#once upon a meta

[post-it-notes7]

I need a happy ending I can't do this and neither can he

the story was long over. Welcome, dear anon, to the aftermath

[miralines]

happy fuck the rose and you as well sunday! in honor, I am posting my thoughts about the line in pump shanty, because god do I have thoughts!

there are no rose reds at that point, right? they're fleeing the wedding. The only Rose explicitly in canon is... Rose. Snow's sister, who's just been kidnapped. Even for Greyditch, this seems... a little insensitive, to say the least.

But! There's also the phrasing. It's not "fuck Rose." It's "fuck the Rose."

See also Our Boy Jack. "When the red Rose, it comes a'marching," and "when the Rose comes over the water." Now, these could very concievably both refer to the Rose Reds, but consider: what if they don't?

What if the Rose is an established Crown insignia? Greyditch isn't saying fuck Rose, he's saying fuck the Crown. This makes a lot more sense in context.

This leads me to believe that Rose was named for the Crown symbol, which. Adds whole new layers to everything that happens to her. Woman destined from birth, by her name, to be a tool for Cole. I think her parents saw her red hair (the Crown’s color) and named her for it, in the hopes she’d continue their family’s legacy of serving the king. And she did, and every one of her clones did, to hundreds of thousands of deaths…

[intuitive-revelations]

FLUXES [Celestis: Engineered Participants / Technologies] Example: "DOCTOR, The"

[Image description, courtesy of @quailfence: a series of pictures of text, alternated with screencaps and gifs from Doctor Who.

1: Text: Fluxes: [Celestis: Engineered Participants/Technology] Individuals transposed backwards in time but not too far in space, using a very high chaotic limiter setting and tied to their home period by a thread of biodata

2: The Eleventh Doctor stands in the future corpse of his TARDIS, looking and a pulsing stream of light that has replaced the console. He says, "That is the scar tissue of my journey through the universe. My path through time and space."

3: Text: He raised a finger. 'Look. There.

Now she could just make out the thread in the moonlight. It was just a faint reflection, maybe a foot or two long, about a metre off the ground. A taut strand of spiderweb hanging in the air, not attached to anything.

'What is it?' Fitz asked.

'It's only partially rotated into three dimensions,' he said. He pushed his finger right through the glimmering line, without affecting it. 'That's why it looks one- or two-dimensional. The rest is still perpendicular to what we can see - woven into higher space, or the time vortex…'

'Yes,' said Fitz, 'but what is it?' 'It's what your friend mistook for a ley line.' The Doctor was scuttling around the silver thread, peering at it from every angle, getting more and more agitated. 'It's part of the fabric of space-time itself. What DNA is to your genetic code, this stuff is to biodata. And it's all just exposed here now. Personality, history, memory, perception, all vulnerable…'

'I'm going to have to ask you again, aren't I?' said Fitz.

The Doctor said, 'It's me.'

4: The Fourteenth and Fifteenth doctors in the TARDIS. 14: "But you're fine?" 15: "I'm fine, because you fixed yourself. We're Time Lords, we're doing rehab out of order."

5: Text: The subject is turned loose in his or her own history, and the limiter setting allows tiny actions taken by the future version to have considerable effects on the past version. The biodata link then transfers these changes to the future version, which alters it, and thus alters the changes made to the past version. Therefore, the individual's history is kept constantly in flux.

6: The Fugitive Doctor says, "Let me take it from the top: Hello, I'm the Doctor."

7: Text: Let me finish. Think back to that time when you went to see your previous selves.

8: Ten, Eleven, and War talk to each other. Ten: "You're not actually suggesting that we change our own personal history?" Eleven: "We change history all the time. I'm suggesting far worse."

9: Text: 'Maybe there's no one home on Gallifrey,' said the boy softly. There was just the one of him.

The Doctor looked at him, cupping the small white cube in his hands. The boy said, Maybe they all left. Or maybe the whole planet's being destroyed, and undestroyed, and destroyed, and you just caught them at the wrong moment.

10: The TARDIS by the ruins of Gallifrey

11: Text: 'It's impossible,' said the Doctor. 'It's impossible for my people. Our past is unreachable. What's written can't be unwritten.'

'Who said your history can't change?'

Another boy answered, 'Someone from his history.'

And another: 'Maybe it's the second-biggest lie in Time Lord history.'

12: Dhawan!Master tells Thirteen, "You are the Timeless Child."

13: Thitreen stares at a ruined house. Swarm whispers in her ear and tells her, "All the memories you've lost, all the people you've been. It's all in there, contained within that house."

14: Text: And it was like the Doctor's home. As if his ship understood the loss of the House and had compensated to fill the emptiness. Shadowy corridors, alcoves and stairways, a secret at every turn. Like being in the Doctor's head. Like his life, for that matter, the details of which were strewn like flotsam across the floor.

15: Text: 'Sweet,' said the little boy. 'That's my favourite of your origin stories, too.'

The Doctor opened his eyes. He had been laughing, he realised, he felt that lightness in himself. The boys had all moved away, behind him, leaving him facing the empty dark of the warehouse.

'What do you mean?' he asked. His voice sounded very small.

'Is this the version where they banned all mention of his name, and yours, for consorting with aliens? Or the one where he got every record of himself deleted from the files?'

'Feel free to believe either of them,' snapped the Doctor, 'or both of them, or neither of them. If you're curious about my past, I want there to be as many wrong answers as possible.'

16: The Eighth Doctor tells someone, "I'm half human. On my mother's side."

17: Text: 'Well he's a hybrid, you know that. A Gallifreyan not born of Gallifreyan, the one who unites the two races and brings good old human niceness into their alien society. Aliens need that, y'know.'

'A human hybrid? She saw the contempt in his curling lip. 'Pseudoscientific nonsense. There's no evidence,' he repeated.

'He's allowed to be different. He's got a prophecy and everything.'

18: Lady Me says, "By your own reasoning, why couldn't the Hybrid be half Time Lord, half human?"

19: Text: Someone giggled. 'Let's play pin the tale on the donkey.'

'Maybe you didn't use to have a father.'

'Maybe you're living in the middle of a time war. Maybe there's an Enemy out there -'

The Doctor shouted, 'I'm not listening!'

'- who's rewriting you when you're not looking!'

'Maybe you weren't always half human.'

'But now you've become always half human.' 'Maybe you weren't always a Time Lord.'

But now you've always been a Time Lord.'

'Maybe you originally came from some planet in the forty-ninth century. Fleeing from the Enemy who'd overrun your home -'

'I said I'm not listening! Laa laa laa laa laa -'

'- and you've just been written and rewritten and overwritten, ever since.'

'Pin the tale!'

'How d'you know it's not true?'

