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sakuravalenp · 11 months ago

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The Dance Academy isn't a gang- DC X DP Prompt

Inspired by this prompt

Clockwork suggests to Danny, who's been the king of the infinite realms for 6 years now, that he should take sometime off in a mortal realm. He doesn't feel like going back to his own dimension (you choose the reason), so Clockwork suggest another dimension where he thinks Danny might have fun.

Danny investigates the dimension, and finds it is a dimension where some humans, who are called meta-humans, develop powers, mostly during their childhood. Danny knows how tiring and alienating it is to grow with powers that one have to hide. He wishes to give this kids a safe space to experiment with their powers, but not as a weapon, just as part of themself.

He chooses to create a dance academy, because dancing is something in which you use your body and express yourself. It would be an excellent way to encourage this kids to use their powers while enjoying themself. He decides to open the dance academy in Gotham, were it seems metas may feel more pressure to keep themself hidden. With his ability to see and feel the differences in soul it's easy to identify metas, so he starts scouting kids for the academy.

Of course convincing the kids that it's just a a dance academy that wants to create a save space for metas, instead is of a trafficking ring, is difficult. But once he gets the first couple kids in, slowly more come too.

-.-.-.-.-.-.-

Bruce is worried about the new possible meta gang that it's forming on Gotham, and sends Duke undercover.

It's hasn't been long since Duke joined the bats, and this is his first official undercover mission. He's excited at the start, feeling proud that he's been trusted with an independent job, but then he finds out that the "gang" it's just a dance academy. He's a little disappointed, thinking that this job is more of a probation thing than anything, since there isn't anything suspicious.

The bats tell him to stay in the dance academy, because maybe the dance thing is just a cover up and they'll reveal their real motives when he's actually accepted in the group. And Duke takes it as them wanting him to have a meta support system. See? He's learning to understand how the bats show love to each other!

Duke finds himself enjoying being in a dance group. It's a lot of fun. Danny it's fantastic, he has a lot of powers and isn't scare to show them. Which makes everyone in the group feel so much safer to use their own.

Danny encourages them to integrate their powers in their dance. It's freeing. Their powers are treated as a normal part of them, and not as this exotic ability that has to be controlled. It's such a safe space that all of them have gotten used to using their powers for day to day stuff when in the dance studio. It all feels so casual because no one bats an eye to it. There's no talk about how they should try to do things "normally," or limit their use of their power.

Danny: "Why would you? That's your normal, and this place is safe for you to just be you."

Duke realizes a bit late that the bats were actually suspicious of the group, and that his placement there wasn't really a probation. He's glad to know he was actually trusted with a job, but, he had really thought that every time they had asked about his day with the group was because they were interested in how he was doing. That they were showing love and interest in him in that evasive ways the bats did, and it kinda suck to know it wasn't the case. It also meant that he had to confront their family in their clear meta-discrimination.

"Would you have been so suspicious if it wasn't a meta group? No. Other than them all being metas there wasn't anything off. No proof of fights, no proof of robberies, no proof of trafficking, nothing.

There's no proof of anything other than a group of teens dancing, and you know that because you checked it out before sending me.

Like, I don't blame you for checking it, I'm not naive, but you were so sure it was a gang, just because they were metas. That's fucked up guys."

#dc x dp #dp x dc #dcxdp #dpxdc #batfam #bat family #batfamily #danny fenton #duke thomas #Danny Fenton becomes all of this kids older brother #He might have rooms for kids who were kicked away after reveling they're metas or had to run away for their safety #Duke was having the time of his life on the dance academy #Untill he realised the bets actually suspected the academy being a cover for a gang #Just because everyone in it was a meta #The bats only interact with metas under 3 circumstances #1) They're heroes (Who they already know or are presented to them as such)#2) Villains #3) Victims of trafficking #They rarely interact with them as just civilians #and don't notice they immediately jump to categorize them as threats if they aren't already people they know about or people they're saving

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bull-shit-suji · 3 months ago

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not that this is a particularly profound take but imo the dadbastian trope IS pretty applicable in canon if you just like. Look at it from a slightly skewed angle.

it's not that i'm coming at this in a "sebastian is gradually changing for the better and learning to empathize with and/or regard o!ciel as someone he genuinely cares for" way because, as much as that narrative is fun and angsty and Just So Happens to make sebastian a little easier to relate to, it clashes with how calculated he canonically is.

