#people are allowed to think different things without being evil

[thomas-jefferson-miku-binder]

I hate Mel Medarda discourse because she’s an insanely well-written character with a lot of depth, but people almost always have only two things to say about her: 1) evil girlboss or 2) never did anything wrong. both make me want to krill myself 🦐

In front of you, there’s a female character born of war who rejects the physical brutality of her family’s name and the regime she was born under. except said violence never really goes away because if it ever does leave, nothing else would remain

This character can and will reproduce the hatred she has always known, just in more palpable ways, ways where she’s allowed to look away — or even better, ways where she’s so distanced from the action itself that where she “looks” doesn’t even matter

It’s also so interesting to think that maybe Mel doesn’t dislike physical violence because it’s “bad” but simply because she does not excel at it The thought that if Mel was maybe stronger or a more skilled fighter, she would be just like her mother tickles my brain. yaaaas Although, to me, that's a more "what-if" scenario than the actual characterization Arcane deceipts

By the way, I do not think Mel is a monster. She clearly does try to be what she considers a "good" person, but the violence she’s always known sometimes escapes (just like in the Viktor scene above — she does not like to be disagreed with).

Sooo insane that she’s a diplomat/politician because yes. what other job in the world would allow her to exercise that repressed violence while also giving her the sense of duty—of goodness.

Mel is stuck at the scene of the execution form her childhood. All she does is repeat the same scenario in her head with different outcomes: sometimes one where she saves the prisoner, another where she doesn’t hesitate (that being the keyword here) to kill her

This reverberation of the violence she suffered is just her manner of coping with that traumatic scene. a way of lessening the pain without actually confronting its cause.

I feel like I need to clarify that no, I do not think Mel is “evil”. I don’t even think she is intentionally manipulative (most of the time), I think she handles people the only way she knows how to, which is probably one of the only reasons she survived Noxus at all (as, to how I see it, there's only a certain extent your House will guarantee your protection in Noxus).

I know the fandom talks a lot about Viktor and Jayce being idealistic, but I rarely see people mention how Mel is just as romantic. Jesus- that’s literally a huge source of conflict with her mother: Ambessa thinks Mel is naive, which to her means weakness, which to her is unacceptable.

I hate that Mel Medarda is forced to be subjected to fandom spaces, because, no, she is not a small bean. no, she’s not an evil girlboss.

Do I believe she is a good person? I think she tries to be (even if her notion of goodness is so heavily aligned with honor, too), and that tells me a lot more about her character than how successful she is at it

[shadowgast-recs-weekly]

A couple of changes

Hey all!

We've passed a couple of big milestones recently (Our 1000th rec! 5000 likes on tumblr! 69th themed week!), which seems like a good time to make a couple of changes!

The first, and biggest one: We're opening up recs to the general public! They'll work similar to the way that the gen recs and the not-quite-rarepair recs work - read the rules, prove that you've read the rules by submitting the password that's embedded in them, and then submit the rec. It's not foolproof, but it keeps bots away and hopefully convinces people.

We're doing this because, to be honest, two of the three people who are involved in this reclist aren't all that active on the discord this reclist is associated with, and I (Opera) think the reclist can be better if it has more voices involved, which means expanding the reccing pool.

Because of #1: 

2. We're changing the rules slightly. 

So, this reclist is anonymous. Unless you mention who you are in the comments of the rec itself, then we have no way of knowing who recced it.  Which in some ways is great! But it also means that when there's a potential issue, we can't send a quick DM to maybe clear things up.

One of the reasons why I was so hesitant about opening this up to everyone was that people tend to give people they share a community with more grace and good faith than randos, and because when there was an issue, I could put a message in the discord and - well, it didn't feel great, but at least it felt less like a call out post than putting it on tumblr where everyone can see it.

So, this is going to take some trust, but this is what we're going to do:

a. We will not allow any rec that is deemed, without a questionable doubt by the mods to be racist, transphobic, or mean spirited towards the work itself or the other works in the fandom. If the part that is racist, transphobic, or mean spirited can be excised without deleting the entire rec, we will do so. Otherwise, we'll remove it.

