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#like the human body isn't 'set' like to me that idea doesn't make a lot of sense
uncanny-tranny · 1 year
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happy transsexual thursday! I'm very pleased that my voice is getting lower - it's one of the effects I most hoped to experience when I started T last year. I actually like the way it sounds when I hear a recording, which is a big difference from before.
Yes!! It's so amazing just how flexible and malleable the human body is
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amysubmits · 11 months
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Owning Me Is Complicated
Occasionally I come across content that makes it seem like being a Dom is easy.
Order her around, make her do the things you don't want to do, do whatever you want, "win" all the disagreements because you're the dom - or even silence her from disagreeing with you to begin with. Get sex exactly how you want it, exactly when you want it. She's just a living, breathing object that can and will do whatever you want. She has no needs other than to make your life easier. She's your own personal robot, but with a body you want to fuck. Being a dom is like a regular relationship but without the emotional labor. I'm sure there are other gender versions out there too, but I see the M/f version most often. It's so funny to me how absurd that all is compared to real life.
Owning me is complicated. Owning me means doing way more emotional labor than a vanilla relationship would require, not less.
Yes, I do what he says - but he's responsible for making the best decisions he can. He's in charge, so keeping me physically and emotionally safe is his responsibility. It's a huge part of how he earns my submission. It's no small thing to make decisions when making them well is part of how he keeps me safe and keeps me open and trusting towards him. Yes, I'll try to push my sexual limits for him - but I have complex emotional needs that accompany physical intimacy. Use my body without having respect for my physical and mental health and it'll fall apart real quick. And once again, making a reckless decision here that would leave me damaged and could forever damage our dynamic. Sure, he can take his cock out anytime and instruct me to suck and I will, but that doesn't mean it's all fun and games. He has the burden of double and triple checking that he isn't pushing me too far, or taking too much as to leave me empty. Yes, he gets the final say in disagreements, but he earns that by hearing me out. He couldn't keep me submissive if he didn't respect my feelings. I can't feel respected if I'm not heard. So he has to hear me out and really listen. And then his job is to attempt to get the best outcome for both of us. He has to try to balance our needs, because if either of us gets neglected, we individually suffer and then the relationship suffers. So he sometimes deals with the weight of threading the needle between his needs and mine, his wants and mine. His shoulders carry the weight of those choices. Yes, he can deny my wishes - and even my needs for a time, if he chose. But I am human. How long can he deny me things that bring me pleasure before I start to feel unwanted, unloved, disrespected, thrown out? Resentment would set in eventually. Self-protection would kick in eventually...and it might be too late by then, the damage may be done by the time I would wake up to look around and decide I didn't want to live like this anymore. Why would he want to even find out, given that he loves me? He wouldn't. He has a sadistic streak, so he likes to deny me things I like so that I long for them even more for a while. He likes to see me eager, desperate to get it when he decides to give it. He likes to watch me tolerate discomfort for him. Playing with these ideas require a deep understanding of my needs and limits. He has to know where "desperate for you 🥺 " starts to fade and "That goblin in the back of my head is starting to worry I'm not valued" starts to enter my thoughts. Yes, I look to him to guide and lead, and he has a lot of power and control - but that comes with the ability to destroy and damage. There's nothing easy about ownership if you feel the weight of the responsibility you're carrying.
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pressureplus · 1 month
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Ah hi there Author-San! Just saw your ask box open so I had to request this prompt which is bugging me forever
The reader is female, but looks exactly identical to Sebastian when he was human, hair, eyes, face, everything. Like identical twins, except for the gender change.
Like one fine day our foish guy is chilling in his shop waiting for the expendables when the reader comes through and open her helmet, causing Sebby to go through five stages of confusion like a washing machine.
Hi there, author here, and I LOVE this idea! Hope you don't mind me running a bit wild with it!
Reflection
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Pairing: Sebastian Solace x Fem!Reader
Au: Classic
Warnings: N/A
◞꒷◟ ͜ ͜ ◞ྀི◟୨୧◞ྀི◟ ͜ ͜ ◞꒷◟ ◞꒷◟ ͜ ͜ ◞ྀི◟୨୧◞ྀི◟ ͜ ͜ ◞꒷◟
You broke through the water, hands grasping the metal in front of you with a huff. A bit of a struggle to pull yourself up and into the room, but you managed anyway. Laying flat on your stomach for a moment to try and catch your breath. Any moment to spare that wasn't spent looking over your shoulder for an angler was a good one. You felt yourself begin to relax, but that didnt last long at all as the light in the room mysteriously flickered on. A more golden color than the other rooms you've been in, and higher too? You sit yourself up only to freeze, panic rushing through your veins like shards of ice. There, sitting taller than any of the previous creatures you've encountered, was what you could only describe as some kind of fish man. His fins flick back and forth as he tilts his head. A smile on his face as his upper set of hands clasp together.
“Welcome, welcome! Don't be afraid, I'm not going to hurt you.” His voice is smooth and calm, an unfamiliar playfulness that you'd have never expected of a creature down here ringing through.
“Despite what you may have seen, heard, or been told. My name is Sebastian, your only friend.” You aren't particularly fond of the way he says only. Something about it makes your stomach churn and your anxiety build. You can't tell if that's to say he isn't really your friend, or if that's more to the effect of saying there's more things looking out for you down here. You don't like either option. You don't want anything watching over you, mostly because you don't trust it. You've only ever heard this name spoken by the higher ups in whispers, like he's the boogeyman or something. His voice on the intercom talking about the mess he's made of all the operatives sent down to dispose of him. Its a little hard not to be intimidated.
“There's no need to be so tense, I'm not going to bite. Look. You have data, lots of it. All that data you've been collecting doesn't really have a use to you, now does it? Now I have all sorts of things you might need, medkits, batteries, and the like.” He shifts his tail forward just a bit, allowing you to get a good look at his wares.
“For the price of that data that you certainly have no need for, you could have something actually useful to you down here. Isn't that nice?” He hums out as you stand up. Your hands coming up to your helmet to tug it off with a gasp. A nice deep breath in of the oddly fresh air in here leaves you a bit more relaxed as you shake your head. Your hair falls into a messy heap more so than anything particularly pretty or graceful. Imagine if you could have that kind of hair care routine down here? A girl can dream, right? You lean over to get a good look at Sebastians things, but the fish doesn't say a word. His entire body seems tense, gaze locked on you.
“Uh- everything okay?” You ask, but he seems to almost be staring through you.
“Whats your name?”
“Y/N? Why?” You attempt to ask but he’s already leaned his face close to yours, leaving you both tense and uncomfortable. His third hand falls to your hip to tug you in. One hand pushing your hair back, and the other cupping at your cheek. His eyes bright as they flick around your face. His breath comes out oddly shaky, its hard to tell if that's fear or anger or what. Still he releases you all at once, staring you down like you'll stab him while his back is turned. He seems shaken up, like one of those small puppies that gets lost in rooms that are too big.
“You alright? You're acting really jumpy for a man that was talking so smooth just a moment ago.”
“Where did you get that- why do you look like that?”
“Ouch? I can't exactly help the way I was born. You didn't have to be so rude about it. That's a real fucking mean way of calling me ugly.”
“No- no you're not- that's not-” He attempts to correct himself but really just devolves into confused choked noises.
“Is there something specific about my face you don't like or? Like, should I put the helmet back on?”
“NO! No I just…haven't seen a face like that in a while. You remind me of someone is all. Someone I miss.” You hesitate for a moment before allowing the defensiveness to wash off you. He’s grieving, maybe? I mean seeing someone that looks like a loved one you can't see anymore must hurt, right? Especially down here. You're certain that if you'd been trapped down here as long as he has and saw someone that looked identical to a loved one on the surface, you'd probably freak out too.
“Can- Can you see them again?”
“No. They…They've been dead for a long time.”
“Im sorry for your loss.”
“No, no it's fine. Seeing you was just a bit shocking is all. Never mind that- is there something you wanted to buy?” He tries to carry on, but now, every time you step into his shop. He can't help but let his eyes linger on your face.
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honeycreammilkshake · 20 days
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at first you couldn't stand the idea of an afterlife with him...
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but now you want to live the rest of your life with him?
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seriously though.
yuuji went from hating him on sight to wanting to take him home with him. and honestly, i can't stop thinking about that.
the time yuuji spent with sukuna showed him there was much more to the monster than he first believed..... the fact that this whole story began with yuuji wanting to consume all 20 fingers so he could kill sukuna but ending with him wanting sukuna to come back to him so they could become one again..... and no, i don't care what anyone else says, it's canon that yuuji genuinely wanted for them to coexist with each other.
also. i just want to point out how full-circle they've become. sukuna screaming "your future is mine, brat!" at the beginning but dying in the end when yuuji offers (not surrenders, not gives in, but truly offers) that future to him. yuuji is willing to give sukuna his heart, soul, and body in the most compassionate, honest sense. it's such a display of kindness and warmth, such softness as yuuji cradles sukuna's remains, that sukuna probably couldn't take it.
i think it was more or less a split-second decision for him. and he chose to die as he was born: a curse.
i could be wrong but it seems to me like yuuji was breaking sukuna's resolve over the last few chapters, especially chapter 265, which focuses a lot on yuuji's empathy for sukuna... and also sukuna's mask starting to slip and reveal more of his contradicting nature.
