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#not canon which is Fine
poorly-drawn-mdzs · 4 months
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The squad of all time has arrived on scene.
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canisalbus · 1 year
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Ok ok hear me out: it could end in tragedy,, AND have a happy ending. The attempt(s) on Machete’s life force him to flee, he doesn’t even have the chance to find Vasco. Cue gay longing for at least a few years while Machete despairs over the loss of his love, his life, his status. He and Vasco only reunite (again) in their later years. Their relationship is forever flavored with loss and loneliness, but that only means they savor every moment that much more
I also I would like to see them as old men. Vasco would be so droopy :)
You gave me such old dog brainworms.
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muirmarie · 22 days
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jim being canonically the shortest one of the triumvirate is genuinely so important to me lmao, like yesssssss, let that beefy babe be shorter than both his boyfriends!!!!
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welcometogrouchland · 8 months
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ANOTHER SKETCH DUMP! Featuring more of me playing with lineless art. Batman reborn era trio (dick, damian and steph) I miss you...when will you return from war. Also featuring Steph designs bc I've seen ppl dissatisfied w/ her current look, some good mom Talia, and Jason Todd poetry club. Duke is confused not that Jason would start a poetry club but that he'd have such mid poetry opinions. (ID in Alt)
#dc comics#batfamily#damian wayne#stephanie brown#dick grayson#talia al ghul#duke thomas#cassandra cain#mine#woo new art tag. please god let me keep this up all year#uhh anyway yeah! still a big backlog of sketches but i got burnt out which means i had time to collect some#i feel like my art looks. extremely different w/o lines compared to with? idk i worry that's it weird/off-putting#but hey at the end of the day I'm hardly worrying about my brand integrity on tumblr dot com#duke and cass being at poetry club is based on them canonically being into poetry and for a good while duke and jason got along well#Steph is there for both jason and cass' emotional support (unfortunately there's a design flaw. she can't do both simultaneously)#(which is fine bc cass is fleeing the scene at the idea of having to casually hang out with jason)#(they're the exact amount of similar and more importantly different that it's like putting two firecrackers together. bad)#i really like the steph mask designs... it'd be fun to do something with them but idk what y'know?#I'm just like. if we're assuming that her mask has to be different from both babs and cass then this is what I've got as alternatives#i mostly wanted to practice character interaction with the talia and damian one... and also i love them#looking at james gunns batman movie proposal. you keep your hands OFF HER MR GUNN#please if shes evil in a movie they're never gonna let her be good in the comics again 😭#dc when you inevitably cave and do your next big reboot let the ppl finally have the son of the demon origin (w/ tweaks of course)#idk it's canon in my heart. heartcanon if you will <3#anyway yeah uhhhhhh enjoy?
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bacchuschucklefuck · 3 months
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doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what
#dimension 20#fantasy high#riz gukgak#very specifically class swap bard!riz#fh class quangle#mm. I may need tags for all the asides Ive been doing lmao#riz's canon design is so coherent and thematically clean that I genuinely struggle to keep up...#bard!riz's whole thing is working out his identity through abject fear so it kiiiinda makes sense that hes got a different thing going#on every year I guess? like lmao the directive I go into each of these designs with changes vastly#freshman bard!riz has to look extremely nonthreatening. and also make you wanna pick him up and chuck him at a wall#annoyingly inoffensive. slides off your memory pretty much immediately. a void of an experience#crucially Does Not Show Teeth While Smiling#sophomore year bard!riz I have been keeping the like. cameraman direction for#I want him to be swimming in clothes a little bit... he kinda lands at like. 80s/90s shlocky horror protag too which I do like#bc what is season 2 to riz if not a horror story lmao#junior year bard!riz I want to be somewhere between clark kent and tintin#the journalist aesthetics is not so clear and easy to build as the detective or spy aesthetics...#but also I just. really like boy journalist lmao this is the BD blood speaking again#and! I actually do draw his hair differently than in my canon junior year riz stuff. its a bit shorter here so it doesn't#obscure as much of his face#its so funny actually going from drawing canon stuff to class swap esp. with riz bc he's smiling SO much here#and it's 100% trained like its crucial for u guys to know he is equally if not more fucked up as a bard#barely anybody can wrangle him in canon it's already been mostly him keeping himself on track. imagine if he actually learned how to act#mmm. I think these designs are still gonna soft change as I draw them. thats fine we have fun#drawing sophomore year bard!riz for those comiclets was fun as hell. I think on this factor alone I call it a success lol
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edorazzi · 4 months
