The Number You Have Called Cannot Be Reached 6
Part 1|Part 2|Part 3|Part 4|Part 5
Ship: Dead on Main (Danny/Jason)
Warnings: angst/depression and canon typical violence
Bruce sighed, absently feeling the air on his hands folded in front of his face. He stared unseeingly ahead. His frowned deeply, at a loss of what to do. Worry picked at his self control.
Something was up with Jason. Ever since the other night, something had happened between the thief and Jason. It had left him unsettled and off balance, that much was obvious. They’d all been able to see it.
Now, today, Jason had lost control. He’d been agitated of course, but Bruce hadn’t expected the outburst. Jason was usually good at managing his anger these days, at least in the family. He didn’t get physical with them anymore in anger. Except today Jason had suddenly pulled him up by the shirt, and Bruce had honestly expected him to punch him. Jason had shaken it off, but then he’d fled.
The urge to move, to do something, itched at him. He wanted to get answers, but confronting Jason was out of the question. Their truce was fragile, and it seemed every time he spoke to Jason he said the wrong thing. He didn’t know what to do except control the urge to go after his son. He couldn’t fight his demons for him. He could only try not to make it worse.
And so he sat there, staring, unseeing.
Dick’s footsteps, came down the stairs, easily recognizable: light and almost dancing to a rhythm only he could hear, skipping a step every now and then.
“Hey B, thought you were going golfing with the mayor, keeping up the old appearances and all that” he greeted brightly, as ever immune to Bruce’s mood. Or maybe Alfred sent him down to deal with him, that was also an option.
“Oh I love these,” Dick reached forward over Bruce’s shoulder to grab a protein bar from the backpack. He opened it and started to eat it without hesitation.
“Dick,” Bruce sighed, “this is evidence.”
Dick snorted and leaned on the console so he could look at Bruce. “You’re serious.”
Bruce raised an eyebrow.
Dick snorted again, of course Bruce was serious, then he pulled the backpack over and started rooting through it. Much to Bruce’s exasperation he opened another protein bar.
“Dick, they could be drugged.”
“As if you’d have let me take the first one if that was the case,” Dick mumbled around the mouthful of granola. Bruce mentally conceded the point.
“Anyways,” Dick swallowed and continued, reading the name tag on the inside of the backpack, “Danny Fenton, who’s that?”
Bruce sighed.
“The thief.”
“The Ghost!?” Dick looked up in excitement, “so we have a name now?”
“Presumably, it may not originally have been his backpack.”
“True, doesn’t help much either does it? Danny is very common and Fenton may not be Johnson, but it’s not exactly unique.”
“I haven’t looked it up yet.”
Dick narrowed his eyes.
“This has anything to do with why you’re brooding?”
Silence stretched between them, but Dick could be surprisingly patient when he wanted to. There was no point in dragging things out, it wasn’t a secret, Dick could easily find out through the surveillance if he wanted, Bruce would rather he didn’t.
“Jason was the one who delivered the backpack.”
“Ah.” There was the worried frown Bruce would have liked to avoid. He leaned down a bit to better face Bruce.
“You had a fight?” The question was posed carefully, softly, not betraying any inkling what he thought of that, in a way to gently pry the answer from Bruce, but Bruce knew his eldest son well enough to know he was already mentally running damage control options. That was Dick, always trying to keep their family together tooth and nail. There was a soft pang of appreciation in his chest he couldn’t articulate, instead he focused on the problem at hand.
“He’s convinced the thief needs help, I don’t actually disagree.”
Dick sat back in realization, his eyes flickered to the backpack and its sorry spoils.
“But he could still be working for someone,” Dick recited with a sigh, it was an old lesson. One he knew Jason wouldn’t have appreciated, not if he felt Bruce was dismissing his concerns. “B.”
“I know.”
Do you? Dick’s eyebrows asked, but he had the grace not to actually say it. He clapped Bruce on the shoulder instead, squeezing slightly.
“He’ll warm back up.”