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i can't get over this scene. yuuji wants to talk to sukuna. he asks sukuna to indulge him. and sukuna does.
this entire chapter sukuna is uncharacteristically willing to go along with it. he's listening to yuuji the entire time because he responds to what yuuji is saying even when it's over such small things. and even his insults are for more subdued and strangely sound more affectionate/light-hearted compared to the stuff sukuna is usually spitting out.
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i've said it before and i still think it's canon that yuuji has had the most power and influence over sukuna.
sukuna doesn't fight with anyone as closely or possessively as he does with yuuji (he treated todo like an unwelcome third wheel after todo crashed sukuita's violent little date entered the fight). sukuna isn't as moved as he is with others when yuuji challenged his ideals. no, he literally stopped mid-fight to wonder why the brat had such an overwhelming effect on him. he wanted to crush yuuji's ideal apart because they started to make him doubt himself as well.
yuuji gets under sukuna's skin and stays there like a thorn. like the parasite sukuna was supposed to be inside of yuuji. but the brat is now sukuna's own curse.
and i think he knew that if he'd accepted yuuji's offer, that curse would kill him. love is the worst curse of all.
sukuna knows his own nature. he's selfish and evil and cruel. yuuji embodies the opposite of all those qualities: he is the shades of love and hate that are far away from sukuna's mask of indifference. they could coexist but overtime sukuna's persona would begin to erode because yuuji has the most power of anyone else to change him. to make him rethink. and he can't have that. he needs to remain the static cruelty he was made into. he doesn't know any other way and he'd fall apart if yuuji showed him another fate.
it's really tragic when you realize yuuji's soul has been tied to sukuna's for so long. and in a sense, yuuji completes sukuna. he is kind of like the embodiment of the humanity and empathy that was probably forced out of sukuna. he's the missing whole that makes sukuna's whole a matching set. like yin and yang, the opposites that complement each other and cannot be separated.
in both a poetical and literal sense, yuuji was made for sukuna. he understands that they're like reflections of each other, one brighter and one darker. and yuuji still accepted and was willing to bear sukuna's monstrosity. because he saw him. studied him, even. loved him in the most selfless sense of the word.
it's so tragic.... i hate them.
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soapymansuds · 5 months
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Eternity and Counting
(Pt1) This is a running piece I've nearly finished, but the whole thing is way too long to post as one chapter sooooo... This part's pretty short just for the sake of timeline splitting.
Obey me! X Angel!MC (They/Them Pronouns)
TW: Suicide, depression, self-deprecation, death, big feelings, lots of sad, everybody is crying like all the time
MC just can't handle anything anymore and takes their own life. Imagine their dismay to find even death isn't the end for them.
(Takes place in the Frost Flowers event (sorta?), with mild "that chapter where MC finds out they're the Bridge" spoilers. Can't remember which chapter that was.)
~/\~
It's so heavy. This grand weight I've been lugging around since that day. I should have died. I was supposed to die. I would have deserved it too. All I've ever managed to do was cause problems for this family. And maybe I still am. The idea almost stopped me. Visions of their faces. Their tears. Their grief. It did, actually. A few times at least. But not today. It's happened again. Everything was going just fine until that God-forsaken dog decided I would be the object of his affection. Somehow, in spite of the threat it faced to the nation, the brothers refused to just hand me over. Almost losing not just their home, but their kingdom, for my sake. Yet again wasting their time trying to save me. Just like they did when my stupid power nearly killed Lucifer. When Lucifer nearly killed HIMSELF to save me. A bitter, evil part of me is still mad at Michael for stopping me. For saving me.
My arms feel heavy as lead as I lay here, counting away the seconds. I've got nearly an hour before anybody gets home from RAD. Plenty of time to make sure I stay dead. I feel a little bad for lying about being sick to get out of classes today. But maybe I am. Doesn't matter much now anyway. Really, my biggest concern in the current moment is how long it will take Barbatos to notice the ingredients I took. Sure, he's in classes right now too, but he pops in and out of the castle all day long. The likelihood of him stopping into the kitchen and noticing the cracked cabinet door, the scavaged shelves, and finally the open jars is uncomfortably high. In my defense, the chances of that happening while I was there were equally high, so I can't be blamed for the messy crime. But he's only got a few moments more before his discovery will be for naught, so I suppose it's not terribly worrying.
I can feel it, creeping up my spine like a cold massage. The ever-growing numbness. The slow death of my limbs. My lungs. Me. It's growing darker now, unnaturally so, even for The Devildom. I can finally free them of my burden. Free myself of it too. But I would like to offer a final scorn to whatever God allowed me to hear the gentle creaking of the front door.
~/\~
(Mammon's POV)
A chill runs through my spine,like something ominous is lurking behind me, but as I turn around, nobody's there. In spite of that comfort, I can't shake this overwhelming dread coating my nerves and sinking into my bones, urging me to move. Driving me to jog home. The gentle sway of the bag on my arm becoming notably more violent as it begins swinging by my side.
My hands can't work fast enough as I try to unlock the front door. I break into a near sprint as I approach their door, slamming it open.
"MC?" I call, it's dark in their room, but I can just make out the shape of their body resting in their bed. "Oh, you're just sleeping." I mumble, walking up to their bed and setting the bag on the ground next to it.
"Hey, I gotcha some human world medicines." I whisper, pulling a few bottles from the bag. "C'mon, you gotta wake up and take some."
I can't help but roll my eyes at their lack of reaction. "Been spending too much time with Belphie." I reach up to shake their shoulder gently.
Nothing happens. So I try again, fingers gripping just barely tighter. Tight enough to feel the unsettling chill of their skin. It seeps through my fingertips and into my soul. Gripping my heart in white hot fear.
"MC, wake up." I shake them again. "MC." Their name falls from my lips like a plea. "MC please-" I grab their other shoulder. "MC!" Tears spill from my eyes, breath shaky and ragged. "Wake up!"
(Raghhhh, sorry about this)
-Your dear friend, the author
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Something i could never understand is...why do people want Jack to die???
Jack is an obstacle plenty of times and is sort of flippant about Will's state of mind in the beginning, but in all fairness he was trying to stop a MURDERER and I could see how he would value saving lives over Will's health. (Not saying it was right of him, but I get it. And Alana does rightfully chew him out to a point.)
Its clear he just assumes that Will not wanting to be involved im the mass murders is a natrual response to seeing all of that stuff, Jack has no idea that Will and Hannibal are having murder husband fantasy dates until the later seasons. Which in all fairness, he has a right to be concerned about lol
People villainize Jack for a lot of reasons, and only want to see the bad in him. People hate him because he's a cop (okay, so is Will, and everyone else on the team for that matter but only seems to apply to Jack?), because he didn't take care of Will's mental instability/deterioration (as if Will isn't a grown man who should/could stand up for himself and admit to Jack when he isn't doing well), because he was "too dumb to see Will was Very Obviously Ill" (as if we the audience don't get special privileges on what happens behind closed doors and Jack is just supposed to read minds), because he was a criminal investigator "too dumb to not see it was Hannibal all along" (as if Hannibal didn't manipulate literally everyone in his vicinity to make himself look normal and stable and safe and trustworthy), because he "doesn't care about Will" (as if this wasn't literal manipulation Hannibal whispered to Will during his mental breakdown to drive a wedge between him and Jack), because he isn't perfect and he isn't allowed to be flawed, and tbh a big factor of it is racism. and many more reasons.
Of course Jack has flaws, that's what being a human being is. Everyone on the show has faults, but people focus and amplify only the characters they don't like. Hannibal, and to be honest Will also, are literally right there in the same frame and are horrible people, who have done so much worse than Jack. But people don't want to be critical of their faves. Hannibal fans often also have like, main character specific lens so only their favorites are talked about highly and everyone else is dragged through the mud (Jack, Alana, even Abigail) and are not allowed to be seen as a multifaceted character. (admittedly, the women on the show are very poorly written which can contribute to this for the female characters of the show but I digress)
Jack genuinely wants to do something good, he wants to save lives, and he wants to so badly he can get horseblinders on and focus too much on the end goal and not on the path itself. That isn't evil though. He does care about Will, and in a very dad-like way he wants what is best for him but it isn't entirely through Will's lens ir his best interest. He trusted that Will would talk to him, and Will didn't. Like sure he hinted the job wasn't good for him and it was affecting him but that isn't specifically saying "hey Jack, I have headaches that won't go away, I can't sleep, I am sleepwalking, I am losing time, I am scared. Help me." Yeah, looking at horribly mutilated bodies all day isn't good for anyone. He tried to get Will genuine help, by setting him up with a well-renowned psychiatrist per someone else's recommendation. He tried, but Hannibal didn't do his job. He lied to Jack saying Will was fine, rubberstamped him sane. What is Jack supposed to do? Call him a liar? A well respected professional in the field? Be real. And to your point, again, Will never said how bad he actually was, so it makes sense Jack is doing his job and prioritizing saving lives.
