#obsessive with research
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rimatsu · 5 months ago
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obsessed with baby queer buck and the hang-ups he probably doesn't even realize he has, let alone acknowledge.. newly realized bisexual evan buckley who didn't stop once to consider long-term commitment to a man he dated for 6 months as a viable option until josh spelled it out for him. and we've seen buck navigate romantic relationships before. he didn't do things by half-measure or shy away from grandiose declarations with abby or taylor. he knew he loved them without the need for an outsider's perspective. i don't think the cautiousness displayed in 806 was linked to tommy as an individual/lover so much as it was about building a life with a man — still a foreign concept, still a bit alien. not something buck could really envision for himself and by himself, unprompted (just like he remained unaware of his attraction to men until he was made to confront it with a kiss). that moment of hesitation wasn't because he was unattached to tommy or their relationship, quite the opposite according to the follow-up questions: if buck wasn't in love already, he was at least willing to be. yeah, he needed a little nudge from josh to reassess his feelings, to jump over that last barrier, but the very moment things clicked in his mind, buck was ready to cement their relationship, ready to wholeheartedly pursue a future with tommy, serious enough that he brought up the possibility of marriage someday (another first! not just first potential husband, but first potential spouse ever!!) — because buck doesn't see much value in waiting once he figures out what he wants.
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flwrkid14 · 6 months ago
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Love and Obsession: The Tim Drake Way
part 2
Everyone in the Batfamily knows Tim Drake has… issues with boundaries. They’ve spent years trying to teach him what’s appropriate and what’s—well—deeply unsettling and completely invasive. To be fair, he’s learned. Mostly. He doesn’t stalk his family anymore (much), and he no longer pulls up files on every single person they talk to (okay, maybe just sometimes). But it’s progress.
But then Tim starts dating Danny Fenton. And, oh boy, a few screws come loose.
It starts small, as always. Just little things. Tim’s a detective, after all—background checks are second nature. Danny’s living in Gotham, and Gotham isn’t safe. So, really, what’s the harm in knowing a little more about Danny’s friends? And his professors? And maybe also his classmates? It’s just standard protocol. Okay?
“Tim, you’ve run a full dossier on my entire biology class?” Danny asks one day, laughing as he flips through a file on the coffee table. Tim shrugs. “What if one of them is dangerous?” “Pretty sure the most dangerous thing in that class is the midterm.”
Danny doesn’t think much of it. He’s a little flattered, even. Tim’s protective. It’s sweet.
But Tim’s mind doesn’t stop there. Danny’s too handsome. Too charming. What if someone tries to hurt him? What if someone tries to take him away? It’s not obsessive—it’s just concern. So, a tracker on Danny’s phone? Necessary. Cameras in his apartment? Standard. Monitoring his sleeping patterns and hangout spots? Logical.
Tim tells himself it’s love. And maybe a little insecurity.
“You have a tracker on his phone?” Dick asks, trying not to sound alarmed. Tim nods, like it’s the most normal thing in the world. “Of course. What if something happens to him?” “And the cameras?” “Safety.” “The background checks on his professors?” “Gotham U isn’t exactly known for its stellar staff, Dick.”
It doesn’t stop there. Tim knows everything. Danny’s eating habits, his favorite places to go when he’s stressed, his childhood allergies. Tim’s mapped out Danny’s entire life. He knows about Danny’s ghost powers too—of course he does. He’s Tim Drake. The moment he realized Danny was Phantom, it just… clicked.
Danny being half-ghost? That’s just one more reason to worry. Tim’s up late at night, watching for any signs of ectoplasmic interference. He tracks the energy spikes. He monitors Danny’s fights.
He doesn’t think Danny knows. He’s terrified of what will happen if he finds out.
But then he does.
One evening, Danny walks into Tim’s apartment and casually drops a folder on the table. Tim’s heart stops.
“What’s this?” Danny asks, raising an eyebrow. Tim swallows hard. “I… it’s just…” “You’ve been tracking me?” Danny opens the file, glancing through pages of surveillance reports, background checks, even analysis of his ectoplasmic energy. Tim feels like his world is about to shatter.
“I… I can explain,” Tim says, his voice tight. “I’m just… worried about you. You’re in danger all the time, and I—” Danny walks over, cupping Tim’s face in his hands. Tim braces for the worst.
But Danny just smiles. “Can I put a tracker on you too?”
Tim blinks. “What?” Danny kisses his cheek. “If you’re watching my back, it’s only fair I watch yours. I need to make sure you’re safe too.”
