#pan aes

[lgbtquiap-moodboards]

I wanted to make a little board for pan visbility day since I am pansexual! I hope y’all like it!

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[gray-ace-space]

the other day i got a hate ask aimed at mspec lesbians. i blocked it without fully reading it, but i think it merits a mention that, of what i glimpsed, it was mostly just blatant fatphobia. and it made me think about how, when i see an aphobic comment, 9 times out of 10 it's left by a terf.

though they may hide behind wanting to protect some marginalized groups, exclusionists are never actually progressive. it's all just the same bigots every time.

anyway here are some reminders to the rest of you

[rushinintolove]

tt

[computer-wizard]

Here's what you're gonna do.

You're gonna go out and get a salmon filet. Skin on. You're gonna pick up some soy sauce and teriyaki glaze while you're out.

You get home. Get out a pan, grease it up or it'll stick. Put the salmon filet in, coat it with a little soy sauce, not too much. Any other seasonings you want too.

Put it in the oven at 350 degrees fahrenheit for 40 minutes. About thirty minutes in, put on some of that teriyaki glaze. Let it finish up, take it out, let it cool for a second so you don't burn your tongue.

You will eat that entire thing. Even if it was an entire half-fish filet. Skin and all. Don't even get me started on serving it with rice. You'll stuff yourself and still wish you could be eating it.

[gruuldark]

"All children, except one, grow up."

[dribs-and-drabbles]

HE LOOKS SO GOOD!

[steppingxstones]

“Fateful” D&D oc aesthetics • Francesco and Hyas

“I wish I could show you more of yourself I wish I could make you somebody else But I left it way too late Are you stuck in your own ways? 

I'm beggin', hands, knees, please Tangerine, come on back to me Got what I need, tangerine Do this for me”

                           — Tangerine by Glass Animals

[cultum]

hm.

[freesomebodybyluna]

ITS SNOWINGGG

[antoniosvivaldi]

Rotoscoping Tutorial by @antoniosvivaldi​​

Hi everyone! I’m excited to announce my long-delayed Rotoscoping Tutorial - requested by a number of people over the past calendar year. 

In this tutorial, I will show you how to create the cutout gifs like this (and seen in most of my gifsets under this tag) with Rotoscoping on After Effects. I’ll also provide additional examples and a number of things that I do to optimise my giffing / Rotoscoping workflow (e.g. useful shortcuts & other things to be aware of).

This is the structure of the tutorial:

Why Rotoscoping? Photoshop video timeline’s limitations

Photoshop workflow pt 1: Preparing your gif

After Effects workflow: Interface, shortcuts, and Rotoscoping tools

Photoshop workflow pt 2: Assembling your gif; with multiple examples

Bonus content: Rotoscoping tips* & workarounds to common issues

For quick reference, here are example gifsets (and where Rotoscoping is used in the posts) that I will mention in the tutorial:

Example 1: Cutout gif effect | panels 2 + 4

Example 2: Changing a gif’s background colour | all panels

Example 3: Cutout gif effect in a shape | all panels

Example 4: Putting it all together | panels 1, 3, & 5

What you need & need to know:

Software: Photoshop & After Effects (After Effects 2021 or later for Rotobrush 2.0)*

Hardware: 16GB RAM required to run later versions of AE*

Difficulty: Advanced; Knowledge in making gifs, applying layer masks, and using video timeline interface assumed

Key concepts: Rotoscoping (AE) / Video Timeline (AE+ PS) / Layer Masks & Groups (PS)

Supplementary files: tutorial resources

*I’m currently running the latest version of PS & AE on an M2 Mac, but I’ve also used older versions (CC 2015 & 2020) on Intel-based Macs. I’ll outline some known compatibility & performance issues, and workarounds later in this tutorial that could help streamline your giffing workflow.

Tutorial under the cut. Like / Reblog this post if you find this tutorial helpful. Linking this post / the example gifsets in your post caption, will be greatly appreciated if you read this to create effects seen in Examples 3 + 4.

1) Why Rotoscoping?

My Rotoscoping journey is motivated by the shortcomings on Photoshop - namely the limited options to manipulate the Layer Mask keyframes in the video timeline interface, as well my need to gif more efficiently.

Suppose I want to cutout this subject or recolour the background of a gif on Photoshop: I personally classify the gifs that I prepare on PS into 3 types based on the motion of the subject

These are the common Photoshop-only approaches when attempting to mask the subject in the gif.

Case 1: minimal motion in the subject → a simple layer mask will do the trick

Case 2: some linear panning of the subject in the gif → using the Layer Mask Position keyframes in the video timeline interface will do the trick

Case 3: subject moves around a lot (e.g. zoom motion) → Unfortunately this is where a Photoshop-only workflow will require frame by frame masking. Layer Mask Position keyframes only apply positional translation (but not transformation / rotation) on the layer mask

Enter Rotoscoping on After Effects: Instead of resigning to frame by frame procedure on Photoshop, I opted to make my life easier by learning to Rotoscope on After Effects. This essentially provides me an opportunity to cutout / recolour a wider range of gifs with relative ease.

2) Photoshop pt. 1: Preparing your gif

Prepare your gif the usual way - whether you screencap or import frames from video.

Then your Photoshop should look like this:

Now, I shall walkthrough & explain my personal giffing workflow (as of 2023) after loading the gif frames. To speed up the process, import my gif prep action file to Photoshop.

Going to Window > Action, you’ll see a set of actions under the “gif prep” folder. 

"set frame delay for timeline” (highlighted in yellow) will set all of your entire gif’s frame delay to 0.03s

“convert to timeline“ (highlighted in red) will take you to the Video Timeline interface

To play an action, press on the Play button (highlighted in green)

i. Set the frame delay of the entire gif to 0.03s. (play “set frame delay for timeline” from my gif prep action pack)

I work with everything in 0.03s frame delay (or equivalently 30fps) at first. It’s always possible to change the frame delay of the final gif to 0.05s before uploading onto Tumblr.   

ii) Convert this gif to a Smart Video Layer (play “convert to timeline” from my action pack)

Note: I personally don’t resize the gif just yet. That’s because Rotoscoping in full video resolution will render higher quality details around the edges as well as more flexibilities later on in the editing process.

Performance optimisation: If your computer has 8GB of RAM or less, you might find it helpful to crop / resize your gif to Tumblr dimensions now for a less sluggish performance in After Effects later on. 

(I have giffed on a desktop with 8GB of RAM and it’s quite slow at rendering individual frames of a 1080p short clip on AE)

iii) Add colouring adjustments on the gif. This will save you A LOT of time when you Rotoscope gifs that are originally very dark / poorly lit (e.g. the uncoloured Taylor Swift gif shown just above). 

If you usually colour your gifs at the very end of your giffing process (i.e. after sharpening), this will be a bit of a change.Nevertheless I still highly recommend adding some base colourings now to at least increase the contrast between the subject and the background.

iv) To minimise lagging on After Effects, simplify this gif file as follows: 

Flatten / Unsmart this gif file back to frame animation mode: play “flatten” (highlighted in red) from my gif prep action pack

Set the frame delay to 0.03s: play “set frame delay for timeline” (highlighted in green)

Convert the simplified gif file back to the video timeline interface: play “convert to timeline” (highlighted in yellow)

After “unsmarting” and converting back to the video timeline, your interface should look like this

And voila! This gif PSD is now ready to be imported to After Effects for Rotoscoping work!

3) After Effects: Interface and useful shortcuts

Open After Effects and Import (Cmmd / Ctrl + I) your gif PSD that you’ve just prepared.

After importing your gif PSD to After Effects, the interface should look like this. 

In the screenshot below, there are two compositions: the imported gif (highlighted in green) & another composition file made from selecting the imported gif (highlighted in red)

For the rest of the workflow, we will edit from the clone composition (the one highlighted in red), so select this one.

Before we take our plunge into the Rotoscoping, here are a few useful shortcuts to remember. I’ll explain the Roto Brush tool in the next section.

Preview the previous: fn + up arrow

Preview the next frame: fn + down arrow

Add to Roto Brush selection: holding Shift while you’re using the Roto Brush Tool

Subtract from Roto Brush selection: holding Alt while you’re using the Roto Brush Tool

Change Roto Brush size: while holding Cmmd / Ctrl, click + drag your mouse left / right

4) After Effects: The Rotoscoping Process

To access the Rotoscoping tools, click on the Roto Brush icon (highlighted in red in the screenshot below)

Then you’ll get the following dropdown options with two Rotoscoping Tools

Roto Brush Tool: This is where you add / subtract your Rotoscoping selection in your composition

Refine Edge Tool: Paint around the edge of your selection for more refined edges. Very helpful for Rotoscoping fuzzy edges / hairs

To make some Rotoscoping selection, first grab the Roto Brush Tool and click on the subject you want to cut out from your composition. 