“You think so?” He asked unable to look up at Dick.
“Hey,” Dick said brightly in a way that naturally drew attention to him, “we’ve come back from worse.” And there was that bright smile and that pang of appreciation was back, along with another warm feeling in his chest: hope.
“Well, I gotta get going, I’ve got work tomorrow. Just gotta grab a few more of these.”
And the feeling was gone.
“Dick.”
“We shouldn’t waste perfectly good food, B, also they’re W-Mark exclusives, they don’t have them in Blüdhaven.” He grinned, pockets stuffed with contraband. Invariably reminding Bruce of a younger version with pockets full of candy he’d been denied. Brat already knew he had won. Bruce waved him off with a sigh.
Dick practically skipped towards the stairs. Then he paused.
“Oh and B, if I was you, I’d check the phone at the bottom of the bag. It’s not a brand I recognize.”
With that he was off.
Bruce stared after him. Pride warred with annoyance. He’d been so absorbed in his thoughts he hadn’t even noticed Dick checking out the bag more thoroughly than the cursory look he himself had done when Jason had handed it to him.
He grabbed the bag and rooted around a bit, and just as Dick had said, there was a phone.
He pulled it out, and turned it over in his hands. It was made from dark blue plastic. The logo on the back, a stylized V in front of a globe, wasn’t one he recognized. It looked old and scuffed, had actual buttons and a jarringly small screen when you were used to modern smartphones.
It was also out of power.
With how old it looked, it was unlikely cordless charging was an option. He looked at the bottom edge where there was an actual mini headphone jack, along with what he assumed was the charging port - it wasn’t a type he recognized.
He frowned and got up. He wouldn’t be too late for his meeting with the mayor if he left now, not something he couldn’t brush off as eccentric forgetfulness at least.
He could drop the phone off at Tim’s on the way. Tim would get the phone working one way or another.
Oo o oO
Danny stayed underneath the pavement long after the not-ghost had left. The feeling of almost giving in was a crawling like ants underneath his skin. The threat of almost capture was like a noose around his neck - if they captured him, if they managed to contain him, he would never get home.
Eventually the bone deep tiredness of using his powers too much hit him, and he dragged himself back to his haunt, invisibly and intangibly, because he’d had much too much excitement today. He was raw and empty inside when he dropped onto his blanket pile and rolled up. He would get food some other day. Never mind that he was completely out. It wouldn’t end his existence, just weaken him. Ghosts at the core ran on willpower, and Danny wanted to go home.
A small squeak and rustle, had him opening his eyes a crack and turning his head to look to the far side of the room. There the rat was going his trash, the packaging probably still smelled like food.
He huffed and closed his eyes again. If he got truly desperate he could always eat the rat - It wouldn’t be the worst thing he’d eaten.
next
Masterpost for subscription
Sorry, it's not the longest part this time, but we got to appreciate a few other characters, yay! Hope you enjoyed, cause Danny sure isn't enjoying himself.
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sits up in bed. so lana and ema definitely thought they were responsible for edgeworth "choosing death", right?
(the rest of this post was supposed to go in the tags, because it's not very well organised or written, but it got too long so. here are the slightly edited tags for your reading pleasure (or otherwise)):
i was going to make this solely about ema because she's the obvious one with her open adoration of edgeworth, but the thing about rfta is that it goes to great lengths to emphasise the connection between lana and edgeworth as well.
the sl-9 incident showed that lana grows attached to people deeply, hence angel starr's comment on how, when neil marshall died, 'she (lana) felt like her own brother had died.' with edgeworth, i think it was similar but worse. because he's not just a coworker or subordinate who's dear to her. he saved her life. and it cost him his own.
at the beginning of the case, edgeworth says he was mistaken for thinking that lana was always looking out for him post sl-9 (a statement interesting on its own because that's when everyone else says she grew distant), and, later on, he brings ema fingerprinting powder because lana asked him to. then, of course, there's the 'lady luck' comment he makes.
