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#more so than a constructed power house
odinsblog · 1 year
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🗣️THIS IS WHAT INCLUSIVE, COMPASSIONATE DEMOCRACY LOOKS LIKE
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Minnesota Dems enacted a raft of laws to make the state a trans refuge, and ensure people receiving trans care here can't be reached by far-right governments in places like Florida and Texas. (link)
Minnesota Dems ensured that everyone, including undocumented immigrants, can get drivers' licenses. (link)
They made public college free for the majority of Minnesota families. (link)
Minnesota Dems dropped a billion dollars into a bevy of affordable housing programs, including by creating a new state housing voucher program. (link)
Minnesota Dems massively increased funding for the state's perpetually-underfunded public defenders, which lets more public defenders be hired and existing public defenders get a salary increase. (link)
Dems raised Minnesota education spending by 10%, or about 2.3 billion. (link)
Minnesota Dems created an energy standard for 100% carbon-free electricity by 2040. (link)
Minnesota already has some of the strongest election infrastructure (and highest voter participation) in the country, but the legislature just made it stronger, with automatic registration, preregistration for minors, and easier access to absentee ballots. (link)
Minnesota Dems expanded the publicly subsidized health insurance program to undocumented immigrants. This one's interesting because it's the sort of things Dems often balk at. The governor opposed it! The legislature rolled over him and passed it anyway. (link)
Minnesota Dems expanded background checks and enacted red-flag laws, passing gun safety measures that the GOP has thwarted for years. (link)
Minnesota Dems gave the state AG the power to block the huge healthcare mergers that have slowly gobbled up the state's medical system. (link)
Minnesota Dems restored voting rights to convicted felons as soon as they leave prison. (link)
Minnesota Dems made prison phone calls free. (link)
Minnesota Dems passed new wage protection rules for the construction industry, against industry resistance. (link)
Minnesota Dems created a new sales tax to fund bus and train lines, an enormous victory for the sustainability and quality of public transit. Transit be more pleasant to ride, more frequent, and have better shelters, along more lines. (link)
They passed strict new regulations on PFAS ("forever chemicals"). (link)
Minnesota Dems passed the largest bonding bill in state history! Funding improvements to parks, colleges, water infrastructure, bridges, etc. etc. etc. (link)
They're going to build a passenger train from the Twin Cities to Duluth. (link)
I can't even find a news story about it but there's tens of millions in funding for new BRT lines, too. (link)
A wonky-but-important change: Minnesota Dems indexed the state gas tax to inflation, effectively increasing the gas tax. (link)
They actually indexed a bunch of stuff to inflation, including the state's education funding formula, which helps ensure that school spending doesn't decline over time. (link)
Minnesota Dems made hourly school workers (e.g., bus drivers and paraprofessionals) eligible for unemployment during summer break, when they're not working or getting paid. (link)
Minnesota Dems passed a bunch of labor protections for teachers, including requiring school districts to negotiate class sizes as part of union contracts. (Yet another @SydneyJordanMN special here. (link)
Minnesota Dems created a state board to govern labor standards at nursing homes. (link)
Minnesota Dems created a Prescription Drug Affordability Board, which would set price caps for high-cost pharmaceuticals. (link)
Minnesota Dems created new worker protections for Amazon warehouse workers and refinery workers. (link)
Minnesota Dems passed a digital fair repair law, which requires electronics manufacturers to make tools and parts available so that consumers can repair their electronics rather than purchase new items. (link)
Minnesota Dems made Juneteenth a state holiday. (link)
Minnesota Dems banned conversion therapy. (link)
They spent nearly a billion dollars on a variety of environmental programs, from heat pumps to reforestation. (link)
Minnesota Dems expanded protections for pregnant and nursing workers - already in place for larger employers - to almost everyone in the state. (link)
Minnesota Dems created a new child tax credit that will cut child poverty by about a quarter. (link)
Minnesota Democrats dropped a quick $50 million into homelessness prevention programs. (link)
And because the small stuff didn't get lost in the big stuff, they passed a law to prevent catalytic converter thefts. (link)
Minnesota Dems increased child care assistance. (link)
Minnesota Dems banned "captive audience meetings," where employers force employees to watch anti-union presentations. (link)
No news story yet, but Minnesota Dems forced signal priority changes to Twin Cities transit. Right now the trains have to wait at intersections for cars, which, I can say from experience, is terrible. Soon that will change.
Minnesota Dems provided the largest increase to nursing home funding in state history. (link)
They also bumped up salaries for home health workers, to help address the shortage of in-home nurses. (link)
Minnesota Dems legalized drug paraphernalia, which allows social service providers to conduct needle exchanges and address substance abuse with reduced fear of incurring legal action. (link)
Minnesota Dems banned white supremacists and extremists from police forces, capped probation at 5 years for most crimes, improved clemency, and mostly banned no-knock warrants. (link)
Minnesota Dems also laid the groundwork for a public health insurance option. (link)
I’m happy for the people of Minnesota, but as a Floridian living under Ron DeSantis & hateful Republicans, I’m also very envious tbh. We know that democracy can work, and this is a shining example of what government could be like in the hands of legislators who actually care about helping people in need, and not pursuing the GOP’s “culture wars” and suppressing the votes of BIPOC, and inflicting maximum harm on those who aren’t cis/het, white, wealthy, Christian males. BRAVO MINNESOTA. This is how you do it! And the Minnesota Dems did it with a one seat majority, so no excuses. Forget about the next election and focus on doing as much good as you can, while you still can. 👏🏿👏🏿👏🏿👏🏿👏🏿👏🏿👏🏿
👉🏿 https://threadreaderapp.com/thread/1660846689450688514.html
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freelancearsonist · 1 month
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make a move on me
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➔ pre-outbreak!Joel Miller x reader - 5.5k
➔ You've been teasing Joel every day since he started remodeling construction on your house. He finally works up the courage to do something about it - but not in the way you expect him to.
➔ Rated MA for baby’s first anal fic protected p in a and anal fingering (r receiving), age gap (reader is early 20’s, joel is 36), m masturbation/pillowhumping, daddy kink, size kink, praise kink, gentle-turned-rough sex, pet names (baby, darling, honey, good girl, baby girl, little lady), slight degradation and condescension but only in a sexy way, one use of “slut”, pussy pronouns, one (1) pussy slap, gratuitous dickscription, heavy dom/sub dynamics i mean seriously these power dynamics are out of control, tommy is a little bit of a shit (affectionate) [pls let me know if i missed anything at all :)]
➔ This reader insert character: has female anatomy and uses feminine pronouns, no name/no use of y/n, is generally able-bodied, fits in joel’s shirt and is implied to be shorter/smaller than him, is on summer break from college but no major/year is mentioned.
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Joel had one rule for himself going into this job: be respectful. Keep his hands to himself and his mind on the job. Don’t fret over the pretty little thing who’s been draping herself all over the house ever since he started demo, practically begging to be fucked.
If he had any sense, he would pack his shit and drop the job–or, at the very least, tell your parents to put you on a leash. But there’s a little part of him that might be a glutton for punishment–that savors the teasing.
The most infuriating part of the whole thing is that he can’t blame you for this whole mess. He shouldn’t be so quick to temptation. You should be able to walk around your own home in whatever you want and not have to worry about the creepy contractor getting flustered every time he looks in your general direction.
But god, you make it hard–double entendre intended. You walk around like you haven’t a care in the world because you don’t; you’re home for summer break after a grueling year at college, and you intend to savor every languid second of it. Your preferred method of savoring just happens to be wearing tight little bikinis that barely hold anything in place as you lounge out by the pool in the Texas heat, or tight leggings that hug your ass so perfectly it almost makes him jealous of the material as you curl up with a book on your couch.
Joel’s a grown man. He can keep it in his pants, no matter how badly he wants you. But you’re not exactly making it easy on him.
Really, it’s Tommy’s fault when the levee breaks. If he could keep his big mouth shut, Joel might’ve been able to maintain the thin control he had over himself. But Tommy goes and makes an off-handed comment about you one night, and that’s the beginning of the downward spiral.
The brothers are both lounging on Joel’s couch after a particularly taxing day of demolition work, beers cradled in hands and the TV droning uselessly with some movie that they’re more staring at than actually watching. It’s late, yet weary muscles are melted so comfortably into the couch that neither of them try to move even after Sarah’s gone off to bed.
Tommy’s eyes flicker over to Joel, then back to the TV. “That girl’s gon’ be trouble for us, brother.”
There’s a question mark in the grunt Joel emits, leaning forward with interest because he knows Tommy’s talking about you without any specification.
Tommy hums in confirmation and takes a sip of his Corona. “She’s always wearin’ those skimpy little outfits a’hers, and she ain’t coy. Must catch that pretty little thing starin’ at your ass even more than I catch you starin’ at hers.”
Joel plays it off as best as he can until Tommy goes home for the night with a half-assed promise to actually be on time in the morning for once. Then he goes up to his room, locks the door, and wraps himself around the spare pillow that lays against his headboard.
He tries so desperately hard not to think about the plump round curve of your ass, or the enticing way you lick your lips, or those damned little bikinis you favor. He grinds his aching cock into the soft pillowcase and tries to think about anything that isn’t you.
But he comes with a muffled growl of your name anyway, face pushed deep into the pillow and hips jerking arrhythmically.
There’s not much he can do now besides clean himself up and try not to think about how thoroughly fucked he is.
The next day is torture because he can feel your gaze lingering. He catches you checking him out on more than one occasion, and you’re brazen about it now. You can tell something has shifted, so you shift with it. Where you once would’ve flushed with heat and hurried away to your room, you now meet his heated eye contact and hold it.
Joel’s jaw hurts that night from the way it’s been hard-set and clenched all day long. He rubs over his sore temporomandibular joints with his long, thick fingers and wills himself to siphon you out from beneath his skin.
It doesn’t work.
The work helps. Laying tile is something he normally considers tedious, but it’s a welcome reprieve in your home because he can get down on his hands and knees and focus on something that isn’t you.
You see the labor he’s going through, and you appreciate it. And really, what kind of host would you be if you didn’t reward his efforts?
It starts with a pitcher of iced tea. It’s made just the way Joel likes it, with light ice and a few slices of lemon. He doesn’t know how you could possibly guess that, but it makes him want you that much more.
And then it’s cookies. Pain-stakingly handmade oatmeal raisin cookies, to be exact. You’re like something out of his most shameful domestic dreams in your cute floral-patterned apron and oven mitts as you pull the tray of cookies out of the oven, and an image of you in nothing but those mitts and that apron flickers through his mind before he can stop it.
All the while you traipse around the house like a mirage–humming along to the yacht rock that drifts from Joel’s stereo, swaying your hips in the kitchen as you put together the most delicious bologna sandwich Joel’s ever eaten, toweling off your soaking wet body after an afternoon in the pool. You’re the worst temptation Joel’s ever had to face.
It becomes his mantra. Be respectful, be respectful, be respectful.
But there’s no respect in your eyes. There’s nothing honorable about the way you bite your lip and smirk when he catches your gaze lingering on him.
Joel had one rule for himself going into this job: be respectful. But why should he have to play nice if you don’t?
And really, the whole thing is Tommy’s fault. He started it with that first comment about you, and then he goes and calls out sick (read: horribly hungover) this morning. He leaves Joel all alone with you–gives you the perfect opening to pounce.
Or, more accurately, entice Joel into pouncing on you.
He’s just setting his tool bag down, about to decide where he wants to start today, when your beautiful face pops in through the door.
“Good morning, Joel,” you say with that gorgeous smile of yours that makes his knees go a little weak. “No Tommy today?”
He nearly chokes on his own tongue when you step further into the room wearing a plaid button-up he left here earlier in the week and booty shorts so small he has to do a doubletake to make sure you’re actually wearing anything on your lower half. You look fucking good in his shirt, and suddenly all he can think about is pulling you in and bending you over the half-finished vanity–
“N-no. He’s sick,” Joel manages to choke out. He takes a deep breath to steady himself, then, “that’s my shirt, isn’t it?”
You look down and rub the time-worn fabric between your fingers like you have to think about it, like you don’t know exactly what you’re doing.
“Oh, it must’ve gotten mixed in with our laundry!” The little giggle you let out is so innocent that he almost believes you. Almost. “Here–”
You start to lift the fabric up your torso in the most tantalizingly slow fashion, and he just sits there and watches it happen. He sees the first peek of skin above the waistband of your shorts, and then your beautiful stomach, then the delicious curve of a breast–
He quickly jolts out a hand to stop you in the midst of mentally willing every single molecule in his dick to control itself. “S’alright, darlin’. You keep it. Looks better on you, anyway.”
“Okay,” you acquiesce and let the fabric drop back down into its rightful place. “Can I get you anything? Water maybe?”
He certainly could use it. His neck and face are flushed red, and there’s sweat starting to form at his temples despite the relatively cool temperature within the house.
He realizes, with startling clarity, that he’s at a precipice right now. This might be the only chance he gets to really do something about this burgeoning tension that’s spread thicker than butter between you and him. He’s got a choice to make, and it’s not going to be an easy choice.
“Sure.” It comes out a bit too high-pitched, so he clears his throat and tries again. “Sure, sweetheart. That’d be great.”
“Alright,” you say with that damned giggle again. “I’ll be right back.”
As soon as you leave the room, Joel feels like he can breathe again. It’s so much easier to think straight when you’re not standing there, smiling up at him and looking so damn gorgeous.
He’s got two options, when it boils down to it: fuck you or leave you alone. And he really, really wants to take you. Make you scream his name while he pounds himself into you, fill you so full that you never completely wash him out. And you want it too, he knows you do, you’re practically begging for it.
But he promised himself he would be respectful. That he would keep his hands away from the girl that’s definitely too young and too pure for someone like him–because he knows that if has you, he’ll never be able to get enough.
There’s a very clear and obvious loophole that comes to mind now; a way he could have you without ruining you, a way you could both come out of this satisfied yet mostly intact. Joel’s never been opposed to doing the hard jobs, after all.
He’s got a condom in his wallet and KY jelly in his bag–mostly used for plumbing fittings, but it’ll do the job for this kind of pipework, too.
You come back with a glass of ice water, and his resolve slips. How the hell is he supposed to initiate this? What if you say no and think he’s disgusting? What if you tell your parents? He can’t do this, this was such a horrible idea, he–
Your touch on his back is like a gentle breeze, just a flutter of your fingers to alert him to your return. He flinches a bit at the sudden contact, but when he turns you’re still so achingly close. He can smell the agonizingly sweet aroma of your conditioner and the lotion you slather on your body after showering, and all he wants is more. He wants to wrap you around him, to inhale that scent straight from the source. His resolve is back, just like that.
