#like even if the argument is that oh they have to be Good(tm) not implying that fanfic isn't great

[macbcth]

.

[kradogsrats]

Now we know What Viren Did(tm), and...

My personal side-eye aside, that denouement is actually an incredibly elegant application of the story's themes, within the scope of restrictions imposed by this particular medium (i.e. a cartoon targeted for pre-teens and younger). Like, I personally assumed for a long time that we would simply never find out the details, because it would be either too grim and/or violent for the story's intended rating or... kind of a let-down. On the surface, what we got seems like the second.

Most of us have looked at Claudia killing the baby deer to heal Soren's paralysis and went "well, it was obviously that, but y'know... worse, somehow," which is a completely reasonable assumption to make. It was definitely what was narratively implied, which makes the supposedly-damning ingredient being "your mother's tears" instead of like... idk, "your mother was pregnant again and I used the life of that unborn child to save you" or something kind of "... oh. Okay, then."

To be fair, that might also be why they went so hard in the IMO inadvisable male-dominated writer room direction of "so I held her down and took what I wanted" to convey the requisite "he's doing A Bad," which is what all my side-eye is toward. But here's the thing:

On some level, dark magic is about violation—of nature, of others, and of the self. Even violation by Aaravos, ultimately.

But it's also not just that.

Dark magic also sits at the center of one of the primary themes of the whole story, which is the evil of denying others' personhood. We see it again and again from the angle of the heroic cast: "You keep calling it a monster," "You knew he was a person, just like you," "She's not 'the elf.' She's Rayla." The evil they do not allow to take root is seeing people as things, the place where all other evils begin. (GNU Terry Pratchett, IYKYK.)

So Viren's damning crime, the crime that is dark magic, is this:

In that moment, he looks at his wife, and sees only a source of what he needs. One that he can take from as he wills. That's why Lissa leaves—Viren has pulled the circle he draws around "people" versus "abstractions, things to be used" in so tightly that she has found herself suddenly on the outside of it. That's not something you come back from, in a relationship.

As for it all being over something as innocent as Lissa's tears, as opposed to something like her blood, her unborn child, her heart, her last breath—that's also, I think, part of the point. It's a renewable resource, harvested without doing permanent physical harm, but it's still a violation of her. This is the ultimate refutation of the "but what if ethically-sourced phoenix feathers" argument as being, for the final time, bullshit.

When Viren bursts in looking like he walked straight out of hell and demands use of her tears, could Lissa have given them freely? Sure... but she didn't. Could he have talked her around, if he invested the time and respect for her that would require? Probably, but again, he didn't! He took what he'd decided was necessary, did what he decided he had to do, because he could.

And like, he knew, even then. Because while dark magic twists your perceptions and reasoning, dragging you deeper each time—it can't twist you so much that you no longer have a choice. It will do everything it can to make you rationalize making that choice, over and over, but it can't erase that it is a choice.

Like, I'm honestly kind of emotional about it because while the surface level watching experience is kind of hmmmmm, it delivers so well on a thematic and meta level that I'm just like idk. Fuck. It's good.

[evilminji]

Gold can be exchanged for goods and services (o.o )

Pariah's Keep probably has a shit ton of Precious Goods from various places.

Danny is become King?

If Danny becomes King... then the Zone will somewhat obey him. The Crown and Ring could EASILY tell him where the next natural portal is, where it opens up, and for how long. How many there are. Could probably make a few.

Probably WAS supposed to be making them. Consciously. But, well, Coma(tm).

Would probably count as Kingly Duty to filter and collect. Clean Ecto goes out for souls that remain, a Gateway home for those that wish to LEAVE, so forth and so on.

Effectively, being The Grim Reaper. You don't CAUSE Death. You just guide the way home. If folks so choose.

And that's neat! Horrifying, but neat! And Danny can TOTALLY see how it would eventually drive him completely breakfast cereal fruity nuggets! LUCKILY, he's got a vaguely bro's/Mentor thing going with the ghost who has ALL OF POSSIBLE TIME flowing through HIS head! So Danny should be Gucci!

The headaches suck though.

But WHAT... to do with all this Gold and valuable Space Goods? Most of these aren't even recognized currency on earth! Like the Shells. You could buy a mansion with one of those... on the right planet. On Earth? Pretty paperweight. Hmmmm >.>

Wait.

WAIT!

<o> *points to top of head!* CROWN! It can? Predict and make PORTALS!

Portals lead any WHERE and any WHEN!

:O

Gold... can be exchanged for goods and services. He remembers, holding a gold brick, about to eat so, SO much pizza.

But WAIT! I hear you wondering! Surely, you mean? Within his past? The history and region of space he knows, right? Ha ha :) Nope! Cowards.

Danny is on the alien otter's planet, trading those sweet, sweet Shells for some snacks no human could eat and a shawl for his sister! He's hiding, badly, behind a food stall in the Martian market place. Hoping future hero J'onn Johnes doesn't notice him.

Lying to the Space Cops, bout where his untraceable Space Money came from, on an alien trading satellite. The Green Lantern's not buying it. Oh noooo >.> sudden Fright Knight. Looming Menacingly by the loading doooocks. Everyone's upset! Definitely not related to him! Better go check on that! :) *gets the heck out of dodge* (my king. Please stop using me as a distraction.) (No promises)

But! It's all fun and games? Until your human friends get sick. Like... REALLY sick.

And then you suddenly remember time and space mean nothing to you. One 15 minute flight that way, two doors, a quick flight of stairs, and a literal child's play place slide? You could be in the 32nd century.

That disease is AT BEST, an unpleasant afternoon, there.

Here, your friend could die.

You trade a student two Spanish dubloons. They have no idea what they are. Just like the look of them and know they're real metal. They walk into the pharmacy for you. Don't question your "social experiment paper" lie.

You're back in less then an hour.

The screaming argument about ethics and mortality lasts hours.

She still takes the medicine. Gets better. Won't talk to you for months. Because why does HER life matter more? Why bend the rules for HER? And you can't bring yourself to say what pulses as Truth from both Crown and Ring.

You could because she didn't Matter. Time... would not notice, nor change. She was in no way pivotal to the flow of history, must one more ant beneath its unrelenting march. Mattering only because those who love her CARE. Because one or two little things might change for the better.

But it takes the shine off of it, a little.

Being able to go to the FUTURE. Watch movies and see aliens and humans alike in the crowd. Read books and dance to songs from people who won't be born for hundreds of years. Eat snacks from the farthest reaches of the cosmos. Or the early BCs!

And that's BEFORE other time travelers clock him as That Shopping Guy. The one who keeps popping up... buying things. For what? Unknown. Probably dinner. Half the time it's food. Trinkets. Once it was a really, REALLY nice goat. (His aunt was THRILLED.)

It probably drives Bart crazy. Because NO ONE knows anything about the guy? Everyone just universally goes "oooh yeah! HIM! Yeah, he sure does Exsist(tm). Very... present and exsistant." Like that's not CRAZY! He has so many question. So Many! What is he even BUYING!? Why? Is there an order? Or is he winging it?!

*pulls out list* he needs ANSWERS!

@hypewinter @hdgnj @ailithnight

[weebsinstash]

Do you think Nolan or Thragg would ever be a GirlDad (TM)? Like, I can imagine Nolan finding out his wife is pregnant with a girl, and he thinks he's going to treat her the same as Mark, but then he holds her in his arms for the 1st time and all of a sudden she's Daddy's Little Princess and he's teaching her how to subjugate her enemies during her "princess tea parties" and they're both wearing tiaras cuz "Please daddy?" with puppy dog eyes.

Hooting hollering howling and slapping my knee because I never finished the goddamn post but if you take a gander over here in my drafts

SAME BRAINCELL WOO WOO

That gif is his response to you asking when you get to date lmaooo

I almost wrote like something short for it, and I kind of am constantly bouncing around between "Do I want this to be short or long or what" but I can just imagine daughter Reader and Nolan going at it "you just don't want me to date because you want me to save myself for a VILTRUMITE man, don't you?! Humans aren't good enough, huh?! I'm 'too good for a human man'?!" And he just loses it and shouts back "you're too good for ANY man, you don't NEED any man, I'M the only man you need, I'M your FATHER!!" Like. Nolan is one of those super dare I use the term emotionally incestuous yandere dads

Like. Ok I guess this is a throwaway spoiler because I would be absolutely fucking shocked if they bothered to animate this, it's such a small deal, but like. Idk. Idk. How do I phrase this. "There's another character in the series who also has to deal with their daughter wanting to have A Ho Phase and Daddy Doesn't Like It" and for the love of fucking god Nolan and Thragg wouldn't let you date for absolute shit. No dating, no fucking, you are, their pure innocent sweet but also savage little fierce warrior princess and you are untouched by no man like the goddess Artemis to them.