When you’re Rotoscoping you’ll see this in the Effect Controls panel. 

There are two versions of Roto Brush:

Version 2.0: The Rotoscoping selection is powered by AI for higher accuracy when you propagate the frames. 

Version 1.0 (Classic): This is the legacy Roto Brush Tool that uses a lesser algorithm. Recommended only if Roto Brush 2.0 is unstable on your machine due to RAM issues.

And two quality settings for Roto Brush 2.0:

Standard

Best

Note: I am currently unable to use Roto Brush 2.0 with Best quality model on my machine to compare the differences myself, so I’ll link this page that explains the two quality settings.

Note: if you’re using an older version of After Effects you’ll see this instead. This corresponds to Roto Brush 1.0 / Classic in the newer versions of AE.

When you’ve made a selection using the Roto Brush Tool, you’ll see the pink lines around the subject. This is the region that you’ve selected to Rotoscope!

To bring out some details around the edges, grab the Refine Edge Tool and paint around the edges

Then the interface will look like this

To view the Rotoscoping selection that you’ve made more intuitively, you could click on the following buttons.

Personally I like the viewing my selection using Toggle Alpha (the second box from the left) & Toggle Alpha Boundary (the 3rd box from the left)

Toggle Alpha

Toggle Alpha Boundary

Note: If you aren’t happy with the initial Roto Brush selection, you can always add (press Shift while using the Roto Brush Tool) / subtract (press Alt / Option using the Roto Brush Tool) your selection.

After you’re happy with your Rotoscoping selection in the first frame of your composition, press fn + down to view the next frame.

Repeat pressing fn + down and fix the selection along the way (e.g. I subtracted a small area from my Rotoscoping selection with the Roto Brush tool to make the edge look cleaner).

After fixing the selection along the way, go back to the composition file (select the clone composition again) and you will see that a cutout gif is made!

To export this, go to File > Export > Add to Render Queue. You’ll be redirected to the Render Queue panel at the bottom of After Effects. 

Highlighted in red: click to change export setings

Highlighted in green: click to change save destination

Highlighted in yellow: click to render video

To preserve the transparency of your cutout gif, you need to change your export settings in the Output Module. 

Under the Video Output section, change your Channels to RGB + Alpha. Press OK. Then Render the video.

5) Photoshop pt. 2: Assembling your final gif

The essence is to drag the cutout gif (aka the video file that you’ve just rendered on AE) into a new PSD composition file. This will be where you’ll do the rest of your giffing. Your workflow will contain the follow steps:

Make a new blank PSD composition file in Tumblr dimensions

Enable the Video Timeline

Follow the instructions detailed in the individual examples i.e. drag the cutout gif into the PSD & adjust the timeline start / end points

Exporting the final gif. If you’ve worked in 0.03s frame delay all the way up to here, just play the action that I’ve provided in the tutorial in the following order to set the frame delay to 0.05s.

EXAMPLE 1: finalising your cutout gif | sample gifset

After enabling the Video Timeline in your PSD composition file you’ll see something like this

Go to your folder, drag the cutout gif you’ve made on After Effects, resize / reposition, then press Enter. 

And also make sure to adjust the Video Timeline’s start / end values.

Add some finishing touches. Because I did the Rotoscoping at full HD resolution, I’ll also need to sharpen my gif in this step.

After you’re happy, you can export this into a gif file and do what you usually do to change the frame delay to 0.05s. 

Notes on my “Unsmarting” approach:

To prevent accidentally writing over a PSD composition file that I’ve spent time editing, I personally render this into a short video (File > Export > Render Video) and use the following export settings (to prevent quality loss)

Then I open the rendered clip and play the actions in my gif prep action pack as follows:

flatten: this “Unsmarts” the clip / video

set frame rate: this sets all frames to have 0.05s frame delay

This is the final interface that I get before I pull up the Save For Web window.

EXAMPLE 2: changing your gif’s background colour (for Case 3 gifs) | sample gifset

From your folder, drag BOTH the cutout gif (rendered on AE) and the original gif to your blank composition. 

Important: you need to make sure that both layers are properly lined up in the composition file (i.e. selecting both layers when repositioning / resizing)

 On Photoshop, press Enter twice and place the cutout gif on top of the original gif from the Layers panel. Then you should get something like this

Select both layers and resize / reposition them in your PSD composition until you’re satisfied with the placements.

The basic idea here is to add some adjustment layers / other things in between the cutout gif and the original gif. To do this, select the original gif layer in the Layers panel.

Then you can start adding.a bunch layers e.g. textures, onto the composition.

And then here’s the exported gif!

6) Fancier Rotoscoping examples

Note: knowledge in using layer masks / groups and making shape / text layers assumed

In the next two examples, I’ll show you how to combine the two previous examples with shape / text layers.

EXAMPLE 3: Placing your cutout gif into a shape / text layer | sample gifset

Add a text / shape layer to your blank PSD composition

We want to prepare a masked group so in the Layers panel:

Make selection from layer: Cmmd / Ctrl + Click (highlighted in red)

Make a new group: click on the folder icon (in yellow)

Create layer mask: click on the icon (in green)

After duplicating the masked group you’ll get something like this in the Layers panel

Drag your cutout gif into the PSD composition

Place the cutout gif into the masked group on top

Select the mask of the top group and paint (in white) over the region you want to reveal for the cutout gif

Add some finishing touches & export the gif!

EXAMPLE 4: Putting it all together | sample gifset

You follow the same approach as in Example 3 to prepare the masked groups, but you need to drag two gif layers in (and resize them using the approach outlined in Example 2)

Place the gif layers as follows

While selecting the mask of the group on top, paint (in white) over the region that you want to reveal in the cutout gif

Now select the original gif (placed within the other group) and add some adjustment layers

After adding some finishing touches & exporting the gif, I get this!

Note: you can do even more overlay effects in the background portion of example 4. There will just be more masked groups + adjustment layers

7) Bonus: Some useful Rotoscoping / giffing lifehacks

GIFFING LIFEHACKS:

— Use best quality footage that you could find & Rotoscope in full video resolution, for better details around the edges

— Poorly lit scenes & low contrast edges are harder to Rotoscope (e.g. Toy Story set / TS evermore set).

If you’re new to AE, I would recommend choosing videos with well-lit gifs with simpler backgrounds and high contrast edges (e.g. Maisie Peters Cate’s Brother set)

— Use Rotobrush 2.0 if you’re using After Effects 2021 or later. It’s more difficult to Rotoscope / change background colour for gifs with a lot of movements with the classic Rotobrush tool. If the scene is tricky, you might want to switch to the “Best” quality model.

HARDWARE-RELATED PERFORMANCE OPTIMISATION:

— The recent versions of Photoshop require at least 8GB of RAM. If you have less RAM, it will still work provided you have enough scratch disk space. For better performance, it’s best to close other applications when you’re using Photoshop.

— The recent versions of After Effects require at least 16GB of RAM. If your machine has less RAM than this, there are some workarounds to prevent your machine from hanging: 

Essential: close other applications that you’re running on your computer

Resize your gif down to Tumblr dimensions & sharpen it before importing to After Effects.

Install an older version of AE 

8) Bonus: Some known software + hardware issues, and workarounds

KNOWN ISSUES ON PHOTOSHOP:

I currently have minimal issues in my giffing workflow, but I’ll nevertheless outline a few common known Photoshop issues for anyone who needs some workarounds.

— Video Timeline interface missing: this affects Apple Silicon Macs (i.e. M1 / M1 Pro / M1 Max / M1 Ultra / M2 / M2 Pro / M2 Max)

Update to newer version of Photoshop (updated 2022 or 2023)

Open Photoshop with Rosetta

— Scratch disk full error: This is a common issue with machines that lack RAM & have nearly used up internal storage. Editing video layers in the timeline interface uses a lot of memory hence will require a lot of scratch disk space. 

Make sure that you have enough free storage space while using Photoshop. Alternatively you can use an external hard drive as a scratch disk.

KNOWN ISSUES ON AFTER EFFECTS:

These are a few issues that I have personally ran into over the course of giffing on multiple devices & multiple versions of After Effects.

Note: Inputs from M1 / M2 Mac users with regards to experiences on using the After Effects Rotoscoping tools are welcome!

— Rotobrush 2.0 set to “Best” quality model causes AE to crash: this affects anyone who’s using MacOS Ventura

I’m currently experiencing this issue on my M2 Mac. The workaround right now is to change the Roto Brush 2.0 quality setting to Standard. 

This is due to some software compatibility issues on Adobe’s side specifically with MacOS Ventura. Fingers crossed that they will properly fix this bug in the future updates!

