#its the fan fiction side episodes

[leikeliscomet]

(Reposting from twitter)

My POV as a Black fan that thinks Dot and Bubble's racism commentary is trash

Rewatched Dot and Bubble and I'm gonna break down from my POV as a Black fan why this episode didn't work for me & why it's an awful racism commentary. Long arse post incoming:

The whole "You should've noticed the cast was all white except for fifteen ha your bias is showing" doesn't work for a show that's been predominantly white for 60+ years. D&B casting has been the default for most of the show so its not abnormal enough to be a racial litmus test. An example is the Matt Smith era The only reoccurring character of colour in s5 (2+ appearances) is Liz 10. Artie n Angie in s7. 0 in s6. RTD's own era isn't fully safe either. For many eps Martha or Mickey are the *only* Black characters. Most POC are side characters or extras.

White fans should be aware of the predominantly white casting of the show but this late in the game feels cheap. Most of the show has gone through 100% white episodes including fan faves and it was never an issue back then bc it was beneficial. This is so hollow. Representing racists as cartoon caricatures SEVERLY underestimates the danger of white supremacy irl. White supremacy is system designed and constructed and rebranded over centuries. It is not accidental. People aren't racist bc they don't know they're racist because they *do* They know the system that oppresses POC, Black people especially, benefits them socially and financially and that is why they participate. Its not stupidity it's intention. That should've been the Finetime core not Lindy goofing around bc the arrows are gone or some shit.

Human Nature showed us racist young people that exercised this power bc they knew this. They may be children but they are still dangerous bc of their views. Martha knew this. The silly tech obsessed gen z angle erases this danger and that of actual gen z white supremacy

Instead of the camp goofy tone we could've gotten a serious focused episode. The slugs and millenial/gen z social media silly distracts from what could've been the main theme of colonisation instead of saving it for 10 mins of exposition at the end & scattering microaggressions. Saving Fifteen's racism scene for a goofy episode was a horrid idea. Spending 30 mins on representing racism as silliness then giving a dramatic dangerous score is the definition of tonal whiplash. Representing his oppressor as a blonde bimbo again does not take this seriously. Fifteen went to 1960s BRITAIN & got through it unscathed. Finetime is a fictional futuristic land but the racism of 1960s Britain was real. If anytime was right it could've been Devil's Chord. Distancing yourself from a panto villain is easy but addressing your history is hard.

The scene itself is incredibly performed so I'll give Ncuti his flowers but what he used this skill for could've been so much more. Having his FIRST SCENE begging to save a racist is disgusting. It isn't Black people's responsibility to show compassion to people that want us dead. Yes the Doctor helps the baddies bc they care. But they're aren't ignorant to prejudice. The liberal anti racism of who is so jarring and why I still think Thin Ice is performative. When white people are angry at injustice it's radical. When it's Black people we're aggressive.

Respectability politics is a tool of white supremacy. That if one pleads and is nice enough they can earn liberation. What would white fans think of Fifteen if he DIDN'T beg Lindy? If your allyship with Black people depends on showing kindness to racists you are NOT an ally.

Next up is Ricky. It was established ALL Finetime citizens have white supremacist views yet Ricky September stans refuse to see him in any negative light. Just like Joan Redfern white dw fans refuse to see racism if a character is likeable. If nice guy Ricky's a racist, then anyone no matter the niceness can be racist too and that's a pill white fans aren't ready to swallow. If racism is systemic and not about individual character, then what's keeping them safe? What happens when YOU are under the microscope.

THIS is why we NEED Black writers in Doctor Who. The nuances, depth and complexity of the Black experience can only be told at it's best by Black creatives and not guessed, assumed or spoken over by white fans and white writers. It's okay to put ego aside and say you don't get it.

"Im white but I loved the Doctor's reaction" "I'm white and i thought the racism commentary was great" "I'm white but i-" Yet again, we have to sit through another round of white and non Black fans of colour dictating Black representation for us. I'm so fucking tired man. AGAIN IM YELLING FROM MY HILLTOP TO WATCH SHOWS BY BLACK WRITERS. Almost EVERY single theme in Dot and Bubble and frankly most of the show has been done WAY better in other media. RTD is not the authority on Black stories. We are. Always have been and always will.

Tl;dr Dot and Bubble is an unserious and tacky racism commentary. It's core message is drowned by more RTD Who camp. Don't tell me this episode was good at representating my own experience. It wasn't. S15 having Black writers isn't a need it's a must. Goodbye.

Reblog this version pls

[reiding-writing]

Heyy i was wondering if i could have a workshop session? Also congrats on reaching 2k i literally lovee your posts.

So i had this idea about early season spencer and a movie director reader, so basically sorta like the episode with lila archer except reader is really famous and makes mostly sci-fi movies or something spencer would watch, and someone on her set is a witness for a crime or connected to one and now that they dissapeared the BAU sent spencer and maybe derek to ask reader about what they know. But spencer is lowkey kind of silently fan girling lmao like when he first met rossi. I hope this idea isn't too cringe but its just something i thought of, and also its like 3am so my brain isn't functioning properly. Anyways thank yeww

STARstruck — SPENCER REID!

Spencer is a nerd who appreciates accurate scientific knowledge in the media he consumes, and you, are his literal idol in that aspect.

s1!spencer x fem!director!reader | 1.2k | fluff | 2k book fayre !!

a/n — this idea is so cute bro i love it

main masterlist. | event masterlist.

The late afternoon sun filtered through the towering glass windows of the Hollywood studio, casting a golden glow over the sleek set design.

Cameras, lighting rigs, and intricate models of spaceships and futuristic cities filled the massive room, the scent of freshly brewed coffee and slightly burnt popcorn lingered in the air.

Spencer took a deep breath as he stepped onto the set, eyes wide with a mix of awe and nervous excitement.

“You okay, pretty boy?” Morgan smirked as he nudged Spencer in the arm. “You look like you’re about to pass out.”

Spencer quickly adjusted the messenger bag on his shoulder, fiddling with the leather strap. “I’m fine,” He mumbled, although his gaze kept drifting toward the bustling crew members setting up for the next scene.

It wasn’t just the high-tech equipment that caught his attention; it was the fact that you was somewhere on this set. A literal legend in the movie world who had created some of Spencer's favourite films, the mind behind the intricate worlds he had spent years analysing and rewatching.

Not just a famous director, but one of the most influential minds in science fiction cinema, with a literal PhD in theoretical astrophysics, your movies weren’t just blockbusters—they were intellectually stimulating.

Films layered with complex theories of time travel, quantum physics, and human evolution. Spencer had spent hours after screenings debating the logic behind your plot twists, tracing your influences back to classic literature and obscure scientific studies.

He might have even written a paper about your work for one of his side projects.

Maybe.

“Alright, fanboy, whatever you say,” Morgan chuckled, clearly noticing the star-struck look on Spencer’s face. “We’re here for business, remember? We need to talk to her about the missing witness.”

Right. The reason they were actually here. One of the set designers from your latest film had disappeared. They had been linked to a crime scene across town, and now the BAU was trying to piece together their whereabouts.

As the two made their way past towering green screens and actors in elaborate futuristic costumes, Spencer’s heart rate quickened. There you were, standing near the director's chair, deep in conversation with a producer.

Morgan was the one to actually call your attention, flashing his FBI badge. “Excuse me, Doctor, I’m Agent Derek Morgan, and this is Dr. Spencer Reid, we’re with the FBI.”

Your eyes widen momentarily, before settling in understanding. “Pleasure to meet you both,” You motion for the two to follow you away from the busy set for the impending conversation.

Spencer tried to find his voice, but it was like his brain had short-circuited the moment you looked at him. The woman who had crafted entire galaxies and explored the intricacies of human consciousness in film now actually knew he existed.

“I—uh—” He stammered, glancing at the wall behind you before meeting your eyes. “I just wanted to say I’ve been a huge fan of your work for years. Your understanding of nonlinear time theory in Chrono Rift was... incredible—”

Morgan’s grin widened, and Spencer could feel his cheeks burning. He was not making a good first impression.

You, however, smiled warmly, your expression softening. “Thank you, Dr. Reid. It’s always nice to meet someone who appreciates the science behind the ‘science-fiction’.”

The way his eyes seem to soften in the wake of your thanks is endearing, matched with a pink flush to behind his glasses he attempts to brush a stubborn lick of hair from his eye.

It’s a natural attractiveness, one that’s sweet and a little awkward.

“But I assume you didn’t come here just to talk about quantum mechanics?”

Spencer cleared his throat, refocusing on the case. “Right, yes uh— We’re trying to locate one of your set designers, Adrian Moss. We believe they may have been involved with a recent crime, and they disappeared shortly after. Did Adrian mention anything unusual to you? Anyone they seemed nervous around?”

Your brows furrowed slightly in concern. “Adrian? No, they seemed fine. A little… distracted maybe, but I thought it was just the stress of the shoot. I had no idea they were involved in anything criminal.”

Morgan took over to save himself the second-hand embarrassment of Spencer’s stammering, smoothly steering the conversation. “Is there anyone on set Adrian might’ve had conflicts with? Or someone who seemed to be paying them too much attention?”

You paused, considering the question. “Not that I can think of, but I can ask around. The crew is like a family you know? People talk— if Adrian was in trouble, someone will have noticed.”

As the conversation continued, Spencer slowly found his footing again, chiming in with more questions about Adrian’s behavior and their role on set. But every now and then, his mind drifted to the fact that he was standing in the presence of one of his idols. And not only were you brilliant, but you were also kind.

After wrapping up their questions, you pulled out a small business card, handing it towards Morgan. “If you need anything else, please don’t hesitate to give me a call. I’ll make sure the crew knows to cooperate fully with your investigation,”

Morgan pocketed the card with a small nod. “Thanks for your help. We’ll be in touch.”

As they turned to leave, you called out, “Oh, Dr. Reid?”

Spencer froze, turning back to face you. He genuinely felt like he might explode.

“If you ever want to debate time travel paradoxes or poke holes in my logic, I’d be happy to grab a coffee sometime.”

Spencer’s brain went blank for a second, and all he managed was a stunned, “Uh, yeah! I mean—yes, that sounds great.”

With a smile, you waved them off, returning to your work.

As soon as they were out of earshot, Derek clapped Spencer on the back, laughing. “I’ve never seen you like this, man. Fanboying over a director? That’s a new one.”

Spencer gave him a sheepish grin, although not one that tries to dispel his accusation. “She’s not just a director, Morgan. She’s a genius.”