Tim stares at him, speechless. Danny doesn’t look scared. Or angry. He looks… fond. Like Tim’s obsessive tendencies aren’t a problem at all.
“I’ve never had someone care about me this much,” Danny says softly. “I trust you with my life, Tim. This? This just proves how serious you are.”
Tim thinks he’s just fallen deeper in love.
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The Batfamily? They’re worried.
Jason corners Tim in the cave. “Okay, so let me get this straight. You’ve got cameras in his apartment. You’ve mapped out his entire life. You’ve got a tracker on him and a heartbeat monitor. And he’s… fine with it?” Tim nods, a dreamy smile on his face. “Yeah. He even wants to put a tracker on me.” “That’s not… healthy, Tim,” Dick says carefully. “That’s—” “It’s mutual,” Tim interrupts. “We’re protecting each other.”
Bruce pinches the bridge of his nose. “Tim, this isn’t how relationships are supposed to work.” Tim shrugs. “It’s how ours works.”
Damian watches the whole thing with narrowed eyes. “This is deeply unsettling,” he mutters.
They try to talk to Danny. Intervention style. They invite him over, sit him down, and gently (or not so gently) try to explain that Tim’s behavior isn’t normal.
Danny just laughs. “You guys do know I’m half-ghost, right?” “That doesn’t mean—” Dick starts. “I spent my entire life being hunted by ghost hunters. I’ve had worse invasions of privacy.” Danny smiles. “Tim cares. He keeps me safe. That’s all I need.”
The bats don't quite know what to say.
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Tim and Danny, two slightly unhinged souls who think mutual surveillance is the ultimate act of love.
The bats? They’re just trying to keep up.
(“At least they’re happy?” Barbara offers weakly. Bruce sighs. “For now.”)
Gotham’s version of love was never going to be normal. But this? This is a whole new level.
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flowersandfashion · 7 months ago
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the fact that Jeremy Brett played both Dorian Gray and Basil Hallward AND both John Watson and Sherlock Holmes throughout his career. he has the range.
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nathansjosten · 8 months ago
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show you’re obsessed with + text posts ...a household staple dare I say
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valtsv · 1 year ago
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new character dynamics just dropped
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troublemakingrebel · 3 months ago
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as already mentioned in this post by @spectreshepard, let's talk Hansry's legs choreography, shall we?
first of all, when Henry makes up his mind, he crosses the room in just a few long strides. he doesn't normally walk like this, but here he rushes back, determined, as he has promised so many times already that he won't run away anymore
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then, Henry is on his tiptoes. not only because he's actively reaching for Hans while already hugging him close, but also because he is just a tad shorter
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then again, long resolute strides to the bed, Henry's legs surrounding and guiding Hans'. decision was made, and Henry is not backing out
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this part is, unfortunately, mostly hidden from us due to the camera angle, but it's animated nonetheless as Henry kneels, gently lowering Hans on the bed (all while still supporting Hans' neck and back! Henry, you...)
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and then there comes the most touching detail very quickly, Henry climbs over and scoots to the back of the bed, never stopping to cage Hans in with his body. meanwhile, his hands support his weight, as he's careful not to crush Hans with it, not after the tiny prison cell, not after Nebakov, not after Hans shared his fear of tight spaces with Henry
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and even after losing their closes, Henry continues to do this, his right hand under Hans' back and his left one either lightly placed on Hans' side or set firmly on the mattress (and we, of course, can't forget about Hans' strategically placed knee hiding PEGI 18+)
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wildflowercryptid · 2 years ago
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i'm about to pass out at my desk, but have this stupid ass doodle i did before i go sleep.
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coolseabird · 2 months ago
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Random Musings on Gale and His Relationship With Mystra
I find Gale's relationship with Mystra to be one of the most fascinating parts of his story. It’s a dynamic that can be viewed in many different ways, depending on how you approach it and I think that’s part of what makes it so compelling. While some might see it literally, I’d like to explore it through a more allegorical perspective, though I want to be clear: this is just one way to interpret their relationship, and other viewpoints are just as valuable. This isn't even the only way that I personally interpret them haha. (I just have to be nuanced, it's a compulsion truly.)
In literature and mythology, take Greek mythology, for instance, relationships between gods and mortals can often carry deeper, symbolic meanings. The gods aren’t always just powerful beings they can represent larger forces like nature, fate, or human desires. This approach, called allegorical interpretation, is something I find really enjoyable! It adds layers to a story.