— Cannot re-open project files with Rotoscoping: this affects anyone using the initial release of After Effects 2020 (I had installed this on an Intel-based machine and it sucked)

The only option here is to update to a later version of After Effects.

8) More useful Rotoscoping resources

Rotoscoping + Keyframes Tutorial by @jenna--ortega​

Rotoscoping + Masking Tutorial by @usergif​

Rotoscoping For Beginners in After Effects | Motion Graphics Tutorial

I hope you enjoy reading this! If you have any questions / need any help related to this tutorial, feel free to send me an ask!

[lgbtquiap-moodboards]

Hi! I love the moodboards you made that i saw,they look so cute and beautiful!

Idk if you will see,but,can you made a pansexual with turtles and videogames moodboard?

This is optional,but, Can you put yellow or blue theme if you want, it's your choice! Or it could be both :)

Again,i love your moodboards?

Thank you very much for the praise/compliments, you are too kind!! I hope I captured this well, I decided to go with a blue theme <3

Sources under the cut

[[MORE]]

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[asha-mage]

Since it's my birthday my friends got me the amazing gift of 'watching the Wheel of Time show while occasionally stopping to discuss/let me loose my mind' for which I am incredibly grateful. A few random observations from this time through, as I attempted to view it through the lens of the entirely WoT uninitiated (as my friends are)-

The group shots, where the camera passes from one of the Emond's Field 5 to another, do this clever trick where Rand is never actually standing on his own. He's always standing beside or behind someone in one of these shots, so the camera doesn't actually have to cut or pan away from someone else to get to him. This serves the purpose of highlighting him in contrast to his friends, but also to subtlety downplay his presence to the audience, and build up to the Dragon reveal in episode 7 very effectively.

The cinematography in general is so exceedingly rich and delicious- the stark white of the Whitecloak camp contrasted with the bloody reality of their actions. The bright primary colors used to make the Aes Sedai visually pop and feel magical and strange, even as they are dressed (for the most part) practically for their traveling (a complaint I had about the Witcher, aside from everything being brown and grey all the time, is that the mages show up to battles dressed in ballroom dresses instead of you know, clothing that would make sense). The subtle use of lighting and camera angle to create a sense of vast isolation of Shadar Logoth, fear and danger in the Ways, and cramp sweltering heat in the Blight.

Moiraine's opening narration in episode 1 is essentially a summary of the information we get from one of the epigraphs at the ending of the Eye of the World prologue, to whit:

"And the Shadow fell upon the land, and the world was riven, stone from stone. The oceans fled and the mountains where swallowed up. and the nations where scattered to the eight corners of the world. The moon was blood and the sun was as ashes. The seas boiled, and the living envied the dead. All was shattered, and all but memory lost, and one memory above all others, of him who brought the shadow, and the Breaking of the World. And him they named Dragon." - Aleth nin Tearin alta Camora, The Breaking of the World, author unknown, the Fourth Age "The world is broken. Many many years ago men who where born with great power attempted to cage darkness itself. The arrogance. When they failed, the seas boiled, mountains where swallowed up, cities burned, and the women of the Aes Sedai where left to pick up the pieces. These women remembered one thing above all else, the man who brought the Breaking of the World. And him, they. named Dragon." - Moiraine

This makes me suspect their was an earlier version of the script that actually used the epigraph (maybe even both of them). I have mixed on feeling on this, as the epigraphs are one of my favorite artistic choices of Jordan's and really help emphasize the history and depth of his world, but I think filtering it through Moiriane and making it slightly less opaque was a smart choice to convey the information to the audience. I also think this works on a character level as well- here is Moiraine's understanding of this information, shaped by her biases.

Every re-watch also makes me more and more comfortable in my 'the show is a future/past turning of the wheel from the books, the broad events and truths being the same, but seen in one of those endless variations we hear about' interpretation of the series. The heart of the story and characters is the same, and the broad strokes and framework are the same, but it's in the details where things emerge as different. This interpretation has the benefit of fitting really really well with the meta-narrative stuff Jordan always liked to pull, and in freeing I think the show expectations of being a one-to-one recreation.

That said I defiantly felt the cracks in the final two episodes as a result of the Covid shutter and loosing Barney Harris more strongly this time- some of that being that this is my first re watching of season 1 since I've seen season 2. You can practically see the things they wanted/planned to do that had to re-worked because of circumstances beyond their control. Mat's absence in the group argument scene (and the 'I am so tired of you two fighting over her' line that was clearly meant to be Mat's), as well as the lack of bigger/more cohesive battle scene in Tarwin's Gap. You can also tell they hadn't quite figured out how they where going to re-work season 2 yet given that the ending for season 1 had to be changed last minute (for example, their is no reason for Moiraine to just outright admit that she released Lan's bond unless they hadn't yet decided that was where their arc was going yet).

I think the show does an exceedingly good job of structuring it's exposition to the un-intiatited, trying to stagger it so that audience is largely learning new things in pace with the characters. I know people where frustrated that things like the War of Power have yet to come up in earnest even in the Latra and Lews scene, but I think the slow and steady reveal of things matches both the core idea of 'their is always more you don't know', and trying not to overwhelm the audience. My friends had no trouble following what was going and picking up the bigger implications/subtext that underpins a lot of information. 'But why did the Dragon try to cage the Dark One? It doesn't seem like it was that simple.' came up a few times especially.

The detail that what jump-starts Perrin's wolf brother connection is having his wound healed/cleaned by the wolves in that scene from episode 2 is so incredibly clever, and a good twist on the traditional 'werewolf bite' mythology.

I love the deliberate choice to incorporate so many random ruins and remnants of things in the background of shots. Not just the 'dilapidated stone buildings' that the characters camp in, but things like the trio of carved faces that Egwene and Perrin run past while fleeing the Whitecloaks, or the boundary stones Mat and Rand pass on the road, or even just the small carvings and pillars scattered about the cave where they are holding Logain. It all helps to make you feel that ancientness, that brokenness of this world more effectively.

The reoccurring use of the Dragon's Fang to symbolize violence and destruction: the Trollocs using it as a scare tactics, it appearing in the blood in the pool after Nynaeve kills the Trolloc, being burned into Siuan's ruined childhood home....and the way that contrasts with it's use in the finale episode, when we see it whole and unbroken in the seal/yin yang symbol for the first time was really really clever. One of my friends actually gasped out loud and went 'oh' at the first shot of the whole seal when it clicked.

The show does an exceedingly good job of maintaining that core idea of the series that it's about our relationship to violence- violence never being casual or simple or easy, but always raw, hard and bloody and a little bit ugly. EVen subtle things like the way the show depicts Moraine hurling stones at the Trollocs with uncomfortable frankness, trying to literalize what in most fantasy media would be an abstract. Take it from I cast stone 2, to I inflict horrible blunt force trauma on another creature. And of course everything re: Perrin and his ax.

I have more thoughts, but I think I'll save some of them for after we watch season 1, because they relate strongly to stuff from there.

[markantonys]

appreciation post for elayne the queen. elayne the politician who is incredibly competent, who is very very good at remaining calm in a crisis and remaining diplomatic in a conflict. second-half-of-series elayne who's grown into a wise and mature leader, who is grounded and practical but still has the same fierce heart she's always had, who feels things so deeply yet manages to set her personal feelings aside in favor of focusing on the bigger picture. who does take big risks, yes, but they're always calculated and planned out in advance, even if they don't always pan out as she'd hoped.

i feel like most elayne appreciation posts are about her comic relief value and ~loony tunes~ energy, or about elayne the aes sedai and her mad scientist tendencies, but To Me elayne the queen is the true heart of her character and the version of herself that she ultimately chooses to be by the end of the series, and it often feels underrated even by her fans. she always gets painted as a disaster, and she certainly has her disaster moments, but at her core, this woman is as distinguished as they come!

[butterflydm]

wot deeper dive 2x8: what was meant to be

So excited to take a scene-by-scene look at this epic episode. This post will be dealing only with show spoilers and there will be another post later on that includes spoilers from the books.

I really loved season one, but season two has been richer, deeper, and so emotionally powerful. Have loved it so much. Posts that I'm planning to do in the next few weeks: I want to do a post covering each main character's s2 journey, I'm gonna do some speculation for s3, and I've got some posts planned on the imprisonment/control themes and the 'alone-vulnerable; together-shieldwall' theme that was so beautifully realized in the finale, and more.

But that's for the future.

For now, let's get into the show-only deep dive!

I don't think I really talked about the opening scene in my previous posts about the episode, but I really enjoyed it! I hope that future seasons continue the theme of having the final cold-open of the season be something from the Age of Legends.