“Well, genius, genius or not, you might actually have a shot there. But let’s focus on finding this missing designer before you start planning your first date.”

Spencer chuckled, still a little dazed but ready to get back to work. He couldn’t help but feel that, no matter how this case turned out, his emotional outcome was going to be a net positive.

[shsl-roomba]

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YOU ARE LITERALLY WHO I’M TALKING ABOUT HERE

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WHAT THE FUCK

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why can’t reserve course and main course just get along :(

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haiii!!! :3 our warrior cats animated series featuring our ocs “the rise of despairstar” has its first episode out now :3!!! Drawn primarily by @birdskinhater and voice acted by @totezadorbz, we’d like to say thank you to @junko-enoshima-official for helping give our project more recognyation!! :3333

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#omgggg this slayed #not to be a warrior cats fan or anything but i TOTALLY LOVE despairstar she serves CUNT you with me she serves CUNT

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Getting brain surgery tmrw hope it goes well

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Clarification- our school has NOT taken part in any unsanctioned lobotomies. Such behaviour is abhorrent and we recommend that any reports of it are to be reported immediately.

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Finished my junko enoshima callout doc, you can find it here

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Playing this cool horror game… there’s “punishment” if you failed a task and there was this one were we had to go through all these traps and eventually got impaled… god it looked painful i would definitely not like to be in that game

#it was so sad too? Like we got a little bit of hope and then it got quenched out :( #i HATE the evil teacher btw how dare she betray us

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[absolutebl]

This Week in BL - I'm having a GREAT time

Organized, in each category, with ones I'm enjoying most at the top.

Aug 2024 Week 5

Ongoing Series - Thai

Monster Next Door (Thai Thurs Gaga ) eps 7-8 of 12 - I do love these 2 a lot. It’s such a slow burn sweet comforting quiet little romance. It’s not complicated, it’s not stretching my thoughts or imagination, but it is easy and absorbing. I'm entertained by it without being taxed. And sometimes that’s nice. It's what Thailand does best.

Addicted Heroin (Thai Tues WeTV) ep 3 of 10 - Oh I’m still enjoying it. It’s only episode three and they’re basically boyfriend’s palling around shopping together and hanging out on a bicycle. What’s not to love? Also he got to meet the in-laws. Well… eventual in-laws. Also the girlfriend character. I totally forgot about her. Good times.

Sunset X Vibes (Sat iQIYI) ep 12fin - Baby faints. Bad guys caught and beat up a bit. Lots of romantic moments, come checking in with ALL the sides, and it ends.

Summary?

Classic CEO meets ingenue archetypes make for a somewhat banal and simplistic romance. This could’ve come from an 80s Harlequin, except that they’re gay. It's... old fashioned. There was nothing meta about this, there was no subversion or commentary on anything BL, queer, or beyond. It’s just a straight up (okay not straight) romance. I was not wild about these characters for this particular pair, but that’s not the pair's fault, they did a decent job with their parts and I look forward to their next show - here’s hoping it’s a bit more meaty. I preferred the side couple because they were more complex and true to BL archetypes, even if they were also a bit miss-handled. A serviceable show if somewhat lacking in its convictions, but with some beautiful sex scenes, people, and fashion. I was a particular fan of Lin‘s gender bending femme style. It’s groundbreaking to see that aesthetic on one of the leads. There were multiple times they could’ve leaned into well established plot points, paranormal elements, and character tension, and instead just glossed over them.

This should probably get a 7/10, but I’m giving it an 8 because of that one oppa line at the beginning, Tenon's tatas, and the call back to Big Dragon with that iconic musical refrain in the final episode. It was a pretty fun ride, emphasis on pretty and ride. 

Battle of the Writers (Sun YT) ep 5 of 12 - Lots of kissing this episode. And lots of different kinds of kissing from the same two actors in various different forms and characters. I really liked it. It’s nice to see that this pair can mix it up a little bit, even if it's just with their lips.

I Saw You in My Dream (Weds Gaga) ep 7 of 12 - OK the leg care massage was so boyfriend I can’t even. Who are they trying to fool? I love the way Ing always knows exactly what is going on. Thank goodness for that confession! I’m very much looking forward to the next episode.

(The socratic method, is it?)

The Trainee (Sun YouTube) ep 9 of 12 - Still couldn’t care less about the hets. Yawn. Ah Jane’s ex shows up. (Is that Green? Hi baby!) Meanwhile, Jane gets worried and jealous. I loved Pah in this ep, and almost wish this were a show just about him. Like a grown-up Green Fictions. (Where tf did Poon COME from allasudden? He’s a killer actor. GMMTV better use him wisely.) Also, in that scene with Pat and P’Jo, they’re eating some of my favorite food. I got a little bit of linguistic negotiation with Khun Par Phi. Cuteness. And we end with some actual communication. Yay!!! It’s kind of hilarious to see OffGun in a tentative hug. I don’t think they’ve been that way for a years.

In fact, this whole episode was pretty much about communicating properly between ages and ranks within an office and social structure. I loved that. I’m liking this one more this week. It’s still not my favorite currently airing, but I think that mostly has to do with how much other good stuff is on right now.

SPEAKING OF...

Ongoing Series - Not Thai

The On1y One (Taiwan Thurs Gaga) eps 3-4 of 12 - Uh huh, a game of one-up-man-ship is it? I think not. That boy wants to jump his cute stepbrother’s bones so bad that big brain of his is starting to melt. I'm here for it. Also, said sunshine cutie is clearly a big old cock tease. Everybody is happy about this. They sure know how to end these episodes on cliffhangers too. I don’t know how I’m gonna wait until next week.

I’m legit mad about how fucking good this is. After Unknown too?! Taiwan is spoiling us this year and THEY SHOULD HAVE BEEN DOING IT ALL ALONG.

Sugar Dog Life (Japan Sun grey) ep 3-4 of 10 - Oh my goodness do I love this show. It makes me laugh, I adore the premise, I'm wild over the characters, and the acting is killer. I’m just really happy about this show, OK? I tend to sing and clap: Oh they so cute.

Baby got his first crush and he has no idea what to do about it. I ADORE how angry he is about it. Like... How dare I even consider falling in love with somebody? How annoying of me. It’s great. I even liked the girl in the confession and how cool and sweet they both were to each other over his rejection. Bang up job. This is fantastic BL of the newer modern style. (As contrasted to On1y)

These top two shows are neck and neck for best of the week, for entirely different reasons. But I love all my sons.

Speaking of...

Cosmetic Playlover (Japan Tues Gaga) eps 7-8 fin - Oh it’s so adorable with the drama and the little subordinate coming to their rescue, and them meeting each other’s family. "I want to become someone who is essential in your life" = peak romance.

Summation?

I loved this little show. It was a classic office BL about the older workaholic who loves his job and the younger upstart who unexpectedly loves his boss. It’s a hyung romance where everybody is extremely earnest and sweet and pretty about everything. Except our seme, who is slightly unhinged and a little obsessed in all the ways one likes best from Japan. Plus the kisses were good! I can’t ask for anything more, utterly charming unexpected gem of a show. What a great time! 9/10

I Hear the Sunspot AKA Hidamari ga Kikoeru (Japan Weds Gaga) ep 11 of 12 - The lack of communication between these 2 may actually drive me insane. But I still love them. Such a sad ep. 

Seoul Blues (Korea Fri? YouTube) ep 3 of 8 - Argh but also oooooo. I bet the uncut version was fantastic this week.

First Note Of Love (Taiwan Mon Gaga) eps 5-6 of 12 - I'm starting to like this better. I’m still not convinced, but I did enjoy watching it this week. I’m getting some chemistry off the leads. Admittedly. that’s because they both behave like 16-year-olds. Surprise MosBank cameo - looking handsome as ever, boys. (Honestly, Taiwan really wants that King of the Cameos crown.) And FINALLY our side couple. I’m looking forward to next week primarily because of them. And I don’t even have them yet!

Takara's Treasure AKA Takara No Vidro (Japan Mon Gaga) ep 9 of 10 - OK the lap cuddle was v cute. As was the handholding. But hiking with a metal griddle? Insanity. Might be the craziest thing in a BL this year. And The Sign aired this year. Meanwhile, not a dead fish kiss! Yay! 

It's airing but...

4 Minutes (Sat Gaga) eps 1-6 of 8 - Gaga picked this one up so we can watch it there. I'm waiting until the end, it seems angsty and confusing and full of awful people being awful. But also... high heat and I'm shallow. So we shall see which devil wins (and how it ends).

In case you missed it

Meet You at the Blossom (China) - I'm eating crow, binging the fucker, and live blogging. It's just taking me some time. This isn't really a bingable show, not for me anyway. It's A LOT to take all at once.

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Coming SEPTEMBER 2024:

9/? The Time of Fever (Korea iQIYI) 6 eps - HoTae & DongHee are back! Side couple from Unintentional Love Story, same actors, same character names I an WILD for this.

9/1 Live in Love (Thai Sun Gaga) 5 eps - Short series featuring and online romance turning IRL.

9/3 Happy of the End (Japan Tues Gaga) - Based on a manga, longer than usual run time. A boy is disowned for being gay, dumped by his boyfriend, and ends up in a dysfunctional co-dependant relationship with his would-be kidnapper. We were due for another messy JBL. Here it is!

9/6 Kidnap (Thai Friday GMMTV YouTube) 12 eps - Ohm Pawat is back for Frigays it's gonna be a blast.

9/7 The Hidden Moon (Thai Sat ????) 10 eps - This is a supernatural romance (my ghost boyfriend trope) ‘เดือนพราง’ by Violet Rain (I Feel You Linger)... A Bangkok writer is hired to write an article about an old mansion in Chiang Mai which is being converted into a café. He gets into an accident and nearly dies on his way there. After that, he sees the ghosts of people who died at the mansion, one boy catches his attention. Was substantially recast.

9/9 Jack & Joker (Thai Mon IQIYI) 12 eps? - Be gay YinWar, do crimes. Dehup gives us Yin, War, Mark and a few other familiar faces in a Leverage sitch, only queerer.

9/14 Love Sick 2024 (Thai Sat ????) ?? eps - Remake of the original. I'm scared too.

9/15 Bad Guy My Boss (Thai Sun Gaga) 10 eps - Assistant to a player boss who is in love with that boss decides to quit to save himself. The boss then makes a move. (A gay What's up with Secretary Kim?)

