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fountainpenguin · 2 years ago

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If you were given the opportunity to reboot FOP from the ground up, what would you change, shake up, or put your own spin on?

I'll have to give this a short answer, I no joke spent over 2 hours replying to this, then added a Read More and Tumblr told me that my post was too out of this world and it broke the editor. It kicked me out in a split second without any opportunity to save. Sorry to everyone who has to scroll past my stuff in the future, but I'm not living through this again. Read Mores have no place on my blog.

I'm furious because 1) I tried to copy-paste out of this editor like I always do and save in an external place, but the new editor is busted and only copies one paragraph when you do CTRL-A so I gave up, and 2) literally the last sentence I wrote before typing that was "Before my hiatus, Read Mores broke stuff, but I'm willing to give this another try." It's not even the same error it used to be. I can't. I can't.

At least we're friends and I think you know a lot of my thoughts anyway. Sorry it took so long to write an answer to this message, but I've already let it sit for so long that I HAVE to get it out of my inbox now or I'll never go back to it after losing everything :/ I can't believe that just happened. How ironic that one of the main reasons I went on hiatus was because stuff kept breaking and then it's worse when I return. Bleh.

So... Here's the short version of things I can remember talking about:

Update world lore, especially regarding Anti-Fairies. Anti-Fairies debuted in Season 2 and didn't reappear until Season 5; Anti-Fairy World itself made its first appearance in Season 6 because the Anti-Fairies were only seen in jail before that. Anti-Fairy World is kind of barren and stereotypical, and the general vibe of Anti-Fairies is that they are all evil because their magic revolves around bad luck. I'd prefer some gray area. I also feel like the characterizations for Anti-Cosmo and Anti-Wanda were rushed and we should say it.

Logically I know that Anti-Wanda can be said to parallel Wanda's high-class mafia upbringing, but I doubt that was planned since Wanda's family only showed up in Season 5. In another universe, we could have had a classy evil queen. I love the grubby gal, but there are so many cool aesthetics she could have had instead. The Anti-Cosmo and Anti-Wanda vibe doesn't bring anything to the table that Cosmo and Wanda didn't already have unless you take creative liberties.

Maps. Maps would have been great.

Designs. Cosmo, Crocker, and Dad really don't need the same shirt. Wanda's outfit is pretty bland too, and it's honestly a shame that Anti-Cosmo got a unique outfit but Anti-Wanda's is just a recolor of Wanda's. See also, classy queen.

Also I've never liked Timmy's Channel Chasers adult design; I just don't think it's in character. I feel like his body type would be much closer to his parents, and the existing one is just too extreme for my preferences. Doesn't say "Timmy the average kid" to me.

"Fairly Odd Baby" - As much as I enjoy the idea of Fairies placing a ban on babies because they're destructive and Fairy World likes to push away its problems, I'd have introduced Poof as part of an announcement that Cosmo and Wanda had been expecting a baby for 100 to 1000 years. Their lifespans are so long, it wouldn't be out of the question. A reveal episode could have been fun.

I also don't think I would have chosen to leave Poof a baby who can't speak for that long; I think he has a fun personality (Sasses Foop, deliberately puts Foop in harm's way, but also he's super chill and nice and likes sports) and I would have liked to see more episodes where he talks. I don't love how he was shipped to boarding school as soon as he was able to talk and dialogue was needed.

Vicky takes Mark back onscreen. She canonically decided she wanted to start dating him again, after she found out he was an alien and she broke up with him. She made the choice to take back her alien boyfriend and she loves him and we should talk about it. I'm obsessed with them and will forever treasure the deleted "Foul Balled" scene of them holding hands at the senior home while Mark is in his squid form. I support Vicky becoming the shapeshifting queen of a violent planet and being extremely in love with her squid husband.

Chloe / A.J. friendship. A.J. ended world hunger in Season 2 and he built a time machine a few seasons later, I feel like those two would have really hit it off.

More episodes of Timmy playing soccer. I will not re-elaborate.

More of side characters I love, like Molly and Kevin. I love them. I love Kevin falling farther and farther behind his uncle when they walk together, I love Timmy introducing himself to Molly's fairy by shaking her hand... They might be side characters but I feel like they add a lot more to the world and character dynamics in their few scenes than many of the characters do.

Sharing fairies. Timmy sharing fairies with Chloe (or Kevin) as part of a temporary program (like she was just here for one school year before her parents moved again). I think one of the issues people have with Chloe is that it feels like she's here for the rest of Timmy's fairy-related life, and I think a few months of hanging out with her would have been plenty and then there would have been a reason for her to leave the canon afterwards.

Make Chloe Dinkleberg's niece. My favorite headcanon. Also a perfect explanation for why Chloe's family would move to Timmy's street. Also a hilarious parallel of Timmy seething with frustration at his "perfect" neighbor despite spending the entire series making fun of his dad for doing the same thing.

More Timmy/Chloe "step-sibling" interactions. I support Timmy "I will sit with you while you have an hour-long panic attack" Turner in "The Booby Trap" but I cannot emphasize enough that I equally support Timmy "Will take a call from Chloe, listen to her explain that she vaporized a juice box, then hang up and go to bed" Turner. They are step-siblings...

Timmy, Chloe, and Kevin. I support Timmy - Chloe - Kevin trio interactions in general. They're a comedic trio and I want them to support each other.

Gary and Betty. Unironically, we need to talk more about Gary and Betty canonically being aware of the magical world. Or at least they adjusted really fast to being teleported from California to Florida and back again. Also we should talk about that time Gary rang Sanderson on his cell phone, which gets funnier the longer you think about it. Also I love them and we should talk about the deleted "Totally Spaced Out" scene where they tried to flee to Mexico together.

Ending the series with a proper send-off. I'm not a fan of Timmy keeping his magical memories after losing Cosmo and Wanda. Being the protagonist doesn't make him immune. I feel like there are so many ways this could have been done in a sentimental way that people would have loved... I'm sad we didn't get a proper send-off.

On the list of things we don't need to change - Imaginary Gary, Norm, Mark, Molly, Jorgen, the Pixies, Flappy Bob, Foop, and Ed Leadly. They are flawless, 10 of 10. We also do not need to change Chloe casually swearing, but meanwhile Timmy will call you out for saying "Moron" on the radio, and we definitely don't need to change "This isn't a fancy French restaurant- this is a black hole!"

I love the Pixies. If they didn't exist, I would have come along and prepped some worldbuilding about characters who maintain magical paperwork. I love my snarky monotone wasp boys.

Also I just want to shout-out Chloe and Kevin and their personalities being hilarious. I think there are several Chloe-centric episodes that have flawed storytelling, but I do genuinely enjoy the character you're left with after brushing off some of her exaggerated perfectionism.

Kevin has some of the best dialogue in the entire series, and those two just seem to write themselves when you pit them together. I like the mental image of Chloe venting to Timmy about how unfair it is that Crocker shows him favoritism and then it slowly dawns on her that she also has a history of getting a lot of favoritism.

Thanks for the ask! I'm sad I lost the full responses, but I think I've learned my lesson and will draft in an external doc first. Please learn from my mistakes, I will not take back my venting >:(

Even if I lost it, it's nice to take some time and think about some answers to these things. I'm also pretty satisfied that I was able to make this post long enough to feel like a good answer. Yay.

#FAIRIES!#ridwriting #asks #I am so so paranoid now that if I edit an old long post Tumblr will decide to kill it yiiiiikes #Perfect pink beaver boy #Bat cube and associates #Little Crock #Gary and Betty #Rebellious golden child #The best bat queen #The bat with the hat #We're Pixies!#Sanderson is neat #I'm wasp dad trash

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j4gm · 4 years ago

Text

TOGETHER AGAIN SPOILERS

A thread of lore, Easter eggs, episode connections, and background details from Adventure Time: Distant Lands: Together Again! Let me know if I missed anything! This is adapted from my original Twitter thread.

Keep reading ⬇️⬇️⬇️

1. I was expecting them to perhaps do a classic style title sequence for this episode, but I wasn't expecting them to straight up use the original title sequence. The only difference is this final screen saying "Distant Lands".

2. The background of the title cards is also the hill from the title sequence.

3. The ice cream having "50 flavours" and having an image of an enlightened soul is an obvious reference to the 50th Dead World as we see it later in the episode.

4. Continuing with the metaphor, the dirt in the ice cream could be a parallel to the fact that Jake's Nirvana actually wasn't perfect, because his inaction was allowing for injustice to perpetuate.

5. This whole scene feels immediately slightly off. Finn has his Scarlet sword and is out on a classic Ice King adventure, but he speaks in his grown voice and all the slang feels much more forced than it did in the real season one. Turns out this was deliberate.

6. The snow golem speaks with a baby voice like it did in the pilot episode, even though in canon it has a deeper voice. This further hints that something is not quite right.

7. The first major break in continuity is these snow golems resembling Uncle Gumbald and Peace Master, who Finn didn't meet until later in his life.

8. LSP sitting on Finn's head like this is reminiscent of Pen Ward's piece for the 2018 Ble crew zine.

9. Finn being given the choice of helping somebody but ending up helping everybody reminds me of "Memories of Boom Boom Mountain". It's the kind of resolution that wouldn't happen so much in the late seasons of the show, which helps make this scene feel even further out of place.

10. Jake is half frozen by Ice King in pretty much the exact same way as he was in "Prisoners of Love", and even has a very similar line.

11. The Snail is seen here. The crew have said that the Snail has been deliberately left out of previous Distant Lands specials, so its placement here is another very deliberate hint that this whole sequence is "trying too hard" to be like the early seasons.

12. The book "Mind Games" appears a couple of times, as seen in several previous episodes of Adventure Time. The first is as Finn is approaching the library in his dream. It also appears as one of the items in Finn's backpack later.

13. Jake is hurt when Finn fist bumps him with his metal arm, revealing that this scene is not real. This is also a callback to the title sequences of "Islands" and "Elements".

14. A whole bunch of familiar skeletons are seen in the bird's nest: Dirt Beer Guy, Abracadaniel, Me-Mow, Lemongrab, Mr. Pig, and the Snail again. This doesn't necessarily mean that all these characters are dead, since this scene is just a hallucination.

15. Old Man Finn! He's still got the chest tattoo of Jake, and this time we know that Jake is dead, so the theory that Jake died before "Obsidian" seems pretty likely. He looks similar to his old man design from "Puhoy", with the same facial hair.

16. There are several cameos of familiar characters who apparently died at the same time as Finn. The first is this duck, who previously appeared in "Ocarina".

17. The second is Donny, from the episode... uh, "Donny".

18. This goblin guy is an unnamed background character from “The Silent King”.

19. This old lady first appeared in "The Enchiridion", way back in season one. Old ladies are a species in the Land of Ooo, so I guess she wasn't actually very old back then, given she just about outlived Finn.

20. This is the cobbler who first appears in "His Hero". Amazing that he lived so long given all the trouble he got into in that episode.

21. Land of the Dead! This place was first seen in season two's "Death in Bloom", and now we are finally learning its actual purpose. It's a sort of gateway and hub to all of the other dead worlds.

22. There are some more minor cameos at the gates: a house person from "Donny", a soft person from "Gut Grinder", and a wood person from "When Wedding Bells Thaw". And, of course, the gate guardian himself from “Death in Bloom”.

23. Finn completely ignores the gate guardian in the same way he did in Death in Bloom. This also has the convenient effect of not having to reveal how Finn died, leaving it up to the audience's imagination.

24. Mr. Fox! We already knew he would die at some point because BMO had his skull in the finale.

25. Finn has his design from the first Distant Lands poster in this scene. Turns out it's young Finn in old Finn's clothes. But they gave him a shirt in the poster so you wouldn't be able to see the tattoo.

26. The clapping that Finn does while he's looking for Jake is a callback to "James Baxter the Horse", when Jake tells Finn to listen for that same rhythm if they are killed and need to find each other in the afterlife.

27. Mr. Fox talks about a "past life quotient", suggesting that there might be some kind of limit to how many times somebody can reincarnate. Finn's reincarnations are also seen in this scene; a callback to "The Vault", and confirmation that reincarnations share the same soul.

28. Boobafina, the goose who Mr. Fox was in love with in his debut episode “Storytelling”, apparently reincarnated into a tugboat. We've already seen that objects can have souls in the episode "Ghost Fly".

29. Finn is initially assigned to the 37th Dead World, which is the same one that Jake went to when he died in "Sons of Mars". We can only guess at what the other numbers on the ticket mean ;)

30. Tiffany! Despite several lucky escapes throughout his life, Tiffany has finally died. I like the use of this imagery to express Finn's conflicted feelings about him.

31. The 50th Dead World has long been established as the "highest" dead world, and the one synonymous with Heaven within Adventure Time's universe. It was first mentioned in "Ghost Princess" back in season three.

32. It's unclear what happens to souls which are destroyed within the dead worlds. It is a similar question to asking what happened to the ghosts that were killed in "Ghost Fly".

33. Death doesn't speak at all in Together Again because his voice actor, Miguel Ferrer, passed away in 2017 long before production began.

34. Finn phases through New Death when he tries to attack him, just like what happened way back in "Death in Bloom".

35. The 30th Dead World contains Tree Trunks as well as many of her love interests; Mr. Pig, her alien husband from "High Strangeness", Danny and Randy who first appeared in "Apple Wedding", and several more who we don't recognise, including at least one who presents as a woman.

36. Literally yelled when these two showed up. Joshua calls Finn a crybaby, which is a callback to "Dad's Dungeon".

37. The wall of weapons in Joshua and Margaret's house includes the iconic Demon Blood Sword, which was broken in "Play Date", as well as Margaret's auto-loading crossbow from "Joshua & Margaret Investigations".

38. Jermaine is sidelined a few times through the episode, in reference to his attitude in "Jermaine" where he feels that Finn and Jake were always their parents' favourites. I would have hoped things would be a bit better by now.

39. Fern gets name dropped while Finn and Jake are reuniting. A shame he doesn't actually show up in the episode.

40. In this scene, Finn says "What time is it?" This is a very subtle reference to the 2010 cartoon "Adventure Time".

41. In a couple of shots during this fight scene it looks like Jake might have a tattoo. It seems like it only becomes visible when he stretches out his arm.

42. New Death's amulet in this scene resembles parts of the Lich's cape, foreshadowing his influence on New Death.

43. There are several more cameos in the 50th Dead World: Booshy from "High Strangeness", one of the Marshmallow Kids from "Scamps", and Ghost Princess and Clarence, who were seen ascending to the 50th Dead World in "Ghost Princess".

44. Finn didn't interact with Booshy in "High Strangeness", but it seems they must have met at some point before they both died because Finn knows his name.

45. It seems like people in the 1st Dead World are slowly melted away until they become part of the landscape. Nasty.

46. Lots more cameos in this scene: a gnome from "Power Animal", a gnome from "The Enchiridion", a Bath Boy from "The Vault", Blagertha from "Love Games", Maja the Sky Witch, a troll from "Dungeon", Chocoberry, Choose Goose, Wyatt, a spiky person from "Gut Grinder", and possibly more.

47. Tiffany's insults are consistently nonsensical and amazing, as they were in the original series.

48. The Candy Kingdom looks extremely different. Peppermint Butler is wearing the crown so he might be in charge now, which is supported by the kingdom's very magical-looking augmentations. It’s not clear whether Finn and Jake were expecting to find Princess Bubblegum or Peppermint Butler, since both have the initials “PB” and both could be going by the title of “Princess”. Perhaps Peps and Bubblegum share the princess duties now that PB is living with Marceline more of the time.

49. Peppermint Butler has a "Boss" mug, although it's not the same colour as the one from "Obsidian".

50. Jake's ghost has the same design as he did when BMO killed him in "Ghost Fly". I also absolutely love Finn's ghost. This scene establishes that ghosts are just visitors to the mortal plane from the dead worlds.

51. Life has only appeared in animated shorts before now. Namely, "The Gift That Reaps Giving" which establishes her relationship with Death, and "Frog Seasons: Winter". This episode gives her a concrete place within Adventure Time's pantheon: she is in charge of reincarnation.

52. A translation of Life’s angry French dialogue by Shado: “After all I did for that boy. After all I did for him. No, it's not possible. It's not possible no, that... that makes me so mad but it's not possible.”

53. We finally have in-universe confirmation that Shoko's tiger is a previous life of Jake. This was previously confirmed by one of the writers, but wasn't canon until now.