He doesn’t give himself another opportunity to hesitate. He places one big, meaty palm on your cheek and wraps the other around your hand that holds the glass of ice water to steady you; and then he kisses you with such bruising force it almost knocks the wind out of you.
You moan. You actually moan the second his lips meet yours, and he knows just like that–with a startling moment of clarity–that this isn’t going to be enough. He’s going to take, and take, and take–gorge himself on you until you have nothing left to give. And the strangest thing of the whole matter is that he thinks you’ll actually enjoy his greed.
“Joel–”
“Tell me you don’t want this,” he murmurs as his lips break away from yours–so low and soft in your ear it can’t be anything but a growl. “Tell me you don’t want this, and I’ll stop right now.”
“I want it,” you affirm.
He searches your eyes, but he finds only earnest honesty and lust. That darkness, that pure and unadulterated want is enough to make his pants tighten. “Fuck.” 
He’s so big underneath your roaming hands as he crowds you back against the long bathroom vanity. He lifts you like you’re nothing and sets you on the counter top; he slots himself between your legs and there’s an actual stretch in your muscles to accommodate the width of his hips. One of his wide palms slips behind your head and his fingers tangle into your hair, tugging a little bit to angle your head just the way he wants it. It’s messy and frenzied and desperate–your hands gliding over tee shirt-covered muscle, his tugging your (his) shirt up over your stomach.
“Was starting to think you weren’t interested.” Your voice is heavy and breathy as he breaks away to tug the shirt over your head, casting it aside to lie forgotten on the floor.
“I’ve been tryna convince myself m’not,” he kisses into your neck. “Didn’t work.”
With a sudden roll of his hips, he has you gasping into his neck. He can’t be more than half-hard, but that bulge is formidable. Thick and straining and… suddenly you can’t focus on anything except getting him out of those tight jeans to see what you’re working with.
Your hand just barely fits around him. He’s thick and flushed, getting harder with each passing second as he scatters feather-light kisses over your neck and shoulders. He muffles a groan into your neck as you slowly pump his length–you think he’s seven, maybe eight inches at best guess. The tip of him is flushed red once you get his uncut skin out of the way, and it makes your mouth water. There’s a slight upward curve to him and a long, prominent vein that runs down the left side. It’s porn star material–you didn’t know real people had dicks like this.
“Joel… Jesus, that’s gonna be a tight fit.”
“Oh, don’t worry darlin’,” he hums, thumb ghosting over your clit in a way that makes your entire body jolt. “It ain’t goin’ in there.”
There’s nothing but pure excitement in your voice, despite the anxious gulp that tracks down your throat. “Where…”
“Flip over f’me.”
You follow his instruction with a sort of morbid curiosity, hopping down from the counter before folding yourself over it.
You can feel his eyes on you, as he takes in your willingness. It’s like you’re on display for him, for his appraisal. You’ve still got shorts and a bra on, yet you’ve never felt more exposed.
It’s almost like he can sense your mind swirling–maybe it’s because his is prone to do the same. He sets a gentle hand on your back and smooths it down your spine as he crowds up against you–you can feel the press of his exposed cock against the curve of your ass, and it makes you shiver.
“You’re so damn beautiful,” he murmurs as he folds over you, caging you in with the delicious weight of his body. His lips trace along the curve of your jaw and down your neck as he speaks. “But I made myself this little promise that I wouldn’t fuck you. You got me actin’ so unprofessional, honey.”
You whine at the sincerity in his voice–all you’ve wanted since the day he started was for him to have you folded over and at his mercy like this. 
“You can fuck me,” you whine earnestly. “It’s okay, I promise. Won’t tell.”
“Mmm, I know. You’re too good a girl to go gettin’ me in trouble over somethin’ like this,” he hums–you can hear the condescension in his voice even as he praises you, and it makes your cunt clench around nothing. “But with all the teasin’ you been doin’... don’t rightly know that you deserve to be fucked.”
“Please–”
“However,” he continues, landing a light smack to your ass in retaliation for your interruption, “might be willin’ to take you anyway, with some conditions. Out of the goodness of my heart.”
He pauses to let you ask, “What conditions?”
And then he pauses again, asking his own question this time. Is he really going to go through with this? But he’s spent the better part of two weeks staring at your ass, and you’ve spent the better part of two weeks putting it on display for him. It’s like you’ve been silently asking him all this time to take it.
His hand slides down from where it rests on your spine, over your tailbone to where he’s been thinking about all this time. He feels the way your muscles tense up even through your shorts, and it sends a thrill he can’t describe coursing through his veins.
“You ever taken someone here before?”
“N-no.” He feels it again as his other hand comes to soothingly rub your hip–that excited-yet-nervous flutter of muscle. You haven’t run away screaming yet, and that’s the biggest motivator he could have to keep going.
“I think you ought to let me. As a thank you, for puttin’ up with all your play,” he growls into your ear.
It’s fucking dirty, the idea of letting a man you hardly know take you in such a taboo way. It’s even dirtier how fucking excited the idea has you.
“You say no right now and I’ll drop it,” he murmurs so sweetly. “Don’t ever have to talk about this again.”
You’re shaking your head before he’s even finished talking–a sly smirk spreading over your lips as you grind back against him hard enough to make him choke on a moan.
“It’s only right,” you affirm. “Gotta make it up to you for how naughty I’ve been.’
His eyes flash dangerously as he grinds his cock against you again, smearing precome against the flimsy fabric of your shorts. “Atta fuckin’ girl.”
He has your bottoms and panties down around your ankles in a flash, and he actually groans at the sight of your sticky cunt all puffy and wet and on display for him.
He can’t resist the urge to swipe a finger through your folds, delighting in the string of shiny arousal that connects his finger to your core when he pulls away. “She wants it so bad, hmm? Such a shame she ain’t gettin’ any.”
It tugs a moan from your throat, especially when he drags as much slick as he can up to circle your tightest hole. He feels the way you flutter with apprehension, and he leans back down to kiss the corner of your jaw.
“Gonna get you nice and ready, I promise. M’not gonna hurt you, baby girl.”
“Thank you, da–” You almost lost yourself there for a second–almost laid your whole hand of cards out on the table for him to see. You try not to get flustered over the slip–you simply clear your throat and try again. “Thank you, Joel.” But you aren’t nearly as smooth as you hope to be.
In a flash Joel’s free hand is lifting your head, forcing you to look into his deep brown eyes. They’re so much darker than normal, and it only serves to make you wetter.
“What’d you call me?”
“J-Joel.”
His hand slips down to your throat and gives it a warning squeeze–his jaw is set, you know he isn’t playing. “Try again, and tell the truth this time.”
“D… daddy.”
You try to hide your face, to cower in shame, but he won’t let you. He smashes his lips to yours at the exact second his first finger probes that tight, waiting entrance.
“Good girl,” he murmurs as he slowly breaches you, using your own slick to guide the way. “Wasn’t so hard, was it?”
You can’t do anything but gasp, hands clutching for dear life to the edge of the counter. This feels different, and not in the way you were expecting it to. It’s tight, sure, and it feels foreign, but it also feels so much better than you ever could’ve expected it to. The subtle stretch around his thick finger is addicting.
Joel’s jaw drops at the expression on your face; you already look so thoroughly fucked-out, and he’s barely even started. “Fuck.You like this, hmm? Like feelin’ daddy’s fingers gettin’ you ready for his big cock?”
The only response he gets is a wrecked little whimper, and he props your chin up again to meet his heated gaze. “Talk to me. Gotta talk to me, tell me how you’re feelin’, or I’m gonna stop.”
“Fuck!” It’s shriller than you want it to be and you would feel pathetic if you weren’t so thoroughly overwhelmed with this new sensation. “Don’t stop daddy!”
“Feels good, yeah? How long has daddy’s little slut wanted to try this?”
But there’s no way you can be expected to answer, not when he’s adding another finger to the onslaught. Not when your legs are already shaking and you’re thinking about just how many fingers he’s going to have to use to get you ready for the massive cock you can feel throbbing against your thigh.
He retracts just as suddenly as he started, and a needy little whine escapes from your throat involuntarily.
He can’t help chuckling as he reaches for the bottle of KY jelly he’d dug out of his bag while you were getting him water. It feels like it’s been years since you left the room on that little errand for him–definitely not the barely ten minutes it’s actually been.
“Relax, baby girl. I’m comin’ right back.”
You feel the cool drizzle of the water-based substance over your hole and it forces another whine from your throat. It’s met with his thick fingers again, spreading the jelly over your hole before plunging two in knuckle-deep.
“Atta girl.” His voice is thick and sweet as honey as he slowly works his fingers, thrusting and scissoring at an achingly slow pace. “Doin’ so good f’me.”
“Daddy–”
“I know,” he coos. “I know, it’s so much, isn’it?”
All you can manage to do is nod your head, arms shaking under the strain of holding yourself upright. He sees the way your limbs tremble and he adds a third finger just to be extra cruel–although he steadies you by grabbing your hip firmly with his free hand, keeping you in place as he fucks you open with his fingers.
Everything is so hot. There’s a sticky sheen of sweat covering your forehead and your chest; you can feel your own slick dripping down your thighs.
And then his free hand drops down to thumb at your clit, and everything twists in your gut so fast it nearly gives you whiplash.
Within seconds you’re coming–no pretense, no warning. It explodes white-hot from your belly and sweeps through you to the tips of your fingers and toes with flash flood speed. One second there’s nothing more than pleasant anticipation–the next, you’re shaking and convulsing and sobbing Joel’s name as you fight with every cell in your body to remain upright.
He does his part to work you through it, thumb swiping even circles on your sensitive clit, pulling his fingers from you to pin you in place on the counter so he can continue working you through it.
“I know, I know,” he coos so sweetly in your ear over the sound of your moans and cries. “You’re doin’ so good baby, let yourself have it.”
It’s minutes before you’re breathing normally again–your legs are cramping from trying so desperately to support your shaky weight. Joel’s hands are soothing you the whole time once he lets up the onslaught on your clit; it’s like he’s mapping you, tracing over every dip and curve so tenderly you could almost forget what this encounter really is.
“Doin’ okay?” He husks into your ear–and then he’s folding himself over you again, and you can feel the insistent press of his hard cock against the curve of your ass.
For some reason, that’s what really makes it sink in. That’s the moment you realize that this is actually going to happen–that you want it to happen. Joel’s about to take something from you that no one has ever taken before, and you want him to. You’re offering it willingly, even.
You hum in response and buck your hips back, giving him a delicious taste of friction that pulls a ground from his throat. “Mhm. I’m ready, daddy.”
“Fuck, that’s my girl.” He gives your hip a light pat before pulling away for a moment, and you somehow have the presence of mind to jump up on the deep countertop because you know your legs won’t be able to support you through what’s about to happen.
There’s a smile on his handsome face when he turns back towards you, lube and condom in hand. “That how you want it, baby?”
Despite everything that’s already happened, you feel so much more exposed like this. You’re completely naked, and he’s fully clothed with his pants shoved down just enough to free his dick. Even as you spread your legs to admit him between your thighs, you feel shy. And he senses it, the slight apprehension in your gaze, because his smile softens even further; he sets the lube and condom down on the counter next to you so he can grasp the collar of his worn t-shirt and tug it up over his head.
He’s beautiful for a nearly forty-year-old man, you think. He’s firm and toned, but there’s a softness about him that you can’t help admiring, especially around his belly. Your eyes eagerly lap up the soft curve of his tummy, following the tantalizing promise of his treasure trail to his cock, hard and aching for you. The ruddy, flushed tip is weeping for you; you don’t know that you’ve ever seen someone so turned on before, and it’s a heady rush of power.
He chuckles as he sees your hungry eyes taking him in–he raises one big hand to cup your chin and pull your gaze up to meet his. “You’re so pretty, baby, look so good spread out f’me like this. You sure you’re ready f’this?”
“Fuck yes,” you say with an alluring little wiggle of your hips, and that’s more than enough for him.
He pulls his bottom lip between even rows of shiny white teeth as he rolls the condom down over his length, and it’s actually intimidating like this. He’s so big and imposing and it makes your legs want to close, but–
“M’gonna go slow, okay?” He vows, voice gentle as his big, brown eyes look into yours. His fingers wrap tightly around the half-used tube of KY jelly, and he leans down to kiss you when he sees the nervous gulp that bobs your throat. “Gonna be real gentle, I promise. You tap out at any time and we’re done, ‘kay?”
“Okay,” you affirm, and you feel a lot better. As out of the blue as this is, as little as you really know Joel, you can tell he’s being sincere. You trust him; you know he won’t hurt you.
The first press of his aching tip against your hole is enough to make you choke on a gasp. He’s big, and even with all of his attentive prep work to get you ready for him it’s a tight fit. You can tell it’s affecting him, too. His eyes flutter shut and he bites down hard on his bottom lip, and you can tell that he’s fighting with all his strength not to just shove himself deep inside you. You appreciate his restraint more than words can convey, so you don’t even try; you hook your arms around his neck and pull him in for a deep, messy, desperate kiss instead. His tongue licks eagerly into your mouth as he eases his hips further and further towards yours, and it’s a nice distraction from the nearly overwhelming stretch of your muscle trying to accommodate his girth.
He shudders when his hips finally meet yours, cock stuffed to the hilt into your ass. “God damn baby, you’re so fuckin’ tight. You doin’ okay?”
You whine at the first roll of his hips, nodding your head rapidly because words won’t come. It’s such a foreign sensation, being stretched and breached like this. Not unpleasant necessarily, but so brain-scramblingly different that all you can do is dig your nails into his strong, broad shoulders and hold on for dear life as he actually starts to fuck into you.
It’s nasty, and you’ve never been so wet in your life. You hear the sticky squelch of lube as he thrusts his hips, shoving his cock deeper than you imagined possible. Your own wetness seeps from your neglected cunt and drenches him, dripping down around his cock and wetting the dense curls at the apex of his sex.
“Shit baby, you’re takin’ daddy’s cock so well,” he whines breathlessly; one arm hooks under your knee so he can spread you open a bit wider for him, and then the other hand returns to your puffy, arousal swollen clit.
You make what has to be the most high-pitched sound you’ve ever made as his index and middle fingers start a torturously slow pace on the little bud. “Fuck daddy!”
“I know,” he coos–you think that soft, breathy, Southern twang is going to actually put you in your grave. “I know, you wanna come, dontcha? It’s okay baby, daddy’s gonna make you come all over his cock just the way you need.”
