth once more. And there will be great lamentations."

Past, present, and future. For both of them, Crowley has his sunglasses off and he is peering into Jim's face.

I have some notes about which verses these are supposed to be from (Hebrews 12:18 for the first half and Matthew 27:53 for the second half) but upon checking them I'm wondering if they are actually correct, even if we take into account they have probably been re-written for the show, like the lines from the Book of Job were paraphrased in the Job minisode. But that aside, we can still deal with them within their temporal frames of reference - the former describing the not-insignificant piece of weather-work that Crowley had just stirred up, and the latter is pointing to the Second Coming, with the resurrection of the dead.

Both halves have words of significance: The first half has the word tempest, and the second half has the word lamentations.

The Foreshadowing Storm

Storms are often used as a trope to foreshadow trouble in the future of a story. I don't think we tend to see Crowley's rain storm as foreshadowing of what is to come as he was in control of that storm and it was for a particular reason - which failed. But Jim's words contained the future tense of "will" - There will come a tempest - so lets have a look at some possible connotations.

A tempest is a violent storm or thunderstorm, but it can also be an situation in which people are very angry or excited, an upset, calamity, or some unexpected misfortune.

And you could say that did happen by the end of S2.

There is also Shakespeare's play, The Tempest, which our demon would no doubt be aware of (it's considered a romance - you know, once of the funny ones.) In it there is a wizard of sorts, Prospero, the former Duke of Milan, who was usurped from his position, and fled with his infant daughter to an island. Many years later the King of Naples and the Duke's brother are passing in a ship, so Prospero magically whips up a storm and shipwrecks them on the island with him and his now teenage daughter, Miranda. He then tries to manipulate a romance between the King's son and heir and Miranda. Other stuff happens as well but in the end they all escape the island and there is a kind of happy ending, and forgiveness.

The Book of Lamentations

Back to the second half, that is supposed to be from Matthew 27:53, but probably more likely Matthew 27: 52-54. Yes, these verses do describe the dead rising from the grave, but the use of "great lamentations" here is a paraphrasing flag being waved in our faces.

A lament is a passionate expression of grief or sorrow. It can also be a complaint, or an expression of regret or disappointment.

Biblically, a lament is a prayer expressing sorrow, pain or confusion.

And with that, we can go back and re-contextualize a scene from S1.

The Book of Lamentations in the Bible contains five chapters describing the destruction of Jerusalem by the Babylonians in 587 B.C. after a long siege. Each chapter is a poem from a different viewpoint about this event.

But what do we have in S1E4 instead? We have Crowley with a book of things he helped to build, expressing sorrow and pain at their imminent destruction, and that of the humans and the Earth. He prays to God, asking questions in vain hope of finding answers to his confusion as to why it seems it must all end with such finality.

Jerusalem was destroyed a second time, in 70 C.E. by the Romans. The city was rebuilt, and still stands today, but the Temple of Solomon wasn't, and this is a topic of contention in some beliefs. This also fits in with the theme of Memento mori, "Remember that you die," a reminder that life is brief, and there is a cycle to life and death.

Nonetheless, the Second Coming is connected with a New Jerusalem, a walled garden (a paradise) where those with their names written in the Book of Life will reside, with access to the Tree of Life in the middle.

Within the Walls of The Garden

The bookshop is Aziraphale's modern day re-creation of the Garden of Eden. Within it's walls he has gathered knowledge that he protects, there is a circular "gate" at the entrance, and he's made it a sanctuary for him and Crowley from other supernatural beings, particularly demons.

During S2 we see Crowley spend quite a bit of time inside the bookshop, and more often than not, he has his sunglasses off here.

While we can understand Crowley not wearing his sunglasses around Aziraphale, its perhaps more surprising that he doesn't seem to worried to not wear them around Jim either. He gets into Jim's face, eye to eye, but they don't agree with one another. It takes a lot of questions, from both sides, to turn this around.

The Great Plan

There's the Great Plan, and the Ineffable Plan.

Gabriel would never dream of deviating from the Plan.

At least he didn't, until he said "no" to the second Apocalypse.

Gabriel: Anyway, Armageddon the Sequel, that's a nah.

His own plan went awry when he forgot where he was going.

AZIRAPHALE: Then why did you come to my shop? GABRIEL: I don't know. I just thought I should. You know what it's like when you- when you don't know anything at all, and yet you're totally certain that everything would be better if you were just near one particular person?

And with his memories gone it was time to relearn things from the beginning. Good thing the original teacher from The Beginning was on hand to give some lessons, because we seem to be repeating some things from S1 and the beginning again here.