54. I feel like Finn pulled off Shoko's look even better than Shoko did. I wonder whether Finn has gained the memories of his past lives now that he’s dead.

55. No Easter egg here, just want to appreciate this image.

56. There is an elemental symbol on the wall here, as seen in "Jelly Beans Have Power".

57. Tiffany's dramatic internal monologue is a recurring gag, as is his habit of nearly dying from falling into holes.

58. The Jake suit makes a cameo in the fight against New Death. It was last seen in the episode "Reboot”.

59. Finn's backpack contains a few familiar items: the t-shirt with the pocket from "It Came from the Nightosphere", Finn's underwear from "Little Dude" and other episodes, and a copy of Mind Games as I've already mentioned.

60. The Lich's Hand is present in the background of Death's... death scene. This is probably the unseen "friend" who New Death keeps talking about.

61. The Lich's menacing monologues often begin with a single command. Previously they have included "Fall" and "Stop". This time, the command is "Burn".

62. Jake uses the word "boingloings", which is a callback all the way to "Hitman" in the third season.

63. Jake's blue shape-shifter form from "Abstract" appears very briefly during his fight with Finn.

64. Finn's lumpy space person form also makes an appearance. This design was last seen all the way back in the second episode of the entire show, "Trouble in Lumpy Space".

65. Jake steps on the Lich's hand in a very similar way to how he stepped on Ash in "Memory of a Memory", which is itself a Monty Python reference.

66. The credits include a dedication to a few AT cast and crew who have passed away. Polly Lou Livingston was the voice of Tree Trunks. Miguel Ferrer was the voice of Death. Michel Lyman and Maureen Mlynarczyk were both sheet timers on the original series. Rest in peace.

67. The message that Finn and Jake write out on the ouija board is "BUTT", which Peppermint Butler takes as a distress signal. This message is also used as a distress signal by the Hot Dog Knights in "The Limit".

68. Peppermint Butler's reversed dialogue from the scene where he makes contact with Finn and Jake is "Kee-Oth Rama Pancake", the spell from “Dad's Dungeon” for banishing demons.

69. That appears to be President Porpoise with all of Tree Trunks’ other lovers.

70. In this scene, Life is humming part of "Lonely Bones", the song which Death tried to record for her in her debut short "The Gift That Reaps Giving". It's hard to notice because it's so brief.

71. Finn and Jake's cover is blown while in the Land of the Dead because Jake loudly farts, which also happened in "Death in Bloom".

72. The place where Mr. Fox explains the perception mechanics of the afterlife is the exact same location as the River of Forgetfulness from "Death in Bloom", which, as it turns out, was imaginary.

These are sort of out of order at the end because I was adding stuff to the Twitter thread as it got discovered. That’s all for now!

#adventure time #together again #finn the human #jake the dog #lorepost

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davidmann95 · 4 years ago

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So RWBY/Justice League is apparently a crossover that's actually going to happen. Of the little we know right now, how do you think that's going to pan out?

Anonymous said: Those questions about Superman and Batman in RWBY seem prescient, because I'm hearing that an official crossover is in the works

Anonymous said: Um, so there's a legit Justice League/RWBY crossover coming

Anonymous said: So, that official DC/RWBY crossover, huh?

Anonymous said: So, how about that DC/RWBY cross, eh?

Anonymous said: No more speculating how Superman would fit into RWBY when DC themselves are providing their own answer XD

The immediate thing that leaps out beyond the Kingdom Hearts* level of utterly out of nowhere berserk this premise is: while the RWBY comic had a couple minor sequel hooks, and I don’t know how it did in its original digital chapters or in trade, as a monthly periodical it was selling poorly enough that DC didn’t bother to print its last physical issue after the return from the Coronavirus shutdown, and while I thought it was great a lot of fans complained about its art and characterization throughout. I hoped for that sequel, sure, but I wasn’t expecting the book to be regarded internally as anything but a sales failure, nevermind not only continuing it but tripling down in the most extreme and bizarrely specific way possible that’s neither intuitive (unless you have special interests like me) nor surface-level ridiculous enough like Batman/Elmer Fudd that people will buy it just to see how it works. I don’t understand why this comic is happening when no one but me wanted this.

(* The Kingdom Hearts comparison is apt because they were similarly close to the top of things I’d love to see cross over with the DCU that would obviously never, ever happen because that’s too precise and random a combination of my interests. Even if this is legally possible where that isn’t, that would still be conceptually simpler.)

I was asked a couple times in the past about how Superman or Batman could make sense in RWBY’s setting, and it turns out I was closer with the latter than the former - that rather than a dimension-hopping traditional crossover, this is reverse-engineering what the assorted members of the League would look like if they had always been part of Remnant ala JLA/Planetary, some of the old DC/Marvel crossovers, or the more recent Batman/The Shadow. Which actually fits really well with the series regularly evoking assorted fairy tales and mythologies with their characters; this bunch is just one more set to be added. Though that raises several more thoughts and questions:

* The solicit refers to them as Clark Kent, Bruce Wayne, and Diana Prince, but will they actually be referred to as such in the story, and will people comment on them not fitting with the color-based naming conventions of that world? Or will they be renamed and evoke their sources purely through iconography, ala Ruby not literally being Little Red Riding Hood?

* How much will the origins of the assorted characters be changed? Batman, Cyborg, and Aquaman would all make perfect sense within the ‘rules’ of the setting with few major alterations, but will Superman still be from Krypton and Green Lantern a space ranger, or will they simply be ordinary humans with thematically reminiscent backstories and Semblances/weapons that evoke the classic powers? I think the latter could work, but I imagine the former is more likely (even if Bennett might keep it vague on some of the details to preserve the aura of mystique and avoid changing the shape of the world too radically) simply because everyone’s surely aware that fans would complain about being ‘ripped off’ for getting the characters ‘in name only’ otherwise.

* Speaking of changes to fit the setting, between being a Faunus and the apparent low-tech traditional armor look of his suit, is Bruce Wayne in here not operating from a position of wealth? You’d just think as a given the Wayne family would be easily plopped in as business rivals to the Schnees and Alfred would be on a first name basis with Klein, but it seems Bennett might have something very different in mind. Also, little disappointing he simply has a katana rather than those collapsible batarangs that turn into swords that Ellis always gave him which would fit perfectly here. And, as so many have already asked: how miserable is he every second of every day in a world where everything is also a gun. At least this isn’t a universe where anyone’s gonna think he’s irresponsible for training teenage sidekicks.

* And if we’re going into individual characters: RWBY Barry Allen is adorable, what the hell. He just looks so dopey and hapless, I sure hope he doesn’t ever have to die to stop the Anti-Monitor. We’re definitely getting a meeting with Harriet that retcons in that he’s the other person with a speed Semblance she mentioned running into, and if he’s tapping into the Speed Force then the jokes that that’s what Harriet does are probably gonna become at least a little bit canon.

* Are the Themyscirans magic, given all magic has a very important common root in this world?

* I don’t think there’s a dud redesign in the bunch? These are all really inspired in their own ways, which is good because unlikely as it seems this is I believe the first time we’ve really gotten any sort of official interpretation of “here’s what the DCU would look like as a Shonen”. Go ahead and say the hell with it and make it Earth 28, I’ve thought before making that an anime Earth would fit with the map.

(By Ag_Nonsuch)

* Bunch of obvious ways these characters can play off of each other: Ruby is paralleled with Wonder Woman on the cover, and I’m curious how Bennett will play that, but she makes most sense next to Flash, a super-fast fan made good, or Superman, a character she so deeply if unintentionally evokes on so many levels I felt I had to make clear when describing her that I didn’t solely appreciate her as a psuedo-Superman analogue. Weiss makes sense up against Batman either as a wealthy heir or a Faunus who’s likely faced his share of pain from the Schees who either way are cold perfectionists defined by inner pain stemming from their families, or Wonder Woman/Aquaman as fellow ‘royalty’. Yang is paralleled with Superman on the cover and that makes sense with the two country bruisers with issues regarding their lost parents, though she’d also make sense with Aquaman as the ‘temperamental’ members a lot of the time of their respective teams, or Cyborg as they both deal with their relationships with their bodies after requiring prosthesis. And Blake pretty much has her pick: like Superman she uses an article of clothing to ‘pass’ and shares the commitment to justice, she and Batman are dark children of privilege (or not in this case, though in this world they’re both Faunus), she and Wonder Woman both left the island homes where their people were safe to try and make the rest of the world better, she and Aquaman are both Faunus royalty, and Green Lantern is about overcoming great fear and in Jessica Cruz’s case specifically about the guilt of running away.

* Will this be entirely flashbacks to the pre-series/Beacon years, or will those be flashbacks set from a ‘present’, and if so when? What happened between the siege of Haven and the train setting off for Argus is the most loosely-defined period in the story and is right on the heels of the end of the original RWBY mini, so I’d imagine it fitting here. And given they apparently join together “to take on a force unlike anything they've seen before” rather than purely the character work of that previous book, what might that be?

* Hey, superhero comics/superpowers as an idea already exist in this universe, will that come up?

* If we can get one single scene in this and it’s going with a “yes they’re still aliens and magic and whatnot” premise I want Clark, who hasn’t thought of being Superman yet and therefore is still at least somewhat hiding his powers, being wracked with guilt over not pursuing becoming a Huntsman and therefore not being there at the Fall of Beacon. Which is a ridiculous thing to take the blame for, but of course he would, he’s Clark, culminating in trying to apologize to JNR for Pyrrha dying he feels in part because he was a coward (when they don’t even have the faintest concept for why he would think he should have been there or could have done anything).

* Once all’s said and done, how is their presence in the world justified as not being a factor in the series proper? It’s simple if they’re ‘ordinary’ analogues who can go off to quietly have adventures elsewhere, but if not then some of them either have to be shuffled off stage or presumably left with their stories incomplete, with a little afterward of “and they went on to be the greatest heroes of all...later, after the scope of team RWBY’s main adventures so that we never have to directly address them again” to avoid them becoming unavoidable major factors in the war against Salem.

In the end, will it be DC’s best comic? No, though I imagine one of their better ones this year. Will it be among the ones I look forward to most each month? Right up there with Yang and Reis’s Batman/Superman baby, this is a miracle freak of fate and I’m gonna appreciate the universe bending over backwards to make entertainment for me and me alone while it lasts. Given I finally checked out RWBY in the first place because I was curious about Bennett’s original comic, this is a heck of a full-circle moment.

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myintention-s · 3 years ago

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What happened to make you realize god is real if you don’t mind

Before I get into it, just know this will not all be just about God and religion etc, but for a reason. so hope you stick it through and read through it all.

I’ve only ever prayed at one point three times in my life, each time was at my darkest. Times I was too heartbroken to even stand up straight . Times I felt suicidal and unworthy of living, where I felt like my only option was to pray. And each time I was blessed with what I needed and almost asked for but in a way I didn’t realize sooner. If that makes sense. I asked and begged for help and got what I knew in my heart I was too afraid to ask for.

The further I stand away from God - I notice that is also when I feel worse. Meaning more depressed, bad thoughts I can’t control and an overwhelming feeling of darkness. That’s when I feel like I have no purpose, and it can be difficult to remain close to something you cannot physically see everyday. Believe me.

Like I said, I’m not the most religious. I don’t pray everyday and I still have moments of doubt. But every time I doubt - a new reason to not kinda slaps me in the face.

And the feelings are overwhelming enough I can’t ignore them even if I wanted to. Physically I can feel it when I stop living for THIS world for a moment.

I think a lot has to do with how open you decide to be to feel these things. And to not believe there’s something bigger than us makes us egotistic. nothing good comes from being egotistic.

you can say it’s science instead, and you believe in science. Which I do to an extend also. But science can only explain so much up until the point where energy and atoms were created. From nothing to something. You know bees can do math? they literally understand math formulas which help them explain to other bees the location of a new spot to build a hive. Tell me how on earth can a brain the size of my finger tip even do that?? It’s a fact google it.

The way I believe in God is different than what I think was always taught though. I think we were never told the truth so it’s only up to us to figure it out for ourselves. I don’t think he sits in a cloud in heaven and below is a fiery hell. And that you need to be a perfect being to get to heaven. I believe in dimensions, angels, and one above you.

Both good and dark angels, or spirits. And if there’s a God there’s bad energy too, and that being the angel of darkness. I think there’s such a thing of a spiritual world in a dimension we cannot see, but it’s happening around us everyday.

There’s too many books, movies, etc retold in a different way to depict this. I also feel like “heaven”, “hell,” are all on earth. But in a different dimension.

And the bad that happens to good people is not because of God, but because of the darkness. Innocent kids, even innocent puppies and animals. but they are in a better spot after than the earth we know.

I believe aliens exist too, but in a way where alien means anything other than human. Spirits, angels, space creatures, etc.

I could go on and on about what I believe especially these other dimensions bc I find them most interesting but I’ll leave it at that, and I’ll also say nothing you believe is too crazy too be true, everything is possible. If you can think it, it exist. We physically cannot think of things that do not exist. Almost like a dream. They say everyone you see in your dream you have met at one point in your life, they aren’t made up. We cannot make things up that do not exist even if it sounds insane. Literally how can we? How is that even possible? So time travel is true, demons are true, parallel universes are true. Truth is stranger than fiction.

I think the future and past along with Parallel universes are all existing at the same time right now. Like portals have been opened.

To think that we are the only ones to exist all due to a Big Bang theory of chance is crazy. There’s others, there’s things that have had the technology we have now 200 million years ago. we live in the stone ages compared to what they live in now. and they being whatever you believe in, and I told you what it is I believe in.

I think there’s humans on earth that aren’t humans, like what we know humans to be.

I think there’s things more threatening or I should say things that are meant to keep more secret at the bottom of the ocean than space.

Again, I think we are messing with a timeline we have ever known, and living in the past, future, and simultaneously a parallel universe. All at once. At the same time.

Time doesn’t exist anyway.

I believe in the opposite of whatever the government says. Because the government is ruled by beings unlike you and I. and only have their self best interest at heart.

There’s proof that 9/11 is a lie - people died sadly yes but intentional due to your government.

If the government starts to say ufo’s and aliens exist, after years of denying it, they’re twisting it to fit their own story for a reason to cover something up. To work for their benefit.

I can have high talks sober - i rambled tf out of this and could go on but hope it all makes sense and hope you enjoyed it somewhat lol

Nothing we can see is real and everything we can’t is what’s true.

I probably sound crazy but that’s okay I rather sound a little crazy than be conformed to a world we only chill at for a small duration of time.

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thekillerssluts · 5 years ago

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We’ve Got A File On You: Win Butler

In a year when a lot of our plans have been on hold, Win Butler has been busy. In April, the Arcade Fire ringleader let us know that the band had been working on music shortly before lockdown, and then he let us hear some of it. Last week, on the night of the election, the band debuted a new song called “Generation A.” Apparently, Butler was one of the people who found quarantine more inspiring than suffocating. Just a couple weeks ago, he amended his previous hints with the update that he’s written “two or three” Arcade Fire albums thanks to having to stay still all year long.

It seems like there’ll be a whole lot of new Arcade Fire goings-on to parse sometime on the horizon, but that isn’t the reason Butler and I got on the phone one recent October afternoon. Butler’s not quite ready to talk about forthcoming music yet, aside from saying this era of writing gives him flashbacks to that which preceded The Suburbs and promising “The new shit is about some of the best shit we’ve ever done” as we say goodbye.

In the meantime, there have been some milestones this year: The Suburbs turned 10; Butler turned 40. There is, of course, a whole lot of rich Arcade Fire history between their early ’00s origins and now. There are too many high-profile collabs to dig through, too many pop culture crossovers to cover, in just one conversation. But before Arcade Fire’s next chapter begins, while we both had a moment of quiet at home in the year 2020, Butler and I took some time to dig back through highlights and surprises from across his career.

Appearing In Bill & Ted Face The Music (2020)

How did this happen?

WIN BUTLER: They were filming in New Orleans. I’m kind of the exact age where Bill & Ted really has a soft spot in my worldview. [Laughs] That was just like, yeah, of course I want to be in the Future Council. That’s the part I was born to play. No, it’s funny, it was just one of these random things that come through the email. Usually, it’s, “Nope, nope, nope, nope.” But this was, “Tell me when, tell me where, I’ll be there.” It was on soundstages. When we were filming it, Tommy Lee from Mötley Crüe was back there, and he sort of disappeared at some point. I got to bring my son, who’s six. He was hanging out and we were talking to Keanu about Canada and punk bands back in the day. It was a pretty sweet hang. It was a bright spot in 2020, let me put it that way.