'How could you know it's not true?'

The voices crowded in. 'How would you know, huh?'

'How would you know?'

'How would 'How would you 'How 'How would you know? you know? you know? know?'

'Why would I care?' shouted the Doctor.

The boy fell silent.

20: Lady Me asks, "Am I right? Is it true?" Twelve replies, "Does it matter?"

21: Text: However, the one group from the Homeworld which has excelled at flux-engineering is the Celestis.

22: Two asks the Time Lords, "Now then… what about me?"

23: Tecteun tells Thirteen, "Which is ehy we engineered the Fluyx: Shut the universe down and you within it."

24: Text: Even Mictlan itself can be considered a kind of enormous flux, an endlessly-shifting realm so cortosive to the rest of history that its heartland has to be kept on the outer skin of the universe

24: The Fourteenth Doctor tells Donna, "I invoked a supersition, at the edge of the universe, where the walls are thin and everything is possible."

25: The space station from Wild Blue Yonder

26: Text: There are suggestions of a stable middle-ground between the two fates, in which the physical matter of the flux is lost but the meaning of the subject/ victim is retained, a series of memetic connections with no flesh to support it. Yet this entity exists only on a purely theoretical level, relying on the perceptions of others to survive at all.

27: The Twelfth Doctor walks up to the TARDIS console. He says, "Can't wait to hear what I say." Glancing at the viewer, he adds, "I'm noting without an audience."

28: Text: You know what Sam represents. If a tree falls in a forest and no one's there to hear it, does it make a sound? Stop me if I'm getting too abstract here, but if a Time Lord saves the world and nobody witnesses him doing it, does history care? She's your witness. The thing you need to make you whole.

29: The First Doctor looks at the viewer and says, "Incidentally, a Happy Christmas to all of you at home!" End description.]

[Plain text: Fluxes [Celestis: Engineered Participants / Technologies] Example: "Doctor, The". End plain text.]

@dw-described

[jessmalia]

You don’t have a show without Henry Mills. Emma might be the main character, but Henry is the heart of the show (he has the heart of the truest believer!!! it’s right there!!!). Every single character is irrevocably tied to him. He changed everyone’s lives and gave them the opportunity to change each other’s lives. He gave Emma a family. He gave Regina redemption. He delivered Rumple to his son. He gave David and Snow their daughter back. He was the reason behind Emma and Neal’s relationship and the good thing that came out of it. He healed Neal by giving him the opportunity to break the cycle of neglecting father/son relationships. Killian redeemed himself from his mistreatment of Baelfire by Henry allowing him to take a stepfather role in his life. The text says Emma broke the first curse, but Henry is really 99,9% responsible for it, thereby giving every single citizen of Storybrooke their lives back. Regina’s love for him broke the second curse. He was the one who got them out of the Heroes and Villains story. He’s descended from the Enchanted Forest but was born and raised in our world, making him the bridge between them. He did the impossible when, for just one second, he made the people of our world believe in magic and reunited his family again. Once Upon A Time is a show that operates around fate and Henry is the person who ties everyone’s red strings together. He is quite literally the center of their universe. He is The Author. He is the truest believer. It’s been there all along.

[im-up-to-shenanigans]

i will never not get emotional watching the season 2 finale of ouat. like just watching killian's face fall when he finds out neal is dead. the realization the emma may have lit the spark of his redemption, but his love for baelfire is what fanned that spark into a flame

the direct parallel of the scene in the past of killian telling bae that he could change for him and bae saying he would never change bc all he cares about is himself

AND THEN WHEN HE TURNS AROUND AND COMES BACK EMMA SAYS SHE DIDN'T THINK HE CARED ABOUT ANYONE BUT HIMSELF AND KILLIAN JUST SAYS HE NEEDED REMINDING THAT HE COULD ASJDHHDJSK

and that reminder came after emma's speech in the diner. after she told him that he could be a part of something. he still didn't give her back the bean. he gave her an empty pouch and dipped. he had nothing to lose by leaving storybrooke to be destroyed, but he came back.

without anyone there with him to say just the right things and encourage him to make the right choice. emma already did that, but that wasn't enough. he still betrayed her

but he sat there with his own thoughts. with the knowledge bae was dead. and looking at the carving he made to teach this boy he once loved how to sail. AND HE TURNED BACK

BECAUSE HE BLAMES HIMSELF FOR TEARING APART BAE'S FAMILY. AND ONE OF HIS BIGGEST REGRETS WAS SELLING BAE OUT TO PAN. BUT HE'LL BE DAMNED IF HE DOESN'T TRY TO MAKE IT RIGHT. SO HE TURNS BACK TO SAVE BAE'S SON. BECAUSE HE MAY HAVE TAKEN BAE'S MOTHER AWAY FROM HIM ONCE AND PLANNED TO MURDER HIS FATHER, BUT HE WON'T LET HIS SON SUFFER THE SAME THING. HE WANTS TO BREAK THE CYCLE AND TRY TO MAKE IT UP TO THE BOY HE ONCE LOVED AS HIS OWN

and then he finds out that storybrooke's safe, but henry's been kidnapped, and he doesn't even hesitate to volunteer to help get him back, even when he finds out he has to work with the man who murdered the woman he loves and who cut off his hand. HIS LOVE FOR BAELFIRE OUTWEIGHED HIS HATRED FOR RUMPLE, JUST LIKE HE SAID IT WOULD WAY BACK WHEN HE TOLD BAE HE COULD CHANGE FOR HIM. HE MADE GOOD ON THAT PROMISE

and he finds out that henry's been taken to neverland, a place killian DESPISES, and he still doesn't back out. bc he may have sold bae into pan's hands, but he will save his son from suffering the same fate.

and everyone believes he's on neverland solely for emma, and he lets them believe that. bc he knows why he's there and it doesn't matter what anyone else thinks. he may be falling in love with emma. she may inspire him to become better. but she was never the reason

and i can't stop crying

[pokkop15]

Thalergy

The opposite of Thanergy (AKA “Death Energy”) in the Locked Tomb series by Tamsyn Muir.

So you say, “ok so it’s just life energy?” to which you are mostly correct. Thalergy is exactly that but what’s interesting about this to me (and soon to you all as well I imagine) is the etymology of thalergy!

The etymology?

The Etymology.

Thanergy as death energy derives its name from Thanatos, the greek god of death (technically the personified spirit of non-violent death but modern perception of the name is usually edgier than that lol). So it would be normal for those unfamiliar with the myriad of divinities within the Hellenistic pantheon to justly assume the ‘thal–’ in ‘thalergy’ comes from an opposite divinity of Thanatos that was a personified spirit of life. Except that doesn’t exist. Reading the first two books I knew that thalergy as a word wasn’t derived from any greek or roman words meaning “life” but I didn’t really dig any deeper on where it did come from because I didn’t think it was overly important. I Was Incorrect.