2. What they did with showing the close relationship with Lews Therin and Ishamael really plays well with how Ishamael feels a kinship with Mat and thus believes that Mat is vulnerable to the same kind of philosophy and influences that Ishamael fell victim to -- he sees that Rand and Mat are close in the ways that he was close with Lews Therin, and thus believes that Mat being Rand's downfall is what is most likely to tip Rand over to the dark (alongside Egwene, who is our modern-age Lanfear counterpart imo). I really love what they've done with this relationship and with how Ishamael essentially tricked himself into believing that he understood Mat when he was really projecting himself onto Mat, just as he's been projecting Lews Therin onto Rand.

And we get the symmetry of Ishamael asking for death here and being denied, and then Rand killing him at the end of the episode, like he wanted.

3. We get confirmation here that LTT sealed the rest of the Forsaken first and Ishamael is last. This is where we get another name drop: Sammael. So the names that we have for sure are: Moghedien, Graendal, and Sammael (plus Ishamael and Lanfear, of course).

4. It looks like the other Aes Sedai here are all men, which ties us into the discussion/argument that Lews and Latra were having in the 1x8 cold open.

5. "They say this seal is so strong, not even I could break it." And while the seals do appear to be weakened by this modern point in time, we saw the effort that Ishamael went to in 2x4 to break out Lanfear. He did that six more times in this episode before he went to confront Rand. He was worn out, y'all.

I do think it's interesting the ways that Ishamael's nihilism interacts with his behavior with Rand. Once he realizes that Rand is here, he knows that his plan for turning Rand to the Shadow has essentially failed. Because Rand's friends have come to help him, and because of Lanfear's betrayal, Ishamael knows that it's over. And part of him is grateful when Rand kills him, and relieved. He doesn't really believe that he's going to reach Rand on that tower and turn him to the Dark -- that's why he sets two back-up plans into motion: a) releasing the Forsaken and b) trying to get Rand gentled.

6. Lews Therin's resigned apologies to Ishamael here for trapping him into a Fate Worse Than Death vs Mat's frantic apologies to Rand after he accidentally stabs him with the dagger from Shadar Logoth -- Lews Therin has been forced into this because of Ishamael's choices, while Mat was tricked into hurting Rand (both here and back in 2x6, when he 'abandons' Rand).

And I love the pan-up and the reveal that the "Eye of the World" was the place where Rand and Moiraine were tricked to go in 1x8 to free Ishamael from his seal.

7. I missed the credits! Though I absolutely understand the team prioritizing getting a little more screen time in each episode, since they were forced to choose. The golden threads bursting out when Josha's name appears always give me chills.

8. Our episode proper starts with the Whitecloaks planning their attack on Falme. The way that the Whitecloaks get introduced with that fade-in from light is very intriguing. I'm not a military expert but Bornhald's strategy sounds pretty solid to me: non-military expert, lol. We can see that they're hiding in the jungle for now, and they plan to make the assault as quick as possible because they have to take out the 'witches' first or any assault is doomed.

The Whitecloaks estimate there are 28 damane with the Seanchan at this time.

I really like how we see the Whitecloaks' ranks shown by how their armor is designed. The costume design on this show has been so striking, this season even more than s1. There's an almost stained-glass quality to the bands on the armor, which helps enhance that 'church/inquisition' vibe that we are going to also get with the children swinging incense.

9. "But we have something they don't."

haha, you don't know how long it took me to realize that Bornhald was implying "we have the Light on our side". Which, funnily enough, the Seanchan ALSO believe! Both sides believe that they are the ones fighting in the name of the Light, not suspecting that here comes Rand al'Thor with the steel chair (of the Light).

But I really love how drenched this episode is in light, after a season that has been very dark (emotionally and frequently literally).

10. "The Watchers on the Waves called for help, letters to every queen, every king in the world, to the Amyrlin Seat herself, begging, but no one came."

This 100% explains the reaction of the people of Falme at the end of the episode, imo. They have been begging for help and no one has come, so they gave up hope and are just doing their best to survive each day. And then the Seanchan are driven out in a matter of hours and they see that huge-ass dragon on the tower (and this version of the story does have people knowing what a dragon looks like -- the book that Rand looks at in season one with the Karaethon Cycle has a dragon sketch in the pages (at 17:38 in episode 1x5 -- there is SO MUCH subtle lore in 1x5, y'all) -- so they know what it means when they see the dragon on the tower). They know exactly who saved them from their recent oppression.

It also ties into a theme from the books, where the different nations are so wrapped up in their own problems that they don't see the big looming apocalypse that is coming for everyone. Everyone was so busy with their own problems that they ignored the messages from Falme.

11. "These strangers are slavers and murderers. We fight them because we must."

Where's that "Heartbreaking: the worse person you know just made a great point" meme? lol. honestly, that's something that the show has been doing really well! Even people who are doing terrible things are not 100% terrible and are capable of making genuinely good arguments. And they believe in themselves and their cause. The Whitecloaks and the Seanchan are both scarier when we are seeing the True Believers in the cause.

12. And Dain brings up the prophecy here that "in Falme's greatest moment of need, the Dragon will return to us" which really gives me "King Arthur" vibes (which is fitting! one of the cool themes in the book is heroic archetypes and how the wheel turns myth into legend, and we also see the Heroes of the Horn bringing that theme into the show in the major way in this episode). So, once again, the people of Falme are going to know exactly who to credit for their big rescue and seem pretty primed to become strong supporters of the Dragon Reborn, given the information that we've gotten about the city.

Bornhald dismisses prophecy in general as "the lies of long-dead witches" and we intercut into Lanfear leading Rand & co through the Ways, which is a beautiful transition. That was excellent.

13. A lot of characters have mentioned the Falme prophecy but I don't think anyone has mentioned it to Rand, specifically. He's not coming to Falme to fulfill prophecy -- he's coming to try to save Egwene. Much like Mat's reaction to Rand was very much colored by how he abandoned Rand at the Waygate, Rand's reactions with Egwene are colored by how he abandoned her at the end of s1. We know why Rand made that choice, of course, but now he's seeing the unintended consequences of that choice.

14. Lanfear's full plan gets revealed over the course of this episode, not in a super in-your-face way, but clear enough to put all the pieces together of exactly how long she's been planning to screw over Ishamael and the rest of the Forsaken (... since the moment she woke up and learned that LTT's new incarnation was around). Some of the details of this plan go into spoilers, so I'll put it in the later post but, in brief: she's manipulated various pieces on the board to use Ishamael's own plans against him -- trapping Egwene and Nynaeve in Falme was an Ishy plan, but Lanfear was able to use Egwene's presence in Falme as a way to get Rand motivated to want to go there to rescue her and, incidentally, fulfill a teeny-tiny prophecy. After Rand killed Ishamael and was proclaimed the Dragon, she was planning to have Doman dump the rest of the Forsaken in the ocean and then she would have plenty of time to manipulate seduce her dearest Lews Therin Rand into loving her again.

And it almost worked! Well, I don't think seducing Rand a second time would have gone as well as she was hoping, but most of the plan really worked out for her.

15. It looks like the show just revealed here that Lanfear also has the Talent of being able to see fellow channelers even when they aren't embracing the Source. ("I can see it in you.")

I love Lan protectively trying to step in front of Moiraine even though he has zero chance against Lanfear. It's giving real "bless him, he tries" vibes.

Lanfear just yeeting them out onto the beach cracks me up.

It also was really great in terms of how it set Moiraine up not as one of the main players fighting in the battle, but as support from the side, smoothing the way. When Rand and the rest of them come down from the tower and are greeted by the grateful people of Falme, none of those people will know that Moiraine and Lan had anything to do with Rand's success. It feels like such a natural progression of her role -- in s1, she was the driving force that led them all to the Eye of the World... and that ended up being a massive screw-up. This time, they all find their own ways to Falme, and none of our main six young heroes are there because they're planning on fulfilling prophecy or fighting the Last Battle. They're there to save one of their own (first Egwene, and then Rand). "Think not of glory but of salvation". They didn't quote it, but the thought is there in the action of what happened in the episode.

16. "How can you think I'd ever trust you again?"

"I'm the only one who actually cares about you, Rand. Everyone else -- Ishamael, Moiraine -- they just care about what you can do."

Lanfear attempting to use her manipulating wiles on Rand. Of course, at the end of the episode, he's going to get a big reminder that she's incredibly wrong and there are a bunch of people who care about him for who he is, but even in this moment, he doesn't look like he's falling for it. And Rand didn't walk away from his friends at the end of s1 because he believed that they didn't care about him. He walked away from them because he believed that he was dangerous to them.