His hips pick up the pace in time with his fingers, and all you can do is lay there limply like a ragdoll. The pleasure is so much different than what you’re used to, but it’s good. It’s amazing, the feeling of him balls deep in your guts in tandem with his ministrations on your clit, in a way you never imagined it could be.
“Such a good fuckin’ girl f’me,” he growls, hitching your leg a bit higher over his hip so he can thrust even deeper. “Fuck, m’not gonna last long like this. You’re gonna make daddy come so hard in this tight little ass.”
His words are accentuated with a little smack to the side of your ass, and it makes you moan louder still. Your head rolls back as he picks up the pace of his fingers, swirling hard and messy circles with reckless abandon. He’s not trying to prolong it anymore–he’s going for the kill.
“Fuck daddy!” Your hands scrabble for purchase on his smooth, freckled skin as he pounds harder into you. “W-want it, please, want you to come in my ass–”
“Gonna give it to you, impatient girl,” he growls deep in his chest. “You gimme one first.”
Your entire body jolts when he brings his hand down on your sensitive cunt before groaning at the way your arousal sticks to his hand and makes his fingers shine.
“She wants t’be stuffed so full, doesn’t she?” He purrs, fingers dancing so fucking teasingly around your fluttering cunt that it makes your eyes water. “Bet she’d love to be chock full’a cock right now.”
“Joel–”
“Now, now, baby, no whinin’. It’s unbecomin’ for such a sweet little lady,” he grunts, and the condescension dripping from his tone is almost enough to make you come on its own. “You’re gonna take what I give you and be grateful for it, aintcha?”
“Yesyesyesplease–”
His fingers have barely returned to your clit before you’re coming again. This one is even more powerful than before–a hurricane instead of a flash flood. Your entire body trembles with the ebbing flow of pleasurable waves–the words you’re panting aren’t even discernible English anymore.
The way you clench and flutter around him in your own pleasure pulls him over the edge faster than anything ever has before. He comes hard, chest clenching hard around his breath, cock twitching more violently than anything you’ve ever felt before as he spills his load into the condom.
It’s a long, breathless moment before he pulls himself from the vice-like grip you have around his dick. He pulls out with a deep, long groan–it makes you giggle, because it’s the most over-dramatic sound you’ve ever heard in your life.
There’s a beat, and then he starts laughing, too. At the sweet sound of your laugh, at the way he feels like he just ran a marathon, at the absolute absurdity of this whole thing. His laughter is so sweet and gut-deep and infectious, and it only serves to make you laugh harder. For a good few moments it’s just you and Joel, half naked, panting and sweaty, doubled over in laughter.
And then the bathroom door swings open and Tommy barges in. 
“I’m feelin’ a helluva lot better after sleepin’ in, what’s so funny–” He stops dead in his tracks; he sees you naked and spread out on the counter and Joel disheveled and sweating. Neither of you are laughing very much anymore as you both scramble to cover yourselves up.
Tommy quirks a brow, a smirk spreading across his lips as his eyes dart back and forth between you and Joel. “Well, well, well. What have we here?”
You don’t know how to answer when you’re so mortified, so you do the only thing you can think of–you dart out of the room and down the hall to the safety of your bedroom as fast as your shaky legs can carry you.
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reminiscingtonight · 2 months
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Russo: derby, concussion, care
Derby Day (Alessia Russo x Reader)
[WOSO Masterlist]
“But it’s the North London Derby!”
Alessia huffs and sinks lower on the couch.
“A little blood never hurt anybody.”
Beth doesn’t make eye contact.
“You don’t get it. You’re not a footballer.”
Leah opens her mouth but quickly shuts it when she sees the look on your face.
The three of them are in various shapes, one with an egg on her forehead, another with two icepacks strapped to both ribs, the last with a makeshift ankle brace constructed out of the finest frozen peas from your freezer.
“Honestly, if someone came in here right now they’d think I abused you all!”
Alessia turns her pleading eyes towards Viv but gets no help from the Dutch woman. “She did warn you guys.”
You’re pacing back and forth in front of the three of them. You’ve all been in this position since Viv tried to drop Alessia off at home nearly an hour ago. You took one look at the broken carpool and all but ordered the four gunners into your house.
A last minute work mishap made you miss out on the derby day, but that didn’t stop you from dropping Alessia off at the Emirates before the game. Beth and Leah met the two of you with grins, all but waving off your words of caution before sweeping your girlfriend away.
“I highly recall telling you to take care of yourself, Alessia, did I not? And what was it that you said back to me?”
Your girlfriend mumbles sweet nothings into her sweatshirt, nearly disappearing into the massive thing. You’re sure if she had it her way she’d melt right into the couch.
“Louder! I can’t hear you.”
Your attention’s quickly taken away when you hear Leah’s not-so discrete snickering. She pales when she makes eye contact. 
“Unless the next words out of your mouth is apologizing for not keeping my girlfriend safe like you promised, you shut that mouth, Leah Cathrine.”
Beth snorts before realizing her mistake. 
Your nose flares angrily. “And what do you have to say for yourself? Getting sent off for something as stupid as blocking the keeper’s kick? Honestly, Viv must have the patience of a saint, putting up with you.”
The brunette’s sitting on the other side of the room, watching everything with thinly concealed amusement. A small tweak had her watching the game from the stands. Of course there’s nothing more fun that playing in a North London Derby, but with the high fouls and flying boots that unfolded at the stadium today, Viv would be lying if she said she wasn’t glad to be a spectator. Especially if being sidelined saved her a lecture from you.
There’s another hot reprimand on the tip of your tongue when you feel a gentle tug on your sleeve.
“Babe?”
Alessia’s got the widest eyes, frown set upon her lips as she tries to appeal to your soft side. You’re still mad, but you try to lower your temper at the clear discomfort written across her face.
“My head really hurts. Can I go to bed?”
When Alessia got hurt it took everything in your power not to drive straight to the stadium. Viv had texted you a quick update when Alessia was being checked out, reassuring you that it looked worse than it actually was.
You couldn’t stop yourself from replaying the video over and over, heart breaking every time you watched her head bounce off the ground. But you chose to believe your friend, waiting with nerves while you awaited your girlfriend’s return.
Though all that worry flew right out the door when you caught sight of the other two injured girls. 
“Well I think that’s our cue!” Beth takes her chance to leap forward, hands pulling at her vice captain to follow her. “Goodnight, Russo, Mrs. Russo--” 
Beth chokes on her words when you grab ahold of her collar, stopping her before she can take another step towards the door.
“Now where do the two of you think you’re going?”
The two blondes exchange nervous looks. 
Leah clears her throat. “Home?”
She swallows hard at the hollow laugh you let out.
“Nice try. Captain Nothing’s-Wrong and her sidekick,” you ignore the dirty look Beth gives you at her assignment, “congratulations, thanks to your clear inability to follow the simplest of instructions, the two of you have won yourselves the Alessia Russo night watch shift.”
And with that, you take a seat next to Viv, turning on the TV to something random while you ignore the three cries of protest.
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katakaluptastrophy · 5 months
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What do the Fifth House actually do?
Sure, yes, ghosts and tradition and the Heart of the Emperor, and Watchers Over the River - but none of those things give you the kind of assets that mean you can dress your cavalier in a coat that "probably cost more than the Ninth House had in its coffers" for a dinner party.
It's made clear very early on that the Fifth are a power to be reckoned with. When they first receive the letter about the Lyctoral pilgrimage, Gideon assumes it would be on the Third or Fifth. Harrow, meanwhile, has frequently-repeated anxieties about the Ninth being subsumed by the Third or Fifth, to the point that she worries that the anniversary party invitation may be an attempt to wipe out the other Houses. Teacher describes the Fifth's relationship with the Fourth as "hegemonic". The Fifth loom so large in the cultural imagination, they even inform the name of the made up porn magazine that Gideon offers to Crux.
The links between the Third and the Fifth that both Gideon and Harrow make seem to reflect both the fact that these two Houses have particular power and influence, but also that they frequently cooperate. Judith writes about the close cooperation of the Second, Third, and Fifth, a relationship which becomes a source of tension as the scions seek to establish authority after the Fifth are murdered. Judith says:
“The Fifth are dead. I take authority for the Fifth. I say we need military intervention, and we need it right now. As the highest-ranked Cohort officer present, that decision falls to me.” “A Cohort captain,” said Naberius, “don’t rank higher than a Third official.” “I’m very much afraid that it does, Tern.” “Prince Tern, if you please,” said Ianthe.
Which makes it sound as though Abigail might technically have been considered the highest ranking person at Canaan House (likely because she was head of her House and not an heir in waiting like Judith or Coronabeth), and that following her death there is some question as to whether the Second or the Third should take control, but notably no suggestion that anyone else might.
We know what the Second do: they are the leaders of the Cohort and the Bureau, the military and intelligence that forms the core of imperial expansion. Most of the information that we get about the other Houses talks only about their cultural or ritual roles in the empire - we get very little in the way of gritty details of what happens outside of the Dominicus system.
We know a little bit about what the Third does - according to Tor they are cultural trendsetters and players in soft power, but the one detail we get in GTN itself is revealing: when Gideon imagines her glorious future in the Cohort, one of the assignments she considers boring is the prospect of being "in some foreign city babysitting some Third governor." Which makes it sound rather like the Second are conquering the planets and the Third are then running them. But the books are even lighter in details about what the Fifth do, beyond ghosts and manners.
However, there is one suggestive detail: an important topic in HTN is stele travel - the necromantic FTL used by the Nine Houses. And Mercymorn, in describing a stele, specifically states that Fifth House adepts are required for their construction. Which rather makes it sound like the Fifth have a monopoly on the manufacturer of the technology required for FTL travel. Now that in and of itself could be the basis of their enormous wealth - selling aerospace tech to an ever expansionist military is probably quite lucrative.
But there's another element of House imperialism that only gets mentioned in passing that doesn't seem to be entirely accounted for, which Judith describes in As Yet Unsent:
"Their other line of attack is the business contracts. They claim that the services asked of them by the Emperor were set down in lifetime contracts by previous generations, who assumed the contracts would be terminated upon the Emperor’s death."
There are obviously some unanswered questions about the imperialist project of the Nine Houses - both Augustine and Coronabeth question quite why it works the way it does - but from the above it sounds like in many respects it functions exactly as you would expect an empire to: as a vehicle for the exploitation of others' resources.
Perhaps the Cohort themselves administer these business contracts. Perhaps they fall under the purview of the Third House planetary governors. But if you're exporting resources from the living planets of your empire to the mostly desolate planets of the Dominicus system, you're going to need some FTL ships and a whole lot of bureaucracy.
And if there's one other detail that we get about the Fifth, it's that there is something significant about the political power of their bureaucracy. As Judith puts it: "Quinn himself is a Fifth House bureaucrat with all that entails."
Are the Second, Third, and Fifth so close and so powerful because they form the bedrock of the empire: the conquest, control, and exploitation of planets beyond the Dominicus system?
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bubblergoespop · 4 months
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My Top Milo Quotes
i wanna devour this man so bad. the original version of this is at least triple the length omfg. @mrsmiagreer it’s finally here <3
“From one pretty face to another.”
“Bedroom? Oh. Ohhh. [gremlin giggling]”
“Cute?! You’re gonna come here, into my home, uninvited, and tell me I look cute when I’m mad? First of all sweetheart, you’re damn right I’m cute—“
“Jesus Christ who taught you how to do healing magic, a construction worker with a jackhammer?!”
“Me and Ash give each other shit all the time. He calls me a runt, I call him a bitch bottom, we laugh, we move on.”
“Cuddled up with you, in front of a fire? That’s a one-way ticket to sleepytown, USA, population: this guy.”
“I do not spoil him! Well whaddya want me to do? He’s my lil guy.”
“I swear to god, if I’m lyin I’m dyin, he looks him dead in the eye and says “if concerns about the future of your relationship with Amanda are weighing on you too heavily, I’m sure I can get by with just Milo and Asher here.”
“Are you Lasky?”
“Touch me and your life will be measured in milliseconds. I can see myself out.”
“It’s back. I’m back.”
“And next thing you know, boom, you’re sitting here, a broken man, barefoot with no fucking dress socks.”
“‘So Mr. Greer, what was it that ultimately pushed you over the edge?’ Oh, I don’t know officer, might have something to do with the walking terror I call a mate.”
“So what if I am sappy? I’m running on sleepy middle of the night brain, you get what you get. Shhh. Hush. Don’t you be mean to me. I’m trying to help.”
“He’s a good little dude. Isn’t that right, bub?
“I got to hold my favorite person in the whole world. And only occasionally had to threaten to choke them out.”
“Mmm. You’re cute. Yeah, I called you cute. What are you gonna do about it? Get grumpy? Just makes you look cuter.”
“Do not call them my ‘titties’ you asshole!”
“Personally, I think I’m better at getting clothes off a ya than putting em on, but I’m ever at your service, baby.”
“No no no, don’t do that button. Yeah. Yeah, leave that one undone.”
“There’s my sweetheart.”
“Yeah. Well, it beats for you, sweetheart. A little more sappy shit for the road.”
“There ya go, that looks perfect! Yeah, what you’re wearing right now! You look fucking incredible in it. Yeah, I know you haven’t even started changing into the next look, what’s your point?”
“When I say you’re my mate, I mean it with every inch of me. When I say it, my core lights up like a firework. And when I feel your core answer it, and mirror it back, it feels like the fourth of fucking July in my chest.”
“I mean, obviously we’re gonna look fucking great no matter what, it is us after all”
“Hey, I know Ash is your mate, but would you mind if I use that choke collar you have for him real quick?”
“The power couple”
“And the energizer bunny takes a tumble.”
“And you won’t believe this next part but, uh, as a wolf, I don’t have hands.”
“You don’t have to ask, baby, I trust you. I know you’ll be gentle.”
“You feel like forever in my arms.”
“Oh my god, do they think my house smells weird?”
“I don’t want this for you, baby.”
“These muscles got more knots in em than you had wrapped around you the other night. And that’s saying something.”
“You run through my blood like oxygen, sweetheart.”
“Whose mouth is this?”
“And do not wear that belt, how old is that thing? It looks awful!”
“You’re not alone. I’m here. The pack’s here.”
“You want to see a hissy fit, bootlicker?”
“Cmon, head up. Up for me. There you go. I wanna see this pretty face.”
“Kissing my palm like that… you’re too fucking cute.”
“I just wanna feel you.”
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nudityandnerdery · 10 months
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[Image Description: A series of sixteen tweets by John Rogers @jonrog1 that say:
1) A moment at the Teamsters/UPS rally this morning clarified our current struggle with the studio CEO's (among other bosses). Teamsters got a lot of wins, but one of the main sticking points is the pay for the 65% of local UPS workers who are part-time …
2) If you read the SAG-AFTRA demands, a truly STUNNING amount of their points involve protecting background actors, and trying to improve conditions for the 87% of their union who makes less than $26,000 a year.