You say you get these emails — is that random stuff they want Arcade Fire to do, or there’ve been other cameos you turned down?

BUTLER: Oh, no, it’s mostly random licensing or stuff that goes to the junk box. But every once in a while, it’s like, “Hey, that sounds like a nice way to spend the day.” I started out in film. I went to Sarah Lawrence College in New York around 2000. I had really wanted to go to film school, and I could never get in. [Laughs] Initially, the song “The Suburbs” was an idea I had for a film and it seemed easier to make a song than a film.

The Suburbs (2010)

That was a convenient segue. The Suburbs just turned 10. I was wondering if you have gone back and revisited it much amidst that anniversary.

BUTLER: The whole experience of Funeral was such a rollercoaster. We were on the road so long. We didn’t have much of a break going into the second record. For The Suburbs, Régine and I — I don’t think we saw anyone for a year straight before we even started demoing or anything for that record.

It was a time in my life… I don’t know, I was in my late twenties, and there were all these details of my childhood in Houston. You know, I moved to Canada when I was 19. [Houston] almost felt like this other life I had. I would close my eyes and imagine riding my bike through town and trying to find the edges of my memory. There was kind of all this emotion that came up through that, and I wanted to capture it. It’s funny, as a songwriter, most of the time I feel like my mind is living in the near future. You’re listening for these little signals in the air. This was almost inhabiting the emotional space of these memories but thinking about it as the future.

When you say it like that, I’m curious if the album feels different to you now that you’re a father yourself and another 10 years down the line. Like another layer to that refracted youth, sort of?

BUTLER: Totally. In a way, I feel like the last year has been a parallel to that year before The Suburbs. Then I was kind of a hermit by choice, and this has more been the world conspiring to make me a hermit, but it has been a really introspective. In a sense, the material that we’ve been working on feels the same way, this hybrid of your emotional landscape and the future.

It’s almost seasonal, like a trade wind that blows in once in a while. I remember we played with Neil Young when he was still doing the Bridge School Benefit and hearing him sing “Old Man” as an old man, almost like he wrote the song when he was 22 to sing when he was 80. I think there’s an element on that Suburbs record that’s like that as well.

Winning The Grammy For Album Of The Year (2011)

Obviously that was a huge turning point for Arcade Fire because you won the Grammy the following year. As a suburban indie fan at the time, I had no real grasp on how big certain bands were. From where I was, it was pretty trippy that you guys won that.

BUTLER: I mean, tell me about it. It was definitely pretty trippy.

There are very, very early moments of you guys getting linked up with some iconic artists. Arcade Fire got plenty of respect from the beginning. But at the same time, the Grammys is something different. That’s a moment of mainstream insurgency. Ten years on, you’re one of the big indie bands of your generation, but also one of the only rock bands to get to that level in recent times.

BUTLER: I don’t know it was the best record that year, but it was definitely the best record nominated that year. I mean, we were up against a Lady Gaga remix record and like, Katy Perry. We weren’t up against a great Eminem record, we were up against a not-that-great Eminem record. In a certain sense, I was like, “Well, I think we should win.” [Laughs] I think we had the best record.

I remember in high school Radiohead and Björk were the two [new artists I loved]. I bought The Bends the day it came out, I bought Homogenic the day it came out. And then everything else I listened to was artists that had broken up 20 years earlier. I remember watching the Grammys the year OK Computer was nominated and it didn’t win, and I was just like, “Oh, that thing must not mean anything then.” I remember Dylan won, and it’s a really great Dylan record, but objectively OK Computer was the best record. So if that didn’t win, then what the hell does that thing mean? After that, I didn’t think about the Grammys that much. It wasn’t on my list of my dreams of my career and what I could accomplish and what I wanted to do.

For me, I was looking more at a band like the Cure or New Order, these bands that were really just artistic entities but you would hear them at a pharmacy once in a while. Like, I’d hear “Bizarre Love Triangle” come on in the pharmacy in Houston and just be like, “Is this from outer space? What the fuck is this?” My dreams for our band was to do for other people what those bands did for me, which was just throw me a fucking lifeline. Because I was just like, “What is this world, and where are my people, and how can I feel OK existing?” My grandfather played in big bands and played with Louis Armstrong, and he bought me a guitar when I was 15. I held on to that thing — if I didn’t have that I don’t think I would’ve made it out of high school. It literally saved my life. I don’t think I could exist without that.

For me, the Grammy thing was strangely moving. Even up until the moment we won, I just felt like an interloper. Even when we won, people looked at us like aliens. Like, “Who? What?” You know, I’m a competitive person. It was really exciting. Cool, awesome, the universe makes sense for one second. It’s interesting, I didn’t expect it to mean anything until we won, and then it meant something.

David Bowie (2005, 2013, Throughout)

I alluded to this earlier but: The Grammys were like an industry stamp of approval. From the beginning, however, you guys were embraced by a lot of elder artists — particularly artists who were influences on the band. One I wanted to talk about was David Bowie. He was a very early supporter; you performed together in 2005, which turned into a live EP. Then he shows up on “Reflektor” in 2013. Somewhere around 2015, you talked about how you’d come to regard him as this professor-type character in your life. He came to your first New York show, right?

BUTLER: Our first headlining show, when we played at the Bowery, Bowie and David Byrne came to that show.

Wow, no pressure huh.

BUTLER: It sort of set the table. Like, “Well, I guess this is how it’s going to be right out of the gate.” [Laughs] It’s funny, I have a photo of David in my studio that I look at when I’m working sometimes. It’s just him in a dressing room with one of those kind of Hollywood mirrors behind him. He really… I don’t know, he felt some sort of spiritual connection with us. It wasn’t like he wanted anything from us. I just think he wanted to say, “Hey guys, you’re going on the right path, keep going.”

I was emailing him over all those years. I don’t know if you have anyone close to you that’s died and you go back and read those emails, it’s really these strange digital fragments of someone you care about. After he sang on “Reflektor,” Régine and I bought him a painting in Haiti as a thank you gift. We were supposed to mail it to him and we got busy and forgot about it, and in the interim he passed. I knew he wasn’t well, but I didn’t know he was dying. Maybe a couple months later I remembered the painting and I dug it out and it was a painting of a black star. A voodoo painting of a black star with rays coming out of it.

I didn’t know anything about his record being Blackstar or anything like that. Now it’s on the wall of my bedroom. Shit like that sometimes happens in my life. I take it for what it is. I don’t know exactly what that means and I just feel grateful… I don’t know man. Even just how inspiring, what he put into his art even in death. He’s someone I think about at least on a weekly basis.

Backing Up Mick Jagger On SNL (2012), Playing With The Rolling Stones (2013)

Obviously that was an ongoing relationship, and you’ve worked with David Byrne too, and you referenced playing with Neil Young. Still: Being onstage with the Rolling Stones seems particularly daunting.

BUTLER: We were Mick’s backing band on SNL. SNL is maybe one of my favorite American institutions. I don’t know if it’s the Canadian thing since Lorne [Michaels] is Canadian. The first time we did it, it was just like, “This dude is my friend.” I don’t know if Lorne’s kids like Arcade Fire or something. But I was in New York randomly and he was like, “Mick’s doing a thing,” and I said, “We do a pretty amazing cover of ‘The Last Time,��” and he said “Come on down, let’s do it.” Then we’re Mick’s backing band. I don’t know, pretty fucking cool.

What is Mick Jagger like to work with?

BUTLER: Mick is like: As soon as the light goes on, he’s a different person. When he turns it on, it’s like this muscle memory — like if you were with the greatest ballet dancer ever, and you say go and this energy comes out of him that is so practiced. It’s someone who’s an absolute master, after practicing something for decades and decades and decades. That was pretty amazing to see. You’re chatting with someone, we’re at the piano and we’re talking about an arrangement, “OK, let’s do a run,” and then, “Boom! Shit!” There he is.

It’s this other level. I feel like people at that level, music’s not something they’re fucking around with. [Laughs] Music is a spirit. You hear something, and if it strikes a chord with you, it connects something at your deepest core. People like that, when you see them do their thing, it really is this other plane. It’s not this show thing. It’s more of a possession. You can hear it in the music.

I feel like I’ve listened to more music during COVID than any time since I was like, 18. I had this moment when I was listening to these amazing records from the 1950s. You can hear the room. It’s almost like audio VR — you can hear the drummer here and the bass player over here. There’s a sense of space, particularly to that older music. It’s a snapshot. If you hear “La Bamba,” right now, that is what it is. It’s a spirit captured on vinyl, on a piece of tape. It’s alive within that.

With people like Mick, they’re a little bit closer to the spirit of rock ’n’ roll — a literal spirit, not a figurative spirit. Bowie was the same. When he played with us in Central Park, the second he hit the stage he’s illuminated. You’re like, “Oh, shit, that’s what it is.” He’s a human when you’re talking to him and as soon as he’s in it, he’s touched by another thing.

SNL (2007-Present)

I’m glad you brought SNL up, because you’ve been on it a bunch of times, but you’re also one of the musical acts they’ve brought into skits. Like, they actually wrote a game show around you. How does that work? Did they write that sketch with you guys, or you walked in and they’re like, “Hey, by the way…”

BUTLER: I can’t remember, I think we’ve been six or seven times. We’ve been there for a couple different casts at this point. The Lonely Island dudes, those are so my dudes. In another life, I would’ve been in Lonely Island, that would’ve been my dream to just fuck around with my friends; when we were first writing music we were kinda joking around because you’re too insecure to try. A lot of times [at SNL], we’ve played for the staff when we’re there, because you get so fired up to play one or two songs and you’re playing live so your endorphins are running so we just sort of keep playing afterwards. I feel like they appreciate that, it kinda feels like you’re on the same team or something.

I was backstage at SNL once last year, and it is pretty crazy to see it all from the inside like that.

BUTLER: It’s so crazy. They write it all that fucking week, and then to see the differences between the dress rehearsal and the live show. They do a little meeting in Lorne’s office. They’ve done the dress rehearsal and it’s still this tiny office and every cameraman and every cast member is crammed in this little office and Lorne’s like, “Make it a blue light instead of a green light at minute 23, and change this word to this word, I don’t think that’s funny, change that, OK, go,” and everyone’s got pencils writing this down. It’s still fucking that. And you know, it hits and misses sometimes, but they’re doing it.

How long did you have to work on your De Niro impression for that skit?

BUTLER: It’s actually more of a Billy Baldwin impersonation, but it seemed to work for De Niro as well. [Laughs] My only real impression is I can look exactly like Billy Baldwin if I want to. If there’s any casting directors reading this and you need a Billy Baldwin impersonator, I’m your man.

LCD Soundsystem’s Goodbye Show (2011)

You’re the one who ended up serendipitously coining the title of the live album.

BUTLER: [Laughs] That is true. That was genuine. He was being a little talky.

I moved to New York before I moved to Montreal, and I would go to the city and go to shows and I didn’t see one fucking thing that was good in the whole year. I was like, “Wait, I thought New York was the shit, where is it?” All I saw was bad, very industry bands. I couldn’t find anything, I wasn’t cool enough to figure out what was going on. There’s very few bands that I really think of, like bands of my generation where I heard them and thought “These are my people.” For me it was the Yeah Yeah Yeahs, LCD, and Wolf Parade. When I heard those bands, I thought, “These are my fellow pilgrims.” It was art, DIY, no bullshit, just trying to make something great that communicates to people. It’s real and emotional.

James is really just one of us. He’s just such a great engineer and really into the way things sound and really passionate about details. It’s rare to meet people like that. James was working with us when Bowie came in, when we were in Electric Lady. James had never met Bowie before. The first 7” he ever bought was “Fame.” We’re in this studio, and the last time Bowie was there he had cut “Fame” with John Lennon, in the same studio. We were all like, “This is the right place to be.”

James is just a man after my own heart. We did a tour with them on Neon Bible. We were playing to a thousand people in Salt Like City and I was like, “Man, in a couple years a lot more people are going to wish they were at this show.” What a fucking great live band.

Scoring Her (2013)

What kind of headspace did you have to get into for this vs. making an album?

BUTLER: Spike [Jonze] came to a bunch of our early shows on Funeral. The second I met him he was just immediately one of my best friends. He thinks about the world the same way. Even though we work in different mediums he was someone I knew I’d be working with in some capacity. I was visiting LA and I was staying with Spike just randomly one time, in the early days of him working on the script for Her. I was reading the script and immediately thinking about how it could sound, and I was like, “Well, we should fucking do the score to this movie.”

When you’re working on a record, it’s so rigid, what works on a song and what doesn’t work on a song. It can be so limiting in a way. Within the band, there’s so many different talents and color palettes and things people bring to the table, so it was cool to do something where the boss is the picture. It doesn’t matter how anyone feels about a piece, if it’s working for Spike, if it’s working in harmony with the picture, that’s what the boss is — the emotionality of the picture. It’s not about you, it’s in service to this bigger thing. It was a cool opportunity for all of us to use different aspects of things we do, and to work with Owen [Pallett], who had done a lot of strings on our records. It uses a totally different part of your brain.

Do you want to do more of that kind of work, or was it this specific story from Spike that spoke to you?

BUTLER: I can say pretty confidently that I’ll work with Spike in the future. It definitely takes a lot of energy. It’s definitely something I’m interested in, but I feel like while I’ve got the juice it’s good to spend as much energy writing songs as we can. It’s pretty fucking hard to make a record, believe it or not.

Future’s “Might As Well” Sampling “Owl” From Her(2017)

Are you a big Future fan?

BUTLER: I love Future. There’s something in the rhythm of the thing he does that actually reminds me of some music from Haiti, in this really deep, subtle way I can’t put my finger on. There’s something almost mystical in the way he sounds, and I thought that was really cool that they sampled that soundtrack. His shit does sound like the future still. I think it’s pretty special.

The Reach Of ”Wake Up” (2004-Present)

This song has had this big pop-culture reach over the years. U2 used it as their walk-on music in the ‘00s. It was used in the trailer for another Spike movie, Where The Wild Things Are. Macy Gray and John Legend both covered it. Microsoft ripped it off for a commercial. It was used in a commercial for LA’s bid for the Olympics.

BUTLER: That Microsoft money went to Haiti, by the way. They did rip it off. [Laughs] Thank you Microsoft.

As far as I know that’s far from an exhaustive list, too. It’s just one of those songs that’s gone out and become a part of the atmosphere. Even a lot of big bands don’t necessarily have a song like that. What do you think it is about “Wake Up” that’s registered in so many different contexts?

BUTLER: From the time we wrote that song to now, the biggest difference in my life is I’ve traveled the world and I’ve been able to play music in all these different cultures and feel the ways different countries feel music. Not only listening to the music in other countries but seeing how they feel the music I play.

I remember around The Suburbs we played in rural Haiti. It was our first time playing in a place where nobody in the audience had any of the reference points of the music we played. We were playing in the mountains, there were people walking in barefoot to the concert. We were playing these songs we had been touring the world with, and the energy from the crowd was so different. The things they responded to, the things they felt, it actually fundamentally changed the way I heard my own music. It made me start to think about music not just from my own perspective but culturally how people hear it and feel it.

I think the one thing that kind of transcends everything across all cultures is melody. Régine was playing that melody on piano in our rehearsal room. I hear it like it was yesterday. It was like, “That’s the shit.” [Laughs] Being present and being in the room, hearing something and really giving yourself to it, just singing that shit like it really meant it and feeling the power of that melody and trying to push it until it breaks. That’s something I think about, just how great it is to have people to play music with. To say it like you mean it.

I remember singing that song in Montreal, in these lofts. Most of our early fans, the first time we played that song, they were like “Fuck this shit, I want the acoustic shit.” People were so negative. I remember a lot of early fans didn’t come to our shows after that because we were suddenly screaming at the top of our lungs and playing electric guitars. It was like, “Everyone here hates this, that means we must be going in the right direction.” [Laughs] But yeah, don’t be discouraged if people hate something. It doesn’t mean shit.

https://www.stereogum.com/2105395/win-butler-interview-spike-jonze-arcade-fire-snl-mick-jagger-david-bowie/interviews/weve-got-a-file-on-you/

#Arcade Fire #Win Butler #interview

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ckret2 · 5 years ago

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The Unofficial Symbiote Fan Club

Written for @symbruary Day 21: "team". Before this event started I was like, one day, one day, I need to write a team up between a bunch of hosts who actually love their Venom symbiotes.