Because you see, the context for me to really connect the dots had gone over my head up until I had read Nona the Ninth. (I recall some meta posts pointing out that the Themes™ had in fact been present in the previous books just less obvious.)

What Themes? And Who The Fuck Is Thalergy Named For??

Thalassa.

Primordial Goddess Of The Motherfucking SEA!!!!

So yeah! Remember all those posts talking about the importance of all the themes regarding the sea/ocean in the Locked Tomb series? Yeah so here’s more fuel for that lmao

Edit 11/20/2022: also many people have brought up other examples like Thalia (the muse of Festivity whose name also means blooming) as another more direct connection to life and @adurna0 who actually speaks Greek has pointed out that thaleros is in fact a word that means "lively" so even if the Thalassa connection is a thing it is more likely a double meaning than the lone one.

[aspoonofsugar]

Neo's Hecate = The Triple Goddess

Trivia is the Roman name of Hecate, Goddess of witchcraft, crossroads and ghosts. Neopolitan is Roman's Hecate, so her birth name is Trivia. Is that really all there is?

Obviously not. Or at least, Neo's allusion to Hecate can be read in multiple ways. Sure, it might have been an unplanned reference, but by this point (either willingly or not) Neopolitan has grown into Hecate's role. So, let's analyze ice-cream's girl allusion to better understand her story, with a focus on volume 9.

WHO IS HECATE?

Hecate is a Greek Goddes, who is later adopted by the Romans with the name of Trivia. Her origin is probably more ancient than Greek culture, though. In short, she is a foreign deity, who gets integrated into Greek religion. Similarly, Neopolitan is an unplanned character shoved into the narrative. However, she finds her place in the story and grows into herself.

Here are some of Hecate's most famous attributes.

Hecate is the Goddess of crossroads and magic. In particular, she is the master of darkness and the queen of ghosts to the point she is linked to nechromancy. She also rules over demons called Empusas, who are half woman and half beast (either a cow or a dog usually). They eat human blood and are linked to fire. Finally, Hecate is a psychopomp deity (like Hermes/Mercury), so she moves freely among Earth (human world), Olympus (world of the gods) and Hades (world of the deads).

Hecate is often depicted with three bodies and three heads:

She holds torches and keys, which are symbolic of her ability to guide people in the underworld and to travel among dimensions. Sometimes, she can appear as a dog, which is her sacred animal.

Hecate is one of the Goddesses associated to the moon. In particular, she is the falling moon to Artemis's crescent moon and Selene's full moon. According to other traditions, she is a part of Artemis/Diana. This Goddess is the Moon in the Sky, Artemis on Earth and Hecate in the Underworld. Whatever the case, both Artemis and Hecate have a triple nature to them.

This triple nature makes Hecate an example of Triple Goddess in modern Neopagan religions. The Triple Goddess is the archetype of a female deity linked to the three phases of a woman's life. Youth (Maiden), Maturity (Mother) and Old Age (Crone). Her male counterpart is the Horned God.

As you see, Hecate is hard to define. Just like Neo. Both are ambiguous and difficult to grasp. Still, let's try to understand ice-cream girl better by using this mysterious Goddess. Let's focus on three things (obviously :P):

Hecate's link to the number 3 and how it is used in Neo's story

Hecate and Artemis's bond and how it mirrors Neo and Ruby's

Hecate's imagery and attributes and what they mean for Neo

The first is an analysis of Neo's interiority (microchosm). The second explains Neo's role in the story (macrochosm). The third offers a synthesis and a conclusion (balance).

RULE OF THREE (MICROCHOSM)

Hecate is known for her three heads and three bodies. Neo is a normal human, but the number 3 still comes up in her design:

Pink, white and brown. Strawberry, vanilla and chocolate. The three flavours of the Neapolitan ice cream. The three sides of Neo's self:

We are ruled by thirds. In fashion we compare no more than three colors. Our personalities are defined by the id, the ego and the super-ego- always warring vying for control. But our goal is harmony. Balance. (Roman Holiday, chapter 13)

According to Freud, the human mind is made of three parts. The id is where fear and wishes lie. It is a primitive and instinctive force. The superego is society’s expectations. It is where morality and ideals are. The ego is what balances the other two parts. It mediates between wishes and duties.

As per Roman Holiday, Neo is a combination of Neopolitan (pink), Vanille (white) and Trivia (brown). So, Neo's color scheme is a metaphorical representation of id, superego and ego:

Pink represents the id - Neopolitan is Trivia's pink imaginary friend. She embodies everything the child is forced to repress, like her pink eye and her wish for freedom.

White represents the superego - Vanille is Trivia's surname and a shade of white. The Vanilles want their daughter to fit into society and despise her disability, which makes her "odd".

Brown represents the ego - Trivia has brown hair, wears brown clothes and a brown contact lens. She is conflicted between her parents' expectations and her own wishes.

In her childhood, Trivia is unbalanced because her family forces her to repress her id. She cancels her pink side and projects it on her imaginary friend Neopolitan. So, Trivia undergoes a transformation and claims this part of herself back:

As the old saying went, “You can’t put the moon back together”. At times you had to destroy something to make something even better in its place. When Mama had shattered Neopolitan in front of their burning house, Trivia finally understood that she had been broken all along. Losing her friend was Trivia’s first step toward putting herself back together and embracing her true, best self. (Roman Holiday, chapter 11)

She re-arranges herself and her three parts:

Pink becomes the color of Neo's ego (her truest self). She stops hiding her eye and dyes half of her hair pink. Similarly, she embraces her Neopolitan persona more.

Brown becomes the color of the superego. It is a color linked to Neo's female authority figures like her mother (Carmel) and her teacher (Beatrix Browning). It is still present in Neo's color scheme, but much reduced. Similarly, Trivia is still there, but feels more like a mask than Neo's real self.

White becomes the color of the id. It is the color of Neo's family name, which she sheds. However, Neo still loves her parents, so her semblance dyes a lock of her hair white as an unconscious response to their death.

Roman Holiday is the story of Trivia Vanille's death and Neopolitan's birth:

As far as she was concerned, Trivia Vanille was buried under that mess, too. Neopolitan was the sole survivor. (Roman Holiday, chapter 26)

Neo leaves behind her parents and their strict rules to become a living manifestation of the id:

She just wanted to do whatever she wanted. And for the moment, what she wanted was to help Roman set the world on fire. (Roman Holiday, chapter 26)

Neopolitan does whatever she wants, even if it hurts others. She embraces her deepest wishes and chaotic emotions. This is the character we meet at the beginning of RWBY.