9/17 Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 10 eps - Lawyer and a con artist meet at a bar, pair up, fall in love.

9/28 Teenager Judge (Vietnam Sat YouTube) ?? eps - oh I don't know just Ba Vinh doing his thing with pretty boys again.

Adventures in miss-captions

(been a while since we had one of these)

SNICKER "nail you" and a "nail you down" = completely different things. But this being Japan they might have met either or both. (Cosmetic)

THIS WEEK’S BEST MOMENTS

Why yes, you do have the prettiest lips in the biz. No need to tease us like that. (Battle)

(Last week)

Streaming services are listed by how I (usually) watch, which is with a USA based IP, and often offset by a day because time zones are a pain.

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many tags.

[sweatervest-obsessed]

Something Old, Something New

Spencer Reid used to know everything about Y/N Y/L/N. But what happens when ten years after they last saw each other, they just so happen to bump into one another.

Pairing: Spencer Reid x Fem!Reader

Word Count: ~2.7k

TW: Brief mentions of domestic violence, the slightest implications of DV, mentions of guns, Spencer hating JJ, colorful language.

Notes: This is my first ever fan fiction and so I’d absolutely love some feedback! I really want to expand this into either a full sized fic, or a series. Would anyone be interested in that ???? This takes place during S7E1 in which the team is on Trial because of their actions with Ian Doyle, Declan Doyle, and the others. One of my fav Reid episodes, and just a good one overall. Side note, it’s barely edited, apologies in advance. 

GIF not mine.

::::::::::::::::::::::::::::::::::::::::::::::

“If you want to punish me for taking a risk, then I encourage you to do that, but do not put the rest of my team on trial for something I suggested.” The words flew out of his mouth. Some might think it was because he wasn’t thinking clearly. But he was. Senator Cramer was not amused. “Calm down Agent.”

“This is calm, and it’s doctor.”

“That’s all then, Doctor Reid.”  

“Thank you, Senator.” His chair scraped across the floor as he stood up. Spencer turned around and exited the jury room, door slamming behind him.

The team all stared as he stalked past them, and out towards the bathroom. JJ started to follow him before Derek put his hand up in front of her.

“Derek–”

“Let him go JJ.”

She sighed before turning around and walking the opposite direction. Just then, one of the clerks opened the door to the room and requested that Technical Analyst Penelope Garcia enter next.

As Spencer walked towards the bathroom, his mind was racing a million miles an hour. His anger was surely justified and the Senator was not listening to him, at all. Especially since the only thing the committee really even wants to do is have an excuse to transplant every one of his teammates—

“Shit!”

Spencer had collided with someone. Head on.

“O-oh, I’m..” He quickly bent down to help her pick up the various items now strewn across the floor, due to his negligence to his surroundings.

“I’m so sorry.” He managed to sputter out before actually managing to look up to the person he bumped into, holding out the remaining item on the floor–a small black binder, clearly heavier than it looked.

The woman he had run into smiled quickly, but kindly at him.

“It’s okay—thank you—don’t worry about it. Could’ve had a coffee or something in my hand and then we would have had a serious issue.” She placed the binder back into her bag, somehow already neatly organized despite being completely empty and on the floor a minute before. She laughed a little before smiling at him.

Reid smiled back at her.

“I-I really am sorry about all your….” He tapered off. “Y/N?”

Y/N really looked at him for a moment before her whole face shifted. “Spencer?”

Both stared at one another in the hallway until a voice called over to the two of them “Hey Pretty Boy, we’re getting called in.”

Y/N tilted her head, a small smirk making its way across her lips.

“...Pretty Boy?”

“Yeah—–Well. No. It’s his nickname for me, uh..”

“Reid!”

She smiled at him. “Go Spencer. I’m here all day. Maybe you should look for me downstairs in the library when you’re done testifying in…” she peered around him and looked at where Derek was standing. “Federal Court? Oh Spencer, didn’t know you had become such a rule breaker.”

“A lot’s happened in the past ten years Y/N.” He smiled at her before turning around and walking towards Derek who pushed his lips together, trying not to make a bigger scene than before.

“Are we going to talk about whoever that is?”

“Nope.” Spencer pushed past Derek and into the courtroom.

_________________________________________________________

Once the team, except for Prentiss, was released into the hallway, JJ tried to grab Spencer's hand.

“Spence—”

“Not now Jennifer.” Spencer quickly maneuvered himself away from JJ, and headed towards the double doors at the end of the hall.

“Reid…” JJ tried again, but Spencer just pushed past the doors and walked down the stairs. He walked down two flights before exiting the stairwell. He found himself in front of the library, next to a small local cafe that clearly catered to exhausted lawyers and their incessant clients. Reid walked past the little cafe and entered the library. He realized that he didn’t know what type of Law Y/N practiced so he wouldn’t know where in the library she would be, but it wouldn’t matter since she was sitting at one of the tables next to the windows, trying to soak up as much sun while she withered away in the library. She sat with her back to the doors, maybe because the glare was too blinding on the laptop in front of her, or maybe because she couldn’t stop looking up at the entrance hoping a certain Doctor would enter.

Spencer approached her and stood in front of the empty chair.

“This taken?”

Y/N looked up, smiled, and nodded.

“By you Doctor Reid. Please, have a seat.”

Spencer laughed lightly and sat down.

“I feel like I’m in a client meeting.”

Y/N shook her head and closed her laptop.

“Not unless you have something you need a divorce lawyer for Reid.”

Reid looked at the books scattered in front of her, noting what books she had, and what cases she had opened them to.

“Tough case?” He nodded towards the books that she was busy tidying and shoving off to the side. Y/N sighed and stacked the books on the side of the table near the window.

“Not necessarily anything I can’t deal with, it’s just brutal to see someone be repeatedly assaulted by their husband, and–I’m sorry. That’s so…That’s so grim, I didn’t mean to bring the mood, um, down.” She laughed nervously and tucked a strand of loose hair behind her ear.

“Believe it or not, that is probably a regular topic on a weekly basis for me.” Spencer gave her a sheepish smile.

“Wh-” She smiled and shook her head. A ray of sun was slowly stretched across her face, illuminating her eyes, and captivating Spencer. “Well, Doctor Reid. Tell me what a man like you is doing with three PhDs and multiple Bachelor's degrees these days in which you deal with such graphic topics and have to be on trial in Federal Court?”

Reid smiled at his folded hands. “I’m a–uh–profiler for the FBI’s BAU—Behavioural Analysis Unit. We, uh, look at the way an unsub–unknown subject–behaves, as well as the victims behavior, and create profiles based off of that information to help law enforcement agencies, at every level, across the country.” Spencer finished his ramble by biting his bottom lip, and smiling at her. “As for the trail…my team led an operation that was…not at all by the book.”

Y/n nodded, choosing, for Spencer’s sake, to not prod further into the reason he was at the courthouse.“So can you analyze people just by…looking at them?”

Spencer nodded at her. “Yeah, I mean that’s not all that we do. We make preliminary personality profiles yes, but I’ve also made linguistic profiles and geographical profiles–But, uh, y-yeah I can do that…”

“So profile me then Doctor Reid.”

Reid’s brain short circuited at that moment. “I-uh, you. Um. You want me to….”

“Profile me. Yes.” Y/N bit her lip. “Unless, you’re lying to me Spencer.”

Spencer took a breath before locking eyes with her.

“You’re wearing a tailor made dress for you, which means you have enough money to be able to buy nice clothes, and buy someone’s labor to make them for you. Since the dress is well made and uses an expensive material, the case today is really important to you–from the books I’m assuming a messy divorce involving domestic abuse since that is what all of your books are about, and it involves weapons of some type, most likely guns, because one of those books is dedicated entirely to United States versus Hayes, which deals with convicted domestic abusers not being allowed to purchase guns or have a gun license. When I sat down you also had one of the books open to District of Columbia versus Heller, which deals with an individual’s right to possess a firearm unless they’re a convicted felon or mentally ill. You’re not wearing any makeup which means you’re confident about this case, and your client, regardless of her current physical state. It also means you’re confident in yourself, and don't feel the need to hide your face in any way. You’re wearing shoes that add about three inches to your height so that you’ll appear taller in court to make yourself seem like a bigger presence, as well as assert your previously mentioned confidence in this case and your stance in it. The binder you carry is smaller in size, but heavier than expected meaning you probably have a tablet, maybe an IPad, in there for any paper you don’t actually need a physical copy of, which tells me you’re environmentally conscious, or you’re trying to be. Because you also had a plastic water bottle in your purse which means that you knew you had a long day today, but probably also had a long day and or night yesterday since your prep towards yourself was minimal—shall I keep going?”

Y/N was looking at him with that look he simply could not figure out. “If you want Spencer. I’m quite enjoying it.”

He licked his lips before nodding at the coffee cup on the table. “You’re exhausted. I can tell since you’re no longer wearing your shoes, and your hair is now up. You probably work better with your hair up, which stems from the fact that you danced as a child. Hair up means getting to work. You’re also exhausted since you needed espresso. That cup says you’re drinking four shots of espresso in your latte. But it’s probably because you’ve put a lot of thought and time into this case. Which is good for your clients since they need someone who is compassionate and empathizes—” Spencer stopped short. His realization did not go unnoticed by her.

“Did you figure something out, Doctor Reid?”

“You…..Was it….?”

“No.” She sighed before reaching across the table and putting her hand on top of Reid’s clasped ones. His entire body was immediately filled with static.

“No Spencer. But maybe that’s enough profiling for the day, yeah?”

Spencer nodded before darting his eyes around the library.

“Would you, uh, maybe want to go get lunch, um, with me?”

Y/N smiled at him and nodded. “I would love nothing more, Doctor. Shall we?”

Spencer nodded and stood up, watching as she quickly, yet efficiently packed away her laptop, the binder and the rest of her things. She stood up, grabbed all three of the books, her bag, and her coffee.

“At least let me carry one of those books y/n–”

“Spencer, thank you, but I got this. Remember? Strong, confident woman here.” She teased him before walking over and dropping them off at the librarians desk. Reid followed behind her, still trying to fully decode the woman he once knew everything about.

“Want to take the stairs? I have this irrational fear that I’ll get stuck or die in an elevator, or both.” she mused looking at Spencer.

“As someone who has gotten stuck in an elevator, I have to agree. Did you know that according to the National Elevator Industry, there are approximately 27 recorded elevator-related deaths a year, with over 10,000 related injuries?”

