#no im not actually going to write this

[fedorah-the-explorah]

Buenos Aires Ghoul :3

[stoopidstapler]

SO IVE BEEN GOIN INSANE SINCE THIS TRAILER DROPPED. JUST. SIMON. SIMON. SIMON.

[katabay]

ONCE UPON A TIME, THERE WAS A KNIGHT...

the visual inspiration for this was a combination of Frederic William Burton's Meeting on the Turret Stairs and also Bernardo Cavallino's The vision of St. Dominic receiving the Rosary from the Virgin

this was supposed to be just a one off illustration to get the thoughts out of my system, but then I started thinking about medieval politics and warfare and plagues and a castle and home as both a place of refuge, a prison, and a tomb, so perhaps they will end up as ex voto characters as well.

you may say, hey! that rosary looks like it has too many beads! it's a fifteen decade rosary, probably. dominicans are really into marian devotions. it works out.

also. spiral style stair cases. oh boy. it was that unexpectedly more difficult than I originally thought it would be to draw. the more I think about it, the less I understand them, even though I had a million photos of the stairs in front of me while I was drawing it.

⭐ I have a tip jar (ko-fi)!

⭐ and other places I’m at! bsky / pixiv / pillowfort /cohost / cara.app

[temeyes]

simon riley, ang panget mo talaga (affectionate)

[inkskinned]

crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.

i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.

in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.

i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.

i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.

plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.

the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.

we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.

i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.

a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.

today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.

loved beyond thinking.

[comradekatara]

ty lee is by far the most underrated atla character imo. as far as minor principal players, it’s easy to disregard her as the least fleshed out fire nation kid, the most underdeveloped. her role as a foil to any of the main characters is vague, and many people just assume she’s there to bring some sort of levity and humor to azula’s plotline. she’s dismissed as the pretty ditzy girl, or even (shudders) “the bimbo.” but when you actually make the effort to consider what we do see of her, to extrapolate from her few yet crucial scenes anything regarding her underlying motivations, you quickly realize that one of the most layered, multifaceted, compelling, intriguing, ambiguous, and perhaps even straight up insane characters in the entire show has been hiding in plain sight all along. and also that that’s the entire point.

[steddieas-shegoes]

It’s been done in every which way but Eddie being in an accident of some kind that leaves him paralyzed, but his doctors believe he could walk again with intense physical therapy

He’s stubborn and absolutely hasn’t dealt with any of the trauma of the accident and takes it out on his physical therapist, Steve, who is used to patients being pretty angry about their situation

He always meets Eddie where he is though, tries to keep a smile on his face and joke when appropriate and even shares his cookies from his lunchbox with him

Eventually, Eddie starts making some progress, but instead of being happy about it, he panics and cancels all his PT appointments for the week

Steve tries calling, texting, emailing, doing everything he can to encourage him to keep going, but it all goes unanswered until Gareth, one of Eddie’s closest friends, calls him on Eddie’s phone

He’s depressed and he won’t get out of bed, he’s given up. He’s tired of being in pain and having to try to so hard just to move his damn legs a little

Steve isn’t usually this personal with clients, and tells Gareth he can’t discuss anything medical with him due to patient confidentiality, but insists he should try to drag him to the office the next day before it opens

And somehow, probably through guilt, Gareth manages to wheel a very sullen and grumpy Eddie into the side door entrance to the office at seven in the morning

Steve tells him to come back in an hour to pick him up and Eddie ignores the goodbye Gareth says to him

And Steve pretends nothing is wrong at all, goes through the usual temperature and blood pressure check, asks how he’s feeling and gets a grunt in response, asks if there’s any pain and gets an eye roll

But Eddie met his match in Steve because Steve then pushes him to the center of the workout room, where a large mat is out and a walker is set to the side

“What’s that?”

“Your walker.”

“I don’t need one seeing as I can’t fucking walk.”

“You are today.”