Well, Neo's arc in the series is to discard this person and to become someone new once again. After all, Neopolitan's name is linked to renewal and transformation. "Neopolitan" comes from Naples, which means "new city" (neo + polis). Naples's fantastic origin itself is a story of death and rebirth. According to the legend, this Italian city is born from a Siren, who dies for love. Her body transforms into the city and gives new life.

Similarly, Neo is a character able to be reborn countless times (neo = new + poly= many). So is Hecate, whose name may refer to the Greek number 100, as the Goddess is said to have one-hundred forms.

Our Neo/Hecate is then a multifaceted force, who goes through destruction just to embrace creation.

Neo's change in the series starts with a loss:

She loses both Roman and her inner balance:

There was one thing To help escape the misery And now it's all disarrayed You took my whole life away You sent me back to nothing Now you'll pay

So, she needs to rebuild herself once again:

We must live with balance But balance is blind (Lost her world) Vengeance is a riptide In a fairy tale, she'll find Inside A new me, I'm ready But who will I find? Inside I've gotta let go but could I lose my mind?

Volume 9 is where this inner transformation takes place. This time the new found harmony among id, superego and ego is not described by Neo's three colors. Rather, allusions are used.

In the Ever After, Neo is associated to three different Wonderland / Through the Looking Glass characters:

The Hatter, who represents the id

The Cheshire Cat, who represents the superego

The Jabberwocky, who represents the ego

THE HATTER - THE ID

“Well, I'd hardly finished the first verse," said the Hatter, "when the Queen bawled out 'He's murdering the time! Off with his head!'" "How dreadfully savage!" exclaimed Alice. "and ever since that," the Hatter went on in a mournful tone, "he wo'n't do a thing I ask! It's always six o'clock now.”

The Hatter is a Wonderland and Through The Looking Glass character. He is famous for the Mad Tea Party, where he, the March Hare and the Dormouse chat with Alice. The original book reveals that the Hatter "killed time" while singing, so Time refuses to run normally for him and his friends. As a result, they are stuck in an eternal tea-party, as it is always tea-time for them. In the 1951 Disney movie, instead, he celebrates Alice's unbirthday.

Neopolitan has been stuck in time since Roman's death. She can't move on, so she focuses all her energies on revenge:

So close to closure The one thing you need Underneath a monument with a dedicated plea

Killing Ruby becomes Neo's One Thing to the point she organizes a special tea party of her own:

Ruby's unbirthday party, to be precise:

Cinder: And you… should have never been born…

Where she can dissolve Little Red in a cup, as if she were a sugar cube:

Kill for kill Eye for eye Blood for blood It's time to die Retribution tastes so sweet

The Hatter is a hostage in his tea party and Neo is a prisoner of her revenge. Both are consumed by their inability to go on. Both have killed time and can't face their future.

In Neo's case, the reason why she murders time is pretty clear. It is a coping mechanism to avoid grief:

In Wonderland, the Hatter can drink tea at every hour. In her fantasy world, Neo can stay with Roman forever:

Neo-Roman: Y’know once Neo realized where she was, everything changed. Always loved the idea of a place to run away from it all. Do whatever you want. I offered that to her back on Remnant.

This is also why the first thing Neo does after landing in the Ever After is to evolve Overactive Imagination and to kill the Jabberwalker:

The creature is symbolic of death, as they kill Afterans permanently. So, Neo metaphorically negates her grief (the Jabberwalker) through illusions (her semblance).

At the same time, Neo enters the Ever After and gives in to her id. She has her desires and instincts control her completely. She loses all filters:

(Then suddenly) Scratched through the surface And you've found a key Unlocking what you thought was safe inside a box But it's somehow been set free (Finally)

Overactive Imagination's evolution is a physical representation of this psychological process. Neo spirals throughout Mistral and Atlas, but in volume 9 she hits rock bottom and stops acting rationally. She becomes the incarnation of her anger, which manifests through her semblance. Her illusions are typically silent. However, in the Ever After they speak, as Neo is letting her inner voices out of the box:

Say something real Do you only speak in riddles, chatterbox? I'm waiting for your ugly mouth to spit it out

This is why she becomes a chatterbox. She tries to communicate through her creations.

In particular, she makes an imaginary Roman (the Hatter), who looks and sounds like the real deal. He becomes the dominant voice in Neo's mind and speaks to and for her. His presence highlights Neo's inability to accept Roman's death. She hides in a lie. Just like Trivia used to cower behind her imaginary friend Neopolitan. As a child, Trivia can't accept Neo is a part of her. As an adult, Neo can't accept Roman isn't with her anymore. In this way, Neo's first real human connection gets reduced to an imaginary friend. This is the tragedy of Neo's adventure in the Ever After.

All happens because Neo surrenders herself to the id (her inner world). Still, it can't last forever. The id is a powerful source of energy and drive, but it is also destructive. So, Neo self-consumes until she has nothing left:

Neo-Roman: (voice in Neo’s head) You’ve finally done it! Little Red’s gone. With your Semblance stronger than ever now, we can take over this whole absurd place! Why not? Offing Little Red can’t be all you wanted… Right?

She puts so much into destroying Ruby, that she ends up empty. A vessel for others to take advantage of.

Curious Cat: You’ve lost something most important, haven’t you? And now you have nothing left. How delightful! An empty host, perfect for me to fill.

THE CHESHIRE CAT - THE SUPEREGO

The Cheshire Cat appears twice in Alice's Adventures in Wonderland. The first time, he guides Alice at a crossroad and points her towards the March Hare's house. The second time, he appears at the Queen of Heart's croquet game as a giant head. The Queen and King are offended by his presence and want to behead him. Still, he is a head without a body, so the execution of this death sentence is complicated. Eventually, he simply fades away and disappears.

The character is inspired by the saying "grinning like a Cheshire Cat", whose origin is unknown. Among the many hypothesis, there is one about a grinning cat-shaped cheese. The cheese was cut from the tail, so that the last part eaten was the head of the smiling cat.

In RWBY, the character who alludes to the Cheshire Cat is not Neo, but the Curious Cat. Still, Neo and the Cat's stories are intertwined, as they destroy each other. The Cat possesses Neo and Neo kills the Cat.

Both characters eat and get eaten. They eat like the two wolves of Ruby's Little Red Riding Hood. They get eaten like the cat-shaped cheese, until only a floating head remains. A head separated from the body. A mind detached from reality:

“We’re all mad here. I’m mad. You’re mad.” “How do you know I’m mad?” said Alice. “You must be,” said the Cat, or you wouldn’t have come here.”

Neo and the Cat are mad, so they meet in the Ever After. However, their madnesses are opposite:

Neo loses herself in fantasy (the Ever After) and runs away from the real world (Remnant). She lets her unconscious feelings (id) run wild.