(and she tried to use this tactic on Rand in 2x6 as well, but she failed there too, though she may believe that she succeeded, because Rand does still extend trust to Moiraine in 2x7 when she asks him why he was leaving Cairhien and he tells her everything that he knows/believes, including very much implying that he thinks Lanfear wants to kill him after he's been proclaimed Dragon)

Lanfear lost Rand's trust when he found out who she really was and that she had been manipulating him for months. And I think she's massively underestimating what she would need to do in order to earn any of that trust back.

17. After the Maidens warn Perrin that they are getting Bad Vibes and are pretty sure that today is going to be filled with people getting killed, Perrin asks Hopper to stay behind, trying to keep him safe. Oh, Perrin, that never works. And Hopper has just as much right to be in the fight as you do.

18. Lanfear accidentally screws over her own plan because she can't bring herself not to gloat before her future husband Rand kills Ishamael. This is the big moment when we see how much Ishamael and Lanfear's plans are diverging from each other (and Ishamael sees it too). Ishamael had been planning to play the long game with Rand, keep him away from Falme until he was ready to be turned to the Shadow. Now Lanfear has jumped the gun and brought Rand at a time when Ishamael only has two of Rand's friends in hand (Egwene and Mat) and even those two have not been broken yet. He's not ready for Rand to be here! There's still so much work to be done!

19. After this conversation, Ishamael is aware that he's potentially fighting a losing battle. But he doesn't give up -- he sends in Fain to try to accelerate Mat's corruption; he prepares Suroth for the possibility of gentling Rand. He won't give up without a fight.

Ishamael does sound so intense when he talks about how Rand isn't going to "choose us".

20. ...is Lanfear wearing a dragon earcuff? I think she might be wearing a dragon earcuff/earring. That is not subtle.

I like that it seems like Lanfear believes that she's tricked Ishamael, at least in part, just like she believed that she'd tricked Rand a lot more successfully than she had (since he was very much still lumping her together with Ishamael when talking to Mat and Moiraine).

21. ...I don't ever really have much to say about the fighty-fight part of battles. The image of the Whitecloaks galloping out of the incense/fog was pretty cool.

22. Nynaeve really does have a very rough go of it in this episode. While she does manage to help, that help is in the realm of "get Elayne to the tower so that Elayne can do something". And while I understand the frustration from her fans... her block needs to actually be a problem for us to understand why she wants to get rid of it. This episode made her block a problem, one that she wasn't able to overcome at the last second when it was desperately needed. Much like Mat's low ebb this season was intentional so that we could get the amazing high of the Horn scene, Nynaeve is entering a low ebb. At the beginning of the season, she was showered in praise and special attention that she didn't want. Now she wants the power that had earned her all that praise and she can't reach it (this is similar to how Rand's lack of training needs to actually be a problem so that we understand why he needs to get some training).

23. Oof, it's hard to watch Renna with Egwene. We do get clarification that the dark facepaint is for going into battle.

Renna cutting off Egwene's braid... much like the tree she forced Egwene to burn down, she's trying to attack something that she knows brings Egwene comfort.

Egwene's eyes when she's feeling at her shorn braid. Baby!

24. I've been finding it interesting to think about What's Up with Padan Fain. So far this season, he's stayed within Ishamael's orders (to our knowledge) but when Ishamael orders him to give the dagger to Mat, we hear the whispers of it calling to him. Once Ishamael is dead, does that free Fain to follow the call of the dagger? Because when Mat was under the influence of the dagger, he still was not a fan of the Shadow. Different kinds of evil. The evil of Shadar Logoth scared the Trollocs enough that they weren't willing to chase our people into the city. I will keep an eye on future developments!

25. Poor Mat has been having a Fucking Time of it. First, he has to watch Rand leave, knowing that he's apparently fated to kill his best friend with an evil dagger. Then he gets hit on the head and wakes up across the continent? With a scary lady who insults him? Then ol' flame-eyes is here and his eyes aren't flame anymore and Mat is just so exhausted and tired and he takes this tea that gets REAL trippy and depressing and tells him that he's destined to be awful forever. And then he's locked up alone in a room. And then... Padan Fain shows up???? With the dagger from Shadar Logoth?????

The one Mat is destined to kill Rand with?

Like... he has been having a time of it.

26. Oof, hard to watch Nynaeve torturing Seta. I understand why Elayne needs to keep looking away. Nynaeve wants so badly to find Egwene and save her. We actually get a lot of ruthlessness from the ladies in this episode -- Nynaeve with Seta; Egwene and Renna; and Moiraine's willingness to "kill a thousand innocents if there's even a chance [Rand] will live". But I think the show did a good job of showing you why each of these characters is driven to be so ruthless at this moment in time.

27. Rand confirms with his own eyes that Egwene is here in Falme, as he sees her and the other damane being led out of the kennels. And he sees the gag in her mouth -- I wonder if part of the reason for that part of the costuming was to make it easy for Rand to see from far away part of the indignities that are being forced on Egwene (obviously, he also saw what horrible conditions she was enduring in her cell back when Lanfear showed him Egwene, but now he knows for certain that what Lanfear was showing him was true).

28. Mat and Fain's conversation with Fain here is interesting because I think Mat is figuring it out -- so many people keep telling him over and over that he's destined to do the stupid thing; that he's worthless; that he's going to be like his dad; that he abandons his friends. Padan Fain is saying the exact same thing that Liandrin was saying (you abandoned your friends for the dagger). Having his old peddler from back home showing up to say the same things that the Aes Sedai who had kept him captive for months had said... that's kinda suspicious, bro. That kinda seems like someone else is supplying the script, bro. Because Mat is not in the same kind of despair here when he's listening to Fain as he was when he was listening to Liandrin. He's paying attention to who the messenger is (and who sent the messenger), not just the message itself.

The first time through watching this scene, it can feel like Mat is trying to convince himself when he smiles at Fain and tells him that he's not going to touch the dagger. But... he doesn't touch it. Instead, he inspects the room and comes up with a plan to escape that doesn't involve touching the dagger. It wasn't just bravado, when he was talking to Fain. He meant it. All these people, they keep telling Mat that they know him better than he knows himself. That they are the ones who really know his inner darkness. That they can guess what he's going to do next.

And Mat... he decides right here, I think, that he is going to prove them wrong. Maybe he WAS always terrible in his past lives? Well, then he'll fucking do better in this one. He makes the decision to do better BEFORE he learns that his past lives weren't rotten, and I think that's so important.

29. Moiraine and Lan's scene here is very sweet. I think this was a really sweet capstone to Lan's journey through the season and an affirmation of Moiraine trusting and allowing Lan and Rand to help her at the end of the last episode. Though the main culmination of the "alone we are vulnerable, together we are a shieldwall" comes in the fight against Ishamael, Moiraine has been very much a parallel with Rand this season in how she's been pushing people away so that she can face the danger alone, so her literally allowing Lan to share in her burden is a lovely little illustration of that same point. Plus the weaves and music here are just gorgeous. I really do love the intimacy here, between a man and woman who are fundamentally connected but not in a sexual or romantic way.

Meanwhile, Lan's journey goes back to a similar point as Mat's, I think, in that he accepts the idea that Moiraine views him as inferior and says he wants to help her anyway, before he gets rewarded with learning that she sees him not as an equal but as better than her. "Okay, what if this horrible thing, this thing that I don't want to believe could be true... what if it IS true and then I keep on doing the right thing anyway?"

Though I've never had the issue with Lan's storyline that I feel like I've seen some other book readers have. The only time his story felt 'slow' to me was through my first watch of 2x4 and even that changed when I did my rewatch and saw how much we were getting told about Alanna & her Warders and how it was leading up to Alanna getting folded into all the big plans. But, yeah, my main interest in Lan was never how many enemies he could kill per minute and the show has made him a much more interesting character to me than the books did.

30. I suspect all this 'getting the Horn' stuff might have been expanded on if we'd gotten ten episodes but there's enough information there to make it clear that Lanfear (as 'Selene') gave them the Horn so that her future devoted husband Rand would get his special toy before he fought Ishamael. Heists can be fun but we did get the info a couple of episodes ago that the Horn was barely being guarded, so that also tracks with it being easy for a 'slave' and a 'guard' to be able to sneak in and grab it.

...the Seanchan uniform actually looks really hot on Ingtar.

31. Perrin finds out here that Egwene is in Falme, and he instantly pivots to that information -- Egwene has been captured by the Seanchan; we have to help Egwene. We know that Perrin has been worried that all of them being isolated away from each other makes them vulnerable and here is proof! Obviously, if Egwene is here, then she has to be the priority over the Horn.

"The Horn of Valere summons the dead heroes of the past. It's the key to the Dragon winning the Last Battle."