that being said! he absolutely is changing. his character arc revolves around a realization that the tactics he's comfortable using aren't good enough, and this goes wayyy beyond undertaker being two steps ahead of his "punch first, ask questions later" instinct. everything sebastian does is catalyzed by a belief that, no matter how treacherous the situation becomes, he'll be able to figure it out with little to no effort given his superiority as a supernatural entity.

ciel and sebastian's dynamic prior to emerald witch relies on this ethos. ciel has a goal and views sebastian as the sole avenue through which he can accomplish it because he's a demon. ciel feels unsafe and views sebastian as his only source of protection because he's a demon. all sebastian has to do to maintain this dynamic is be scary and generally infallible which, surprise! are natural dispositions for him.

enter BOC, in which this dynamic is challenged during ciel's initial asthma attack. this is the first time sebastian is relatively helpless to keep ciel alive - he has to defer to a human doctor because there's literally. Nothing he can do. which is then paralleled by ciel's second flair up.

there's a reason ciel's asthma is referenced again in this scene. there's a reason sebastian looks so skip-happy while carrying out ciel's order of burning that bitch to the ground. he doesn't have to question his abilities! he doesn't have to alter the dynamic! he can keep flexing his demon powers anytime shit hits the fan and ciel will always come crawling back to him.

sebastian's fatal flaw isn't just that he's muscle-brained - he's also stubbornly, willfully ignorant of his own weaknesses. sure, he was completely useless in preventing ciel's asthma back at the circus, but that's fine, who cares! he gets to fall back on his strengths and ignore how powerless he actually was.

welcome to BOA! for context, prior to this arc, sebastian rarely, if ever let ciel see him expending any kind of effort, i.e. he's in a constant battle with the servants to keep the manor from descending into chaos and purposefully tries to hide it. this isn't just a butler aesthetics thing, it's also an "I'm a demon and everything is easy for me" thing, to the extent that sebastian continues attempting to uphold his unflappable demeanor when he's quite literally on the verge of collapsing.

sebastian's tactics aren't all that's challenged in BOA - his entire persona gets irreparably damaged. ciel sees him be outsmarted. ciel sees him injured and genuinely struggling to keep the former safe. this should be very bad news for their dynamic;

except, it isn't.

ciel responds so positively that it makes sebastian Yapper Of The Century michaelis momentarily speechless! he then immediately tells ciel to cut that shit out, thus deferring once again to a dynamic that's rapidly crumbling before his eyes and ignoring how effective his accidental appeal to pathos was in retaining and even strengthening ciel's attachment to him.

which leads me to emerald witch, aka the cataclysm for sebastian's change. on top of undertaker being a constant, underlying threat to his food, sebastian ONCE AGAIN has to deal with said food's delicate mortality.

obviously, sebastian is all out of sorts, but his expressions / the way he's framed when he's alone (or not being perceived) absolutely floor me. he looks genuinely distressed after speaking to the other servants. he's drawn in these bird's-eye and wide-shot views while in the forest, creating an isolated, pensive atmosphere and illustrating him (a big, bad demon) as nothing short of small.

he's conflicted. which is weird, right? this isn't the first time his food has gotten sick. moreover, ciel isn't in any active danger - he's having a PTSD response. sebastian is not stupid, he knows this, and should be either confidently reminding ciel of the power he wields or threatening to eat him right then and there; and yet! he waits multiple days before reverting to these (historically effective!!) responses.

it's not just that he's a picky eater - this is sebastian, for the first time in the series, recognizing how fragile ciel's attachment to him is. he's doubting himself. his food no longer views him as its only source of safety, has rejected him, and it's entirely due to sebastian's own negligence.

he's been ignoring his weaknesses. he's been reliant on ciel looking past multiple instances of helplessness in light of how terrified the kid is and how powerful sebastian makes him feel. it's not a coincidence that ciel's near-death experience was exacerbated by sebastian disregarding the former's symptoms to go beat up a werewolf (leaving him ALONE in a foreign, SUPPOSEDLY CURSED castle) until those symptoms, literally, hit him in the face.

it doesn't matter how incapacitated ciel is - sebastian's presence should be enough to calm him, and it isn't, and it's his fault.