The Curious Cat is trapped in fantasy (the Ever After) and wants to reach the real world (Remnant). They are consumed by an imposed purpose (superego):

Curious Cat: I’m not like the other Afterans here, I’m cursed with curiosity. I need to know everything!

Blacksmith: A terrible thing to have a broken heart… And there’s nobody to send them (the Cat) back to the Tree for repair.

So, Neo and the Cat are foils, which is why they share the song Chatterbox. Both blabber non-stop. However, Neo's illusions speak her truest self. The Curious Cat instead uses smart words to hide their real intentions. Neo shows her inner beast (the shadow), while the Cat wears a mask (persona). So, Neo is the embodyment of the id and the Cat is her estranged superego. They are an external force, who comes and takes control of Neo's life:

The possession is a metaphor of Neo's state of mind. She goes from moving many characters around to becoming a controlled puppet. From shouting to radio silence. This switch is conveyed through the Curious Cat speaking through and for her.

This is Neo's nightmare, as her life is a struggle to be heard. Among other things, Neo refuses devices that make her sound robotic. She dislikes artificial voices because they sound fake to her. And yet, the Curious Cat forces Neo to speak their words. The Cat becomes Neo's new voice.

This is the result of Neo losing her inner drive:

NeoCat: She has no attachments to your world. Nothing to return to.

She is left with no wishes nor fears. She is a living id, who transforms into a walking superego. However, both extremes are wrong. A person is made of both her id and her superego. Both parts are needed to make an individual, which is why Neo is asked to face herself once more:

The Tree has the girl confront the pain and grief she has been ignoring. And yet, these feelings are what saves her:

NeoCat: No! These cracks, these feelings! I can’t… I can’t!!!

Thanks to them Neo gets back in control of her life. Symbolically, the Jabberwalker she kills in the beginning appears to finish the Cat off:

In this way, the cycle is complete and Neo's ego can finally surface.

JABBERWOCKY - THE EGO

Beware the Jabberwock, my son! The jaws that bite, the claws that catch!

The Jabberwocky is a nonsense poem Alice finds in Through The Looking Glass. She initially can't read it, but then she realizes the verses are written in mirror-writing. She holds a mirror to the text and the poem appears. Despite being able to read it, though, Alice can't understand it:

"It seems very pretty," she said when she had finished it, "but it's rather hard to understand!" (You see she didn't like to confess, even to herself, that she couldn't make it out at all.) "Somehow it seems to fill my head with ideas—only I don't exactly know what they are! However, somebody killed something: that's clear, at any rate."

The poem conveys two main ideas:

It tells about a slaughter:

He took his vorpal sword in hand: Long time the manxome foe he sought— So rested he by the Tumtum tree, And stood awhile in thought. And as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back.

It is impossible to understand, as it is full of gibberish and invented words

This is true for RWBY's Jabberwalker, as well:

They embody death, as Afterans killed by this creature are negated ascension

They jabber as they walk, which is why they fail to communicate with others

How does this relate to Neo? She kills the Jabberwalker, but assimilates them in her illusions. This happens because the creature is Neo's mirror. They reflect our Hecate in the making.

The Jabberwalker is a monster of grief who dies unheard:

Jabberwalker: Stop… It… Cease! No! NO! NOOOOOO!

Neo is a villain whose grief stays unrecognized:

Ruby: If you’re looking for an apology, you’ve wasted your time!

Not only by others, but by Neo too. She kills a part of herself in the Jabberwalker. Her most vulnerable and real part, that wants to communicate:

Say something real Do you only speak in riddles, chatterbox? I'm waiting for your ugly mouth to Say something real Do you only speak in riddles, chatterbox? I'm waiting on your ugly mouth to spit it out

She is a chatterbox that screams, but is not listened to. She can't talk, then she gains the ability to speak through her semblance. And yet, she can only be heard. Never understood. Similarly, Alice eventually learns how to read the Jabberwocky poem, but doesn't comprehend it.

This is why the Chatterbox song is so mysterious. Is it about Neo? The Cat? Both? Who sings what? Are they singing to each other? Or is it Ruby singing to them? It is impossible to say, just like it is impossible to grasp the full meaning of the Jabberwocky.

So, this song is about Neo and the Cat, but plays while RWBYJ fight the Jabberwalker. That is because the monster represents Neo's frammented self. They are the girl's ego, which is so broken and confused she herself negates it. Her journey in the Ever After, though, helps Neo find inner clarity:

(Waiting for it Sugar-coated All you need is here Come and find what Redefines you Make it crystal clear)

By the end she sees herself crystal clear:

Neo-Roman: To have what they have. What a thing, huh?

Her true wish is the same as ever. She wants a real connection. To succeed she has to let go of an imaginary one:

As a child, Trivia lets go of Neopolitan and finds Roman. As an adult, she lets go of Roman to find someone else. Trivia dies and Neo is born. Neo dies and someone new is born:

Blacksmith: She will have the chance to return her broken heart… And becomes something new. Such is balance.

Life from death. Creation from destruction. This is what transformation is. Symbolically, Neo kills all her three parts. She murders the Jabberwalker (ego), she rips the Curious Cat to shreds (superego) and finally releases Roman's illusion (id). Now, she is ready to move on.

HECATE AND ARTEMIS = SHADOW AND LIGHT (MACROCHOSM)

Hecate/Trivia and Artemis/Diana are two intertwined Goddesses. In particular, Hecate is sometimes described as a part of Artemis's triple identity. This Goddess is:

The Moon in the Sky (The Crescent Moon to be precise)

Artemis/Diana on Earth (Goddess of hunt)

Hecate/Trivia in the Underworld

Doesn't it remind you of anyone?

Ruby is

Associated with the Crescent Moon (Crescent Rose)

The best Huntress of all

A Red Grim Reaper with a Scythe

She is the Artemis (Crescent Moon) to Neo's Hecate (Falling Moon). This is why Neo's role in volume 9 is to play Ruby's Jungian Shadow:

In analytical psychology, the shadow is an unconscious aspect of the personality that does not correspond with the ego ideal, leading the ego to resist and project the shadow. In short, the shadow is the self's emotional blind spot, projected as archetypes.

The shadow is everything that is repressed or hidden. In Ruby's case that is her emotions over loss and grief. So, Neo becomes what links Ruby to these feelings of death. Just like Hecate/Trivia is the part of Artemis/Diana, who appears in the Underworld. This is why Neo and Ruby fall together in the Ever After.

During their fall, Neo transforms in three people Ruby cherishes: Oscar, Yang and Penny. What do they represent?