God. Having a yelling screaming argument where you're just so upset, "OH YEAH WELL YOU KNOW YOUR CHANCELLORS SON, THE ONE I MET THE OTHER WEEK? YEAH, YEAH, I FUCKED HIM, I FUCKED HIM IN MY BED, IN THE HOUSE YOU PROVIDE FOR ME, HOW DO YOU LIKE THAT, DADDY" and that's like OH MY GOD you've cut them so deep it's like actual fucking sacrilege to them. The EMOTIONAL DAMAGE. Fists are nothing knives are nothing bombs are nothing BUT HEARING THAT THEIR BABY GIRL GOT DEFLOWERED? It's like a fucking DEBUFF. Imagine you scream at Nolan about how you sucked off a Viltrumite HIS AGE and he just PHYSICALLY STUMBLES, HAS TO REGAIN HIS BALANCE, HAND OVER HIS HEART

And Thragg is, obsessively hollering about how you're the Grand Regents daughter and you're of too high status for any of these males, just screaming at you, "WHY DID I CATCH THAT MAN'S TONGUE IN YOUR MOUTH? HE IS BENEATH YOU" and you hit him with "YEAH HE WAS BENEATH ME, AND BEHIND ME, AND ON TOP OF ME--" and Thragg gets so fucking RED, I feel like he's one of those wall punching dads. He won't ever hit you but he might manhandle-grab you and physically intimidate you at times. Thragg can just give you The Look and you INSTANTLY know you're in for a punishment, or that he's absolutely furious, and you're on your knees, "Please Daddy I'm sorry I didn't mean it, I was angry, please don't be upset with me, i-i-i just dont like you being disappointed in me, i love you and i want us to get along 🥺" and like. Obviously it works. But. He's not mad at YOU, he's mad at THE GUY, so, as cute and effective as buttering him up or even just genuinely being afraid and pleading earnestly is, you're not his target. The guy's still getting, tortured and maimed or something. But thanks for telling Father you love him, that'll perk him up during his next planet raid ❤️

BUT NO LITERALLY ACTUALLY Nolan with his knees bent in a little tiny plastic chair nearly on the ground with his little fake cup of tea as he sits there having "tea" with you and your Princess Ladybug doll and he's all, "now sweetheart, what did we learn today?" "That if we defeat our enemies, we should also take out their family and their allies, so they don't come back for vengeance?" "Yes sweetie, that's so good, you're so smart 🥰"

Nolan/Thragg getting in a physical fight and they could be getting maimed and disembowled or taking punches and it's like whatever, they're still chilling, but, do some shit like, knock their treasured keychain out of their pocket that you gave them or an embroidered handkerchief or just a little personal photo of you they keep on them gets ruined in the scuffle, oh, oh, NOW they're fucking pissed, NOW they've got some serious unfinished business in this fight and their opponents get DEMOLISHED and they're sitting there pouting with their broken/ruined thing you gave them because even if they got a new one from you, this one still had memories and sentimental value

I feel like similar to parents keeping baby teeth, Thragg would keep things like, first weapon you ever trained with, memorial photo of your first spar with another child that you won, your first flightsuit, a toddlers toy that was crushed on accident because you suddenly got your powers and had far too much strength than you knew what to do with. And Nolan, if he's raising you on Earth with Debbie, he's at all your school functions, whether it's dancing or sports, and if you aren't in those things, he encourages you HEAVILY (it totally isn't. Training or anything or making sure you're staying fit and active for anything in the future hahaha). He's taking photos and cheering in the crowds. He wants your art in his office. He wants to play games with you once you get your powers. He buys a case for any medals and trophies to proudly display.

Also like do you have any idea how much of an actual phenomenon it is, I've seen videos of it, where dads basically have infinitely more sympathy for their new daughters when they already have sons. I distinctly remember a video where a man was holding his second-born, his first daughter, and he was like weeping because he was feeling intense empathy for his infant daughter because she was crying and looking at him as he held her, and the wife was filming and it was captioned "he never did this with our son" and like. LMAO, THAT'S NOLAN WITH YOU WHEN YOU CRY. THAT'S THRAGG SUDDENLY GIVING A FUCK ABOUT ONLY YOU SPECIFICALLY AFTER LIKE TONS OF KIDS.

Daughter Reader would definitely be their spoiled little princess but you're also their spoiled little princess under very specific terms of CONTAINMENT AND SURVEILLANCE. You've got curfews, they need to know who your friends are, what families do they come from, what do their parents do. They'll treat you like a princess but they'll also socially isolate you from others and. Basically control your life. And if you ever try and pull away from Dear Old Dad, well. Viltrumites can have some pretty extreme reactions. Will Nolan have to disfigure that boy you won't stop talking to? Will Thragg have to build a pretty little cell so that his adult daughter doesn't sneak out to drink and fuck unknown men? That's up to how much of an obedient faithful daughter you want to be. Don't make them do something only you will regret ❤️

Jfjfkfm EDIT; I ALSO TOTALLY MISSES YOU SENT THIS

No but absolutely you're sitting there in your little costume jewelry as you twist a barbie doll and wring her like a towel "for disobeying High Queen Princess Barbie" and here's Thragg, "that's very good. The chain of command should always be respected" and you just happily start chattering away in that "im a small child and I don't know how to keep secrets or lie" kind of way

"Then Teddy Mason from down the street chased me into the woods and I kept telling him to stop but he kept using a stick to pull up my skirt so I grabbed him by the leg and threw him up into the air so he went SPLAT when he came back down!!" And you bang your little hand down on your table and Thragg is nodding in approval and Nolan just comes in looking mortified because he has no idea why Thragg is there until he. Sees that you're putting all kinds of stupid plastic hair clips in the man's hair and even his mustache and giggling and putting stickers on him And Thragg Is Just Totally Letting It Happen. Just totally casual, "Ah Nolan, you're finally here" and stands up to talk to Nolan with you in his arms or on his shoulder or just, hovering around him continuing to play with all the hair clips while your very horrified father is wondering what alternate dimension he just stumbled into to see the Grand Regent so. Calm.

The two men go into the other room "to have a grownup talk" and are they talking about the invasion? About Viltrum? No, Thragg is demanding to see all your baby photos as Nolan starts pulling out all his photo albums with absolute glee

[bambisnc]

OK! [or, group projects w riize]

pairing : ot7 x reader! genre : fluff with crack delicately lined in cw/tw : food mention + use of caps wc : idk ,,

shotaro ,. ! - the mood maker!! - is the person who Socializes, helps to coordinate between the members, makes the gc, arranges meet-ups; just overall supportive and cheerful even if your team is doing literally nothing and is very likely about to get an F (D:) - shows up w like cut fruits for everyone, goes on coffee runs + writes encouraging lil messages on sticky notes and leaves them around/in notebooks etc etc - also x2 i see him as someone who like,... doodles on your people’s hands :( draws a smol star and writes something adorably cringe like “ur my star ^-^”

eunseok ,. ! - he’s the type of guy who’d take charge and delegate work to everyone; to put it simply : BOSSY AF. dare i say dictator coded even, but hey, he just wants this to get over with yk?? - bit scary to work w at first but when if he warms up to you he might would definitely indulge in a lot of partiality; assign you the easier tasks/the tasks that you prefer + if someone pisses him off he would, w the nicest sweetest smile ever, assign them the worst possible task.. - can be bribed if you offer to help w his work though sooo :) do w that what you will :) 

sungchan ,. ! - trust on me this, he’d be the one who’s always “busy” except in his case he probably fr is bc my guy is just into That Many extra curriculars - you call him up like hey where are you we’re supposed to meet at *insert name* coffee shop rn?? and he’d answer w all seriousness that his “rap music club members have a mandatory team exercise for which they’ve gone fishing and after he needs to prepare an ad for the video game club because he kinda insulted the ad making team and now they’re all on strike . oh and he has football coaching (as in he needs to coach like a bunch of tiny kindergarteners as a favor to some aunt) right in between!” - he’ll send all his work at like 4am tho dw ^^ sleep is for the weak.

wonbin ,. ! -perfectionist!!! he would be The aesthetic stationery + supplies guy with like pouches and pouches of pretty washi tapes, metallic coloured calligraphy pens, stickers and much more - would definitely call out people if their handwriting was bad.. - also he would totally use the project as an excuse to get to know whoever he’s interested in~ might offer to split the work into like duos and immediately choose you as his partner~ - prepare yourself for a lot of really obvious and goofy flirting..

seunghan ,. ! - ah yes the wise guy (genuine) (no why does he fr know everything about Everything) - puts out the most thought provoking, viewpoint shaking, world stopping arguments then half-slumps over the table and or rests his entire weight to lean on you and mumbles something about wanting to watch shin-chan >< he’s versatile (read : cute) like that - also would quite honestly go along w any idea no matter how bad it is <3 + seems super calm and composed but watch him be the most excited when taro suggests some team bonding at an arcade/festival :( <3

sohee ,. ! - he gives me manages stuff best under high pressure situations - if you’re freaking out about one of your teammates cough cough you can guess who it was having fumbled up and accidentally written down the wrong date and oh no your project is due tomorrow?! don’t worry! he’s got this :D - procrastinator at heart but for the right persuasion tactics done by ahem a certain someone (it’s you) he’d probably give it his all <;3 - also he’s an enabler at heart.. supports the ideas which he knows are going to be a trainwreck just for funsies

anton ,. ! - :(( he is Doing His Best okay - gets a bit overwhelmed due to the rising panic and chaos + leads to people being very partial to him but honestly yk he deserves it <3 - also a rich guy tm, would definitely ahem ahem pull some strings to get some extra fine quality materials~ - feel like he’d be good at research work + another 4am worker would definitely pester you to join zoom calls or ft you and be like hey!! look at this!! i did this!! is it good!! - as an excuse to show off to yuo splurges a lot for an end of the project celebration for sure

notes : inspired by very very real life events (wrote this in a zoom meet w my current group proj members ehe)! if you know me irl and feel like these are based off of you.. they're not!! you're simply hallucinating!!!! <333 + [m.list]

[theactualsunshinechild]

Fontaine archon storyline still has the opportunity to do the funniest thing ever and try to make Mr. "Genocide on a Whim" Childe a Christ figure by somehow trying to sacrifice him to the primordial sea for the sins of all of Fontaine

That's definitely not the plan, but it would be very funny. I love the concept of making completely un-christ-like characters into christ stand-ins.

I just keep thinking about how much opportunity they have to pull off something very biblical here with the whole "born with sin" "flood to cleanse sins" "literally building Noah's ark" "statue of the seven technically holding a cross" "passing final judgment only belongs to one entity" shit they have going on.

The entirety of Fontaine so far is so full of Christian references, whether intentional or not, that they could absolutely Christ-ify Childe if they wanted to! They're like, halfway there, they just need to sacrifice his ass and bring him back to life and they'll check off bingo.

I would be so grateful if they literally killed and revived him. can you imagine how much extra MC level Angst TM they could stuff into this man?

I love giving my most pathetic meow meows the hardest battles.

plus the added moral quandry of "is it right it to kill one guy to save our whole country even though he is not Fontanian and is blessed(???) by the primordial sea whale thing (pure of their inherent fontanian sin, kind of a son of god equivalent moment)? Is it right to do even if he isn't exactly a good person?"

