Since DA2 won't load up properly (it's running in the background if anyone knows how to fix this lmk) I am going to post my thoughts on The Chantry Explosion (yes it deserves caps).
I think it's horrifying, but not in the 'he blew up a church' way.
It's horrifying that after years of campaigning, of peacefully fighting for equality, of being a 'good' rebeller, that it resorted to that. It's horrifying that Anders was fully willing to die for this if it meant that some day mages would be free. It's horrifying when you remember that the right of annulment had already been called for. It's horrifying that this was the only way the mages in the gallows even stood a chance of surviving.
It's horrifying, because if people cared, it would never have ended like that.
56 notes
·
View notes
Broke: "Dick Grayson was upset at a new kid taking over his mantle because he doesn't think Jason will be good enough as Robin"
Woke: "Dick is upset at Jason, not because he's suddenly taking over the mantle he created, but because Jason isn't nearly feral enough of a child to drive Bruce insane in Dick's place"
Dick: You wanna be my successor? Go swing from that chandelier right now.
Jason:
Dick: As a matter of fact, I need to see you crawling all over the walls. Make a ruckus, break some furniture
Jason: But Bruce-
Dick: SCREW Bruce. Your job as my new brother is to make his life HELL. Why are you so polite? Why are you so calm? Where's your DRIVE, your PASSION, huh? You may be worthy of the title of Robin, but are you WORTHY of being my disaster brother?
Jason, a little scared: I dont-
Dick, scoffing: The youth these days just don't rebel like they used to.
847 notes
·
View notes
Thank you. I'm sorry.
[First] Prev <–-> Next
776 notes
·
View notes
☆ you sow; & thus you shall reap what you are owed
{☆} characters tsaritsa
{☆} notes cult au, imposter au, drabble, gender neutral reader
{☆} warnings blood, violence
{☆} word count 0.8k
You are dying.
Gold melts into the dirt, bleeds into the very earth that you'd molded by your own hands – a familiarity you do not understand the source of – you know it to be true, yet you do not remember it as Teyvat does. It weeps, in turn, for the way you bleed upon it, the way your lungs strain for breath.
It is fury and sorrow and fear and hatred so raw that your mind buckles.
You will die.
"A dying godling and its judge, it's jury – it's executioners," The voice is hollow and cold, sweeps across your broken body like the first chill of winter, "Archons who saw themselves Gods, now brought to heel by their own hubris."
A cold hand upon your cheek, the brush of a thumb across your lip, the gentle caress of cold across your skin. You know her – you don't remember, you shouldn't recognize her but you do – and she knows you. The cold beckons and you follow, let her kindness settle in the hollow space of your chest. You want to speak, to cry and scream and rage, let the world burn around you in a fit of flames so hot even she cannot contain it – but she silences you, quiets the anger seeping into your blood, quiets Teyvat itself.
"Do not speak, little godling. Guide my hand," She is cold; her hands are not gentle, yet it is bliss compared to the callous, cruel hands that have shattered you. She is cruel and cold and brutal but she is love in the way she kisses the crown of your head. She is love in the way she is the bulwark between you and the world that has scorned you – she is fury in the way she brings them to their knees. "And I shall enact judgement most divine."
They will pray for forgiveness, and they shall find themselves wanting.
"It wasn't our fault!" They cry, but you cannot recognize the voice – it breaks and cracks like glass. "They were too human. How were we meant to know? We– we thought they were.."
Silence.
You watch your judge – the executioner, the blade that shall carve their sins into the very marrow of Teyvat, stand above you like death. As cold as winter and just as brutal. Your temple has been painted in the gold of your divine blood, and she shall complete the masterpiece with their own. The Archons shall become the grandest art in the world – this temple the canvas, their blood the paint and their bodies the palette. The cold that cuts sinew cradles you – it sings to you, whispers sweetly in your ear and carves bone from body in the same breath. The cold presses it's lips to your wrist and it cradles a heart within it's palm – judges them and finds them guilty.
It is her spear that rests between their ribs, her sword that dissects and her dagger that carves – the cold devours.
In the breadth of this divine sanctuary, the Archons dwindle. They become the pieces of a divine work of art, they bleed and bend and break upon her hands. She shakes the heavens and carves mortality into the bones of the divine – your word is Law, and you weave their deaths into the roots of Teyvat itself.
They shall know of their grand folly in every moment henceforth and longer still and they shall weep.
And as the curtain falls, as the world crumbles beneath fist and blade, she cradles your face between hands too cold – as gentle as a shard of ice between your ribs, as brutal as the kiss of gentle snowfall. The world buckles at the loss of six, but she alone does not allow it to break – you will have to mend the wounds of the world when you are well, but today you weep and Teyvat weeps with you.
