#one of his bleeding hearts?’

[quietwingsinthesky]

im gonna put together a longer post after this for my other reactions but im putting this one here separately because i think it encapsulates my thoughts on this version of simm!master and its. they don’t really capture how he antagonizes the doctor. and what i mean is he simply would not let the doctor monologue at him like he does when twelve’s going off at him and missy. like ten fucking tries So Many Times to talk at the master, and consistently, the master cuts him off, snaps out a joke about whatever serious topic the doctor wants. he just doesn’t let it get that far, you know?

the stand-out moments he does are, from what i remember, the end of last of the time lords, when he literally Can’t stop the doctor from monologuing at him because he’s become jesus through Thought Power or some shit. and then the end of time moment we all love, stone-cold brilliant, which is a complete reversal where the doctor is the one (seemingly) securely powerless. when they’re on equal footing, he simply does not let the doctor talk at him.

and like yeah, the ‘didn’t listen to a word you just said’ thing is funny but. god, i don’t know how to put it. yeah, he would have listened. that’s why he always cuts the doctor off when the doctor tries to connect on the his terms rather than the master’s. that’s why he doesn’t let him monologue at him. that’s why he’s practically shouting over the doctor to be heard first.

if that makes any goddamn sense. do his bastardness properly, moffat. he would not fucking do that.

[radiance1]

A new business started up in Metropolis by the name of MastersCo. Headed by man who simply goes by the name Masters who just happens to have a large lion with black fur, mane, and red eyes.

Now, as any sane person would think, Masters is the ultimate brain behind MastersCo's brilliant, brutal, ruthless, and utterly efficient business practices that let the seemingly nobody company rise to one of the largest in the city and the world at large.

A fact thag Lex Luthor is both impressed by, and utterly hates for the simple fact he is a targe of an unfortunate amount of those practices.

But you see, in reality, it is the lion that, according to Masters himself. Was an experiment that he managed to save from his brutal captors when he was being trafficked on accident one day and as such, was the reason he made his company in the first place. That is the brains of the opperation.

Who is the lion, truly? Well...

None other than Vlad Masters himself, of course!

Who just so happened to be on the wrong side of his own tech that was supposed to target none other than the hero Phantom. Turning him into a random animal and causing his powers to be temporarily out of control long enough for him to open a portal to another dimension entirely and push him through to get him out of the way and then some.

He never expected that he would be the victim of his scheme. He had Danny right where he wanted him and that, unfortunately, made him cocky. Cocky enough that Danny reversed the tides and it ended up being him to turn i to an animal and forced into another dimension.

He knew he should have had the portal activation be manual instead of automated.

In a last act of desperation, he tried to drag Danny along with him. He failed.

So then there he was, trapped in the form of a lion with powers that did not heed his wishes and, ubfortunately, about to be sold off to the highest bidder. He, of course, would not have gone down without a fight and managed to pull off an act that crashed the container he was teapped in with the casualty of death to those who tried to turn him into a profit. Forrtunately, he was then saved by a man too curious for his own good and had his wounds treated well enough.

Let it be known that Vlad Masters does not forget kindness shown to him, especially when it pertains to his very own life. So he restared VladCo, now known as MastersCo and turned it into an empire in return. Though it also doubled as a rescue for other 'animals like him' he didn't really mind nor care about that fact.

He dislikes Lex Luthor because the man called him a pet. Him a pet. The Vlad Masters, a mere pet!?

The utter gall of that man, truly.

He also holds a dislike for Superman as well, not to the extend of Lex Luthor, but the amount of property damage that man creares is astounding not to mention the fact he exposed Vlads rather... unique heartbeat situation. From nothing of good intent, he has since realized, but still.

He coukd have done without that, thank you very much.

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[hawkeyeslaughter]

love that henry blake is genuinely just a normal guy . weirdest thing about him is that he’s obsessed with fishing and that isn’t even remotely as bizarre as anything hawkeye and trapper got going on at any given moment . he’s just some guy from illinois in a camp of people who are bonkers and he’s so fucking funny for it

[gurggggleburgle]

on the one hand Moshang is considered a incredibly romantic and wholesome love story by demon standards is funny and I love it I also do think the idea that for an ice demon specifically Mobei-jun is a cringe sap and overly expressive and romantic to the point of being a freak to other demons is just much chucklery. I mean, this man out here looking like an emotionally constipated rock is actually on so many laxatives he's been shitting a stream of emotional pebbles for the past decade is just so silly. In general, I just think Mobei-jun is funniest when he is in fact just weird by virtually all metrics but nobody can or will say anything.

[sysig]

It’ll all go fine if you’d just don’t worry about it, probably (Patreon)

[ghostpajamas]

steady, my heart.