3) As WGA members know, this is not a strike for the showrunners. We're trying to fix the fact the the current younger generation of writers can't even afford housing and their pathway to advancement has been cut off.
4) Like … folks, I'm fine. There are maybe two proposals in there that affect me. I'm walking in 90% weather and losing over 50% of my income for the year because I want the younger writers to get what I got at this stage of their careers.
5) Our unions and the CEO's and various negotiators have a fundamental cognitive disconnect. Because CEO's types only succeed by FUCKING THEIR PEERS.
6) Zaslav, Iger , those types of execs, etc have never gone without so a fellow exec or a junior exec could thrive. A fellow exec failing is the moment to use your own leverage to advance past them, if not destroy them.
7) Part of it is the money but part of this, I think, is a genuine inability to grasp even the concepts of any labor action. Because it is always other-directed.
8) So many people treat capitalism as part of nature red in tooth and claw, but it's not. It's a human construct. There are different rules you can play by -- but not if you want to win.
9) The greatest gift capitalism ever granted was the ability to validate selfish behavior as a virtue because that's "just what's necessary, I don't make the rules!" (Look ma, it's reification!)
10) This is where I usually point out that Adam Smith wrote that you have to overpay workers to keep your labor force up, and you need to take into account the psychic damage of capitalism to the workers, and that admiring the rich is the greatest source of moral corruption …
11) But I'll stave off that diversion to just land with … this is a discontinuity of attitudes which I think was once breached by the fact that management USED to come from people who loved building their company or their trade, even if they eventually did management shit.
12) Now, even that thin thread of SYMPATHY (Adam Smith joke, get it? People?) is gone. The CEO's are working off a different scorecard, practically and morally. We're not just playing by wildly divergent rules, our lives and careers are DEFINED by those wildly divergent rules.
13) To them, we are IN FACT being "unreasonable", as our behavior does not make sense in their moral framework. They don't think they're being evil, they think they're playing by the actual rules, and we're nuts.
14) There's not great conclusion to this, other than to note that the bit about making writers homeless was described as "cruel but necessary" because they genuinely don't understand the meaning of cruel, because they are always on the other side of the power dynamic.
15) And if they're ever NOT on the top of the power dynamic, they're not suffering, they're dead. They are un-people in their own eyes.
16) These men are not irrational, but they are deranged. This isn't about money, it's about identity. And in a fight about identity … they will set billions on fire.
Because they can always get more money. But they'll never shed the stink of losing to their lessers."
end of image description]
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kiapet2 · 1 year
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Alright, it’s less than a week since the Owl House finale aired and as expected I’ve already seen two direct comparisons to Steven Universe’s ending and several more vague-blogs, because one of this site’s hobbies is using other queer shows to put down Steven Universe. So let’s do this, then. Let’s compare the endings of Owl House and Steven Universe, and what each is ultimately trying to say.
Steven Universe and the Owl House are both shows that deal heavily with the clash of individualism and self-expression vs. socially-mandated conformity, and both shows’ final villains ultimately embody this conflict. One major difference, however, is that Owl House approaches this from the perspective of legal/societal structures, while Steven Universe approaches it from the perspective of family structures.
Steven Universe has always been about family--and particularly the ways traumas and biases are passed down through a family--and it has always heavily used the language of metaphor to discuss these topics. The Diamonds are the ultimate extension of this theme, something a lot of bad-faith (or just bad) takes on the ending miss; they interpret the diamonds in their literal capacity as dictators, rather than the way Steven Universe always portrays them, which is as matriarchs, i.e. the heads of a family who dictate and control all the family’s other members. This metaphor becomes more and more blatant until it outright becomes text, with the Diamonds turning out to be Steven’s literal family members, with whom his part of the family is estranged because of their previous controlling behavior.
In accordance with this theme, we ultimately find out that the Diamonds’ toxic ideology, with its rigid standards of perfection, are not only something they enforce on the gems below them, but also on themselves. They are suffering from the system in their own ways, unable to live up to the standards they themselves created. And who among us hasn’t known someone like that? A parent or grandparent who grew up under a cruel, oppressive worldview, and instead of rebelling against it internalized it--who turned around and said “I dealt with this, and so can you”? And so the ending of Steven Universe is the Diamonds realizing exactly how toxic the rigid ideology they’ve spent their lives perpetuating really is, and confronting the fact that their adherence to this ideology is what destroyed their relationship with Pink, and that the only way they’re going to have a relationship with Steven is if they’re willing to commit to changing both themselves, and the family structure they’ve enforced for so long.
Emperor Belos, in contrast, is not suffering from the structures he created, because his rules were never meant to apply to him. He sees the witches (and demons, and so-on) as lesser beings, evil beings, who exist to be controlled, and ultimately, exterminated. And every element of the society he built--the schools, the government, the police force, the religion--he intentionally constructed to keep these lesser beings under his control. The real-world allegory isn’t hard to see, here. And because what Belos represents in the story is, in fact, a fascist leader, the story shows that he can’t be reasoned with in any way that matters, and instead he is ultimately ground into paste beneath the boots of the people he sought to destroy. Different themes, different endings.
Now the usual argument that comes up here is as follows: but the Steven Universe ending isn’t as realistic! Not everyone is going to change, not everyone is going to be able to be reasoned with. Not every older, conservative family member is eventually going to accept you for who you are. And while that is true, ultimately SU isn’t meant to be realistic; it’s meant to be a power fantasy. Rebecca Sugar has come out and said before that they wrote a world in which there was good in everyone, because that’s the way she wishes the world could be. That’s the world they want to be able to believe in. And I am never going to begrudge a person, much less a queer person, for finding healing in writing that kind of world.
But you know what else is unrealistic? What else is ultimately just a fantasy? Grinding your government’s fascist leader into paste under your boot, then taking over and remaking society into something that accepts everyone. Sadly, Trump is not likely to get his ass beat any time soon. And more generally, punching fascists, while ideologically sound, is something most people are not going to get to do, due to real-world consequences such as “getting beat up by the fascist’s angry friends” and “being arrested for assault”. And even if you did depose one leader, our very society is set up in a way that perpetuates all manner of injustices, and systemic change is a complex and lengthy process that almost certainly won’t be completed in our lifetimes. But it’s fun to imagine we could, isn’t it?
Both endings are power fantasies. Both show the way they want the world to be, rather than the way it is. They are very different power fantasies, which fill very different--and at times conflicting--needs. And in situations like that, internet culture really likes to pick one to be the right fantasy, the right way to look at the world. 
But the truth is, both fantasies are needed! Some people need stories about your queerphobic relatives finally realizing the error of their ways and taking the necessary steps to accept and reconcile with you. And some people need stories where you get to grind fascist bastards beneath the heel of your boot. It’s okay if you prefer one type of fantasy over the other! But in the end, both are valuable, and both are important. 
And isn’t it wonderful, for us to have such a diversity of great queer stories? That we can explore both of these deep, conflicting needs? Let’s appreciate each of these fantastic works for what it was meant to be, rather than trying to pit them against each other or make them conform to a single, “best” way to tell a story.
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feminist-space · 2 years
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"Yes, you read that right: Chicago is spending $33 million to build fake housing and commercial buildings in an overpoliced community that could really use their actual, real-life equivalents. No Cop Academy organizer Destiny Ball laid it out plainly to Block Club Chicago: “To find out that they’re building a scenario village when there are thousands of people, homeless, with nowhere to go … it’s sickening.”
Architecture sometimes lays bare the contradictions in urban life, but rarely does it do so this explicitly, if not mockingly. A first phase of the training campus is nearly done, and the “tactical village” will begin construction this summer. The campus, which rises on the site of a former rail yard, will replace seven facilities currently in use. The second phase will be built by a joint venture of Berglund and Brown & Momen. The City’s website lists the design architect as DLR Group. The company recently published a blog post in which Andrew Cupples defended its work on juvenile justice systems, claiming that DLR remains “undeterred in the belief that design excellence contributes to better outcomes for youth who enter the justice system.”
“Justice system,” to this critic, reads as a remarkable euphemism for a place to detain children. Incredibly, the City lists the project as part of Mayor Lori Lightfoot’s INVEST South/West platform which seeks to direct about $1.4 billion in funding to previously underdeveloped neighborhoods.
The City neglects its citizens—especially its Black and Brown ones—before policing them with militarized tactics. This is, after all, the police force that was found to be using “black site” tactics—essentially kidnapping and torturing civilians at Homan Square, a property it owned on the West Side—until an exposé in The Guardian in 2015 spelled its demise. This is the police force whose officers shot 13-year-old Adam Toledo to death in 2021 and paralyzed another unidentified 13-year-old boy just a few weeks ago. These are the law enforcement officers who have made arrests in only 6 percent of rape cases. Per Alex Vitale’s book The End of Policing, this is the police department that arrested 8,000 Black schoolchildren, more than half of whom were under 15, in 2013–14 alone.
Chicago suppresses funding for housing, schools, environmental remediation, public health, and transit, but it generously funds cops. This is not only ineffective, given the statistics and reality of police brutality, but immoral.
Any architect who participates in realizing the carceral program of police surveillance and terror is complicit. Architects often characterize their work as impartial, but the reality is that the form of the built environment is regularly weaponized by those in power. Architects are moral actors who have the agency—individually, but especially collectively—to see a project like this and decline to participate.
At times, activism comes in the form of saying yes to certain advances, but in this case it more powerfully comes in saying no. This denial of service can come in the form of whistleblowing to journalists, organizing political resistance among your peers, or finding a new job. After George Floyd’s murder in 2020, when Michael Ford (the hip-hop architect) learned that his then employer SmithGroup was to work on civic buildings with holding facilities, he left. In the fall of 2020, AIA New York attempted to discourage members from working on spaces of incarceration. The work of Colloqate explicitly demands the end of architects working on behalf of police and provides alternative solutions for reallocating police funds toward endeavors rooted in community building and racial justice.
Architecture exists at the all-important nexus where political ambition is given form. Resistance to terrible carceral projects from architectural firms matters—if no one draws the plans, the efforts stall. Sure, someone else can do it, but the broad systemic woes of capitalism don’t excuse us—mere individuals—from living ethical lives. It is unethical to work on a project that will be used to oppress and terrify Chicagoans, just as it is a project of criticism to be explicit about architecture’s role in surveillance, police expansion, and, by extension, urban policies that govern by force, not by support. So, to the leaders of architecture offices who are currently overseeing construction documents for a fake strip club in western Chicago, I see you. The architecture world sees you. You can and should do better than this."
-Kate Wagner is an architecture critic and a journalist.
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thechekhov · 3 months
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Dungeon Meshi Quick Reacts: CH45
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Slumber party!
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Fair, but consider: She deserves a little murder. As a treat.
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Kabru be like "IS THAT MY BACKSTORY???"
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That sure is....a ship. With no one on it.
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Ah, shit the Americans are here.
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Two things: Toshiro being tended to like a pretty pretty princess is hilarious.
And also, the fact that they think the elves can kill Falin......... hmmm.... Pressing X to doubt.
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............... oh. Laios. 😂
But also like. How was he MEANT to keep it silent? Put a little something in it? I thought since it was a magic bell you could code it to only ring when it's shaken with INTENT?
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Fancy ass house.
Also, Namari...........are you hitting that yet? Both of that?
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Oh, it's backstory time.
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Okay one: that's fucking tragic, it sounds like the Elves are just forcing the dungeons closed with no regard for how the ecosystem compensates and what people suffer by being in close proximity......
And another thing: Kabru. Kabru, isn't that what YOU'RE after? Having all the power?
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Why is this so much like that one meme where the girls at the party are looking at you.
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It's the same picture.
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Kabru that's. That's maybe not the way to go about it. you're going to give them MORE reasons to go in.
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Nevermind the governor not being into this 'good boy, now sign' talk, Toshiro's kinda right. Ya fucked up Kabru.
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No matter how far Laios runs, he cannot escape other people trying to tell him how to live his life. Poor guy. But at the same time...
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Is this real? Or a red herring?
Laios' father and mother seemed to be living relatively pious lives. They clearly had a good house, but it didn't seem like they were extremely rich. Then again, perhaps he's just a cousin of royalty? Is that why his parents wanted him to have children?
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They want to.... halt the growth of the dungeon? Is this another part of the natural ecosystem of things? Dungeons growing seems to point even more towards the idea that it's a gigantic, fleshpit-like creature instead of simply a construct.
Then again, constructs CAN be creatures. Like the golems.
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Elves not understanding how old humans are continues to be hilarious because like.
As humans, we HAVE this same concept of variant aging. Like. Dogs. We understand that dogs live less than us, and mature a lot slower. But this is.... COMMON KNOWLEDGE. Most people do not make it into adulthood without understanding that dogs mature within 1-2 years of their birth.
The fact that elves, a species with FAR more time on their hands, who have lived alongside other races for AGES....... have STILL not got the general concept of aging down....means their education is atrocious. Or they're all not paying attention.
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.......this. THIS is the most fascinating concept in this chapter.
The fallen.... turned into MONSTERS.
We know that dying inside the dungeon doesn't mean permanent death. But dying above-ground does.
We know that dying in the dungeon doesn't mean your body turns into a monster (aside from ghosts and ghouls?) ..... but dying aboveground.... DOES......?
WHAT'S THE TRUTH.
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👁👁
Hm.
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If Kabru and Laios fused, they could almost make one functioning human being.
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Senshi just beginning to speak in the middle of his own internal monologue is so real.
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...... what's going on there with the expression, buddy?
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Bread.......are they STILL carrying around flour with them?! How are they getting bread?!
Also, it's awesome that the eggs are canonically hard to crack, because it makes sense that they don't break during their many fighting events.
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Izutsumi really said ◉_◉
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Don't tell me Laios, who is sensitive to ghosts has ALSO been seeing things?
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Not gonna lie, that's highkey terrifying.
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Props to that ghost that's been following Laios around, not ever giving up hope that it can bother him into acknowledging it.
And also - hey, it already saved them once! that means it's probably not evil!
That, or it's the king of the bloody dungeon. Wouldn't that be something!
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familyvideostevie · 7 months
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come care about me
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joel miller x reader a quiet evening at your house in Jackson with the man you call home | implied but unspecified age gap, domesticity, jackson au, joel is a flirt and a gossip [2.2k] a/n: my first attempt at joel! hope it's alright. read part 2 here! part 3 here! series masterlist here.