Consider the famous story of Paris’s judgment of the goddesses. The goddess Eris, seeking to sow discord, throws a golden apple inscribed “for the fairest” into a wedding attended by Athena, Hera, and Aphrodite. They decide to have the mortal Paris judge who deserves the apple most out of the three of them and is thus the fairest.
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Each goddess offers Paris a gift in exchange for the title. Athena offers great tactical ability, Hera promises leadership over vast kingdoms, and Aphrodite tempts him with the love of Helen, the most beautiful woman in the world (who happens to already be married). Paris chooses Aphrodite, gains Helen as a lover and this leads to the Trojan War. Beyond the literal reading, this story can be seen as desire (Aphrodite) overcoming both wisdom (Athena) and marriage (Hera). Paris's fatal flaw is his lust for Helen. The story can also be interpreted as Paris losing due to declining to accept both of the other offers. He fails strategically in the ensuing war and also causes the collapse of his own kingdom.
Mystra, as the living incarnation of the Weave, can be interpreted similarly. She isn’t merely Gale's ex-lover. She is magic itself, the force that gives Gale his entire identity. Their relationship transcends romance; it’s more like that of a man consumed by his craft to an unhealthy degree. Like a mathematician to mathematics, or a physicist to physics, he's in love with something that can't love him back.
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His attempt to give Mystra a gift she's never received before, something truly incredible, is due to his belief that transcending all limits to somehow earn Mystra’s (and thus, magic’s and his life's work's) recognition is both possible and necessary. It was 100% done with the best intentions but tragically any all-consuming passion carries the risk of blowing up in your face. (Just look at Alfred Nobel, pun intended) And, due to the aforementioned "blow up", his emotional low and his measurable low in his abilities correspond quite directly
There is a cut dialogue from early access about how much of his power he lost after this:
You see, this fire – there was a time that I could make it come alive. That it would take the shape of a dragon and roar in delight. There was a time I could silence a Beholder with a word, and lift a tower from its foundations with a flourish. There was a time I was all but one with the Weave. But no more – a mere shadow of the wizard I used to be. Why? Because I’ve lost.
A key theme in their relationship (in my opinion) is not just Mystra’s rejection but what her rejection represents: The collapse of Gale’s identity as a powerful magic user. (An identity he's built his life around and sacrificed for ever since he was a child)
Without this, he starts self destructing. He has to make do with consuming scraps of magic rather than the all encompassing sort he used to receive from Mystra's presence.
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While Mystra’s treatment of Gale is undeniably harmful, I think it’s important to recognize that she is not cruel in a personal, calculated way. She is so out of touch with normal people that she’s more akin to a force of nature. As an arbiter of natural laws, she wants to control him/kill him because he represented a destabilizing influence, not out of any targeted animosity. (Which is arguably worse than outright hate depending on your point of view)
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Now for a bit of a change in topic I wanted to go over his different endings:
His "good" ending comes from the realization that magic, or any external force, cannot be the source of true self-worth. The deeper theme here, beyond just getting over an ex-relationship, is that Gale must learn to build relationships with people and and find a healthy balance between his work and personal life, rather than devoting himself wholly to impersonal things at the cost of his well-being. He has to learn that he is "Galenough," as @ekansbot once put it. Ultimately, his growth in this regard is best shown with his choice to embrace his ordinary, human last name "Dekarios", rather than defining himself solely as the archmage "of Waterdeep."
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More evidence about the meaning of names to him, earlier during the conversation with Mystra in the tabernacle, she will either call him "Gale Dekarios" if she's displeased to remind him of his humanity, or"Gale of Waterdeep" when pleased to inflate his ego with a title. This shows how revolutionary it is for him to willingly forego having a title at all in this ending as it had been something he sought in the past.
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Alternatively, and more fun for my tragedy-loving psyche, he can totally succumb to his flaws and lose himself. In this case the orb's desires fully supplant him as a person. He becomes a power hungry god, doomed to perpetuate the same callousness Mystra showed to him. His grand dreams of bettering the world fades, and his only goals shift to slowly gathering more power and followers and eventually challenging the rest of the gods. He entirely gives up on being a "person" he's the god of ambition now, and you can see it in the way he speaks how much he has mentally separated himself from the mortal world. He has fully given up on having a life outside of his obsessions. It’s quite dark. (Though not quite as dark as my absolute favorite, the Absolute ending, where you use thousands of mind controlled innocents to become Kratos.)
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Something that's extra sad for you. If the player character chooses to break up with him after becoming a god he says "so I'm still not enough for you" Aghh it's horrible. His insecurities only get worse as a god.