Right. So who's got a plan? Who's not seeing it this time? Are you actually questioning Crowley's plan, Jim? That's not like you to question plans. Maybe you are finally learning something.

Crowley's other plan was give "Jim" a test, to see if Gabriel was really there. This time Jim was prepared to follow instructions without questions. The gravity of the situation was kind of lost on him, and Crowley had to stop him before it was too late.

Too Early, Too Late

Prophecies are not just about who, what and where, they are also about when.

Crowley makes an angry threat to Jim in reaction to Shax's visit to the bookshop but backs off to enigmatically remark that "it's always too late." There is also the 1827 Resurrectionist minisode, where Crowley stops Aziraphale from healing wee Morag after she is shot with the grave guns, telling him it is too late there, and I think there is even a mention of too late by Shadwell in S1, but I can't remember where (plus Crowley's watch in the book, that has a time-zone in Another Place that is always Too Late.) We are kind-of left hanging here - what is too late? Too late to stop what is already in motion?

Except when its early, and early seems to be associated with destruction as well in the Good Omens AU. We have the examples of Job's house being destroyed, and the arrival of the baby Antichrist, which heralds the destruction of the Earth.

CRAWLEY: Oh. They've started early. Well… Might as well get comfortable. [sniffs wine and pours a glass]

Here, when the Antichrist is delivered in S1E1, Crowley expresses dismay that the time has come so soon.

CROWLEY: "No. Already?"

Could it actually be that the Nopocalypse was too early? And was that why it didn't go to Plan?

The Chosen One

The Antichrist is a sub-trope of The Chosen One tropes, which in itself is prophecy trope. The Chosen One is needed to fulfill the prophecy. We could do a whole line of discussion on how Crowley and Aziraphale then try to subvert this by raising the said Chosen One, only they raised the Wrong One. Instead, I want to point out that Crowley was also a Chosen One. He was chosen to deliver the Antichrist to the satanic nuns on the appointed night. But why? Why didn't Hastur and Ligur just do it?

Ah, you missed that, did you? I don't blame you, and Frances was trying to distract you with a game of three-card monte with the babies as well (and there have been many discussions about that, too!)

This then makes an interesting parallel for Gabriel being the Herald of the first Christ, and Crowley being the Herald for the Anti-Christ. (Or, some meta-ops might even argue, the Second Christ! But that is yet to be determined. How far away is S3 again...?)

The Earth is a Libra

One final prediction, from the very beginning...

Do you recall this seemingly random daily star sign reading from the opening of S1E1?

Most of it makes sense.

A friend is important to you.

uh huh.

Help could come from an unexpected source.

uh huh.

You may be vulnerable to a stomach upset today, so avoid salads.

wot?

I had to kick myself after while on this one, because I was being all smug to myself about catching a quick mention of liver between Madame Tracy and Shadwell at one point, and any mention of a bodily organ is a reference to an emotion and/or virtue. The first thing one must do with deciphering organs is determine whether you are looking at a western or eastern philosophy, as that is most important, but because this is GO we also need too include any biblical influence.

And whoeee - jackpot! There is indeed some symbolism around the stomach in a biblical sense; it is a place of transformation and renewal, where food is broken down and transformed into new energy and the renewing of minds. It emphasizes the need for continual growth and spiritual renewal.

That should ring some bells with you straight away, I would hope.

And the salad? A salad is a mix of different foods together. Foods not separated. (Keep your angels and demons on different sides of the plate, please, no mixing - and don't play with your food!)

[knockyasocksoff2022]

May I Love You - RANPOE Oneshot

FT: Yosano, Dazai, Kenji & Fukuzawa

This is my first time writting anything not an AU for ranpoe, and only my second time in total writting them. Also This is my first time writting Yosano & Dazai interactions in depth, I really like their dynamic and I hope to write more of them.

This is differnet from my usual stuff, it focus less on ranpoe and more on the ADA dynamic, which I love writting.

Thanks to @autumnleaf1111 for reminding me to post this. It's been in my drafts since FOREVER.

Ranpo’s Perspective:

I deduced my boyfriend's– I mean rival’s intentions days and days ago but he’s been working on a new manuscript that I haven’t had time to confront him about it. Ordinarily, I would beat him to the punch but it’s fun watching him be all shy.

A scratching sound from behind me brings my attention back to the office. I’d know that sound anywhere. Karl. My best friend. It’s time.

I turn, and he drops the leather-bound volume in my lap. I start to reach in my pocket but he skitters away before I can give him a treat. How odd! He’s just as much a sweet tooth as I am, is Edgar mad that I haven’t mentioned his recent project? I’d assumed he’d wanted space to work on it.