Y/N paused before she opened the door to the stairwell. Spencer thought she was going to cancel the lunch. He had spewed before they even made it out of the building. But instead, she laughed a little bit.

“There’s a National Elevator Industry Company?” Out of all the things to come out of her mouth, that was not what he had expected.

“Well, yes. They’re technically the National Elevator Industry Incorporated, but yeah.”

She made a sound surprise before nodding and heading into the stairwell. “Well I’m glad we’re not volunteering to be victims 28 and 29 then.”

Spencer smiled again, and let out a laugh of agreement.  

“I did want to ask you about that sweater vest though. It’s quite....something Spencer...”

______________________________________________________________

By the time the two had reached the main doors to the outside, both were giggling incessantly as Reid recalled the time he got stuck in an elevator with his coworker, Derek. Y/N paused their conversation to say a quick goodbye to the security guards working.

“You know all of their names?” Spencer was slightly astonished, knowing how quick the turnaround was for a job like that, barely even considering the sheer amount of security guards.

“It’s important to thank them since they have to stand there and deal with every single person who comes in or out of the Court. Might as well try to make their day a little better. Besides..” She opened the door for Reid to exit through. “When you’re nice, they’re a little more lenient about…oh I don’t know…plastic water bottles and other things that you’re not technically allowed to bring into a courthouse.”

Spencer smiled at her as they walked down the steps. “And you called me a rule breaker.”

“Well Pretty Boy, I can’t follow all the rules, what fun would that be?” Spencer became flustered as she smiled politely and waved to some of her colleagues as they finished walking down the steps.

“So Mr. Profiler, where are you taking me to lun–”

“Spence!”

Spencer outwardly rolled his eyes, his face steeling up at the sound of the heels coming towards them. Y/n was now profiling him as he excused himself and turned around to face JJ.

“What.”

“Wow–uh—Spence look, I–”

Spencer huffed in annoyance. “Is there something you want Jennifer?”

JJ gave Y/n an apologetic smile before turning towards Spencer. “Hotch and Strauss need us back at the office. We have to, uh, discuss next steps in case of reassignment.”

Y/n watched as Spencer managed to steel himself up tighter than before. “Yeah. Alright. I’ll meet you all there.”

“Well actually we—”

Spencer tried to cut her off again before Derek decided to interrupt, He had been watching the whole interaction. He moved over to the small group. “Reid, we have to leave now.”

Spencer huffed in annoyance and shot him a look but Serek didn’t notice. He had turned towards Y/n at that point, and turned on that classic Derek Morgan Charm. “Didn’t know Pretty Boy could even associate with such a beautiful woman. The name’s Derek.”

He held out his hand for Y/n to take. And she did, shaking it twice before retreating her hand.

Spencer turned to you, with the hint of a devious smile, and nodded in Derek’s direction. “That’s the Derek.”

Y/N’s eyes lit up with amusement, before turning back to Derek. A smile burst across her face. “Oh my god, Spence. This is him?”

Derek looked at Reid, and then back at Y/n, and then back at Reid. “Reid, what is she talking about…”

Spencer just shrugged before turning his back completely to JJ, who seemed more upset by the second at Spencer’s distantness than at Morgan’s blatant attempt to charm his way into Y/n’s heart.

“Yes! Doctor Reid here was just telling me about your adventures on the BAU.”

Derek smiled and nodded at Spencer. “All good things I hope.”

“Oh absolutely. It’s an honor to meet the person who got stuck in an elevator and freaked the fuck out with Spencer all those years ago.”

Derek’s jaw hit the floor, and JJ was pretty speechless herself. Spencer had the smirk of a lifetime written all over his face. Y/n took the opportunity to walk over, and give Spencer a quick kiss on the cheek.

“You still owe me lunch sometime, Doctor Reid.” She winked at him before pulling out her ringing phone, and answering.

Spencer, JJ, and Derek watched her walk away.

“Who the hell was that?” Derek eventually managed out before looking at Reid with a mixture of awe and proudness across his face.

“My former ‘girl next door’.” Spencer smiled, before walking off towards Hotch, Rossi, Garcia, and Emily, ready to head back to the BAU with a newfound determination. The first was to get this god forsaken meeting over with. And the second was to find out everything he could about Y/F/N, Y/L/N.

[basimdasasonst]

snw spock rant

i've been watching strange new worlds recently, and the prevailing feeling i always leave with, no matter the episode, is that i would like it if not for spock.

don't get me wrong; i'm a tos fan to my core. star trek launched me into a love of sci-fi and space fiction and is the whole reason i'm in university studying astrophysics, why i'm writing a book using said inner astrophysics nerd, why i have any sense of purpose to me, cliche as it is to say. star trek was an integral, important part of my upbringing, and continues to be one of my main interests to this day. i love jim (and i love snw jim! especially after aos kirk (shudders)) and i love bones (i really hope he joins snw soon....leonard mccoy save us....save us leonard mccoy...) and i love scotty and i love spock. but not snw spock.

here's the thing about spock: his internal character conflicts have always had some sort of root in him being not enough/not vulcan enough/not human enough/etc. his struggles with relationships as a result – because, lets face it, both humans and vulcans are social creatures and need friends otherwise society as a whole wouldn't be a thing on either world – make up a core part of his character. in tos, his relationship struggles were nearly purely platonic, with a few offhand remarks about stray crew members having crushes on him (uhura in early first season, chapel in amok time). 

s1e4 "the naked time". spock, right before losing his figurative Marbles, sees "love mankind" written on a wall. later, he goes on to say to jim: "when i feel friendship for you, i'm ashamed." other posts have done and will do better jobs of explaining it, but in conjunction with "sinner" written on the turbolift near jim (about not being able to form lasting relationships with other crewmates because its too much of a power imbalance), the writing on the wall (literally) is that spock is inherently ashamed of his humanity. he has been raised on vulcan to be a vulcan.

his internal conflict is always about him struggling with his human side. he struggles with friendship, he struggles with his humanity, he struggles to be something that people don't immediately deem wrong. as a gay man, and certainly as a young queer child first watching tos, i felt closest to spock not just because of feeling ashamed of part of my cultural heritage, but also because of repression. spock represses these feelings of insecurity, of friendship, of the need for connection in others in a certain way, so much that it causes him pain. growing up gay, his pain was very real to me. writing on the wall. he’s silly and a cool character of course, but he resonated with me in a way that, at the time, i didn’t have anything to resonate with. 

what does this all have to do with me hating snw spock so much? i want to preface this by saying i went into snw really wanting to love it. i saw the intro and the planets and the nebulae and the black hole and the music and was like "damn, this is fucking cool." star trek, to some part of me, was also about the space exploration aspect as much as the characters. the whims of wacky crewmembers and sentient rocks. the impossibly infinite things nature can form on its own. snw looked fun. i really wanted to like it. and you know what? i almost like it.

except for spock. quite literally the only character i have any quarrels with is spock. dehydrated, glistening, oiled up spock. wtf. why is he in a relationship with t'pring? why does he (almost) cheat on her with chapel? and why chapel??????????? chapel has a one-sided (VERY CLEARLY ONE SIDED) crush on him in tos. why is it two sided now. 

what, and i can't stress this enough, the fuck? 

and don't come into my house and tell me "oh you know, it makes sense, because, because then spock gets all hard and Logical and shuts himself off and obviously the reason for that is a breakup–" No!!!!!!!!!!!!!!!! no no no no. i don't care if it makes “sense” it feels so intrinsically wrong to his character. i’ve had much more character development from losing life-long friends than ending barely a year long relationships. spock wouldn’t immediately shut down because he kissed a girl once and then she said “acshually sowwy my work is more important” when that’s the exact sentiment he echoed to t’pring when they broke up.

more importantly, snw spock barely has friends. he calls pike a friend once or twice, but i hardly believe that they're friends. he barely interacts with la'an or erica, he has a few passing conversations with uhura in season 1 on episodes about her that don't really carry into season 2, and otherwise he's just There. he doesn't have friends in snw. the writers are prioritising him having a romantic relationship over a friendship. snw spock needs a friend way more than he needs a bone buddy. and it really rubs me the wrong way the way the relationship with chapel was portrayed to be first friendly and then romantic. i never believed for a second that he and chapel were friends – despite the screenwriters trying. every time they talked prior to s2e5 there was this odd undercurrent of sexuality that seemed to follow them. lingering looks, touching fingertips, long pauses – it was so unbelievably awkward and obvious that they were setting up a relationship between the two. i mean, for fucks sake, s1e1 uhura calls chapel "spock's girlfriend." boy did my blood boil when i figured out that was where the show was going. s1e5 was actually painful for me to get through (chapel sits down, gives spock relationship advice, giggles, smacks him upside the head, and calls him an idiot. 2017 wattpad is calling, they want their material back) and i had to take two full days to get through s2e5 because i was in anguish the whole time. it was a constant mental barrage of "spock wouldn't say that," and "spock wouldn't do that," and "this is not spock."

for the most part, i couldn't figure out why spock and chapel's relationship specifically bothered me so much. i mean i have my quarrels with la'an and jim, and i really don't give much of a care about pike and batel so why was spock and chapel grating on me so badly? was it because it was being shoved in my face? was the writing that much more atrocious than the others? was it the decimation of spock's character?

it was, i found, a product of all of those and the issue of queerness. 

look; i've survived sherlock bbc, i’ve survived the golden age of quotev fandom in 2016, i've bared witness to so much queerbaiting in my life that i don't even bother trying to hope for any sort of main character queer representation anymore. we’re going to be a footnote until someone does something about it. unfortunately, that’s not going to be me because i’m not a film director. so i look the other way and steam about it on twitter or tumblr or whatever hoping that i, like many other frustrated queer people, get noticed one day in the far future when it’s ok to have a queer romance in mainstream, it’s ok to have a queer main character, and it’s ok to let it simmer slowly and burn instead of jumping into it to say “look guys we’re woke!!!!!” (star trek literally was the pioneer for most of these things back in the day. but that’s another discussion on the heterosexualisation of progressive media that i wont get into. it just feels bitterly funny that this is happening to star trek of all things.) these days i just pretend the relationships dont exist and skip over them when they happen. i've developed a sixth sense for when weird, forced heterosexuality is about to be shoved down my oesophagus. i've just gotten used to it. 