[dykealloy]

supernova idiots supercut

[laniidae-passerine]

I made my post about Dean Highbottom and then as I was writing my tags realised that his Hunger Games counterpart is Haymitch. and now my head is in my hands and I don’t think I’ll ever recover

[feroluce]

Lucid Dreamer (1/2)

part 2

Gepard notices that it's been. Quiet lately. Like weirdly quiet. TOO quiet. He hasn't seen Sampo Koski in almost a week, which is about the longest he's ever been absent. And he is NOT worried. He's not! So what if they've been getting along more lately! So what if Gepard sometimes looks for him in his favorite hiding places! So what if he's been dreaming about blue hair and green eyes! It's nothing!!

But they're….strange, these dreams. Gepard doesn't usually remember what he's dreamt. It's out of his mind seconds within waking up. But these stick with him, they won't leave him be, they feel different somehow.

He dreams of Sampo bringing food to the frontlines and eating breakfast in his tent with him. Sampo always sneaks him extras. He dreams of chasing Sampo through the alleyways, Sampo sometimes letting himself be caught, Gepard sometimes catching him, and trying to ignore how it feels more like a game now more than anything else. He even dreams that Sampo tags along with him on one of his few civilian days. Sampo runs errands with him, prattles about inane bullshit while Gepard picks out groceries for the week, drags Gepard into some bakery he's never been to but he thinks Serval mentioned once.

And sometimes, it feels so close to reality, that Gepard half expects to see Sampo, shamelessly swaggering into the frontlines with all the guards' breakfast like his wanted poster wasn't only recently taken off the walls of Belobog. He's disappointed when it's always someone else instead. He tells himself his disappointment is ridiculous and if Sampo wants to go prowl around the Snow Plains or wherever he is, then fine. It's not any of his business.

…But it IS his job to investigate any unusual criminal activity relating to the frontlines. And the frontlines are Sampo's usual haunting grounds, and this is unusual activity, and Sampo IS technically a criminal, so it is absolutely part of his duty to look into this - is what Gepard tells himself the entire tram ride down into the Underground.

Natasha tells him he's gone, and Gepard has to steel himself. He knew Sampo made enemies wherever he went, there are a lot of people who would love his head on a platter, but he didn't think-

Natasha corrects him that she means literally gone. As in off-planet. Sampo always leaves her a note before he goes anywhere, so she knows not to expect any supply runs from him. He should be back in exactly two weeks. Thank the Preservation.

Gepard goes back home. He waits.

The uneasiness doesn't leave him.

"Where did you go?" Sampo stops dead in the middle of some story about Seele, and how you'd think someone with as blunt a mouth as her wouldn't have so much trouble asking a woman out, even if that woman IS the Supreme Guardian, and stares at him. He nearly fumbles his cigarette.

"Ahaha, what do you mean, I'm right here?" Sampo smiles at him the same way he always does. Gepard has no idea why he asked. It just popped out. He can never tell when Sampo is lying, anyway.

"I don't know. I feel like I haven't seen you in a long time." Gepard idly mouths at his own cigarette. He almost never smokes, but he wants to ration their stocks of Blizzard Immunity, and it helps with the cold. It's seemed colder lately, for some reason.

Gepard flicks his lighter once, twice, sighs at the third time because a metal prosthetic and thick gloves make the damn things so difficult. Sampo reaches over and wordlessly kisses the end of his cigarette to Gepard's, lighting it. "Thank you."

Nothing happens for almost a full 30 seconds. Something churns behind Gepard's ribcage. Because Sampo never leaves a "thank you" hanging. This is the part where he gives his spiel about how helpful and kind he is and Gepard either brings up how long his rap sheet was before Bronya helped clear his name, or just stares deadpan because seeing Sampo squirm is weirdly satisfying.

"…I'll be back in one more week."

Gepard jolts awake in his cot, mouth dry and eyes bleary.

The hell.

The next dream he has, Sampo looks tired. Sometimes he seems normal. Sometimes he says strange things, like how he wishes he'd gone to some restaurant in Belobog. Ate his favorite food more recently. Brought something with him. Gepard asks why he can't do that now. Where would he bring something? Sampo only shrugs. His rebuttals have less energy.

Gepard doesn't know if he wants to dream more, or less.

He ticks down the days on his calendar. Natasha hasn't told him any different. She promised she would if she got any kind of message. Sampo returns tomorrow, from whatever vacation or seedy business dealings he's been off having. He is not excited about it. He is not looking forward to it. He's not!!

Gepard falls asleep late that night, unable to settle. He dreams again.

He's alone. There are tons of people everywhere, the frontlines are always crowded. But he's alone. They all pass right by him as though he were a ghost. Gepard starts to walk before he realizes his feet are even moving.

He checks the trashcans in the dead end alley. He checks the supply crates that someone always stacks too high because they don't feel like finding more space for them. He pauses to check the soldiers that march past him, watching their footprints in the snow.

He finally finds Sampo on the rooftop along the northernmost wall, the one that looks out over the plains, towards Everwinter Hill, towards where the Stellaron had once been kept. With a full moon and an entire land of white snow, Gepard can almost see clear out to the horizon.