this is where sebastian really starts to change. (mind you, the chapter following ciel's initial rejection is titled "That Butler, Change", so do with that what you will.) though we aren't told this explicitly, i think he looks to instances wherein something other than fear drove ciel's attachment (BOA), as well as to the only person ciel would let near him while panicked (finnian, who ciel appears to be closest with amongst the servants and was projecting onto out of grief for his twin). he dials back on the demon vibes. he slowly begins altering his rhetoric.

enter blue cult!

remember what i said about sebastian not wanting ciel to see him struggle? to be cognizant of his weaknesses? as much as the situation was largely out of his control, it's interesting that sebastian allowed his expression to convey upset given that he views emotion of any kind as a weakness.

this isn't to say his sulking isn't genuine - i like to think his clinical narcissist brain was about to pop at the mere thought of not being praised; but! when put in context with his nature, his façade, how every single thing he does is calculated, especially around ciel, this Wildly out-of-character expression gains a new meaning.

another example after ciel returns from getting his blood thieved:

two things: one, sebastian is learning! he almost verbatim references his mistake in emerald witch, meaning he had to have acknowledged it between then and now. two, he does this verbally, explicitly, thereby allowing ciel to witness his panic AND be made aware that sebastian is capable of failure. he could have marched back into the music hall and wrangled the s4. he could have said "ah shit, that's not good, let's go find a doctor". instead, he rambles on about how this is all his fault to a degree that's so excessive it's kind of comical.

and you know what! i don't believe a goddamn word of it. it is so significant that he immediately switches gears after his instinctual big-scary-demon reaction. the sebastian we knew at the beginning of the manga would NEVER let ciel think he was genuinely upset or flawed to the extent of endangering his charge, as that would directly contradict ciel's perception of him as perfect, strong, and safe.

sebastian is thus playing on the dynamic shift that occurred in BOA: he is encouraging ciel to view him as a (rarely!) imperfect being who is struggling to maintain a façade. as someone willing to go to the ends of the earth for him, to care for him, to defy his nature for him, because there are now far too many factors beyond his control to rely on fear alone.

honestly? it's a masterful execution. sebastian's tweaks to his persona are subtle: he gets a little sillier, he offers more praise (under the guise of banter), he tries to make ciel feel bad for "leashing" him.

(i wasn't going to include these panels but. dude. the way he backtracks after the initial comparison between himself and elizabeth only to start pontificating about what the "heart" wants. that is such a purposefully dual-ended rhetoric and insane to hear from mr. evil personified.)

he even displays an artfully-skewed version of grief upon finding angi's body (again, that emotion might have been somewhat genuine, but it feels intentional that he chose to express it with ciel in the room) to foster belief that he is capable of like. Caring for people?

circling back to forces beyond sebastian's control, here are two examples of sebastian's reaction to r!ciel's return:

oh BABY. "neither you nor my love are real"?

on-the-nose dialogue aside, sebastian's expression between these panels had me stumped for years. it would make sense for him to convey sympathy to convince ciel of said "love", HOWEVER it's odd that he would continue to do this despite not actively being perceived while in the carriage. something about this feels a little too genuine - especially considering how he's visibly tweaking throughout all of r!ciel's reveal chapters. as much as looking distressed/concerned is likely a conscious decision, i don't think he's fabricating the emotion entirely.

which leads me to: why does sebastian feel the need to alter the dynamic? sure, it was precarious at best and ran the risk of ciel not liking his pet demon all that much, but there's no imminent danger in that. ciel needs sebastian to achieve his revenge and sebastian has made himself out to be the only dependable, constant person amidst ciel's friends/family inevitably leaving him, AND has a trump card of total autonomy over ciel's soul.

... unless, of course, one of the family members he'd lost miraculously came back from the dead, the exact family member sebastian had eaten right in front of him, and was attached at the hip to a creature familiar with sebastian's flaws far before the demon was ever aware of them, that has proved itself more than capable of killing him.

oh he's concerned alright; there is a very real chance that ciel might back out of the contract. he's forgone his revenge before while in a similar trauma-induced headspace; only, this time, sebastian would be powerless to stop him. in truth, at any point since BOA, his meal could have run off to undertaker and there would have been shit all he could do about it. sebastian was slow to acknowledge this, granted, but up until EW there had been virtually no reason for ciel to do something like that.

now there are reasons. and girl, not only is sebastian concerned, i think he's a little scared.