So here it is. A pack of symbiote-loving Venoms: Eddie, Alea, Ngozi, and Gwen. Plus a token Peter Parker who has never met a Venom, just to make things awkward.

Because this is what big crossover events should be used for: loving symby.

###

Venom stumbled out of a portal.

Four humans, three of whom were clearly wearing symbiotes, looked at them.

"What—?"

One of the symbiote-human combos started at the sight of them. "Eddie?!" She stepped forward, reached out, stopped, drew back slightly. "You died years ago! How...?"

Eddie reached back toward her; their symbiotes bridged the distance between their hands, connecting in the middle. Their symbiote, rather. The same symbiote, separated by decades. A single symbiote and two hosts, Eddie and—

"Alea," said Venom—which Venom? their minds were briefly tangled together—2020 Venom. "You're taking care of my other now?"

"You're the famous Eddie Brock I've heard so much about." Alea's face and legs were revealed as the majority of her symbiote oozed off her and over to Eddie, stirring through its past self like colors roiling in an oil slick and nuzzling over its past host.

"So, what is this," Eddie asked, "a time travel thing?"

"Or a parallel universe thing," said another one of the symbiote-bearers, a woman wearing her symbiote like a hooded jacket. "I've got some experience with these cross universe duplicate things. I was just catching everyone else up to speed on how this works, I can give you the abridged version."

"We're good, we've done some universe hopping too," Eddie said. "How do you know we're all from separate universes, though? Are all of us...?"

"Venom." Jacket-symbiote raised her hand. "Briefly. Going by Ghost-Spider now."

"Black Panther," said the one with wings. Her dreads were stretching out toward Eddie, as if trying to reach him the way Alea's other had; she calmly brushed them back behind her shoulders. "But my other was once Venom before coming to me. Ngozi."

Ghost-Spider shrugged. "No secret identities today, huh? Fine—I'm Gwen."

"I'm not Venom," grumbled the final member of the party, a black trench coat-wearing man lurking near Gwen.

"Yeah, outlier. He's my plus one, I think," Gwen said. "I've run into him in a couple of these universe-hopping gigs, guess that's how he got sucked in. Some kinda quantum entangled nonsense or something. This is Spider-Man, I call him Noir to tell him apart from the others."

The other three Venoms immediately tensed. "Spider-Man of the Peter variety?" Eddie asked cooly.

He nodded.

"Oh," Alea said.

"Great," Ngozi said.

Gwen winced. "Ooh, is there a history?"

The other three vaguely muttered about their others' bad breakups.

Gwen glanced at Peter questioningly.

He shrugged. "Never met a Venom. No bad blood here."

"Right," Gwen said. "Well. Sorry, looks like you're all stuck with him. We can all be mature and professional in front of an ex, right?"

Ngozi nodded, but with some effort that made it obvious she was fighting her symbiote to do it. Alea hesitated, but nodded more willingly. Eddie just crossed his arms and grumbled.

"Cool," Gwen said.

Eager to move on from the subject of Spider-Man, Eddie said, "We should probably figure out what we're all doing here. Any of you aware of any inter-dimensional experiments or reality-blurring mystical rituals that might've caused something like this?"

The others all shook their heads. Gwen said, "Maybe if we look at our similarities. There's usually some parallels between the people that are pulled in these things."

"Obviously, we're all some variety of Venom," Ngozi said. "Except Gwen's friend." She only gave Peter a sideways glance, clearly trying to remain neutral despite her other's antipathy. Eddie glared at Peter on her behalf.

Peter shrugged.

Alea said, "But there should be billions of Venoms across the multiverse, right? Why are we the ones that are here? What's the common thread?"

"You and I are both close to our others," Eddie said. "I felt that when we touched. You care for it in itself, not just for what it can do for you. That's rare enough it might mean something—maybe we've been hauled in on some kind of symbiote rescue mission." He looked at the other two Venoms. "What about you? Would you fight to protect symbiotes?"

"Absolutely!" Gwen said. "If they're anything like mine? Mine's basically a big gooey baby made out of gummy spiders. If I'm not looking out for it, who knows what could happen to it?" (Eddie and his other briefly pondered over the "gummy spider" description.)

"I've never had to protect mine before," Ngozi said. "But when I met it, it was a captive. If I met another in a position like that, I'd fight to save it. How could I not?"

Eddie felt his other's mood bubble up in the face of not one, not two, but three alternate hosts that considered it and its kind worthy of protection simply for its own sake. "So we're all pro-symbiote. Looks like we have a solid starting point for a theory."

Peter raised a hand. "Question. Why is being pro-symbiote noteworthy?" he asked. "Isn't it like being pro-stomach?"

All four Venoms looked at him in bafflement. Ngozi was the one to ask first, "How do you mean?"

"Everyone's got one inside 'em and you'd be pretty screwed without it. Like a stomach," Peter said, as if this was a perfectly obvious thing to say.

There was a pause, and then the Venoms exploded into questions. Alea's voice managed to carry above the others, "What do you mean, 'everyone's got one'?!"

"What do you mean, what do I mean? Egeryone's got one!" Peter declared. "You're born with one! It splits off your mother's in the womb! What, are you saying not everyone keeps 'em on your worlds? Is it some kinda cross-universe circumcision? Did your twenty-first century rock concerts scare them all off?" He addressed the latter question directly to Gwen.

She crossed her arms. "Hey, mine loves rock. And, no, none of us are born with symbiotes!"

"Then when do you get them?"

"Mine came to me from heaven," Eddie said, and at his other's prompting, clarified, "Space."

Ngozi said, "A jar."

Gwen said, "A lab."

Alea said, "Space by way of jars in a lab."

Aghast, Eddie asked, "Were all your symbiotes jarred when you met?" Poor things.

Gwen asked, "You guys have aliens?"

"Wait," Peter said. "The rest of you—is your Earth not covered in symbiotes?"

"No! It's just my other and its offspring," Eddie said.

Ngozi nodded, and Alea added, "A few more have come and gone, but that's it."

"Only one's been made in my universe," Gwen said.

Ngozi asked, "Made? Yours was invented? On Earth?"

"By Dr. Elsa Brock."

Eddie warred over what questions to start with —whether this Elsa was his sister or his genderbent alternate was high on the list—but settled on, "So when you called it a gooey baby, you meant that literally?" She nodded. "Once we've resolved whatever crisis brought us here, want to trade symbiote parenting tips?"

Gwen laced her hands together in faux prayer. "Please."

"And you!" Eddie pointed at Peter. "Are you saying your Earth is covered in symbiotes?"

Peter pointed back. "Is this why you've got colors and we don't?"

"Hold on, hold on, everyone hold on." Gwen turned to Peter. "You have a symbiote."

He nodded.

"With you?"

He gestured at himself, indicating his clothes, as if it should have been self-evident that his black trench coat had been a symbiote all along. "Man's best friend. Wouldn't leave home without it." He paused. "What do people in your universes wear?"

Gwen went on excitedly, "What do you call it? Do you call it anything, does it have a name?"

Peter hesitated. "I've always called it Vinny."

"Vinny! You're a Venom too!" Gwen laughed in delight.

Eddie's, Ngozi's, and Alea's symbiotes stretched longingly toward the mythical symbiote-sympathetic Spider-Man.

###

Until and unless canon specifically says otherwise, we don't know Spider-Man Noir doesn't have a symbiote.

Fic crossposted to AO3, link in my description. If you enjoyed, I'd appreciate a comment or reblog!

#symbiote #venom #gwenom #ngozi #spidernoir #eddie brock #symbruary #fanfic #my writing

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angelinarecs · 5 years ago

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Updated Pacific Rim Recs

Organized by pairing (or gen) and then alphabetized by title. Summaries (which have been copied from their respective stories) and descriptions are provided. Notation at the end of the description indicates if a story is completed or a WIP.

Gen

Take Up Your Spade and Break Ground - Tendo Choi is a 911 dispatcher because it pays well and because he’s damn good at it. He doesn’t take the job with the expectation of finding a family – but sometimes the people who call end up up meaning a hell of a lot, and Tendo’s never been one to stay detached. Friendship/Family. Tendo POV, very well written and the plot is original. A great AU overall. I really loved following Tendo and his relationships to the Shatterdome people through his work at 911. One-shot.

Hermann, Newton Friendship

All the Colors of the Rainbow - The first thing Newt noticed about Hermann was that he was a neat freak. Well. Okay. Maybe not a neat freak. Maybe just an ordinarily-neat person who didn’t like kaiju guts in his work space. Sharing a lab was going to be a challenge … Drama. Am I reccing this because Newt is autistic? Yes, yes I am. Also, these drabbles do wonders at showing the day-to-day struggles of Newton and Hermann sharing a lab. One-shot.

Hush Now - Hermann is upset and Newt tries to cheer him up. It either goes horribly wrong or horribly right- he’s not sure. Hurt/Comfort. Hermann gets an unfortunate phone call from his father and Newt is there to pick up the pieces. Drabble length, but still sweet. One-shot.

Not Unwelcome - Set directly after the events of the movie. Hermann leaves the celebrations to give himself some space, away from the loud people clapping him on the back, away from the happily drunken crowd, and, maybe, a bit of space away from Newt. Naturally, the moment he disappears, Newt goes after him. Minor angst ensues. Friendship/Angst. Cute, fluffly, indulgent, everything you want out of a feel-good story. An enjoyable read. One-shot.

Tröstung - When Hermann is three years old, his mother gives him a stuffed lamb. Angst/Friendship. Following Hermann through the years in his interactions with his comfort object (an adorable sheep names Oskar). The premise and structure of the story really does a nice job at providing snapshots in Hermann’s life and development as he grows into the brilliant scientist he is. The story also provides a brief insight into Hermann and Newt’s relationship. One-shot.

Hermann/Newton

a ghost will be here in my stead - Hermann is feeling under the weather. Hurt/Comfort/Fluff. Post Uprising. Hermann falls ill after pushing himself too far to save Newton from the Precursors. Newton picks up the pieces. One-shot.

A Hand That Hold No Weapon - On their way back to the Hong Kong Shatterdome, Newton helps Gottlieb adjust to the after effects of drifting together. Drama/Hurt/Comfort. A much needed story after Hermann and Newton drift. Fun story, okay writing. One-shot.

A Momentary Lapse of Reason - It’s Newton’s fault, really. That Hermann is stuck on the floor of the Kwoon, feeling more than a bit useless and broken. Fluff/Hurt/Comfort. Hermann pushes himself too hard trying to physically work out his self-loathing. Newton is there to pick up the pieces. One-shot.

A Not so Simple Cold - Herman is sick. Really sick. He, however, is choosing to ignore how sick he is which Newton does not agree with. Fighting ensues but some realizations about their feelings for one another also come to a head. Fluff. One of those sickfics that’s not particularly original nor well written, but definitely scratched the hurt/comfort itch when needed. One-shot.

A Warm and Gentle Tug - Hermann has a fear of having his blood drawn due to the fact that he always passes out or gets sick while it happens. This time around however, Hermann takes Newt along with him to his appointment to help ease him. Hurt/Comfort. Not the best writing here, but the relationship is fun. Mainly reccing because I have the exact same problem getting my blood drawn. One-shot.

Battered and Bruised - When Hermann comes to Newt’s defense, it doesn’t end well. Hurt/Comfort. Short and somewhat sweet. Newton and Hermann try to fix each other up after getting into a fight at a bar. One-shot.

Blue All Over - The worst one was recorded on a cold dreary day in the autumn of 2021. Hurt/Comfort. One of their many, and possible one of their worst, lab accidents. Herman is a self sacrificing idiot and Newton is at least fast on his feet. One-shot.

Collision - A kiss gone wrong. Romance/Humor. Hermann and Newton being dorky and clumsy. Cute, but short, story. One-shot.

Dehydration Sensation - Hermann doesn’t handle heat well. Hurt/Comfort. Hermann doesn’t take care of himself in the middle of a heat wave and Newt once again has to pick up the pieces. Including obstinate, delirious, and dissaproving Hermann alongside exasperated Newton! One-shot.

Homeostasis - The K-science laboratory stands on its own plane of existence; life within its concrete walls runs in parallel to life in the bigger world of the Hong Kong Shatterdome. Yet even here the laws of physics apply. Whenever Hermann’s body isn’t failing him, Newton’s mind is on the verge of breaking. Hurt/Comfort. The scientists have a rough day in the lab. I really enjoyed the contrast of the mental and physical given that each Hermann and Newt suffer from their own handicaps. Seeing the ailments as both a foil and a complement to each other was a very compelling look into their relationship. One-shot.

Incessant - Hermann’s physical limitations frustrate him to tears. Angst. Newton tries to help Hermann after a fall, Hermann is frustrated that his body won’t cooperate with anything. Poor Newt has to make this situation at least bearable for both of them. The selling points for this story is mostly domestic science boyfriends and an accurate depiction of the frustrations that come with being disabled/handicapped. One-shot.

Keep Your Mouth Shut, Keep Your Guard Up - Hercules Hansen does not understand why Hermann won’t just tell him why he got in a fight with the new J-Tech. It’s obvious who came out worse for wear. Hurt/Comfort/Romance. Hermann just wants to protect Newton, they just keep getting into trouble. So wonderfully in character. I love these two. One-shot.

Laundry Day - “I must have almost popped the question a hundred times, but the timing never seemed…right, you know?” “And you decided nearly killing me in the middle of laundromat was the Platonic ideal of romance, did you?” Aka the one where Hermann launders Newt’s jacket and finds rather more than he bargained for. Hermann/Newt. Romance/Humor. This story is just so cute. I love how the everyday interaction between Newt and Hermann turns into such a touching/adorable moment. One-shot.

Oh, They’re Gonna Have to Fight Me - The Drift makes them realize they belong together. Now that they cancelled the apocalypse, there’s nothing left for them to do but live out their lives in happiness. That is, until Hermann realizes there’s more to the nightmares that Newt keeps having. (In which they don’t spend those ten years apart, and Hermann is there to figure it out and save Newt when the Precursors start taking over him.) Fluff/Angst. They win the war, get married, and live happily ever after until they don’t. If you were anything like me, the sequel really disappointed on the whole “haven’t seen you in ten years” bit. This is the fix-it that we needed for our science husbands as Hermann has to navigate his relationship with Newt while realizing exactly how compromised his husband truly is. Complete.

Pride - Newmann oneshot. Newt takes Hermann on a date to his first LGBT parade- fluff through and through, except for a little reference to acephobia. Romance/Friendship. Am I reccing this entirely because Hermann is asexual? Yes, yes I am. Also features cute relationships, Newton coming up with a bunch of “queer” orientated pet names for Hermann, and some good points about sexuality. One-shot.

Somewhere, Something - Newt and Hermann start dating in the rush of change the end of war brings. Each of them is frightened that the other doesn’t realize what he’s in for. Hurt/Comfort/Angst. The science boyfriends help each other out as they grow closer in their relationship. I really appreciate the take on both mental and physical health issues. Two-shot, complete.

strange perceptions - The most essential question to pose, obviously, is why is Hermann presently finding himself contained in a shut-down emergency decontamination unit with only his lab partner as company, having forgone not only the process of actual decontamination but also the process of being noticed by anyone at all. The answer is frustratingly straightforward: because Newton. Angst/Hurt/Comfort. In which feelings are shared and realizations come to. I really love the dialogue, character introspection, and use of flashbacks in this story. I also love the fact that it literally took getting stuck together and completely helpless to force them into a conversation about feelings. One-shot.

Strong Enough - the Precursor in captivity, nobody knows exactly how to get Newt back to his old self, if that’s even possible. But Newt was always stubborn, and damn if Hermann would ever give up on him, or, worse yet, let him give up on himself. Emotional Hurt/Comfort/Angst. Hermann is going to get his husband back, even if he has to fight the entire Shatterdome, the alien possessing his love, and his own nightmares to do it. Another precursor!Newt fix-it, but we need all of those that we can get because I want my science husbands to end up happy. One-shot.

Taken Care Of - Newt helps out Hermann when he’s having a bad day. Hurt/Comfort. A short and fluffy slice of life story that follows the companionship of Newt and Hermann through a rough day. One-shot.