"Found you." Sampo stiffens, and Gepard is almost prepared for him to sprint off the roof. He doesn't. But he doesn't relax either. Gepard sits down next to him and stares out at the wastelands.

"…I fucked up." It wasn't what Gepard had been expecting. Sampo never 'fucks up,' Sampo just gets into incidents that are entirely, supposedly, not his fault and that he just happens to always be within the vicinity of.

"What did you do now?" It must be really bad if Sampo is coming to the Silvermanes for protection.

Instead, Sampo ignores his question completely. "See out over there? Right on the other side of that mountain. There's a safe house that way. It's hidden under a lot of snow and dead trees, but it's there. And in that safe house is a box full of letters. I need you to deliver those letters for me."

Gepard's brow furrows. It's a weird favor to ask. Sampo would never tell anyone where his hidden safehouses were. It defeated the whole purpose of a hidden safe house.

Something is wrong, something is really really wrong.

Gepard turns back to look at him again and startles, all of his questions dying in his throat, because the entire left side of Sampo's head is suddenly matted down, dark and sticky, his skin is dyed red red red-

"In three more months, there's gonna be something big happening." Gepard grabs Sampo's hand and it feels slick and warm against his palm. "I won't be here. So I need you to do my end of things for me." Gepard tries to keep hold, but something is fading, something is slowing, the sun is coming up but the colors are all wrong, everything feels like encroaching fog, Sampo's hand slides right through his. "I was gonna come back with my mask to finish setting the stage, but…" Gepard makes a frantic grab for Sampo's wrist, the air twists, he comes back empty-handed. "They have you. And you're the Iron Wall of Belobog. So it'll be ok."

Gepard finally manages to find his grip, snatches the front of Sampo's dark wet jacket and yanks him forward to hold onto him, and this close up, he can see it better, his colors are bleaching out, leaking outside the lines as if Sampo will become part of the background, as if he's fading into the strange fog that's been closing in on them. His fingers are already starting to feel empty again.

"Wake up."

Gepard jolts awake, uncurls his hands from where they're fisted in the blanket, scrubs the dampness off his face. Breathes. Breathes. Breathes. Today is supposed to be the day.

He throws on his civilian clothes, and he goes down to the shipyard the IPC had built. He finds a spot where he can see every person that returns to Belobog, and he waits.

And he waits and he waits and he waits.

No one he recognizes appears.

[manderleyfire]

They created a strange tableau: rabid boy, trapped girl, bombed-out building. It suggested a tale that could only end in tragedy. Star-crossed lovers meeting their fate. A revenge story turned in on itself. A war saga that took no prisoners.

[martyrbat]

perpetual mourning – batman black and white (1996) #1

[ID: a black and white panel sequence of Bruce Wayne as Batman investigating a murder. He performed an examination of the victim's body and found DNA evidence to convict her killer and then performed an autopsy to examine her stomach contents — which led him to a little 24/7 diner. He walks in, disrupting the cozy scene with his presence.

Bruce internally reflects, ‘People think i'm a knight. A savior. But in truth, I'm only a vessel to hold the memories of those who've passed on. Those who've no shell left to store them. They must think I revel in my victories. It must seem like I never lose a fight. I lose plenty. The ones I couldn't get to. The ones I couldn't save in time. Those are the ones I carry around inside of me. Those are the ones I'll mourn forever.’

He shows the only waitress a photo of the victim's face and asks, “Excuse me. Do any of you know this woman?” The waitress gasps and holds her hand to her head in shocked distress. She stammers, “That's Chelsea, she comes in here all the time. Sits in the same booth, the same time, reads the same book... um, what was the title...? She, uh, left here only a couple of... Why do you... Oh, god. No. Dear girl...”

Back at the morgue, Bruce solemnly gazes down at the woman as she lays in an unzipped body bag. He thinks, ‘Luckily, you hadn't digested your last meal, Chelsea. There're only a few places in the neighborhood where you were found that serve blueberry pie at this hour of the morning.’ He carefully zips the body bag entirely. The identification label states she was a thirty year old caucasian female. The name ‘Jane Doe’ has been scribbled out to now be replaced with ‘Chelsea Rain’. Bruce continues to ruminate, ‘You only have your thoughts and dreams ahead of you. You're someone. You mean something. I'll remember. You're within me now. Forever.’ END ID]

[sotwk]

In the Hobbit BotFA movie, when Thorin tells Fíli, "One day you will be King and you will understand", it totally punches me in the gut with sadness until I can remind myself that the Durins Live AU exists and plenty of other Sons of Durin fans support it with me.

[suffarustuffaru]

messy wip i just started!!

[pluvio-floret]

..Nothing at all?

[dathomirdumpsterfire]

good, apprentice... good, but you can do better. your back foot. take it further out. more. hmm... perfect. run through the form again, do not lose focus. begin.