Yeah, the show was very clear about what the Horn does. Even if you miss Ingtar's line on an initial watch, a rewatch would instantly clear it up (especially with the knowledge of what it does when Mat uses it). The fascinating thing is that Ingtar NEVER SAYS that the Dragon needs to use it, but that's clearly what Perrin assumes (and a lot of show-only reactors assumed it too, and were surprised by Mat being able to use it).

I like Loial's little speech. He shames Ingtar right out of his determination to leave the city with the Horn.

32. The way that Renna and Egwene's power struggle comes to a head in this episode was really effective I think.

We see Egwene not being able to bring herself to attack until she sees the Whitecloaks, and she takes care to place her fireball where it will only hit Whitecloaks and not any cilivians.

33. I have to admit, the view that certain book fans have that Rand did nothing in this episode are baffling (Nynaeve didn't do 'nothing' either, but both she and Rand ARE going to, I'm sure, seek ways in the new season to do more because they were both clearly frustrated by being 'blocked' from what they wanted to do). Rand did less than he wanted to do, because he got shielded -- motivation for him to want to search out some training next season, because there were several moments this season when his lack of training has been pointed out! -- but in both the Turak scene and the Ishamael scene, Rand ends the fight almost effortlessly (once he's free to do so, in the Ishy scene).

Turak and his guards stood literally no chance against Rand -- he raised his chin and looked, and over a dozen people died (but only the ones with weapons, not the Voice who wasn't a threat). I'm sorry, that is power. The idea that Rand indulging in a sword fight would have shown more power than what he actually did is ridiculous. He would have been a cat playing with a mouse instead of just killing it (and every show-only reactor that I've watched so far has had a BIG reaction to Rand doing this).

We've been shown throughout this season with the Forsaken that the less effort channeling takes and the more casual that you are with it, the more powerful you are. And that's exactly what Rand shows in this scene. Not only does he create and send the projectiles, they are precisely aimed to only target combatants.

Which means that Rand gets to see another aspect of Seanchan culture here -- the main slaves of a High Lord kills themselves when their lord dies. It really does show how deeply the brainwashing goes in Seanchan culture. And you can see that Rand is disturbed by the violence that he just did, but he has to move on, so he does.

34. I really do love how Josha embodies the physicality of Rand's channeling. He does move to channel but it feels very natural, like an extension of himself. It was that way in s1 as well. Rand channeling just... idk it hits different for me than any of the other channelers we've seen, as beautiful as the weaves can be.

35. "The Forsaken fought amongst themselves as much as they fought the Dragon," feels like a very important note for s3 -- the six Forsaken that Ishamael released are not going to be going after Rand together. Just as Lanfear ended up undermining Ishamael's plans, with the goal of killing him, getting rid of the other Forsaken, and living happily ever after with Lews Therin Rand, the other Forsaken will each have their own agenda too. So it's not complete doom and despair that they've all been released.

36. So even as Lanfear is making plans to dump the rest of the 'Chosen' in the ocean, Ishamael is busy at work releasing each of them, one by one. We learn here that Lanfear has been manipulating events in Moiraine's storyline from the very beginning of the season.

Ishamael brushing the dust of the remaining seals from his hands as he talks to Suroth: a+, lol. But to make matters even worse for him, he learns here that Turak is dead and the Horn has been stolen. And everything was looking so rosy for him before Lanfear showed up!

Ishamael's "shit, Lanfear betrayed us" back-up plans:

step 1: free the rest of the Chosen

step 2: get Rand shielded ASAP

step 3: Maybe seeing Mat and Egwene in dire straits will be enough to turn Rand to the Shadow? (it's confirmed here that Ishamael made sure to have Egwene ordered to the tower where "the whole city can see her")

*fails*

step 4: okay, we'll gentle him and then work on breaking him once he's less dangerous

*fails*

step 5: maybe I just kill him?

*fails*

step 6: well, guess I'll die. At least I screwed over Lanfear on my way out. The rest of the Forsaken will have to handle things from now on.

37. I love Mat working out a way to use the dagger without touching it. Also it kinda cracks me up that he ties the dangerous thing to a bedpost because... um... Lanfear tied Rand to a... I think that's maybe only funny to me. lol

We see here that Mat understands how the dagger works, probably a lot better than Ishamael did or Fain does. It nearly killed him last season! He's aware of how dangerous it is... but also how useful it can potentially be at the moment.

And I love that Rand's stubborn 'ACTUALLY, Mat is amazing and one of the best people who has ever lived, so jot that down' attitude from 1x7 gets proven correct here. Rand knew Mat better than anyone else, from what we saw at various points in s1, and now his certainty that Mat Is Good, Actually gets to be proven (including, very importantly, Mat himself... until the Accidental Stabbening gives Mat a brand-new guilt complex).

38. We can see here that the fireballs coming down from the damane in the tower are hitting ordinary citizens as well as the Whitecloaks -- not everyone is being as careful as Egwene.

She sees it too -- that's what makes her spit out her gag and refuse to help anymore. And this moment (among some others) really sells why this addition to the costuming works because Egwene actively and literally reclaims her voice here.

And the Whitecloaks attack on the tower work, killing many of the damane and sul'dam at the top of the tower.

39. While earlier, we saw that some of the Whitecloaks were helping pull civilians out of the way, once again, not everyone on their side is being that careful -- the Whitecloak archers shoot Seta, dressed as a damane, but they also shoot Elayne, dressed as an ordinary citizen. Both the Seanchan and the Whitecloaks are causing innocent people to get caught in between them and die.

And I do think it's clear here that Nynaeve is overwhelmed and scared, not angry. That's why she isn't able to reach the power. Her block is now officially a problem for her, one that she has a very good reason to try to get it fixed next season. This is a similar lesson to what they've been showing us in Rand's storyline: raw power isn't enough. You also need control, or other people will be able to control you.

40. And that ties into what Egwene does too -- both Mat and Egwene think outside the box in order to find clever solutions to their problems in this episode and not be limited to what their captors thinks they're capable of. They both choose an unlisted option.

She seizes control over herself and her situation, because she understands her power now. Egwene, Mat, and Moiraine all reclaim themselves after having gone through a long, rough period of being put in a situation where they feel inadequate and broken down.

And Egwene figured it out by being clever and putting together the information. We also get more confirmation here that only channelers can see weaves.

41. Reunions! Mat and Perrin's reunion here is very sweet. It's also much more straightforward than the more complex and fraught (though just as sweet) relationship between Mat and Rand. Perrin and Mat share a good long hug! Mat holds his shoulder for a moment! But when the hugging is gone, they pull away from each other and don't constantly stay all over each other like Rand and Mat were in their initial reunion scene in 2x6 (or like Rand and Mat will do in their upcoming scene, post-stabbening). So I love that we see that Mat and Perrin are very good friends and they love each other and... and it's not quite the same as Mat's friendship with Rand.

42. Poor Egwene really is so burnt out, emotionally, by her experiences and so traumatized, and we can really see how exhausted she is by everything that happened. She needs some real processing time.

I'm glad that we got Rand's apology to Egwene here, even if I think she's maybe only half-processing it at the moment.

43. I love how quickly Mat gives out the info of "Rand is alive, he's here, he's headed to help Egwene" to Perrin here. And that he takes another dig at Rand's hair, lol. When Rand regrows his hair, Mat gets the credit for it, lol. I also miss Rand's curls, Mat! You are not alone!

44. Ishamael is talking here like he's knows that it's over. He does not expect his appeal to Rand here to work -- like he told Lanfear, it's too soon. Egwene isn't broken. Mat isn't broken. He doesn't even HAVE Nynaeve or Perrin in hand. "Maybe next time it'll be different," Ishamael says, because he already knows that his primary goal of turning the Dragon to the Dark has failed.

I love the echoes of this scene to the one from the cold-open.

45. "You're his only hope" vs "betrayer of hope". I talked about this in one of my earlier posts I think, but the contrast still hits me hard.

Here we have Ishamael, blaming Lews Therin for his fall to the dark (and the stories say that it was LTT's 'fault' that Lanfear turned to), but it wasn't LTT's fault. It was Ishamael's choice. And it's Mat's choices that make him different from Ishamael.

But, yeah, this is another of those things that just gets extra weight to Mat and Rand's friendship vs Mat and Perrin's or Rand and Perrin's.

46. Dain and Perrin meet on the battlefield and get to fight back-to-back for a moment. I think everything with Perrin & the Whitecloaks & Hopper is well-done, but it's tough to talk about. Hopper does get a lovely send-off, as he see him leaping the way that he did when he told Perrin his name. Also, the tension between Dain and Perrin the next time they see each other (narratively, they have to see each other again, with all this set-up) is going to be fantastic.

