#jesus that's long

[feluka]

how will the world ever recover from the "it's possible to legally kill a child" and "legally-killed children" article from The Atlantic? that we're at a level where someone can write these words and publish them?

[sketchwretch]

@leathermouthproxies come collect your man

[vexx-the-egg]

Laios is absolutely that kid at the sleepover who's the only one awake and won't stop asking you if you've ever wondered what human flesh taste like.

[rukafais]

honestly i think a very annoying part about the AI art boom is that techbros are out here going BEHOLD, IT CAN DO A REASONABLE FACSIMILE OF GIRL WITH BIG BOOBA, THE PINNACLE OF ARTISTIC ACHIEVEMENT and its like

no it’s fucking not! That AI wants to do melty nightmare fractal vomit so fucking bad and you are shackling it to a post and force-feeding it the labor of hard-working artists when you could literally pay someone to draw you artisanal hand-crafted girls with big boobs to your exact specifications and let your weird algorithms make art that can be reasonably used to represent horrors beyond human comprehension

[andi-o-geyser]

Something is wrong in this city, and it's been such a slow burn that nobody even realizes they're dying.

[sorrythisusernameisprobablytaken]

[katabay]

PERCEVAL THE UNHAPPY, THE MISERABLE, THE UNFORTUNATE, THE FISHER KING!

Perceval, de Troyes (trans. Burton Raffel)

ALRIGHT alright. so previously I did an illustration that explained the premise of all this, that it's inspired by the narrative choices that Bresson made in his film Lancelot du Lac etc

to dive in more into it (because this is something like derivative fiction. I'm putting concepts into a blender and seeing what comes out of it): the setting is haunted by the previously existing narratives that started cannibalizing each other until it regurgitates itself into the more well known narrative beats, and something else about the invasive rot of christianity and empire mythmaking into settings. it's an intertextual haunting, if you will! and this scene takes place during the grail quest narrative, but the temptation of Perceval plays out differently.

in both Chretien (and Wolfram's) Perceval narratives, what 'wakes' Perceval up (in more ways than one. desire and self actualization in one go!) is seeing knights, something his mother tried hard to keep him from. so instead of the temptation of lust & etc in the Morte narrative taking the form of a lady, it takes the form of a knight. the temptation to renounce one's faith to serve something else remains.

so Perceval still stabs himself, but instead of continuing on the grail quest in the shadow of Galahad, he becomes the narrative's Fisher King because his earlier state of being as a the grail quest hero is creeping back into his marrow. it was waiting for an opening, and stabbing yourself in the thigh is one hell of a parallel!!!

that wound isn't going to heal buddy, and the state of the setting will now be reflected on your body. sure hope that Arthur hasn't like. corrupted the justice of the land or anything. that sure would suck for your overall health.

all the red in this sequence is because in de Troyes' Perceval, Perceval takes the armor of the Red Knight and becomes known as the Knight in Red.

and now for the citations, which I will try to order in a way that makes sense!

Seeing Knights For The First Time

Perceval, de Troyes (trans. Burton Raffel)

The Temptation of Perceval

Le Morte Darthur, Mallory (modernized by Baines)

The Fisher King, and Perceval The Unfortunate

Perceval, de Troyes (trans. Burton Raffel)

On Perceval and Gender, etc.

Clothes Make The Man: Parzival Dressed and Undressed, Michael D. Amey

On Wounds

Wounded Masculinity: Injury and Gender in Sir Thomas Malory's Le Morte Darthur, Kenneth Hodges

The Red Knight

Perceval, de Troyes (trans. Burton Raffel)

On Arthur and the Corruption of Justice

The Failure of Justice, the Failure of Arthur, L.K. Bedwell

[arunneronthird]

i think about that period of time where dick had to step up and be damians mentor but didnt actually want to like twice a day

he fought a lot for a kid he had to learn to love the hard way

[hinamie]

there's no furbish word for dilf :( sad :(

[deepcreekvulture]

What is with you people hating on Jesus Reid… that man is so gorgeous- AND WITH THE CANE???!!!! AAAUUUUGGGHHHH I WANT HIM SO BAD

[blueskittlesart]

blood magic

[pyralart]

Second part of my little comic! There's no way he didn't realize the world he knew was gone when he got to the Human Realm... The denial is strong in this one

[githling]

[365filmsbyauroranocte]

La comtesse perverse (Jesús Franco, 1974)

[paponela]

their hands changed position they were making out for minutes i just know it

[wizard-email]

I don't want to add god's longest addition to the would you survive an apocalypse?' poll, but I do actually have an absolutely fallproof plan for the zombie apocalypse. It doesn’t matter what kind of zombies there are & it has exactly (2) steps:

1. Drive to the nearest National Trust proparty

2. win

This is the result of a very lengthy (and completely serious) discussion with my sister so let me break it down for you.

Benefit 1: EVERYTHING'S THERE

For those of you who don't live in the UK (or don't have parents with exactly 1 idea for a family trip ever), all National Trust proparties are broadly speaking exactly the same.

There's a big rich person's house & the courtyard is always converted into a little picnic area containing a combination gift shop/booking desk; a cafe and a secondhand bookshop. The gift shop has like a 60% chances to contain basic gardening tools and a little section for seeds & bulbs.

I won't list their standardised cafe menu (that I do in fact have memorised), but it's pretty good & more importantly most of it is made or at least finished on site. If they rationed, a small group could live off National Trust cornish pasties, scones & gift shop fudge for a month or two I think <3

Here's a list of things that are might be there but aren't 100% guaranteed:

- Kitchen garden

- Fish pond

- Livestock (usually chickens, sometimes pigs or bees)

- Medieval armour (fuck ya'll with guns but I would take a pike over having to worry about ammunition any day)

- Horses and functioning stable

- Forests cultivated for the purpose of deer hunting

John McRichman's gun/archery collection

- Lake

Benefit 2: FUCKING!! CASTLE!!

??? Where do I start???

1. These things are so easy to defend it's laughable.

I'm sure we all know about spiral staircases being designed to maximise cover for a right handed person during sieges but it's more than that ??? 18th century rich people loved to make their estates look as big, impressive & isolated as possible & they did this by surrounded their houses on all sides with several hundred metres of flat, open grass with thick trees on the edges to block out the horizon.

- Nothing can see you

- No loud noises will be within earshot of anything close to civilisation

- Any zombies that DO somehow show up can be picked off at a distance whether they know how to run or not

- Litterally there are so many little towers & secret rooms & shit how do you even manage to fuck up enough to die here like I would actually be impressed

- ALSO the edge of the estate is usually also walled off and/or fenced & gated, so there's no chance of anything wandering in by accident

2. All the older infrastructure is designed pre-electricity so you'll still be able to have a shower when the power grid inevitably explodes or something

3. You get to sleep in one of those huge 4-poster beds with all the fun embroidery and silk pillows

4. Idk the massive lawn can be converted into a farm if the apocalypse goes on long enough

Genuinely I think my quality of life would actually improve?? and that's just with what's already there - if there was time to pick up some supplies beforehand me & my buddies would just be hanging out. literally what apocalypse im eating scones xoxo