I open the volume.

It’s blank.

There isn’t a trace of ink or indenting on any of the pages. This is getting more confusing by the second, which is distressing because confusion isn’t something I feel often. Then I spot it.

As soon as I see the note taped to the back, the situation becomes obvious. Ah, Edgar, you managed to stump me for a second! You really are my soulmate.

I start to get up but the amount of effort Edgar must have poured into this, given how shy he is, must have been immense. If he’s asking this of me I really should respect his work.

Already itching to see the book's author, I turn over the last page and read the carefully scrawled note. Edgar’s handwriting can appear at times somewhat messy, almost fevered when his mind is supplying him with ideas much faster than his hand can move. But this note has been written in delicate decadent script, the characters almost taking on the appearance of English cursive as they curve elegantly. He thought about this, most likely writing several drafts until it was perfect.

It reads:

“I’m sorry, I know I should be doing this in person, but I’d be far too embarrassed with all of your colleagues present. I suppose this is what I get for being too impatient to wait until your work hours end. And I’m sure by this point you’ve already deduced my intentions, however, I do wish to do this formally, so if you have any intention of accepting my offer, meet me outside.”

I’d been expecting this, I know I had but I can’t help the way my heartbeat accelerates, pounding in my chest, filling me with butterflies.

I almost knock over Kenji as I run out the door.

Yosano’s Perspective

I’ve never seen Ranpo run before.

Well, I have, but that was when we were about to be murdered. Other than dashing around when he accompanies one of us shopping, his pace is light and even, without a care in the world.

Now he sprints through the office, heading straight for the door. Last I checked there are no new murders he’s been asked to help with. Does he even know where he’s going?

I saw that Racoon, Kyle, I think its name is, drop off a manuscript from the Guild author that comes by often. Did something in the book upset Ranpo that much? And why didn’t Ranpo get sucked into the book after the first page?

I hope we don’t have to go look for him, especially since we’re down four people. Kunikida and Atsushi are out on a reconnaissance mission and it’s the Tanizakis’ day off.

I start down the stairs after him, he doesn’t even turn at my footsteps, and when I get almost out the door I see the raccoon again, and a sleek black car, an American company.

The author is here! I see. That means I should give them some privacy then. I giggle and creep as quietly as I can back up the stairs, so as not to disturb the two men.

Dazai is already standing at the window, looking out over the street below. I go to meet him, still smiling as I think of the detective and the author together.

Dazai looks over at me nodding to the boys below us. Even though they’re older than both Dazai and I, I can’t shake the feeling of watching two teenagers have their first love. Maybe it’s because they’re both so different from others of their age. Maybe it’s because both our pasts have aged Dazai and me so much beyond our physical years.

We’re silent as we watch them share an embrace and then a kiss.

I reach over to the desk and pull the manuscript from the table, a note falls out. My smile only grows as I read it. A love confession, or nearly. Ranpo has a boyfriend now.

Dazai sighs, turning away from the window, back still resting against the sill, looking back to the office. His gaze is fixed on me now, something like a smile on his lips. A smile different from the wide grins he usually flashes, it doesn’t look so painted on. A smile tainted by all he’s been through. Real but fleeting, never wide or bright enough because of a dark, twisted past. I don’t think he minds it, he should, but he doesn’t.

“That makes four of us with partners from opposing organisations” The chuckle that leaves his lips is a twisting hollow sound, not unlike his smile.

“Yeah” is all I can say, trying to ground myself in the calm moment. I force myself to think only of how happy Ranpo looks, the rosy blush dusting his cheeks. If I’m happy for him I can’t be sad for me.

Gentle footsteps echo, Kenji is at the window beside us. He stares at Ranpo and his new boyfriend.

“Wow! Ranpo-san looks so happy, good for him!’ Kenji cheers.

Dazai pats the farmer boy on the head and presses his pointer finger over his lips, shushing him. “How about we keep this between us? After all, this isn’t our secret to tell.” 

Kenji’s eyes widen in realisation and he looks around just to make sure the office is empty as he nods, “Alright, of course, I won’t mention it. You have my word.” 

“Thank you, Kenji-kun.” Dazai’s words are so quiet I almost can’t hear them and from there, silence creeps in, the comfortable kind, the happiness still like a blanket over me even after we turn away from the window.

The warmth of the feeling only dulls when something occurs to me.

“Wait, earlier you mentioned that there are four of us dating those from other organisations, who’s the fourth? Did Atsushi and Akutagawa finally get together?” 