similarly, on lana's side, you obviously have the end of the trial when she says he did well, but there's also that additional moment post-trial where she's the only one to notice — in a group comprising her, ema, phoenix and gumshoe — that he's 'hiding', listening to their conversation. point is, there's enough to suggest that she might have been the nearest thing edgeworth had to a mia; his 'chief prosecutor' to phoenix's plain 'chief'. they're as close as two people can be in a relationship where one of them is constantly lying and the other is von karma's star pupil.
rfta is pretty straightforwardly depicted as the case which solidified edgeworth's resolve to do what he did; i don't think i have to prove that. rumours about him have reached new heights, his car and knife were involved in goodman's murder, he makes an unprecedented mistake in court by failing to connect the evidence room and carpark incidents, thus forcing the chief of police to enter the trial to do so himself, and he's publicly revealed to have relied on falsified evidence to secure a conviction in the sl-9 case, all of which only happened because of lana. jake marshall even claims that from the beginning — that if you trace edgeworth's rumours back to their source, you end up meeting one person: lana skye.
and it gets worse because at the end of rfta, she thinks he's fine!! she literally says, 'i was afraid the pressure would break you, but you rose above it,' and reminds him he's nothing like gant because he's not alone. she leaves the case thinking he will be okay. and then, what, like a week passes, and she finds out that he wasn't, and that he's gone, and it's her fault. even after she was freed from gant's control, even after she had finally stopped lying, she couldn't prevent herself from claiming another life. so much for 'lady luck', i suppose.
and the game reiterates this multiple times. gumshoe states at the start that edgeworth's ties to those higher up in the department have made him the subject of constant rumours, and phoenix says (in front of ema) that he shouldn't be held responsible for the forged evidence because that was all lana's doing, which then leads to edgeworth commenting (again in front of ema) that he feels as though 'something inside him has died.' it all goes back to lana. we can argue and say that it was technically gant's doing that caused all of this, but lana still took actions that led to it. even her complicated friendship with edgeworth isn't spared; it's that closeness between them that exacerbated those rumours. how could she not feel responsible in some way?
and with ema, it's rather obvious, isn't it? if she hadn't gone poking her nose into things, none of this would have happened or come to light. and, of course, she'd never choose anyone over her sister, not for anything in the world — it's simply not a question, but that's the problem, isn't it? it's not a question. it's not some hypothetical moral dilemma. it just is. she may not have killed neil marshall, but she still has one king of prosecutor's blood on her hands. and now she has to live with that. she just. has. to live with it. no matter if he chose otherwise.
moving on from that a little, i think it's actually wild how much of ema's journey to becoming a forensics investigator is paved with bad memories. neil marshall's death and her subsequent inability to testify are what drives her to begin pursuing it, her first proper investigation results in her idol's "death" and when she finally graduates, the person who saved her sister has been disbarred, and she can't even help because she isn't allowed to. all that pain and constant pursuit of her goals, and she's still the same ema skye, still that girl shrouded in darkness, always one step behind the truth, one step a little too late. no wonder she was angry in aa:aj. i would be furious.
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wait okay so now that you're seriously thinking of publishing, will you be writing a new prequel to game theory with the new 'Canon'? like the story as it's meant to have happened between gwyn, augus, terho and the nightingale, or are we just starting from game theory?
ALSO I'm so glad that you might be publishing the ftv soon for wholly selfish reasons -- you're clearly done writing about these characters, but personally I am nowhere near done reading about them, and I'm definitely not creative enough to write fanfiction myself either, so I'm just stuck rotating the characters inside my head like a microwave😭😭 it's really tough out here!!!
imagine the massive wave of new readers and the new community that's gonna come in once the story's more accessible... IT'S SO EXCITING
Hi anon!
No prequel, I'll be starting with Game Theory (and Deeper into the Woods will be published afterwards as a prequel, just as it was chronologically in general!)