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Page 14 of my Miraculous Mentor AU comic A Matter of Trust! In which Felix begins to explain the history of the Miraculous, and why his and Adrien's experiences are so different! 📖✍️
Index | Start | Prev | Next
Weekly updates each Sunday! You can also read ahead early on Patreon, and/or buy me a Ko-fi if you'd like to support my work! 💖
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knifearo · 7 months
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ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story
#you know. the one with the pendulum#'hey. why are you as an allo person shipping this aspec character like this'#'oh aspec people can still date/have sex!'#'yeah. now can you answer the question that i actually asked you'#like goddamn just say you don't care they're aspec and you want to fulfill a sexual/romantic fantasy with them. that's Fine#it like. sucks. for sure. lotta aspec people will be unhappy with you. but everyone is entitled to their own wants and experiences.#but i'd prefer you just be honest with it rather than using our community's conversation points as retroactive justification#and ONCE AGAIN. you guys are real fucking cavalier with this shit and it shows a real fundamental lack of respect for aspecs#when most of you would NEVER ship a canonically gay character with the 'other' gender. cause again. it would suck.#you can do it. nobody's Stopping you. but it would suck.#and we understand that putting a queer character in situations that erase that queerness is shitty! until it comes to aspec characters!#and whoa... there it is again... people don't consider aspec identities to be queer... crazy how it always comes back to that#anyway. you all know what i'm talking about. have seen many posts about this lately#it is [ long sigh ] unfortunately a very hot button issue with the advent lately of alastor hazbinhotel#which. again. god i wish there were other canon aspec characters to be having this conversation about.#but we'll have to do our best with what we have#aromantic#aromanticism#arospec#aroace#talking#aspec#asexual#asexuality
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vuelode-irbis · 22 days
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No anchor
[ID: digitally drawn fanart of Kipo and the Age of Wonderbeasts. It recreates the scene in which Kipo finds out who her mother is and transforms into the mega-jaguar, along with Nael's poem, "The tiger" modified verses in-between the drawings. The first scene is a close-up of Kipo's eyes, she looks worried and tears are forming in her eyes, text below reads "The jaguar". The second image shows the mega-monkey, Kipo's mother, surrounded by Scarlemagne and other's flamingos, trying to fight them, the text below reads "She destroyed her cage". Third scene shows Kipo's eyes again, this time they're pink and her pupils are sharp like a cat's, she's angry and her tears come out, the text says "Yes"; onto the next drawing, she's on the floor on all fours, her arms have turned into the jaguar's and her tail has come out too, the text says "YES" in all caps. In the next scene she has turned into the mega-jaguar, roaring in anger, the text below reads "The jaguar is out". In the last scene, she's running towards the camera, still angry and roaring. End ID]
Inspired by and based on Nael's poem :>
I had this idea for a while, tried to execute it, failed and gave it a second try because Kipo's a very good show and this is one of my favorite scenes ever
Original poem: The tiger
The tiger
He destroyed his cage
Yes
YES
The tiger is out
-- Nael, "The Tiger" from "They're Singing a Song in Their Rocket"
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weaverofink · 20 days
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punk douxie redesign!!! i just think he should have had an undercut tbh
+ bonus doodle:
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i feel like they for sure wouldn't let him wear his whole punk getup at his cafe job so i put him in a uniform. for fun.
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anthonycrowley · 1 year
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i think this will get me tarred and feathered if i don’t word this properly but i do genuinely think that fandoms with canon relationships - gay or straight - as the most popular pairing kind of suck a little. like as a rule. not the media itself, that usually is very good. and especially in the case of actual lgbt rep i would rather that over well written fanfic every day of the week. but. man. something really is lost when you no longer have to have a downward spiral of madness with your friends for 2-4 weeks before you go ‘fuck it they’re in love i’ll do it myself’ and instead you’re all shaking hands going good game good game. a kinder world, truly. but none of you are going to write a 150k word fanfic set in an alternate apocalypse universe that showed up in a single episode out of 200 just to prove your blorbos truly Are in love.
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[To read on Ao3]
It's Saturday evening and Steve is annoyed. He doesn't understand why everyone won't just stop asking if he wants to talk.
It'll be better for you to get it out of your system, Steve. (Nancy) Talking these things through really helped me, Steve. (Max) You know we're here for you, don't you, Steve? (Dustin) If anyone understands, it's us. Me. You know that, right, Steve? (Robin)
Isn't he allowed to have one damn secret to himself!? Robin did almost get him to crack because out of everyone, Robin would understand his ridiculous, almost overwhelming crush on Eddie Munson.