And alone, the cold remains.
Stone has eroded, the wind has ceased, the flames have been extinguished, the storm has been silenced, the forests have gone quiet and the seas go still.
But the cold remains, bathed in gold.
It wraps you in thick furs, cradles you against the winter storm that brews beneath a veneer of composure. It brings you home – lets the world settle into a stillness and silence that inspires only dread and still she presses a kiss to your brow.
It is cold, but there has never been something so warm.
Where hands have broken you, she drapes you in furs, wipes away the thick gold that clings to your skin. She pieces you back together where you have been shattered, reshapes you where you have been bent – makes of you something new. Not a god and not a mortal but something wedged between them.
But you are yourself.
And you are where you belong.
They shall put you back together and you shall know only the worship worthy of the divine. They shall carve this world into your image, tear out and burn away the rot that festers.
All you need to do is say the word and they shall be your tools to make this world your own.
One word and those who wronged you shall burn, too.
Just one word. That's all it takes, and they shall take away your pain.
212 notes
·
View notes
it ever hit you out of nowhere that castiel is living in a dead guy's body and the show just does not care. it does not care. jimmy novak might as well not exist the moment he or claire is out of sight. cas stole a guy's body and his face and his life, and we can't ever talk about it or discuss it in detail because of how fucking horrifying it is that sam and dean's best friend just walks around in a dead guy suit. there's not even a human soul in there anymore. it's just a corpse. stone-cold body snatcher indeed.
283 notes
·
View notes
no ok like. i know this is The YBC Blog and all but i really truly need to go off about how GENUINELY fucking fascinating the whole "young volcanoes" video is on a metatextual level. like the entirety of the youngblood chronicles says a WHOLE hell of a lot about the band in terms of the metaphors it's painting wrt the hiatus and reformation and the fact that they took this particular song (sonically incredibly airy and cheerful, lyrically desolate) and turned it into the dinner party from hell. this is a story where an external force chops up the lead singer and hollows him out and then serves his organs to the rest of the band. theyre made to consume him, literally, against their will!!! and thats not all!! they are vividly hallucinating at this point, because theyve been heavily drugged - again, against their will! - and they see this whole thing as a joyous affair. in their blitzed out brains, this is them reuniting after the harrowing experience of being kidnapped off the goddamn streets! and then they have this fucked up trippy GROUP HALLUCINATION where they are literally EATING PATRICKS ORGANS. and in the real world, none of them can see this happening - except patrick. patrick is not blindfolded. patrick can see them being forcefed his own viscera and he's too fucking high off his ass to do anything about it. in fact, in reality, he barely acknowledges his bandmates at all.
like just thinking about this from a metaphorical perspective. its fucking fascinating innit. the band literally cannibalizes patrick against their will, and he cannibalizes himself against his will, and they are all made to believe this is something that they want to have happen. they are misled and drugged into this. they eat him alive. they eat him ALIVE. and they are made to think they're having a great time doing it.
the band consumes itself for the seeming entertainment of the onlooking vixens. and they don't explore this through the avenue of pete, who the rest of the band regularly cites as the creative impetus behind the band, but through patrick, the voice. the mouthpiece. the one who sings the words. this is the third fucking video they released when the band came back from hiatus. and its this. it is the band being forced to consume the lead singer and primary composer from the inside, and him participating in this forced consumption.
it makes me grip my head and scream. we witness this horrifying incident so early and things only get worse and worse from there. for all that patrick kills joe and pete later in the narrative, they have patrick's blood on their lips first, staining their mouths, slicking their insides. and, like the case with patrick, who has been warped into something violent, they don't do this willingly; it is done to them. we see what true and genuine hatred of music and creativity has motivated the vixens to do. and in contrast we see, by the story's end, the thesis statement that the defenders of the faith love each other beyond any earthly horror that can be inflicted upon them. how unbelievably unfathomably fucking captivating for this to be present at the very start, this warped perversion of that kind of love. what else is friendship and brotherhood but this. what else is love at its most destructive and possessive than this. we are friends, we are brothers in arms, we are companions until the bitterest of all bitter ends. we have wrought immeasurable horrors upon each other. we have consumed each other. we have eaten each other alive. we all have each other's blood on our hands and in our mouths. if save rock and roll is the brightest and most elevated declaration of love imaginable, then young volcanoes is the darkest and most twisted. we don't want to be here. we're having the time of our lives. we're trapped. we're screaming. we missed you. we are better together. we are destroying each other. we love you. we love you to the most twisted and horrific and absolute endpoint imaginable. we love you. they won't let us stop loving you. we love you. they won't let us stop. we love you.