To be clear, we will still allow works that feature racism (for example, characters dealing with fantasy racism) or transphobia - it's that the rec itself should not be.

b. We will also remove any rec by author request. I've been hesitant to do this in the past, and we're not really equipped to ban any author from being recced, but will be willing to do so on a case by case basis.

c. When making a change, the default will be to make a change quietly. If you notice something's up, you can DM @operafloozy or @theusualjasper and we will let you know privately. I'm all for transparency, but announcing that someone was being weird on a rec on tumblr (where it can't be easily contained) is probably going to lead to bad feelings all around.

d. We're going to ask that everyone take things with as much good faith and grace as possible. I really, really don't want to remove anything, and this is asking folks who don't know the mods to trust us. I also don't want this reclist to become a vehicle of bullying or transphobia, but also I don't want people to get paranoid about their rec not being good enough or secretly transphobic somehow.

3. Also, we're putting the first ten themes back into the randomizer to be picked. It's been nearly two years, and we're down to only twelve unpicked themes. After ten weeks, we'll add the next ten themes back in, and so on.

Those themes are:

Cozy

Getting Nerdy About Magic

Professor Widogast

Culture Differences

Canon Divergent AU

Featuring Essek's Parents

Featuring Verin

Scourger/Evil AU

Featuring Astrid/Eadwulf

Wild Magic

[northern-passage]

i've shared some of Alex Freed's narrative writing advice before and i recently read another article on his website that i really liked. particularly in branching/choice-based games, a lot of people often bring up the idea of the author "punishing" the player for certain choices. i agree that this is a thing that happens, but i disagree that it's always a bad thing. i think Freed makes a good case for it here.

...acting as the player’s judge (and jury, and executioner) is in some respects the primary job of a game’s developers. Moreover, surely all art emerges from the artist’s own experiences and worldview to convey a particular set of ideas. How does all that square with avoiding being judgmental?

[...]

Let’s first dispel–briefly–the idea that any game can avoid espousing a particular worldview or moral philosophy. Say we’re developing an open world action-adventure game set in a modern-day city. The player is able to engage any non-player character in combat at any time, and now we’re forced to determine what should occur if the player kills a civilian somewhere isolated and out of sight.

Most games either:

allow this heinous act and let the player character depart without further consequence, relying on the player’s own conscience to determine the morality of the situation.

immediately send police officers after the player character, despite the lack of any in-world way for the police to be aware of the crime.

But of course neither of these results is in any way realistic. The problems in the latter example are obvious, but no less substantial than in the former case where one must wonder:

Why don’t the police investigate the murder at a later date and track down the player then?

Why doesn’t the neighborhood change, knowing there’s a vicious murderer around who’s never been caught? Why aren’t there candlelight vigils and impromptu memorials?

Why doesn’t the victim’s son grow up to become Batman?

We construct our game worlds in a way that suits the genre and moral dimensions of the story we want to tell. There’s no right answer here, but the consequences we build into a game are inherently a judgment on the player’s actions. Attempting to simulate “reality” will always fail–we must instead build a caricature of truth that suggests a broader, more realized world. Declaring “in a modern city, murderous predators can escape any and all consequences” is as bold a statement on civilization and humanity as deciding “in the long run, vengeance and justice will always be served up by the victims of crime (metaphorically by means of a bat-costumed hero).”

Knowing that, what’s the world we want to build? What are the themes and moral compass points we use to align our game?

This is a relatively easy task when working with a licensed intellectual property. In Star Trek, we know that creativity, diplomacy, and compassion are privileged above all else, and that greed and prejudice always lead to a bad end. A Star Trek story in which the protagonist freely lies, cheats, and steals without any comeuppance probably stopped being a Star Trek story somewhere along the line. Game of Thrones, on the other hand, takes a more laissez-faire approach to personal morality while emphasizing the large-scale harm done by men and women who strive for power. (No one comes away from watching Game of Thrones believing that the titular “game” is a reasonable way to run a country.)

These core ideals should affect more than your game’s storytelling–they should dovetail with your gameplay loops and systems, as well. A Star Trek farming simulator might be a fun game, but using the franchise’s key ideals to guide narrative and mechanical choices probably won’t be useful. (“Maybe we reward the player for reaching an accord with the corn?”)