He's not keeping it a secret because he's embarrassed of his crush, but because he's afraid of rejection for the first time ever. Based on past experience, Steve has always been the one doing the rejecting. In fact, Steve would argue he's never been rejected before. Nancy and he broke up, and breaking up doesn't count as rejection. It's just a change in feelings. And Robin didn't reject him because she had told a half truth when they thought they were gonna die, and then came out to him when he confessed, and rejection also doesn't count if you were never a romantic option to begin with.
Eddie is the first crush he's had (that he's willing to, eventually, act upon) that he's uncertain about. Eddie flirts with him, sure, but he also flirts with Robin, Nancy, Jonathan, and Argyle. He doesn't shy away from Steve's touch, but he rarely initiates it himself. Everything Steve tries to test, to gauge Eddie's interest, just falls flat, or doesn't work, or isn't enough to show if Eddie likes him romantically or as a friend.
Anyway, it's Saturday evening and Steve is annoyed. Annoyed because he knows that waiting for him at his own house is an ambush (an intervention, they'd called it) from his own supposed friends. Steve had just listened to them plan the whole thing over the walkie talkie.
When Steve pulls into his driveway, he's a little impressed at that fact nothing looks off. There are no extra cars, no bikes scattered across the lawn. The house looks dark, even.
When he goes for the door, it's unlocked, though, which is the dead giveaway. Steve sighs heavily before letting himself in. He doesn't bother to flick on the light in the foyer, just shrugging out of the Family Video vest and toeing off his shoes, leaving both in a pile by the door before squinting into the house.
It is dark, but he can make out irregular shapes, lightly illuminated by the light from the backyard coming through the large windows on the far wall. It looks like they've rearranged his furniture. He also hears the slight creak of the floorboards, from the kitchen. That would be Lucas, who Steve knows has been tasked with sneaking around and making sure Steve can't just bolt back out the front door (like he's ever actually run away from a confrontation).
They were very thorough with the planning. Steve knows where a majority of people are lurking, cutting him off from 'fleeing'. Lucas in the kitchen, to cut him off from the front door. El at the top of the stairs so he can't hide in his room. Argyle stationed in the hall that leads to the garage. Everyone else scatted throughout the living and dining room.
Might as well get this over with.
Steve makes it about halfway to the living room before a single floor lamp lights up. It illuminates Robin, who has turned his father's favorite chair around to face the front door instead of the TV, arm still up from where she'd twisted the nob on the lamp. "Steve. We need to talk."
"Buckley," Steve answers, calm as he can manage, surveying the room. Everyone else is just out of the line of light from this ancient lamp. He wonders how they managed that. Still. He knows they're here, so with as much confidence as he can muster, he looked directly at an out of place shadow and hopes he's right as he says, "you want to talk, too, I suppose?"
"How-" it's Dustin's voice that starts to speak and is quickly cut off with a smacking sound. Steve's willing to bet it's Max or Erica who slaps a hand over Dustin's mouth to keep him quit.
"Okay, so Dustin's here, too," Robin says, trying to regain control of the ambush but Steve's not having it.
He puts his hands on his hips and says in a voice loud enough to be heard throughout the quiet house, "And Lucas, sneaking though the kitchen to the door. Argyle in the hallway, El upstairs. The rest of you are here, too. I heard the whole thing on the walkie."
"What! You were supposed to be at work!" Dustin yelps as almost every light flicks on at once. Each light switch has a person stationed at it. Steve can now see Jonathan and Nancy to his right, Dustin, Max, and Mike also to the right, but further into the living room. To the left, Argyle has made his was from the hallway, and Eddie (Jesus fuck, only this group of assholes bring his crush to the intervention about refusing to talk about his crush! (not that they know about the crush)), Erica and Will mirror the position of the others, almost against the wall to stay out of the light from the windows. He hears the stairs creak as El makes her way down.
"I was. It was slow. I got the walkie from my trunk to ask someone to save me from boredom just in time to hear your scheming," says Steve.
"We aren't scheming, Steve," Robin says, standing from the chair now and stepping closer. "We're worried. You don't talk to us."
"I talk to, like, almost all of you every day!"
"Not about important things!"
"I happen to think that discussing the newest releases is important. Tells me a lot about all of your guys' terrible taste in movies."
"Steve!" Nancy steps in now, "this is serious."
"It's really not. You are all making a big deal about this and it's not!" Steve says.
"Why are you keeping this from us?" Max pipes up, "if you can't talk to us about this, then who can you? We understand."
"Look, I know we've all experienced this.... issue, at some point, but that's doesn't mean I want to talk to any of you about it-"
"Issue he says! You can't even say it," Robin challenges him, matching his hands on hip stance, mirroring him.