The Ghost and Dr. Priestly - Newt is pulling an all-nighter in the university library studying for a chemistry test, when he begins to hear strange sounds. Good news: it’s not a ghost. Bad news: he only finds out after giving his lab partner, Hermann, a mild concussion. Drama/Romance/Hurt/Comfort. Newt is an unbelievable idiot and poor Hermann suffers the consequences. Or, Hermann is concussed and is probably not thinking properly, but he still kisses Newt even after the daft man nearly brained him with a book. One-shot.

Tricks and Treats - Seven fics for the seven days of Gottbleed week (Oct. 5th-11 2015). Each story: 1. Is Gottbleed 2. Fulfills an OTP prompt from tumblr 3. Is newmann and 4. Is Halloween related. Trick or treating, costumes, haunted houses, ghosts, too much candy - and much more! Cute, funny, with a side of seriousness. Humor/Drama. Hermann and Newton make such a fun couple and these somewhat Halloween themed shorts perfectly show off their characters. Complete.

You and Your Dog Teeth - Desperate to find ends and solutions, Hermann wears himself out to exhaustion looking for answers, especially his already lame leg. Being around as his usual working late night companion, it’s up to Newt to help take Dr. Gottlieb home. What seemed entirely like a normal night only ends with two scientists realizing there’s a lot more between them than they thought. Angst/Humor. Such a fun story, this has a good balance between emotional tension and moments of hilarity that only the K-science boys can fully pull off. The awkward approach to romance in this story works very well for the characters and give an authentic feel to the whole thing. Two-shot, complete.

You Know I Love You: I Wrote It Down - Drs. Geiszler and Gottlieb’s relationship goes back almost ten years. We know this because the paper trail goes that far back, too. Romance. Where do I begin with this story? It’s so well done and amazingly written. I can’t get enough of it. The idea to follow the relationship of Hermann and Newton through their paper trail was brilliant and well executed. The sheer nerdy romance is amazing. I don’t even care if it has smut in it, it’s still well worth the read. One-shot.

#Pacific Rim #pacific rim fanfiction #hermann/newton #hermann gottlieb #Newton Geiszler #romance #hurt/comfort #angst #so much fluff #science husbands

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truthbeetoldmedia · 5 years ago

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The Toxicity of Kylo Ren and Reylo

It’s no secret that the newest villain of the Star Wars franchise, Kylo Ren, is a polarizing figure. In fact, there’s a large fanbase that don’t think of him as a villain at all (despite confirmation from cast and crew). If you take issue with that statement, look at the marketing: it’s Rey, Finn, and Poe at the center of the franchise. Not Kylo. Instead, he’s framed as a misunderstood underdog that is undeserving of the criticism he faces.

Now, that’s not to say that Kylo Ren can’t be appreciated as a character. It’s completely possible to appreciate him as a character and not as a person — after all, thinking someone is interesting or well-written isn't an endorsement of their behavior, or a claim that they deserve the benefit of the doubt.

People can be drawn to characters for all sorts of reasons. A lot of people enjoy rooting for the villain simply because they’re a villain. You can appreciate a character's potential, or their personality. It could even be as simple as thinking Adam Driver is good looking, or appreciating his portrayal of Kylo, with that being the reasoning for being drawn to that character.

Despite all of this, there’s an interesting (and troubling) phenomenon happening with people who have decided to “stan” Kylo Ren — not his potential as a villain, or because Adam Driver is talented, but the character himself, so much so that there is a fundamental misunderstanding (or willful ignorance) of his actions and motivations.

I’m not apprehensive to call this kind of fanservice toxic, because that’s what it is. There’s something really unnerving about stanning someone who has commited genocide, runs labor camps, and has direct, not-at-all subtle parallels to Nazism.

Ignoring Canon

The main theme here is that Kylo is somehow “misunderstood,” and not only that, but deserving of a full redemption (and a girlfriend in the form of Rey, but I’ll get to that in a bit). The narrative and what we know about Kylo in canon is a stark contrast to how fandom sees him. There’s this image of him as a down on his luck, unloved, victimized person who has been wronged by the people in his life, which simply isn’t true.

Kylo is the ultimate example of privilege. He arguably has the coolest parents in the world in the form of Han and Leia. He was, at the time of his turn to the dark side, being taught by Luke Skywalker (his uncle). From the get go, he had the support and resources that we rarely see someone have in the Star Wars universe.

And for those who like to counter with the argument that Han left Leia and is somehow a deadbeat dad — he did so after Kylo killed the entire group of Jedis Luke was instructing and abandoned his family willingly. You can dislike that decision all you’d like, but it had no bearing on Kylo’s turn to the dark side.

A more fitting criticism would be towards Luke, who admitted that he sensed something disturbing in his nephew and briefly thought about killing him. I’ll admit that this is fair enough, but for Kylo to react with murdering numerous Jedi students and then immediately joining the space fascists? I’d say this side of him has been lurking under the surface for a while.

Also consider — was Luke wrong? Dude literally built a device specifically to commit genocide.

This romanticization of a hard life that never existed is even more disturbing when you consider that there’s another character whose backstory fits this narrative: Finn.

Finn’s storyline is what certain fans desperately want Kylo’s to be. Finn was kidnapped at a very young age, forced to become a stormtrooper and was embedded in the hateful doctrine that Kylo is such a fan of. Despite being raised in that toxic environment and being indoctrinated with propaganda from such a young age, Finn — of his own volition, before he met Rey or Poe or anyone else — made the decision to resist and break free of the Empire.

He did this because he felt it was morally correct, at great risk to himself and his well being. He’s been in that environment for his entire life, so he knows exactly what happens to traitors. Despite all of this, he does it anyway.

Unwanted and Unearned Redemption

There’s also this strange need to advocate for Kylo’s redemption, something that is very clear he doesn’t deserve or want.

I’ve noticed a lot of fans who are desperate for his redemption call him Ben — his given name — which is both hilarious to me and makes no sense. He literally chose to change his name to Kylo Ren. He doesn't want to be Ben anymore, and he’s made that very clear.

Leia and Han clearly wanted him to abandon his position in the First Order and come home during The Force Awakens. During his showdown with Han towards the end of the film he’s given a shot at redemption, which he rejects violently by murdering his own father. After this happened it was speculated that this was a sacrifice Kylo had to make to rise up in the First Order, or to prove to Snoke his loyalty to infiltrate the First Order better and ultimately turn against it.

This was pretty easily disproven in The Last Jedi when he also attempts to kill his mother, Leia, who barely manages to survive. At the end of that same film, he’s also responsible for the death of the definitive hero of the franchise, Luke Skywalker.

If the theory about Kylo proving himself to Snoke was true, the tendency to murder his own family (and consequently the people offering him redemption after all he’s done) would have ended with Han.

After all of this, he’s given yet another chance to redeem himself, this time by Rey. He turns down this opportunity like he did the others.

As mentioned before, even without his violence towards those who want to help him, his actions are enough to completely eliminate the possibility of redemption. He’s overseen and advocated for genocide. He’s a member of an actual fascist organization. At this point, there’s no plausible way that he could be redeemed, nor should he be.

Romanticizing Abuse

This leads me to the discussion surrounding Rey and Kylo, or “Reylo,” an incredibly convoluted and twisted way to look at romance.

Reylo fans desperately need Rey to be the one to “save” Kylo, a textbook example of an abusive and toxic relationship. This is the Star Wars version of “She can change him,” making Rey the bearer of Kylo’s emotional labor when he has no interest in changing at all.

It’s not Rey’s responsibility to bring about his redemption. A true redemption needs to happen organically, of his own volition, and not because he’ll get rewarded with a girlfriend if he does. And, let’s be honest, it’s not a realistic expectation. If he only changes for Rey and not because he realizes that genocide is morally wrong, that’s profoundly disturbing and also selfish.

Here’s some advice: if someone says they’ve changed only for you and because of their love for you, that’s a red flag. They aren’t changing for reasons that are morally correct, or for anyone’s benefit; they’re changing because their feelings and their feelings alone matter. If Kylo changes because he loves Rey, that is a self serving act for his benefit only.

Further, what happened to Kylo torturing Rey in The Force Awakens? He kidnapped her, holding her captive, and entered her mind without consent. That’s as clear a metaphor for abuse you can find, and that’s not even my only example.

In The Last Jedi, Kylo attempts to persuade Rey to join him on the dark side. He tells her that she’s “nothing,” but not to him. To him, she matters. This is very commonly touted as a romantic moment, but the emotional manipulation is more than obvious.

Kylo doesn’t care about Rey. He says she’s “nothing,” that none of her friends care about her, that she’s worthless to them. By tearing her down then building her up by saying that she’s not nothing to him, he’s enforcing the idea that the only way she can have significance is with him.

I don’t even mean “with him” in the romantic sense — he pretty transparently only wants her on the dark side for her power. Kylo is a terrible jedi, and he’s witnessed Rey’s prowess a number of times. He only wants her power and skill, not her as a person.

He murdered her father figure, Han, in front of her, and nearly killed her best friend, Finn; he’s tortured her and manipulated her — it’s never been more obvious that he doesn’t care about her at all.

If anyone knows anything about abusive relationships, this is the first thing that abusers do. They alienate their intended victim from their friends and family, ensuring that they alone are the only source of comfort. It ensures that if things ever get bad, the victim has nowhere to go and no one to turn to but right back to the abuser.

What message would it send to little girls and boys if Rey were to end up with Kylo after all of that? Deal with his violence and manipulation long enough and he might change? If I have to spell out why that’s dangerous, I don’t know what else to say.

In addition — what does this say about how people view Rey? Do you really want her to be with someone who has tortured her, betrayed her, and manipulated her? The answer is that people who want Reylo to be together only care about Kylo, not Rey.

Toxic Masculinity

Despite these specifics, the general acceptance of Kylo’s behavior is surprisingly rampant in fandom. His actions aren’t simply excused, but romanticized. He has obvious anger issues, control issues — that scene in the beginning of The Force Awakens when he lashes out and destroys the control panel with his lightsaber? That may as well have been a shot of an abusive, angry man throwing around furniture and punching walls because he has no emotional control.

Sure, people like Kylo. They’re allowed to. But there’s a clear difference between liking a character and blind endorsement of that character's actions. I know plenty of people who like Kylo as a character, but the difference is if they meet someone like Kylo in bar or see one of his outbursts, you’d call the fucking cops. You wouldn’t ship him with your best friend. That's the dividing line here.

Kylo Ren is a direct parallel to real-world men who lash out because they’re filled with anger and frustration that’s turned into something truly ugly. They lash out at the people who are willing to help, all because they feel themselves robbed of things they think they deserve. Kylo wants power, he wants control, and he cares about nothing else.

Star Wars: The Rise of Skywalker hits theatres internationally on December 19, 2019.

#Star Wars #The Rise of Skywalker #Kylo Ren #Reylo

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destroyyourbinder · 6 years ago

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This is an uncharacteristically casual piece but if I would fucking recommend anything to people with dysphoria I would recommend getting acquainted with your body when you are actually at your best, whatever that means to you. When you are feeling joyful, you are in your best health, when you are doing things that you like to do and when you don’t feel ashamed. If you haven’t experienced those things yet how can you possibly know how your body is “supposed” to be? Why blame your lack of being well on your body? I’ve started standing up straight for the first time in my life recently due to a whole number of factors. And honestly I don’t feel nearly as repulsed by looking at my body; I don’t feel hideous disgust, like I have to look away, or like I have to look too much in order to figure out exactly what’s wrong. I look strong!!! I look like my body “goes together”!!! Even my breasts don’t look like weird aliens sucked on to my chest anymore, they just look like they grew there (which they did) and they're part of me (which they are). Turns out I look and feel way different to myself when I don’t slouch in shame and hold myself like I’m trying not to exist/ if I have to exist (ugh) then I shouldn’t do it too hard. I don’t look to myself like I’m about to ooze out of myself, and I don’t feel like I have to retract every part of me to feel ok!!! I still have body issues, for sure, (thanks, brain, for calling me a dumpy golf lesbian when I saw myself in a door reflection the other day) but I don’t hear the great cosmic game show buzzer in my head anymore when I see my own body. It kills me that people literally get surgery in order to achieve this and that the whole cascade of shit that happens once you just un-crunch your body and fucking stand up is considered out of reach unless you pay some plastic surgeon to take away parts of your body. I mean, this is the lauded result of “top surgery”, and I don’t think it’s fake. I just think you can do it without it. I thought my breasts were literally in the way of me existing, you know, that thing you can’t do unless you have a body. Then I realized I could “survive” with them still there (yes, at first, those sarcasm quotes were definitely around the word “survive”) but I figured I’d have to live around them, essentially, as if someone stuffed an extra couch in my living room. Sure, there’s nothing wrong with couches, but if you’re not going to “use” it, and it’s in the way... It didn’t occur to me for so long that the strategy I used to live with having breasts (hiding them, feeling as if they weren’t mine) was precisely the strategy that kept my dysphoria going. I figured out that this was the case for binding but who would have thought that slouching would fuck you up so bad? A couple of months ago my girlfriend made me stand up straight and she told me, “Quit looking at your boobs like your body is a shapeless blob. Did you know you have pecs?” and she poked me in the chest. What do you know, there are muscles in there. Once I saw the muscles I could never unsee them, and something really odd happened to my body perception I couldn’t undo, which is that my decomposition into functional parts became integrated with the whole in a way that made it clear that I didn’t have any body parts that “didn’t belong”. I couldn’t see that when I literally was always fully clothed except for showering, when I couldn’t even feel my chest because it was always compressed. I was watching this young yuppie straight couple on a date eating ice cream on a bench nearby my work the other day, and it struck me how absolutely odd the woman had to hold her body in order to essentially hide that she was made of meat and had bodily functions. She was wearing very thin, gauzy eveningwear and a lot of makeup, and I guess was trying to look like she didn’t have to eat and didn’t ever get hungry while she was fucking eating a waffle cone. There’s something that women do when they go real hard on femininity where they try to look like bones and skin, essentially, large eyes and lips floating above suggestions of curves which are suggestions of sex, no connections between any of them and certainly no organs inside that squelch and smell like bile. Meanwhile the man next to her looked like he exclusively lived off of cured pig products, farts, and mustard that he found in his own beard. He sat on that bench like his ass was the flag they planted on the moon. Like his body was synonymous with owning the world. And all this time she was trying not to turn her head too much while eating the ice cream. I talk about this because I always like to draw parallels between dysphoria and other women’s experiences. Which seems crazeballs to a lot of currently trans people. But really this whole time I was also holding my body like I didn’t want to be meat, like I had to ask to be allowed to be in this world. I didn’t want to be a floating eyes and lips above suggestions, but what other option is there? What woman’s ever believed she could make claim on anything but maybe the fruits of her womb through just existing here, in a body? Men piss and jizz on stuff to claim it, they literally argue for centuries in historical and political record about which man put his body somewhere first, because that means he owns it. I don’t even own my own body, legally, it’s not even my own property nonetheless me, I can’t even kick somebody else out of it or claim damages if somebody fucks it, fucks it up. So I guess I thought second best was disappearing all of that as much as I could, disappearing the grounds for putting me in the position where I had to disappear. I thought if I disappeared what made me have to disappear maybe then I’d pop out the other side, like had I pulled some magic trick on the patriarchal universe. How fucking clever, I literally was just sitting on benches eating ice cream with my shoulders all crossed up and my arms dangling in front of me, as if I had pulled one over on everybody instead of just looking like an overgrown emo kid. I didn’t know I could just fucking stand up straight and quit having my whole perceptual field dominated by looking-at-other-people-looking-at-me, oh-god-do-they-know-I’m-looking, I-can’t-look-at-myself-looking. Does this fix my existential dilemmas as a female person? No, of course not, but the point is that I’ve discovered something that doesn’t get me all caught up in believing I’m secretly fixing my existential dilemmas. My female body is the problem, but “fixing” the body doesn’t fix the problem, you know. Because the problem is that somebody decided that my female body dictates a whole bunch of shit about my life. I do not have to listen to them, especially not when I’m alone, not in the mirror, and not in my own damn muscles and bones.

#writings

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tanithrea · 5 years ago

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Some Revelation

Tagged by the awesome @this-song-thats-only-for-you here is my answers:

Do You Make The Bed: most days not really but I will occasionally plop the duvet back over. I get flack for being a bed hitler, I can sleep all night and get out of bed looking like it’s untouched. I sleep in one place and am dead to the world lol

My favourite Number: 8

What’s Your Job: Customer Service & Tech Help

Can You Parallel Park: I hope to one day, still don’t drive but I really need to.

