#more and more rambles from me

[thor-is-trans-and-pan-he-told-me]

time for me to ramble even more

Time for my annual rambling session.I have so many ideas for this au that I feel the need to share them.Alright here we go.

Goldi & Death become...friends?-Goldi and Death are two people that many would never have expected to become friends.Death is cold,persistent and serious.And isn't too bright on social cues or understanding others yet excels in certain academic subjects. Goldi is fierce and determined who wants to be "just right".

Her grades aren't the best but is surprisingly popular with the other student to the point where she became friends with Death's sister Aurora aka Vida and Kitty Softpaws,the most popular girls in the school.But it's through a personal and meaningful chat with each other that they realize they're not that different from each other.A friendship is born from there.

Death meets the three diablos-One day for a study session with Puss,our lovely tall wolf gentleman meets the three younger siblings of Puss in boots:The three diablos,Perla the leader and the heart of the group,Gonzalo,the troublemaker of the group and the mini version of Puss,and Sir Timoteo Montenegro III,the yesman of the group and is easily distracted.

The interaction goes like this:

Perla:Who's your friend,Puss?

Puss:He's my um,acquaintance.

Gonazalo:What does that mean?

Perla:It means friend,you dummy.

Gonzalo:I'm not a dummy!

Perla:Yes,you are not!

Gonzalo:No,I'm not!*insert angry kitten fighting.Timmy is dragged into the fight.Puss questions his sanity while Death looks on in amusement.

Goldi may or may not have a crush on the new girl-Recently a girl by the name of 'Red' transferred to the school.Standing at the height of 6'2,with dark skin and curly hair,a red cloak,with black lipstick and pretty amber eyes,Red is certainly an interesting one.Goldi first met her in chemistry before class started and the two quickly got off on a good start.As the two got to know eachother even more,Goldi may or may not be developing a crush on this very pretty and very tall girl.

Kitty and Vida are definitely not trying to get them together,first Puss and Death and now Goldi and Red! Welp,then let's get these two gay disasters get together with their respective closeted bi/pan diasters.

Thank you for coming to my annual Ted Talk rambling.I will see you next time

[pollyanna-nana]

So. It’s no secret that the dunmeshi manga gradually changed art style as it went on (thereby twinkifying a few characters…) but I like to think that, in Thistle’s case specifically, it was also a change in perception by the party. I mean…

Early in the story, when all they knew about him was that he was the creepy, all-powerful mad sorcerer? Probably were much more intimidated by him. Same with the reader. BUT….

By the end? Oh, he’s just a little jester twink who writes poetry and can be picked up and slung around like a bag of potatoes. No way they could take him seriously anymore. Literally this meme but in reverse

Little guyification…

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[lucabyte]

On autonomy, and what it means to be Obliged to Help.

Bonus:

[melit0n]

Some cryptid photos of Vessel (+ ii) that I've collected over the past week. The fact that almost all of them look like they came out of trail cam footage is absolutely sending me

[bunnieswithknives]

(nature au) you said that while dale dislikes dev using a cane in the house he doesn’t really care too much, but what if dev used a cane in public? i can’t imagine dale would be okay with that at all. he’d be pissed, like confiscate the cane kind of pissed

Originally the gag here was just going to be Dev clinging onto his dads arm for dear life while he shivers like a chihuahua but he is just. So small.. I couldnt get it to look reasonable

Bonus:

[foldingfittedsheets]

Some years ago I was having lunch with my nana at a conveyor belt sushi restaurant. It’s important to know for the sake of this story that my nana is a little old Mexican lady who nevertheless mistrusts everyone except white people. We were having a nice time, chatting and eating.

Then midway through the meal she leaned in close and said, “Sometimes… do you think they reuse the rice to make rolls?”

I turned to her in surprise and said, “No, why would you think that?”

“Well,” she said, “You know… those people never like to waste anything.”

We stared at each other across the yawning chasm of her previous statement and finally I managed, “Nana, that’s racist.”

“It is?”

“Yes. It is. Not all Asian people behave the same, and assuming they do is racist. Just like not all Mexican people are the same.”

She looked down at her meal, nonplussed, and I realized that her actual fear of spoiled food hadn’t been addressed.

I sighed and added, “You know, restaurants all get inspected by health inspectors and have to maintain certain codes. And the health inspector is probably also racist, which means non white businesses have to be even more careful. So the rice will always be fresh.”

She brightened immediately. “That’s true!” She ate another roll, secure in the knowledge that racism would keep her food safe.

Then she said, “I could be a health inspector!” and I nearly choked.

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[flowercrowngods]

Steve startles awake, disoriented and filled with a slight bout of panic — as always when he takes a nap that turns into five hours of deep sleep and catapults him right into the next dimension for a while there.