Steve closes his eyes and takes a deep breath through his nose. This is getting ridiculous. Of course, he can't say it! He's barely gotten through his sexuality crisis and hasn't even come out to Robin yet! He wants to, really, but... "Listen. I appreciate that you are all so invested in this, but you need- sorry, no. I need you to let me do this at my own pace."
"It's been since '83! How much longer do you need!?" Dustin is looking at him like he's grown a second head and that-
What. Wait. What? Steve's brain screeched to a halt. "What."
"What what?" Dustin raises his hands, confused. "You need to talk to someone about what we all went though. The Upside Down! We all talk to you, but you don't talk to any of us and bottling it up isn't healthy."
Steve's arms go limp at his sides and all he can do is blink. They aren't- they don't think- Steve's brain hasn't restarted yet, which is what he blames for what leaves his mouth next. "Wait. This isn't about my crush on Eddie?"
A clatter and the sound of glass breaking, accompanied by Eddie's voice cursing follows that. Steve looked over to see that Eddie seems to have fallen back against the wall he was near, knocking a picture from the wall in the process. He's staring at Steve, though, eyes owlish and he looks like he's about to either faint or run away.
Steve's gut twists because neither of those were the reaction he'd hoped for (but they are the reactions he most expected).
"Your WHAT," Robin screeches and that brings Steve back to his brain.
Oh.
Oh fuck.
He just. He just came out to everyone, all at once, in his living room. This is fine, this is fine. He can deal with this. The room and everyone (oh God, everyone) in it fades away as Steve puts one palm flat on his own chest, focuses on feeling his own touch, on the rise and fall of his chest, trying to remember how he draws breath usually. Normally he can pull himself back this way but it's so much, too much, everyone is watching him-
"Steve. Hand," El's voice is distant but he obeys, hand going out on instinct. El takes it and he feels someone else breathing deep. "Follow. In. In. In. In. Hold. Out. Out. Out. Out. Again. In-" El repeats and repeats, counting each second with a word, and slowly she comes into view, her hand held over his on Lucas' chest. El talks him through it as Lucas demonstrates because it's hard to give instruction and breathe at the same time. This is not the first time El's helped him through a panic attack, but it's usually Hopper who has to demonstrate the breathing for him.
She stops when he calms, allows him to pull his hand away from Lucas but not her own hand. She brings her other to clasp around his, holding his one hand with both of hers.
"Thank you," he whispers.
She gives him a nod, face still serious as she stands next to him.
Steve takes in his surroundings. His panic attack wasn't too long, thankfully, but enough that everyone has moved. He seeks out Eddie subconsciously and finds he's relieved to see that he's taken a seat on the couch, Will next to him all but tucked into his side. No one left, and Steve's glad for that, but they all look so uncertain and off kilter now, scattered across the living room. Robin is a few steps closer than she was before and looks like she wants to finish stepping forward, but not sure if she should.
"Um, thank you guys, for not freaking out while I was freaking out," Steve says, reaching out his other hand to Robin. She takes it and he pulls her into a half hug. "So, uhh, I thought I knew what this was about but guess I didn't."
"Of all the things to think we'd stage an intervention for, having a crush on Ed-someone is certainly not that high on our priority list," Robin snorts from where she's buried her head in his shoulder.
"Well, it makes sense now that it's not about- Maria said I should have talked to you guys sooner, like individually, but too late I guess."
"Who the fuck is Maria!?"
"Language, Henderson," Steve snaps on instinct. "She's my therapist."
For the second time tonight, Robin says, "your WHAT?"
"Therapist?" Steve repeats, but it sounds like a question even to himself because he's almost afraid there's a wrong answer here.
"I didn't know you were seeing a therapist, Steve," Nancy says, voice gentle in a way Nancy's voice really isn't usually. "Do you talk about- I don't know how to phrase this without prying."
Steve rescues her from the awkwardness of having to ask. "She knows about the Upside Down. Dr Owens introduced her after Starcourt. Why are you surprised by this?"
"Because we didn't know," says Dustin.
"I see Maria every Tuesday. How did you not know?" Steve asks.
"What do you mean how did we not know!?" Dustin shouts.
"Can you not shout at me?" Steve sighs. He needs to sit down, so he does. Just drops there, dragging Robin and El with him. Neither complains, though. "I've been going to therapy every Tuesday since '83. I guess it just became part of my schedule, so I don't think about it. And I did, like, actively hide I was seeing a therapist that first year so guess that was habit."
"Is this why you don't talk to us?" Robin's voice is quiet.