And then of course the fact that the vast majority of the people affected by this decision would probably say yes, hesitantly or not. Like, if it were a guaranteed fix to the prophecy, there is no doubt in my mind that Arlecchino would be willing to nail Childe to the metaphorical cross herself AND cover it up to his family.

Neuvillette would probably consider it unjust, but could maybe potentially be swayed by the weight of just how many lives would be saved vs One Dangerous Criminal argument. (A Christ and Pontius Pilate reference? Childe WAS arrested and tried and found guilty for a crime he didn't commit by a guy who was unwilling, but forced to pronounce him guilty).

Wriothesley would be against the idea of sacrificing someone legally under his care, but if it's that vs everyone else in the fortress??? He would rather it was himself, as hell bent on fixing issues thrown his way as he is, but the man doesn't even know if he's Fontanian or not, he doesn't have the same circumstances surrounding him as Childe does to even offer to stand in his place.

Basically, if it is a guarantee, sacrificing him is simply the most practical choice that most people would make. In fact, out of all the characters we have in Fontaine, I think only the traveler might even bother truly standing up for him to the very end, because everyone else is very Personally affected, since it's their own lives on the line as well.

And that would be heartbreaking

The ANGST of Childe looking around him and seeing no one in his side in the face of impending sacrificial execution would shatter me into pieces.

Oh god, can you IMAGINE a cut scene of Childe being the first person to be sentenced to death in Fontaine in over a century and desperately looking around and meeting the traveller's eyes and we fucking grit our teeth and look away? Can you IMAGINE?!

That would break me.

Anyway, I don't think they'll do it since that's just not how Genshin writes, but it sure would be a missed opportunity.

[alectoperdita]

Oh hell, I am all about them drugged confessions. If/whenever you’re up for it. 💕

From Put That Guy in a Situation(TM) Ask Game

Jumped this one ahead in the queue since it's someone's birthday. 💜💜💜 Enjoy, my friend! I hope this has enough of the stuff you dig about them.

13. Drunken/drugged/sleepy confessions

content warnings: referenced non-consensual drug use and mildly spicy because Seto is thirsty

---

The city lights stabbed into Seto's eyes. The city's heartbeat—a frantic cacophony of bumper-to-bumper traffic, music spilling out of late-night shops and restaurants, and an overwhelming pulse of humanity—pulsed against the back of his head like a second migraine.

He lifted his heavy head and tried to get a better look at his surroundings. Not an easy feat when the world wouldn't stop spinning. Seto could feel the planet's rotational force itself.

In the sky, a bloated, sickly yellow moon hung on the black canvas, a dim bulb when compared to the Oriental Pearl Tower's neon blue and magenta on the opposite riverbank. The phalanx of lit skyscrapers behind the landmark formed a blinding wall that threatened to lighten the night sky.

No wonder they were sitting at a standstill in traffic. He was in the Bund. Shanghai. He was in Shanghai. Not for the first or second time, but the city's nightlife never failed to overwhelm.

It came back to him in bits and pieces. The Pan-Asia Duel Monsters Championship was in China this year, which KC was a sponsor of, along with a dozen international and domestic corporations. Seto wasn't here to compete, though. He was here to do business and build guanxi.

Which meant night after night of hard drinking and tedious back slapping as Seto endured their patronizing compliments about his passable Mandarin. Endless rounds of maotai until his blood must be 90% alcohol. That was the preferred poison of the old-school elites, the ones who built their wealth on the backs of a rapidly booming economy that outpaced everyone's wildest imagination. Not even Japan had sustained that kind of boom in the post-war years.

Potential liver failure was the price of doing business in this country.

That was last night, though. Seto was sure of that much, even if the passage of time seemed theoretical at best. Tonight, he'd been swept into a gaggle of their children, mainly the sons of the previous night's party officials and business moguls.

The fuerdai. His "peers."

Ha! Gozaburo had handed him nothing. Everything Seto owned, everything he accomplished, was through his own sweat and blood.

Seto will give them one thing: their tastes were decidedly less provincial. While their fathers drank baijiu like fish drinking water, they preferred cocktails, or at least pitchers of iced green tea mixed with Crown Royal.

Maybe that was his first mistake. Maybe he shouldn't have underestimated how fucked up he could get on such a simple mixture.

That was the last thing he could remember. He drew a yawning gap between the afterparty at the club and this taxi cab.

Seto sank into the seat and squeezed his eyes shut. His stomach lurched. Perhaps it was a good thing that they were stuck in traffic. He might not be able to keep it down in stop-and-go traffic.

An abrasive—a familiar abrasive voice—encroached from the fringes, though. An equally combative voice shot back in a different language.

Seto's head lolled to the side, away from the window and toward the other passenger in the backseat. Reluctantly, he pried his heavy eyelids open. God, why was he so tired? It felt like he'd pulled several all-nighters in a row.

His fellow passenger was Jounouchi, locked in a heated conversation/argument with the cab driver.

Right. Jounouchi was also in Shanghai this week. Except he was here to compete in the tournament. And unlike Seto, he didn't speak a lick of Chinese.

Not that his laughable grasp of English fared any better.

"Fuck, I'm telling ya, it's the other Marriott!" Jounouchi groaned in Japanese, running a frustrated hand through his bird's nest hair. It looked softer than it had any right to be, though. The strands ought to be bleached to hell and back after this many years.

But Jounouchi had been updating his wardrobe and his deck in recent years. Every victory advanced his look and style, and even netted him some media training like someone deserving of media notice, which was why he was playing in the Pan-Asian championship. Seto couldn't ignore him like he once did, like he still tried to in vain sometimes.

(And sometimes, he very much didn't want to ignore Jounouchi, wondering if he could catch the other man's attention in return...)

None of that explained why they were in the same cab, though.

Jounouchi tried again to communicate. It hurt to listen to him butcher English to that extent. The cab driver appeared to grow even more irate, threatening to eject them entirely.

Giggles spilled uncontrollably out of him. Of course! Of course, Jounouchi's incompetence got them stranded on the opposite end of the city from their hotel.

Fortunately, he was a snack to look at, even if his brains were nothing to write home about.

Seto's words croaked out of him, repeating in Mandarin what Jounouchi had been trying to convey. God, why did it hurt so much to speak? But even his drunken slur sufficed, earning a grousing retort from the driver that Seto should've just said so sooner while shooting a death glare at his other passenger through the rearview mirror.

At the sound of Seto's voice, Jounouchi jolted in shock, releasing the driver's headrest he had been clinging to. After several awkward moments of staring, he inched closer to Seto, stopping short of touching him. But the proximity and the tight enclosure made Seto's skin crawl. Not in an unpleasant way, though. His body tingled and felt a touch flushed.

How would Jounouchi's skin feel against his?

"You alright there, Kaiba?" asked Jounouchi, seemingly floating closer. He waved a hesitant hand in Seto's face.

Base urges welled up in him. He wanted to grab Jounouchi's hand and bite it, no better than a dog, as he once mocked the other man for being. Better yet, he could drag his tongue across the rough palm and lap at his knuckles. Suck his thick fingers into his mouth and learn contentment from how they could fill his mouth.

Seto was never drinking green tea mixed with whisky ever again.

He managed a small noise of confirmation before he twisted away, curling as best as he could around the seatbelt. Something like a whimper pushed at the back of his throat, but he refused to release it. He wouldn't humiliate himself any further. Just as he wouldn't crawl across the middle seat and cuddle into Jounouchi's lap.

But god, he wanted that so much it hurt.

A warm hand landed on his back, and he nearly surrendered as Jounouchi rubbed soothing circles between his shoulder blades.

"It's okay." Jounouchi spoke softly, but somehow it rang louder than the many decibels of Shanghai traffic. "We'll be back at the hotel in time. Just hang in there."

Seto spent the rest of the journey folded into himself, wedged firmly against the side of the taxi, trying and failing not to tremble under Jounouchi's caring touch. With a hushed tone, Jounouchi explained what had happened. It was pure coincidence that he ran into Seto and his "party" at that particular club. (Coincidence is giving chance too much credit. There were only so many high-end nightclubs in the city.) Jounouchi had wandered over to say hi before rejoining his own group. But out of the corner of his eyes, he'd noticed that Kaiba was acting unlike himself. In fact, the entire group seemed a bit off.

Seto was coming to his own conclusion before Jounouchi shared his.

Seto had been drugged. And since he knew better than to take random shit handed to him by strangers, it must've been slipped into his drink. Or maybe it was in the communal cocktail pitcher to begin with.

"They were trying to drag you off to someplace else. Don't ask me where. But you didn't look like you wanted to go, so I stepped in," Jounouchi trailed off. He'd yet to remove his hand, but it sat unmoving, a steadying weight on Seto's back helping to ground him to reality.

"I can't imagine they were happy," Seto muttered.

Jounouchi chuckled. "Not one bit. Acted like I was trying to kill the party. One chick threatened me with her stiletto heel."

"My knight in shining armor." Seto found himself laughing, then regretted it when his head throbbed.

"Don't worry, I didn't hit any of 'em. Mighty tempting, though. I just kinda threw you over my shoulder and high-tailed it outta there. That was how I knew you were really outta it. You barely cursed me out."

Heat associated with both shame and arousal rushed through him. It turned out those biceps he secretly admired weren't just for show.

"Finally, we're here!" exclaimed Jounouchi. His hand also regrettably retreated.

Seto watched blearily as Jounouchi overpaid the driver and leaped out the door. He didn't go far, though. He jogged around the vehicle to Seto's side and yanked open the door. As he leaned in and over Seto to undo the seatbelt buckle, the woody scent of Jounouchi's cologne flooded Seto's nostrils. And his strength was plainly evident as he braced his arms around Seto's shoulders and hip.

"Alright, up we go," urged Jounouchi.