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Or... he could kill himself. Literally destroying his darker hungers (the orb) for an altruistic purpose, but he also, obviously, destroys himself in the process. Very sad indeed.
Now, here’s something I find fascinating:
If Gale chooses not to use the crown, nor to surrender it to Mystra, but instead lets it remain in the water, the orb stays within him but rather than being a catastrophe it actually becomes harmless and inert.
Why does this happen? Gale speculates that it's because he has found contentment due to the player character's romance with him.
Clip sourced from this video: https://youtu.be/gikRKEIpvQs
This reveals something crucial: the orb, from the very beginning, was tied to his own emotions. It was basically an extension of him all along. He was inadvertently the one driving the orb’s power. It was his own despair and obsession that were indirectly killing him the entire time! It's very tragic but also supremely interesting!
It is this somewhat gut wrenching realization, though, that makes this the best "good" ending. He doesn't have to apologize to Mystra to get a happy ending out of pity. Instead, it is his own emotional catharsis that resolves the problem of the orb internally, rather than it being fixed through external means. It also has a sort of Jungian quality to it that I really like. With the idea of integrating and accepting all parts of oneself (allowing the orb to remain, but becoming settled and integrated), rather than trying to shed them being a theme I think fits his character well. Additionally, he keeps the orb scar, which looks pretty neat. :)
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e-rated-beardo · 3 months ago
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Oh guys, oh guys oh guys ohguysohguys
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I found out a thing yesterday that's making me so very very very excited
And just in case you're the type who'd get excited too and like me two days ago you also don't know this important fact:
The Organization for @transformativeworks (OTW; the parent org of AO3) publishes a peer-reviewed academic journal, completely open-access, i.e. free for you to read
Cancel all my appointments forever this is where I'm going to be for the foreseeable lifetime gfasdafdhfgadgd
This post brought to you by "beardo needs to write a literature review about a certain number of a certain type of peer-reviewed paper, on otherwise whatever topics he likes, vaguely contained inside the concept of of 'library or information services', and yesterday he Found His Topic"
I'm so happy everyone, I'm going to write so many academic papers about fanfiction my lecturers are going to get sick of me 🥹🤩
I am Aziraphale rn
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Relatedly, I've also just learnt that Dr Lyn Robinson, co-author of a book that's mandatory reading for like 80% of the courses in the academic programme I'm enrolled in, has published research about AO3. Not only does she seem to be into the same sort of information science stuff that I am, she's also researched fanfiction. She's my new idol
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inafieldofstarflowers · 10 days ago
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kevin andrew dynamic is unmatched because their first scene is neil relaying to us that everyone thinks kevin joined the foxes to play with andrew and then shortly after stating that they’re always together, which makes you go “yeah of COURSE everyone thinks kevin joined for andrew”
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originalartblog · 1 year ago
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Another romance cover-esque piece, this time inspired by @honeybumi's The Tides Pull Us Closer, a skk pirate AU!
textless version and reference cover under the cut
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Cover inspiration from the 2006 French edition of Kinley MacGregor's A Pirate of Her Own (Pirate de mon coeur)
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adobe-outdesign · 2 years ago
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There's a Pokemon card illustrator named KIYOTAKA OSHIYAMA and most of their work is just flexing about how good they are with perspective and you know what? I respect that
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areyouokaypanda · 9 months ago
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It had opened the hatch for me. It wanted me here. - - - "I've lost my crew, I won't lose you."
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ghurab-alzilal · 9 months ago
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Dick: Your little obsession with Raven is becoming a problem.
Damian, grumpy : I'm not obsessed.
Dick, testing him : Oh, no? Then you don't care about her or her beautiful blue eyes, right?
Damian, undeterred : They're purple, whit a hint of light lavander when the light hits just right.
Dick, snorts : And when was the last time she smiled?
Damian, without hesitation : Today, at noon.
Dick, looks sideways at him : Right. And when it's my birthday?
Damian: *sepulchral silence *
Dick, raising eyebrow : When is my birthday? Damian? Damian, when is my birthday?!
Damian: *runs away *
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clowns0cks · 8 days ago
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"the ship between the doctor and the master is called thoschei but I think we're trying to change it into best enemies" is a phrase I've seen weirdly often and I'm wondering how many people think best enemies is a new thing. Like. Know your doctor/master history!! Isn't thoschei a relatively recent ship name???? Yes it got popular but the OG has always been best enemies ???
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randomchaotix · 4 months ago
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Dear god.
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