but sphapel (or whatever it's called) burned through me. i've never felt quite this angry at an on screen relationship. and, trust me, i saw AOS. i didn't like spuhura then and i don't like it now but i wasn't angry so much as i was just tired and annoyed. but spock was – and always is to me, confused, queer 10 year old me – a queer character. his struggle with humanity, with friendship, with fitting in, with just being as a perceived "other" was what made him an interesting character to me to begin with. he was a certain outlet to vent that frustration for being "wrong" in society no matter how hard you try to conform one way or another. the knowledge that even if you are different, you still have people backing you up. his fucking friendships, guys. jim and bones. yes i know his friendship with jim is also inherently romantic dont worry im spirk #1 shipper but that’s not relevant here because, and forgive me for being pessimistic, i don’t believe for a second that these writers are going to lean into spirk anytime soon. their relationship went beyond friendship or romance or any of that stuff. coughs in the roddenberry footnote.

what i’m trying to say here, in layman’s terms, is that giving a friendless character a romantic relationship is exactly how you alienate a character. name one person you know in real life that can survive healthily with one single relation, that being their romantic partner that they have no friendly base of. you can’t. that’s a toxic relationship. that’s not romance, that’s alienation. that’s isolation. that’s loneliness. and that’s the OPPOSITE OF WHAT EXPLORING SPOCK’S HUMAN SIDE IS SUPPOSED TO DO TO HIM .

by stripping spock of his friends, and forcing his arc to be purely romantic, you have essentially stripped the character of all he is. i'd be mad if chapel was a dude, too, honestly speaking. but beyond that, corralling spock of all people into a heterosexual romantic relationship is – well. it's a choice i don't think i can ever agree with. the best way i can describe such a choice is like a dissonant chord – you can pluck the notes and they'll sound fine on their own, but when you put them together they will clash. there is nothing you can do with your fingers to play the same notes and not cause the clash. they will always clash. it is dissonance ringing through you, an inherent wrongness coupled with writing that is lazy and clearly meant for a very specific audience. snw spock is bad writing, fanservice, and extraordinarily out of character. notes i can tolerate on their own, but strung together – dissonant.

i really want to like snw. fuck, i love la'an, i love erica, i love jim (!!! thank you paul wesley for making him a nerd, and kind (glares at AOS), and generally a jim kirk that i can look at and say, "yeah, that's jim alright"), i love uhura, i love una, i love m'benga and i love pike but i hate spock. i really, truly, cannot like snw when i have to pause the show and take an irritated deep breath in every time i see chapel approach spock. it's – frustrating, and alienating, and wrong. so, so wrong. 

[chaifootsteps]

just me or is the whole 'saying this is like fanfic is homophobia' framing kind of frustrating? like just to list out the tropes that have come up so far in HH/HB:

female character is written as an evil shrew who gets in the way of the m/m pairing

relationship that starts with rape/dubcon rewritten into true love (this one is probably more common in bad BL manga but I'm willing to bet there's some overlap)

character is the child of a mob family

portrayals of rape/sexual assault treated as titillating / used for drama

portrayals of domestic violence/abuse used mainly to get viewers to feel sorry for a character instead of making them sympathetic on their own terms

abusers/rapists being all powerful monsters solely to torture the victim as much as possible

characters are either Good or Bad and writing is heavy handed about driving this point home

writers has one character they stan and baby above all others and not only the writing but the world bends around them as they eat up more and more screentime while the actual main characters are shoved to the side

writer has one character they hate and they hate other people liking them so they derail them in the most obvious way possible

writer has one pairing they despise and go out of their way to make them seem familial to shame the fans who ship it

writer has intended pairings in mind but they just kinda happen regardless of how much work has been put in to give them real chemistry

the plotlines jump all over the place with no consideration given to the differing stakes each create or audience fatigue when too much is introduced at once/too many hanging threads are left, similar to what happens in unplanned serialized fiction. consistency and worldbuilding errors abound. conversations/events that seem like they should change the status quo kinda don't but there's so little way to tell which one is which that audiences cannot gauge the stakes and either stop being invested or just take the show as it comes since there's no point anticipating anything being done with a lot of its characters & plot points

too many characters, often some of whom don't serve much purpose but the writer is way too attached to to ever cut out (looking at you, Andrealphus & Vassago)

characters are rewritten on the fly. due to the lack of planning their arcs start and stop or get quietly dropped when the writer tires of them

pervasive attitude of misogyny - female characters are underwritten, bitches, dumb or accessories to the men. The world revolves around the (usually white) m/m pairing/s

the main premise is dropped in favor of shipping drama or character shilling

etc.

There's probably more but those are the big ones - like s1 wasn't perfect but s2 really does feel like it became fanfic of itself. I understand Viv being frustrated if it seems like a broad dismissive brush instead of specific critiques, but there's a couple of problems here:

when people give specific critiques she either misrepresents their points to frame them as bad faith (tacitly encouraging her fans to do the same), complains people keep making the same point or writes defensive threads about how people just don't get it because, for example, the show totally demonstrates Millie has qualities other than Wife and Violent

when people say something 'feels like fanfic' as far as I've seen they aren't immediately using it as shorthand for 'it has LGBT characters'. usually when they expand on their points what they're getting at is a lack of planning and a lack of experience or competency in the writer that gives the whole thing impression of being done by an amateur who's either young or still learning their craft, or both

it's the same lack of experienced hands that resulted in the opening of Hazbin being so amateurish and lacking the sense of having actual episodes until other staff writers were brought in to clean up the mess

like yeah I don't like the implication that 'fanfic=automatically bad' since I've read some good stuff myself and maybe people could be more specific; but usually this critique is coming from people who actually like fanfic, who've read a lot of it and who recognize the tropes from the worst fanfics out there in Viv's work

Viv's little "Um, actually, fanfic is good and queer and so if you use it as an insult towards my shows, you're homophobic" snit is one of the more rancid things she's said. When you lay it all out like this, it really does go to show how her stories embody all the worst, most harmful tropes bad fanfic -- and bad writing in general -- has to offer.

[scribbledpage]

"Fictional...?"

you're part of a fictional series the tmnt2k12 turtles watch

(THIS IS INSPIRED BY THAT ONE LMK POST WITH THE SAME CONECPT AS THIS!! CREDITS TO THE ORIGINAL CREATOR!!)

><><><><

[Leo]

this boy here is a space heroes fan (a super fan), and he's very open about it, so it would be no surprise that he'd be open to being a fan of your show.

he would binge watch the episodes that have you in it, or a you-centric episode constantly or whenever he's feeling down or demotivated.

no matter if it's an action series or a slice-of life series, you inspire him to become a better leader and example to his brothers.

you know that random feeling of motivation when you watch a study vlog or anything inspiring? he'd get that random burst of motivation to train while watching some episodes (in secret, of course).

his brothers, mainly raph, tease him for liking your show and talk about how childish it is(when in reality, they think its a decent series to watch).

no doubt this boy secretly makes 'x reader' fanfiction.

even if you're a side character or comdic relief, he still enjoys the scenes you're in and hyper analyze your traits and makes headcannons.

he'd sometimes use the episodes where there'd be mental health awareness as a guide to look out for signs in his brothers and friends so he can make sure they're okay ♡

he'll rant about your charcater the moment he hears anything related to you(or his headcannons), for example: your favorite colour, a word/phrase you use often, the style of clothing you wear etc.

[Donnie]

he is obsessed with your character.

considering with how obsessed he got with april (within seasons 1-3, i think), he'd have a chart or a notebook dedicated to you.

like, he'd have one whole notebook or chart listing the things you like, dislike, in between, headcannons, things the fandom agrees with, your style, etc.

he can't go about his day without thinking what you would do with him if you were real.

he loves your sass, jokes, and character development in the series (even if most watchers dont see the development at all).

this guy will drop everything at a second he sees merch of your character or a new season release.

he definitely thinks you're underrated in your own show and relates to some of the episodes a bit.

he definitely stayed up late to binge watch episodes instead of working on projects that can help them defeat the kraang.

if you can speak languages other than english, he'd go out of his way to learn said language because of you.

if you dont speak other languages, then he would try out (and love) your hobbies that he found boring at first.

[Raph]

casey had introduced your show to him and he'd rather die than admit that he liked it.

he'd secretly quote some of your underrated lines, and no one would notice (to his relief).

like leo, he'd get random bursts of motivation watching the episodes you're in.

he actually watches the whole series instead of skipping to the part you're in.

he enjoys the plot and your character, and he'd get giddy whenever he sees your character merch or your show's poster if he's patrolling.

he develops some of your habits yet no one pointed it out, until casey.

casey knew raph liked the show, and he'd never stopped teasing raph about it, occasionally ending up with bruises.

thankfully, casey keeps quiet about it.

he doesn't do things all out like donnie but enjoys your character.

his anger issues actually decrease when watching your show

he reacts very heavily to some of the plots like some arguments you had in the show, a betrayal by your trusted ones, you falling in love

like he'll want to scream at each of them(in a good and bad way)

[Mikey]

this man is obsessed.

any reference from your show, he's ranting to the first person he sees (leo is often a victim of this).

he doodles ur character on whatever space he can find. walls, tables, donnie's papers, receipts from april. that's right, he's doodling u

he daydreams. literally.

he'll create little fantasies (no nsfw stuff tho, that's gross) like what it'll be like when ur here in the real world or when u try his homemade pizza for the first time.

like raph, he is bound to squeal or grin whenever there are funny scenes

i feel like he's the type to go crazy whenever a single thought of u or ur show comes to his mind. he's on another level of hyper fixated

[twig-tea]

Love For Love's Sake Marketing vs Reality

I cannot get over how misleading the description of this show was compared to its actual execution of the first two episodes. This will be pretty spoiler-free if you are reading to decide whether to give the show a try!

The summary: "Twenty-nine-year-old Tae Myung Ha experiences a bewildering twist of fate when suddenly finds himself transported into a fictional online game where he inhabits the body of a ninteen-year-old character. Soon, Tae Myung Ha embarks on a quest within the virtual world to bring happiness to a character named Cha Yeo Woon. Despite his humble upbringing, Cha Yeo Woon has managed to excel in the national track and field championships, maintaining a remarkable reputation among his peers due to his handsome looks and athletic physique."

What I had taken away from that description that had made me wary: The importance of the age gap; lying to a character to fake affection in order to win a game.

None of the original description is a lie, but the emphasis is all wrong and it excludes some key details that make this show so good.