A Job You Had That Surprised People: Probably that I used to work in Theatre and TV. Stage Management, Props, Scenic Artist, Production Assistant, Runner. (I miss it a lot)

Do you think aliens are real?: well the size of the universe and infinite planets and systems we don’t even know yet I would think there is life other than humans and earth out there.

Can you drive a manual car: it’s the only real kind in the UK so I hope to learn.

Guilty Pleasure: I don’t think I feel guilty about any of the things that make me happy. I enjoy kpop, music, films, making things, baking etc. If it came to food I again have too many favs like tacos, tipsey cake, baileys, ice cream lol lots of things.

Tattoos: nope, needle phobia so not gonna happen although I would like some henna ones.

Favorite Colour: Ok so mostly Pink, but the Reds and Purple feature too.

Do People Drive You Crazy: quite often lol I prefer animals most of the time, Or young kids. Open and fun, no barriers.

Any phobias: Needles. Developed after a bad experience in children’s ward. Made worse now that even when I am all ready to let someone I have veins now that literally clam up and refuse. Big headache if have to be in hospital. Not keen on pitch black dark either or night water when it appears black.

Favorite Childhood Sport: Dancing. Loved my tap dancing class.

Do you Talk to yourself: sometimes I’m the only conversation for days lol I live alone and short of talking to google then yeah I talk out loud sometimes.

What movies do you enjoy: oh wow, too many to list. Big on film and TV stuff. Almost every genre. Action, fantasy, comedy, rom com, some foreign I would say I like horror too but without my mum around I haven’t watched any as she was my horror filter. Lol I don’t really dig war films. I tend to always finish a film I’ve started but if I don’t like it I also can say I watched the whole before I decided.

Do you like doing puzzles: yes, I like problem solving

Favorite kind of music: well at the moment is mostly kpop I listen to and play. But constantly adding music, all genres and styles. Never been huge on rap and hip hop with the kpop exceptions but I have classical, piano, country, pop, rock, alternative and all the stuff in between.

Tea or coffee: I don’t drink much of either but when I do I like them strong and sweet. Tea where you squeeze the life out the bag with milk and two. I am partial to Tetleys. Lol And coffee the stronger the better, but not espresso, black and 3. But I also branch out to a latte or cappuccino or even flavoured. The syrups are great for that. Taylor’s Hot Lava Java is a fav.

What was the first thing you wanted to be when you grew up?: I don’t remember what I wanted, I think cause I was still undecided at high school I hadn’t really picked anything and I kind of aimed at music and fell into theatre and tv before falling back onto retail as a means when life changed my circumstances.

I tag @thedollymaker @jackiejacks923 (double vote for you lol) @prettywordsyouleft (you may have done already) @n-the-giraffe @starsbymyside and everyone who thinks this is fun!

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oleanderblume · 5 years ago

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Unrelated but OMYGOD. My clown series reached 1k reads on wattpad.

Which isn't super awesome because its only due to the sheer quantity of chapters I have but I need to rave and spoil it cause I'm super excited about what I'm planning and no one i care to tell gives a shit so I'm dumping it into the void that is tumblr.

So. Im writing a book series called Caring For Your Clown. Its about this trans kid named Oliver and he is sort of an asshole.

Well not sort of, he is an asshole. But a RELATABLE asshole.

The story sort of drops you in 6 months after the mysterious and tragic (and traumatic) death of his mother Marie, who was a scientist alongside her husband and Oliver's step father Jon at a lab that specializes in physics mainly.

They were working on a machine with an unstable particle that caused a..tear so to speak, in the fabric of dimensional space and she got torn into tiny little bits. :3

But apparently before this occurred, Marie was in contact with an alien race called clowns 🤡 (really they are interdimensional traveling amoebas that take the shape of humanoid clowns lol)

One of which pops up in Oliver's life completely unexpectedly for no foreseeable reason and her name is Dindet and she is absolutely precious.

Basically its a saga and each book ranges in about 30k to 50k words. The first book centers around Oliver learning about this weird alien houseguest and also the immediate fallout of the death of his mom because surprise surprise! His biological dad who is a terrible abusive fucktard rolls back into his life with the intent to take custody of Oliver and that is no good!

The entire arch Oliver's goes through is literally the title of the series. Basically learning to be caring and compassionate while ALSO dealing with grief and interdimensional shenanigans.

One of the things I found really fun (it was unintentionally done but now I like it so its intentional now.) Is that each book roughly represents the 5 stages of grief.

As the first one is anger. Oliver is mostly passed the fuck off that this dumb alien clown sauntered into his life and thought it would be neat to CARE about him like he was a PERSON with FEELINGS. Irrationally angry, because he blames her for the loss of his mom (i mean so does his dad who goes through the stages of grief slightly slower than Oliver does) and uses her as a personal emotional punching bag until he realizes that SHE got his bio dad to concede his appeal for custody via literally stalking him and making him so paranoid that he was deemed an unfit parent >:3

All the while too, as the main focus is on the two characters of Oliver and Dindet, there is a background plot leading up to the second, third, and fourth (possibly up to 6 books) of the clown authorities looking for Dindet. And also the checkovs gun that is his neighbor.

The second book is mostly erring in the bargaining side of the coin for Oliver while Jon goes through his stage of anger. Oliver learns more about Dindet but doesn't quite trust her as she is clearly hiding information and KNOWS his mom. But she won't talk. Meanwhile, his neighbor working on a completely different project gets his hands on some clown matter and goes apeshit with it to build his energy machine.

We also learned more about the type of person Dindet is, which is naive and caring but also incredibly self destructive and reckless. By far a major people pleaser with huge self love issues. While Oliver is more of a "i don't give a shit what you think" though its more a facade he puts on to protect himself from rejection :/ he is far more comfortable in his own skin but external factors can make him freak out a little and he is terrible at talking to people.

It culminates when the project Jon solicited Dindet's assistance in is wreck by her own hands and Oliver's growth completely backtracks to the point that he finally manages to get our clown to leave (only for her to be clownknapped by his whole ass fucking neighbor to be used as the conduit to his energy machine)

And yeh, Ols almost immediately regrets his actions (though at first its more denial that she actually left) especially when he catches his neighbor using her as fuel for his machine to the point that all her fucking matter is completely burned away via electrical current! >:3

THEN Oliver gets to the depression arch >:3 (i haven't written this part yet so its up in the air atm)

Basically, with his mom dead and now the only person who could reasonably be considered his friend ALSO Basically dead, Ols falls into this really bad streak of just walking backward in his grief. Anger, denial, bargaining, the whole shebang. But THIS time the lab and the government AND the secret clown police are all in cahoots to cover up what happened at the lab and to do that they need to get rid of Ols and his dad to allow their plot to work. (Will be revealed later)

So throughout the first two books I've been alluding to the leader of the clowns via Dindet's ostensible paranoia and their name is Smile. They have underlings though and one is named Poppy. So the clowns get into the lab and convince Jon to send his son to a treatment facility for therapy under the thin veil that it will protect them from the repercussions of the machine. Oliver is not to upset about this though because he has been to therapy before from his past with his bio dad.

Except obviously the clowns don't want to actually help anyone. Their goal is to wear my boy down until he ready to die because- did I mention this was middle grade??

Anyways. This particular book I want to develop my potential romance between Douglass (Oliver's kid neighbor) and Ols and also deconstruct Oliver's personality via flashbacks that parallel the events in the story so we understand why he reacts the way he does to things and also i think it would be neat that the clowns technically succeed in their plan to draw out Dindet the wanted criminal by using the person she cares most about against her. By making him want to die!!

Then! For the next book, I'm planning on having more clown infiltration, more bonding between my children and romance between my boys because oooohhh boy am I gonna have fun tearing everyone apart when the real fucking deal Smile shows up and fucks shit up. Smile is my main villian and a veru fun and manipulative one at that. She uses Oliver to get to Dindet and eventually catches the both of them, revealing clowns to the entire world right before snatching them back to the home base the Cornucopia.

This is where we learn all the information we have been wanting and building up to about Dindet >:3

She is a criminal because she has Essentially tied a doomed universe to the Cornucopia in a never ending time loop because she is so heckin big that every time that universe is torn apart, she jumps back in time and DIES in order to recreate it. (She's the big bang yo)

That isn't the only reason though. Oliver comes to learn that his mom was FRIENDS with Smile. And Smile was the one who tore her apart in the machine scattering her subconscious in the literally timeless Cornucopia (time doesn't exist there so aging, death, anything like that is completely halted) and MARIE who has been half alive and omnipotent this whole fucking time has been trapped in the Cornucopia unable to see her family or child but fully able to see a know the infinitesimal inevitability of the destruction of his universe. So what does she do? She PULLS DINDET PUT OF THE ABYSS AND TELLS HER TO GO BE FRIENDS WITH HER KID TO KEEP THE TIME LOOP GOING.

And this has happened before. Like this book series is literally ONE (1) version of events that have been stacking up on top of eachother for millenia. The reason Dindet shows up in the first place is because she can partially see these past loops and the remnants of her love for Oliver keeps her coming back YO.

But while all this lovely information is being shared, Dindet is in clown jail and Oliver is treated as a pet to Smile. He tries to stage a break out and fails and what does Smile do? She turns him into a got damn monkey!

And uses him as literal fucking bait to a starving Dindet in order to justify her sentence (which is obviously death)

It almost works too, if it weren't for the fact that these two kids are BEST FRIENDS NOW and would legit die AND kill for eachother, Dindet pushes Oliver out of the Cornucopia (he is still a monkey boy btw) into his universe which inadvertently scatters him.

(A human person can enter the Cornucopia but if they leave, their molecular structure will destabilize in a slow and painful way until they literally are nothing left so that sucks)

This is where I want the next book to start tbh. Now back at home without his friend, as. A. Monkey. Oliver find that his entire home town is under lock down and strict control by the clowns who have now infiltrated the government and are putting plans forth to rebuild the SAME MACHINE his dad and Dindet built to bring about the destruction of the universe. (They want to do this because if they prevent Dindet from jumping back in time, they can end the time loop and get on with their lives)

So ols has to essemble a rag tag crew of Douglass and some other classmates and figure out that all the goop floating around belongs to Dindet (bruh. She is the size of the universe like. There is a lot of her to go around) and they can technically use it as gateways into other dimensions to gather an arsenal of GIANT BABY ANIMALS AND SQUIRREL BIRD CATS AND DRAWN TO LIFE ANYTHINGS so they can try to 1. Bring back our clown gal who is the key to fixing this and 2. Take on the now heavily fortified lab in order to get Olivers and Douglass's dads back.

All the while my boy is slowly dying >:3

Eventually, Oliver finds a way to get Dindet back but its at a cost :/ he tricks Smile into turning our clown organic to prevent her from being able to control any of her matter whatsoever and the cost of it is that Smile is VERY bad at making humans, so she basically traps Dindet in a catatonic meat sack that doesn't have half the organs it needs to function properly :/

To make her not be organic anymore they gotta uh..kill the tumor that is an organic half body (which yes, does have nerve endings) which eventually allows Dindet to be 100% clown again.

They break into the lab, but its basically too late. Reality is fractured and the multiverse is imploding in on itself and in the midst of all of this, Ols and Dindet are careening through the vacuum of an entirely empty space, dying of starvation and scattering and the only option left is to jump back in time to start the loop over again.

It is heartfelt and it is good and pure and the last moments they share together perfectly bring this loop together because in the VERY FIRST BOOK Oliver asks why Dindet came and she says "you asked me to."

And their last moments together he asks her to come back for him. Like I CANNOT yall!!

But that isn't the end. Yet.

The real end is after they die and the universe begins and a single hand pushes through the stars and pulls out a little orange bean. And it's Marie, pulling Dindet put of the Abyss this universe that is so intrinsically tied to the Cornucopia that it literally creates all the fucking clowns.

Its not supposed to be destroyed. And the reason eveeything falls into place so perfectly and things always go the same way is because ita already been seen and already been narrated. By Marie.

The WHOLE ASS SERIES IS IN THIRD PERSON OMNISCIENT BUT ITS ACTUALLY NOT. Its first person. Narrated by Marie.

Dindet knows Marie because she pulled her out of the Cornucopia. Clowns exist because Dindet was told by Oliver that she was and looked like a clown. The entire ass UNIVERSE exists because Oliver and Dindet are the fucking building blocks of life.

All of Olivers character actions and growth and eventual love (platonic) for Dindet shape their futures and all of it started because a mom was so concerned and guilty about leaving her kid in such a time of need that she would rather start the world over than see him suffer.

So..themes.

Throughout the series there are heavy HEAVY parallels between Dindet and Marie (partly because Dindet is a parrot and almost all her actions and reactions mimmick things that she has seen and the first person she met who wasn't out to kill her was Marie) but also because Dindet is the conduit through which Marie vicariously lives out the rest of Oliver's fleeting life with him.

There is even a point where Oliver genuinely questions whether or not Dindet actually IS his mom (she isn't obviously)

One of the themes I really love about this series is that compassion, unconditional love and care is deserving to even the most obstinant. Oliver isn't easy to love. He actively makes it very hard for anyone who could be a peer (even his own dad sometimes) to care about him. He constantly pushes people away to safeguard himself from potential harm and it takes three fucking books ROUGHLY 200,000 words to get this boy to understand what unconditional love can do.

How it can help with the grieving process, and help you become a more compassionate person toward others.

And also how your actions affect others!!

Like i said, Dindet is a parrot, she can read your mind (if she wanted to) but what she sees she incorporates into her own thoughts and as a reflection, Olivers harsh words and actions, even the most simple kind are recorded and even amplified. He is MEAN to Dindet. He makes fun of her often and gets angry with her and calls her stupid and she internalizes that immediately and it has an immediate affect on how she views herself. Oliver doesn't even think of this as something that happens until much later in the story! And gradually he grows past it and becomes more considerate and affirming toward Dindet and Douglass as a result.

And the way things matter. Oh. Every little detail matters in this story up to seemingly inconsequential continuity errors! Foreshadowing is everywhere from the first fucking sentence to the last because the things the characters do and say to eachother are simultaneously current and in the past all at once and no one knows which is which.

Someone got hurt? There are consequences, even unforseen ones. Dindet loses her hat. It is the most precious thing she owns and is a huge comfort item for her. Oliver asked where she got it? A friend gave it to her.

OLIVER MAKES HER A NEW HAT AFTER SHE LOSES IT. He is the FRIEND that gave it to her.

Almost everything in this story has parallels and consequences and twists and turns and outcomes that are wildly unpredictable (up until now because I've just spoiled the entire fucking plot but who cares!!)

Like...this is my baby. I care SO MUCH about this story and the characters in it that when I think about certain scenes I legitimately start crying.

I can't wait to publish the first book yall. I'm planning on publishing it either through a publisher or self publish, and maybe make a comic even? Idk. I just i really think people would like my dumb absurd story about clowns and I wish i could just spout about it 24/7...it breaks my heart that no one will listen.

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hellzyeahthewebwieldingavenger · 6 years ago

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Ghost-Spider #1 Thoughts

Since I enjoyed the Spider-Geddon aftermath issue of Ghost Spider and because seeing Spider-Gwen meet Earth 616 Jackal intrigued me I decided to check out the current story arc and...um...oh dear...

So confession. I dropped Spider-Gwen’s title after reading the issue that debuted Earth 65 Kraven. The moment I saw him with his stupid Hipster look I was like ‘Noooooooooooooooope’.

So consequently I missed out on such gems as Gwenom and other great ideas I’m sure were inspired by variant covers.

What I’m saying is I’m out of the loop and therefore any analysis I might be able to provide isn’t going to be that great because I’m literally lacking in information.

That all being said I also maintain what Stan the Man said once upon a time, every comic is someone’s first. That goes for issue #1s moreso than others!

So we come to this title.

Was it good.

From where I’m standing...no not really.

Okay so first of all the art is lovely, it really is. And the scene where George’s surprise party goes very wrong was really well paced out by the art, which sold the comedy very well!

As for other positives...um...the story remembered to address the fact that Gwen can’t just show up to Earth 616 and go to school there. The idea that Iron Man established a scholarship for extra terrestrial and extra terrestrial people fixes that problem...but it opens up a boatload of questions.