Jackson is quiet at this hour. The whole world is pretty quiet these days and sometimes it's more suffocating than peaceful. The white noise of life is so different -- you remember how car horns and humming power lines and the thrum of planes overhead used to remind you that you weren't alone. Now, most of the time, you're hoping you're alone. The snap of a twig or click of a safety or a muffled cough are signs of danger. But this town is safe. You know it, you feel it, but sometimes it catches up to you: how tiring it is to be on guard all the time. This is just how it is.
You hear little but your own footsteps as you head for home, hands tucked into your pockets and book wedged under your arm. The warmth of an evening spent at the town book club is still in your veins -- well, that and the finger of whiskey -- and it chases away your melancholy musings for the moment. Even better is the promise of what awaits you.
The porch light is on when you round the corner. You half expect Joel to be strumming away in his chair but there's no sign of him. Not unusual, not really, given that there's a chill in the air and Ellie was meant to come over for a movie night. Maybe she's still here and they're inside watching some shitty action flick on the couch. One or both of them always doze off before it's over. Regardless, you know he won't head to bed until you're home.
You ease open the door. The hallway smells like Ellie's favorite tea and slightly burnt bread but there's no splash of light from the TV, no clash of swords or quiet laughter.
It's dark in the house but that's not unusual either. "Took a few years to stop flicking light switches," Joel once told you. "Reckon it'll take a few more to get used to it again." He's the kind of man who would rather sit in the dark than chance disappointment.
"Joel?" you call. Your jacket goes on the hook next to his and you sit on the bench you dragged in last month for unlacing your boots, which will go next to his spare pair. He's undoubedlty still got his on, wherever he is. The tell-tale trail of belongings that often indicate the presence of a teenager is absent.
Your name echoes down the staircase followed by heavy, slightly uneven footsteps. Joel emerges into the hallway, guitar in hand. His hair is mussed like he's just thrown on the sweater he now wears and his expression softens at the sight of you, an ever-so-slight ease of his jaw and upturn of his mouth. It took you a while to learn how to spot it.
There are nights when you'll make a joke, tease him a little to try to get him to laugh. It's easier than it used to be but he likes to make you work for it. But tonight you're just glad to be home and you want to tell him so. He leans the guitar against the wall and beats you to it.
"Was gonna wait for you on the porch," he says. "Bit early to be back already." He's right. The after-discussion drinks will be going for at least another hour, thought the sun has been down for ages. You just shrug, fingers a little clumsy from the whiskey and the cold as you undo your laces.
"Wanted to come home," you say. His eyes crinkle at the corners and he crosses his arms, shoulder pressing into the wall above the guitar. Joel rarely takes, rarely reaches for what's in front of him even if he wants it, even if it's already his. It's a patience, a self discipline painfully constructed from years of survival and two rounds as a father mixed with the deep guilt he'll never allow himself to be rid of.
Point is, he'll wait for you to touch him. But that's okay. You've worked on your patience, too, and you've been doing this dance for a few years now. His arms will be open once you finish getting your damn shoes off.
"Ellie still here?" you ask. Joel's words are heavy with his drawl, heavier since being around Tommy, if Ellie is to be believed, his sentences clipped of unnecessary words and syllables. It seems that you've adopted some of his speech pattern. He'll never admit it but you think he likes it.
"You just missed her."
"I think she'd like this." You nudge the book on the bench beside you with your thigh. "I'll drop it by tomorrow. Movie night go good?"
Joel dips his chin, eyes on the floor. He shows you so much but there are some things he can't. The scabbing over wound between him and Ellie is often one of those things. "Was nice," he allows. "She n'Dina will be at dinner this weekend, she said."
You finally get your boots off and sigh, tossing them into the corner. The thud is loud enough to make you wince. "About time those girls graced us with their presence." You reach your arms above your head and stretch, joins popping and muscles sore from the sheer exertion of existing after the end of the world. Joel watches you.
"Alright," he says. He pushes off the wall with a groan. "C'mere."
It's the easiest thing in the world to walk into his embrace, socked feet soundless on the hardwood. You love Ellie like she's your own but her absence means that Joel will touch you more. He's a private man, reserved around people he knows and downright stony around those he doesn't even though the years in Jackson have softened him a great deal. He'll squeeze your hand, your shoulder, hover his palm on the small of your back as he moves around you, but that's it. He worries constantly that you'll wise up and realize he's too old, too boring, too mean, that people in town whisper the same behind your backs. Funny how in a time where you fight against fungus-powered flesh eaters, gossip still makes its rounds.
Still, you feel Joel's eyes on you in every room and you'd rather he worry about things like that than life and death beyond the walls. It's like your cells know he's near, a compass needle magnetized to the set of his shoulders and smell of wood glue and gunpowder. The rasp of his voice and his rough hands and the lines on his face. In the privacy of your home he's all yours.
"Hello," you say into his sweater. It's a new find, different from the threadbare button-ups and flannels he wears into the ground. His beard scratches against your skin and you sink into him, arms around his waist. He cradles the back of your head in one warm palm and holds you steady with the other on your back.
"Howdy," he mutters because he knows it'll make you laugh. It does. You match your inhales to his and any remaining tension from the day leaks out of both of you. "Do y'wanna to sit on the porch or go to bed? You hungry?"
His knuckles trace your spine as you shake your head. "Astrid had Seth make sandwiches. So, bed. Too cold to be on the porch."
"S'not that cold," he retorts. You roll your eyes and pull away from his embrace to look at him. His hair could do with a trim, the silver strands falling into his eyes. Your own hair has greys here and there by now, a byproduct of the times. Nearly everyone born Before has some. It's damn stressful to be alive. Joel often grumbles that you're too young for that kind of shit, not far enough from twenty for such visible signs of age.
"I've got gossip for you." That gets his eyebrows to raise.
"Do you now?" He releases you and grabs the guitar, gesturing for you to head upstairs first. "Should'a led with that."
Joel Miller is a lot of things, some of them better than others, but one of your favorites is that he's become a gossip. Maybe he was Before, too. Small-town life and safety and a teenager of his own and you have turned his eye back towards the business of other folks. Information gatherin', he calls it. Important to know what's going on.
But really he's just nosy. Good thing you are, too. It's basically the only reason you go to book club. If you actually wanted to talk about books you'd do it with the teenager living out back -- and you do -- since she's a bigger reader and miles smarter than anyone else in town.
The stairs creak like they always do. Joel has put away the laundry that you finished this morning and despite his inclination towards darkness, has left on the lamp in the bedroom. He sets the guitar back in its stand and sits in the armchair to unlace his boots, grunting a bit as he goes.
"Jesse's mother brought a new batch of whiskey for after the discussion. Caused some loose lips, I think. I hope she did it on purpose because it was worth it."
You eye the book on Joel's side of the bed. Something about...woodworking? Typical.
"Whiskey, huh?" he drawls from behind you. "Could smell it on your breath," he says. You look up and he startles you a bit by appearing in your space and tilting your chin up with two fingers. Joel presses his lips to yours firmly, tongue dipping into your exhale for just a moment before he pulls back. "Can taste it, too."
He's gone before you can lean into him. You sit down heavily on the bed. Whiskey aside, Joel's touch, his kiss, his attention always make you feel a little overwhelmed. And he knows it. You hadn't even heard him creep over to you.
"Asshole," you mutter.
"Say somethin'?" He's wandered to the closet to shuck off his jeans and sweater.
"Remember Scott?" you ask instead. "Short, got that scar across his face."
"I might be old but my memory is fine," he grumbles. "Patrolled with him last month."
"Well, he's been with Duy, that guy who works the gardens, for almost half a year, right? But according to Wendy, as of yesterday, Scott's not living in the house on Spring Street anymore. She saw him moving into a split level on Crescent."
Joel whistles through his teeth. You watch him slide into flannel pants, catch flashes of his tanned skin and your palms ache to touch him.
"You think it has to do with...what was his name? The other guy Scott's with sometimes? Phil? Peter?"
"Patrick. Yeah, that's what I thought too. Something must've been happening there." You tuck one leg under you on the bed. "What was that about a fine memory?"
He ignores you. "Never did like him much," he says. "He talks a lot." He reappears from the closet in his pants that belonged to some other man long dead, his chest bare despite the cool evening. He's a furnace, this man. You barely need layers to sleep in as the seasons change so long as he's next to you, all solid warmth and muscle. He tosses you the shirt you like to sleep in. It smells like what passes for detergent these days.
"You don't like anyone much," you tease as you unfurl your leg. It's not true, not really. Joel likes a few people a great deal and tolerates everyone else just fine. He's respected not only for being Maria's brother-in-law but for the way he can fix things, for his calm head on patrol. Children in town adore him and Ellie's friends used to revere him like a god, or so she tells you. You didn't know him before Jackson but you know enough about what happened twenty years ago, four years ago, and everything in between. You know that it made him hard but hollow. You know that that dear girl in the back shed brought him back to life and now that they're on the mend, you can see even more pieces of who he was.
You know that you've helped, too.
"I like you plenty," he says. He stands between your knees and frames your face with his hands. The callused pad of his thumb drags over your lower lip as you just stare at each other for a few moments. You press your palm to his stomach, nails sliding through the thatch of hair that leads down under the band of his pants. His abdomen contracts and his nostrils flare.
You give him a grin. "I like you plenty, too, Joel Miller." There isn't much more to it. He's probably your favorite person on this god-forsaken planet.
"Get outta these damn clothes," he grumbles around a small smile of his own. He tugs at the shirt in your hand.
You wiggle your eyebrows at him. "Oh, so we can f--"
Joel steps back and heads for the bathroom, leaving you behind with a dramatic sigh. "So we can go to sleep."
Laughter spills out of you as you head for the closet. "Whatever you say."
"You're a pain in my ass, you know that?"
The end of the world isn't so bad.
thank you for reading <3 reblog, send feedback, general masterlist here
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starryevermore · 2 months
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the house of snow (9) ✧ coriolanus snow
the house of snow ✧ a royal coryo au | pinterest board| ao3
pairing: king!coriolanus snow x fem!reader
series summary: the king of panem is in search of a bride. and, for reasons you can never understand, coriolanus snow has set his sights on you. it would never be a happy marriage, you’re sure of that. but none of that matters, because when snow decides he wants something, he will do everything in his power to ensure it is his. 
chapter summary: he is in love. 
word count: 1,823
series warnings?: 18+ MINORS DNI, royal au, regency au, arranged marriage, rivals to lovers, obsessive!coryo, jealous!coryo, protective!coryo, eventual smut, eventual pregnancy, more tags to be added later
chapter warnings?: a shorter chapter, coryo’s pov, soft!coryo, obsessive!coryo, pet name (petal), not proofread
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Coriolanus Snow was fourteen years old when he fell in love. The academic year was nearly halfway over, just days away from winter break. Coriolanus hated breaks. His one hot meal a day would be ripped away from him for at least two weeks—longer, perhaps, if the weather turned inclement when school was supposed to pick up again in January. The only good thing about a break was not having to carefully construct his image, to ensure that no one realized that the great house of Snow was falling. But he tried to not pay either issue any mind, choosing to focus instead on the Academy’s trip to the opera house. 
It was supposed to be a culture day of sorts. Since the war and the Dark Days, the arts had been slow to return to the Capital. Most of the funding was spent on rebuilding efforts, ensuring that the Capital’s citizens had places to sleep and things to eat. But the Plinth family had been funding the arts steadily over several months since being granted their title, enough so that the opera house could open its doors once every few weeks to hold a performance. Strabo Plinth paid for a Lord’s Room, and insisted that Sejanus’s class be able to attend one such performance. 
Coriolanus did not particularly care for the arts. He could see their value, sure, in being able to memorialize parts of history, to show how the public viewed the changes in culture. It was a history lesson for him and little more than that. 
His mistake, of course, was muttering that to Sejanus as they took their seats in the front row of the Lord’s Room. Or, rather, his mistake was saying such a thing within your earshot. 
“I beg your pardon?” you said, peering around Sejanus. 
Coriolanus stiffened, surprised to be called out so publicly. It was one thing for you to question his ideas in the classroom. He didn’t mind that. It kept him sharp. It made him always prepared to provide a solid rebuttal to a counterargument. But this? He didn’t know what to do with this. “I believe our time could be better spent than listening to people sing in a language that we don’t even understand yet.”
“It is remarkable to think that a boy so intelligent could think so lowly of the arts,” you said, turning your nose in the air. “The arts bring us a sense of community. It allows us to come together and understand the way our society functioned and continues to function. It breeds creativity, and with that, innovation. Do you think we would have such impressive advancements if not for people becoming inspired by the beautiful? You think you’ll become a man of logic, of sound mind, but you will be little more than a cynic if you do not appreciate the arts.”
He blinked. Well. He didn’t know how to rebut that. He tried, though, because Snows do not back down from a challenge. “I can understand the value of poetry and prose. But a performance? It seems more gratuitous than anything beneficial to proper society.”
“Perhaps you are of simple mind, then,” you said. You turned your attention to Sejanus. “Are you also simple?”
Heat rose to Coriolanus’s face. He prayed that he did not look as red as he felt. Before Sejanus could answer you, he said, “Are you of simple mind? I can hardly think of a reason to attack someone’s intelligence other than for a lack of a proper argument.”
Rather than looking as embarrassed as Coriolanus felt, you only laughed. “Fair enough, I suppose. How about, you try to find enjoyment in this performance and if you don’t, you can gloat without interruption or criticism.”
“I shall agree to your terms.”
But as the performance began, Coriolanus could hardly focus on anything other than you. How you sat at the edge of your seat. How you propped an arm up on the railing, cradled your face in your palm. The way your eyes seemed to sparkle as you absorbed every note. You were mesmerized and mesmerizing. He couldn’t look away. Coriolanus might not have learned the importance of opera that day, but he certainly realized you were a work of art all your own. 
Coriolanus Snow fell in love at fourteen years old in an opera house. 
Two weeks later, when the Academy students returned from break, he left a single white rose he begged his Grandma’am for on your desk. You did not know it was from him, but he didn’t seem to mind. Not when you showed the flower to everyone you saw. Not when you wore it so proudly in your hair. 
And, now, ten years later, he brought you another rose as you sat curled up in his palace’s library. 
You had not yet noticed his presence as he stood several feet away. He didn’t mind, though. Coriolanus fell in love with you when you didn’t even realize he was watching, and he fell further in love with you every moment he had to admire you. 
Coriolanus twisted the rose by its stem pinched between his fingers. It was not often that he felt anxious, but it was becoming more frequent. After everything that happened with Sejanus, he found himself becoming paranoid that you might run away. That everything you said that evening was an elaborate ruse and that you were waiting until the last moment to run away to the base Sejanus was stationed at. That, despite his efforts in intercepting Sejanus’s letters to you, one might have slipped through and you were just biding your time. 