"Well, yeah. I didn't realize it was affecting you all so much that I didn't. I thought- I am talking about it. I told Maria about a nightmare I had just last week, I'm not bottling it all up," Steve reassures, "You all talk to me. I didn't wanna create some like, trauma loop where we just talk about how awful it was back and forth and never get, like, closure with it, so I didn't share back. I've just been trying to do for you guys what Maria does for me, but I'm not, like, qualified."
"We could all use some therapy," Nancy says in what seems to be a rather agreeable voice for the tone of the room currently, "but why were you the only one offered help after Starcourt?"
"Oh. Well. It was less Dr Owens offering Maria's service, and more my mom barely refraining from murdering Owens on the spot until he gave into every demand she had. Which, being fair to Owens, he was more than willing to help to begin with."
"Your mom spoke to Owens?" Jonathan speaks for the first time.
"Oh. Wow," Steve blinks, feeling a bit thrown. There's so much he's unintentionally hid from his friends, things that could have been helping them (like them talking to Maria instead of him, have any of them even been offered therapy?) but he's also realizing that they've made an awful lot of assumptions about him without talking to him. "So, wait, I need to know something. How did this come to happen?" He half-heartedly waves towards everything around him with the arm he has half wrapped around Robin.
"The intervention?" Max asks.
"Sorta? No. I get why you thought you needed to intervene, but I don't understand why you came to that conclusion without like, asking me things? All of you were like talk to us Steve we can help Steve we understand Steve but how did it not occure to any of you that I might already be talking to someone?"
It seems the only one brave enough to answer is the person who has known Steve the least, because Argyle says, "far as they could tell, who would you talk to that's not them, bro? Like, you come home to a big empty house. On bad days, Nancy can still cuddle up to her mom and just be held even though Mrs. Wheeler doesn't know what's up, but you're like, alone."
"I-what? What's the implication there?"
"Steve, we can count on one hand the number of times you've ever spoken about your parents," Nancy says, "I guess we all came to the conclusion that you were... you felt like you had to be alone in dealing with the trauma, like you're alone in this house. I mean, we dated for a year and a half, and I never even met your parents."
That's true, but it's because his parents were going through a rough patch and trying to work through his dad's... problem while also working on a big deal for the company. Steve's not going to pretend he knows how his dad's business works but it involves a lot of meetings in cities bigger than Hawkins. "You all mock me for being a rich kid, and then act... what, surprised that my parents actually have to run the company they own?"
"No. The only things you've ever told me about your parents was that your dad was an asshole and that you didn't want them to find out about beer at a party you threw!"
Well. That does paint his dad in a real bad light. "Well, I was younger and stupider when I said those things!"
"When the Russians drugged you, you made a comment. Something about only doing marijuana, dad," Robin says softly from his side. "it's kinda easy to draw the conclusion that your relationship with your parents might be negative at worst, absent at best."
Steve retracts his arm from around Robin, suddenly cold on the inside. He gently shakes off El as well and shoves off the ground so he's standing again, taking three steps back to be able to see everyone at a quick glance around. "I think it's best if we stop this here. I can't- I'm gonna say some shit I'll regret otherwise."
"Steve-"
"Robin," Steve cuts her off, feeling the need to defend his parents, who he loves so fucking much, from his friends. Anger rolls tight under his skin but he doesn't want to give in, so he goes cold instead. "I call my mom every night. They have a mobile phone my dad pays way too much for, so they can know I'm still alive no matter where they have to be currently. My parents are absent," he spits the word like venom, "because I begged them to leave after Starcourt and the only reason they didn't drag me out of here with them kicking and screaming is because I was 18 and legally, they couldn't! That's the only real fight I've ever had with my mom, you know. I told them they had to go because Hawkins is fucking cursed and I couldn't protect all of you and them and-" Steve clamps his mouth shut, swallows down the words. He's going to have to talk to Maria about his hero complex again (he thought he was getting better). No one says a thing in the silence, even though they all look like they want to. Steve takes a deep breath, trying to calm. "I'm going to go call my parents, because they're gonna start to worry, because they do that, if I don't call soon. Let yourselves out like you let yourselves in."
He doesn't quite stomp his way to the kitchen phone, but it's a close call. He could go up to the master bedroom and call privately but a part of him wants them to hear this conversation as they leave. He yanks the phone off the receiver a bit harder then needed and punches in the phone number he's got memorized now. It rings twice.
"Oh Steve, I was just starting to worry!"
"Hi mom. No need to worry. I'm, well, I'm not fine right now, but it's not any Upside Down nonsense."