But that would still leave one couple?

“Nope!” The grin is back on Dazai’s face again.

I try to puzzle it out. There’s me and Kaji, Dazai and Chuuya, and now Ranpo and the Guild Author. Who’s the last couple?

Finally, I give up. “Then who?” 

“Not my secret to tell either.” 

I feel the cool steady pressure of someone's gaze on me. There’s only one person who could make you feel that just by looking at you, the only person I’ve ever met who has such an unshakably calm aura—the President.

I turn to greet him, but he’s already walking out.

“Oh, President, where are you going?” I ask because I’m a little embarrassed to be caught just staring out the window and doing nothing during working hours.

He offers a small smile, “Just out. You needn't bother yourself, return to what you were doing. I’ll be gone for the remainder of the day, but should you need me for anything you know where to contact me.”

I watch him go, he’s taking his bag with him. It’s rare for him to leave early, this must be important.

Yukichi’s Perspective

I shake my head as I head out the office door.

Yosano-kun and Dazai-kun have resumed their banter. I listen for a moment.

“Dazai, pleeease!” Yosano-kun drags out the words in hopes of breaking Dazai-kun’s steel resolve.

“Nope!” I can picture that clownish smile of his, so like the look someone I know gets when he’s about to pull something mischievous, only Dazai-kun wears it all the time. As if it was plastered onto his face or he put it on so many times he forgot to take it off or forgot how.

I continue down the stairs, and the last thing I hear is Yosano-kun’s scream: “You little shit!”

I know Dazai-kun won’t reveal the name of the fifth agency member dating someone from another organisation. He’s withstood far more gruesome torture with a smile on his face. Most of the time I can only hope he’ll relax into a life in the light. I wish he would accept that he is truly safe now, but now I’m grateful. If that name were to get out it wouldn't be good for anyone involved

Speaking of couples, I owe a certain surgeon money. 

Oh, my Ranpo, my beloved son, why couldn’t you have waited another month to start dating Poe-san?

(A/N: Even Dazai doesn’t know about Tachizaki)

[literary-illuminati]

Book Review 37 – The Invisible Life of Addie LaRue by V. E. Schwab

I picked this up for my still-somewhat-theoretical bookclub with some friends, and honestly probably wouldn’t have looked at it otherwise. (The only previous work of Schwab I’d read was Vicious which I was, honestly, not particularly impress by.) So chalk one up for book clubs I suppose, because I’m incredibly happy I gave this a try.

The book follows the eponymous Adeline “Addie” LaRue, a peasant girl in late 17th century southern France who, desperately trying to escape marriage and a life limited to one tiny farming village, and just generally being a peasant, makes a deal with the devil. (Or primordial darkness. Or some ancient pagan god she learned about from the old witch living in the woods that comes standard with every peasant village – it’s somewhat vague, and doesn’t really matter regardless. He goes by Luc.) The deal is for her freedom – she will get to live life untethered and according to her own desires, until she is sick of it, and when she is, her soul will be his.

What this means is that she is a) immortal, and eternally 23 years old, and any change to her body reverts in a matter of moments, but also b) incapable of leaving a mark on the world. People literally forget her the moment she is out of their sight, any letters she writes fade before she finishes a word, she is quite literally incapable of saying her own name out loud and has to pick a pseudonym out of the air with each new interaction, and so on. Reality also conspires against her having more than she can carry on her person – stashes are discovered or accidentally destroyed by what seems like random chance.

The book’s divided more or less in half, with a singular narrative in 2014 New York where Addie has a meet cute with Henry – a 28 year old bohemian bookstore clerk whose made his own (much, much worse) deal with the devil, and as a happy unintended consequence is actually able to remember her – being intercut with flashback chapters telling the wider story of Addie’s three-hundred-year life, how she adapted to her blessing/curse and figured out how to have a life of something other than endlessly freezing and starving in Parisian gutters, and her relationships with Luc.

To lay my cards on the table – Henry is charming, and the book’s New York is fun and appealing, but the historical vignettes really do make the book and elevate it a bit beyond pleasant but forgettable fluff. Partially just because the nature of Addie’s anonymous immortality is so specific, the book has a lot of fun with how she learned to navigate and make the most of it. The utter misery she’d been stuck with and endured also grounds (..maybe not the right word, given the immortality, but you know what I mean) the generally pretty fluffy New York narrative a bit.