Under any sober circumstance, Seto would've never allowed this to happen. To let Jounouchi touch him, especially as a caretaker. But Seto was the farthest thing from sober, fucked up on whatever combination of alcohol and party drugs he had been unwittingly fed. He didn't have the strength to stand on his own two feet.

So he relied on Jounouchi and his strength. Clung to the man's sweat-slicked neck.

The doorman didn't give them a second glance. Why should he? Seto was simply the latest in an endless stream of drunken guests stumbling back into the five-star hotel.

A lobby concierge approached and tried to help, though. Both Jounouchi and Seto waved him off. Jounouchi likely because he didn't want another stressful not-conversation, and Seto didn't want anyone but Jounouchi touching him right now.

"Hey, what floor?" Jounouchi asked after propping him against the wall of the elevator carriage.

Seto patted down his pockets and was relieved to find his wallet. He didn't expect the fuerdai to rob him blind like a common mugger, but you never knew. He tossed the leather wallet to Jounouchi and croaked, "Key card."

The tournament competitors were provided with single-bed guest rooms. Seto, on the other hand, occupied the Vice Presidential Suite for the week. Their elevator shot toward the top floors, bypassing the dozens of floors between the ground and the suites.

As they ascended, Seto snuck covert glances at the other hand. Despite the air conditioning running at full blast, Jounouchi was still huffing and sweating. Who could blame him? Summer in Shanghai could be blistering.

"Can you walk?" asked Jounouchi when the elevator doors finally parted.

Struck muted, Seto shook his head. His heart raced as Jounouchi wrapped a burly arm around his waist, and together, they hobbled down the hall to the suite's door.

The lights flicked on automatically as they entered, drawing an impressed whistle from Jounouchi as he took in the room.

"Yeah, guess I should've known. You wouldn't be caught dead living like us commoners. Where's the bed in this joint?"

The mention of bed caused something hot and heavy to coil in Seto's navel. Without meaning to, his arm tightened around Jounouchi's neck, which only prompted the other man to grip him tighter, mistaking the action as a plea for more support.

"Bedroom," he moaned, knocking his head against the side of Jounouchi's. He might be imagining it, but he swore Jounouchi shivered and pink flooded down to his neck.

Seconds later, they stumbled into the adjoined bedroom. The spacious room apparently didn't warrant any comments, because Jounouchi deposited Seto on the bed and disappeared from sight.

To say Seto was disappointed was an understatement.

It may be a blessing in disguise. Jounouchi had already done the "decent" thing: extracted him from a dicey situation and brought him to safety. Seto didn't need to embarrass himself in front of the other man any further.

He jumped when a hand grabbed his shoulder, kicking a leg out blindly.

"Relax, it's me."

Silly though it was, Seto did relax as soon as he registered Jounouchi's voice. His firm but careful touch.

"Here. I got you water from the minibar and a cool towel. It's unopened. I promise."

Seto stared helplessly at the two items being offered to him. Jounouchi made no moves, either. They were at a stalemate. At least until the other man sighed and pressed the moist towel to Seto's sweat-dampened forehead. His eyes fluttered closed, and he unleashed a faint moan at how good and chilly it felt.

"C'mon, you gotta drink the water, too. The whole bottle, then I promise to leave you alone."

Panic spiked through Seto's system. Being alone, something he never minded before, suddenly sounded unbearable. He didn't want Jounouchi to leave.

He reached out. Not to take the proffered bottle, as refreshing as its content may be, but to grab Jounouchi's forearm. Jounouchi froze under his clutch.

"You can't leave. I won't let you," said Seto before he could stop himself.

Jounouchi's breath hitched. As he stared at Seto's face, his eyes darkened with something unspeakable. He licked his lips. "Okay, not leaving. Not tonight. Guess someone's gotta keep an eye on you and make sure things don't take a turn for the worse. But you gotta at least let go of my arm. I'll take the couch outside."

Seto slid closer. "I want you—"

Jounouchi gasped. Seto could kiss him at that instant, but his head spun.

He wanted Jounouchi in every conceivable way. Wanted to feel his naked skin against his skin. Wanted to feel his weight pressing down on him as his cock pushed into Seto's hole. Wanted to shatter apart and then let Jounouchi piece him back together in the afterglow, warm and content.

He thought Jounouchi might grant him those things. If only he'd ask for them. But the words remained stubbornly lodged in his throat as sobriety started to creep in on the edges.

"I want you to stay with me," he whispered, holding Jounouchi's shell-shocked gaze.

Tonight and tomorrow. Maybe even for the rest of their lives. One day, Seto would give voice to the whole truth.

Read other prompt fill ficlets here

[vergess]

so whats it like to have dune rule your life in the most bizarre of ways (also is the book actually good i've been contemplating reading it)

I can never escape the oppressive cycle I was set upon by my parents, and what is that if not the nature of House Atreides

Fuck no, it's a terrible fucking book, I get that it was the 1960s so we all had to settle for mediocre white scifi because that's the nature of the market when mediocre white men run the publishing industry and no alternatives yet exist for distribution. But holy mother of fuck, I feel like we could have done better than fucking Dune, Frank.

Now, to be fair and balanced, I actually hate these fucking books for personal reasons unrelated to my name; they were a specific source of racist torments when I was in school. This is technically not the fault of the books.

But oh my fucking god, even the people who love the books and swear up and down that just because the white boy comes and saves all of the oppressed brown people with the magical blue eyes, it's totes not a White Saviour Narrative, you guys. It's a deconstruction, you guys!!!!!

Yeah, buddy, and Madoka Magica isn't a Magical Girl anime either, right?

And literally, I don't even disagree with the points that article is making, I just disagree with the unhinged conclusion that this makes it "not a white saviour narrative."

Buddy, it very much is a white saviour narrative. It's the story of a Great Man(tm) who just so happens, totally coincidentally, to be fucking white and western.

The argument, btw, is that the Fremen (the brown people he saves) are actually taking advantage of him, because he just so happens to match up well enough with a mythological figure (that white people mystically inserted into their hostory via colonialism, btw) that they can use politically to "free themselves."

BUDDY HE'S STILL WHITELY SAVIOURING THEM EVEN WHEN YOU TRY TO SAY THE WILY BROWN PEOPLE TRICKED HIM INTO IT, IF ANYTHING THIS WORSENS THE SCENARIO

Anyway, it's like. Fine. It's a fine book if you're into that. If you're the kind of person who can read Starship Troopers and come away with the same feeling you got watching the film adaptation, then you're in a good position to do the legwork necessary to read Dune "effectively."

Otherwise, you're going to be suckered in by a well done but also well worn White Saviour story.

I will say, the middle eastern and Arab (mostly Arab let's be clear) elements of the world building are leagues better reaearched and deployed than in a lot of modern sci fi; it has that going for it. Frank Herbert undeniably put a lot of care and effort into creating those features and making them undeniably, inarguably central to the culture of the story. He put in the effort to make his Fremen as non-racist a depiction as possible, and he succeeded well given how many MENA people read Dune and immediately fixated on it.

But it's literally just "what if the oil wars the west keeps committing in the middle east were ended because a white man was genetically engineered to be the perfect the middle eastern messiah and he caused such a ballistic religious fervour in the unhinged brown folks that they became an unstoppable war force."

Like that's what Dune is about, okay? We can all still love it and enjoy it and read it and watch it and and and

But that's literally what the story is about.

[urwendii]

7 11 24 for russingon asks :)

Thank you anon ! let seeeeee

7. Share some headcanons on how secret the relationship was: did basically everyone know about it, or just very close family, or nobody at all? How did that change over their lifetimes?

Alright so basically:

In Valinor, pre strife, it was secret and by necessity most likely. I don't think it was on their minds to be open about it. It was known they were Good Friends(tm) and it provided enough of a cover so they could spend time with each other without having to find excuses. Now did Fingon ever suck Maedhros off in broad daylight in the Palace's gardens? yes - they both got a bit reckless at times but who can blame them?

I hc that their relationship started deteriorating once the tension between their dads built up until Fingon broke them up after the whole Your Dad Threatened My Dad With A Fucking Sword?? and Maedhros was unable to totally let go of his loyalties for his family. My thought on this is that Maglor noticed how hard it was on Maedhros and started suspecting that maybe there had been more to their relationship than he ever let on. He never mentioned it though and soon enough they had other issues to worry about anyway...

Post Thangorodrim, it took them a long while to get back into a mind space where they could discuss everything and try to rebuild something. By then I believe more people suspected/knew including a few who disapproved mostly because of who Maedhros was as a Fëanorean (and the obvious politics power play dimension it had after Fingon was crowned High King.)

Maedhros' people in Himring would pretend not to know even if it was terribly obvious considering how their Lord was fretting upon Fingon's visit, how he would light up during it and how gloomy he would then become again after the High Prince/King's departure. And the fact said Nolofinwëan never slept in his own quarters.

11. How did they handle conflict in the relationship? Who's meaner during an argument?

hohohoho, well see I think Fingon is more rash, more impulsive and would be more opened with his feelings so he's the emotional one during an argument (from crying to yelling and crying again.) meanwhile Maedhros who basically is the embodiment of the Eldest Daughter Syndrome is used to deescalate conflicts (you know how his brothers are...) so he is the level headed one.

BUT :D , when you get on his last nerve, oh boy oh boy is he a mean one. Basically he will verbally murder you with a few asinine and sarcastic words that are carefully selected to impact maximum emotional damages.

Post Thangorodrim, he's more prone to coldly lash out and be mean on purpose - that's how he copes and Fingon knows it so they sort of try to navigate this new dynamic.

24. What’s a Russingon AU you often daydream about?

I HAVE SO MANY

i mean technically Reembodied Maedhros is an AU (sobs) so i love to daydream about how it would go for him and Fingon. It's not necessarily happy at the start because of ...well, all the murders and war crimes...so Fingon has the right to be extremely pissed off. (that's my fav way to write him in a post Valinor AU. then the kinky angry sex.)