"Oh, honey, do you want to talk about it?"
"No, not, uh, not right now. I just wanted to hear your voice. To tell you I love you, and I miss you. Dad, too," as Steve speaks he hears the sounds of movement, of shuffling down the hallway and the front door. Resolutely, he keeps his back to the kitchen entrance.
"We love and miss you, too."
"When will you guys be able to come visit?"
"Honey, do you need us? We can be on a plane in a few hours."
Steve smiles at that, and hopes she can hear it in his voice, "no. But, uhh, I wouldn't mind seeing you guys sometime soon."
"We'll make it happen. Hey, how about we have that barbeque you mentioned before. We'd like to be able to meet the people keeping you safe. I do wish the Byers still lived in town, I'd love to catch up with Joyce".
"Oh! I can't believe I didn't tell you! The Byer's are moving back. Oh God! Mom! Hopper's not dead!"
There's a fumbling noise, like perhaps his mom dropped the phone. Some staticky noise, shuffling sounds, and his father's voices comes through the phone, "Steve, your mother looks pretty pale, kiddo. What did you just tell her?"
"Jim Hopper's alive and kicking. The Starcourt Russians kidnapped him apparently."
A deep sigh and then his dad says, "We'll be home in two days, okay kiddo? Gonna want a full explanation of that, but I've got to go, your mom's going to faint -sit down, Stephanie- We love you."
"Love you, too."
Steve hangs up and turns around to see El, Will, and Eddie still lingering by the kitchen entrance. He's not as angry on the inside anymore, and it helps that these three didn't really pipe in and call his parents terrible people who don't love him. (okay, so he's putting words into everyone's mouths, Maria will frown at him hard when he talks about this, but he's going to allow himself to be a little petty right now).
"I am sorry for being part of this," El says, "I do not want you mad at me."
"Never, El," Steve strides forwards, easily pulling El into a hug. She's probably just worried for him because everyone else was worried, and not because she has some idea about what his parents are like. Honestly, El's probably never even thought out Steve's parents even once. "I'm not really mad at anyone. Just... frustrated, and upset, perhaps. We'll all make amends tomorrow, I'm sure."
El releases him after a moment and before she's even fully out of his arms, Will is pulling him into a hug just as deep. Steve's not sure why, he and Will aren't particularly close, but Will clings to him and makes this soft, sob noise as he presses his face into Steve's shoulder, and Steve's wrapping his arms around him on instinct, "Oh, hey baby Byers, it's all good."
Will shakes his head no and just sobs for a moment. Steve lets him, rubs his back after a moment, trying to be soothing. It's a long hug but not awkward. Finally Will pulls back, swiping at his eye with both his hands. "I- thank you, Steve."
Steve is bewildered by that, and it must show on his face, because he hears Eddie try and hide a laugh behind a cough. Steve says, "you're welcome?"
Will doesn't clarify. He just steps back and El takes his hand easily, and the siblings leave, presumably to climb into the back of someone's waiting car.
Which leaves him alone in his house with Eddie.
Eddie, who knows about his crush now because Steve blurted it out loud for everyone to hear.
"I'll leave if you want me to," Eddie says, like he can read Steve's mind, even as he leans against the counter next to him like he plans to stay, "but I- I don't wanna start throwing everyone else under the bus, but I really just thought this was a case of Hero Complex where you think you're only good for getting between us and danger and that we were all gonna try and like, show you how important you are to us all so you'd open up to us. I didn't even think about, like, your parents."
Steve believes that, so he huffs a dry laugh, "yeah. I'm sure you're idea of my parents are snotty rich people who look down on everyone."
Eddie's got the decency to be embarrassed about that truth, if his red face is anything to go on. "Sure, but like, I thought the same thing about you and that turned out to be wrong, so I can admit that. Also, I thought you were an asshole who always got what they wanted, and that's not really a bad parent trait, y'know? Caring about what your kid wants."
"Well, thanks for admitting to it, man."
Eddie nods, then looks away, towards the door. "Do you- should I leave? Do you even want me hear?"
Did he? "Yeah, I want you here. I kinda want Robin, too. I shouldn't have kicked everyone out like that."
"No dude, that was fair. But, uh, I can go chase down Nancy's car and see if Robin will return with me."
Steve does laugh, then, "no. We're so codependent as it is. I just... Robin's been here when I've called my mom. She's here all the time. I don't understand how she just... never picked up on it."
"You always call from the kitchen phone, or do you make it a private conversation? 'Cause Buckley and you are stupidly codependent, but if something's meant to be private, I doubt she's going to be eavesdropping on you."