Jack also didn't want to believe Will was guilty. The evidence was piled so high against him they eclipsed the sun. Jack is smart, his entire job is finding evidence to lead to a conclusion. He can't just suddenly turn a blind eye because it's Will. Jack was willing to risk his career to help him, a career that took decades and immense hard work to achieve. He then trusted Will and Will betrayed him. He wanted to trust in him until the very end. People get mad at Jack for not trusting Will but then call him dumb for trusting him later like lol what the fuck do you want?
Jack also knows when he messed up. He lives with the guilt of Miriam going missing forever, he knows he fucked up and makes it a point not to make that mistake again. He isn't careless. He cares for the people he works with. You could see it in his face how devastated he was when Beverly died, when Will was arrested. Even thinking about Miriam. There is a tenderness in him being the one to take off Will's mask and straight jacket, as an act of humanizing Will and saying "I trust you".
Jack is also a good husband who loved his wife. Yes, his job kept him away from home a lot, but Bella isn't dumb and she knew what his job entailed. He took care of her as best as he could. He wanted to do anything to support her after her cancer diagnosis, he was always in her corner. Of course he wanted her to do chemotherapy, of course he didn't want her to die. He didn't want to lose the love of his life and traverse the world alone, his most trusted and longtime support system gone. He broke the law to smoke weed with her and join her, and be a part of her care and comfort. And in the end, he did the hardest thing by letting her go so she wasn't in pain anymore. It wasn't passive, it wasn't that she died and he just watched. He pushed the plunger to give her peace. He is a human being capable of compassion and love and care.
People forget we have the audience view, so we see Hannibal being manipulative and murdering, and we see Will wake up from nightmares covered in sweat and sleepwalking. But the characters in the show aren't us! They only see what is in front of them or told to them. And they act like if they weren't in the same shoes they wouldn't do the exact same stuff.
To put it shortly, Jack is a complex and flawed character, as is literally everyone on the show and people in real life. He genuinely tries his best and wants to do good things in the world. He is sooo far from the worst character on the show (I argue he might be the most morally stable and centered) but is made out to be the worst person ever, when he isn't. He doesn't deserve to die, and he doesn't deserve to be murdered. He deserves a nice, peaceful, retirement (or vacation, not sure he could stay away tbh especially now that Bella has died) and to be left the fuck alone.
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panlight · 2 months
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I.e. Bella not suffering any consequences: what I find even more annoying is that Meyer makes such a big stink about the books being about choice but only BELLA gets any big choices. Every other member of the Cullens was forcefully turned, either entirely against their will (Carlisle, Jasper) or to save their life (Alice, Edward, Emmett, Esme, Rose). Every shifter is forcefully turned due to the vampires; not even Jacob chose it in the end and actively fought against it. Imprinting is forced. Don't get me started on Leah. And even if Nessie wants Jacob in her life, the book heavily implies that she wouldn't have a choice either way. Also, she has to stay with her family because she'll never look old enough, isn't as invulnerable, etc. Literally only Bella has any choice over life-changing decisions (even Edward claims that he never had a choice in loving Bella). Bella chooses Edward (actively endangering herself and others), chooses to be a vampire (supposedly an evil, immoral life endangering others), chooses to give birth to Nessie (possibly an inhuman killing machine while endangering herself and others), and so on. And instead of ANY consequences AT ALL for what appear to be TERRIBLE choices (based on every single book except the back half of BD), she's ALSO the only one who gets pretty much everything she ever wanted while everyone else has to live with whatever crumbs of happiness they can eke out. It's infuriating if you care about anyone AT ALL other than Bella.
Totally agree! It's always been amusing to me that SM says the books are about choice. The apple being offered on the cover presents a choice: do you take it or not? Do you eat from the tree of knowledge of good and evil? Do you take the apple from the old woman who might be a witch or evil queen in disguise? And the original name of the book was "Forks;" obviously for the setting but also for the idea of forks in the road: which path you will choose?
But Bella's the only one with any real choices here. She actually has a lot more agency than a lot of people give her credit for. SHE chose to move to Forks. SHE chose to pursue a relationship with Edward. SHE chose the reckless actions in New Moon. SHE chose to ask Edward to sit out the fight. SHE chose to become a vampire. SHE chose to keep the pregnancy. She certainly suffers hardships, but they almost all come from choices SHE made for herself.
And the negative effects of those choices are temporary or unimportant to her specifically. Her scars from James are healed in the transformation; Emily's face is still scarred. The toll her pregnancy took on her body is erased in the transformation, but Esme is still 'rounded and soft' from her pregnancy, and Alice is 'thin in the extreme' from her malnourishment. Bella doesn't even burn for the full three days, only two! There's even a line where Edward literally says something like, "Renesmee's eyes are exactly your color, so that wasn't lost after all." She gets to keep Jacob literally forever (he has no choice) and she gets to keep Charlie when no one else got to keep their human families in their lives. Irina dies, but Bella doesn't know her so it doesn't matter.
I fully understand the main character is the main character for a reason; because they're special, because their journey is unique, etc. But this is also the reason I tend to find main characters annoying. This is not a Bella problem or an SM problem but a me problem. I feel similarly about Harry Potter and Katniss Everdeen as I do about Bella Swan. I like ensembles; I like when there are lots of narrators, or when there's no obvious 'main' character. And if there is a main character, dollars to donuts they aren't my favorite; I will 100% always sympathize more with the secondary characters and find them more interesting.
Bella gets to choose what she wants for her life and it all works out for her. Good for her! Genuinely! But it's a glaring contrast to the stories of virtually all the supporting characters and, to me at least, less interesting. Forever disappointed Bella being a newborn was such a non-event. I was looking forward to it for three and a half books and she just basically carries on her life like nothing has changed. Meh. The supporting characters not having many choices and making the best of things is personally more interesting to me.
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shuttershocky · 1 year
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what do you make of samurai remnant so far? As it's a weeb game, I don't expect any of the normal review sites I trust to cover it
I /hate/ Musou combat and I'm sick of Servants, so me avidly talking about this game means it's way better than even my biases can overlook.
Here's the thing: the vast majority of Type-Moon games fucking suck, because they make visual novels, not video games. "The story's good enough to make you play through this abomination" is the battlecry of Fate/Extra fans. If it wasn't for Melty Blood they might not even have any games where people play for the actual game.
This is not the case with Fate/Samurai Remnant. It's not here to blow your mind out of the water, but it's clearly a title made by people who are both great fans of the source material and are very experienced with producing games on a budget. Solid execution all-around from combat design to character art to environments.
The most notable thing about FSR though is that this game cares a lot about how things are supposed to feel. I've talked enough about how great it is to have Servants feel like real powerhouses again, but this level of care exists within the rest of the game.
"How would it feel to be partners with a superpowered being?" is the defining question informing the majority of the game design. If there's a high place you can't climb without a ladder, Saber simply throws you up there with their superhuman strength. If you're squeezing through a tight alleyway, Saber simply reappears via magic on the other side, sometimes getting ahead of you and waving mockingly while Iori can only grumble and slowly pull his fleshy human body along a tight crevice. There is actual destruction in the aftermath of the first Servant battle that you can see for yourself, which informs Iori's motivation of putting an end to this death game. Iori's neighbors express relief that he's safe because they saw his house explode, or tell him about the whereabouts of his sister Kaya, making the town feel just a little bit more like a setting Iori actually lives in.
As Iori's relationship with Saber grows, the game also tacks on more and more mechanics involving their cooperation. At the very start, Saber cannot be controlled whatsoever and is entirely dependent on the AI. As you progress though, you unlock the ability to give Saber commands and even play as them for a short time. But that's not all, Saber's AI will also start to cooperate with you, following up on enemies that Iori knocks away with a finishing move, or calling for special partner moves called Link Strikes. When you're in trouble, there's even a chance Saber will come rescue you, activating a quick time event where they lock blades with the enemy, attempting to push them back.
This is what the whole game is like. Samurai Remnant doesn't have the resources of an AAA game with an army of developers to create features like ultra HD 4k textures for all environments or realistically shrinking testicles, but you can feel most ideas started with a question of "What would it be like to have Saber here and how do we depict that in some way?" Saber would be fascinated at modern (17th century) Japan, so they often run from place to place pointing out new things to gawk at and demanding explanations from Iori. They didn't have food stalls, paper, or money in their life, so Iori has side missions to buy from every food stall to satiate Saber's hunger, which murders your wallet in-game as you are a poor ronin living hand to mouth every day and need odd jobs to make money.