Another one I will have one day to motivate me to write about is an AU where Maedhros dies on the Thangorodrim. Either by Fingon's hand (Manwë does not interfere) or he dies in Angband. It could be so interesting to navigate both choices from Fingon's POV (the painnnn) but also the opportunity it can represents - the Noldor civil unrest between Nolofinwëans / Arafinwëans vs the Fëanoreans, how Maglor fares as High King, all the butterfly effects of Maedhros not being there to hold his brothers in check etc...

And consequently having him being reembodied then sent back to Beleriand after a while and the new perspective on the Oath etc...

[why-bless-your-heart]

Barbie movie, my opinion:

The good!

The set, prop, and costume designs were good enough to eat. If ‘live action remakes’ of animated films looked as good, I’d be lining up to watch each one. Also great choreography.

Gags that actually made everyone in the theater laugh, including Michael Cera being hapless and like 18 fully-suited executives all pedaling past on the same tandem bike. A+ for visual comedy.

In the ‘Real World,’ Barbie sits and looks at a couple having an argument, two people laughing at a conversation, somebody alone and visibly upset, the sun shining through the leaves of a tree, and it’s a very genuine little moment of yearning for something more. It’s nice to see in a movie that has a very materialistic worldview.

At the very end we’re shown that she’s really real now because she has a gynecologist appointment. Closing on a statement that all you actually need to be a real woman is to be a member of the female sex was… actually refreshing.

The bad:

At the end the Ruth Handler character says “Mothers stand still so that their daughters can see how far they’ve come,” and ???? I’m assuming it wasn’t meant as a slap in the face to moms everywhere who keep on working and striving and improving even after giving birth, but that’s what it sounds like?

It’s definitely a very materialistic movie even though it tries to shoehorn in a ‘people die, ideas don’t’ at the end. There’s no concept of there being anything better than self-empowerment, political power, or anything that isn’t temporal. I mean what do you expect from the Toy(tm) movie, but it was very empty and kind of depressing as a result.

Related to the above, the battle of the sexes storyline just. Wasn’t it. The only good ending to a battle of the sexes is a wedding, and this one was ended by the Barbies using the Kens’ nobler instincts against them. Oh, and Barbie broke up with Ken. Because love isn’t empowering.

The working-mom character snaps all of the Barbies out of it by giving a speech (like. actual speech.) about how all of the expectations and demands of women are self-contradictory and the standards are impossible to the point that not even a plastic doll passes muster, but the. movie itself. has the same problem? It can’t decide whether sitting and drinking a cup of tea is an image of oppression or a moment of feminine connection. The Barbieworld needs to be put back to the way it was but also changes need to be made but also if you change it everything will be horrible forever. Barbie is good because she says you can do anything but also she should really say that you don’t have to do anything. It just refuses to commit to an actual moral statement.

Anyway, my sister got a kick out of it, we had a nice afternoon out, and I don’t regret the $9. Wouldn’t see it again, though.

[dearinglovebot]

oml hi! what are your headcanons for claire and owen when they were at school? here are some of mine:

claire would defnitely be on good tersm with everyone, i feel like she'd be popular in the way that she knew everyone

but she's classify everyone as aquaintences though and call it 'networking'

would be super annoyed by everyone in her class constantly talking abt marriage and kids like thats the only option for her (alas i wish she was in my class i'd have someone to survive those trenches with 😔)

straight A+ student ofc

owen wouldn't really care for school i think

he'd get like alright grades

he'd be like 55% class clown if that makes sense?

super good at PE tho like he'd be the Pe Kid (TM)

i think he had a pet dog or cat (or both?) but they died

i kinda hc that his parents were pretty shitty. idk why but i do. (shhh let me project)

constantly getting into fights with vic hoskins but everyone agrees vic is annoying as HELL so eh he gets a pass socially-speaking

also:

in dodgeball the teachers always put claire and owen on the same team bc the two of them against each other means the match lasts FOREVER and if it does end it's a tie followed by an argument of who won that lasts for two weeks. like claire vs owen in dodgeball would be legendary. and like +340% hype bc everyone's 10 and dodgeball matches are IT when ur ten (can u tell i miss primary school dodgeball 😔)

hello anonnie! brace yourself cause this is a level 5 yapnado

I don’t agree with EoC a lot (...most things) but it hits my high school headcanons very well. that is to say, she is weird and off-putting to the general public. particularly sheltered midwestern kids who absolutely will be raised on the housewife/breadwinner-husband cool-aid in the 90s. they’re all obsessed with settling down with kids in the same town they were raised in while she’s trying to escape to a big city and get a master's degree. they’re doing the 90s equivalent of calling her woke blue hair liberal with pronouns. not outright bullying her but like... side-eyeing her. she's not really being invited to parties. which is fine! (it is not fine. she is lonely).

she has sooooo many autistic traits that i do just consider it part of my personal canon and that will NOT help her. her hyperfixation is going to college and she stims by doing homework (exaggerating. but only partially). i love my queen dearly but she does not have cool autism that makes you do cool art installations. she has collecting alaskan postage stamps from the 1800s type autism. she is a loser that few will truly appreciate <33 like fine wine

claire being from no-where wisconsin in the 80s-90s is sooo vital to understanding why she is #likethat. small town midwest is basically the deep south politically except in the south people will straight up say "women belong in the kitchen" and in the north they'll go "oh. you want a degree? how quaint [condescending tone]". she's used to everything being a backhanded compliment and proving that she deserves what she has. it makes her super defensive and lean towards interpreting things as malicious even when they're not. which is why, on the island, people don't really like her. she's the mean boss lady who won't even do small talk with her peasants

she absolutely is a straight A student. that is PRESIDENT of the debate club to you. she's a teacher's pet who Will do the extra credit work every time and has perfectly chosen her extra curriculars based on what will look best on her college application.

i also think she'd start working about as soon as she legally could. not only is that the smart financial move (start saving as soon as possible) but it looks amazing on college applications too. she is absolutely maximizing what she is able to accomplish in a day

overall, it really isn't an experience she thinks of fondly. she spends most of her teenhood devoted to trying to escape the poor, rural lifestyle she was born into. it's another stepping stone in her 10 stage plan to conquer a small nation. and she wouldn't regret any of it until her life inevitably comes crashing down (indominus incident) because only then does she realize she's been chasing material wealth instead of internal happiness for her entire life

owen has none of the crazy ambition claire does bc he's normal. he would take it one day at a time with vague goals of where he wants to end up. as long as he does the bare minimum of passing the class then he's doing pretty good. best subject science, worst subject literature

owen is from the 80-90s deep south which also heavily influences how i view his characterization. as a funny guy who enjoys very traditionally masculine things like construction and sports, he's going to be very well liked. everyone likes someone who makes you laugh. but overall it's pretty surface level. nobody asks about his day. he's gonna be like "damn is this really all i am to them??". but it's not like he can say that cause then he's being weird and emotional (toxic masculinity culture). so whatever. he keeps balling. (represses vulnerability and compensates by going even harder into funny sport guy routine)

so really he's the guy everyone "knows" but they're gonna lose contact the moment he leaves town. which is whatever. he has his wholeeeee life ahead of him to make some #real friends (his only long term friends include barry, the raptors, and sometimes claire)

he has proven time and time again he has no problem speaking his mind so yeah he's punching every hoskins that comes along and getting a few days suspension over it. he would not gaf tho bc his internal sense of justice is stronger than any school related punishment

he's the kind of kid who mows the lawn for your mom for pocket change and volunteers at the animal shelter

not the worst but yeah he's not that interested in reliving that

not including much about their individual family dynamics because thats an entirely different yap session

also:

in a hypothetical au where they're in the same high school, i believe it would go like this: claire is brilliant and smart in every class they share meaning he's enamored with her big words, she thinks all sports guys are meathead jocks and actively avoids them, she tutors for extra cash after school and he's on the verge of failing lit, she takes him on as a client and he's like wowza the whole time, she's like can you focus on the themes of shakespeare already and stop looking into my eyes longingly every few minutes i'm starting to think you aren't even interested in the deeper meanings of the rivalry between the veronas and capulets (she isn't picking up on a single hint), and now he is actively pretending like he doesn't understand any of the assignments to "get her guidance" on them (she still doesn't get the hint and is wondering if he got a concussion at some point)

[witchhazelevesque]

AU where Thalia and Luke find Leo as well as Annabeth. 

Annabeth and Leo, traumatized besties. They get to be Annoying Children together. 

Hephaestus is still a dead beat, and doesn't claim Leo.

He ends up in the Hermes cabin, even though he's pretty sure where he's meant to go.

But this makes it easier to hide his fire. 

He still sneaks into the forge to tinker and Beckendorf takes him under his wing.

It's not unheard of for the children of other gods to be interested and good with machines, but Charles is pretty sure Leo is his brother.

But the kid isn't saying saying anything for a reason, is staying in a crowded cabin for a reason, and Beckendorf has a guess.

He leaves it alone and just looks out for the kid.

Luke and Annabeth don't know about his fire. At least, he didn't tell them.

The closest he came to was when the cyclops was after them and he asked if fire could hurt them and Grover told him that they were immune.

Leo slumped, because that was his only way to help his friends.

He either never visits Thalia's tree or is there all the time, but only when no one else is around.

He like. Doesn’t get Annabeth’s longing for a quest. He doesn’t want anything to do with the dangers of demigod life.

They’re best friends but this causes the worst arguments between them and after one, Leo runs from camp.

Annabeth thinks that she’ll have to be allowed a quest to look for Leo, but that doesn’t happen.

They originally aren’t going to look for him, figure a satyr will likely find him, but Beckendorf pushes for one.

He eventually finds Leo and Leo doesn’t want to come back. He tries to give the older demigod the slip but Beckendorf just keeps finding him and it stirs up a lot of Emotions(tm) for Leo.

Eventually Leo snaps and breaks down for the first time in years and his brother holds him asks him to come home. Leo relents.