Also, given how much I loathe the whole ‘death is what makes life meaningful!’ cliche, I really do appreciate that even after spending however long buried in a snowbank in a Parisian slum perpetually one second away from freezing to death, Addie’s reaction to ‘would you make the same deal again?’ is ‘fuck you, I’m immortal!”.

The plot of the present day New York chapters...exists. If mostly as connective tissue for cute dates and descriptions of bars and art shows; this is really overwhelmingly a character piece, and after that the focus is still more on making specific scenes and vignettes vivid more than any sort of overarching drama. Which isn’t any sort of complaint, to be clear – adding action or high stakes politics or a cosmic battle between good and evil or anything else would have ruined this. The fact that the book keeps its stakes limited to a few specific souls is a huge point in its favour.

The novel’s organized around a romance (I mean, a love triangle, technically), though given the ending I’m not sure it technically qualifies for the weirdly specific criteria for a Romance Novel I’ve been yelled out about in the past. It’s not exactly the sort of love story that’s going to set the world on fire, anyway; though Henry was charming and sympathetic and inoffensive enough to effortlessly vault into my top tier of least annoying romance male love interests.

Luc I think I would have absolutely despised if either Addie had ended up buying into his bullshit or if the narration ever really tried to make you sympathize with him. As is, it’s incredibly to read him as actually sincerely falling sincerely in love with Addie at a certain point, and she basically never stops hating him to the point of going all unreliable narrator and always framing his actions as more Machiavellian and monstrous than they are. It’s great.

It’s not exactly surprising how studiously apolitical the book is, but it did still kind of strike me? Given the span of history involved, I mean – the French Revolution and World War One both intrude on the narrative exclusively as ‘bad news Addie gets out of Paris/Europe to evade’. The only active political stance she’s shown as taking in the entire modern era is returning to France during WW2 to be an anti-nazi spy out of a vague sort of patriotism.

On the one hand oh my god a version of this book that went ‘she’s queer and was alive at the time, so obviously Addie would have been at Stonewall’ would have just been, so so bad lol. But the part of me that loves drama and books that get internet hate campaigns dedicated to them does kind of wish the book had done a bit more with what she (immortal 23-year-old early modern bohemian aesthete runaway peasant girl) actually believes or thinks of the world.

Though the book’s restraint on involving historical events vanishes entirely in the cultural sphere – Beethoven makes an appearance, having sold his soul for artistic genius. I don’t mind this too much, honestly; Addie learning that even if she can’t leave a direct mark she can still inspire people and indirectly shape the world that way is a pretty central theme to the whole book, so it more or less fits. When she justifies why she considers her life worth living, the central element is beauty, she lives for songs and fine meals and paintings and books and films. The occasional intrusion of names I recognize just feels like it fits.

Speaking of: quite possibly my favourite bit of the book is how, at the beginning of each part, there’s a page with a sketch and an auctioneer’s description of a different piece of fine art that Addie had inspired over the course of her long life. Nothing much intelligent to say about them specifically, just that I adored the little touches it added.

Unfortunately, the ending of this was the weakest part of it by leaps and bounds. Just – it would have been damn near perfect, if it just ended two chapters before it did! As is, re contextualizing the entire book as an artifact that exists in universe just makes the entire thing make no sense at all (also, my god, can you imagine being Robbie or Henry’s family and reading how you’re portrayed in his ‘novel’?) But even beyond that, it felt like the book had reached a natural, nicely bittersweet ending, and then spent the last ten pages furiously trying to backtrack and make it as unambiguous and upbeat as possible. A damn shame.

Anyway, not a revelatory read or anything, but with that exception very fun and well-put together.

[miloscat]

[Review] Legend of Kay Anniversary (Wii U)

An unremarkable PS2 action-adventure.

After immersing myself in Avatar media for so long I looked around for any other games set in Asia-inspired fantasy worlds but made by Westerners. This let me knock one off my Wii U backlog, the 2015 remaster of the 2005 PS2 game Legend of Kay. Neon Software, the German studio behind the original game, are known to me for their Amiga Sonic clone Mr. Nutz: Hoppin' Mad, and it's somewhat fitting that their final game before closure was this other furry platformer. Some of the Neon cofounders went on to form Keen Games, which seems to have morphed into a new Kaiko... the original Kaiko being the company that the Mr. Nutz Hoppin' Mad team left to form Neon in the first place! Who knows how long they'll survive now under the aegis of the troubled and layoff-happy Embracer, but it's been four years since their last remaster...

Anyway, this game is a sort of 3D Zelda-like-slash-3D platformer filled with anthropomorphic animal characters, which as a Rare fan sounds up my alley. Comparing it to Starfox Adventures may be a little generous though: this is very much a B-tier PS2 action game, and a graphical revamp for new generation consoles can't magically fix the mediocrity.