Is Gwen and fellow students from other dimensions like her stealing student places from people based in Earth 616?

Wouldn’t education standards vary wildly across dimensions? After all a lot of times when it comes to education it’s less how well you did as much as where you went (or sadly who you know). I mean I know people from my university, which was no slouch, who got great grades but were passed over for jobs by people with less impressive grades but from more prestigious universities. Is a grade from Oxford or Yale on Earth 616 worth as much on the job market as it is on Earth 65? It may well be that on Earth 65 (which we know has a different history to Earth 616 and isn’t necessarily a reflection of OUR real life world) ESU is regarded as a lesser school that’s easy to pass.

Wouldn’t the subject of allowing aliens and other dimensional people to attend schools on Earth 616 open up a HUGE political debate regarding immigration? Provided it was known to the government of course and it Tony was hiding it from them then isn’t that super unethical?

What about the potential for disease and illnesses that could be brought over from a dimension with a starkly different germ history to Earth 616?

Do Gwen’s fellow students get to know she’s a foreign student from another dimension?

Are such things REALLy so common place blasé in the 616 universe? Surely the norm is to acknowledge that aliens and such things exist but to suspend disbelief to allow life to go on as normal, but if people are just actually reacting realistically to something like this doesn’t that break down the verisimilitude of the Marvel universe?

If Gwen is attending school with the legal name of Gwen Stacy and LOOKS like Gwen Stacy wouldn’t that raise a shitton of problems for her because she looks JUST LIKE A DEAD WOMAN! I mean Gwen’s clone at least changed her name. Is ESU really not going to have records of that time one of their students was murdered on a bridge? Gwen’s death was public knowledge the Green Goblin boasted about it on TV and Ben Urich wrote a book on it!

All of which is academic because even if Gwen earns a college education on Earth 616...how is that going to help her in the long run?

Think about it, she might be taught skills and stuff that she could then use in any jobs she adopts. But having skills is sadly only half the battle when it comes to getting a job. Of equal or possibly greater value is having the PROOF you have those skills. Someone can be a brilliant self-taught nuclear engineer. But if they’ve not got a college diploma to prove it they aren’t getting a job.

How is a diploma from Earth 616 going to mean anything besides a piece of paper on Earth 65. There wouldn’t be any records proving she attended ESU and even if Gwen tells them that she earned the degree in another universe they’d only have her word for it, faking a piece of paper saying you graduated is easy! Even if they did believe her no one in authority on Earth 65 has the power to verify how legit or qualified Earth 616’s ESU is. It could be an online course for all they know. Not to mention do the residents of Earth 65 even know that travel between parallel universes is even a thing?

I’m sure a lot of 616 citizens are probably vaguely aware of that but on Earth 65 that isn’t necessarily the case because they’ve not had a long history of Skrull invasions!

It’s all just so contrived to just have Gwen situated in Earth 616 because that would boost her sales in theory.

Creatively it causes problems too.

Let’s put aside how it means subplots and supporting characters are going to have to be divided between two universes where their collision will be difficult if not impossible.

Let’s even put aside how being a public figure in Earth 65 whilst she spends a huge chunk of her time in another universe entirely puts Gwen’s Dad (who’s human and at risk from heart attacks) at HUGE risk!

What is really gained creatively from having Gwen on Earth 616 where she can interact with like 616 Peter, 616 MJ, 616 Miles?

Fanservice. Sure. I mean that’s why I’m reading this.

But creatively speaking it is just...impoverishing for everyone.

Let’s first look at this from the POV of the 616 residents.

Miles gets to potentially date Gwen more easily now. This is a bad thing. Miles is already too similar to Peter and whilst this dynamic might work in the animated movies (which are themselves an AU to the comics) in an ongoing Miles story having him literally dating a version of Spider-Man’s girlfriend is reductive. Not to mention it might be a bad idea to have him date a fellow super in general, it undermines his normalcy and relative normalcy is important to Spider-Heroes. In this case it wouldn’t even be dating a hero, it’d be dating a hero from another universe!

For Mary Jane it also undermines her normalcy too as well as undermining the weight of Gwen’s death in her life because a version of Gwen, is alive and well and capable of regularly interacting with her.

The same holds true but a thousand times more for Peter. Unless you quarantine off this series as ‘Spider-Gwen continuity’ any time Peter feels mournful over Gwen now is going to feel rather hollow because you know he is regularly chatty with Spider-Gwen and literally helped her get into the same school as him!

That’s another bad thing about the comic by the way. Isn’t being on record as helping an other dimensional version of his dead girlfriend going to seriously put the spotlight on Peter in a big way? Does he even have the clout to help her get into ESU given how he’s only recently returned there himself? And what was with the dialogue implying he works there? When did that happen? He attends school there but he’s not got a job there last I checked??????????????

Also...isn’t Peter like seriously waaaaaaaaaaaaaaaaay too chill about Gwen? Remember how in the 1970s Clone Saga (the story this comic actively references) he was seriously shaken up when Gwen’s clone appeared? Remember when he had varying degrees of similar reactions EVERY time one of Gwen’s clones showed up, including when Spider-Gwen was impersonating one of Gwen’s clones in Clone Conspiracy?

Now he’s face to face with a living breathing version of Gwen Stacy who is arguably more real than any of those clones and he’s all smiles and meh. He doesn’t even think about it in the other titles! Like dude if Spider-Man came face to face with a living Gwen Stacy that would dwell on his mind somewhat!

Now let’s consider this from Gwen’s POV.

What does she gain from interacting on Earth 616?

Well she gets to be comparatively more normal than on her own Earth where she is a celebrity. Okay cool...couldn’t you just get to the same ends by mindwiping her identity from people on Earth 65? I mean we already did this with Peter Parker why is the integrity of Spider-Gwen’s narrative more precious?

She gets to interact with Earth 616 Jackal...which is really more interesting from the Jackal’s POV because does she even know who the hell Miles Warren is? It doesn’t seem like it based on this issue. I mean that’s why I’m reading this arc right now. Because seeing Miles Warren react to a living Gwen Stacy is an interesting idea to me. But why move the main character in this direction to do something interesting with a villain. Not even one of her own villains either, another character’s villain. Oh but Earth 65 Jackal is also doing stuff. Why is he even evil in her universe she’s not dead? Was he in love with Peter in her universe?

This basically applies to every villain and supporting character Gwen could bump into on Earth 616. Norman, Harry, Jameson, Curt Connors, Jill Stacy, etc.

The most interesting characters she could interact with from her POV are Peter and Mary Jane. But with Mary Jane you have to think the mileage doesn’t go much further than “Wow you are much nicer than my Earth’s Em Jay (who’s name has apparently changed now) who’s a total diva b-word!”.

And with Peter...well this issue already basically dispelled the drama from that. She regards him as a older friend but not a peer, not her Peter and someone she can chat to and fight crime with sometimes. That’s it really. There was more emotion and drama derived from that Conway backup story where she met the Goblin Peter back in Spider-Verse.

Meanwhile her own supporting cast and villains are very much left in the lurch. I mean the Man-Wolf is getting released on her Earth and I’m just like ‘so what she’s not even there right now!”

And like Peter and Miles this torpedoes the idea of Gwen being relatively normal. Juggling normal life problems with superhero problems flies out of the window when you are commuting between dimensions, one of which you are famously dead and the other of which you are just famous.

What else is there to talk about.

So Gwen’s costume is apparently composed of spiders but is also a symbiote...um...weird. in fairness maybe that’s addressed in older issues.

What’s weirder was the random giant rat...what was that even about?????????????

The only other positive I have to say about this issue was that at least it wasn’t as pretentious and not as obnoxiously zany as Latour’s run.

Finally...what was up with that opening page saying Gwen got her powers a few months ago??????

You telling me Gwen got her powers in high school, became famous as Spider-Gwen, Peter got crazy and turned himself into a lizard before dying, Gwen changed her world view, a campaign to capture her happened, she went to college, THEN Spider-Verse happened, THEN everything in volume 1 happened, THEN everything in Secret Wars happened, THEN everything in volume 2, Clone Conspiracy and Web Warriors happened (including the Spider Women crossover), then everything in volume 3 including Spider-Geddon happened and all this shit happened...in under a year?

What the fuck was everyone on speed or something that’s ridiculous!

I’m gonna pick up the next few issues but if they’re more of the same I hope the Jackal story wraps up sooner rather than later.

#Ghost-Spider #Spider-Gwen #Gwen Stacy #Spider-Man #Peter Parker #George Stacy #Captain Stacy #Spider-Verse #Spider-Geddon #Em Jay #the jackal #jackal #Miles Warren #Mary Jane Watson #Mary Jane Watson Parker #mj watson #mjwatsonedit

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schraubd · 5 years ago

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The Good Place: Final Thoughts

*MAJOR SPOILERS*

At the conclusion of season three, I registered my prediction of how The Good Place would end:

The abolition of the afterlife in its entirety (no more good or bad places); a re-emphasis on doing as best you can when it matters (i.e., during one's actual life); the core quartet is sent back to Earth to live out the rest of their natural lives as friends.

I would say that, like most religions, I got about 5% right. The afterlife, as we knew it, is abolished. And the series does end with all of the human characters passing on. But in between, The Good Place takes a much more audacious swing: a genuine attempt to reform the afterlife. And -- and I think this is perhaps even more profound -- an essential acknowledgment that this attempt fell short. A perfect paradise was not created, and in fact the final conclusion of The Good Place seems to be that such a paradise is impossible even in concept. After all, cut away the underbrush and the heroes' solution to the problem afflicting The Good Place was to offer the choice of suicide. And while the penultimate episode suggests that perhaps just having the option will suffice to stave off the ennui of eternal bliss, the finale refuses to accept that out. Every human character, eventually, kills themselves. Their happy ending is that they are content to die. The best possible paradise is one where people can and do eventually choose to erase themselves from existence. Skip over the beatific forest setting and the stipulation of emotional contentment, and that's a rather melancholic, if not outright grim, conclusion. It's easy to draw a parallel between the last episode and the need for fans to accept the voluntarily-chosen end of a great show like The Good Place (it's even easier to draw it to the need to accept our own mortality). But another recurrent theme in The Good Place is the failure of systems. Over and over again, the systems the characters find themselves in are revealed to be either malfunctioning or outright designed to immiserate them. From the very beginning, Eleanor and Chidi confront the brutal harshness of the points system, which results in nearly all people being horrifically tortured for eternity (incidentally, that Chidi isn't immediately repelled by -- and suspicious of -- this set-up is a rare miscue in terms of characterization, if not plotting). They resolve to try and improve Eleanor, only to find out that they're actually in a perpetual torture chamber which will literally reset every time they come close to escaping it. At this point, the series becomes a repeated effort to find ever-higher levers in the celestial bureaucracy that can be appealed to. They find a judge, who is at best indifferent to their predicament and not particularly interested in helping them. Upon returning to earth, they discover first that they can't ever improve enough to enter The Good Place (because -- knowing the stakes -- their motivations are corrupt) and then that nobody can successfully enter The Good Place because existence has become too interwoven and morally interdependent for anyone to satisfy the standard of admission. They meet the actual Good Place committee, who are worse than useless and content to let everyone suffer forever because taking any concrete action risks violating some procedural norm. And when they finally enter The Good Place, they discover it's as dysfunctional as everywhere else -- gradually sucking the life out of its residents who, given eternity, eventually tire of everything. All the systems fail. All of them are doomed to fail. They can't not. Hence, the suicide gate (and sidenote: If The Good Place ever has a spin-off series -- and lord knows it shouldn't -- it should definitely involve exploring the first murder in the Good Place when someone gets involuntarily shoved through that archway). By the time it reaches its conclusion, The Good Place is one of the few depictions of the afterlife to take the concept of eternity seriously. Some other venues glance in this direction. Agent Smith in The Matrix tells Neo that humans reject a simulation of paradise -- the implication is because we're diseased, but perhaps also indicating that perfect, eternal happiness ... isn't. Maya Rudolph's other afterlife vehicle, Forever, certainly touches on this theme. The Order of the Stick has an afterlife where people can eat all the food and have all the sex and otherwise satisfy all the "messed-up urges you people have leftover after having your soul stuck in a glorified sausage all your life". But this is only the "first tier" of heaven: once you're bored, you can "climb the mountain" to search for a higher level of spiritual satisfaction. And while what this entails is left vague, it is not death -- those who ascend can, if they wish, descend back down to the lowlier pleasures (OOTS also introduces the very neat concept of "Postmortum Time Disassociation Disorder"). But the story which provides perhaps the most powerful foil to The Good Place's view of eternity and immortality is (and of the approximately 143,000 Good Place retrospectives being written right now, I bet I'm the only one to make this comparison) Harry Potter and the Methods of Rationality. The ultimate adversary in HPMOR is not Snape, or Malfoy, or Voldemort. It is death, and Harry is committed to the "absolute rejection of death as the natural order." The message on the Potters' gravestone is, after all, "The last enemy that shall be destroyed is death" (and it's a sign of my cloistered Jewish upbringing that I thought this was a Rowling original -- it is in fact a quote from I Corinthians). Harry Potter wants people to live forever. And the story anticipates the objection, placed in the mouth of Dumbledore, "What would you do with eternity, Harry?"

Harry took a deep breath. "Meet all the interesting people in the world, read all the good books and then write something even better, celebrate my first grandchild's tenth birthday party on the Moon, celebrate my first great-great-great grandchild's hundredth birthday party around the Rings of Saturn, learn the deepest and final rules of Nature, understand the nature of consciousness, find out why anything exists in the first place, visit other stars, discover aliens, create aliens, rendezvous with everyone for a party on the other side of the Milky Way once we've explored the whole thing, meet up with everyone else who was born on Old Earth to watch the Sun finally go out, and I used to worry about finding a way to escape this universe before it ran out of negentropy but I'm a lot more hopeful now that I've discovered the so-called laws of physics are just optional guidelines."

The last few episodes of The Good Place are, in a sense, a calling of this bluff. Even if you play out the string all the way to extinguishment of the sun or the heat death of the universe -- well, forever is a long time. It can wait. Harry argues that the only reason we accept death is because we're used to it, and if you took someone who lived in a world where there was no death and asked them if they'd prefer to live in a universe where eventually people ceased to exist, they'd look at you like you're crazy. The Good Place provocatively argues the precise opposite -- that if death didn't exist, people would have to invent it. Or they would go crazy, with infinite time on their hands. And so we are, perhaps, back to where we started. The paradise the heroes create is certainly better than that which they replaced. But it still is deeply, tragically flawed -- and The Good Place seems to believe that these flaws are fundamentally inescapable. The suicide option is the clearest manifestation of how cracked paradise must be, but there is another issue that the show alludes to: paradise depends on other people, and on their choices. Way back in the first season, "Real Eleanor" raises this precise point: if her soulmate doesn't love her, "this will never truly be my Good Place." Sure it's actually a contrivance to torture Chidi, but it's easy to imagine it as real. What if your paradise is to live blissfully with a certain special someone and ... that person doesn't love you back? Both Simone and Tahani seem okay with Chidi and Jason respectively choosing someone other than them (Eleanor and Janet). But that's in harmony with the audience's happy ending. It's not hard to imagine a different world where they were less sanguine about it. Or take a far more direct problem: If paradise comes with a suicide option, what happens if your loved one takes it? Harry's excited declaration of all the things he'd do with infinite time is not fundamentally, the reason why he desires immortality. When push comes to shove, he's motivated by a far more basic yearning: to make it so "people won't have to say goodbye any more." Eleanor's utter panic at the thought of losing Chidi forever was, for me at least, the most visceral emotional gut-punch of the entire series -- even more than the finale of season three (at least there, we could be reasonably assured their separation was temporary). She eventually comes to terms with it. But sit on it a little more: imagine a "paradise" where your soulmate has left you forever. People fantasize about heaven to be reunited with their loved ones, yet we end up looping right back into eternal separation. What kind of paradise is this, where people still have to say goodbye? So we have two problems that seem to threaten even the conceptual coherency of a paradise:

First, if paradise is forever, eventually everything will become tired. That suicide is presented as a good solution to this problem shows just how serious it is (and, for what it's worth, I'm not sure the suicide "option" would necessarily bring relief. It could easily generate crippling anxiety -- a sense of trappedness between the irrevocable permanence of death and the unbearable ennui of existence).

Second, if paradise depends on the choices other people make, how can we be sure they'll make choices compatible with your happy ending?