That's true. And Steve knows he's being irrational. He never said anything, he knows he never even talks about his parents, that they're so rarely even in Hawkins these days, it isn't a farfetched idea to assume it's because he doesn't love them, or they don't' love him. That doesn't stop the hurt he feels for his parents. And a little for himself because, yeah, he never said anything, but also, they never asked.
They see their parents every day, have left their parents in the dark about the truth for reasons Steve doesn't agree with, but he'll never argue that choice with them, never assume they have a bad relationships with their parents for it.
"I had to tell my parents," Steve says, because he and Eddie are just standing in his kitchen in silence and he's thinking these things anyway. Might as well think out loud, "when Billy punched me unconscious and I woke up in my own damn car being driven by Max I just- what if I hadn't made it home to them? What if Billy had hit me one too many times, had beaten me to death? My mom was pacing the living room with worry when I did finally get home. They were supposed to already be on a plane to I don't even know where, but she was so worried about me that she stayed. She didn't even know about the Upside Down. Didn't know how close she'd come to losing me."
Eddie doesn't say anything, but he moves closer, to lean against the kitchen island, across from Steve.
"She was so fucking terrified when she saw me. Wanted to know who did it, what happened, where I'd been- she's never had to patch up anyone after getting a beating, so she tried to usher me back outside, to the car, a hospital I guess, but the thought of leaving the house was so overwhelming. After everything that just happened? I wanted to be home.
"I think she caught on to that. Instead, she pulled me into the bathroom and did her best to clean me up. I tried my hardest to hold it together but she- my mom just took my face in her hands, so gently, afraid to hurt me more," Steve mimics the motion, holding his hands out in front of him like he's cupping a face, "and just said you can tell me what happened, honey. No matter what it is. I love you so much. and I just- I broke down." Steve stops, sucking in a deep breath because just the memory of that night brings back the emotions. His mother's fear for his life. Her love for him.
"I told her everything. Just started talking and couldn't stop. And when I was done, a crying mess on the bathroom floor, she just... just sunk down beside me and held me as I cried. And the craziest part of all, she believed me. The next morning, when I thought for sure she was going to ask what kinda drugs I took to come up with that story, instead, she asked me if she could call Hopper. Wanted to talk to another adult about it," Steve swipes at his eyes, getting misty at the memories before continuing, "the only reason they aren't here right now is because I basically begged them to leave. To go grow their company, I'd said. I'd be here, and I promised to call every night, so they know I'm safe."
"Is that why you've never redecorated?" Eddie asks, out of left field, "'cause having their things around reminds you of them?"
Steve shrugs because he's not sure. "They told me I could change whatever. Make this house your own home, Steve my dad had said but, it's always felt like home, y'know?"
Eddie nods. "Not even a little tempted to change the wallpaper in your room? 'Cause it's pretty fuckin' atrocious man."
That makes Steve bark out a laugh, "ok, yeah, that's just me being lazy."
"Well, if you ever want help removing that wallpaper, count me in. The sooner, the better. How you can stand to look at it, and with those matching curtains, yikes," Eddie is grinning at him and Steve sees what he's doing. Distracting him from the heavy topic. Steve appreciates it. "I won't be caught dead in there until you change it."
"Oh? Hoping to be in my room sometime soon, Eddie?" Steve asks, quirking an eyebrow.
"Well, I did kinda just learn that my crush has a crush on me, so maybe I was hoping," Eddie gives a shrug, aiming to sound indifferent and aloof, Steve thinks, but he can see the grin Eddie's trying to fight from forming on his face, and the way his hand has gone to his hair, pulling some strands to hide that grin behind.
Something sweet and happy spreads through Steve's entire body. Steve opens his mouth to say something, he's not sure, but what comes out instead is a big yawn.
"Alright, bedtime for you I think," Eddie says.
Steve nods, because he is tired. The rollercoaster of emotions and events have worn him down. "You wanna stay over and watch terrible movies until we fall asleep?"
Eddie looks delighted to have been asked.
Today was a shitshow, and Steve knows he'll need to reach out to everyone and talk. Individually, because he's not sure he can handle everyone all at once again. But he needs them to know he was just angry and doesn't hate them all or something.
Tomorrow's got promise, though, so that's good enough.
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mcflymemes · 1 year
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i feel like people keep interchanging MAINS, EXCLUSIVES, and AFFILIATES and haphazardly using them without really recognizing what they mean, so here's a brief description of the differences.
MAINS are the primary group of roleplay blogs you interact with on a regular basis. you might choose to prioritize them in terms of replies or ask memes, or focus on their dynamics more often than you do others.