To get the plot out of the way: it's extremely Normal. Kay is a "plucky" (read: obnoxious) protagonist, using his martial arts training to fight back against the occupation of his cat village by evil gorillas and rats. He travels his island to settlements of rabbits, frogs, and pandas to free them from oppression. I think it's telling that there are no credits given for story or writing; anything story-related is constantly undermined by overly shallow characterisations, completely functional video game progression (go here to get key to open door to go there etc.), and the most brain-dead "banter". For example, Kay thinks the height of action hero quips is to call a rat "cheese-breath" about a hundred times.

The latter issue is not helped by some misguided voice acting choices. It's a fully voiced game but you'll wish it wasn't with Kay's bland sarcastic schtick and almost every other character uncomfortably presenting as a borderline racist caricature. Mostly it's white people doing faux-"Asian" accents, although apparently crocodiles are Eastern European and frogs are... Jamaican, for some reason? I was glad to find a setting that let me skip any dialogue scene with a quick tap of X, because there's no other way to speed up the tedious exposition and pointless back-and-forth when you meet enemy groups.

There's only a handful of what you might call "puzzles", and the platforming ranges from "not bad" to "OK", serviceable but doesn't excel. The biggest strength and biggest weakness of the game is its combat, which is pretty involved. You can swap between three weapons which have different attributes, you often have to get around enemy blocks so there's a Wind Waker-style roll around move to hit their back, but you can also zip between targets during a combo, or use rolling, crouching, or jump attacks. You can carry up to 5 usable items which sometimes are used to explore but you have to rely on them for combat encounters late in the game when they start throwing waves at you with hordes of armoured enemies. When the difficulty spikes like this, it all just becomes too much and goes from an exercise in creatively using moves to keep your combo up to a struggle to survive (and if you die, you lose any consumables you used in your last attempt, also there's a lives system for some reason??).

I said combat might be the game's strength and it was clearly a focus of the project, but I had the most fun exploring the little worlds. There's lots of goodies to collect, mostly in the form of chests and pots containing money. You quickly end up with more than you'll ever spend but I still liked finding it. The point multiplier mechanic may seem superfluous but when you get accustomed to the flow of the platforming sections, grabbing coloured crystals to keep this combo going to make your fights and coins worth more points becomes addictive. The level design may be nothing special but the zones you traverse have some character to them.

It should be noted that this is a semi-linear game, in that the levels are mostly open to explore with events and sub-dungeons within them, but you progress from one field to the next with no way to go back. This bit me on more than one occasion when I blundered into the story trigger to move on before turning in one of the rare sidequests or going down a side path to find a health extension, making it permanently missable. This frustration prompted me to occasionally consult a Gamefaqs guide with maps during each subsequent chapter. The game does give you a minimap in the corner of the screen but it can't be expanded to a full map so it's less useful than it could be.

Legend of Kay would have felt middling even at release but rereleasing it just makes its deficiencies even more obvious. It's still got some charm for being "of that era" (I was often reminded of The Hobbit's action-adventure game from the same generation, but with fewer instant death pits), so I got some enjoyment from it. And it has some ideas that work, like the acrobatic combat and combo system. While some of the environments look nice there were just as many drab areas, and the repeated character model reuse got old. Oh, and sometimes you ride an animal and it's not fun. On the whole, I can't recommend this one... even if you ignore the cringey cultural stereotypes!!

[dipplinduo]

I love your writing style so much!! Do you have any tips for new fic writers?

Awww, thank you so much!! <3

I feel like there's a ton of things I could say, but I'll boil down what has helped me most to keep in mind, and I'll throw in some examples from the fic to better illustrate what I'm trying to say:

Remember that you're essentially helping the reader paint an image in their head - especially with action and scenery. If you have something specific you want to convey, assume your reader has no idea what the image in your head is and put that detail in. I do that a lot with Kieran/Juliana physical interactions.

If you're writing in a character's POV, remember that you're writing in their perspective. Their perceptions and thoughts are going to be limited and colored by their own judgement (all narrators are unreliable in their own ways!!) Sometimes another way to bring a deeper connection to your character's POV is to describe things the audience already knows if it's new to the character (e.g. a recent example I have done of this in S&S D is by spending time describing Chargestone Cavern. I know the readers are familiar with it, but it was Juliana's first time experiencing it. It also showed how beaten down she was from her sickness because her scenery utterly floored her once she did register where she was. Meanwhile, Kieran is unfazed since it's more of a familiar environment & he's more numb to what's around him in general, so we don't get any of that romanticized language or much acknowledgement about the scenery at all from his POV.)