And Steve knows he’s pushing and he hates being pushy

But he knows what his clients are capable of, and he knows without a single doubt in his mind that Eddie is ready to use the walker for five to ten minute increments. He has the leg strength and the stubbornness, he just needs the belief in himself

“Do you want me to hurt myself worse?”

“Of course not. And if you get tired, the seat on the walker is right there. But you can walk and you will walk.”

“And if I call Gareth to come get me right now?”

“Then I don’t believe my services are of value to you anymore and I’ll wish you the best.”

It pained Steve to say it because he knew he was fucking good at what he did, maybe the best in town. His clients often had to wait for his availability to open for weeks or months at a time because of how many people were referred to him

But he said the right thing because Eddie huffed, groaned, and cursed under his breath before wheeling himself to the edge of the mat to hold onto the walker

He pulled himself up

His legs were shaking from not being used for the last few days more than the bare minimum, but his determination was clear

Steve slowly pulled the chair away as Eddie unlocked the brakes of the walker and glared at Steve as he took one step, then two

Sure, he was relying pretty heavily on the walker, maybe more than Steve would’ve liked to see, but he was moving

He made it across the mat and then locked the brakes, sat down on the pad on the walker, and gave a sarcastic grin to Steve

“Happy?”

“Are you?”

And maybe Eddie wasn’t ready to be asked that because he was suddenly sobbing, covering his face as tears flowed down his cheeks

Steve gave him a few seconds before moving to kneel in front of him, pulling his hands away

“You deserve to have your life back, Eddie. You’ve been lucky to have the chance to walk again. Let’s not waste it, okay?”

Eddie spent the rest of the session walking across the mat and taking breaks every two minutes or so

It was better than Steve even expected, but he reminded Eddie not to do too much at once

Eddie didn’t miss any more appointments with Steve, and every appointment, he seemed to be more charming and flirty, more like “the old Eddie” according to Gareth, who drove him most days

Steve never admitted it out loud, but he knew what he felt for Eddie was different from other clients. It felt more personal, and it felt like it could be more someday

When Eddie graduated to a cane, Steve’s services were officially no longer needed

And Eddie decided that he should probably take Steve out on a date

“Since I can walk and hold your hand now,” he winked.

Steve should say no, but he doesn’t

Because holding Eddie’s hand feels even more right as his boyfriend than it did as his physical therapist

[cashmoneyyysstuff]

katsuki likes to bite you. it’s his weird way of showing you affection. whenever he feels like annoying you (because he can’t live for more than ten seconds if he’s not being a nuisance) but he also wants to you to know he cares, he’ll find whatever part of your skin is exposed and just—bite.

you don’t remember when he started doing it but you’ve never stopped him so he hasn’t stopped. he bites your exposed shoulder when hes walking by and your lounging in the living area of the dorms, he grabs your hand and bites at your fingers when you’re alone and he bites at your cheeks and nose when you get mad at him for ‘being mean’ and teasing you. to which he always replies with “you love it.”

“why do you do that ?” you asked randomly after he bit your cheek again while you were watching a movie in his room. he looks down at you and his brows furrow in confusion “ do what ?” he asks.

“ bite me,” you play with the ends of his hair a little, it’s been getting longer and he’ll complain about it soon(the only reason he hasn’t cut it yet is because you said it looked good on him) “ why do you that ?” he goes quiet for a moment, gauging to see if you were upset, was it suddenly bothering you ?

he frowns. lips already unconsciously forming into a pout when he speaks “ ya don’t like it when i do ?” he tries to sound self assured, but his question comes out whiny. you smile lightly at him, nosing at the underside of his jaw. “it’s not that, dummy. just wonder why you do it.”

his nose scrunches at the nickname but he pays it no further mind. he huffs out a little breath and looks away from you towards the tv screen, a pink tint grows on his cheeks. having to tell you why he does it suddenly makes him embarrassed.

“jus’ feel like it. f’ya don’t mind when i do it why’re you questioning me about it.” you feel his hand heat up from where he has it pressed against your stomach under your shirt, no doubt getting more and more embarrassed having to explain why he has this weird little habit.

you shrug, sighing and nuzzling into him a little more. you press a light peck to his neck and his hand heating up even more makes you smile “i don’t mind it, just never had anyone bite me before.”