It feels good to play, and not even as a Type-Moon fan where a lot of these things are something I've been asking for. I mean it's good to see another mid budget game that's neatly focused on simple, solid execution. Most review sites are giving it around a 7.5-8/10, and I'm telling you this isn't a 7.5 from a Type-Moon fan pleading with you that playing Fate/Extella's Altera route makes it actually worth it, this is a 7.5 from people seeing a decently hefty, well-made title.
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lacrimosathedark · 6 months
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I have a very specific Hazbin AU idea and no actual plot so I'll throw it out there.
Human AU, specifically with Rosie and Alastor in a marriage of convenience. Alastor finds no interest in anyone but finds Rosie delightful, and Rosie has perhaps been "mysteriously" widowed a few times and need the financial support for The Times.
I don't think Alastor was a cannibal when he was alive, but it's part of Rosie's identity, so maybe when he kills people, he, like...gives them to her? idk cannibalism makes me real uncomfy but I thought it'd be an almost funny dynamic. It's certainly a way to dispose of a body without having to dump it somewhere(and thus getting shot in the fucking face).
Also funny dynamic, queer human Vox really likes Alastor and catches his very fruity vibes, but Alastor 1. has -1000 interest in Vox's very existence, and 2. doesn't understand the "coded language" Vox uses because Alastor isn't really in queer circles. Not that he'd horribly mind, but he's not gonna put in the effort to be in them, yknow? So Alastor is there, completely fucking oblivious with a sinister smile while Vox is fuming in frustration over failing to hit on him.
...and maybe a special little girl and her daddy make him just a little bit better of a person and a lot more happy. Just, y'know, if you wanna.
And teeny Charlie can have Auntie Rosie as the cool aunt she was made to be. They watch musicals together and Rosie is a very exuberant audience when Charlie tries to replicate them as a one-girl show by herself.
Oh, this would also be a fun setting for a certain pimp to maybe lose his head. Figuratively or literally. Preferably literally.
ADDING BECAUSE I THOUGHT OF ANOTHER THING: Rosie meeting Angel and thinking he's an absolute darling, and thn finding out about his situationwith Valentino and going to Alastor like, "Alastor, sweetie, could you be a doll and get me something real special to eat? I've got a very specific craving." Alastor objects solely because he's such a powerful figure that it would draw attention to them, and points out it would also leave a power vacuum and a number of vulnerable people more vulnerable.
So Rosie decides to run a competing brothel out of her Emporium, and ends taking a lot of business and workers from Valentino.
It's so funny to me to imagine aroace Alastor just having casual interactions with like a room full of sex workers, completely unfazed, listening to their sordid tales.
And if the subjects of some of those stories go missing, well, who's to know what happened, right?
But mostly I want QPP Alastor/Rosie without the label being married not cuz they're in love but because society is silly and they're besties. Who maybe sometimes do murders together.
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leviismybby · 2 years
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Once a thief, always a thief
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Pairing: Levi Ackerman x reader
Warnings: Angst, fluff, there's a lot going on, it's very bittersweet.
A/N: I wrote this while doing my essay today, the idea seemed too good to just let it go, let me know if I should do a part 2! :))
Taglist: @the-milk-anon @youre-ackermine @levisbrat25 @yakaaamoz @levisgreyeyes @notgoodforlife @ackermendick @laraackerman If you want to be tagged just let me know!
Levi's eyes followed as the scouts trained, every single one trying to impress him more than the other. Next to him, Miche is doing the same, hawk-like eyes watching their every move.
"Levi." He hears Erwins voice behind him, already on alert by the sound of it. Levi turns around to face the blond man, arms crossed against his chest. "We have a problem I'd like to discuss with you."
Without a word Levi follows Erwin to his office, something is telling him that it's about you, again. As they enter his office, he sees Nile sitting in one of the chairs visibly upset.
Levi sits down opposite Nole, his face stoic. Once everyone has settled, Erwin turns to Nile, already annoyed with the man. "So Nile, please repeat to captain Levi what the issue seems to be."
"Name has stolen from us again, this is the fifth time in three months. She needs to be put behind bars for good." There isn't any mercy in Nile's words, you had been a pain in his ass for a while now.
"Why are you telling me this?" Levi almost scoffs the words out, he would lie for you again however this time, he really doesn't know where you are.
"You have lied for her before, I have no reason to see why you wouldn't do it again." It was about a year ago when you had stolen a pretty expensive necklace from one of the nobles, when shown a drawing of you, Levi lied that he didn't know you. Too bad for him, Nile had already caught on by then.
"I have nothing to do with her anymore and I don't fucking care that she stole from you. Train your dumbass soldiers better and maybe they would be able to stop one woman from stealing." But you're a tough cookie, always have been since Levi met you all those years ago.
You used to be kids in the underground, Kenny had thought Levi many things but not how to properly steal, Levi got that from you. Somehow, be it luck or skill, you always got away with it. He remembers when you stole a whole bag of fruits from smugglers without being seen, that was the day he was introduced to apples.
The two of you grew up together and he watched you grow into a woman. When you were taken by the scouts you took it well, even got praised by the commanding officers for your impressive stealth, until Furlan's and Isabelle's deaths.
That was where you snapped and the next day you vanished. Levi lost it all in a span of two days but he grew from it, learned to adapt to the scouts, and became humanities strongest soldier.
As soon as he heard that there was a mysterious robbery in a dress store, he knew it was you. He knows you like the back of his hand.
Arrogance was always your big problem, how many times has Levi had to save your ass because you were too stubborn to quit?  He could count on his finger just how many times he lied not only to the military police but to Erwin as well, all to keep you out of trouble. Yet you always manage to get yourself into bullshit and Levi is getting tired of it.
"How about we set up a trap? What does she like Levi?" Erwin turns his attention to Levi, noticeably curious about what his answer will be. "I don't know, anything that can make her a bit of money."
A lie. He lied again. You loved diamonds and different stones, you kept a shelf in your old room full of them.
"Something from the king, perhaps his robe, that would be worth a bunch on the black market." Of course, all of these suggestions by Erwin are for the benefit of the scouts again. If his plan works, he will be awarded by the government.
"The king? What makes you think he would want to help?" Nile's body is now tense, even though he wouldn't want the king involved in all of this.
"A skilled thief is on the loose, she got past your security what makes you think that she can't get through to the king?"
"The king doesn't interest her, trust me. She is skilled but she never bites off more than she can chew." Of course, you hated royals and their selfishness for normal people, while they starved, the king and his men ate like pigs.
"So what do you propose Levi?" Erwin's eyebrow slightly raises, he is interested in hearing what Levi has in store.
"We wait. She will strike again I'm sure."
Levi doesn't want to complicate things, he simply doesn't want you to get caught by the government. If it means that he has to come up with a plan alone, then so be it.
__________________________________
And so it was, Levi waited for three hours to see if you would be interested in the new jewelry shop that opened not far away from the capital of Mitras. It was dark, only moonlight illuminating the empty streets, the smell of after rain was present, creating an unusual atmosphere.
No matter how many times he has told himself to hate you, to forget you, he couldn't do it. You were his first everything after all. How many times has he hoped that he would see you somewhere happy possibly married and even with a baby in your hands. Levi would hate that man with his whole being but he would know that you are safe.
All of that is far from reality, Levi knew that you never even thought about marriage let alone a child. You weren't mature enough for those things no matter how quickly you had to grow up and fight for survival.
Finally, he sees a hooded figure climbing down from one of the buildings onto the roof of the jewelry shop. Every one of your steps is calculated, at the moment when you concentrated the most is where Levi had caught you off guard.
Suddenly you weren't walking anymore, instead grunting in pain as you felt your arms being pinned behind your back. You tried to wiggle yourself out of the grip but to no avail.
"Name stop." You stop moving, eyes going wide. Levi. When he sees that you have relaxed under his touch, he slowly lets you go making you know that he can catch you should you try to run.
You get up from the ground, taking your hood off. "Heh, I should've known you would be tracking me. I felt eyes on me for a while now."
"I wasn't tracking shit, I just happen to know you." As blunt as ever I see. "Good for you then. Now please excuse me I have a store to rob."
Just as you were about to walk past him, Levi grips your arm halting you in place. "Are you an idiot? Can't you see that it's a trap?" Damn it. He wasn't supposed to tell you that. It was what Nile came up with after he had left Erwin's office.
"No kidding." You smile sarcastically, breaking your hand away from his grip. "You knew."
"Of course I did. A new shop opens out of the blue in the middle of Mitras, do you think that I'm stupid?" Your voice is raised and you don't even notice it. For all that you thought would happen in the future between you and Levi, this wasn't one of them.
You have always thought that he would be your partner in crime for life, it seemed so before anyway. But things have changed, he has changed.
"So why the hell are you here? Do you want to get caught?" The answer was no and yes, no you didn't want to get caught, yes because you wanted to see if the military police have learned from their past mistakes.
"Even if I do, what about it? I'm just a thief aren't I?" Levi scoffs at you, after so long of not seeing each other, he thought you would at least be more responsible.
"Don't test me name." He says eyes searching yours. it's clear that whatever happens on this roof tonight, you two are far from over.