On a similar note in the unreliable narrator category: if there's something you want to convey to the audience only from a character's limited POV, make the detail suggestive enough for the character to note, but not suggestive enough to the character for them to give it much thought (i.e., maybe it happened to quickly, maybe the character doesn't know something important that is already established, maybe the character makes an incorrect judgement call, etc.) Recent examples I've done of this include Drayton kicking Crispin under the table to go along with his setup of getting Juliana to call Kieran "Kiki" (Juliana was somewhat skeptical, but didn't give it too much thought) and the end scene of Chapter 6 when Kieran encountered Ms. Briar (since Kieran was literally compromised, we only get the snippets he was mentally present for. Kieran has already been established as having a debatable visual perception given what's going on with him, and the specific detail about Ms. Briar not being around when he awoke on a Saturday in an empty office hallway was deliberately designed to rile up the audience and call for speculation. Was she really there, and left? Was she never there at all? Giving your readers the chance to theorize and make sense of breadcrumbs can give your fic more momentum and make it more enticing. Your audience will have a reason to want to continue to the next chapter because they want to know what happens! And this can also apply to fluff, btw.)

On a related, personal bias and perhaps somewhat diabolical note: I also think some of the best storytelling is a bit of a give and take. Give your audiences the expected satisfying wins at times, but also don't be afraid to cop them out and take them somewhere else than they're expecting to make a stronger or more impactful point. I love doing this (sorry not sorry ;D) - whether to make a moment more cute than you'd expect or to pull at heartstrings and create more emotional investment for a character (e.g. there was a reason we got the Kieran/Sweet Applin moment right before...welp, rather than at any other part of thus far). Mostly because I think it's a more fun emotional journey as a reader!

If your character is experiencing an emotion, don't just tell the reader that they are. Describe how that emotion manifests in them to the degree of its intensity, and remember that emotional experiences are often somatic and can look different from character to character. One technique I use to further emphasize this is to use certain diction depending on the narrator (i.e. the language used to depict Kieran's experiences of embarrassment has some differences compared to how Juliana's is described when she feels it; that being said there is deliberate overlap I put in from time to time in the way they think to show some of their likeness.)

Make sure you're having fun and writing things you're feeling passionate about! I, for one, have enjoyed doing this via interactions with readers & the community. Receiving feedback and hearing about what my audience is thinking is very helpful in both constructive and brainstorming kind of ways, and some of my favorite moments have been built around learning more about my audience/having a sense of what should be improved or expanded on. That being said, it's also important to stick to what you know you want to stick to if it's something you're confident about - even if it's different than what people might be expecting or hoping for. At the end of the day you are the writer and this is your story. You always get the final say-so. I also tend to keep this integrity in tack by limiting my awareness of what other fic writers are doing with related ideas so I don't feel unconsciously influenced in any way when I'm actively writing (I very much dislike doing this, but feel it helps me).

Wishing you the best luck in writing!! And happy to talk one on one, too. I'm no expert by any means - writing is more of a hobby and this is just some things I've learned along the way. I always appreciate learning from others too and I guarantee you that you have your own natural instincts that will be great insight for me and many others!!! <3

[superworldunkown]

Comfort Dating Headcannons

AN: Needed a break from a larger fic I am writing and I wanted some comfort/fluff. Like, Reblog, and enjoy!

Todoroki:

He messages you the morning of your date saying he was en route to the hospital and had to cancel. Upon getting curious and genuinely checking in for his health, he responds with “I wasn’t feeling well this morning and Denki said I had butterflies in my stomach. I dont know when that could have happened but I think its important that I head to the hospital and get them taken out.” After several message exchanges and a 5 minute phone call, you two do end up going on your date and Todoroki learns another important message in the value of expressions

Everything you say or recommend is the word of the gods to him. You casually mentioned that you just read a really good book from your favorite author that he may also like and two weeks later he comes up to you saying that he finished the book and did indeed like it (although he has several questions about character growth and decisions he must ask you). When you are shocked he took your recommendation he responds with “I take all of your recommendations seriously. I like knowing what you like and why”

It’ll be work but MARRY THIS MAN

Bakugou:

I value everyone’s opinion but I am still convinced with my whole heart that despite this man looking and almost acting exactly like his mother, I think he takes after his father’s side when it comes to interpersonal relationships, and dating in general. Sure, he’s determined and a get-it-done type of person, much like Mitsuki. However he gets so fixated on getting it perfect and right that he ends up stalemating himself when it comes to asking you out. This time he was going to do it. He plotted the perfect date, down to the weather patterns. And after screaming “Just do it, Nerd!” To himself in his head he launch himself off the couch and stalks over to your direction at the table. However, panic strikes again when you lift your eyes from your laptop and pierce him right in the heart. The ‘perfect proposal’ ends up being a jumbled mess of “Hey, Y/N! Do you want to…fuck - no not that I mean- shit, what I’m trying to say is…DAMNIT NEVERMIND!” And a small explosion just because its him and he storms off. You end up texting him and after careful and dedicating prodding to not further bruise his already tainted ego he does ‘kinda’ get it out that he wants to spend time with you outside of the normal circumstances. And yes, the weather was absolutely perfect when you two did go out together

Much like his father to his mother, to him, you are the sun. He’s just the lucky planet that gets to revolve around you. He spent most of his life only focusing on being the number one hero and nothing else. When that shifts to ‘be Y/Ns number one’, ho-my, be ready. It’s about to be the most chaotic but best ride of your life!

His love for you is somewhat disjointed. While he has the best intentions to adore and love you, his past trauma and old habits sometimes make their way into your relationship.

Midoriya

Would 100% bring his notebook to your first date and try to secretly jot down things he hears about what you like doing or how bits about you so he can remember them for future dates and presents. Of course you catch him and while at first its absolutely creeps you out, you realize that he has a notebook for all his friends with all the stuff they like doing or cool things about them. It’s pure

He is the absolute best person to come to when you are sad or in need of support. He’s patient and he’s such a good listener.

He’s awkward AF and swings passionately through emotions, however he will casually drop the best one liner affirmations or compliments. Like bro, you’re nervous to hold Y/Ns hand but then you just randomly say “Don’t be nervous Y/N, I believe with my whole heart you’ll do your best and everyone will see what a star you are.”

That’s all for now. Let me know if you want more.

[usuratongaychi]

On Sakura

I hated sakura so much when watching the show, yet when you list out her achievements it DOES LOOK LIKE SHE IS USEFUL, so why when actually watching the show does all of that disappear? Why is she so hated in the fandom?

(Ignoring the fact that this is a shounen based anime, where the main fanbase is a bunch of misogynistic men)

From a writing standpoint, kishimoto doesn't have the best outlook on women. In my personal opinion, I really dislike how women are portrayed in the series. A lot of it falls under the “nagging wife” archetype, which just reminds me a lot of those old boomer jokes abt hating women or hating their wife.

Also, when i talk about disliking sakura, I’m not talking about her in the OG. I mean, she was 12-13 then, and most 12yr olds are annoying. Comparatively to Naruto and Sasuke, she lived a pretty privileged life, so I think her attitude was justified. Both Naruto and Sasuke had their…moments…as well.

I think in a lot of the filler, they trump up her personality to the point where its annoying, similarly with naruto but bc hes male and also a mega idiot already, it isnt talked about. Filler isnt present in the manga, so manga readers tend to appreciate her more.

here is where i get a little biased..

Comparatively to naruto and sasuke’s connection (they are literally soulmates, platonically or romantically), her romance with sasuke is so flat and one dimensional. Shounen in general as a genre focuses so much on male characters development. It honestly feels like their romance was hastily thrown together at the end of the series. This makes her devotion to him seem shallow and vain.

(This next part is only really applicable to shippuden and somewhat in the OG series i dont really expect a 13yr old with no jutsu to be the best fighter)

I feel like the series intentionally makes her, and really every woman character weaker in terms of endurance (besides Tsunade). Like it feels like the writers say "thats enough fighting for a girl, make her get knocked out" 20secs into a fight. I remember watching her battle with Sasori and being so excited for her to be a badass in shippuden..only for a bunch of episodes to pass and not really getting that same feeling again. To be fair, I wonder if i would have felt the same if I skipped filler episodes. Regardless, I think she could have been more involved in combat, I would have loved to see that from her. “But she’s a healer!!” she can fight also, doesn’t she do that in Boruto? She can do both.

I also think the studio fucks her over a LOT. Theres a few other moments of her in the anime saying some pretty outrageous things, one of them being “I wish i had parents I could respect a bit more, I’d be better off without them….Why’d you have to be here now? If it was Sasuke, I know he would understand”, to an orphan, which is wild as fuck. I can’t remember if that episode was filler or not, but some of the lines they give her are just outright insane. I can’t think of a sane character that would say that.

In conclusion to this essay of a post..

Fuck The Writers.