First: The character MyungHa is tasked to make happy is not just any character; he's the character in a novel MyungHa has just read, and he's the character that he says he identified with most (and who he was rooting for and was annnoyed got a sad storyline and ending). So when he's going up to YeoWoon expressing affection, it's genuine. He really does already know and like this guy. That's a HUGE difference for me, and it changes his mission from a Big Lie into a personal mission. The thing I like most about this show is the heart. The fact that MyungHa genuinely wanting YeoWoon to be happy is (it seems) the triggering event that transports him into the game, not a bewildering twist of fate but a direct response to his articulated wish, is a key part of that heart!

Second: Myung Ha is not out here as a 19-year-old trying to seduce YeoWoon, he wants him to be happy because he sees in YeoWoon similarities to who he was in his teens. The thing that has MyungHa most excited about being 19 again is his grandmother still being alive. The age gap is only a thing in how MyungHa is treating YeoWoon like he's a little kid, which annoys the hell out of YeoWoon because his character is only 1 year older.

Finally: YeoWoon has no friends. It seems true that he's famous on campus and that he has fans (e.g. KyungHoon's sister) but they don't approach him and it doesn't prevent people from hating him. This description makes him sound like a popular guy.

The description on MDL also includes this paragraph: "Cheon Sang Won hails from an affluent family and becomes emotionally entangled with Tae Myung Ha. His involvement adds complexity to the developing relationship between Tae Myung Ha and Cha Yeo Woon. Ahn Kyung Hoon, introverted and reserved, supports and assists Tae Myung Ha on his mission within the virtual world."

We haven't enough of SangWon to draw conclusions yet, but based on the failures of the original description to capture any of the the things I love about the show while highlighting issues that don't (to date) actually exist in the show, I'm going to reserve judgment and assume this is also misleading. It would be pretty antithetical to the very heart of the show that's being set up if Myung Ha, through his actions, caused a different character (SangWon) to become the sad second lead. I'll be really interested to see how this goes and how/if this show will address this issue.

TL;DR: The marketing material: Age gap romance with a Big Lie The actual show: video game isekai granting an earnest protagonist a chance to create a fix-it AU for his favourite sad side character.

Anyway. Glad the show turned out to be so off from the marketing material because this is way better!

[soothinglee]

even if my heart stops beating⏤✰

seungmin x reader | 1.6k✔︎

my notes⎯ hello everyone ! I know it's been a while since I've actually wrote something ! I actually got hit by a bus! yeah I had to sue this company called "writers block" and I finally got a settlement! (also happy new year!) I recently (like a week ago) got into Kpop, specifically Stray Kids ! I've read some fan fictions (shameless) about some of my favorites and got inspo to write one! thank you @soobnny . also I haven't wrote anything in a while so i'm a little rusty, i'll be as good as new soon!

warning⎯ mentions of vomit (used as word vomit) and crying.

genre⎯ angst to comfort.✔︎

songs⎯ six feet under; billie eilish | pretty boy; the neighborhood

the old rusted clock that came with the condo you and seungmin bought sits perched on the top of the fridge. Its old, wooden frame slowly caves in on itself as time goes on.

not even an hour or two ago you had happily entered your home to start cooking dinner, not even worrying about showering first because you were so excited to have dinner with your boyfriend.

even going out of your way to spend a hundred dollars over the amount you usually spend to give seungmin the greatest 'welcome home' feast. he and the rest of stray kids had been on tour for the last couple months, traveling all over the world to perform at concerts and do collaborations with other idols to promote their new albums.

sure, it had been lonely, being by yourself all of the time, the only glimpse of your boyfriend you could get is when he could facetime you for 2 minutes or when he responded back to a text 4 hours later. but you understood, you knew what you were getting yourself into even when you started becoming friends with him.

if anything, you were strong, understanding, and flexible to when he couldn't make it to something like a movie night or date when his plane arrives later or practice runs over.

the only thing now, is that he had promised you that he could make it on time to dinner. sending countless 'I swear ill be there' texts and swift calls ensuring his presences at the dinner table during his dance rehearsals.

but now you were sitting at the table alone. a cold jajangmyeon sits in the platter in front of you, a similar on across the table from you. looking up at that old clock the hour turns to 10 and he's officially 2 hours late. it wasn't unknown for him to run a little over his time but this was unbelievable. you curse yourself for being naive and truly thinking he would keep to his word.

as you get up and clean the meal that you created you feel a little piece inside of you break, watching your hard work spill into the leftover containers like your tears. this was embarrassing, waiting around like a puppy in hopes your owner comes home. you were loyal and hopeful to a fault but wasting time and money like this was just unacceptable.

by the time seungmin walked through the front door it was half pass midnight and you had situated yourself infront of the t.v watching a new drama a colleague from work recommended.

"(name)." he calls out, you hear his shoes hit the wall as he takes them off, and then theres a shuffle as he organizes them on the shoe rack. you hear him leave his keys in the bowl on the desk that was by the front door, his footsteps growing louder as he nears the living room.

"(name)." he calls out again, seeing you lay in a cocoon of blankets in the dark, he think maybe you're sleeping so he quietly discards his winter coat on the back of the couch. he flicks on the lamp on the other side of the couch to bring in some light. though when he comes around to sit down he finds your eyes wide open, "why didn't you answer me when I called?"

"why didn't you come on time like you promised?" you quipped back quietly, suddenly too exhausted to have any conversation with him. you try and sink further into the thick blanket as you watch the Netflix symbol load and the next episodes intro plays.

you can't see his face but when he sighs and shifts in his spot you can hear the hesitance, "you already know why, practice ran late, like always."

"whatever."

"'whatever?' what's going on with you?"

"nothing." your tone is snipped but honestly you couldn't care less. somewhere in your soul you feel as though this might be a little extreme of an reaction but there is only so much patience you can give one person. you constantly make time for him and this relationship, so why couldn't he move things around and do the same for you? your eyes remain on the television.

seungmins eyes dart quickly to the t.v and then back to you, noticing that your full attention isn't on him, so he leans over you and goes to grab the remote from your hands. at the sudden loss of contact you make a move to try and get the remote back from him but he effectively powers down the t.v and discards in on the coffee table.

"I'll only repeat myself so many times, what's going on?"

it was like a newfound energy fizzled at your toes and pushed itself up and towards your head, your body springs up from its sideways position and you angle yourself to face seungmin.

though the light was somewhat dim due to only the lamp being on, he could see the red-rim of your eyes and the dried streaks of tears sticking to your cheeks. obviously, it had been evident that you had been crying.

seungmins eyes soften for a moment, he reaches out to try and smooth out the puffiness of your cheeks but as soon as you see his hand coming you push it away, "you were crying?" it comes out more of a statement than a concerned question, but the worry was still evident in his tone.

"duh," you start, suddenly feeling uncomfortable in the tense space, you find comfort in the carpet on the ground. you were feeling...nervous. you didn't want to cause anymore problems but things won't get solved unless they are discussed, which in all honesty, the thought of confrontation in the first place is feared.

you need to get it out, you can't stop living like this. deep down you know he cares but you have to stop going off of assumptions. either he's going to show up or not, it was clear already that you showed up no matter how busy you were.

"do you even still love me?"

the question tumbles from your lips before you could even process what you were saying. maybe it wasn't what you wanted to convey exactly but it was definitely a start.

"what?" his airy voice sounds dumbfounded which makes sense. the intense look you're giving him plus the profound, out-of-the-blue question throws him off guard.

of course he loves you, why would you ever think anything different? "where is this coming from?"

"well it's just that every time we have something planned your work gets in the way. I spend hours and hours getting ready, trying to look my best, just to waste the day sitting on the couch waiting for you to come home. sometimes I'm waiting so long I fall asleep! I put so much effort into being a good girlfriend! hell, I even spent over 100 dollars on dinner tonight because I knew you had a hectic day, it took me two hours to make it just for it to go cold and put into a container,"

your voice chokes up, full of exhaustion and disappointment. you feel the tears pooling in your eyes but have no energy to stop them. you really want to quit the word vomit but there's no point, theres more to be said.

"I try so hard to not get disheartened but it gets so hard when you don't even try. sometimes I feel like you don't even care about this relationship anymore, like you don't care about m-"

just as you were about to finish your words were muffled by hands on your face, and lips on yours. seungmin had kissed you to stop your rambling. you couldn't help but to feel relieved and somewhat offended.

"stop." he whispers as he takes a breath, his hands still on your face, foreheads connecting, "please stop." his voice crack under pressure, its subtle but at the lack of distance between you two you can hear it so well. your eyes are closed, trying to get your own tears at bay but hearing how emotional he's becoming breaks you. a sob teeters at your bottom lip but you force it still.

"don't you ever think that I don't care. I always have." he pauses and wipes the stray tears on your face with his thumbs, "I'm so sorry I've made you feel like this. god I'm such a bad boyfriend, this is my fault."

you try to move away to comfort him but he holds you in place gently, you sniffle and reach up to brush the bangs from his face.

"I promise you I'll be more attentive, ill take you out everyday, spend as much time with you, cook for you, miss practices all the time just to make sure you know I care about you."

"you promised earlier but you didn't come!" you cry, recounting how long you waited.

"I know!" his voice quivers as his hands tremble, lightly shaking your head, "I know...and i'll never forgive myself. you don't know how much you've shaped me into the person I am now and I- I have no clue what I would do without you. I just have a poor way of showing it."

you grip on his wrists, mimicking him with your eyes squeezed shut, you stopped trying to keep the tears in awhile ago, letting them fall freely into your covered lap. "how do I know I can trust you? I'm so sick of feeling like this."

"I promise you I will prioritize you more than anything, Idol life, dancing, singing- whatever, does not come before you. I won't leave you hanging like this anymore, i'm sorry I didn't pay more close attention to your feelings," his bottom lips shakes as he takes another deep breath, he opens his eyes and you can see pass the tears and sorrow a new found determination.

"even if my heart stops beating, you're the only one I need."

past your wary judgement...you believe him...