They are linked to future, present and past. In particular, Oscar is waiting for Ruby outside (future), Yang is in the Ever After with Ruby (present) and Penny is lost (past).

They are the three people Ruby's conflict is focused on in the Atlas Arc. In volume 7, Ruby disagrees with Oscar on telling Ironwood. In volume 8, Ruby and Yang fight over what to do. In volume 9, Ruby must overcome Penny's death.

These two meanings are linked to two roles Neo fulfills towards Ruby. That of Triple Goddess and that of Goddess of crossroads.

1- The idea of past, present and future ties into Hecate being a Triple Goddess:

The fates are a representation of this Goddess and a declination of the Three Hecate Sisters, also known as Maiden, Mother and Crone. They are archetypes linked to three different phases of life. Youth, maturity and old age. In other words, past, present and future.

As Ruby's Hecate, Neo often brings up past, present and future throughout volume 9. Here is a quick list:

Ruby and Neo's fall in the Ever After (Penny is past, Yang is present and Oscar is future)

Ruby's first meeting with the Blacksmith, which is followed by the appearance of Neo's Jabberwalkers. There Ruby sees three weapons. Penny's sword is Ruby's inner child (past). Alyx's knife is the role Ruby is currently trying to fulfill (present). Summer's axe is who Ruby wishes to become (future)

Ruby's fight with Neo's Jabberwalker, where Ruby hallucinates three people. Cinder is the foe Ruby lost to (past). Penny is her current inner demon (present). Salem is the villain Ruby must eventually face (future)

Neo's crazy tea party, where Neo destroys Ruby by using three loved ones. Penny is a dead friend (past), Oscar is a friend Ruby could kill (future) and Little is a friend that dies (present)

Past, present and future haunt Ruby, so that she can accept who she was, understand who she is and move towards who she will be:

Past Ruby: So, are you a Huntress? Like the ones you read about in books? Ruby: I… I don’t know… Past Ruby: They always saved the day, didn’t they? Always knew what to do. Always won in the end. Ruby: But… life isn’t like a fairy tale… Past Ruby: That’s right! It’s up to you to make things better, isn’t it? Everything all depends on you! Your sister needs you, your friends need you, the whole world needs you to keep fighting, forever and ever, against an invincible monster that took your mother! Past Ruby: Mom was the best… but even she failed. That doesn’t seem fair. None of this seems fair. Ruby: But… What am I supposed to do…? Past Ruby: You can do whatever you want. Be whoever you want! You don’t even have to be Ruby Rose… So, what are you gonna be?

2- Neo brings to the surface Ruby's inner conflicts. She starts with the three struggles Ruby faces in Atlas and she keeps going by using her Jabberwalkers to re-create Atlas's destruction twice:

Finally, she has Ruby fight her inner demons all at once:

Neo-Ironwood: Who were you to think you knew what was best for Atlas? Neo-Pyrrha: I was the best and brightest Beacon had to offer. But I traded my life so my friends could live! Neo-Penny: Just like you were too late to save me at the Vytal Festival… I died in Atlas too, didn’t I? (walks towards Ruby) Can you imagine what that's like? To be completely and utterly failed… time and again… (kneels down to Ruby) by someone who meant the world to you… Neo-Pyrrha: How many more people are going to die because of you?! Ruby: I’m trying to save everyone! Neo-Ironwood: And yet with all your best intentions… Have you ever stopped to wonder if you’d done more harm than good?! Ruby: It’s not my fault…! Neo-Ozpin: How many more lives do you have to ruin before you realize you’re not cut out to save anyone?! Ruby: NO!!!

This happens because Neo is a manifestation of Ruby's id. Just like Hecate is a Goddess linked with crossroads and choice, Neo forces Ruby to transform.

Ruby's hidden self and her conflictual feelings are intertwined in Neo, who is the part of herself Ruby refuses to aknowledge until it explodes.

Let's juxtapose these two scenes:

Ruby: What is this about? The White Fang? Roman Torchwick?

Ruby: Is that seriously what this is all about? You still blame me for what happened to Torchwick?!

In volume 4, Ruby asks Tyrian why he is after her and mentions Torchwick. In volume 9, Ruby is surprised Roman's partner wants to avenge him. This happens because throughout Mistral and Atlas, Ruby starts shouldering too much responsibilities by herself. Her whole ego becomes intertwined with the duty to stop Salem. By doing so, she neglects other parts of the self:

Maria: You know, you don't give yourself enough credit. Ruby: Oh… Thanks. Maria: That wasn't a compliment.

Which leads to the shadow suffering and festering. Inside Ruby, the shadow is her grief and trauma. Outside, the shadow is Neo. A secondary villain with a revenge agenda, which is nothing compared to the threath Salem represents. And yet, Neo's personal grudge grows until she becomes dangerous for Ruby's own existence:

Neo-Roman: You don’t deserve to die, Red. You deserve to be broken down… Torn apart… wiped from existence.

In this context, Ruby refusing to empathize with Neo is really Ruby refusing to empathize with herself:

Give me anything But this symphony of technicolor rage You call it righteous, meaningful It's anything but love Don't take me for a fool I know this all too well so Leave your tears to someone else cuz It's not just you who lost it all

Neo kills the Jabberwalker because she doesn't want to accept Roman's loss. Ruby doesn't see Neo because it would mean to look at her own pain.

The end result is bad for both girls. On the one hand Ruby is overwhelmed by trauma and chooses to disappear. On the other hand Neo realizes how empty she is after Ruby is gone. That is because shadow and light can't live without each other. They need to integrate, which is what Ruby and Neo do by the end.

Both see themselves more clearly, so they are finally able to empathize with each other:

Their conflict almost kills them, but once they get throught it they are ready to become better versions of themselves. They die and are reborn:

Since she had used her Semblance for the first time to create a butterfly with one pink wing, one brown, with white spots all over- then sent it out her bedroom window and watched it flutter away until she lost sight of it and let it go. (Roman Holiday, chapter 11)

Like two butterflies, who step into a brand new phase of their lives.

HECATE (BALANCE)

Neo's story is about finding balance inside and outside:

Inside- As a child, Neo is too repressed (superego), so as an adult she becomes uncontrolled (id). Her arc has her grow more balanced (ego).

Outside - In volume 9, Neo is Ruby's shadow (id) and brings out all of Ruby's negative emotions. By the end, though, Ruby is able to understand Neo and feels sympathy for her. This is because our LRRH doesn't refuse her own shadow anymore.