Annabeth doesn’t know how to apologize when Leo comes home, and Leo doesn’t know how to ask for one or give his own. But from what he’s seen of actual siblings around camp, siblings usually don’t make big productions out of saying sorry, and he guesses that can work for him and Annabeth too.

He manages to keep his fire powers a secret for years and then Percy Jackson shows up with his water powers and Leo scratches the back of his neck and thinks “Damn, I can’t afford a narrative foil.”

Leo was never as close to Luke as he was with Thalia so his betrayal doesn’t hit him quite as hard, and he’s better able to see him for who he is.

Cue years of Annabeth and Leo growing apart as she gets wrapped up in all of the quests.

Things between them are tense when Thalia comes back to life. None of their relationships are what they used to be, but Leo is so happy his friend is back, and feels such a pang of grief for his mom that he can’t breathe.

He bites his tongue but wishes he could bring the Fleece to the ashes of her shop and revive her too. When Annabeth goes missing, and the Hunters of Artemis go on a quest to find her, Leo is ready to sneak after them, but runs into Percy, who says he’s planning on doing the same thing.

Then Nico di Angelo finds them both and this just isn’t going to work.

He asks them both to stay, because they don’t have any experience with quests. Percy was just trying to be logical but he accidentally hits on Leo’s feelings of inferiority, because it’s true, there’s nothing Leo can do out there to help Annabeth, except his fire, which only ever hurts people.

Suddenly Percy’s got two people he doesn’t know well asking him to bring back their loved ones.

He pulls Leo aside and asks him to keep an eye on Nico. Leo is not in favor of this idea because 1) should a twelve year old be watching a ten year old (irony oh irony), 2) Nico is annoying and reminds Leo too much of himself, though he doesn’t yet recognize that’s what’s bothering him about the other boy and 3) Leo is. Bad with people. He is bad with emotions. He should not be left with a kid he doesn’t know who is feeling Big Emotions while Leo is also feeling Big Emotions.

But he eventually agrees.

It’s bad for a while. Leo doesn’t know what he’s doing. The older campers are helpful but Leo doesn’t let them do everything because he gave his word and he’s going to keep it. Leo and Percy made a deal, and he isn’t going back on it.

It’s not fun though because Nico is chafing at being given a babysitter. He eventually blows up because he’s been under so much stress and Leo remembers how he did the same thing once and how Beckendorf stayed with him through it.

So that’s what he does.

When Nico’s calmer, they talk about how they’re both worried and tell each other about their sisters, though Nico seems a bit sour about hearing about Annabeth’s adventures with Percy.

And it’s better from there.

Until Percy and Annabeth come back to camp.

Leo isn’t there for what ever happens, knows that Nico’s run off and… Chiron seems fine with that?

Leo isn’t though, and taking another page from his older brother’s book, he goes to find Nico.

Leo’s no good at goodbyes, and after just getting Annabeth back, and learning that Thalia is taking a different path that means they’ll only see her a few times before they die and she goes on living-

Well, he can’t bring himself to say anything in person. He leaves a note for Beckendorf, knowing he’ll understand and tell the others.

Kronos forces somehow learns about his fire and use that to try to convince him to join their side. How the gods cursed him with this awful power and then just left him without any acknowledgment. That they must have something terrible planned for him, that’s the only reason they want heroes in the first place.

How his father, god of fire, stood by while his mother died in a fire and did nothing.

That one gets to Leo.

But he’s got a mission, and doesn’t have time for the problems the titans have with the gods or the gods with the titans or whatever. He can’t change big, lofty stuff like that, is no child of prophecy but he can pay forward the kindness shown to him in the past.

That's what he can do.

[nyalternatehellkitten]

@madharemuses replied to your post “((I have a headache so I'm watching an FE:Engage...”:

[I want to enjoy Engage. I like the art design, I like the characters, I like the gameplay, but for some reason I just can't really bring myself to enjoy it. Also, it lacks replay value compared to most previous titles, so I feel like I spent too much on it.]

@gensokyogarden replied to your post “((I have a headache so I'm watching an FE:Engage...”:

ENGAGE GOOD

((Ayyyy we have the big two(tm) opinions here! Joking aside, I reply to these responses in the same post because I want to share some general thoughts. I'm not trying to pit you against each other by highlighting your opposing opinions lmao. Even though it's been a few days, Engage has been swirling around in my head for about a week or so now, and I do want to give my thoughts to you two, who responded to me, at least, so that post I made doesn't just become a big jebait or whatever the term is. So, spoilers, Zane's thoughts, and etc. etc. beneath the cut. Oh yeah, and it's long so don't read it unless you want to know what I think of a game I've not played, that a lot of people have been dismissive towards.))

I am writing this across several sittings. At the time of writing this statement, I'm watching the Avalanche map, so basically I'm right near the end. (I've also seen some supports, but the guy whose playthrough I'm watching is doing them offsceen because he doesn't want to waste his audience's time with grinding.)

This isn't going to be a structured review, it's more of a slightly-edited thought-dump.

My overall thoughts of this game so far, which is an impression unlikely to change, is this:

Fire Emblem Engage is a game unfairly criticised as worse than it actually is. It's not a super good game, but it does not fall as far below the 'average' standards of the series as much as people say it does.

Before I get into the full swing of things, I need to offer a disclaimer: I am out of touch with the series. I've played FE3-12 and Echoes, which means I'm missing FE1, the game that started it all, and Awakening and Three Houses, two immensely popular games that made big changes to the way Fire Emblem works, brought many new people to the fanbase, and generated a lot of attention. (I also haven't played Fates, but it's a bit less relevant to what I have to say.) I have never been interested in Awakening or Three Houses, but they changed the Fire Emblem 'landscape' so much that I would consider myself out-of-touch simply because I haven't played them.

Addressing some common criticisms

The two main complaints I see first-and-foremost on the internet that dominate over the better-formulated criticisms are: It's too anime and the writing sucks.

Now, the anime thing is stupid. Fire Emblem has always been anime; it's a stale and tasteless counter-argument, but it's objectively true. Most Fire Emblem games at least partially reflect the anime style popular around the time they were made, and all of them draw some influences from anime in general. The designs are too colourful and fancy for my taste, but I still find them enjoyable (Chloe and Etie are probably my favourites? Not super fond of Etie's Archer outfit but the player I'm watching made her a Warrior and she looks fine). In fact, I think this design choice was good; they clearly wanted to deviate from the grimness and seriousness of Three Houses, and can they be blamed for that? Making that sort of story can get heavy at times, so for an anniversary game I feel like going for something lighter was the right choice. Overall, the presentation in this game is excellent; not enough to make me love it like I loved Echoes (which was carried by the presentation alone for me), but good enough that I enjoy seeing it on my screen.

The second criticism is the writing, which is semi-valid. It's almost-good in a lot of places, but there's always one or two tiny details holding it back in my eyes. It's frustrating, because I feel like Engage would actually be quite well-written with a few fairly small edits that remove some of the issues or make the stupid parts (Chapter 10-11 Time Crystal) less stupid. The issue I have with the criticism is not that it's wrong, it's that people act like all of the other games in the series are god-tier writing or something. This is objectively untrue; most Fire Emblem stories are fairly straightforward or cliche plots carried by a cast of one-note, but enjoyable and likeable characters. Liking the characters makes you overlook the flaws in the plot. Just think about how many Fire Emblem games are about awakening or summoning some kind of all-powerful dragon or dark god (or both), and then think about how often that actually bothers you simply because you like some of the characters.

Let's talk about the writing for a moment, since this is an RP blog and therefore revolves around writing

It sounds to me like Engage's writing is actually really average by Fire Emblem standards (it can't be worse than the GBA games at least, if you ask me) but it's issue is that it came after Three Houses, a game which tried to be very different from the rest of Fire Emblem when it comes to writing. I haven't played Three Houses but I have seen people react to it. The amount of time people spend debating and arguing over who's in the right or wrong, beyond just which lord/house they like, shows that the game provoked more thoughts from its players than just "Oh I like this character more than this other character." Engage clearly has not done this, and parts of it that could form a good running theme just don't quite connect. The dots don't quite link up and the stars don't quite align. It falls just short.

In my head, I'm comparing it with other Fire Emblem games and I don't think it's that much worse than some (fairly well regarded) entries in the series. For example, in FE7, everything Ephidel does doesn't really make sense since he's formenting a rebellion in Lycia to gather Quintessence for Nergal to summon dragons... even though Nergal already has enough Quintessence to summon a dragon. In Sacred Stones, Eirika is supposed to be the diplomacy route, and yet everywhere she goes, stuff(tm) happens and she gets dragged into fights because Fire Emblem requires things.exe to happen so that each chapter can be a fight. In Binding Blade, the big exposition was Jahn explaining Idoun's backstory... through the medium of Roy seizing like 20 thrones in one chapter. In Monshou, the big main idea of Hardin being turned evil was great and executed pretty well, but most chapters are "So you're fighting dudes loyal to Medeus or Hardin" and the story is mostly about Marth trying to figure out what's going on in Akaneia. It's not bad, but it's hardly some god-tier story that has the player hanging off the edge of their seat at every chapter.

By comparison, Engage has an issue with build-up and payoff. The payoffs are often good, but the build-ups often don't do them justice. For instance, Morion was a good payoff because while what happened to him was quite predictable, Alchryst and Diamant's boss conversations with him are great. What's lacking is the fact that he gets captured by Hyacinth like... one chapter after he's introduced, after raising a million death flags. If he had been a green unit (or even a playable character with a big "Morion will go back to ruling his kingdom after next chapter" warning, or his stats transferring over to Diamant like with Nils and Ninian in FE7) for a while to let the player get to know him better, then his death would have been more impactful. Let Alear agree or argue with him about certain things; Alear needs to interact with Morion's pretty strong force of personality (that I think is pretty well demonstrated, even if it's quite one-note, in his first appearance).