[nihilnovisubsole]

i think i followed you Back In The Day, seven years and seven blogs ago, for something related to mass effect (zaeed? maybe? who could say) and it's wild to come back to this site years later and find you thriving, surviving, growing-- playing ffxiv! love that game. curious how you'll feel about some side characters in shadowbringers, but i won't spoil which ones.

i do have real questions, though; writing tools. not pens or software, but personal structure tools and/or guidance. what does a beat sheet look like, for you? do you have a favored way of outlining or note-taking on your own thoughts when putting a story together?

and... i'm really curious how you hold a big story together in your head while you work on it in pieces, especially for something like dangerous crowns. there's this larger story i've been chasing around for a while, and I can't quite wrap my head around how to write the political/espionage plot for it without feeling like i've actually written a children's pantomime. the best i've got so far is "research real life events and use those as my outline" but after a point it becomes hard to keep track of all the variables of who knows what about whom, who is planning x when y, etc, etc. the characters don't need to know all that-- and may never know some things-- but i feel like /I/ need to understand what's happening on the macro level so i can move the world around them appropriately.

short version: how do YOU wrap your head around writing complex plots?

hey, anon! i started endwalker this week after a long... uh... glamour detour, so don't worry about spoiling things. i spoil myself for a lot of stories on purpose anyway. let's just say i've been attached to one too many characters who got killed.

anyway. writing. i've always handled plots the same way: clear documentation. if i don't note it down, i'm not going to remember it. i've used the same table outline since around 2014. it varies in detail for different projects, but the core format stays. i know it's kicking around in my blog archive somewhere, but it's worth reposting once in a while because people like to ask about it. here's what it looks like, featuring plot points cribbed from an endeavour episode:

i used this format for an outline at work a while back, and the team found it easy to follow, which was a big day for my ego. keeping track of plot structure is even more chaotic at work because we have multiple writers who all need to stay on the same page. we have very meticulous notes on what the player should know at which point, when we're introducing new information, and what we know, but shouldn't tell. we're also not above leaving notes like "this character has to convey X," "this character has to learn Y here," or "this is a clue that they're planning Z." it can be super on-the-nose. all that matters is that it makes sense to you. because you're right - if you get too lost, you can write yourself into logic holes of tremendous proportions. ask me how i know!

[as a sidenote, researching real-life events as a starting point has really grown on me in the past few years. my lead on coh3 had me do it. he said we were dealing with real people's history, so we couldn't be cheap or play fastball - we had to be accurate to pay it respect. even if you're not writing historical fiction, it just gives you insight into how people behave.]

i would argue that the plot of dangerous crowns is actually not that complicated, maybe to its detriment. there's kind of a genre struggle going on. at voltage, we were taught romance fans came for the relationship beats and valued them above all else. in fact, leadership told us players got irritated - which meant less sales - when the plot was too complex and took time away from the making out. political thriller fans, by contrast, expect relentless twists, high stakes, and harsh consequences, and sometimes see the relationships as superfluous.

but whatever. the point is, when you look at dangerous crowns' structure, it's a pearl necklace: a chain of anchoring events. the "pearl" scenes are where Big Plot happens. they're the reason you want to write the story, and probably the ones you have the most vivid daydreams about. the scenes in between are the string. not flashy, but important because they connect the pearls. they build tension and add logic, cohesion, and context. take the opera and hector's failed assassination. those are pearl scenes. that's a burst of drama i really wanted the story to build up to. i also had other flashbulb visions. livia by the fountain questioning herself, marcus' macbeth moment, the temple riot, things like that. so the question was, how could i believably travel between these pearl scenes? how could i make these big showcase moments connect smoothly?

if you're having trouble holding the story together in your head, i would ask, "what are your pearls?" what are the anchor points? outline those. it might not look like a necklace yet, but you'll sort of see it taking shape. and then, once you can see where your heart's-desire milestones are, you'll have a clearer idea of what can't fire until you set it up first. two other neat things can happen here. you could find the rhythm of your pacing, or realize you have a lot more plot meat than you thought you did. even if you don't, you have some road. and if you can't think of the string, sometimes you just have to start writing the pearls and see what comes to you.

good luck!!

[captainsavre]

100 Episodes and Beyond: The Legacy of ‘Station 19’

What we’ll always take away from the landmark series even after it fades to black.

BY MALCOLM VENABLEPUBLISHED: APR 10, 2024

Station 19 is ending, sadly, but when it does make its final farewell this year, Shondaland’s ABC series will leave behind more than teary eyes and a legion of loyal fans not ready to say goodbye. Though on the surface Station 19 functions as a standard emergency services/rescue drama, it has so much more going on underneath its fireproof exterior. For seven seasons now, the Grey’s Anatomy spin-off has become a landmark TV show in its own right, leaving behind a lasting legacy.

On a recent visit to the Station 19 set, where Shondaland was on hand to celebrate the momentous achievement of Station 19 finishing its 100th episode, which airs Thursday, April 11, we caught up with its beloved stars to probe what the show means — and talk about some of the ways the show will live on forever.

First-responder life

Perhaps the biggest and most important legacy of Station 19 is the way it reveals the struggles, sacrifices, and everyday heroism of first responders. Statistics show that Americans make roughly 240 million 911 calls a year — that’s more than 600,000 emergency calls per day. If we’re lucky, we’ll never have to make such a call, making it easy to forget that on the other end of that line are real people who get up every day and put their own needs and lives aside to help us when we’re having the worst day ever.

Through all kinds of calamities, disasters, and unthinkable emergencies — gas leaks and bombs, medical scares and car crashes, and of course, fires — we’ve seen these fictional characters mirror the courage and heroism real first responders exhibit every day. “I think Station,” executive producer and co-showrunner Peter Paige says, “has this magical formula of great action, incredible characters, incredible human stories that model a better way to be in the world.” Amen to that!

Mental health

The flip side of those incredible acts of service on Station 19 is the toll such a job takes. Sure, fires and rescue scenes make really good TV, but what has made Station 19 so impactful is the way it shows the human cost of such work. The death of Rigo (played by Rigo Sanchez) in season three is a good example: The subsequent group therapy sessions, where Andy Herrera (Jaina Lee Ortiz) and the team confront their grief and loss, illustrated how the job doesn’t exist in a vacuum and even the world’s toughest people feel emotional pain. “The relationships and circumstances really resonate with the audience,” Ortiz says. “They cry with us and grieve with us.”

Representation

“I feel like we have a lot of good representation,” says Zoanne Clack, co-showrunner and executive producer. “A lot of people who don’t see themselves represented usually on network television see themselves on our show.” She couldn’t be more correct. Station 19 has been trailblazing for the way it depicts a number of underrepresented groups — most notably Latinos, who are vastly underrepresented on television — in lead roles, with Pruitt Herrera (Miguel Sandoval) and Andy Herrera (Jaina Lee Ortiz) in particular as standout examples. Showing them as captains has been quietly revolutionary, helping to undo persistent stereotypes that have Latinx people in service jobs or as criminals. LGBTQ characters get a lot of shine on Station 19 too; we see characters like Carina (Stefania Spampinato) and Maya (Danielle Savre) living out their lives, and not being held up as perfect aspirational models but as everyday people dealing with work, relationships, parenting, and the like — just like so many LGBTQ people the world over.

Family

“I think everybody sees the family they grew up in and the family they created — good, bad, and ugly,” says Jason George, otherwise known as Dr. Ben Warren. Indeed, Station 19’s 100 powerful episodes give us unflinching glimpses into what it looks like to be a pea in a pod, so to speak, and navigate the dynamics of being in a forced cluster — particularly accepting and supporting other people even if, in the moment, you’d really rather not. From courtships to breakups, baby making, and confronting the finality to death, the Station 19 family have endured it all together, and viewers have gone through it all alongside them. And that’s just one of the many reasons why its impact will stick inside the hearts of viewers for years to come.

For more on the legacy of Station 19, watch the video above from the series’ 100th episode celebration. And catch the final season of Station 19 on Thursdays on ABC, or stream episodes on Hulu.

Link: 100 Episodes and Beyond: The Legacy of ‘Station 19’ (shondaland.com)

[yurisorcerer]

Two immediate thoughts here. 1. A good chunk of this episode is the gayest thing I've seen in an anime that's not technically about wlw romance in years. 2. It's so, so funny that the obvious solution to the Aqua/Akane/Kana "love triangle" is polyamory but all 3 of them have way too many issues to make that ever work. (Also mainstream fiction just Doesn't Ever Do That because life is pain. Also they're all in showbiz so that's another obstacle there.)

ANYWAY.

I love that this episode, in a fundamentally similar way to the last one, is less about the play itself and more about the psychology of the characters of Akane and Kana. To an extent, "it's about the psychology of these characters, not their performances themselves" is the whole show and at least most good examples of anime about the arts in general, but it's *really* pronounced here. Almost the entire episode is from Akane's perspective from the point that she shows up, and this is especially obvious with her flashbacks to her childhood meeting with Kana.

In a lesser series, something like this would come off as really contrived. You mean to tell me that Akane was taken with the quality of Kana's acting at such a young age? That she just happened to meet her while doing auditions? That when the real Kana inevitably doesn't live up to Akane's idealized image of her (boy that whole relationship is a WHOLE thing on its own), there just happens to be a honkin huge billboard of Kana outside staring her down?

The unreliable narrator card is obvious, but this is so clearly a depiction of how Akane remembers all of this rather than what actually happened per se. I love it, I love how it leads Akane to delve deeper into the psychological side of acting, and I love her speech about how the Kana she loved was an overpowering, selfish actress.

Let's dive into that little monologue actually, because I think it's really telling not just about Akane but about Oshi no Ko in general. The specific phrasing she uses to convey what she wants out of Kana---or at least how it's translated---is "acting that devours everyone around you."

This is something Oshi no Ko is kind of obsessed with. Charisma, talent, star power, as this almost supernatural force that bends the world around it. This is something it shares in common with like, a very small handful of other anime I've ever seen, most prominently Revue Starlight which I think is more similar to Oshi no Ko than fans of either would ever care to admit, but it's such a perfect conveyance of the feeling of being swept up by someone who is just that talented. That's what Akane wants out of Kana, and she is so frustrated that she's not getting it, and she kind of has a breakdown near the end of the episode because she fears she might be in the wrong for wanting it. She worries that she's just coming off as a showboat.

But the funny thing is, she isn't! Kana's general reticence to really stand out is hurting her! This is a fact that Kana herself doesn't even seem entirely cognizant of despite how obvious it is to everyone else. (Including Aqua, who only joins the proceedings at the very end here. There's a grim irony in how good he is at spotting everyone else's issues but how bad he is at understanding his own.) Akane frames it as Kana having been "squashed down by the adults around her" which is a real thing that happens to kids who excel in ways that aren't necessarily expedient to the adults around them. It has a resonance beyond the world of show business that Oshi no Ko takes place in, and I think that's part of what makes this whole ongoing arc so effective. We will presumably get more into Kana's head next episode (and Aqua's, since he's part of this too and there's still the whole "deliberately triggering himself as acting trick" thing to deal with), i can't wait.