In other words, Neo is an id character, who has to integrate both with herself and with the world around her. This fits Hecate, who is a Goddess linked to the Underworld. The Ever After itself is a representation of this kingdom for three different reasons:

It is the world before (under) Remnant

It is the world of the deads (buried under)

It is the world of the unconscious (buried inside)

This is why Neo's semblance grows more powerful while there. Hecate is the queen of ghosts and Neo grows powerful enough to rule the Ever After with her materialized spirits (illusions). On a deeper level, our lady of the deads must face her own grief. So, like other characters, Neo goes through the stages of grief. In particular, Neo's stages are represented by her reactions to different characters:

The Jabberwalker she kills (negation)

Ruby she stalks and tortures (rage)

The Roman she materializes (bargaining)

The Curious Cat she is controlled by (depression)

All these meetings are a part of her journey to find both acceptance and herself. Maybe this is why throughout volume 9 she progressively becomes more and more Hecate-like. As a matter of fact, she aquires many attributes of the mysterious Goddess.

She gains her personal Empusas:

The Empusas are Hecate's demons, who look like girls with some odd body parts. In this case, Neo's heterocromia.

The Empusas are usually monsters linked to fire that appear as half-dogs. Here, Ruby sees the Jabberwalker with Cinder's head.

She finds her own Horned God:

The Horned God is the Triple Goddess's companion in neopagan religions. The Jabberwalker is a horned creature associated with Neo.

She commands a pack of dogs (the Jabberwalkers) and she herself plays the part of Ruby's dangerous wolf. This fits with Hecate's sacred animals being dogs.

Finally, she stands beside a wicked torch:

Torchwick-illusion is her companion in the Underworld and a symbol of her friend's lost soul. She even uses Roman's voice to lead Ruby towards death. Just like Hecate holds torches to guide mortals in the Kingdom of the Deads.

Despite all this, there is still an attribute missing: keys. They represent Hecate's ability to travel through worlds. However, Neo is stuck in the Ever After:

Jaune: So Neo can’t go through the door…

This happens because she has still to fully bloom into Hecate (herself). However, she is making progress and by the end of volume 9 she reaches acceptance. A necessary step to grow.

In particular, she dispels her illusion of Roman. She overcomes her grief by overcoming her own fantasies. This is interesting because it is the opposite of what happens in Roman Holiday:

“He caught a lock of her hair and showed it to her. It was white. “This is new. It suits you,” he said. Why would she have done that with her Semblance?” (Roman Holiday, chapter 26)

There, she represses her sadness over her parents' death, which manifests in her illusory white lock of hair. In the series, though, she lets go of an illusion to move on. Why is that so? That is because Neo herself is a combination of illusion and reality:

“Roman shook his head. “Show them who you really are.” Neo changed back into herself, but swapper her school uniform for her favourite suite. Roman handed her her parasol. (Roman Holiday, chapter 22)

Roman Holiday is the story of how she realizes illusions are a part of who she is. Volume 9 is where she learns she can't live in a world made only of illusions. So, she chooses to face herself for real:

Once she emerges from the Tree, she will gain her allusion's ability to move freely between dimensions (psychopomp) and will go through the door. She will leave her fantastical world (the Ever After) and come back to reality (Remnant).

[color-beyond-lines]

The parallels between Pete telling Way that he always has a choice and Babe saying the same thing to Kenta:

Way believes he is worthless because he failed to do what Tony wanted him to do. His actions cost him his closest friend and team. After ten years, he’s untethered to Tony and has the chance to become someone better. Pete did it. And he believes Way can too.

Kenta believes he is only worth something if he can succeed in doing what Tony tells him to do. His closest companion fled years ago, leaving Kenta feeling abandoned. He’s been trained to be a knife for Tony, who has provided him with more than anyone else, how could he possibly deny him? How can he have a life outside of Tony’s grasp? Babe did it. And he believes Kenta can too.

Sometimes it isn’t the person you’re closest to that gets through to you. Because of course they see the best in you and want the best for you. Best friends are supposed to do those things. Brothers believe in each other.

But when it’s someone you don’t know as well telling you that they see you. That they see good in you. That they believe in you.

That might break through the self doubt.

That might make you change your fate.

[booksteaandtoomuchtv]

"You want to kill a human? Well, I'm the worst human around, so come on!"

-Captain Hook, S2E06: Tallahassee

We get this scene also immediately after Neal was ready to abandon Emma and flea to Canada. Emma volunteers to get the watches and help him fence them to keep Neal with her. She cannot be abandoned again. (And, she will be in that storyline very soon.)

Meanwhile, Hook has spent a bit of time climbing a beanstalk with her and decides that he will be the bait. Emma still seems stunned he does it, because she expected him to run the moment she saw the size of the giant - when he fully realised the danger he would have to face. And, he doesn't.

And, this taunt he yells at the giant? It wasn't just baiting the giant. If we know one thing about Hook - he is willing to be killed in this moment. He was ready for the sword at the hands of the Dark One and hasn't quite found a reason to live beyond his revenge. He does think he is the worst human around and should be the one to die in her place, if that is where this adventure must end.

[armed-with-a-waffle-iron]

Something very Stephanie Brown about Stephanie Brown is that Bruce, Alfred, Babs, Damian, Kate, Tim, and Cass are all like "Wow! Dick Grayson's so spontaneous and wild and happy-go-lucky and rebellious and gung-ho and a ray of sunshine..." while Stephanie's like "OHMYGODDD, this guy's such a stick-in-the-mud!!".

Stephanie is literally chaos incarnate and Dick couldn't handle it (initially).

Meanwhile:

Most of these stories are happening around the same time by the way.

It also feels pretty hard-earned when these two do come around with each other, at the end of the Core Requirements arc. They had a cute dynamic and they're so similar in so many ways (Bruce even said it during The Road Home). We were robbed of more. It was absolute genius: "hmm...what if...Batman and Batgirl....were ROBIN!".

Sources: Batgirl (2009) #5-7, World's Finest (2009) #3-4, Batman (1940) #682 & #689, Nightwing (1996) #143, Detective Comics (1940) #872, Batman and Robin #9, and Batgirl (2000) #58.

[kazoosandfannypacks]

no but like. Killian lost Milah because her heart was ripped out and crushed. Cora was unable to rip out Emma's heart. Emma lost Neal because he abandoned her out of fear of the Dark One. Killian never abandoned his centuries long quest to defeat the Dark One. Killian can't lose Emma the way he lost Milah. Emma can't lose Killian the way she lost Neal. 🥹

[moistvonlipwig]

OUAT Week Day 1: Favorite arc

Let me tell you a story.

Once upon a time, there was an enchanted forest filled with all the classic characters we know. Or think we know.

But they were never trapped in a place where all their happy endings were stolen. They were never trapped in our world. They just kept living in the enchanted forest forever, same as they always had been.

And they were so much worse off for it.