he's functionally lost all ground in keeping ciel dependent on him. it's no longer enough for ciel to regard sebastian as a maliciously convenient product of circumstance - he has to form some other connection.

so, sebastian blurs the line between servant and guardian. he plays on associations he'd established in the past: nagging over ciel's health, taking over his studies, complimenting him, disciplining him, crafting his own form to look remarkably similar to vincent (and no, i don't consider this an instance of same-face-syndrome, look at their bangs. tell me that's not intentional). choices once made out of cruelty, out of a desire to worsen ciel's emotional turmoil, now repurposed to convince him of a devoted, endearingly-demonic parental figure and hoping this will be enough should there come a time wherein ciel is given a choice between two blasphemous falsifications of his family.

sebastian pivots hard. he avoids relying on his supernatural abilities unless absolutely necessary, despite countless opportunities to do so, to the extent where you almost forget he's not human. he does not leave ciel's side. he lets himself appear dirty and exhausted. he allows ciel to see how uncertain he feels, how helpless he is, knowing the true reason will be lost in translation because ciel is a child, and no matter how conscious that child is of sebastian's nature, he will instinctively revert to seeking out a parent.

the whole "butler aesthetics" shtick flies right out the window at the end of 147. i cannot physically articulate how improper it would be for a servant to grab his master's face and scold him. in front of company. you know who does that? a parent. this is straight up panic on sebastian's part. he is willing to run the risk of acting uncouth in order to brand those fatherly associations right onto ciel's underdeveloped frontal lobe.

and. and this might just be speculation. but.

it's working.

i cannot think of a single goddamn reason for ciel to do this. you wanna know something? his excuse is complete horseshit. sebastian is dressed as a butler, something passengers in a first class train compartment would recognize instantly. even his undercover persona of a valet wouldn't warrant tea with an aristocrat. as much as i'd like to believe ciel is in on the charade, i can't find any evidence nor does it seem realistic that he, a child, would fully grasp that level of manipulation, regardless of how mature he acts.

oh, hey, sebastian's being a little cryptic with that snowfall line. i bet it's completely random and he's never made weather-themed references in any of the prior arcs!

this is. One page. after ciel tells him to take a day off in BOA. he is directly referencing the first time he was made aware of how effective a disingenuous father-son relationship could be.

in BOA, he appears slightly ruffled by the dynamic shift, as this endangered the status quo. in the train car, he's absolutely ecstatic. look at him! that's his "I Just Manipulated This Preteen Sooo Good" face. he looks like an animal. he looks like he's about to turn into a werewolf and jump for joy.

tl;dr: dadbastian is actually so insanely viable, but not in the way you'd think. sebastian in undoubtedly changing, but this isn't an accident or a product of him learning to love or care in any capacity. he is perpetrating the illusion of change, of personal growth in a creature that cannot posses a real identity, thereby humanizing himself in ciel's eyes to keep his food from slipping out of his grasp and it's working so unbelievably well that he's managed to fool a good number of kuro's readers too.

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gyrovagi · 5 months ago

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WAIT HOLD ON i had a templar lyrium impotence 'joke' post cooking in my head last night while i was falling asleep but it was also me being deeply seriously about templar-mage gender dynamics and i forgot about it until now when i am also falling asleep so im posting this in the hopes i can remember and make the post when i wake up maybe < guy who is going t oforget

#lyrium impotence is not canonical or even implied i just know and perceive the truth.#It's the. mage degendering through categorical subordination and enforced sterility #and the fact these are roles delineated and controlled by and beholden to the church right. and how when you're a nun you marry god.#and this is obviously still very gendered but the expectations and performance are also shifted in a lot of ways.

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maxx-the-queer · 6 months ago

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The Siege at Weisshaupt is honestly one of the best missions of any Dragon Age game, let alone Veilguard.

The stakes are already high: kill an Archdemon and then kill Ghilan'nain.

Killing an Archdemon - the big bad at the end of Origins whose very presence means apocalypse and certain sacrifice - is just the first step to killing an even greater force.

Ghilan'nain - an Ancient Elven Goddess blighted beyond recognition, whose unchecked ambition unleashed great horrors upon the world - is the real threat to face or else the Darkspawn Army will be the least of Thedas' worries.