Heart racing, he blinks his dark bedroom into existence, and it takes him a while to realise where he is and what woke him up.

And then the landline phone on his nightstand rings again, and he exhales deeply before reaching for it with clumsy, sluggish movements.

“‘Ello?”

“Steve,” comes Eddie’s sing-song voice from the other end, washing over Steve in a soothing way that leaves him falling back into the pillows. He clutches the phone to his ear as he closes his eyes, the smile already forming at how happy Eddie sounds. He rarely sings Steve’s name like that. He should do it more often.

“Hi there.” His voice sounds like shit. Like he just took a — Jesus Christ, has it really been four hours? Well. He sounds exactly like someone who took a four-hour nap after a shit day at work would sound like.

There’s fumbling on the other end, but it stops suddenly. “Did I wake you? Shit man, I thought it was past nap time.”

“I don’t have nap time,” Steve grumbles, actually pouting at Eddie’s words and realising only a second too late how ridiculous he sounds.

“Sure, man, whatever you say. We all know you’re actually just a life-sized toddler.”

Steve sputters, sitting up against his headboard as he gradually wakes up. “Hey! Also, I don’t think you actually understand what life-sized means.”

“Yes, I do.”

Steve shakes his head at this ridiculous, ridiculous man. “What exactly do you think a non-life-sized toddler looks like, Eduardissimo?”

“Like Dustin.”

The answer is so quick and deadpan, Steve cannot contain the laugh that bursts out of him, waking him up quicker and gentler than anything else in the world could have, and he revels in the sound of Eddie joining him. He must look so smug right now, and so damn proud of himself. Steve wants to see him. Wants to kiss that smile right from his lips and replace it with something a lot more genuine.

“You’re an asshole,” he says instead, pulling his blanket further around him as he lifts his knees to sit more comfortably.

Eddie hums, still teasing somehow with just that noise, and Steve just can’t stop smiling. “You like me so much, Harrington.”

“Hmm,” he mirrors Eddie’s hum, but even he can hear the smile on his face. “Jury’s still out on that one, actually.”

“Any tendencies yet on the verdict?”

“Nope, they can’t decide.”

Eddie snorts at that, and Steve has no idea how that can sound so sweet. But it does. He buries his smile in his knees for a bit, the blanket hot around his burning cheeks. He’s hopeless.

“Well, let me know as soon as they do, yeah?”

“Will do,” he laughs, ruining all his attempts to sound solemn. “So what’s up? Why’d you call?”

“Oh!” And suddenly it’s like a switch has been flipped and Eddie doesn’t sound teasing and smug anymore, but instead just fucking giddy! “I have a bed now!”

Steve smiles at it. At that voice, that tone, that infectious emotion. “Oh yeah?”

“Yeah!” More fumbling on the other end, and Steve can only imagine that Eddie is rolling around in his newly acquired bed.

Who’s the life-sized toddler now, hm?

“No more sleeping on the floor for this Munson boy, nuh-uh, my good sir! We are in possession of a bed now. A wooden bed, no fancy headboard or anything, just…”

“Just a bed,” Steve says, feeling like he’s about to burst into a million little particles of fondness and affection and the never-ending need to kiss Eddie. To hold him. To touch him in any way he can. “That’s great, Edsie.”

“It is, Stevesie.”

“Man, I hate you so much,” Steve squints at the ceiling and laughs, actually kicking his feet, the minute breeze providing a little relief for the heat in his face.

And Eddie has no business to sound so smug when he says, “Yeah, you do.”

A pause then, and it feels loaded even through the phone. Steve clutches it closer to his face, hoping stupidly that Eddie can feel it.

“You should come hate me in my new bed.”

Steve’s breath hitches, and his brain shuts off for a hot second there. Before he can overthink this, he decides to just… play along. And listen to what his heart has been telling him for months now.

“Oh yeah?” he asks, breathless still, but his whole body tingles with just these two words. With the possibility they bring. The offer that they are. The question. The everything that’s stored in them.

“Yeah,” Eddie says, and he sounds just as breathless. “I mean, if— If you want to?”

“I do.” Steve swallows. “Right, uh— Right now?”

“Whenever.” And it sounds more like an As soon as possible.

“Okay,” Steve breathes, scrambling out of bed as quickly as possible, pulling off his shirt with the phone still pressed to his ear, letting out an embarrassing noise as it gets tangled in a mess of cord and fabric. He scrambles to free it, almost dropping it in the process. “I’ll be there in thirty.”

“To come look at my new bed?”

“Sure.”