"Or what? You're gonna scold me?
"I'm trying to protect you. You brainless idiot." Levi almost spits out those words, how can't you see that he has been doing it the whole time?
"How nice. Somehow everyone you tried to protect is now six feet under." Those words make Levi's eyes shoot open, you don't seem to realize what you just said until you see Levi grow mad.
Before you can move, your back is already harshly pinned against the stone wall, breath is almost knocked out of you. Levi's hand is gripping your shirt, pulling it up until your noses are almost touching.
"How childish do you have to be not to understand that I have saved your ass so many times? Do you even know how close they were to locking you up? Do you know what it means to be behind bars as someone who is from the underground!?" His voice is harsh but he isn't yelling, it's a mixture of hurt and worry.
"And why do you even do it? I didn't ask that from you! You just joined the scouts, you didn't even try looking for me after I left! Do you know how hard it is to see you after all this time?" Levi softens his grip when he sees that your eyes have been filled with tears.
"Let me go Levi!" A tear rolls down your face, Levi is frozen, stuck between his heart and mind.
"Levi! I said let me g-" Lips suddenly crush to your own and you blink. Without much hesitation, your hands are in his hair and you are kissing him back.
Neither of you are thinking, the only thing you're focused on is Levi. You have missed him so much. His hands run down to your waist, pulling you closer to him.
And you let him, let him savor this moment while it lasts. Your hands wander from his hair to his neck, tongue entering his mouth. Levi moans softly, kissing you passionately.
You're teenagers again, the same ones that clumsily had their first kiss, the same ones that used to cause trouble.
Levis hands move down to your hips, squeezing them, a moan escapes your mouth when Levi pulls away and starts kissing your neck.
"Levi...." You take his face into your hands, kissing him once more before pulling away. "Not here and not now..." He nods, aware of his surroundings again. Pulling away from you, his cheeks grow red.
"You should go. The military police could be here any minute." You nod taking the opportunity to kiss him again and he doesn't budge, fully accepting your kiss.
"Here is my address." You slip a piece of paper into his belt before putting your hood on and running in the opposite direction.
Levi is left on the roof, mouth agape, still trying to process what just happened. Only when he hears footsteps is he brought back to reality.
He will make sure to see you again, he takes the paper from is belt but notices that one of his knives is gone, Levi smiles slightly.
Once a thief, always a thief
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danieyells · 3 months
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I can also see Romeo straight up setting a glory hole, tying your knees to your chest and shoving your ass in a hole. Basically renting the mc by the 15 minutes and bc he hates the mess and it would be annoying to send someone to clean every few hours so he is strict about condoms, tho if someone paid a few hundred dollars he might look the other way
Re: Sold by Sinostra(Frostheim edition) mini headcanons because i guess i have to give these a name i can remember
Oooh absolutely. Just shove them in a box so he doesn't have to look at them crying and being a disgusting hole, plus less mess! Although as far as cleaning goes i imagine a lot of it is just like. One of his goons comes in with a hose and sprays them down. Or there's some sort of anomaly that he sends in that cleans all the mess up, like an akaname. But I think 'if you don't want to use a condom you'd better pay a lot more' would also be very in character, no matter what you're allowed to do to the pc. Mortkranken has medicine if you have problems.
And since @jadeleechsupportgroup and @dewstickynotes said who they wanted next. . .
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Sinostra! As you can see I've got ADHD that's so bad that it took me damn near a month to do something as small as this, so please do not stay up all night waiting on it lol. maybe Hotarubi next since you both also said Haku.
romeo got two since he's the catalyst for this scenario--or maybe just because i had two distinct things in my head for him. i don't remember what my initial idea for taiga was which is bothering me.
As Romeo is the one selling you, the opportunities are plentiful. But if he likes you a lot, he'll treat you very well. You feel more like an oiran the way you're pampered and dressed and only sold to people Romeo doesn't think will treat you too crudely. Not to speak of the price he sells your body for--as if you're a luxury good, not an indebted whore! He dresses you himself, making you up to his standard with makeup and skin treatments. After you're bathed(whether by yourself or a trusted underling) you sit at his feet in the VIP room, bare naked, like a pet, until he's ready to tend to you. He complains about how much of his time you're taking up, but he seems to enjoy treating you like a doll. "See? This isn't so bad, right? You'll be able to pay me back in no time this way!" After an hour of sitting nude at his feet, Romeo finally acknowledges you, stroking your head. His underlings bring a selection of clothing he must have ordered them to retrieve, and he stands you up as he decides what to put you in. An expensive-looking box of make up is placed on the table, but he turns your head to face his mocking expression before you can see the branding. "It would certainly have been better if you'd only paid what you owed, but you've done a good job so far of making the money back. Of course, I'm pricing you at far more than you're worth--so how about you say 'from the bottom of my heart, thank you for making me worth something, Romeo' for me?"
On the other hand, Romeo could want you all for himself if he likes you in a different way. For you to be handled by the filth out there when you ought to be his. . .in the end he wouldn't be able to take it. Once your fate was sealed he would tell you he needs to gauge how much you're worth. He knows most of the auction room customers who're out to purchase other humans are out for sex--so he'll have to evaluate your body and your performance. "Do well, or you'll be here even longer." But this 'evaluation process' seems to take quite a while. He examined your body like you were a dog at a show, and you blew him and cockwarmed him while he worked, sitting idly by when he didn't want you to touch him. When his underlings frustrated him, he threw you down and used you until he wasn't so angry anymore. You knew he punched walls and slammed tables, but you somehow didn't expect the spankings or the rough pounding. Somehow you got scolded over the bruises he gave you. "I've made a decision." He announced after his workday seemed to be over and he'd finished counting the casino's profits. "I think you'd pay off your debt to me better personally. So you'll be my property, for me to do with as I see fit, until I've decided you've paid me back. I tell you what to do, and you say 'yes, sir' or 'yes, Fico'. Got it? No backtalk, no bitching, and no questions! . . .If we're alone, I'll even let you say 'yes, Romeo.'" He talks as he leads you through the halls and to a room--his bedroom, by the looks of it. He sits in a similarly fancy chair to the one in the VIP room, and gestures to his feet, where it seems you'll be sitting more often for a while, then lifts your chin with the tip of his shoe. "Why don't you you start with showing me how thankful you are that I'm not making you a common whore, used by the rodents outside? I think that's worth a little worship, don't you?"
You'd think Taiga wouldn't remember you well enough to get you out of this, but the way he coos "here, kitty, kitty" at you to beckon you to the bars of your cage to pet you says otherwise, as does the way he asks, more to Romeo than you, "what's my little kitty cat doing in a cage, huh?" But the cold and empty look in his eyes also tells you something important--he is hungry, and the tight grip on the back of your neck when you try and back away doesn't inspire much hope that he doesn't intend to use you to solve that. His underlings pay Romeo, and Taiga unlocks your cage himself before he parades you through the casino, despite your state of undress, to bring you all the way back to his room where his goons take their places guarding outside the door and you are shoved onto his bed and easily held down with a single hand against your chest. "You really wandered into some deep shit with your debt like that, huh! Lulu would've had you in there forever if I didn't come along and save ya! Y'know how literally you'd've been fucked if not for me?" He laughs, moving away from you to open the curtain to his torture room. "So, what should we play with today, little stray kitty? Then again, I'm gettin' pretty hungry. . . ." He takes up and admires a rather nasty looking knife. "But if I ate you right now, I wouldn't be getting my money's worth. . .you get what I mean? You weren't cheap, so you're gonna have to entertain me a little, kitten." He puts it away, retrieving his pistol and aiming it towards the ceiling. "I got an idea! How 'bout I be the cat today. . .and you be a little mouse. And all you gotta do is get off this ship before I catch you. . .I won't even have my mooks stop you from runnin' and hidin'. I'll give you a head start, too! Between that and how hungry I am, you can get out of here, right? Oh, but if I catch you. . .you cost a real pretty penny, like a real purebred kitten. . .so let's hope I can get as many meals outta you as you were worth." A click. A bang. Shattering glass and a pop and sparks before the room is shrouded in darkness. The doors slam open, Taiga's underlings bursting in in alarm at the gunshot. Your opportunity for freedom is marked only by Taiga's voice. "You've got 30 seconds."
"Vice Captain, this could easily be prosecuted as unlawful imprisonment under Article 220 of the Penal Code." Ritsu explains, gesturing towards you in your cage. "As far as this contract goes, the consent towards confinement has been retracted. I must advise that you return their clothing and allow them to leave the room." It's surprisingly easy to convince Romeo to yield under threat of law--although Ritsu only requires that you're released and ignores any other occupied cages in the room. As for your debt, Ritsu has already prepared a contract for you, allowing him to pay it off for you, subsequently making him your creditor. As you work with and are frequently paid by Ritsu, part of these paychecks will simply be withheld. . .it's a very thoroughly written contract, which you sign as it will keep you out of Romeo's 'private office'. An NDA is also procured for further discussion of this particular incident. "It would have been preferable if you had informed me of this debt of yours beforehand." Ritsu sighs in some disappointment, walking you back to his office. "For you to be burdened by such a debt reflects poorly on me as well, you know. So long as you and I continue our working relationship and you do well on your missions, I'm certain you'll be able to repay me in time. Now then, as for the fee for negotiations. . . ."