266 notes
·
View notes
It’s just…so painful to watch Armand readily submit in order to obtain the love he so desperately craves. And while it’s most assuredly a manipulative tactic, it’s still one borne out of fear and desperation. He cannot lose this person he’s come to love and so will become whatever they want, do whatever they want just so they’ll stay with him. But it won’t be enough. No matter how much he acquiesces or seeks to control (himself, others, the environment), he won’t be able to make Louis stay with him in the perfect life, perfect self he built in the hopes of finally being loved. It will all crumble with Armand left alone in the rubble of what he created, the author of his own abandonment.
36 notes
·
View notes
I've been thinking about the tragedy of Elizabeth Woodville living to see the end of her family name.
I don't mean her family with her husband, which lived on through her daughter and grandson. I mean her own.
Her sisters died, one by one, many of them after 1485. When Elizabeth died, only Katherine was left, and she would die before the turn of the century as well.
All her brothers died, too. Lewis died in childhood. John was executed. Anthony was murdered. Lionel died suddenly in the peak of Richard's reign, unable to see his niece become queen. Edward perished at war. Richard died in grieving peace. For all the violence and judgement the family endured, it was "an accident of biology" that ended their line: none of the brothers left heirs, and the Woodville name was extinguished. We know the family was aware of this. We know they mourned it, too:
“Buy a bell to be a tenor at Grafton to the bells now there, for a remembrance of the last of my blood.”
Elizabeth lived through the deposition and death of her young sons, and lived to see the end of her own family name. It must have been such a haunting loss, on both sides.
52 notes
·
View notes
Little guy that lives in my brain breaking laws of nature and laws of gods
23 notes
·
View notes
Yes-Man resents a lot of things but I feel like he kinda liked Benny. It’s never implied Benny had the knowledge to continuously upgrade or update him after Emily so I like to think Yes-Man respected Benny enough to adopt some of his opinions willingly.
Like personality wise, Yes-Man is like if Benny was forced to be a kiss ass; he’s equally pointed and jerky even if unendingly helpful. No matter if you spare the Great Khans, Yes-Man dislikes them and is kinda violent about things. What this says about Benny and the way he talked about things behind the scenes is one thing but the other is Yes-Man ingrained it enough to keep it.
I can imagine Benny mentioning Vegas was for them and while Yes-Man is logical, as any machine would be, I think it’s sweet if the personable part of his programming was looking forward to running Vegas with his “creator”.
41 notes
·
View notes
☆ from gold, i am undone
{☆} characters tsaritsa
{☆} notes cult au, yandere, drabble, gender neutral reader
{☆} warnings blood, implied self harm, implied suicide attempts
{☆} word count 0.9k
You weren't meant to be here.
You can feel it in the marrow of your bones– it weighs you down like heavy shackles, gold bleeding from your pores until it is all you know. The taste of ichor on your tongue, the warmth of its invasion beneath your skin, that gleam of gold that lingers in the color of your eyes like specks of dust.
You are changed, and you are whole.
But you are so unbearably broken.
A shattered piece of porcelain hastily put back together with gold to fill the cracks.
Decoration, in the end, for you are not fit to walk as "mortals" do. This gold had filled every empty crevice of your body, spilled the red into your frantic hands and made you bleed so it's callous gold could make room inside your body. It has taken from you many things, given many more, but you scratch and bite and tear until it drips onto the floor and even then it never leaves. It stains the floor no matter how hard you scrub– a permanent reminder of the sickening gold that molds you into something that used to look like you– that does look like you. Desecrated, yet so horribly divine.
All you see is a monster.
Something new, something old.
A hollowed out shell, wounds left to rot and fester until you suited the image of the Creator they bore upon statues and murals, the Creator worshiped in prayers spoken in hushed whispers and joyous chants praising your magnificence.
But what magnificence is there in detachment? What joy is there to be found in carving a God out of a human? They kneel like lambs before the shepherd, but the flock has made you– and you want to unmake them. Unweave the tapestry of their being stitch by stitch until it all falls apart and the world knows the cost of casting molten gold into the shape of a human, knows the price that has been left unpaid.
You want to take it from them. Watch them squabble and pray, blind sheep stepping into the wolf's open maw– to tear the seams of their being until the world is unwound by your heavy hands.
But you know it will not satisfy you.
Nothing does anymore.
You are no wolf. Only the shepherd who guides.
And with every drop of blood spilled, they ripped the humanity from your very bones until your body was the cast in which they made something anew– something gold, something horrific. A monster as much a God, a beast as much a man.
There is nothing left but absolute authority.
You try again and again to mend this act of desecration, to peel back the outer shell and rend the gold from your marrow– but your body cannot, will not, die. It mends itself back into place no matter how damaged, and all you feel is the uncomfortable tug of your body forcing itself to live. You cannot die, but were you ever truly alive at all?