Quite a bit of Game Theory is being edited and new content being added (anyone on the Gary & Efnisien tier can already see about 2,000 words of new content in the first three chapters alone, including new scene/s with Crielle), and some content being removed where it's OOC. The events with Terho and the Nightingale will be explained in Game Theory, with Gwyn likely meeting with Terho (or learning about him) a few times within.
As for Fae Tales, you know, it's nice to think there will be some new readers, and there might be like a handful or two, but there will be no massive wave. It is the least popular thing I've written in proportion to the amount of time I've put into it. Even the AUs have all generally done better proportionately.
It's one of the reasons I've never rushed to publish, honestly. It's a lot of work to put into something that you know will never financially justify itself. To the point where I think other projects are far more viable financially (Underline the Rainbow as a series I actually think would be great, because new, meaty omegaverse has a very intense (though small) fanbase and I think that series would bring more people in).
There would be no massive wave of new readers. I think we'd be lucky to see at most about 10 or 20 new folks, and I'll cherish everyone, but I'm also pretty realistic. More people find all my other works these days than Fae Tales, The Ice Plague is still one of the worst performing things I've written in proportion to length + time + work investment (despite being one of my favourite series out of anything I've written).
I think I'm realistic, and I also think there's a chance that the Fae Tales Verse if published could draw some haters. Most people don't want that level of BDSM in their epic fantasy, unless it's much lighter 'romantasy,' which Fae Tales definitely isn't. There's even a chance I might get my KDP author account suspended because of breaching content TOS/violations.
So yeah, it's a risk, but I'll take it. It's just not a risk I'm prioritising right now, because I can't see a way that the Fae Tales Verse will ever really go that far. Hand on heart, way more people who come over from my fanfiction find Falling Falling Stars and Underline and almost no one (with maybe a few exceptions - I love y'all) goes into the canon these days unless they're older / long-time readers.
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Growing up in an extremely ultra religious, cult-like family was a mindfuck for multiple reasons but that doesn't stop unfortunately, even when you escape. For example, see: The overwhelming feeling of boiling hatred and shame for who you used to be.
The angry hatred for the past person I used to be, the version of myself that mindlessly parroted my family's beliefs and listened to their every command, constantly simmered under my skin and invaded my every thought. I was embarrassed of what I used to be- even as I made friends of different ethnicities and faiths, as I listened and explored new ideas and worlds that I never knew existed, as I started the first LGBTQ+ club at my school and volunteered with kids who deserved so much more- there was always a little voice in the back of my head.
"They would hate you if they knew what you were. They would hate the horrendous teachings that were seared into your mind, the things that you used to say and believe. You are nothing but a pretender."
And it is true that my beliefs were bigoted in all the worst ways. It is true that I believed truly heart-wrenching things without a second thought and judged others in such harsh and unfair ways. I told myself that there was no coming back from that, not really. There was nothing I could do to ever make up for it.
Then I remembered that the person who said those things wore velcro light up sneakers and collected finger puppets that the librarians handed out as awards for reading picture books. The person that held signs at pro-life rallies and anti-LGBTQ+ protests had a cherished sticker book and hunted minnows in the creek after school and adored their puffle on club penguin and was really into greek mythology and had skinned knees from climbing trees at recess and knew every Disney song by heart and was absolutely terrified of the dark.
That person was a child.
I was a child.
It took a really long time. Years and years of reflection and distance, but I've decided that I can't hate the past version of myself anymore. I feel pity and remorse, I feel anger- I feel so much fury and violent rage- at what my childhood was and I grieve what could- no, should- have been, but I no longer resent who I was.
I'm not ashamed.
I am so, so, so unbelievably proud of that little kid. For being brave enough to leave the comfort and safety of what I was told was right. For not being afraid to be wrong. For seeking out information and knowledge in a culture that praised ignorance. For questioning everything, relentlessly.
I am by no means a perfect person, I never have been and I never will, but I am proud of myself in every iteration that has ever existed because I know that I have never stopped trying to understand and learn and grow, and I never will.