EXCLUSIVES are the only version of that character you will write with. as an example, if you add a canon superman or a princess jasmine to your exclusives, it means you will not write with or follow any duplicates of those characters.
** this can also include FACECLAIM EXCLUSIVES, where you won't follow duplicate faceclaims of your favorite blogs. weird example, but if you're writing with a blog using tom hanks as their faceclaim, you might say you're faceclaim exclusive with that blog and refuse to write with or follow any other blogs using tom hanks.
AFFILIATES are blogs with extensive ties to your blog's canon. their characters are weaved into your storyline to such a degree that you cannot separate them from one another. maybe they're your primary or single ship partner. maybe you created the characters together. maybe they're from the same piece of media and you want to establish their significant ties to your muse and their story. this is a step up from exclusives, and their url is often linked in your pinned or placed on your rules page.
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kagoutiss · 1 year
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oot zelda doodle i liked :’-)))
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mxtxfanatic · 9 days
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No, every interpretation is not valid in a piece of media unless the creator has explicitly said somewhere that they have left their work open to interpretation. If you wanna “choose your own adventure” your way through a story, Minecraft exists, The Sims 4 was made free, a blank Word/Google document is a few clicks away, a pen and paper are easily found in the supplies section of most stores. A story for adults with a plot, characters, and conclusion is not your build-a-bear. You are looking for fanfics.
Someone else took the time to make a thing and share it with you so that you could understand the thing they are trying to communicate to you. If an author writes, “The sky is purple,” you don’t get to go, “Well, in the world that I live in, the sky is blue, so the sky in the story must be blue, too. Let’s discuss!” and treat that as “valid interpretation” that should be discussed with equal weight as the people discussing “ok, what’s the significance of the sky being purple? 🤔” I don’t give a singular fuck about whether you are familiar with the "cultural context" of the story or whether you can understand the original language it was written in or whether or not you know the creator on a person level. None of that shit matters, because nobody consumes media for the express purpose of finding out whether or not it conformed to the bank of knowledge Rando Number User #24,232 has learned in life. No person engaged in real critique ever has to take you seriously if your attempts at "analysis" begin and end at "I don't know the author irl to know what their intentions were, so anything goes!" That is a lazy copout, nothing "critical" to be found. Not everything in a general fandom space has to be canon-exclusive, no, but every claim to canon has to align with what is in the actual source material. There’s nothing wrong with either of those statements.
So no, you don’t get to waltz into a canon space going “Jiang Cheng is a great brother and uncle, let’s discuss” and then get upset when told “In this book, Jiang Cheng is an abusive uncle and childhood friend, and round these parts, we discuss the book.” Don’t wanna discuss Jiang Cheng's canon characteristics? The main tags never went anywhere. Get from round these parts.
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honeyed-latte · 9 months
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Not to be a loser or whatever but saying Astrid is "the man in the relationship" in Hiccstrid is wildly misogynistic and misandrist all at the same time. Enforcing rigid gender roles to pretend you're NOT enforcing gender roles is fucking weird.
Hiccup is a man, he is The Man in the relationship. All of him is masculine because he is a man, he identifies as a man, he (we can assume) has male biology, and everyone around him accepts him as male.
Acting like Hiccup is somehow "weak" or "submissive" or "effeminate" just because he's thin and has a gentler personality then Astrid walks back what Feminists have been struggling to explain for years.
Astrid is a woman, she is The Woman in the relationship. All of her is feminine because she is a woman, she identifies as a woman, she (we can assume) has female biology, and everyone around her accepts her as female.
Acting like Astrid is "dominating" or "masculine" or "stronger" just because she's a better warrior and has a more aggressive personality then Hiccup is
WALKING BACK WHAT FEMINISTS HAVE BEEN STRUGGLING TO DEPROGRAM FROM YOUR PEA BRAINS FOR DECADES
Personality traits and physical attributes do not dictate what makes you a man or a woman, it's how you FEEL and how you accept yourself. If you are a man thats gentle and compassionate, empathetic and patient- then you ARE JUST A MAN WHO IS GENTLE AND COMPASSIONATE AND EMPATHETIC AND PATIENT.
WOMEN ARE STILL WOMEN IF THEY'RE PHYSICALLY STRONG OR THEY'RE AGGRESSIVE OR THEY'RE SMART.
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fure-dcmk · 9 months
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thinking about how shinran first reunion is also heishin first meeting
thinking about how heikazu first meaningful symbol introduction (omamori) is also the one where heiji gave the romantic symbol up for shinichi
they keep hijacking each others romantic episodes
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