Likewise, Lumera died too quickly. We needed a few more chapters for her and Alear's relationship to ripen. If the game had opened with Alear sent to Firine (upon Alfred's request, to help deal with Corrupted and bandits), with Lumera accompanying them but not helping them in battles to help him readjust to being awake, then it would have probably worked out better pacing-wise. Little happens character-wise in those chapters, so slotting in some Alear-Lumera interactions would have helped establish Alear's personality and motivations for the rest of the game. After Firine, they could return to Lythos for a little bit of R&R with Lumera promising to teach Alear more about the Emblems. Then the attack happens, she dies before she can, and the game proceeds with Brodia after that. It makes Lumera more impactful because the player gets to see her relationship with Alear more, and it makes their feelings for her stronger too, since they now have time to experience how she's their mother and acts like it.

One last example I will give is Zephia. Her whole death scene is kind of invalidated by the fact that she's been speaking as if the Hounds are her family for the whole game. I think a little tweak could really have fixed it. Take 'family' to be the theme of the story; a lot of Fire Emblem games place emphasis on bloodlines and family. Engage could have taken that both ways: that sometimes, blood family is important (e.g. the royal sibling pairs in the game) but sometimes your found family is just as important (Lumera and Alear) and sometimes your family can be abusive and bad for you (Sombron and Veyle, Zephia and Marni). How does Zephia fit into this? Well, imagine if her dialogue was tweaked ever so slightly. The idea is that she misunderstands how family should be because of Sombron (what he said during the time travel part). She longs for a real family, but because of Sombron she thinks that family should be abusive. Seeing Alear and Veyle helps her appreciate what family should be, and she helps them because of that. She dies thanking Griss, and hoping that Marni will forgive her in the afterlife. There we go, a villain given a better redemption than the weird one she got in the game, and completing a theme/story/lesson for the game as a whole.

Zephia also suffers from the buildup thing. The Hounds have a lot of screentime but they don't really do much with it; Griss and Zephia get their motivations and backstories infodumped as they die, and Mauvier spends the first half of his appearances being all "I am a knight I follow orders" when he should have been dropping hints that his true loyalty was to Veyle, rather than just mechanically following orders. If some of that screentime had been used to develop that Marni wants familial love, while Zephia misunderstands what a family should be, and Griss thinks of Zephia as his mother/older sister but struggles to convey that since his world is dull when he's not feeling pain, then it would have made them more compelling than the four big mooks you knock over 13 times throughout the story. Oh yeah, and of course, they do the "I must retreat" thing way too often. Fighting them feels completely insignificant because they never die until they suddenly do.

Lastly, the characters are all quirky and... oh boy. I've seen people complain that the Engage characters are more one-note crazy than usual. That... doesn't feel true to me. They feel like they're less serious than usual, but that's Engage being light-hearted. I've seen serious stuff (Alfred's illness, Hortensia's feelings about stuff) but mostly it seems to be on the lighter side. I don't mind, but I think it should have perhaps been a bit more of a balance. I will say this thought: of the supports I have seen, character motivations at least seem to make sense and stay decently consistent.

Some of my other criticisms

I would argue that there are a few things holding the game back. The writing, I have already mentioned. While there are plenty of good individual moments, there's often a lack of good build-up or connectedness that makes the whole feel like wasted potential and staleness. The gameplay, I think might actually be the most tactical in any Fire Emblem game so far; you can't just air-drop a god-unit into any situation with 1-2 range as easily because of Weapon Triangle breaking, and chain strikes mean that positioning actually matters, and tanking isn't infinite. This might not be a good thing, however, as I get the feeling that the average casual Fire Emblem player... doesn't care about gameplay much. It can't suck, but a lot of the time they do just want to make their favourite unit into a god and drop them into whatever situation.

One of the biggest problems is the Emblems, however. They're not really written as themselves. They're more like echoes or shadows or ghosts of the character they're meant to be. They often feel like they were written by someone who'd only read a synopsis of what that character was like, instead of seeing and analysing them (which... is probably what happened). The Emblem ring bond supports are bland and soulless most of the time, with often no connection between the character and the Emblem based off their commonalities (though to be fair, writing 12 Emblem supports for each character would have been hell). Regardless, all of the Emblem characters feel way too superficial to actually matter most of the time, they mostly exist to reference their own games a lot or provide the same basic statements about things. The advice they offer in the story is... logical but kind of bland and uninteresting. Sometimes they feel right, but most of the time they feel... not very good, which is not great when they're meant to be a big selling point of the game. It's like the Emblems are supposed to make you so excited about seeing your favourite characters that you don't stop to think if they're acting in-character. I won't comment on them too much gameplay wise, since I think that as much as they are meant to somewhat represent their own games (e.g. Sigurd being mobility and canter, Lucina having dual strike stuff) there's a limit to what you can do since most Fire Emblem games play quite samey.

Another issue I think that Engage has is the lack of post-game. Relying on DLC and Multiplayer to create replayability for a single-player game is just... objectively a bad idea? It's not what people are mostly there for. Watching the playthrough made me think "If I were playing this game, I'd want to run some of the other characters in side battles to see their supports and find out more about them." A post-game would be good for that, maybe with a bonus series of maps like Thabes was in Echoes. As it is, I've seen no evidence of that sort of thing.

I want to say some nice things

So I actually quite like Alear. Not a lot a lot, but a fair lot, if that makes sense. Based on everything shown about past Alear, and the way Alear loses their memories, their character makes sense for most of the game. Past Alear was emotionally stunted because Sombrero is the worst Fire Emblem dad in the series, and present Alear has a serious case of no-thoughts-head-empty at the start of the game. Given that everyone treats them super well (worships even...), it makes sense for them to develop a positive outlook on life, a strong fondness of their friends, a solid sense of duty towards everyone counting on them, and also feel kind of creeped out at being worshipped. Alear also feels a little more complete as a main character to me, oddly enough? I haven't played those games so I can't say for sure, but Robin and Corrin both often gave me a weird vibe like they're meant to be the player's self-insert but didn't commit to it enough. Like they wanted to make a self-insert character but then realised they needed to insert more character for supports, interactions, and story beats. Alear, on the other hand, feels like they wrote a complete character and then had to shove the self-insert in, to their detriment.

I also need to talk about Yunaka. I think Yunaka did something no other Fire Emblem side character (non-main character) has ever done: she immediately made me want to read about her supports to learn more about her backstory. Most Fire Emblem characters show up and I'm like "Okay, so this is this character's vibe. I'll find out more in the supports, I bet." Yunaka though... as soon as I heard her battle/crit quotes and saw how much that differed from the quirky "OwO I am cute thief" personality she was projecting, I was immediately like "There's more here. I need to know what her deal is." The game immediately shows that she's good at acting, and as soon as you put her into combat you see a side of her completely different from the one you saw before, and that sparks curiosity. That's good. Fire Emblem doesn't do that, instead it tries to establish the one note that its one-note characters are based around in a good way so that the player knows what that character's deal is. This time, it did that, and more. I haven't seen all of Yunaka's supports yet, but I will go through all of them when I get the chance to. I must know.

The music and voice acting are pretty good. The presentation and CG art is good. I don't think I need to elaborate on this, I think they're presented in a way that accentuates the atmosphere they're trying to create most of the time.

I'm hesitant about this last bit, but I think the game conveys its characters well. This is something Fire Emblem has never really had trouble doing, so it's not really a thing in Engage's favour, it's just another thing the game is not bad at. The supports (or those that I've seen at least) are good at showing what each character's deal is. That's not hard to do, though it is occasionally not done well (Vaida and Dorcas... a support that shows what their characters are like, but repeats the same joke dragged out three times in a row without really resolving anything).

Edit: Oh, and I can't believe I forgot to say that the really cheesy and campy moments are amusing rather than cringe to me. I think they just barely toe the line at times, but like... given how often the games try to shoehorn the 'Fire Emblem' into it, this really isn't even the worst.

Conclusion

This is the part where I pretend to have a conclusion so it feels structured. I already said what I needed to say at the start, so this is the part I put a bow on it.

I feel like it's hard for me to assess this game. I haven't played it, and I haven't played Awakening and Three Houses, two games that I feel like probably influenced both the fanbase and Engage a lot. But I can't help but feel like it's better than all of the hate it gets. I don't really think it's god tier, but it's definitely not as bad as it's said to be. I think if I did have the opportunity to play it though, I'd enjoy it at least as much as I enjoyed FE6, FE8, and FE11. With the others I played, I think it'd be a bit more up in the air.

If I had to say though, there's enough problems for it to be disappointing, but enough good for it to not warrant the amount of hate I've seen. I feel like the hate it gets is often an instinctual rather than logical thing; rarely do I see people fully explain how they feel, and sometimes some of the people criticising it talk like they're series veterans but it turns out they've played like... 4 games. Still, I can't help but feel like if this game came out after Fates rather than Three Houses, people would have a better view of it.

[thegodcomplcx]

The thing that annoys me about Rory as a character is that he is genuinely written not to have flaws. Anything horrible he says/does (e.g. dictating when Amy should stop hugging her best friend, “i love you more than you love me” Nice Guy TM bullshit) isn’t actually portrayed as negative, which makes it easy for fandom to also brush it under the rug. The only shortcoming he is written to have is his insecurity about Amy’s relationship with the doctor, which is not something HE HIMSELF works/reflects on but instead is “fixed” by Amy having to prove she loves him more. The doctor is a toxic person and his relationship with Amy is totally fucked up, but the narrative is extremely aware of this and so it’s compelling. on the other hand the show pushes the idea that amy/rory are the epitome of true love and has no interest in exploring their flaws as a couple (apart from the aforementioned “who loves who” more argument which is resolved by Amy flogging herself over not deserving Rory).