The Good Place presents the first problem as unavoidable and skates past the second entirely. But could they be overcome? Maybe. In the penultimate episode of The Good Place, one solution proposed to the problem of eternal ennui is to reset people's memories, so the things that bored them become fresh again. This is swiftly rejected as a repetition of how the quartet was tortured in The Bad Place. Too swiftly, in my view. Neighborhoods were also used to torture -- should those be jettisoned too? The problem with eternity is that eventually, everything gets repetitive. Go-Kart Racing against monkeys may be a blast the first time, but it loses its luster after a million reiterations. The wistfulness comes from wishing one could go back to that initial burst of discovery and experience -- before one had the memory of doing it all over again. This was my immediate solution to the ennui problem -- not that some demon should periodically reset you, but that you should be able to choose when, where, and how to reset yourself. It's not just about going back in time. It's reoccupying any memory state you've ever possessed. Go back to before you ever raced against monkeys -- then zoom forward to when you've already experienced all the monkey-races you could handle. It's like a load/save system for your mind. Hell, you can even adjust the "difficulty" level. It's true that, for many, a "paradise" where one simply automatically gets whatever one wants will feel unsatisfying. But one needn't set the parameters of paradise to guarantee success. It can be as hard or easy as one wants; people can be as pliant or obstinate as one likes (not for nothing is one of the afterlife attractions in OOTS -- a fantasy roleplaying-based setting -- "The Dungeon of Monsters That Are Just Strong Enough to Really Challenge You"). Or dream bigger. If one has infinite ability to reverse and remake memory as one wishes, then one could at any point adapt any set of memories one ever could have had. Don't just live a different life, remember a different life. Then jump forward and remember all the different lives you lived -- each of which (when you lived them) you had erased the memories of all the others. Every single possible timeline is lived -- and can be relived in all its glory, as many times as one wants. For me, at least, this dissolves the problem of others' choices as well. If anyone can make not just any possible choice, but live through any possible timeline, what does it mean to ask which one is "real"? If your paradise involves loving and being loved by a particular someone, will in your paradise, the person you need to love you, loves you, and stays with you as long as you need. In their paradise, they might love someone else. You enjoy a timeline where people choose exactly the choices that would make you most happy; they live in a timeline which is the same for them. Of course, the sorts of philosophical questions that would raise (among others: What does it mean for the "same" person to simultaneously exist across multiple timelines? Who, exactly, is "choosing" which version they occupy? And if the one that does choose doesn't choose a timeline that involves them loving you back, is the version that does love you really "them"?) are even more esoteric and less accessible to a network audience than the moral philosophy questions The Good Place did try to introduce. So I don't blame them for skipping by it.

* * *

The last enemy to be defeated may not, after all, be death. It may be time. Time ruins all things. Eventually you run out of it. And even if you never ran out of it -- you had infinite time -- it would defeat you in a different way: via boredom, repetition, and ennui. We can, perhaps, imagine a world where we vanquish death. But can we imagine one where (forgot about possibility, and just think conceptually) we defeat time? I can. Barely, but I can. Of course, it's in many ways a moot point, since I'm profoundly skeptical that humanity ever will master time in this way -- or even if it's practically possible (that it won't happen in my lifetime is actually less material, given that if it ever did happen we'd probably be at Omega Point anyway). But at least it holds out the possibility of an actual happy ending -- where the last enemy is truly vanquished, and nobody has to say goodbye. via The Debate Link https://ift.tt/2GK19Yo

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surveys-at-your-service · 5 years ago

Text

Survey #258

“as above, so below, what you reap is what you sow. what you give comes back threefold, as above, so below.”

Who was your favorite cartoon character when you were a kid? Pikachu! Have you ever asked a guy out on a date? No. Who do you consider your best friend in your workplace? N/A Do you have to have your bed or anything else in your room a specific way before you go to sleep? I think I almost always have to be facing the left, but I can't really say with total certainty considering you don't really like... *realize* when you fall asleep. Have you changed your mind about anything lately? I've been on the fence about things. What do you dream about most? What is the general tone or mood of your dreams? They're either uncomfortable, melancholic run-ins with Jason or horrible nightmares about being attacked in some way and being incapable of fighting back. Do you mind going grocery shopping or is it something you enjoy? Does ANYBODY enjoy it?? If you could have a physical feature like wings, horns, a tail, ect., what would you have? GIVE ME RAM HORNS. What is something you wish more people understood about who you are as a person? A lot of my struggling goes on in my head. Like I think I'm relatively open about when I'm having a hard time, but it's come to my attention recently that there's a lot of battles people don't see and leads to the belief I give up easily. Have you ever gone through a time when you had no friends? How did you deal with it? No friends I ever hung out with or anything, yes. I just had to start reaching out and opening up a bit more, and that's when Colleen came in. What is your favorite food to have as a snack? It depends on what flavor I'm craving. Usually though, something sour and gummy. What time do you usually eat dinner? That can vary from as early as 5:30 to as late as like, 8:00. When was the last time you felt extremely happy? Like about a week ago, the second night Mom slept on the pull-out bed a family friend got us versus that damn couch she's slept on for years. Her doing it a second time was like, verification that she was more comfortable and would keep doing it, which she has. Has any food ever made you sick to the point where you’d be afraid to try it again? No, thankfully. What is something you wish you had the opportunity to do more often? Get out of the house. Do you have any interests or hobbies you thought you would outgrow, but haven’t? I wasn't sure if I would ever "outgrow" RP. Apparently I won't. Is there an outfit that you wear much more frequently than any other? There are a few shirts, yeah. How old is your television? We got it when my parents were still together, so it's old. Do you have a laptop or desktop? A laptop. Do you own any television series box sets? Just Meerkat Manor. Have you ever been in a fight with your best friend? Yeah. Was the last movie you watched a horror film? No. Where is your favorite place to go when you’re depressed? On a car ride where I can blast my music. In high school, were you in trouble a lot? No. I only ever got in trouble for too many tardies in the morning. Do you enjoy your hairstyle? Yeah. Do you have weak upper body strength? Yikes yes. Do you think hugs are awkward? Not if they're friends or similar. People I don't like and/or know well but am expected to hug anyway, yes, it's uncomfortable. Story of my life with my sister's in-laws. Do you think facial hair is gross? ... No...? I mean sure, if it's not groomed it can be, but it's very natural and normal? Would you ever dye your hair an unnatural color? UGH I want to. My hair has such a hard time holding color... Has anyone ever been weirdly obsessed with you? No. What is your favorite band of all time? Ozzy Osbourne. Always. Would you consider getting a tattoo any time soon? Literally ASAP. I was supposed to get my Mark one tidied up big big time for my birthday by a really professional artist with both holiday and birthday money, but Mom literally had to use it to keep this house and the car. It was admittedly frustrating, but I could tell she was far from happy about it and I can't *rightfully* be pissy about it. Then the cancer came along and threw a massive wrench in the plan, so now idk when that's happening now. What movie did you last watch with someone? I THINK it was the live action The Lion King with Dad. It's been a long time. Are you afraid of airplane rides? Not very actively, no. I acknowledge the risk, but it's not something I deeply worry about. If you’re reading a book, what page are you currently on? Don't have a book to read currently; I just finished the second Wings of Fire book, now I'm moving onto The Testaments by Margaret Atwood when we can order it over Amazon. Do you have a job you like? I don't have a job period. Have you ever lived with a roommate before? Yeah. How many scarves do you own, if any at all? Maybe one? If even that. Did you tell your last girlfriend/boyfriend that you love them? Yeah. What was the last thing your parents got mad at you for? Idk about Dad, but Mom... probably something I said? But I'm not sure. Do your pets have favorites? I'm the only one who handles Venus, and I'm Roman's favorite. How many people could sleep comfortably in the room you’re in? Just two if we share the bed. Would you like to have a treadmill in your house? I DESPERATELY want one. My legs are getting bad again now that I haven't physically been in school for what, a month? What’s the longest you’ve ever liked someone without telling them? Well, that would be Girt, but I went on-and-off with like-liking him for years... Since freshman year, really. It's hard to say because of my mind constantly changing. When is the last time you were on a swingset? Wow, no clue. At sleepovers, do you usually sleep on a bed, couch or floor? I haven't had one of those in too long of a time to really tell you. It would depend on the relationship, too. What’s the sweetest thing a gf/bf can do to get you to forgive them? Changed behavior. How hot does the temperature get in the summer where you live? High 90s/lower 100s. Was the last hoodie you wore too big for you? No. Did it belong to someone else? No. Have you ever taken Ambien to fall asleep? I was given it at the hospital, but it never did much for me. Did your last ex try to get back together with you after the break-up? No. Do you know someone who has 6 or more siblings? Possibly, but I don't think so. Do you rent movies frequently? Nope. What is your favorite thing to do outside? Take pictures. Will we ultimately end up destroying our own race? Yup. How do you think the world will end? Human life, climate change. Earth itself, probably like a meteor or black hole or something. I believe the universe itself will always exist. An alien ship lands at your house, and they want you. Do you go with them? Errrr no. If I even had the option. What’s your favorite meal to cook? I don't cook. Homework: Do you actually READ the chapters, or just skim through them? I read. I'd be too nervous about missing vital info to skim. If you were in a horror flick, would you be one of the first ones to die? Probably, but it depends on the predicament, I guess? What movie has been taken WAY too far, as far as sequels go? I don't know. I'm not a film buff. Do you refuse to eat certain foods because of what they look like? Yep. Green olives, for example, look so fuckin gross to me. Would you ever become a fan of a team you hate to please your spouse? No? Can you handle scary movies? I love scary movies. I enjoy the adrenaline of 'em. How often do you get a new purse…and for guys a new wallet? Not often at all. What is the most money that you have ever spent on getting your nails done? Never done that. Do you have a fake I.D.? Nope. Would you date someone 5 years older than you? Yeah. Have you ever been fingered? Yes. What is your favorite horror movie? Hmmm. I've got a bias towards Silent Hill, of course, but I also really enjoy both The Blair Witch Project movies, as well as The Crazies. Has a little kid ever fallen asleep on your lap before? Yeah. What’s your favorite kind of float? (coke, root beer) I can't remember the last time I had one of those. If you heard your best friend’s significant other was cheating on them, would you tell them? Even if you couldn’t prove it? UM yes. I mean it kinda depends on who told me this, like it could be total bullshit, but, they'd deserve to know that there was a possibility. If you discovered you were pregnant at this point in time, would you keep it or abort it? Why? If I got pregnant now, it'd have to be a case of rape, in which case I would probably abort, considering I'd be fucking traumatized worse than I already was. What is the last thing you googled? Uhhh shit. I think the definition for a word to ensure I was using it correctly? Have you ever jumped off a high dive into a pool? Nooo. I always wanted to as a kid, but I was ultimately too scared. Do you like hot, cold, or lukewarm showers? Hot, usually. Do you plan on having both your parents at your wedding? Yes. Where did your mother and father meet for the first time? I think work. Have you ever stayed in a cheap motel? No. I'm too much of a germaphobe for that. Have you been to Mount Rushmore? No. Do you sleep with the door open, kinda open, or completely closed? Open or kinda open, depending on if the cat moves it or not. How old were you when you got chicken pox? Never got it. What’s your sexual orientation? Bisexual. Do you have full or thinner lips? Uh idk, they look pretty normal to me. Which of the Pirates of the Caribbean's was your favorite? Never watched 'em. Do you press the delete key or the backspace key to get rid of a mistake? Backspace. How far do you live from your parents? I live with one. How many family photos do you have in your home? Like, on display/the walls? A pretty decent amount. Are you happy with how much money you make? I make none, so like... guess. Are you the type of person that will parallel park? Fuck that. To you, what is “the best thing since sliced bread”? Probably the Internet. Do you read and believe your horoscope? No. Do you have rules for naming your future children? I'm not having kids, but if I was to, no. Which actor, in your opinion, played the best Batman? I haven't seen them all. Have you ever TURNED DOWN an invite to a wedding? Why? No. Do you believe people should get married in a church? lol get married wherever the fuck you want. Name a movie everyone else thought was funny, but you couldn’t stand: *shrugs* Does the mall you go to have an arcade? Do you go in there? No. What is your favorite Little Debbie snack? This is ACTUALLY impossible. Don't ask me this question lmao. Got any interesting wigs? I don't have any wigs. What Mario game was your least favorite, and why? I've literally only ever played Mario Kart. I'm not that interested in the games. Have you ever been snowed in? Not to where like, we couldn't go outside. Does playing games in 2-D bother you because you now play mostly 3-D games? Oh no. Graphics absolutely do not make a game. Sure, they're more desirable considering it greatly improves immersion, but still. Sometimes 2D fits the "vibe" of the game. Tell the weirdest name of a town/city you’ve ever heard: Conetoe. You're pronouncing it wrong. Do you know anyone who DOESN’T have a cell phone? I don't think so. Do you like pineapple? Oh yeah. Do you get a flu jab each year? No, but I should start. Did you ever dream about being an animal? Maybe? Idk. What's your favourite colour on a dog? Orange/red. Do you have an electric or gas cooker? Gas. What do you like to drink at a restaurant? I usually get a soda. If we're at some fancy place for once, I'll usually get some light, fruity alcohol. What was the last book you read that also is a film? I don't have a clue. Have you always known what you've wanted to do with your life, career-wise? It's changed many, many times now. Would you stay at a haunted hotel? Hell yeah. What is the best HAND-MADE present you've ever received? It was this long, extremely sweet letter my mom wrote for my b-day two years back. It meant a lot to me. Have you ever gotten pizza delivered to your house that you didn't order? I don't believe so. Do you follow a 5-second rule after dropping food on the floor? NOOOOOOOOO sir. Did you take Flintstone vitamins or any others as a child? EW, no. We were lucky enough to have fruity chewy ones, not chalky crap. What types of things do you think the government is hiding from us? Oh my fucking god, a universe of information. Aliens probably being one of the least scary things. How do you like your soda: I think it tastes best cold from a can. Have you learned anything valuable today? No. What's your favorite kind of Doritos? Cool Ranch. Do your parents have MySpace pages? Mom has a Facebook. Be honest...ever peed in the pool? Noooo. When I was a kid, you went behind the pool and handled that. Have you ever pulled a fire alarm? Nope. Have you had your tonsils removed? No. Isn't Chef Boyardee awesome? Not a fan. What reality show has been taken WAY too far? I don't watch enough TV for this. Must you grab a souvenir from almost everywhere you go? Nah, not always. Did you enjoy making things out of Play-Doh as a child? I did. What do you put on hot dogs? Mustard and ketchup. Can you swim? Yeah. Hot dogs or cheeseburgers? Cheeseburgers. Your favorite hobby? Taking pictures, particularly of animals. Do you wear glasses? Yes. Do you have a phobia? Plenty. Can you drive a stick? Never tried. How many TVs are in your house? Two. Do you like to sing? Not very long. Favorite car? Idc. Is there anything (out of the obvious) that makes you feel really ill? Perhaps, but I'm not certain. Maybe some smell. WELL WAIT, gasoline can give me a real headache, but I don't feel like, REALLY sick. Do you know both of your biological parents? Which one do you prefer? Yes, and I don't want to choose between them. When was the last time you wrote so much your finger ached? My final exam for Writing last semester. What is something you think about yourself that nobody agrees with? Quite honestly, I wouldn't put extreme emphasis on my loyalty, but only because if you prove to me that you're undeserving of my friendship, trust, or anything like that, peace. I'm out. Family, friend, whatever; I don't care. Yet most people who know me have pointed out I'm extremely loyal, but really in all cases I can think of, I remained loyal because the person was worthy of it. What about something people think of you that you don’t agree with? This depends on the person and situation of course, but mostly, that I put on a damn good front of not being a socially anxious mess. Teachers and friends have pointed that out quite a bit, but I could NOT disagree more. I think I do awfully. What design is on your calendar this year? I don't have a current one. What is your favorite type of video game? Horror. What’s the weather like where you live? (All year round, not today) The baseline is IT'S HOT. Even our winters are - usually - very mild. Summer usually soaks the shit out of us; afternoon storms are literally an almost daily occurrence, so as you can imagine, the humidity could kill a man. The weather in general is very unpredictable year-round. When was the last time you climbed a tree? I've never actually properly done so. I grew up with almost exclusively pine trees, which only have branches much too high to climb.

#survey #quiz #questions

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