On the other end, Eddie laughs again, but he still sounds just as breathless as Steve does. Just as excited. As fragile. Just as many fucking things.

“Alright,” Eddie murmurs, though Steve can still hear the smile. “I’ll see you then.”

And then he hangs up before either of them can get lost in their own heads about this sudden certainty of change. Steve is grateful for the steady noise of the dial tone reminding him that this is happening. But that nothing has to happen.

It’s a nice bed, he finds hours later, fingers combing through Eddie’s hair who’s cuddling him half asleep. It’s the best fucking bed he’s ever seen, if only because it led to this.

🤍 permanent tag list gang: @skiddit @inklessletter @aringofsalt @hellion-child @stobin-cryptid @hotluncheddie @gutterflower77 @auroraplume @steddieonbigboy @n0-1-important @stevesjockstrap @brainvines @puppy-steve @izzy2210 @itsall-taken @mangoinacan13 @madigoround @pukner @i-amthepizzaman @swimmingbirdrunningrock @hammity-hammer @stevesbipanic @bitchysunflower @estrellami-1 (lmk if you want on or off)

[journey-to-the-attic]

one thing about ik is that she will always reach out

[littlefankingdom]

Simple observation I made from reading these comics. DC, stop making their dad an asshole and make him hug them more.

Also, the hugs in these comics:

Tim's hug is not in Red Robin but it's during the run and when Bruce comes back in time.

Cass' hug is weird because they're suicidal freaks who think fighting is therapy. They fought while being drugged, and blew up a brigde. It makes sense for them only.

Jason's first hug (Outlaws) is after he tries to apologize for his crimes and Bruce refuses to let him to do it, because his boy is innocent for him 🥺 (and then, they fucked it up with Ethiopia because they cannot let them have nice things 🙄). The second one (Red Hood & Arsenal) is started by Jason, who is just very happy to see that Bruce is alive, even if he has lost his memory.

[solarpunkani]

You know what, while I'm doing hot takes. And this one may be obvious considering I'm actively contributing to hosting the Solarpunk Aesthetic Week event but like.

Dear everyone who's constantly deriding the aesthetic portions of the solarpunk movement/genre; do you just not understand that being able to visualize the future you want is immensely important to being able to work towards it? Being able to get other people on board with it?

When I first got interested in Solarpunk, it wasn't for the hot leftist takes about the top ways to dismantle the government for the people, or top tips on how to build your own solar panel apparatuses. What brought me in? Visions of a hopeful future. I learned and began to love the rest as I dove deeper into solarpunk circles, but there is no denying that my first intro to it--and likely many people's first intro to it--was via the art and aesthetic spheres. The term 'solarpunk' was literally coined to refer to the aesthetic movement, and we've been building up from there ever since.

'When are people going to realize the aesthetic parts don't matter and what really matters is praxis--' dude, the aesthetic parts do matter. Inspiring people does matter. Showing people visions of a hopeful future is immensely important, it's why so many people join this movement. We see glimpses of what a hopeful future could look like, through beautiful art or riveting stories, we're inspired by things like stained glass and organic designs and statues and fashion concepts--and then we think to ourselves 'how can we help make this future happen?' And we learn the praxis and we work towards the goals and we share it with others because that's just how we work.

Seeing isn't always believing, but sometimes in order to believe in something with your whole heart, it helps to be able to visualize what you want. For yourself and for others.

So yes. The aesthetic parts of solarpunk do matter. Thank you for coming to my TEDTalk.

[bitegore]

Zionists want you to conflate Judaism and Zionism. Zionists want you to believe that Judaism cannot exist without Zionism and that all Jews are Zionists. Zionism would have Jews believe that a Jewish state is the only way that they can be safe from antisemitism and will point to any instance of antisemitism as proof that Zionism is the solution- so Zionism wants gentiles to be antisemitic in their support of Palestine. They want you to conflate all Jews with Zionism and the state of Israel, and they want you to treat all Jews regardless of political affiliation as the face of Israel. Antizionist Jews exist, and incidences of antisemitism ostensibly acting against Zionism will not help dismantle the forces propping Zionism up.

Don't do their work for them.

[purrfectlycontent]

till’s pupils reflecting red only when he’s looking directly at ivan

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[boygirlctommy]

i love the bit from oct 17 2020 when tommy and quackity trapped wilbur in a cobblestone box to keep him from pressing the button... wilbur punching through the blocks with his bare hand to try to get to the button... tommy frantically replacing the block in front of him yelling for quackity to do something... the moment when tommy stops, blocks the exit, and tells wilbur to do it. press the button. but then theyd die with him. quackitys like "wait, wait-" but tommy holds his ground and wilbur. ohh wilbur. "why'd you have to make it so hard?"