Yet with every cycle, you know only one constant besides the thrum of golden ichor in your veins– cold.
Ice that burns, ice that spreads and festers and devours. Claws that pull you apart until the gold runs thick, teeth that burrow into your bones and rip it out from the source..eyes that witness the fall of a God with reverence– hungering, all consuming reverence.
You welcome it.
It is the first time you felt pain since you were cast into an image of a being you were not meant to be. The sting of cold upon your skin makes you shiver, your body tries to reject it, but you want to welcome it– for a brief moment that lasts only as long as it takes for you to blink, you see the glint of something familiar in the reflection of her empty eyes. Something achingly, horribly familiar– something human, all the more terrifying for it.
Even when Teyvat itself crumples like paper beneath the weight of her sins – of this desecration anew, this wretched heresy – you allow her hands to do it again. You grasp her hands in yours like chains, willing her to shackle you, willing her to pull you apart and make you whole again. To break you until the gold cannot put you back together again.
You long, each time, for those eyes like spears that lodge into your skin– burrow deep and sting deeper, making gold flow like water. You long for the biting tongue, the cutting words and those teeth like weapons– long to see the spite and anger and impure disgust aimed at the woman of silver who leads you down a hall that ends only in damnation. You follow each time like the lamb led astray by the wolf, but you do not wail in betrayal when she sinks her teeth into your throat and devours you whole.
For is it a sin if you welcome it? Has their God sinned, in the eyes of the flock, for welcoming such heresy with open arms? For allowing the wolf into their home?
Is it a sin to be broken beneath the only hands that have loved you?
Is it a sin to want to love, too, those hands and teeth stained in gold?
Then you shall be damned, you swear it. Damned, but gold no more.
For death is the closest you have ever felt to being human.
173 notes
·
View notes
Hi folks! It seems like people are discovering that there are people online who write some WEIRD! 👎 stuff for Nevermoor. Some tips and tricks for dealing with that:
Don't engage. Don't read the fics. Don't even comment to say how much you hate it.
Don't spread it around. It's gross as hell, I know! But being like "ew, guys, I found this gross fic" just means you're causing more people to seek out said gross fic, and that's just not great. If you don't want to see it, no one else wants to either.
If you can: block, mute, or filter. I don't really use any fanfic sites to know if these functionalities exist, but I'm sure people online have found ways. Edit: here's a way to do it on Ao3.
TL;DR: Ignore, Ignore, Ignore. 👍
(PS: Same thing goes for when people send weird inappropriate anon messages. Just delete them from your inbox and don't subject others to them.)
This is unfortunately something that's been present for years in the fandom, on both Ao3 and Wattpad. This is also why I essentially don't read Nevermoor fics unless they're for Mogtober, and even then I'm cautious. I have seen some weird stuff written about my favorite characters that I wish I could pluck from my brain and set on fire, or worse! But when I stumble across that stuff, I just quickly close the tab and pivot to something else to get my mind off of it.
We should not entertain these types of people in a fandom full of minors about a middle grade series, so: just don't engage with them, ignore them, filter them out, and maybe even drown them out with some fics of your own.
63 notes
·
View notes
Okay so, if LBD was "I will completely demolish this system to build a new one", and Azure was "I will use the system for my benefit to improve the system", what do we think our new antagonist will be
25 notes
·
View notes
Started reading the jaws novel today. Why is it like that.
10 notes
·
View notes
I think of all the approximate categories of animal, fish are unbeatable in terms of how much it would suck ass to be one. you’re basically the most edible creature on god’s earth and literally everything else wants in on that. like yeah everything eats everything but at least if you’re a bird that lives in the sky you mainly just have to worry about being eaten by other things that are in the sky, but fish? other fish are only the beginning of your problems. not only does everything in the ocean that’s bigger than you want to eat you, so do most things on land given half a chance. there are things in the sky that evolved specifically to come all the way down just to eat you. and you don’t even have arms to punch any of them with you just kinda have to sit there going :o as you’re carried away into the beyond. you have no limbs at all, in fact, so if you ever leave the water you can’t even get back to it like, if something that’s not supposed to be in the water gets in the water it can at least try to swim to shore and get out, but fish are just like “guess I’ll die.” pour one out for fish. they did not ask for this.
338 notes
·
View notes
Did a second run of Shadows over Loathing because I wanted to do an evil run. I had far too much fun with this guy and I am perhaps even more attached to him than Cecil because sometimes you need a guy who loves being fucked up.
He's not even evil, really, because that would imply he cares about what he's doing.
Bonus picture that's a vital contribution to their dynamic:
23 notes
·
View notes