Still, he felt the need to apologize to you. He was not sure how truthful you had been when you said you intended to tell him of Sejanus’s plan. He wanted to believe it, to be sure. But Coriolanus had been angry enough to murder Sejanus then and there, and he was sure you realized that. Coriolanus was worried that he scared you, that he might have gone a hair too far in ensuring you would not be taken away. That one day soon he might wake to news that you were gone—running off to a life with Sejanus or a life away from him, he wasn’t sure.
And yet, here you were. You had come to the palace unchaperoned, of your own accord. You had done so every day this week. You let him kiss you, and you kissed him. You let him hold you. He did not go further than that—nothing more than passionate kisses and longing touches. Not because he did not desire it, but because he wanted to know you desired it. It meant little to him to have you as a wife in name. He wanted to drive you as insane as you drove him. 
Your head lifted as his footsteps echoed across the floor. You watched him as he approached, knelt down before you, and plucked the book from your hands. He marked the page you were on and set it aside, replacing the book with the rose. 
You stared at the rose, admiring its pure white petals. “Thank you, Coryo,” you said.
Oh, how he loved for you to say his name. He wished, of course, for it to arise under different circumstances, but he loved it nonetheless. 
You reached down, a hand cupping his chin, and pulled him up to meet your lips. Coriolanus kissed you softly, as if you might break, before he moved away and took a seat next to you. He pulled you into his side, his arm snaked around your waist as your head fell against his chest. Your legs curled up under you. You burrowed yourself further into him. 
“The ton might soon think we have held a secret wedding if you continue spending your every waking hour here, petal,” he teased. He wouldn’t mind if they thought that. Anything to keep the ton from trying to take you away. 
“The ton would believe we lived on the moon if someone was convincing enough.”
He laughed and shook his head. It was nice for you to tease but not direct it at him. “I am pleased you spend so much time here now, though.”
“It…feels safer.”
Oh. Oh, he liked that. How long had he been hoping you would say something like this? Coriolanus lifted your hand to his lips and pressed a kiss to your knuckles. As much as he liked the push and pull with you, this was better. This was nicer. This was the sort of life he deserved. 
“Yeah?”
“I don’t feel like I have to pretend to be someone else. When I am with the rest of the ton, I have to still act like a respectable young lady. At home, I can’t even read in peace. But when I am here, I can read and call you horrible names without judgment.”
Coriolanus snorted. “Oh, I judge you for the names you call me.”
“But you don’t stop me either.”
“No, I suppose I don’t.” 
And why would he? He loved your wit. Even if there were times he wished you would tone it down, he appreciated that you didn’t put up with bullshit. Coriolanus had little respect for people that allowed others to walk all over them. In his view, most of the ton was like that. You, however, were a beautiful, shining exception. 
Coriolanus glanced around the room, making sure that Coriolanus the Cat was not around. Whenever he tried to kiss you, that damned cat would appear out of nowhere to try to claw his face off. (Or, as you put, “play with him.”) Coriolanus wasn’t sure if you were in cahoots with Sejanus, but he was certain that you were in leagues with the cat. Once he was sure the cat was not preparing for attack, Coriolanus cupped your face in his hands and pulled you in for a kiss.
“You can call me anything, and I will still adore you,” he mumbled against your lips. “I love—OW!”
You pulled away with a laugh as Coriolanus the Cat pounced on top of his head. You reached for the cat, cradling the beast in your arms, cooing at it. “We don’t attack our papa, Coriolanus,” you said, pressing a kiss to the top of its head. “He doesn’t deserve that, does he?”
Coriolanus glowered at the cat. “I don’t think that’s my son. I think he’s a bastard.”
You swatted at his chest. “Don’t be rude, he can hear you!”
Coriolanus leaned down and whispered in the cat’s face, “bastard,” before pulling away before the cat could claw his face off. But, while the cat was trapped in your arms, he did take an opportunity to steal another kiss, grinning as you giggled against his lips. 
Hmm. He could get used to this. 
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radiance1 · 4 months
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HAHAHHAHHAHDHASDHSADASHDASDKHBASDHSDBHSABHBASDBASBDJASDHBSABDHSABDHBASHDASDBHADBBASHDBSAHDBASHd.
Anyways.
Teddy Bear Danny au again les go.
So, established that in this au Danny is a teddy bear. But I think we'll flesh it out a bit more? Like, outwardly, his appearance is that of a teddy bear but he's still flesh and all that?
Maybe his flesh took on the qualities of whatever his Teddy Bear was made of before the fuse an allat, maybe he even lost his skeleton or sum.
But anyways, so. I want Danny to just be like in Gotham for one reason or another, maybe he was abandoned by the Fentons on accident when they went to Gotham for some ghost hunting thing.
Maybe he was a stowaway and then got left behind because he got lost.
Whatever the case, I can't help but think of him becoming an inventor just because. Like, he was just wandering around as one does after being accidentally left behind by one's parents, he breaks into a house (Really, they left the window open, and it was raining, cut the kid sum slack) and then finds a broken appliance that he just. Fixes up.
For literally no reason other than he could.
Then he steals some of their food and hides when he hears someone coming. Somehow, probably because of ghost powers, he managed to remain out of their sight the whole time and then dips when it stops raining.
Maybe Danny even carries around a little tool that the Fenton's made so that they don't have to carry around a toolbox. Like, a one in all tool kind of thing.
Maybe Danny wanted to fix up somebody's thing, then when he finished and came back his parents just, weren't there.
So, a teddy bear just wanders around the neighborhood and fixes up people's stuff for free, nobody knows it's a teddy bear or why someone makes it their personal mission to just break into people's houses just to steal some food and fix up broken appliances, but nobody is really complaining about it.
Again, nobody knows who's doing this. But they know they do a fine goddamn job of it. Maybe they just, start leaving out their broken items in one specific area after a while along with some food, it took Danny a while to realize that people are deliberately leaving out stuff for him to fix as well as food, but he's not complaining.
He just gets to fixing up their stuff and eating the treats they leave behind, then leaves before anyone catches sight of him. Maybe one day someone leaves him a toolbox as a gift, and while Danny is flattered, really, he can't really pick it up because. Well. The size is a problem.
A few days later, and he's left a smaller one after slapping on a note written with very messy handwriting explaining how it's too big for him. Which Danny very gladly takes.
Maybe he even finds himself a little hardhat toy that he uses to complete the look. Like a little construction worker or something. Eventually, Danny becomes a famous local little cryptid who fixes up various things basically for free in exchange for food, but nobody has ever seen him and only works out of sight and all that.
Honestly, everyone is just happy it isn't a new upstart villain or whatever, even if they haven't seen the little guy. Some theorize that he's actually just some random Gothamite kid, some theorize that he's actually a spirit who just really likes to fix things up for whatever, some think he might actually be a fairy who decided to bless Gotham with some minor convenience after the absolute hell of it being, well, Gotham on a whim.
Whatever the case, every civilian who knows about him is pretty thankful of him existing. Because they don't have to spend a bunch of money on, you know, fixing their stuff.
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Lucky Break Chapter 4
Yandere Straw Hats x Fem!Reader
5.8k words
Beginning / Previous / Next
The longest chapter yet, but at least this arc is finally wrapped up!
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Just as you thought, you could hear them before you could see them.
“Sounds like they’ve got this covered. I don’t know what you’ve got planned, but I need to go get something that belongs to me. Bye!” Nami slapped you on the shoulder and then diverted from the path you were following.
“Wait, I don’t have anything planned! What am I supposed to do about any of this?!” You called out after her, but she paid you no mind, the woman was on a mission. The light jog you were doing trickled down into a standstill. 
What were you supposed to do?
There isn’t exactly a guide for this, and even if there was, you can’t remember having read it. 
There was yelling and the sound of weapons clashing no more than a block away from you. Wait- That’s it! Weapons! You need a weapon! You can’t just charge into battle and help your new companions empty handed.
But where would you find one? Well, this town is something of a war zone, maybe there’s a weapon lying around? You would settle for even just a kitchen knife at this point. Literally anything to give you some semblance of protection.
Hoping that Luffy and Zoro will be okay until you can help, you scurry down an alleyway. “Come on, come on, give me something,” you mutter under your breath. Your eyes dart around wildly, scanning the surrounding area. There are some stray bricks and broken planks of wood from the buildings being destroyed. That could work potentially, but you decide to look around a little longer.
A structure catches your eye ahead of you. Scaffolding next to a house that hadn’t been finished  yet. A relieved grin spreads across your face. Construction tools! You could use a saw or a hammer or something like that!
There were some crates and tool boxes lying on the ground, all open. The boxes have what appear to be blueprints and building materials. The toolboxes are damn near empty. Some nails and screws litter the bottom of it, plus a couple of tools that won’t help you like a tape measure. 
“Shit!” You kicked the nearest toolbox in anger. What were you supposed to do? Bare knuckle box some armed super-powered pirates? Feeling crushed and frustrated, you drop down into a squat and put your head between your hands, pulling on your hair.
This was so stupid and unfair. You can’t even remember your own name, and now the only people willing to help you are having to fight on their own while injured and you’re helpless to do anything. Why are you even here? For what purpose? What happened to get you to this point?
A rush of air, followed by a clanging noise right in front of you startled you. The shock made you fall onto your ass, scared that you were under attack. A quick once over of the alley revealed that you were still alone. What was that?
Then, a piece of paper flits to the ground just ahead of you. It lands on a coiled piece of metal that you don’t remember being there before. Is that what made the noise? Hesitantly, you reach out to grab the paper. There’s something written on it.
“Lucky”
What an interesting event
Losing your memories was not my intent
To aid in your journey
Please take this urumi 
“A”
Next to the letter “A”, was an ink stamp. One you recognized. You fished out the necklace from under your shirt, and sure enough, the stamp matched it. A jolly roger with a wand clenched between its teeth.
Where did you get this necklace from initially, and how did “A” know about your new nickname? How did they know where you were? You look up at the rooftops, but see nothing and no one. You hadn’t heard anyone approach either. It’s like these things just appeared out of thin air.
Much like you did according to Luffy.
A loud explosion rang out and shook the ground. Oh right! You’re supposed to be in a battle! You clamber onto your feet and pick up the so-called urumi by what you believe to be a handle while stuffing the note into your satchel. If you’re being completely honest with yourself, you have no idea what an urumi is supposed to be. You assume it’s a weapon, but why would a weapon be so… limp?
The “blade”, if you can call it that, unraveled and drooped to the ground. It was like some bizarre love child of a whip and a sword. How was something like this supposed to help you? Is it even sharp? Gingerly, you stroke the edges of the blade. 
“Ow! Okay, yeah, that’s sharp,” just lightly touching in was enough to draw a couple drops of blood. You bring the finger to your mouth, feeling a little dumb now for managing to cut yourself within seconds of getting your hands on this thing. You have no idea how to use any weapon, much less one so unique.
Experimentally, you hold it out and flick the blade away from you. It cuts through the air and cleanly slices through a leg of the scaffolding like a hot knife through butter. The structure shifts slightly, but remains standing.
You can’t help but eye the weapon warily, this thing seems extremely dangerous. Great for dealing with enemies, bad for you if you aren’t careful and don’t know what you’re doing. Which you don’t.
It would be good to go and help your companions now that you’re armed but you want to get a better feel for this thing before charging into battle. Swaying it back and forth is helping to get a better feel for the weight of it, but the method in which you could safely wield it is still beyond you.
“There she is! The liar that tricked and made a fool of us!”
You were so focused that you hadn’t even heard the small band of enemies approaching. Their clothes were torched and skin burned, and they looked furious. With swords raised, they ran right at you, bloodlust in their eyes.
A shriek emitted from your throat, and your arm flailed as you panicked. The urumi’s blade struck the scaffolding again, effortlessly going through several legs before wedging itself into the brick wall. The structure pitched forward and groaned. Your attackers looked up just in time to see the whole thing come down on them. All of them were pinned under the weight of it plus the supplies that had been piled on. Some of the people were knocked out by the falling material, while one was left awake.
He was trapped, but could move his head just enough to scowl at you. “I bet you think you’re really clever! Well you won’t get away with this, Captain Buggy never loses! It’s only a matter of time before he takes your head for this trickery!” Venom dripped from every word, his loathing so tangible that you think you could cut it.
“Not really, I’ve just,” you yanked on the urumi, trying to dislodge it, “got a lot of dumb luck it seems.” And some magical note and weapon giver, but that’s hardly something to bring up in casual conversation. Damn, that thing was really in there. You readjust your grip and pull again. There’s a creak, and then it breaks free. It came loose so suddenly that it made you stumble as the blade flung around you, narrowly missing that one guy’s head.
The man screamed, pulling his head back into the rubble like a turtle retreating into its shell, “Are you trying to kill me?!”
“Weren’t you trying to kill me?!” The double standards up in here were insane. They could gang up on you, but you almost accidentally hit him and now you’re the bad guy? Ridiculous. He fell silent and didn’t answer, “Yeah, that’s what I thought. Now if you’ll excuse me, I must get going.”
Realistically, you don’t think it’s a good idea to be slinging this thing around, especially near Luffy or Zoro, but it was comforting to at least have something now. You examine the urumi closely, contemplating the best way to carry it. There’s a loop on the handle, and you get an idea. 
Carefully, you wind it around your waist and feed it into the loop. Sure enough, it fits together snugly, and now it looks like you have a strange belt on. Alright, you’re feeling a little bit better now, hell you even stopped a few attackers (albeit accidentally).
Now it’s time to actually join the fight.
Well… Maybe you’ll assess the situation first. You just needed to figure out how to do so without being caught unprepared. Getting onto a rooftop could work. The house in front of you had a pretty low roof, climbing onto it shouldn’t be too hard. 
You kick a crate close and hop on. It takes some effort, sure, but you’re able to pull yourself up. The shingles dig into you through the clothes, but it’s hardly the worst thing you’ve been through today. Finally, you can see what’s going on. It looks like there are only four people involved in this fight. There’s Luffy and Zoro, of course. Buggy is also there, seemingly unharmed from the cannon fire earlier. You suppose that isn’t too surprising considering his weird powers. Then there’s also some guy on a unicycle because, sure, why not? 
Zoro and the unicyclist are fighting each other. Zoro is fighting hard, but it’s clear even from your perch that he’s struggling to fight with his injury. Luffy is too preoccupied with Buggy to be able to help him, and you’re positive that you would just hurt him more if you were to charge in with your unwieldy weapon of not-choice.  