Hopper's last sending to Perrin is so beautiful. And it's so easy to understand Perrin's rage here, just as it was easy to understand Egwene's need to kill Renna.

47. I like how Elayne (in agony!) is doing her best to help Nynaeve get to a place where she can help Elayne. She really takes charge of the situation and is able to bring a level of calm to it, even when she's under significant distress herself.

Nynaeve is trying so hard to channel here and she can't even embrace the Source. I do think that her 'block' probably got some reinforcement when her most recent use of the Power directly led to Ryma's capture.

(speaking of Ryma, since we don't see her in the tower or on the ships, it's entirely possible that, as a brand-new damane, she was still in the kennels and can get freed after the battle here is done; I would like that for her very much and - if they do decide to have the Wondergirls go back to the White Tower, Ryma could be the one to take them there, as she delivers the news about the Seanchan. That's one of the few reasons that I can see for the Wondergirls to think it will be safe for them to go back to Tar Valon, after they hear Moiraine's news, tbh)

But, yeah, I'm glad that Nynaeve can't just Bruce Banner "I'm always angry" at her problems. That her block is now something that is causing her distress in times when she desperately needs to be able to channel.

48. Mat blowing the Horn is such a beautiful moment. Time slowing and the music changing and the effects of how the Heroes appear. This is a moment of intense despair for everyone and Mat blowing the Horn here turns everything around. I think they did a really good job in making this the turning point of the episode. Mat blowing the Horn did bring back the hope of winning. It didn't win the battle, but it gave back hope. Instead of Mat being ~just like~ Ishamael, he is instead Ishamael's opposite. Instead of betraying hope, he creates it.

And it's such a joyous moment. Mat gets to have his self-worth affirmed by an outside source, gets to feel connected to something bigger than himself, after feeling alone for most of the season. It's really beautiful.

Just... gorgeous. And when Mat remembers and is able to get that validation that he is not destined to be a 'damn prick', just like his father, that he isn't rotten to his core... witnessing him going through that moment is so lovely. Cannot say enough good things about it, A+ television.

49. We also see that, after Mat says that he 'remembers', that he's handling his weapon differently, more familiarly, and he can now speak the Old Tongue. So we can see the impact that remembering his past lives has on him.

And, of course, we see here that Uno is one of the Heroes of the Horn! It's a nice hint to viewers who maybe weren't listening to Ingtar earlier that the Horn brings back the dead. Because we definitely all saw Uno die.

50. And, of course, being magically-fast ghost warriors, the Heroes absolutely can make sure that they only target active combatants and that no civilians get caught in the cross-fire.

Uno saving Perrin. <3 And then lending him a magic shield! Useful! I'm guessing it probably also fades away after the Heroes do.

And once the arrow is out of Elayne's leg, everyone is on their way to the tower.

51. Rand is able to push himself to his feet, despite the effects of the shield on him, and tell Ishamael, point-blank, "I will never serve him. In a thousand lives, I never have. I'm sure of it."

Ishamael knows that his main plan is a bust. It's only back-up plans and failsafes from here on out.

52. Mat's throw is a really good throw! Unfortunately, Ishamael is a trickster too, and it goes right through the illusion of him. This moment is incredibly traumatizing for Mat who only literally just now regained his sense of self-worth -- while we are going to end up with our heroes triumphing over Ishamael and the Seanchan and saving Falme... they all end up damaged and traumatized by it.

Mat just clutching onto Rand here in the wake of accidentally stabbing him. Oh, wow, it really gets to me. And Rand's anger is 100% (and very appropriately and accurately) focused on Ishamael.

And Ishamael is so distracted by this moment that he doesn't realize that Egwene has gotten up from where he threw her.

53. I love how delicate Elayne's healing weave is. And the wound left behind looks very nasty. And Rand getting healed by Elayne and then seeing the sun shining in her hair. What a way to be introduced to someone for the first time! They save your life like that and are literally wreathed in sunlight.

54. Moiraine and Lan getting on the same (ruthless) page when it comes to supporting Rand/the Dragon. And we get to really see Lan let loose with his fighting as Moiraine lets loose with her channeling.

55. I was honestly a little nervous about the idea of them actually doing a sky battle because I could not possibly picture how that would not be cheesy. I trusted the show's team but... I was nervous. What the show did was not at all cheesy. It was heartfelt and epic, but not cheesy.

I love how everyone works together to make it work. The team did such a good job of playing out this theme of having the characters be isolated and showing how that made them vulnerable, and then rewarding us with this beautiful coming together. They can be there for each other and protect each other.

And I'm confused about anyone feeling like this takes away from Rand because... they all contribute so that Rand can strike the final blow -- because Rand is the only one who could have done that part. Moiraine freed Rand from his shield and Elayne healed him, Egwene and Perrin were able to block Ishamael's attacks, but Rand absorbed Ishamael's attacks into his own weave to strengthen it, and then he wove the One Power directly into his sword and we can see the results -- instead of getting back up again, Ishamael crumbled to dust.

Ishamael himself was aware that he had lost as soon as Rand was unshielded, imo. He makes another attack after that, but it's clear that he knows that he lost. There's a reason that Ishamael's first big move in the scene with Rand is to get him shielded by the damane. That's the only way he even has a chance in this fight and he knows it. Egwene isn't able to go on the offense against, Ishamael in any way and we can see what a toll it's taking on her to hold up her shield against him - holes develop in her shield before Perrin shows up.

Minor Cauthor note: I love how after Rand gets rocked by being unshielded and he realizes that Mat got pulled away from Mat, he grabs Mat's hand again. Cute, even in the middle of a pitched battle.

56. Our poor traumatized babies! Let's count up the trauma:

a. Rand felt shielded and helpless for much of the fight and now has a wound in his side that Elayne wasn't quite able to heal. He's also very aware that his lack of training is causing big problems. And he's got a heron brand on his hand now.

b. Egwene is deeply traumatized from her time as a slave.

c. Nynaeve spent this entire battle feeling helpless and her only contribution was bringing Elayne here so that Elayne could heal Rand. Nynaeve may even blame herself for the state Rand's wound has been left in, wondering if she could have healed him fully if she'd had access to the Power.

d. Perrin just lost his new wolf BFF in a traumatic way.

e. Mat stabbed his best friend with an evil dagger (after spending months being psychologically tortured).

f. Elayne has a pretty nasty leg injury. Also, she has to be the most confused person here, by a mile. She likely knows about the prophecies and the Dragon Reborn as general concepts but had absolutely no clue that she was accidentally stumbling into the middle of them. She's gonna have so many questions.

57. But this whole section really is beautiful. Just... I love the fire-illusion dragon so much. Moiraine is always So Extra, all the time.

58. This is the first time any of them have seen Rand channel! Even though they can't see the weaves, they can see Rand walking through Ishamael's attacks without flinching, they can see his sword glowing red, and Ishamael turning to dust. And they heard Ishamael call him "Lews", probably.

It's also another incredibly intimate stabbing, though in a different way than Mat 'stabbing' Rand was. He looks directly into Ishamael's eyes the entire time and, afterwards, he stays focused on Ishamael until he's turned to dust.

59. Yeah, Falme looks pretty all-in on the Dragon Reborn. He saved them from the Seanchan and (given what the dude in Atuan's Mill said) he also saved them from the Whitecloaks. At their greatest hour of need, the Dragon really did come to save them. We also get the confirmation here that these Aiel Maidens, at least, believe that Rand is the Car'a'carn that they've been searching for.

60. At this point in time, Lanfear is feeling pretty damn happy with herself. Step one of her plan was a complete success! Ishamael has been taken care of. Lews Therin Rand has been publicly proclaimed the Dragon! Her happy ending is within her grasp!

Then, as Lanfear is basking in her victory... she discovers that Ishamael took action when he realized she was betraying him. We meet "softly, softly from the shadows" Moghedien and see her stand toe-to-toe with Lanfear. All of the Forsaken are now loose.

Love the vibe they've given to Moghedien.

We can see here that those conflicts that Moiraine talked about between the Forsaken are clear and present. Lanfear and Moghedien are definitely not on the same page when it comes with how to deal with the Dragon.

Moghedien says that "him" and "all five of them" are now the other Forsaken's business and that Lanfear is to stay away from Rand in particular.

And she vanishes before Lanfear is set free and our last words of the season are Lanfear saying, "Light help you, Rand al'Thor."

Interesting in two ways! Acknowledgement of him as Rand, not Lews Therin, and calling upon the Light to aid him. I feel like it does a good job of setting up some very clear issues for the next season.

Hope we have a shorter wait this time!