Snow White and Prince Charming never had to confront the worst parts of themselves or their society. They never had to learn to accept and love a daughter who wasn't exactly how they'd imagined her. They never had to reflect on their past actions or learn to forgive the past actions of others. They built a kingdom that, much like their own selves, looked like a fairytale but crumbled like sand the moment it was challenged.

Emma grew up with her parents, but they coddled her and taught her only to look pretty and pick flowers and sing. She never learned to believe in her own ability to solve problems, never learned the importance of fighting back against wrongdoing, never learned how to do anything but surrender in the face of a challenge.

Henry, like his Storybrooke counterpart, wanted to be a hero. But he never had to learn empathy or compassion for villains. He never had to face the fact that people are more complex than their fairytale labels make them out to be. He never saw the consequences of black-and-white thinking. He became a knight and then a king who prized violence over kindness, vengeance over forgiveness.

Regina never cast her curse, and thus never learned what a hollow victory it truly was. She never adopted a child or learned that there were more valuable things in life than her quest for vengeance. Indeed, that is how we leave her: on the deck of the Jolly Roger, forever in that moment of pure confusion at the idea that anything could be more important than revenge.

Captain Hook, on the other hand, left the Wish Realm and did learn there were more important things in life than revenge. He had a child, and he gave up everything for her. But when he made a mistake and lost her, he had no support system to fall back on, no one to catch him when he fell. He returned to the Wish Realm, slid into depression and desperate schemes, and only clawed his way back to a better life once he joined up with the characters from Storybrooke.

Robin Hood lost Maid Marian early and never had a child with her. He kept stealing for himself and never chose to put his skills towards helping others. He lived a lonely and selfish life, without purpose or fulfillment, until he stepped outside the Wish Realm and was forced to consider what kind of person he really wanted to be.

Rumpelstiltskin lost both his son and the woman he loved. In fact, it's not clear that he was ever even reunited with his son at all. Thus, he never came to appreciate the value of making oneself vulnerable to love or the importance of doing the right thing even if it comes at a cost. Instead, he sought only power over others. He lost the humanity he once had and gave every part of himself over to the anger and fear within him. He became the ultimate Dark One.

The Wish Realm is fundamentally unchallenging. No one is forced to change or to reckon with their past. No one learns to empathize with their enemies. Everyone stays the way they were prior to the first episode of OUAT in perpetuity, calcifying into caricatured versions of themselves. It is a fairytale without depth, a fantasy world without humanity to ground it in reality. The only way to grow past its stagnation is to escape.

There are some strange and inconsistent wordbuilding choices in how the Wish Realm was written, to be sure. But thematically, the Wish Realm arc is coherent and powerful. It is a celebration of the journey these characters have taken with each other. An acknowledgment that the things you go through in life, good and bad, matter to who you are; that sometimes things we think are curses can be blessings in disguise; that, as Regina will put it in 7.20 "Is This Henry Mills?", "scratches are a part of life." The ultimate thesis of the Wish Realm storyline is that the characters of Once Upon a Time are better for having been a part of each other's imperfect, messy lives. I'd like to think that all of us are better off with these imperfect, messy fictional people in our lives, too.

[theshipdiaries]

I've been rewatching Once Upon a Time season 2 (I skipped some parts) and... I remember Rumple being worse. like- so far? the worst thing he has done in the present is beat up some guys to impress his girlfriend. like- Regina did waaay worse things. In the past AND in the present. Maybe he does worse later? I mean Regina SLAUGHTERED VILLAGES. He only killed once in a while and never for like no reason. Or at least not as often, like- he didn't kill just to kill, or for pettiness all the time. Regina slaughtered villages just because they were protecting Snow.

She killed her own father who loved her so much. All in the name of revenge. The worst thing Rumple did was abandon his son and he did it because he was scared not because he wanted revenge.

I mean all of season 2 Regina kept choosing the path of evil over and over again and all Rumple did was help literally everyone. He did it annoyed but did it anyway. Then he sacrificed himself for everyone. like- for me that's his redemption already. He didn't need to necessarily do it again

And yet rumple is seen as worse? somehow? we'll see later. I honestly have the worst memory so l don't remember too much of the later seasons. I do know he kept choosing the dagger over belle, but that's the only thing that can kill him- I wouldn't trust anyone with it either.

[olivegardenhunter]

I will never forgive kishimoto for not giving us even a single panel of tsunade with the typical red flame hokage cloak. I know her gamble haori is so cool iconic and her but come on. you have a whole character who makes those cloaks in the first place but never gave her one

[priscilla9993]

Robin: Make a wish! Just not for another troll.

Robin, after Alice blows out the candle with obvious heart eyes: So, what did you wish for?

Alice: You know that's not how it works, but I've got a good feeling about this one.

Robin has been pulling fast ones on Alice all day, stumping her with modern items, lingos, and idioms. But this special moment is significant, as it's the first birthday in years since Alice got separated from her papa where she isn't alone as Robin's stuck by her side. Alice knows entirely how birthday wishes work, (plus or minus hers actually being magical) the traditional superstition of how telling someone your wish will make it not come true.

Alice is on the same page as Robin for once and won't fall for any accidental secret giving. She KNOWS what Robin is up to and cleverly evades the playfully innocent and teasing question. Alice isn't going to quickly profess her love or want of Robin to be in her life/herself to be part of Robin's life. So cute and cheeky, makes me want to go just tell her already!

All gif credits go to @leiandcharles since tumblr gif finding system is whack and they make such pretty gifs. The candle lighting shot with a modern day lighter lives in my head rent free. Robin could probably live in the woods, on a farm, and hunt, but for love of life won't start a fire without her handy dandy lighter from Storybrooke.

[sapphire-weapon]

Have you guys ever wondered why Leon and Ashley have a matching set of alternate costumes called "Romantic"?

It's because it makes every scene between them look romantic. It removes the ambiguity and shows off the true intentions of what Resident Evil 4 Remake is meant to be.

RE4 Remake is a re-imagined version of Resident Evil 4 as a fairy tale, complete with the "true love conquers all" theme between the Hero and the Princess -- hence all of the "The Knight and the Princess Fair" allegories thrown around, as well as Leon having yet another alternate costume literally called "Hero."

If you're still having trouble visualizing it, let me help with the power of mods:

Capcom won't ever follow through or commit with the ship outside of this one game, because fairy tales aren't real and that's also a minor theme in the game, but for this one game -- this one isolated story -- the relationship that was built between Leon and Ashley is romantic in nature canonically.

It's kind of a bittersweet thing, to have this love story that begins and ends in the span of a night (oh wait that's Cinderella, too), because they both wake up from the shared dream of this romance during the ending. But, you know, in Sleeping Beauty, it's said that if you dream about something more than once, then that means it will come true.

Maybe, somewhere down the line, they'll get to have one more night.