What else was there to do? You’re scanning the area for ideas, seeing lots of rubble and injured pirates strewn about. One of which being Richie, who was currently licking his wounds. 
Hang on, you might know what to do now.
A hand digs around in your pants pocket and pulls out the laser pointer you put in there earlier. You don’t know what the range on this bad boy is, but hopefully it’s going to be strong enough for what you’ve got planned. 
Pointing it in the direction of the white lion, you click it on. Lucky for you, it reaches, and a red dot is just ahead of Richie. He doesn’t seem to have noticed it, so you wiggle it around. His head snaps up, and you rejoice on the inside.
He reaches a paw out to it, but you move it away. At first, he’s startled, but then he’s up on his feet and in pursuit. You keep moving it away from him, zipping it around to keep him interested. If you could get him a little closer, you should be able to help Zoro. You doubt that unicycle boy is going to be able to fight well if there’s a lion on top of him.
You risk a glance over to them, only to notice something else. Buggy is using his powers for a sneak attack! Shit! Change of plans, you need to throw him off instead!
Hastily, you move the dot onto his back and pray that Richie goes for it. The lion sees it and pauses, but then he crouches and creeps closer. Yes! Just a little bit more! Come on, Richie! His tail flicks wildly, and he then pounces.
Buggy hits the ground with an indignant shriek. He’s kicking and screaming, “Mohji! Get your damn lion under control!” 
You did it! You helped! Taking another look at Zoro, you see him land a finishing blow to the unicyclist. This is going much better than you would have thought! With that guy out of the way, everyone can focus on taking down Buggy.
Luffy was first to take this opportunity. Buggy had barely gotten back onto his feet after being pounced on by Richie, only to get punched by the rubber captain. The blow sent him tumbling head over heels away from him. Luffy wasn’t about to let up and continued the assault, but Buggy was able to get onto his feet and scramble out of the way of the next blow.
They engaged in a back and forth, each using their unique powers to try and get one over on the other. You tried to use your laser pointer again, but Mohji had Richie’s full attention while he was scolding him for attacking the captain. Well there goes that idea. At least you got it to work once.
You army crawl backwards so you can climb down from the roof, but stop when you notice something red flying right at you.
Oh shit, that’s Luffy!
There isn’t even enough time to brace for impact before the human wrecking ball crashes into the building and brings everything down on top of him, you included. You yelp and fall directly on top of him, disoriented but otherwise fine.
Luffy, entirely unbothered by the whole affair, helps you get up off of him, “Oh hey, Lucky! I was wondering when you were going to get here!” He stood and pulled you with him while readjusting his hat.
“Sorry, I just needed to pick up something first,” your hand drifted down to your new weapon, still getting used to even having one. The presence of one feels so foreign that you can’t imagine you ever carried one in the past.
He waved off your apology, “Don’t worry, it’s basically over already! I’ll finish this here and now!” Luffy bounced out of the crumbled building and got ready to do just that.
“Excuse you! Don’t underestimate me! And why are you talking to my crewmate?!” 
What? No. How could this guy still think you’re still on the same team? That’s not possible. He saw you run to Luffy’s aid with the key you stole from him. Maybe that cannonball did hit him after all and knocked his common sense right out.
“Huh? Lucky is your crewmate?” Luffy’s head tilted to the side, genuine confusion on his face.
Several of Buggy’s pirates piped up, “She obviously tricked you, Captain!”
“No one can trick me! Be nice to our newest member!” Buggy whirled around and actually started scolding them. Is he stupid? What is happening?
“I’m not in your crew! I lied to you so I could try and save him,” you clarified while pointing at Luffy, amazed that this even needed to be said. Luffy immediately accepted this explanation, nodding and winding up to take a swing at Buggy.
“Lucky, please! I know we got off on the wrong foot but-” Buggy’s pleas were interrupted by Luffy resuming the fight.
Carefully, you work on stepping out of the collapsed building, still a little baffled by that exchange. Whatever, no use in overthinking it. There are more important things at hand.
The sound of something heavy being dragged across the ground caught your attention, it was Nami toting a couple of massive bags behind her. She met your gaze and motioned you over, “Oh, good timing. Help me move these!” 
What? No please? Whatever, this is another thing not worth worrying about in the moment. You catch up with her quickly and take one of the bags. The second you do, you stumble. My god this thing is heavy! You do your best to pull it along, “What did you put in here? It weighs a ton!”
“It’s all of that clown’s treasure!” Nami answers happily, eyes sparkling. 
“Why do you need all of this? What would you even do with it?” You’re huffing from the exertion of hauling your bag.
“That’s my business, thank you very much,” she said dismissively. Well then, you guess that’s the end of that conversation. 
“Hey! I see you! How dare you steal from me!” Buggy screeched. A hand holding several throwing knives was flying right at the both of you. Nami screamed, but refused to let go of “her” treasure. Your hand hovered over the urumi, but you hesitated. You really don’t think you possess the skill to slice his hand out of the air.
Fortunately, you don’t have to try, because Luffy’s own hand rockets towards Buggy’s and snatches it out of the air before he can make contact. Your shoulder slump in relief, good thing he’s so on top of this! 
Luffy’s victory doesn't last long, another hand comes up from behind and steals his straw hat. You would think that he would just be happy that he wasn’t stabbed, but no. He looks enraged. You haven’t known him long, but the anger on his face feels wrong.
“Give that back! That’s my treasure!” His voice was so authoritative that you didn’t even question how something as simple as a hat could be considered treasure. Whatever reason he has, it must be a good one if he’s that mad about it.
Buggy begins on some tirade about the previous owner of the hat. Some dude named Shanks? Weird name. Well, to be fair, a lot of the people you’ve met have had strange names. 
You don’t get to listen in on this long, Nami taps you on the shoulder and indicates for you to follow her. You barely take a step before she tacks on, “Bring the treasure!”
After the oh so precious treasure is dragged into the nearest alley, she starts rifling through some boxes. Since she doesn’t appear to be planning on explaining herself, you pipe up, “So… Are we looking for something in particular?”
Nami doesn’t look up from her search, “We need something to stop that guy from coming after us or else I’ll never be able to leave with my treasure.” The explanation was simple and to the point. You pitch in and start looking, too. A net would probably work, but what were the odds of some nets just so happening to be here?
“This’ll work!” Nami springs up and tosses a bundle your way. You catch it, and it’s a coiled up length of rope. You nod, this is a nice alternative to your net idea. She strolls to the entrance of the alley and pokes her head out, “Next time this circus freak splits apart, you and me will tie up the pieces. Got it?”
“Got it,” you conceded. Sounds doable, especially if Luffy is keeping him busy. Sure enough, Buggy splits into a bunch of parts in hopes of confusing his opponent, but you’re not about to let him succeed.
You and Nami spring into action, grabbing airborne limbs and wrapping the ropes around them as tightly as you can. They’re wriggling wildly, and it is admittedly disturbing to be holding disembodied arms and legs, but you don’t give up. Unfortunately, both hands and feet evade you as well as Nami. You can only hope that the two of you were able to apprehend enough parts to make a difference.
Buggy attempts to put himself back together again, and the writhing piles of limbs try to fly back to him, but Nami acts swiftly and throws both into a box and seals it shut. The box rattles, but the body parts are unable to escape. The both of you smile triumphantly.
“What happened?! Where’s the rest of me?!” 
You look over to him, and immediately snort out a laugh. Which then escalates into hysteric laughing. Nami looks at you questioningly, before seeing it too and joining in with her own laughter.
Buggy the clown, the fearsome pirate that’s been talking mad shit since you met, was now nothing but a head with hands and feet. Absolutely nothing else.
Even Luffy was laughing, a pleasant sight after his previous expression. Buggy was still trying to act tough despite the situation, but Luffy was having none of that. He took a couple of steps back, then ran at the incomplete clown and kicked him. He didn’t just go sailing down the street, no, he went clear into the sky and vanished.
“Team Rocket blasting off again,” you mumbled. Then your face scrunched up. Where did that come from?
“Did you say something, Lucky?” Nami asked.
“N-No, that was nothing. I’m just glad that’s over with.”
“You and me both, I hate having to deal with pirates,” she agreed.
The sound of flip flops slapping against the ground was your only warning before being pulled into a group hug. You and Nami were squished against each other and unable to move when Luffy’s arms coiled around you both. He cheered and hopped up and down enthusiastically, “We did it, good thinking guys! We already make such a great crew!”
“I am not part of your crew,” Nami wheezed.
Luffy stopped, loosening his grip a little but not enough for either of you to escape, “Huh? But you said you’d be my navigator.”
“All that I agreed to was a temporary alliance, that’s it,” she clarified while trying desperately to get out of his clutches.
“Are you still gonna sail with us out of here?”
“Sure?”
“Okay, that’s good!” Luffy was content with the answer, however unpromising it may be.
“Where’s Zoro? I haven’t seen him in a while,” you were craning your neck around to try and spot him. Now that you thought about it, you haven’t seen him since his fight with the unicyclist. Was he okay? Did he succumb to his wounds after the fight?
Mercifully, Luffy let go and pointed to where he was, “He’s over there, he said he needed to sleep some more after fighting.”
“What, right in the street?” You asked, thinking for sure that you’re misunderstanding. Obnoxious snores cut through the now silent air, and you realize that you understood perfectly. There he is. Out cold in the middle of the street like it’s the comfiest mattress he’s ever experienced. You know what? You’re not even surprised now that you’re looking at him. This checks out for him.
“Hey, guys, I think we should leave,” Nami threw out, handing the treasure bag you had been hauling to Luffy.
“Why?”
“There’s a mob and they look mad.”
A mob?! Sure enough, rounding the corner of the almost leveled street you were on was a massive angry mob of people. They’ve got torches and pitchforks and everything. They aren’t dressed like the pirates, you think these are the missing townspeople! That’s fine then, you guys just defeated the clown that had been terrorizing them. By all accounts, they should be happy with you. Right?
“Mayor Boodle! What happened to you?!” One of them cried out and ran to him. Oh wow, you hadn’t even noticed him being there. The mayor was currently sprawled out on the street. Unlike Zoro, he did not appear to be sleeping peacefully. If the knot on his head was anything to go off of, it looks like someone knocked him the hell out.
Damage control, you need to do some damage control! And quick!
“Oh him? I punched him,” Luffy interjected, looking rather proud of himself.
“You what?!” You and the townsfolk yelled all at once. Good lord, does Luffy just enjoy concussing people?! Should you be more suspicious about what happened to you?
“Hey! That girl stole my clothes! And paired it with a hideous coat!” An absolutely furious woman in the crowd pointed at you. Oh come on! How many people are going to call you out for wearing their clothes today?!
Luffy laughed, amused and unbothered, “Let’s go!” He reached for and yanked Zoro to his side and motioned for you to support his other side, and the second you picked him up you were running.
“Don’t let them escape!”
The mob surged after you all and were hot on your heels. You’re not sure that you’ll be able to lose them at this rate. 
Luffy took a hard right, leading all four of you down an alley. In the middle of it was a dog. Wait, not just any dog, that’s Chouchou! The dog he helped. You leapt over him, and the second the crowd approached, he switched from quiet guarding to aggressive barking.
Despite their numbers, this did make the people hesitate, buying you enough time to get ahead. Luffy called out a ‘thank you’ to the dog over his shoulder, much to the bewilderment of the crowd. 
The docks were just ahead, you were almost home free!
Nami leapt into her own boat, not wasting a second, and began to set sail. Luffy all but threw you and Zoro into yours. Both of you landed with a thud and Zoro groaned, opening his eyes groggily. He looks around lazily, “Where are we?”
“Back on our boat, we got chased out by an angry mob,” you explained, gently shifting him off of you.
“Why?”
“Because Luffy attacked the mayor,” you shot the assailant in question a dry look, not that he was paying attention.
“He did that to save him, why are they mad about it?” Zoro yawned and tried to make himself more comfortable. You didn’t even know how to respond to that. How do you save someone by punching them?
“Hey, you ruffians!”
Everyone looked to shore and saw the mayor standing there. Well he sure made a quick recovery since you last saw him two minutes ago! You waited anxiously to hear what would be said next. Would he curse you all? He probably doesn’t even know how the final battle went.
“Thank you!”
He’s… thanking you guys? 
Luffy laughed boisterously and waved, “You’re welcome, old man!”
“Wait! Luffy, where is the bag you were carrying?” Nami interrupted the moment, looking around frantically. “Did you forget it?!”
“No, I left it behind for them. They need it more than I do!” Luffy smiled innocently and pointed to where it was left on the docks. The locals were already investigating the bag to see what it was.
Luffy, a pirate, abandoned treasure because he thought the people who chased him out of town needed it more? What kind of a pirate would do something like that? What kind of a person would do something like that? The answer was obvious, you suppose.
A good one.
You looked over at him again, only to see Nami actively trying to drown him. 
“Nami, no!”
It took some time to ease the tensions between Nami and Luffy after the whole treasure incident. Time, and Zoro keeping them separated. Fortunately, Nami did eventually relent and agreed through clenched teeth that maybe the townsfolk did need the money.
Luffy had no problems to reconcile on his side, he had somehow already forgiven the attempted murder by the time Zoro pulled him above water.
Nami had set course for some nearby islands with the goal of acquiring a better ship as per Luffy’s request, and after that it didn’t take long for night to come. Nami offered to stay awake to make sure you didn’t go somewhere you weren’t supposed to, which was nice of her.
Getting some sleep sounded nice. At least, it sounded nice in theory. The small boat that you, Luffy, and Zoro were all crammed into didn’t offer much room for stretching out or having personal space. That, and Luffy had chosen to sleep by sprawling across you and Zoro in lieu of a bed. He wasn’t particularly heavy, but he wouldn’t stop moving.
You doubt you had slept for more than a couple of hours before being awoken by Luffy biting your arm, murmuring about meat in his sleep. You awoke with a start and roughly shoved him off of you on instinct. He barely even reacted and simply latched onto Zoro in your absence. Better him than you.
Sleep was unlikely to come to you again tonight. You carefully scoot yourself away from the two, with plans of stargazing until morning. The action didn’t rouse either of them, but it got someone else’s attention.
“Who’s awake?” Nami called out.
“I am, Luffy bit me,” you answered back.
She snickered, humored by your suffering. “Come over here and keep me company,” she yawned, “I’m getting tired.”
Chatting with Nami doesn’t sound like a bad way to pass the time, so you agree and shakily get to your feet. The two boats are tied together to keep them from drifting apart, so the distance isn’t far, but the instability of being at sea made it feel much more challenging than it should be.