Also! I must say I love how dreamlike the back half of this episode feels. There are huge swathes of it where it's not really clear if what we're seeing is the actual play, something backstage, or some kind of idealized thought-space that combines the two. I hope they keep leaning into that, it's fantastic.

[lizaluvsthis]

SMG4: CEO OF RIZZ

To where you needed an alternative title, "Boopkins needs some Rizz"

Person: Hey L- *gets crushed by a piano*

HGG OKAY.... SO... first off I just WOKE up. And our usual spot again is that the coffee shop keeps appearing in the episodes.

(Cough- Brewing Romance is still on the line so when you keep seeing the coffee shop getting shown by the episodes, you'll be darned to not stop thinking about Brewing Romance...)

Three and kaizo are shown, which made it very clear that some of us headcanon three as an uncle and kaizo as the nephew XD

So boopkins has a date with this famous girl and three helps boopkins get his rizz in order to achieve his restaurant getting popular.

No... NO... NOOOOOOOO PLEASE TELL ME THIS IS JUST A COINCIDENCE... PLEASE DEAR GOD- I JUST REDREW THIS MORDETWI MEME... IS THIS A F-CKING MESSAGE?

TELL ME THIS IS A COINCIDENCEEEEE *shakes the person who put it there on purpose*

I noticed the igloo...

... LUKE- LUKEEEEEEE????????????

HOW THE HELL DID I PREDICT THIS JUST BY DRAWING THREE WEARING THE CASINO OUTFIT-

There is just no way... @shygirl4991 SHAY... SHAYYYYYYY?????? THEY KNOW.... THEY'VE SEEN...

Thus... the western hat worn by four still remains there...

I somehow found this one very interesting, I mean- I wouldnt be a shock if it's miku already. Since somehow it's boopkins, and the girl he'd been the one to date are something from fictional stuffs. I never guessed miku but I guessed that it was some anime related.

Then we get- to see this...its a side to side comparisson of how four and three act alot like this when they needed something.

Here comes the begging strategy... so if you put two and two together, they ended up giving them what they wanted with the same "fine" to make that person shut up.

This also leads to how three is never that much aware that his actions in public is drawn attention that he is less destructful and is in his soft side.

Like how he did the same in SMG4 during that time before they both got stuck on an elevator? Three gave him a chance to stop his whining ass. Like he didn't even argue or straight up complained to the blue man, he just basically gave him what he wanted.

This portrays the same thing Miku does as she goes back and returns to the date she has with boopkins.

It'd be a shock if I were to say I weren't that much very cultured on anime stuff but Umaru used to be my favorite childhood show.

Its funny that miku has interests on being a fan of other animes since again- miku is a vocaloid character who sings songs out on public.

When boopkins gave out his moral lesson about "just you being you" and "you dont have to change who you are even tho you're not that much of a gigachad" or sh-t

Because we have three- WHO IS DEFINITELY DONE WITH HIS CRAP- I wouldn't be suprised to this honestly- we already know how SMG3 reacts when boopkins is there, and even with those comments about how he has beef with him about "boopkins bein a loser, he really thinks he's part of the crew"

We pretty much understand how Three isn't a much fan on fiction anime stuff or is even a weeb. Just by looks of Boopkins, he's the one who shows as an openly hearted and a very generous, loyal, kindest creature to have.

But three thinks it's a sh-t because no one else is perfect and that this doesnt matter too much at all to him since EVERYONE is broken enough already.

Which defines him as the emo person in question:

"What the hell is the meaning of life, when you know nothing ever changes shit with where we all still suffered?"

Three is just so desparate enough to run his business and would literally want its popularity get expanded for newcomers to try and welcome themselves from the cafe, mostly enough he'd do anything and EVERYTHING with this power.

That calls out for another hyperfixation.

I never have much to say in this but I somehow found the episode a bit on the neutral side between good or bad-

The episode is... well.... i dunno- interesting, but somehow with attempts on making boopkins "uncharacterize" himself to be a rizzler is weird, but this definitely shows why boopkins doesnt have that kind of rizz SMG3 has.

... *suddenly remembers SMG4 singing that gyatt to rizzler song*

AH-AHEHE-M UHH...

A-anyway- again- my point stands out that Three definitely haz rizz, and Four definitely is lying to the fact that he says he 'doesnt' during the elevator episode.

I'd think about wanting to put Three on a rizz attempt on four still XD (people are gonna go crazy on this)

[thecoffeelorian]

And now, for something slightly different...

Hello again, everyone...

...Okay, gang...before we get started here, there's something I think I need to confess here first.

I don't know how in the world I'm supposed to feel about this show any more.

I mean...in the beginning, I thought their arc was clear as a bell: start removing every single darned inhibitor chip they could find, start the evac efforts to an Outer Rim planet, and then start rebuilding new lives, the end.

Instead, it's turned into what looks like a never-ending negative feedback loop: don't lift a finger to rescue a certain person; get told to give a darn about said person by the child character; finally act on the child's orders...but then as a creepy consequence for giving a darn at all, the title squad/'family'(?) starts watching its members not rethink one side of an ideological/psychological divide and leave them; not give up completely on rescuing Troopers/join the Margaritaville Society and leave them; not remember that there are human weight-bearing birds on a certain mountain planet and leave them; finally agree to be caught by the Empire in order to locate Mount Tantiss and leave them...and oh yes, let's add a 'Will They Kill A Brother/Won't They Kill A Brother' game to the mix, if things weren't totally weird enough...I mean, all right, already.

If this show WASN'T about having all six title characters come back together as a true family on an asylum planet, what IS happening here?

How in the world am I expected to respond to repetitive, exhausting moments of disaster and family splintering when for three whole years, I was endlessly told that there was NO disaster, that this was the PERFECT family, that they would NEVER end up shedding members one by one, etc...and...everything that the big-name fans and fandom influencers said WOULDN'T happen IS, in fact, happening right this very minute.

In other words, the squad and family keeps on disintegrating a little bit more with each new season, and I'm left thinking the same thing a few of you must have thought at least once.

Why am I here?

Is it because I'm studying this series as a whole like a certain Chiss studies art, and searching for all of its strengths and weaknesses in order to better improve my own writing? Is it for the sake of wishing to learn how to draw better, and practicing the craft in the safety of something familiar? Or, am I instead becoming some manner of corporate counter-revolutionary, and taking up fanworks as my mode of protest against stories that revolve more around too-short moments of cuteness and horror, sometimes solely for shock value alone...?

I'm afraid I can't answer questions like these just yet, no, not even to myself. I can only read and write and pretty much grieve everything that these episodes/seasons were supposed to be...yet for Force knows what reason, keep getting relegated to the same few plot points over and over again while expecting different results. I can only hope that there's some eventual breakthrough to make it all worth it in the end, if only to rid myself of the thought that this could be the very first bit of Nihilist media in the fandom.

Anyway...*deep breath* Now that I've given you my two cents on this issue...let's get right to my picks of the week, which, thanks to the return of a very interesting sister, I'm unofficially titling this as:

THE DATHOMIR EDITION

The Bad Batch Fan Art

Captain Howzer by @thespianwtch.

She Is Mommy by @anko-art.

Star Wars Rebels Fan Art

Alexsandr Kallus by @ghosty-blues1.

The Bad Batch Fan Fiction

You know, brother by whiteaxolotl

Fight Like Brothers Do by AgentMaryMargaretSkitz

deprogramming by vicious_creature

Whatever Is Necessary by ChopSyndulla

Domiciles by Polyphonic_Garden

Star Wars Sapphic Week, Day 5--Sparring by @violetjedisylveon

Serpent's Kiss by mediumsweet

Not A Soldier by TigerTheSpahget

Star Wars Sequels Fanfiction

What We Do In The Resistance by AgentMaryMargaretSkitz

And now, I'd like to put in a small advertisement, if only to bring more attention to an up-and-coming artist: @ve-ti-ver has started up their own Patreon page, available at this link . So, if you'd like to support them, please feel free to visit their page.

Finally, yes, you probably all know the drill by now...but just in case you need a reminder, here we go: Please give this post a like and a reblog, so that we can pass this post around the Internet and back!

This Week's No Pressure Tags Go Out To: @sharpasanaro @bananasugarwarrior @lazyprofessorpursesalad @callsign-denmark @melymigo @yeehawgeek @littlefeatherr @anko-art @guppyfreedom @giraffedragon-universe @clonebrainrot @gun-roswell @omglisalithium @falconfeather23435 @uuurgh @simply92-me @skellymom @metalatl @dathomirdumpsterfire @kuraiummei @thedynamicworm @ur-pal-ari @advisorsnips @groguandthebadbatch @lee-lee-la @themightychipmunk42 @random-chaotic-bitch @wastingstarsss @flyiingsly @ilovemedia @talesfrommedinastation @swarovski-yoda and anyone else who might be interested in catching more fanart and fanfictions.

Thank you, good afternoon, good luck, and...

[fanonplussed]

All of kiseki: dear to me is finally available to watch for free on YouTube!! I highly HIGHLY recommend this taiwanese BL: it is the gayest of gay mafias, with boys who kiss very well and very often, and it's only a short, sweet 13 eps of 30 minutes long!

The main ship is baifan aka Bai Zongyi/Fan Zherui (or Ze Rui/Jheruei, subs differ), who have such a compelling arc from antagonistic to reluctantly charmed to giddy in love to [spoilers] to even more in love (with a delicious touch of angst)! There's an 8 year age-gap, but frankly Bai Zongyi, who's younger, has more emotional maturity than every other character in a show lol (and also ship is fictional so who cares)

So usually I like my ships deranged, but it was really nice seeing baifan grow in their a steady but still hard-won way! Also the Bai family are THE BEST, really it's no wonder Bai Zongyi is so well-adjusted haha

That said if you want deranged, chenai has your back--that's Chen Yi/Ai Di, sworn mafia brothers since childhood. Ai Di has been pining for Chen Yi forever, but Chen Yi doesn't find out until [redacted] and then it's Chen Yi's turn to pine until they finally fight and kiss and cry their way to a happy ending. They're insane about each other and it's GREAT. These boys are willing to suffer and die for each other, and also Chen Yi lifts Ai Di like he weighs nothing every other scene, and also there's random bondage, and ALSO some truly fantastic emotionally fraught sex, like DAMN

Also there's a truly stellar cast of side characters, some you'll love and some you'll love to hate. The show sticks its landing and doesn't overstay its welcome. Also have I mentioned the inordinately good kissing? There's SO MUCH good kissing guys, seriously, please come yell with me about it