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magicalgirlsirin · 8 months
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hi rly enjoyed ur post on elysian realm! ik ur a new fan (i am too) but i heard that before retcon, elysia was a lot more morally gray. would you happen to know how exactly?? im rly curious bc i think it would be a severe improvement obviously. we deserve complex women who do wrongs
So when I say retcon in relation to the elyrealm arc it's less so "things they changed because of the story evolving and wanting to expand previously established events" and more "things they straight up forgot about in service of making Elysia a herrscher". It's not like hi3 is a stranger to retcons though?
For example, Durandal being the "original" Kiana is a retcon. The fact that our Kiana was a clone remained the same, but it's clear from older story stuff (iirc it's Everlasting Memory/Theresa's chronicle set?; second eruption manga doesn't focus on the Kiana part) that Durandal wasn't originally there. Otto refers to Kiana as K-423, and that Theresa needs to retrieve her, which implies that Theresa knows it's not Siegfried and Cecilia's kid, but her distress remains the same. The later game retcon by Thus Spoke Apocalypse is that OG!Kiana and Siegfried were going to go retrieve K-423, but OG!Kiana ended up injured and so Siegfried only left with K-423. And if you're confused then so am I because the details don't really super line up with the presentation, but it's like, fine, because at the end of the day the current writing intention and trajectory is for Durandal and Kiana to be sisters, and to both be Siegfried's daughters.
Anyways, for Elysia, a lot of her retcons occur in a very rapid pace from the first realm chapter set to Elysium Everlasting. Like I mentioned in my last post, the herrscher reveal is nonsense just going off of basic information like the fact she received MANTIS surgery like all the other Flame Chasers. However, there are other plot threads that are completely dropped for the sake of making Elysia a very special good girl who you should love because she's so nice and never did anything bad.
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[About Betrayal 1 - Chapter 2]
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[About Betrayal 2 - Chapter 2]
Elysia the traitor plot is something I was, well not hopeful for (a friend had already warned me that the game wouldn't do anything interesting with it] but I still ended up mulling it over a lot because it was such an interesting hinge piece for her initial presentation.
What stands out to me is the phrasing. Kevin says she never endangered humanity even if she was a traitor. Kevin says that Elysia made a decision. This implies agency, like Elysia was actively choosing to do something dangerous for the sake of the Flame Chasers. However, if Elysia was a herrscher from the beginning, then none of this makes sense. She doesn't choose to be a herrscher if she was one from the beginning, so why even make it seem like her betrayal was her choice at all?
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[Traitor - Chapter 1]
It doesn't stop there though. Mobius' active disdain implies that whatever choice Elysia made, it was enough to make Mobius of all people consider her a lost cause. Mobius, who body mods and injects honkai energy into anyone with a pulse (hyperbole) to try and make humanity last just the slightest bit longer.
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[Traitor - Chapter 1]
Mobius wants us to doubt Elysia's intentions. If you go through all their shared information, you'll find that the worst Elysia really does is just... coerce Mobi to wear pink dresses, and while that is obnoxious, it wouldn't warrant utter contempt for Elysia as a person.
There's actually a lot of stray text that implies there's something wrong about Elysia's existence, which I guess in generous terms could be interpreted as setup for the herrscher reveal? But it just feels like it's just there to add to the mystery that won't go anywhere.
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[The Blind Spot - Recollection]
This right here nags at me. Deeply so. Elysia isn't so much a character as much as she is just a concept, the idea of a story that could be told. Not even in the canon-compliant weird endgame hook meta-textual breakout in Transcending Finality about the power of stories... Although, there's a way to introduce it here and tie it to Elysia to give some semblance of connectivity.
I went this long without actually giving my thoughts on how to make Elysia's writing good though. Disclaimer for clarity sake I know not everyone will agree with the changes I want to make and I'm also not claiming to be a more skilled writer than anyone in the hi3 team, they're all people with enough talent to be employed by the company.
That out of the way.
This isn't so much about making Elysia morally grey as much as it is about giving her an emotional core, because right now she's pretty hollow. Rather than a pristine girl who never did anything wrong, I'd rather cast her as a romantic, tragic heroine who would move heaven and fate just to seem noble.
Elysia was born human. Maybe she loved stories, and how they transported her to far off places, far far far away from the tiny town she was growing up in. When she was old enough, she traveled the world. Honkai descends. Because she was a globe trotter she ended up connected to many people, and was given the chance to join the MOTH organization. She gets MANTIS surgery. As the number of soon-to-be Flame Chasers grow, discussion begins about if the strength of the soldiers is enough.
'Maybe, if I had power comparable to a herrscher, we could fight with less casualties.'
She doesn't say this out loud, of course. It's a dangerous thought, a line that shouldn't be crossed. But she's curious. She breaks into Mobius' lab [Miss Pink Spy - Pristine Memory] to find the information she wants. Mobius figures out her intentions and warns Elysia off. It's not even in consideration, so keep whatever plan you have in mind off the table before you do something irreversible.
Mobius thought that Elysia gave up on the plan after the seventh erruption. The haunted look behind Kevin's eyes, the sadness creasing Elysia's face, all of it makes it seem like a simple consideration forgotten by the sands of time.
Elysia doesn't have a discipline. She told Dr. Mei it wasn't needed since her combat performance was well above standard margins anyways. (She is on par with Kevin in strength, after all.) At least, we all thought she didn't. A deal is made with Aponia.
Aponia, Aponia, apostle of fate, I offer you my 'humanity' to become a 'story'.
Elysia cannot receive any more disciplines. The target has to be "human". Elysia as a story, unchanging, pristine, capable of remaining as she is without blemish, can reach out and become a herrscher while remaining herself. She's desperate. She wants to help. She reaches into the deep, the start of the universe, and gathers the power. She names it Origin, since it's something she found at the source.
She's a herrscher.
Herrschers are an enemy of humanity.
Kevin runs her through with Shamash.
Elysia is still herself though, talking like she would as usual.
-Oh Kevin, I wanted to know if your tears would freeze, but I was hoping it wouldn't be like this. They're so warm, though. Thank you for crying for me.
-I see no herrscher here, just... the flame chaser, bearing the signet of ego.
The Elysian Realm keeps a secret. Aponia keeps it, the fact that Elysia gave up her humanity. The final banquet? A polite way to refer to Elysia's own demise.
It's sad, isn't it? That strength she wanted to give fell right through her fingers. Her own undoing, the desperate plan of a foolish girl who wanted to be a hero, but only ending up as a villain to oppose. It's so much more meaningful, then, that Elysia's gift, the power of sapience, is kept on to the next cycle of humanity. Held again, the power of ego, of humans, to someone with a kind heart to move beyond the past she's trapped in. Thank you, Raiden Mei, for carrying on the ideals of the thirteen trailblazers, the moths who chase the flame.
so anyways yeah i think elysia couldve been interesting whos to say
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anneapocalypse · 9 months
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I have really complex feelings about the idea (often implied or tacitly agreed to be true even when it's not stated outright) that realism in sex scenes (and specifically sex scenes in fanfiction because that's what I'm thinking about) is always preferable and desirable. That it's always better to be more realistic, and any kind of unrealistic or fictionalized portrayals of sex are inferior--or in some cases, worthy of contempt and an indication of the inexperience/immaturity/poor writing skills of the author.
I have mixed feelings about it because I do think there's a place for realism. There are things that add realism to sex scenes that I really enjoy. I enjoy watching certain characters communicate their desires and negotiate activities. In some scenarios I like seeing characters employ safer sex practices like barriers. I will always enjoy when an author takes the time to figure out a form of lubrication that's appropriate and believable in the setting! I can even enjoy when a character gets up to pee after sex before returning to bed to cuddle; it's a very human touch to the scene that can itself be comforting and enjoyable to read. I like it when people who have experience with certain types of sex create helpful guides to writing those things, offering details you might not think of or know about if you haven't had that type of sex. It gives authors more to work with! It's a tool. Realism is a tool, and one that can absolutely enrich scenes and make them more interesting and fun to read.
And at the same time, something really does rub me the wrong way when I see posts that express contempt for a realism gap in fanfiction and imply that anyone writing it that way must be a) stupid, b) inexperienced (while kind of implying that writing about sex when you haven't had sex is inherently a problem, which I object to fundamentally), and c) completely unaware that what they're writing isn't realistic, which kind of points back to A. It's less on the nose than it would have been like ten years ago, when a lot more people were willing to just come right out and mock "stupid girls writing stupid fanfic" (and all the assumptions that go along with that) but still... that tone lingers. I won't even get into some of the smug posts that used to circulate about anal sex that ended up coming across as "don't you know anal sex is GROSS" in a way that was kind of lowkey homophobic, intentionally or not. Nor am I going to get into the prevalence of queer people telling other queer people they're doing queerness Wrong (in fanfiction, in original writing, in life in general).