The funny thing is I don’t think this is because Moffat is a crazy Rory stan, i actually think Moffat as a writer isn’t even that interested in Rory — everything about Rory’s character is just created to be the opposite of the doctor, Rory himself does not get much of a point of view or any complex character development. Equally, amy/rory doesn’t drive the plot or get climactic focus - case in point, their own wedding isn’t shown onscreen, the real climax of the season finale is Amy bringing the doctor back! Another good example is the angels take manhattan - Amy choosing Rory over the doctor is not about Amy/rory, they don’t even bother to show them reuniting in the past, the real focal point is the tragedy of Amy/11. Amy/rory is essentially a string of ~big heartwarming moments~ (to make you believe Amy would choose him) with no consistent story arc and most of their relationship development happens offscreen. This is frankly why I never could get emotionally invested in their relationship - they are basically just supposed to be the boring happy couple to contrast whatever’s going on with Amy and 11.

Another reason I’m not buying what the show is trying to sell is that Karen gillan and Arthur darvill do not have a shred of romantic/sexual chemistry, like at NO point do I believe Amy desires Rory, there is such a lack of heat to their relationship it’s so baffling that I even wonder if it was deliberately written/directed like that tbh.

rory is more of an object than he is a character imo. like he exists because amy needs to be conflicted about what she wants, and he’s just a representation of the life she’s running away from. which is why i think it’s so laughable when certain ppl are like “i don’t like amy, rory is the best companion, i want to see rory travel with the doctor by themselves” girl what are you talking about that is bones. that’s nothing.

you’re so fucking right he’s more of a non-person, an opposite doctor. and just because he’s a “nice guy” so many fucking people have fallen for the “true love story” bs that the show tries to pull, when honestly the true meat of the show and the fascination and the devoted love is between amy and the doctor.

and honestly yeah i agree about the karen/arthur thing like not at any point do i believe that they are in a sexual relationship. (this is probably why the 11amy baby fakeout consistently works so well, because as soon as you hear amy is pregnant you’re like oh shoot that’s probably the doctor’s.)

[frevandrest]

Is there a good way to defend robespierre, i never found something that works on people?

It depends on what those people dislike about Robespierre. There are very legit things to criticize about him. I know we all here still try to battle Thermidorian bullshit so we rarely get to talk about it, but it's true.

However, I found that 9.5 times out of 10, people who have legit criticism of Robespierre are those who are knowledgeable about the revolution and who know that the usual bullshit is incorrect/misleading, so for those people, the most difficult part is done. They already know about bullshit and why it's bullshit. It is still possible to argue and disagree (different people will have different views and interpretations of the situation), but I am not so frustrated about those situations. Yes, even if it's an opinion very different than mine. (Not because I am particularly nice but because I am so fed up with typical bullshit that it's a relief when people hate on Robespierre and/or revolution for legit reasons).

But those will be rarer situations. Most of the time, you will be in a situation to defend Robespierre (and frev) from Thermidorian propagnda and/or Anglo propaganda (very similar, but Anglo propaganda also has "we are superior to those shitty Frenchies/evil commies/etc").

Ok, real talk now. In the mainstream TM, Robespierre is seen as one of the most horrible people who ever lived. Any interest in him or frev is often perceived as strange at best and downright depraved at worst. Not to mention any degree of neutrality towards Robespierre, let alone sympathy. Heck, even trying to correct factual errors can make people suspicious. It's that bad.

This is mainly result of inadequate education (we can talk about how history is taught at schools, if at all) and political agenda (because Robespierre gets projected into whatever evils of 20th century and beyond people want to project).

So, what to do in that situation? I suppose the only thing I can say is to figure out what the person knows about Frev and what is their reason for disliking Robespierre. There can be many different responses, and different ways to react.

I mean, perhaps their dislike is based on something (shitty) that Robespierre did do - like let's not pretend that he didn't have his less than stellar moments. Responding to that is very different to someone whose hate is based on misconceptions/incorrect info/lies, and also different to someone who is a royalist sympathizer and hates Robespierre for being a "chief revolutionary", so to speak.

I found that providing correct info and sources is the only thing that might work. It might not, because people sometimes (often?) assume that they know things and that attempts at providing more education are offensive. I guess people seriously don't understand that providing sources that question the typical stereotypes are not some shady conspiracy theories by evil randos, but legit books and studies by academics in the field, some who are not Robespierre fans themselves (like Marisa Linton). Perhaps this could be a good point to start.

But there is no way out of bullshit without reading sources (different sources, even conflicting sources), and not everyone has interest/time/willingness to do that.

So no, I don't know what to do in situations like that. I guess the arguments and sources are the only thing you can offer, and if it's not enough for people to at least stop buying into Thermidorian bullshit and start criticizing legit issues of Robespierre/frev, then oh well.

[this-strange-obsession]

Rant #4002746 (post-rant note: this is pretty lengthy boys and I’m not sorry bc it needs to be said)

(God I rant too much about this comic, but honestly this is the only place I can do that)

Okay, so, once again seeing a fairly common opinion among the fandom which I don’t agree with, so you all know what time it is!! That’s right! Another of my stupid piping hot takes!!

This episode is the result of the idea that Jekyll deserves all the hate and that he’s the bad guy in the story, blah blah blah. I know, I know, I’m just defending him because I relate to him to an alarming degree, BUT. I also think that everyone forgets that the rest of the characters we see in TGS aren’t exactly saints either.

I saw someone else point this out, but I didn’t know if everyone forgot or decided to ignore it, but Robert said some shitty stuff to Jekyll. And the thing is, he didn’t even do it as a one-off thing. I’ve warmed up to Robert, but I still don’t entirely like him. The biggest thing is obviously the whole breakup scene. And we could argue here that Jekyll interpreted incorrectly, HOWEVER. While Lanyon himself didn’t recite verbatim what was said, he still admitted it was “venomous” and he was lashing out.

Idk who needs to hear this, because it’s a very important thing to remember irl we tend to forget, but somebody taking their anger/stress out on their partner- physically OR verbally- IS NOT OKAY. In ANY situation.

It is NOT excusable. Regardless of the fact Lanyon was breaking up with Jekyll, especially BECAUSE he was breaking up with Jekyll, he has no right to yell or berate his partner the way he did. That’s the whole theme of this comic- not understanding how to communicate in a healthy way. It’s not just a problem Jekyll has and everyone is forgetting that.

You are allowed to be emotional in that scenario. You are allowed to be angry. But you have to understand how to feel angry in a way that doesn’t hurt anybody, whether that’s you or the people around you. You collect your thoughts beforehand, and at least somewhat try to articulate what you want to say. You blend the emotion with the logic, not just rid yourself of one or the other.

Lanyon did none of that. He was kind of self-destructing and in doing so, he pierced Jekyll with stray shrapnel. That was so not okay. And that’s me getting upset over the general description of the breakup. The fact that Lanyon essentially told Jekyll he was expendable?? Absolutely not. No. I was LIVID when I read that.

I don’t give a fuck, Lanyon in that moment was a piece of shit, and I hate him for it. And I’m even paraphrasing here, the actual quote was something closer to, “why would anybody give up their future prospects for someone like you?” OH MY FUCKING GODDD. “SOMEONE LIKE YOU?” “SOMEONE LIKE YOU????” OH HELL NO.

That’s not even touching on the fact that we can assume from how Jekyll described everything, this was his first gay relationship. This was the first time he acted on his “sinful desires.” And the way it ends is like this?

Once again, I relate to Jekyll a painful amount, and while it didn’t go exactly like this, it threw me back to the last argument me and my best friend had. Our relationship was… complicated. We liked each other, but it always seemed to be off. They would get into a relationship when I was acknowledging my feelings, and when I was repressing them, my best friend would starting pursuing me. At one point, we had a sort of unspoken thing going on where we both understood our feelings and we were VERY obviously gay for each other and even got a little too touchy for “just two good friends” frequently. But we never made it official. Over the last few months of the friendship, they became more distant and withdrawn. I confronted them about it, we had a huge and messy argument, and they said some really uncalled-for things. I have really bad mommy issues (TM), and they said something that really crossed the line.

I know I was no saint during our friendship or the argument, but jesus christ, there are just some things you should never say to people. And the fact that it was my closest friend and first queer crush/situationship(?) who said it? Of course I developed trust issues and trouble communicating my true feelings, like??

..Idk that just hit a nerve and I hate that people act like either of them are the victim. Again, I’m not saying Jekyll is completely innocent, but he’s also not completely guilty.

It’s not even JUST the breakup scene I hate. Lanyon is STILL kind of an asshole and enables Jekyll’s whole glass scientist complex. During the ball (I can’t remember the reason for it exactly, I think it was just for keeping appearances and connections.) when Jekyll was having horrible hallucinations and acting completely unlike himself, all Lanyon did was reinforce that idea that Jekyll just needs to pretend like he’s someone he isn’t.

If y’all don’t remember, Jekyll ran outside in the middle of the party because he was seeing a lot of disturbing shit and Moreau’s ghost grabbed him. When Lanyon found him, Jekyll was fervently babbling about Moreau following and judging him because he knows Jekyll’s “rotten on the inside.”

So how does Lanyon console him? He just starts his spiel about how it doesn’t matter if Jekyll is actually rotten on the inside, as long as he’s decent on the outside.

BRUH, I’M—

AHHHHHHHHH

..ehem..

I KNOW he immediately backpedals by saying Jekyll is the most decent guy he knows, but in that context, in Jekyll’s eyes, he was interpreting that as, “you are the most OUTWARDLY decent guy I know.” So that did jack-shit for Jekyll’s sanity because as much as Lanyon could have meant it about his personality, he didn’t execute it very well!?

There’s other little things I hate about him, such as the whole thing where instead of just fucking asking for an open and honest conversation, he goes behind Jekyll’s back and snoops in his office for answers. The thought of asking only occurs to him after this when Lucy points it out.

Idk, I like Lanyon as a character, I do- it’s just that I feel like we let him off the hook far too easily anytime he says or does something wrong just because he’s doing what he thinks is best for Jekyll.

There are better ways to go about supporting someone you care about. And it’s driven home a thousand times over that healthy communication is not a phrase these idiots have in their vocabulary, but I guess that keeps going way over some people’s heads and it’s been so goddamn frustrating seeing them drag Jekyll for things OTHER FUCKING CHARACTERS DO.