Rather than help you by keeping the boat steady or even just offering a hand, Nami merely watched you struggle and didn’t even attempt to hide how funny she found this. Luckily, you were able to get over onto her boat without going overboard. 
“You’ve got some great sea legs under you, huh?” Her voice was dripping with sarcasm. 
You stumbled over to where she was seated and plopped down next to her, “I hope you know that I’m staying over here now, I’m not doing that again.”
That got a chuckle out of her, “That’s fine, I told you to come keep me company anyways.” The conversation lulled and you glanced over at her. She was focused on mending Luffy’s hat, carefully stitching the holes that had been put in it during his fight with Buggy. You hadn’t even known it had gotten damaged until you saw him fiddling with it after the little disagreement with Nami. It was surprising to see her offer to repair it considering how mad she had been only minutes prior, but Luffy agreed to let her anyway. 
“So, I’ve gotta ask: How did you end up with those two?” Nami broke the silence, “You don’t really seem like the type to be a pirate.”
“That’s… It’s a funny story, I guess? A short one, too,” you started. “According to Luffy and Zoro, I fell out of the sky, almost drowned, and when Luffy was pulling me over to their boat I hit my head,” you pointed to the bandages on your head for emphasis. Nami had stopped working on the hat and was instead gawking at you.
“I woke up a little while later, and couldn’t remember a damn thing. Not how I got there, what happened, or even who I was. Luffy got the idea into his head to try and help me remember everything, so now I’m traveling with them for the time being,” you finished the explanation. The whole situation was insane, but it felt good to talk about it a little bit.
“What? When did this happen, how long have you even been with them?”
“Since yesterday. I had only woken up a couple of hours before we got to that island back there,” saying that made you realize how much had happened in such a short period of time. It hasn’t even been 24 hours yet.
Nami was visibly horrified by your story. She spared a glance to the other boat, then lowered her voice and spoke to you in a hushed but urgent tone, “How do you know they’re telling the truth?! For all you know, they took you hostage and are hoping to ransom you!”
This was a good point, you had considered the possibility of foul play already, but you couldn’t fully commit to the idea of it. They didn’t seem like bad people to you. Unhinged, yes, but not evil by any means. You mulled over your next words for a minute, “I’ve thought about that, but I think they’re being honest. I mean really, I don’t think Luffy can even lie.” You laughed a little upon remembering the chaos he caused by telling the townspeople about what happened with Mayor Boodle, “Besides, if they were so concerned with getting money from a ransom, why would Luffy have left behind a giant bag of gold? That seems pretty counterintuitive to me.”
Nami still looked unsure, but not as freaked out as she had been. She shot another look at the other boat, a highly suspicious one, but ultimately sighed and went back to working on the hat. “I don’t like that story at all, but I’ll let it go for now,” she muttered.
You fell into another bout of silence. There wasn’t exactly a whole lot to do out here, so you settled for watching her put the finishing touches on the hat. After the last stitch, she pulled the string taut and tied the knot. She cut it and held the straw hat up to her lantern to admire her handiwork. It looked great, she had done an excellent job repairing it. 
“I’m guessing Lucky isn’t your real name then?” Once again, she had been the one to speak first.
“It’s not. Since I couldn’t remember it, Luffy came up with the nickname. He decided that I was “lucky” because he rescued me, so that’s how he chose the name.”
Nami scoffed, “I don’t know that I would call you “lucky” for that, but whatever.” She put the hat aside, and glanced at you briefly before choosing to look up at the stars instead. Her fingers drum against the wood of the ship anxiously for a moment, “Um… If you need to get away from them just let me know. I can drop you off at another island. Those idiots can’t navigate so they definitely won’t be able to find you.”
“Thank you, but that’s okay. I think I’ll stick with them for a while yet,” you answered honestly. They were some strange people, but you couldn’t deny that you found yourself liking them already.
“Suit yourself,” she said. Her disdain for the situation was palpable, but she seemed willing to drop it for now.
The only sounds now were the waves splashing against the boats and the wood creaking with each hit. It felt so quiet, unusually so, as if you weren’t used to it. The place you were before all this must have been very noisy if this makes you feel uneasy. 
But, this was a good opportunity to think over what happened today. Well, yesterday. Falling out of the sky was weird enough, having basically nothing from before this happened was weirder, but the weirdest thing of all was the note and weapon that seemingly manifested out of nowhere.
What was that? Who left it, and how did they know about your amnesia? If they knew you, why wouldn’t they come and collect you? What is there to gain from throwing a weapon at you and leaving you be?
You have so many questions and zero answers, but there is one question that stands out against all the others.
Who is “A”?
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dailyadventureprompts · 4 months
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Villain: The Gleebringer Battalions
Gallard Gleebringer only ever wanted to make people happy. By using his skills as a toymaker and inventor he sought to fill the world with devices that would bring wonder, and save people from the drugery of labor to give them more time for play.
Seeking to save his neighbours from the horrors of war, and under the patronage of the battlehungry local margrave, Gallard has a constructed an autonomous army of toy soldiers that in some weeks time will go berserk and begin rampaging across the land, playing out an inexplicable war-game that will leave villages sacked and the entire region destabilized.
It’s up to the party to notice the looming crisis and do something about it before the toys begin their march, As the powers that be are not only blind to the looming crisis but actively dismissive of any
Adventure Hooks:
Scraping together enough coin to fund a construct army has left the margrave’s treasury more than a little tight pursed, leading them to skimp on things like repairing infrastructure, public festivals, and resupplying their garrisons. There’s plenty of opportunities for adventurers as bandits and monsters propagate through the wilderness, and the lesser nobles rely on mercenaries to guard their holdings. Its only so long before the cracks begin to show however, as roads wash out and the realms defenders turn to brigandry. 
The party end up in a tavern drinking with an old military officer previously employed by the margrave. She’s iresome and illtempered, but she’ll crawl out of her cups long enough to tell the tale of how after twenty years of loyal service she was let go for protesting when some of the troops under her command were killed in a training exercise.  If the party press a little she might just let it slip that it wasn’t training so much as a field test of Gleebringer’s machines, which her boss insisted be against real troops. Later on, they’ll find an official bounty posted for the woman, who’s rallied some of her fellow discontented soldiers and started on a campaign of sabotage. 
For his part Gleebringer is quite blind to the looming threat, having been carried by his ever shifting attention to yet another new project once the design and manufacture of the armies were complete. The party might get a chance to talk to him however if they manage to sneak into the excursive exposition he's hosting in the province's capital, either by riding in on the coattails of a wealthy patron, or by sneaking in among the serving staff. Actually getting an audience with the toymaker will be even more difficult as the margrave has set his agents to watch and protect Gleebringer, and it's only so long before they notice the uninvited guest have crashed the private function.
Setup: While many gnomes dabble in artifice, it was early in his apprenticeship with the village toymaker that a young Gallard discovered both his love and prodigious talent for the technical arts. It wasn't just a magical knack, it was an eye for detail that had people saying that the gnome's creations seemed to be alive long before he figured out how to make them move on their own.
Soon Gleebringer toys were in demand across kingdoms, and Gallard found himself not only patronized by innumerable wealthy merchants and nobles but sought out by engineers and craftsfolk of all kinds who realized the genius packed away in his creations.
Gallard didn't let the fame or the fortune go to his head, instead using his growing connections and commission budget to experiment with even more complex designs. For example: scaling up from music boxes to clockwork bands, and eventually an automated opera house.
As a man who dreamed all his life of building a flying town, it was safe to assume that Gallard had his head in the clouds. He hated to see people suffer but seldom thought through the implications of his inventions, Such as when an automated lumber mill intended to supply materials for his projects put an entire town of foresters out of work. This penchant for distraction was only encouraged by the margrave, who saw the military applications of Gleebringer's gifts from the moment a clockwork dragon bought for one of his children ended up badly maiming one of the servants who saught to tidy up the toyblock castle it had been charged with guarding.
Over the past ten years, the Margrave has become Gallard's most generous patron, supplying him with workshops ( staffed by apprentaces who's loyalty can be counted on) and an endless series of new projects ( which always end up increasing the margrave's power and standing at the cost of the common good).
Art 1
Art 2
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solarpunkani · 1 year
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I think one thing that would be nice to see explored a bit more in Solarpunk art/aesthetic posts is how Solarpunk will likely look different depending on where you are, what’s feasible in that area, weather patterns, etc.
Like its almost 5am so I’m gonna be rambly but like. A lot of the most common features of Solarpunk art so far are a bit of an art-noveau type look, with lots of stained glass. Heavy emphasis on solar power and windpower and trees. In no way, shape, or form am I going to pretend this is BAD! I love this look, I think its great and inspiring and I love the color green I just.
Maybe Solarpunk doesn’t mean ‘green’ for everyone everywhere. Solarpunk might be more… yellows, and reds, and oranges. If you live in a desert, where there aren’t a lot of trees. I’m thinking places like Arizona, New Mexico, Niger, Chad, Libya. What would solarpunk fashion look like in these places—I feel like embroidered jean overalls won’t be common here. Traditional wear from these places is GORGEOUS, and I’d love to see more of a highlight on it and these biomes in Solarpunk. What would the housing look like—how would you keep cool indoors and out? I’ve seen a few ideas put into practice, but what would you dream up? How would you make them fun?
Similarly, how about coastal communities? Sure there’d be lots of green—but green may stand for seaweed just as much as it would trees. Not to mention the vibrant blues of the sky and seas, and the rainbow of colors from coral and seashells and glittering scales. What would a solarpunk community look like along the coasts of places like Florida, Hawaii, Jamaica, etc.? How are some of these places already Solarpunk? Wind and solar power could be an option, but we can also use hydropower as well—what would a solarpunk hydropower system look like in your wildest dreams? Fish-shaped spinning turbines underwater, swimming like sharks? Would houses float and bob along the water? How would gardening be handled with mostly salt water around—rain water capture would be critical, I feel—or desalination of small amounts of salt water. What would the fashion look like HERE? What does it look like already?
What does solarpunk look like in snowy places—like Alaska, Canada, Greenland, Russia? When green comes around in spring and summer, but fall and winter brings expanses of snow and ice? Solarpunk fashion here would be a LOT cozier than the solarpunk fashion on a Florida beach. I’m imagining lots of furs and layers. How would traditional practices be used to stay safe and warm, how would energy be captured and stored during long and dark winters? Would communities here be more nomadic, traveling further south during the coldest months, or would they stay where they are and construct homes that easily stay warm with little output?
Its actively 5am now so if I don’t make sense by all means. I guess I don’t make sense. But this has been on my mind for a few days now and I guess as we get closer to Solarpunk Aesthetic Week, this can be a fun and interesting thing to keep in mind! Let this inspire your art, your music, your fashion, your stories, your musing, and how you reach out to others about the ideals of Solarpunk.
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familyabolisher · 10 months
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Would you elaborate on why you don't really believe in addictive personalities? I find that a useful descriptor for myself that reminds me how easy it is for me to get into unhealthy behavior patterns. I have to fully stay away from tiktok and gacha games(I will never go gambling) because I know I can't trust myself with them. I also have to be REALLY careful with alcohol, etc. I have adhd and bi-polar, and I like having a phrase that describes my experience without being too over-medicalized and relating everything to diagnoses. I'm curious why you don't like it as a construct/whatever your opinion is!
personal explanatory power is one thing and i wouldn’t begrudge you that but i don’t really see how it has any materialist usage; and ultimately, like, i’m a marxist, any way in which i evaluate a framework that’s supposed to explain something in the world has to come from the assumption that the world is best explained through historical materialism. ‘addictive personality’ with no further elaboration is an idealist claim which obfuscates crucial points of discourse around addiction and the conditions that give rise to it—and indeed the conditions which cause us to name one substance or action as ‘addictive’ over another in the first place. addiction is materially punished; through social stigma, but also through housing discrimination, workplace discrimination, policing & incarceration, psychiatry, the sorts of forces that add up to eventually facilitate the conditions of social murder. we only have to look as far as the war on drugs to understand how ‘addiction,’ the consumption and circulation of substances regarded as ‘addictive,’ is not a prediscursive state but one that can be leveraged to violently enforce conditions of hegemony and quell insurgence through carceralism and social murder. i also just heavily distrust psychology as a field and certainly don’t buy these appeals to an essential self as a self who ‘has’ xyz tendencies as though xyz tendencies (such as the traits given in the five-factor model which is applied to ‘explain’ a predisposition to addiction) are anything other than postdiscursive descriptors we’ve imbued with meaning relative to a postdiscursive normalcy. i think psychological theorising around personality tends to obfuscate materialist frameworks in favour of methodologies which presume and reify normativity (eg. the claim that those more vulnerable to ‘addictive personalities’ have a stronger tendency towards ‘social alienation’ and ‘nonconformity’ without defining what constitutes ‘alienation’ and ‘conformity’ in the first place—as though personality traits simply appear out of thin air).
as we’ve seen dozens of times, “addiction” is a slippery term easily wielded towards reactionary ends. “porn addiction” is a line taken by anti-sex work radfems; “food addiction” is infamously unscientific and preying on cultural predispositions towards fatphobia; “internet addiction” is similarly flimsy and frequently deployed in theories of cultural degeneration. this doesn’t mean that the clusters of behaviours we term “addiction” aren’t “real” in the sense that some people do develop dependencies on particular substances, but that the term can be used to draw connections between the reactionary attitude held towards addiction & its attendant connotations (of infantilisation, justified removal of autonomy, incarceration, psychiatric intervention, and so on) and whatever the wielder wants to malign (porn, food, using the internet). if we reify the idea of there being an ontological state within ourselves by which we are more or less prone to “addiction,” we by implication act against the necessity of interrogating what is meant by “addiction” and why it is being invoked in the first place; we also place all our explanatory eggs, so to speak, in the basket of the individual cast as “addicted,” rather than turning our attention towards the source of the “addictive” substance or object and its material origins + usage.
so it bears asking what we’re obscuring and what we’re facilitating when we give legitimacy to the idea of an ‘addictive personality’ in the public discourse, which is what i meant when i said that the term has no materialist explanatory power for me—casting someone in the role of an addict, even if only in the hypothetical, allows others to enforce the stigmas that such a role entails, through, for example, infantilisation, denial of autonomy, and reluctance to treat the individual’s behaviour as worthy of respect, compassion, and mature response. it creates a telos out of addiction under conditions wherein addiction means incarceration (literal or psychiatric), discrimination, ostracisation, everything i just laid out in the first paragraph. it makes addiction into a fundamentally individualist discourse which must therefore have individualist solutions, rather than a complex nexus of social conditions and discourses that we can describe and then fight against.
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