To bring a personal angle to this, I'm a nearly-40-year-old bisexual cis woman, married and monogamous, chronically ill, and with some lifelong undefined sensory issues that I don't have any kind of diagnosis for so I'll just call them that. For me personally, due mostly to sensory issues and some physiological quirks, sex can take a lot of energy. Sometimes it's just a lot of work! That doesn't mean I don't want it or enjoy it, or that my partner is failing in some way; I have an active and fun sex life with a very thoughtful and caring partner (and I am not looking for advice on this post, so let's not get sidetracked). There's just challenges! And sometimes I wish my own body made it easier!
So sometimes, when I'm writing smut which is definitionally for fun and primarily for me and my own enjoyment, I find myself caught between: do I want to make this character's experience of sex very realistic in a way that's relatable to me? or do I just want to indulge in the fantasy of sex being easy and low-effort?
At this very moment I'm having difficulty answering that question about some things! There's pros and cons to both, and I don't think either one is wrong. Because at the end of the day, my own enjoyment is the goal of this piece of fiction. It's self-indulgence either way. No matter what I write, these pixel people I'm writing about are not real and their sex scenes are still a fantasy. It's just a question of what kind of fantasy I want to indulge in.
There was a good post I saw recently about the fact that a lot of problematic tropes are problematic not inherently but by scale--in other words, because their prevalence reinforces ideas and narratives harmful to specific groups. And I will be the first to acknowledge that even in the realm of fanfiction--a sphere with relatively low impact on the culture at large--it can be frustrating to constantly run into the same tropes that we find unrelatable or just plain unenjoyable, whether it's rigid top/bottom roles or easy vaginal orgasms. I don't want to come across as like, scolding anyone for just being annoyed, or venting about that sort of thing. It's fine. Some people's forms of self-indulgence are irritating to me, and my self-indulgence is undoubtedly annoying to someone else. I also want to reiterate that talking about what is and isn't realistic in the context of fiction is fine and good and there's absolutely a place for it, and that I enjoy a lot of elements of realism in fiction. I just also want to leave room for fiction to be fantasy. I think that's okay. And everyone's gauge for just how much realism is enjoyable is going to be different. I think that's fine too.
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princelylove · 5 months
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Hello, Prince! I’ve been following (and indulging into) your blog for a while now and this is my first time submitting a question/request 🥹 but before I jump into that, I must take a moment and tell you how much I love your perspectives, especially on the Bucci gang (biased, but they’re my favs). Sometimes, while reading your answers, I forget that you’re technically writing them as yanderes. Your characterizations, although yandere, feel very close to their canon selves, imo. Just exaggerated scenarios, sure; but the human psyche is so complex, and yet so simple at the same time - one “right” trigger and everything can go wrong. Especially when you’re dealing with characters coming from such, let’s say, vulnerable backgrounds…
Anyway. I’ve just seen your answer on Leone and Mista’s submissive natures. How do you view Bruno? What I get from your writings is that he is this man who absolutely needs to have a certain control in creating the perfect family he wants. But sometimes I’d like to think he might not be that when it comes to more intimate stuff. After all, he’s someone who has the control in everything. He’s a leader in a mafia organization, first of all. Wouldn’t he also be a little submissive behind closed doors? Just letting himself go?
I’m so curious to read your perspective on this, Your Highness. Thank you for taking your time. Your writings are always a delight.
What I love most about human psychology is the fact that every single individual in the world has the capability to do something bad, but doesn't. Free will is both humanity's savior and tormentor. Why do some individuals snap when others in the exact same position do not? What sets them apart, why do they act the way they do?
You can't know, because we haven't come far in psychology at all! We have no idea what we are or why we do what we do! It's fascinating, it's the best part of humanity. Medical studies are different, you learn objective facts about your body, what do you learn in psych? Theory! Lots of theory, and you go your entire study learning more and more theory! It's so fun.
Some say that our personalities are predetermined based off of our biology, others say it's our environment that shape who we are. Logic dictates a bit of both- you can inherit traits from your parents (possibly from observation, possibly from genetics) and certain disorders from them, but you are but a mere mold of your loved and loathed ones. I supposed I'm a bit biased in this aspect, I'm very, very interested in why we do what we do. But human nature is faulty, and it looks like I won't be getting an answer in my lifetime. It's such a shame.
I've said this countless times, but I value accuracy above my personal preferences. Not every character is going to be absolutely perfect for me, and that's alright. There's attractive characters that I am just not compatible with, I'm sure you feel the same. Straying too far from the source material produces an entirely different person wearing said character's likeness- and, honestly, that's really upsetting. It's just not them. Why say you love a character if you're bending them to the point where it's just someone else?
The same goes for making a character a yandere. Stereotypical yandere doesn't work for every single character, but what does 'yandere' really mean? There's lots of different types! Not every yandere is super overly affectionate and totally head over heels in love. It doesn't work for every character because, well, how many characters do you know that read exactly like that? Why would you make someone like Bruno suddenly become a stalker that trips over himself to please you? Be serious.
Bruno longs for control, and expects himself to play into the typical expectation of the man being both the top and dominant one. There isn't a lot of comfortable opportunities for men to explore their sexuality in the way women do, especially considering his position as a mafioso- or, eventually, as a capo. You kind of lose respect for your boss if you find out he takes it up the ass while you're stressing over getting jobs done.
It's vulnerable to submit. It's uncomfortable. For a man, control is all he has, and if you lose it for even a second, you never really get it back again. Bruno is 'a bit' obsessed with his image- he's not too keen on the idea of his home life thinking he's too hard, or his work life thinking he's too soft. It's like a switch- there's no middle ground for Bruno, he's just one or the other.
He's just not comfortable bottoming, not until you tell him that it's what you want. Bruno is significantly more you-oriented than Guido and Leone, if you want it, you'll have it. Good husbands provide absolutely everything that their spouse could possibly want, it's not a problem- ah. Except it actually is a problem. Wouldn't you rather he takes care of you for the evening?
Bruno likes to think of himself as a very gentle, but firm, dominant man. He wants to guide you through it, really (literally and metaphorically) hold your hand. Doesn't that idea sound so much better?
When you softly tell him no, he'll budge. A good husband wouldn't force you into doing something you don't want. He'll try bottoming, if that's what you'd prefer. He'd do absolutely anything for you- it's just... going to take him a bit to adjust. He's never submitted before, he doesn't know what to do, and that's the one thing he truly hates.
But God does he get addicted. It's good. He'll fully admit the sensation was fantastic for him. Bruno may consider himself a top and to be more on the dominant side, but I think it's obvious that he's a true switch, depending on the relationship. He's a bit shy to ask for it again- he rarely initiates sex, although he flirts with his darling very, very often.
Love is about keeping the flame going. It's wrong of him to not flirt with his spouse even after you've been married for so long. He just doesn't want to accidentally pressure you into sex with him- he's just a man, he can misread you, sometimes. Although, he has a knack for telling when someone isn't being truthful, you know...
As for specific fetishes, I think Bruno doesn't really know what he wants just yet. All he's thought about prior was being a good husband, and eventually, a good father. He kind of already has children, so... it's just more of a fantasy than a real need to get his darling pregnant, if they're even capable of it. A breeding kink doesn't necessarily mean you would like children- it just means you're very, very into the idea of pregnancy. Finishing inside your partner, being finished in, it's hot. Some may enjoy the children aspect, but for most, it's just a fantasy. Bruno's more into the idea than the actuality.
But he later discovers he has a bit of a shoe fetish. That one takes him a little while.
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katyspersonal · 5 months
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Hello Katya, do you have any ideas about Simple Gratia?
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Yes, my girl!! I have some observations AND ideas! I remember that back when I checked, a fan Wiki incorrectly said that she is wearing Yharnam Hunter set. I do not know whether they've fixed that since then or not, but I know it confused a few artists. Gratia, in reality, is wearing an Old Hunter set but slightly altered:
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(Close images of her model are from this ( x ) page, datamined by AstralLace!) This is what an Old Hunter set looks like, for a reminder:
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Gratia is an Old Hunter: the type that started under Gehrman like Maria, Vitus, Henryk, Djura, Bestial Hunter, all that. I think that she knew all these characters and more, and with Maria she was a lot like an older sister that Maria never had! But I think she would be genuinely annoyed by Djura's complex inventions and at times not be able to hide her disdain, right in the middle of Djura ranting about them! That'd spark stupid, petty arguments about what kind of weapon is "better" which their friends laugh at in the corner like hyenas until Gehrman or Maria separate them XD
In comparison with the generic set, she is missing the long flowing cape, as well as the glove on her left hand. Her weapon, a chunk of metal, also goes in the left hand. I think she is missing the glove to have a stronger grip on the metal, so it would not slip away! I wondered what her right hand weapon would be before, but I think she doesn't need one in the end! I imagine her staggering the beast with her Iron Fist and then TEARING THEIR HEAD OFF WITH HER FREE HAND DFJHFSHSD .....but, you know, a hammer or a mace would also be nice yeah sure
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In Bloodborne setting, red hair is also highlighted as a trait of Cainhurst nobles, that isn't really seen in any other NPC. Edgar may be also a ginger but much brighter kind, certainly not a REDhead!