“good” he huffs, suddenly pressing you closer to his side. a sudden rush of protectiveness washing over him “get used to it. m’the only one who’s gonna be doing that from now on, got that ?”

“alright” you giggle. you suddenly get an idea and you look up at him. “you wouldn’t mind it if i bit you, then ?” a teasing smirk appears on your face when he almost cracks his neck when looking down at you, wide eyed and cheeks absolutely set ablaze. he sputters and looks away, unable to keep eye contact as he looks to the screen again.

“knock yourself out.” he tries to sound indifferent but his voice cracks a little at the end of his sentence and he cranes his neck to the side a bit to give you more access. you don’t mention either. instead you lean closer to him and nip at his neck lightly. his hold on you tightens for a moment before loosening up slightly and he suddenly won’t look at you anymore. not even when you laugh and poke at his cheek, asking him what’s got him so red in the face. his eyebrows are furrowed and his eyes are so laser focused on the tv you fear he might burn a hole through it. he offers you nothing more than a harsh glare and a muttered out “shush.”

[kisses4kaia]

i just want to suck art and patrick’s dick at the same time ssorrh i don’t even know how that would work but id figure it out

ugh i love when you guys

because it’d be soo messy shut up. like having both the boys lean against the headboard of your hotel room’s queen bed, fingers interlocked as you lay atop both of their thighs. pumping patrick’s cock whilst your tongue swirled and spit on art’s, sliding your mouth up and down the side length of cock whilst massaging art’s saliva-smeared balls.

eventually, they’re both close, so you bring their cocks together at the tip, pressing them together until they’re red and purple and squirming and sweating. you, with some effort, manage both of their tips into your mouth at the same time, the conjoined pleasure pushing both of them so close to the edge it’s nearly unbearable.

“can we come? please, baby we wanna come so bad, right, patrick?” art turns to look at his best friends face, but his eyes are rolled back and his brows are twisting in the middle, mind too far indulged in the pleasure. “patrick,” art nudges him in the arm, squeezing his hand as if to say ‘you still there?’ and when the brunette’s eyes open to land on art’s face, he doesn’t say anything before he’s locking lips with him.

through the disgusting sucking and slobbering on the boys’ cocks and hips, you hear art groaning into his best friend’s mouth. “please,” you think you hear him mutter, hips bucking, and although his focus is on patrick right now, you know he’s talking to you.

the sight was one that enthralled you with heat, and you needed to see it elevate that much further, hear their noises gasp into the others mouth whilst you sucked them to completion. “be good and cum for me.” you whispered, and with patrick’s balls in your mouth and his tip pressed to art’s, he came in 5 seconds flat. art, too.

😙🥰🤞👍!!!!

[mipexch]

sixnine dump

[aphel1on]

AURGH auwarghh the autistic parental trauma... the epi was wacky hijinks then dropped this on us out of nowhere... (sobs) laios... laiiiiooooos

[obsob]

sending emails but sniffling and whimpering after typing each word

[suntails]

hijo de la luna

[nordidia]

having a very rough night so raph doodles needed to be made

when in need, mash two interests together

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[kingprinceleo]

just kinda a thing i wanted to say since ik i have younger artists following me (its applicable to everyone really, but very important to form care habits as early as possible) i read about others artists experiencing pain from overworking and i always thought to myself, i wouldnt let that happen to me, im real young, i still have time before i have to worry about really damaging my body

but your body really doesnt care, if you push yourself, if you ignore the pain, its going to fuck you up. maybe for the rest of your life please god take care of yourself when you draw, write, game, literally anything. stretch your wrists, fingers, dont keep your elbow in a locked a position for too long, especially dont lean on your elbows. get up around every 45 minutes, drink water, eat food, use the bathroom, stretch your whole body and your hands again. walk outside and let your eyes readjust your body is trying to communicate with you for a reason when you start hurting, please listen to it, be kind to yourself, you deserve it