If you have ever been in a similar situation and feel similar things, first of all: My condolences on your lost childhood. Second of all: Please be nice to that past version of yourself and recognize all the hard work they did to make you who you are today. That person was a survivor and an inspiration. They deserve nothing but love.
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I think it's also interesting to see how things change depending on the time in which they're being engaged with. so I see things about rose today that point out that she's written to be 19 when she meets the doctor and that's a big age difference (which... I understand the point is it's a big age difference because billie piper was 23 and eccleston was 40, and then dtennant was like 34/35 when he started which isn't so big of a shift but anyway the optics I get what people are getting at, but also I think it does oversimplify a lot of what's actually going on in the written dynamic, anyway-)
and also that the rtd run's Themes start coming together properly around s3 (although they are present from day one), and in some ways at this point, because nu!who has been running for... fuckn. actually quite a few years, which is wild to me as someone who started watching as a kid, and I wonder if classic!who fans felt the same way about their show and anyway -- she shifts from being Literally The First Companion You'd Seen For 17 Years (not counting the movie and fan things and the sketch) Who Was Defining A New Era For A New Generation to... a companion
comparable to other companions, comparable to the rest of the show
we sift through the writing to see what worked and what didn't (in our opinion), and we know how the ten-and-rose storyline Really ends, and how the ten storyline ends (sort, of because now that doctor and donna are Back), and we know what happens afterwards, and we talk about tenrose with a 2020s eye, and rose is "just" one of the people that travels with the doctor, one of several, and notably the one who gets most of the sunshiney doctor that buries a lot of the (wonderfully portrayed) angst of the latter half of the rtd show, and doesn't have as much lore as everything after that, so the story is "just" more simple overall
and to me she's kind of incapable of being just that. doctor who was still a risk that first season, it wasn't a done deal that it would have legs at all, never mind that it would continue for as long as it has. rose was created to be the Face of what nu!who was, moreso than nine/eccleston, because even with the extra angst and the eccleston gravitas, we know the doctor, the doctor is established, it's not actually the doctor that needs to sell what the new show is going to become and what the Feel of that new show is going to be (I mean, partly ofc, but-)
rose was doing so much heavy lifting and she succeeded! she was the face of who before dtennant or any other doctor or companion of his era and subsequent eras. she was created to appeal to a demographic of girls who wanted someone relatable in science fiction, because rtd wanted this to be for the girls, and billie piper came into it off the back of being a popstar and it changed her entire trajectory (for the better I think/hope -- there's a lot of bad shit in billie piper's past and I'm always sending her a fond thought)
nine/ten-and-rose were It! not calling it romantic or platonic or any secret third thing (haunting the narrative), but simply It! that's why it has so much staying power as a ship (which, my opinion on shipping has been somewhat *eh shrug* in later years, but in early-days when that was how you engaged with dynamics that got to you, of course it was going to be massive). it's so hard to properly describe how "for the time in which it was made" that this dynamic was written for, and how successful it was. it was rose that breathed doctor who -- and the doctor's character -- to life, as much as herself
she sets the stage for everything that comes next, both within and without the show proper
and I'm always so pleased that rtd at the time was thinking about what was needed to create this character and he opened with a shot from a girl on the estate with messy hair, clumpy eyeliner, and a minimum wage job, and went "that's the girl who's going to go on the adventure of a lifetime, that's the girl we're seeing the story through and relating to, because that's what girls (and uh... those who were girls at the time - and their parents and the boys) should be seeing."
I know rose isn't the first working class companion including classic!who, but she set the tone for nu!who and her family and background are important to why she is who she is, and is explored
"I've got no A-levels, no job, no future-" said the girl about to see the universe
she was very much for teenagers, and so she reads differently when you're an adult watching it back (much like those "teenager saves the world," novels you loved as a kid), but that's why she's 19 at the beginning. that's why she's billie piper (who does a perfect job). she was there to bring a new generation into this story, and it was perfect. and then she grows up. and we grew up. and she had adventures and it was brilliant and she survived and she made a life for herself. that's her story
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