at first i thought pikmin 4 was some sort of retconned retelling of pikmin 1 for people who never played the first two games, which i wasn’t sure i was into. but realizing it’s actually a love letter to the past games, the fan theories, the alternative universe headcanons—13 year old me would’ve been over the moon, and current me is too <3
midgame spoilers under cut:
the fact that they verbatim include the unused log from pikmin 1’s bad ending? i’m obsessed. they made this game for the dweebs like me who grew up devouring the pikmin wiki and watching those “olimin” theory videos, and i love it sm
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funny how celebrities will raise $26M for a fashion institute but can't be bothered to mobilise even a fraction of that energy and money to help the people being tortured and killed in an unapologetic genocide as we speak. love that for society. what a moment for The Culture.
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I don't know who needs to hear this, but as a creator -
I am fine with "the audience" -
downloading my fics
printing my fics
copy/pasting or screenshotting my fics
sharing your saved copy of my fics with anyone else who might want them in the unlikely but never impossible case that my fics are no longer available on ao3
making a book of my fic(s) and running your fingers across the pages while lovingly whispering my precioussss
doing these things with anything I create for fandom, such as meta, headcanons, au nonsense like 'texts from the brodinsons,' etc
I am not fine with "the audience"
doing any of the above with the purpose/intent of plagiarizing my work or passing it off as their own in any capacity
feeding my work into ai for any reason whatsoever
Save the fandom things. Preserve the fandom things. Respect the fandom things.
Enjoy the fandom things.
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Being jurgen leitner the day that gerry almost killed him was probably really surreal. Imagine you’re minding your business, collecting fucked up books, and out of nowhere this goth guy covered in eye tattoos shows up and beats you half to death, then stops, goes, “no you’re too pathetic to be jurgen leitner” and leaves without further elaboration. And you dont correct him, you like being alive after all, and after that you just… continue with your life. And then several years later you tell this to some random guy in the tunnels you’ve been hiding in, and he not only knows who the goth was, but seems somewhat fond of the goth. And then you get brutal pipe murdered by the random guy’s boss. Oops
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Lena losing her patience and furiously berating Gwen for potentially endangering the staff members of the OAIR is quite literally the opposite of how Elias ran the Archives.
Elias used the Archival staff—as well as his Archivist—as pawns that can be readily replaced as needed. His patron offered them minimal protections at best (the Archivist’s privileges notwithstanding), and even then, he would never actually intervene to save any of them if they were in danger, much less take precautions to protect them at their headquarters. They are used as bait, as sacrifices, as currency, as objects. The listener knows, eventually, how easily he could discard them if his plans called for it.
But Lena. This episode showed us that Lena keeps her entire organization running through keeping her subordinates hidden, safe, and unnoticed by the Externals. It’s quite clear through her conversation with Gwen that such a safety risk has never happened before.
As far as we know, Lena has successfully kept all of her employees alive, watched them come and go, bemoaned the turnover rate, and then got them to look the other way while they documented and dutifully filed the horrors.
But most impressive of all, she’s kept her real work hidden from her subordinates, and her subordinates hidden from her real work—a feat Elias had no interest or desire to accomplish.
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