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This makes me think: what if Gratia's red hair is not just a random design choice, but a hint? And even if it isn't, it can still be used for a headcanon! Cainhurst nobles descend from Pthumeru Ihyll and have some Pthumerian heritage (just in case here ( x ) is the post with evidences of it) 🤔 At the same time, Pthumerians have gigantic variants, that seem to be more slow and dim than 'regular' ones. And interestingly, Gratia is abnormally big AND stated to have some intellectual drawbacks:
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So, she has 1) otherwise Cainhurst-exclusive hair color 2) a size abnormally large for a human and 3) correlation between inability to use guns and being 'dim'! This gave me a headcanon that she was born in the Cainhurst walls, but shown Pthumerian genes that were "undesired" in the eyes of snobbish nobles and thus, abandoned at birth. She never knew of her origins, but was adopted by a kind man! Yeah, in this context, Maria and Gratia feeling family-like bond almost from the start in kind of fateful!
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^ I often draw her with the same body pattern that shows on the skin of Snatchers, and that is exactly what kind of descendant she is!
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I also always liked the idea that Gratia, Simon and Yamamura were the 'detective friends' up to uncover the Healing Church's secrets! Later, I decided the Yahar'gul Hunter we find in the prison under Grand Cathedral should also be a part of the squad! I did not know that Simon interestingly had Fist of Gratia as a part of his equipment back then and only judged from their location, but that made me feel validated with that headcanon! xD
Gratia is, of course, more of a 'power' of the team! She might be not very smart, but she has her heart in a good place and can understand the concept of shady bad business that should be stopped. She is easy to deceive in terms of pranks and other remotely innocent things, but when someone lying to her or trying to use her is malicious she will sense it. Pair that with her being very brave and blunt, and you really don't want to mess with her! The girl could grab Laurence and slam him against the wall accusing him of being "full of shit" if he attempted to deceive her, ffs! And not even his friends would defend him because it IS his fault for playing with this tigress x)
Needless to mention that she is protective over her friends! Not a kind of a protective friend that will mindlessly jump into fighting the other guy, but someone that will walk in and give them a fair warning to get lost first. She has threatening aura and usually just that is enough to scare away a person that means no good to someone she cares about. But, when she is powerless to do anything against some prick in power or likewise, she will express her frustration by breaking a property on her way out xd
Also she gives me this vibe:
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Thank you for an ask! :D She has a very vivid and fleshed out image in my mind! Funny enough, this makes describing her harder because she feels so self-explanatory for me!
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crossedsabers10s · 6 months
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I saw something about Damon being a shapeshifter and going gender is stupid. Any more hcs or scenarios on that?
alkfdjalkfjdsf okay okay so!!! In S1 he was very much playing a role. He was the Bad Guy. Except that was to mask his real mission. He was there to save Katherine. Tormenting Stefan and causing trouble in Mystic falls are also goals, but secondary to the first, more amusements than anything. He also probably spent literal decades planning out exactly how everything was going to go. Some of his decisions were absolutely for the Drama. Like. Taking a Founding Family Daughter to a Ball in the Lockwood Manor to Retrieve the Amulet-Key??? Dramaaaa. He didn't need to do that. (I mean part of it was def Bothering Stefan, but he really could have just gotten an invitation into the house discreetly at any point prior. There was time between the comet 'charging' Emily's Amulet and the night of the party.) It really just strikes me as 'This is The Plan.' one he's spent who knows how long thinking of. So he has a Role to Play. That role is romantic hero/vengeful lover. He's very set on that, plus I imagine he wanted to present himself as similar, but not quite the same as the man Katherine has once known. Being in Mystic Falls, he's deliberately portraying a version of himself.
This being a very rambling way to say that after he realizes his entire life was based off a lie, Damon goes back to--like yeah sure I'm generally guy-shaped--(insert someone repeating 'generally?' with confusion here)--but who cares about that??? This vampire has spent decades hanging out in every dive bar imaginable and a lot of them had been drag clubs and gay bars and sex clubs and every shade of what society demanded be kept away from the rest of them. Gender isn't even like. some unimportant human concept to him, it's also one humans Made Up that doesn't apply to Other Humans and some of them just enforce the idea of it. It starts off small, in the 'when did you paint your nails?' sense, then he just starts going, yeah this IS a woman's top, but I'm rocking it and I Can Kill You, i think that's more important than how good I look in this sweater. Boots with more of a heel to them, occasional makeup, just whatever he feels like at the time. Sometimes he keeps his original body but wears a skirt, sometimes it's ambiguously androgynous in the 'excuse me, ma'am--sir? sorry, uh, here's your coffee.' And sometimes it's oh those are very much breasts, but that is a men's shirt and his face has stubble. Very nice clothes, like he had tailored shirts in canon, it's the same here. Really nice tops and skirts and shoes. Makeup On Point, expensive stuff, subtle jewelry, Caroline is lowkey annoyed he has such good taste. and also keeps wanting to look through his closet. Throw in some shapeshifting and its 'Are you a man or a woman?' 'I'm a vampire. Sometimes I'm a crow.' 'But what's in your pants?' 'fangs.' Given how very small town 2009 Mystic Falls is, this does not endear him to some people and probably sets him further apart than he was in canon. Though, I do like to imagine that the Originals don't even blink at this and just take it in stride before going back to their Murder Plots. Elijah is particularly gentlemanly, and does all those automatic 'holding out his arm' or 'holding the door, or a jacket' gestures with no reserve.
At some point Damon replaces all the (he usually goes by he because he doesn't especially equate pronouns with gender and does switch it up occasionally but sticks with he/him and his original name bc that's what he introduced himself as and bc Stefan would Make It a Thing--more about Damon throwing away every connection to his human life than him being a jackass, i think, but) but he replaces the pictures of the original Salvatore Siblings in the town archives and basically invents a sister solely for the purposes of gaslighting people into thinking he's the Original Damon Salvatore's Vampire Twin Sister Who Assumed Her Brother's Identity. Elena has to actually ask Stefan if he has a sister, which he denies, except it was a confusing conversation which left her unsure if they actually had a sister at some point or not and Damon somehow convinces her that Stefan doesn't know the actual truth and that he's his own twin. (He was very bored between the post-Tomb Opening binge drinking and depressed episodes.)
Katherine, watching this go down through binoculars: I think I'm proud? Shame he's going to try to kill me, I want to know where he gets his shoes.
i imagine if he wanted to keep up the Masquerade, but walk around town in a different form, he has an ID and backstory all set for a distant cousin on his mother's side. Her name is Desdemona, yeah they do look a lot alike, they both take after their mother's family. Stefan, stuck escorting his 'cousin' around town: please stop inventing Family Drama to talk about, you literally killed off any real family we have.
Damon, who has made a fake family tree and charts and has files on personalities complete with Thanksgiving Dinner Level Gossip: Not on your life. Don't you want to know how cousin Georgina gets back at Evil Aunt Charlotte?
Stefan: ...you need a hobby. A different hobby.
Damon: listen, it's this or murder. you pick.
Stefan: *sighs* Did Cousin Georgina elope?
Damon: She Eloped!! This, of course, enraged Evil Aunt Charlotte so much she had a heart attack and died!! Right there in the dining room!!
Stefan: we told people we were orphans with no close family, Damo--..Desdemona.
Damon, mentally plotting out how Evil Aunt Charlotte's funeral is going to have suspicious man in all black attend, who, when he turns to leave, reveals a gun under his jacket: We were estranged, problem solved. They didn't like Father. honestly, who did?
okay that took a very cracky turn but!! Vampires using their powers and immortality for Ridiculous Shit is my favorite thing
Gradually practicing until he can hold a full shift for as long as he wants and just disappears for a week to be a bird bc god knows the murders hanging around town are more fun than the people. Blood red lipstick and winged eyeliner and feathers nearly blending in with black hair. Eyes a touch too wide or irises oddly sized, dark blue nearly corner to corner. Spends a month breaking limbs oddly often bc he fucked up his bones and now theyre hollow even when he’s human-shaped. Maybe in this verse vampires are a bit wilder, a bit more connected to dark powers, and Damon especially so. Some others get stuck or can only partially adopt animal form, giving them a bestial appearance—and play their part in the myth of vampirism, the origin of some of the world’s stories.
Stefan can’t shift, doesn’t really have that talent and has none on animal blood, but when he isn’t maybe he can float a bit. Some murderous parody of Peter Pan—forever young and forever luring people away never to be seen again. (He could fly in the books, once he’s had more than animal blood. So could Damon.)
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