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#not all are scary
possamble · 5 months
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oh they super understood the assignment this time holy shit
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kiwi · 7 months
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everybodys gotta get back into the practice of using pseudonyms online... i remember the time of screen names where u never ever told anyone ur real name and that was just understood as basic internet safety. plus having a screen name is fun because sometimes it sticks so well that it becomes part of ur identity that u can use in whatever facet of ur life you choose. it rocks to pick your own name
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artkaninchenbau · 8 months
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Crocodile finds a strange stray cat an 11-year old Nico Robin (AU where they met 13 years earlier. Robin's been on the run from the World Government for 3 years. Crocodile's 27 and has not set up base in Alabasta yet)
It seems like I have become possessed. By some sort of demon.
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Bonus:
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ink-the-artist · 1 year
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Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.
The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.
You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character
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All FNAF protagonists are artists.. and traumatized..
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blupoh · 5 months
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analog horror needs to let go of daisy bell I am FED UP
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leafwhirlwind · 1 month
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I feel, personally, like not enough people focus on the fact that in this iconic big tiddy moment
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Falin is. Splattering someone’s brain on the pavement like a fine ragù.
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Splat.
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bigfatbreak · 8 days
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they both got bonked for being silly.
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800db-cloud · 26 days
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i’m literally shaking buy them brown contacts pls
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stromblessed · 10 months
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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egophiliac · 2 months
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he did it! 🐍 and it only took...uhhh...well, there probably could've been less punches, but why hold back!
PUNCHES FOR EVERYONE
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#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 9 spoilers#twisted wonderland book 7 part 9 spoilers#snakes#ONE MORE DOWN#oh my god happy jamil was SO scary and yet adorable all at once#i want real jamil to see him and just be utterly disgusted#and yet he got nothing on the return of everyone's favorite twst character: WEIRD RHYTHMIC ELEPHANT#oh weird rhythmic elephant what would we do without you#me kicking my stupid little feet as jamil wakes up through sheer force of kalim though#he was SO happy for jamil and SO ready to just go along with everything. my sweet boy.#jamil getting so flustered by him that he's just shocked back into reality#and the SLAPFIGHT#silver being like 'they need this' and doing his one smile animation as kalim and jamil are pulling on each other's hair and going YOU SMEL#mmm yes delicious#also this is probably nothing but#but...they brought up the whole thing with azul having dirt on crowley again#the thing that was briefly alluded to in episode 4 and never mentioned ever again?!#i had JUST finally convinced myself that i was reading too much into it and it was just azul playing along with jamil's plan#but now they've mentioned it again and i'm going to be all BUT WHAT DOES IT MEEEEEAAAAN for another three years about it#is it a meaningless reference to that one scene?! is it absolutely ridiculous foreshadowing?! am i ever going to be validated?!#I HAVE TO KNOW
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blueflipflops · 2 years
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Reblog for bigger sample size!
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darlingofdots · 3 months
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it really is all of us or bust btw. we cannot accept conditional acceptance of queer people, we cannot accept the exclusion of some in exchange for inclusion of others, it's all of us or nothing and we have to be so fucking clear about that. don't let conservatives or terfs or twitter discourse convince you that there's any other option. don't let them get away with it. we're all going to fucking make it and we're not leaving anybody behind
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stil-lindigo · 1 year
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the calamity.
a comic about being seen.
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creative notes:
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all my other comics
store
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thefollows · 1 year
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Something I probably watched in high school
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fullychaotichell · 4 months
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SO, I wanted to draw the fakeout-makeout scene from the latest chapter of Of Saints and Sinners but I think I got a biiit carried away pfpf
@morningstarwrites you really fed us with this one, ngl 😳
(EDIT: Oh my god, forgot Alastor's stupid antlers in almost every single drawing dndnddm so, uh, replaced now lol (second edit: how did I miss Lucifer's cheeks too? This is what I get for staying up late to draw lmaoo)
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