[cripplecharacters]

Mods

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Sasza

[Large Text: Sasza]

Hi! My name is Sasza and I use he/him pronouns. I am a disabled artist who loves to write and draw characters like me! I am autistic, (mildly) intellectually disabled and have several physical conditions including-but-not-limited-to dyspraxia, severe hyperkyphosis, cranial nerve diseases (causing double vision, chronic pain and a facial difference among other things), and hypermobile joints. Sometimes I use a cane. I'm very passionate about accessibility and disability representation in all kinds of media - books, comics, video games, and any other kind of art that's out there!

Bert

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Hello! I'm Bert (previously Mason), and I use he/they pronouns. I am a writer who loves to write plays and fiction with characters like me and my friends. I am autistic and have ADHD, I have psychotic PTSD and a DID system. Physical health-wise I have migraines, fibromyalgia, and a lateral lisp. I love talking about representation and ways we can make a kinder and more inclusive space everywhere we go.

Sparrow

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Hi, I’m sparrow, they/he for me. I’m a disabled artist who makes a lot of disabled characters like myself and probably like a quarter of the world. I have autism and ADHD, among other brain things, as well as chronic pain in both my jaw and my knee and ankle. I also have POTS and some sort of sleep disorder. I am a sometimes cane user as well. I really enjoy research and thoughtful art that makes people feel seen. Aside from that, I am a huge fan of historical fiction and really enjoy fantasy as well.

Rot

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My name is Rot, I use all pronouns including neo pronouns as well as any rot and insect themed nounself pronouns. I’m an artist who loves putting disability in my stories. I’m mostly undiagnosed due to medical neglect and have chronic fatigue, hypersomnia & chronic pain that ranges from mild to debilitating. My known disabilities are pots, ganglion cysts, nerve damage, tics, autism (level unknown), asthma, GERD, anxiety and psychosis. I have a metal implant, use a cane and am mostly verbal and use aac infrequently. I have experience with temporary palsy, needing carers (family members who stepped up, not hired carers) and being in a wheelchair, though I currently don't have any of those.

Patch

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Hey! We’re The Patchwork Quilt but please call me Patch! I use sof/soft/softs, red/red/reds, they/them/their, and ae/aem/aeir pronouns. I’m autistic (level 1, the very high end of low support needs, unreliably/semi-speaking, AAC user), and I’m a system with highly complex dissociative identity disorder (we use we/us and I/me language interchangeably. Please don’t ask who’s fronting). I also have hypermobile Ehlers-Danlos syndrome, attention-deficit/hyperactivity disorder, specific learning disorder with impairment in mathematics (AKA dyscalculia), developmental coordination disorder (AKA dysgraphia/dyspraxia), chronic fatigue syndrome, essential (kinetic) tremor, avoidant restrictive food intake disorder, dependent personality disorder, severe auditory processing disorder, psychosis (likely somewhere on the schizophrenia spectrum), and Tourette’s syndrome. I use a rollater that can turn into a powerchair. I love drawing, writing, and playing D&D and coming up with creative ways to incorporate disability into those three things. I will be attending college for a degree in disability studies this fall.

Virus

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Hello! I go by Virus and I use She/Her but anyone can use any pronouns for me, have fun with it. I'm a writer—mostly fanfiction—who has been in fandom very long and used to be a classical musician. I have Hypermobile Ehler Danlos Syndrome along with it's fun co-morbidities (MCAS, POTS, Gastroparesis, Fibromyalgia, and Von Willebrandes). I also have Pan-Hypopituitarism which is the following: Adrenal Insufficiency, Hypothyroidism, Diabetes Insipidus, Precocious Puberty, Growth Hormone Deficiency, Hyperprolactinemia/galactorrhea, as well as High Estrogen and Testosterone issues. I have Pituitary Dwarfism/Proportional Dwarfism, Myoclonic Epilepsy, and a Speech Disorder. I used to have a Port-a-cath, Picc-Lines, and a feeding tube, amongst many other things. Phew, now that that's over. I love every art form with a favour towards music, writing and the fiber arts. I love seeing representation no matter how big or small especially in medias that rep is often glossed over!

Rock

[Large Text: Rock]

Hi! I am Rock; any pronouns are okay. I am a writer, mainly of sci-fi and fantasy, and I love adding all sorts of disabled characters. I am hard of hearing (mild-moderate bilateral hearing loss) and have profound auditory processing disorder. I have scoliosis, POTS, and lower-body muscle weakness so I am a full-time mobility aid user. I am also intersex; I have several hormone deficiencies among other conditions as a result of my intersex variation. I am excited to join the mod team!

[mofffun]

New scenes in King-Ohger movie full cut

(lines by ear)

01:08 +line, Rita (to Gira): いつまで待たせる　始まるそう (How much longer are you gonna keep us waiting? It's about to start.)

01:34 shugoddom square establishing shots

04:19 extended orphange meal scene + lines. Gira brought out a pot and asked Debonica to help set the table. She refused and stole a piece of bread.

05:21 +line, Gira: 相変わらずうたうまい。([Debonica] is still good at singing like before.) Himeno walked closer and poked Gira vs. voiceover

09:39 (portal closed leaving Yanma and Rita stranded) +line, Yanma: 帰るだって　どこからだよ (Talk about leaving, how?)

10:29 Guided by a light beam from her tiara, Himeno crossed a long bridge on the sea

10:43 Kaguragi called for Racles. "Racles-dono, please answer if you're here!" A portal appeared and he crossed it to find himself in front of a burning Takitate Castle. Iroki's voice only "Long time no see, Kaguragi." "嫌なものを…" (~I don't like this.)

11:14 Underwater N'kosopa: longer establishing shot: top-down pan vs. forward dolly, + longer rita run

15:51 + Himeno exepctant reaction shot as she waited for her parents to materialize

17:05 Iroki: You dirty your hands for this throne. What did you get in return?

Kaguragi: People and country, and peace.

18:21 "These are all, Moffun." Close-up of Rita looking up vs. voiceover. Ghost swarm: +line "やっば無理だ!" (Nope, I can't take it [after all]!)

20:06 Yanma pulled on the spider thread until he reached a thick strand encasing a cable.

23:05 Ishabana and N'kosopa team shocked the retainers back to life

30:11 +line, Himeno: 醜い死に損ない (She called Rainoir an ugly thing who won't stay dead, while smiling)

30:24 Yanma: What ae you doing here?

Jeramie: 王を歓迎する場合に、狭間の王が仲間外れはいただけな (This is an occassion for kings, how could you exlude the king of the in-betweens?)

30:50 calibur roll call

34:00 Debonica's look at Gira. They got back climbing on Jeramie

Rainoir's last words:

だが　シュゴッドムの王は常に一人。ラクレスハスティーは生きでいる。勝負をつけたら、また来るがいい。その時、このチキューのすべてを話そう。

(However, there can only be one king of shugoddom. Racles Husty still lives. When a winner is decided, come see me again. Then, I will tell you everything about this Chikyuu.)

(note: the making uses 決着 (decision) instead of 勝負 (win/loss))

Gira smiled and walked away.

34:57 Coronation restart. Rita put down their sword at the altar, the kings reaction shots + Jeramie narrating.

35:32 Kings comments as Gira walked down the aisle

Yanma: よっ！元指名手配犯！(Yo! Former fugitive!)

Shiokara: Shhhh!!

Kaguragi: しかし 子とものお遊戯会見えんなくもう (However, he no longer looks like a child in dress-up.)

Hineno: 王冠　私がもらっちゃうかしら (Should I take the crown?)

Rita: 王位簒奪は重罪だ。奪うなら今こそ。(Usurping the throne is a serious crime. If you want it, do it now.)

37:21 Debonica cake scene moved to pre-credits

40:07 Post-credit scene #1

Rainoir: 死の国にまでもやってくるか (You found your way into the Land of Death?)

*transformed to block a beam attack, roll call speech*

今こそ、2000年前の仇怨(きゅうえん)を返す！ (2000 years... Now is the time for revenge!)

The beam vaporized him and camera cuts to Dugded crouching on a transparent disc hovering, "つまんね" (Boring.)

(note: the two characters are never in the same frame so i'm pretty convinced they are filmed separately. otherwise Rainoir's actor would've known about Dug/Ch2 in May. The post-credits scene are not specified as filmed during the original production so the suit part might be the advertised "newly-filmed scenes".)

41:13 Post-credit scene #2 (おまけ bonus scene)

The retainers' lies to shock them into the underworld:

Shiokara: 喧嘩最強 ヤンマくん! (Best at brawls is Yanma-kun!)

Sebastian: ヒメノ様はブズでございます (Himeno-sama is ugly.) *Thundercracker hesitates*

Morphonia: 働くて最… ([I love my] job..) (lightning before the sentence is finished)

Kuroda: 我こそはトウフの王… (I am Toufu's Lo[rd]..)