The leader of the Grey Wardens, the only mortal force who have thus far been able to protect Thedas from utter annihilation, categorically refuses to face reality. Rook only has a ragtag team of half a dozen guys from all over to face an entire Darkspawn army with.

It's exactly as terrifying and daunting as it sounds, and neither task is something anyone treats with any amount of levity. Everyone is confident in their abilities to perform their task and get Lucanis to the right place to finish this contract, but there's no playfulness or divine certainty about their success.

Rook, whose only game plan is "get in and win by any means necessary," is then immediately confronted with the reality of their situation as absolutely everything goes wrong.

The Eluvian isn't where they thought it would be, the Grey Wardens are overwhelmed by Ghilan'nain's forces, and just to add to the sheer horror - there's a young child running through this battlefield of Darkspawn in search of her father and she will not listen to your pleas for her to get to safety.

All of that happens in the first ten minutes of the mission, mind you. This isn't even including the fact that Ghilan'nain appears as a damn spectral cloud face - which Lucanis rightfully points out is who he has to kill and "how am I supposed to kill a damn cloud?!"

Rook runs through the fortress, makes it to the East Battlements and hears the sounding of a horn begging for reinforcements, only to realise that they're the only ones coming and everything is falling apart, but they have no choice but to keep going.

Retreats are called, everywhere Rook goes is the wrong way, the forces are overwhelming beyond measure, and this battle is no longer about killing but surviving, because they're cornered like prey by horrors beyond comprehension.

When all of a sudden, the world's bravest little girl rushes in like a hero and guides them through impossible odds to somewhere with some semblance of safety. She's the only reason they haven't succumbed to death already and despite the waves upon waves of Hurlocks, Spikers, and Ogres - she finds her father.

Thanks to Mila, there's a moment of reprieve. Rook gets a chance to breathe. The Veilguard regroups, replans their approach. Distract Ghilan'nain with the dagger, trap her Archdemon in a dragon trap, and kill it to render her mortal. With time to breathe comes time to doubt, to fear.

A Warden has to die to kill the Archdemon. Davrin knows this, and is ready to go. But is Rook? What if they can't do this? What if this is how they die? Can they even spare the time to think about it?

Regardless, they fight through to the dragon trap. The Archdemon approaches as Rook all but dangles the dagger within reach. She takes the bait and sends her Archdemon forth, it seems all too easy - like putting cheese out for the mice.

The Archdemon is trapped. Davrin says his goodbyes, but the First Warden surges forward insistently. He plans to end this according to tradition. He'll die with dignity, he's not asking for your permission to do what all wardens must. He steps forward. Sword in hand, ready to end the Blight.

Ghilan'nain will not be so easily beat. She will not play by the rules they're used to, and the First Warden does not get to die a hero. She seizes him in her grasp, sucks the life out of him to empower Razikale, and changes the game once more. Her Archdemon is unlike any seen in history, and there's no time to revel in it because it's do or die and Rook cannot afford to die yet.

Every blow brings it closer to death, and therefore Ghilan'nain herself as she becomes more and more desperate. One snakelike head becomes two, becomes three, with blight everywhere - the time is at hand.

Davrin is the only one left who can kill the Archdemon, his death is inevitable, and he's ready to go as he sinks his sword in for the final blow.

Except, if there's one thing this seige should have taught them all, it was this: the rules have changed. Davrin is still standing, and he doesn't have time to think about why, because Ghilan'nain is mortal and the time to strike is now.

Rook tosses the Lyrium Dagger to Lucanis. He surges up, wings of Spite propelling him up to kill a goddess like she's any other target, because it's all that he came here to do.

And then, he misses.

With everything at stake, and everything to lose... Lucanis Dellamorte misses.

They don't have time to try again. If they stay, everyone dies. And so, the Veilguard flees through the Eluvian and back into the Lighthouse. It was a victory, but at what cost?

Nothing is how it's supposed to be. Weisshaupt is fallen. The Wardens are scattered. Razikale is dead, Ghilan'nain is mortal. And yet...

It wasn't enough.

#dragon age the veilguard #dragon age #bioware #dragon age the veilguard spoilers #veilguard #da4 #lucanis dragon age #davrin dragon age #Weisshaupt genuinely is amazing and I cannot express enough how much of a gem this mission is #it is beautifully devastating to have a win that categorically feels like a loss in the grand scheme of things #I have many critiques about Veilguard but Weisshaupt is not one of them

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