Know what principles drive your game world. You’re going to need that knowledge for everything that’s coming.

[...]

Teaching the player the thematic basics of your world shouldn’t be overly difficult–low-stakes choices, examples of your world and character arcs in a microcosm, gentle words of wisdom, obviously bad advice, and so forth can all help guide the player’s expectations. You can introduce theme in a game the way you would in any medium, so we won’t dwell on that here.

You can, of course, spend a great deal of time exploring the nuances of the moral philosophy of your game world across the course of the whole game. You’ll probably want to. So why is it so important to give the player the right idea from the start?

Because you need the player to buy into the kind of story that you’re telling. To some degree, this is true even in traditional, linear narratives: if I walk into a theater expecting the romcom stylings of The Taming of the Shrew and get Romeo and Juliet instead, I’m not going to be delighted by having my expectations subverted; I’m just going to be irritated.

When you give a player a measure of control over the narrative, the player’s expectations for a certain type of story become even stronger. We’ll discuss this more in the next two points, but don’t allow your player to shoot first and ask questions later in the aforementioned Star Trek game while naively expecting the story to applaud her rogue-ish cowboy ways. Interactive narrative is a collaborative process, and the player needs to be able to make an informed decision when she chooses to drive the story in a given direction. This is the pact between player and developer: “You show me how your world works, and I’ll invest myself in it to the best of my understanding.”

[...]

In order to determine the results of any given choice, you (that is, the game you’ve designed) must judge the actor according to the dictates (intended or implicit) of the game world and story. If you’re building a game inspired by 1940s comic book Crime Does Not Pay, then in your game world, crime should probably not pay.

But if you’ve set the player’s expectations correctly and made all paths narratively satisfying, then there can be no bad choices on the part of the player–only bad choices on the part of the player character which the player has decided to explore. The player is no more complicit in the (nonexistent) crimes of the player character than an author is complicit in the crimes of her characters. Therefore, there is no reason to attempt to punish or shame the player for “bad” decisions–the player made those decisions to explore the consequences with you, the designer. (Punishing the player character is just dandy, so long as it’s an engaging experience.)

[...]

It’s okay to explore difficult themes without offering up a “correct” answer. It’s okay to let players try out deeds and consequences and decide for themselves what it all means. But don’t forget that the game is rigged. [...]

Intentionally or not, a game judges and a game teaches. It shows, through a multiplicity of possibilities, what might happen if the player does X or Y, and the player learns the unseen rules that underlie your world. Embracing the didactic elements of your work doesn’t mean slapping the player’s wrist every time she’s wrong–it means building a game where the player can play and learn and experiment within the boundaries of the lesson.

[ilynpilled]

i can fully understand the gripes with certain misogynistic tropes/writing issues that are present in the execution of some of cersei’s writing, but i will never understand the “she should have a redemption arc” or “she should be more likeable/less morally dark” perspective. that is not what her character is or has to be to make it great. wanting more female anti-heroes or “redemption arcs” with moral greyness and complexity of the level that asoiaf gives to primarily male characters is entirely understandable, but do some of you people even like cersei as a character, like at its core? like this is not about criticising the execution of certain things when it comes to this character, this is about taking issue with her as a villain fundamentally, which i just do not agree with at all

[jytan2018]

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

[3hks]

CORRECTLY Writing "Morally Gray" Characters

Want to write a hot, cool, and bad character but DON'T want he/she to come across as toxic, downright bad, or, god forbid, cringe? Well, I've got a couple of tips that may help you create exactly what you want!

1. Softness

Okay, yes we want this character to be tough and cool, but there also needs to be a certain softness, no matter how small, that comes with them. If there's someone that your character prioritizes or cares about, there has to be a point or two that it shows--a moment where they're soft only for the people that they care about. Why? Because this establishes the humanity in them. It shows the readers that your character IS human, not an emotionless monster.

2. Goals

Key to any good characters are their goals. The thing is, for this type of a character, their objectives can't be so random. They need a reason for their actions, and it needs to be valid. Usually, this is reasoned out by some kind of past epiphany, which is crucial because without it, your character doesn't have anything solid backing up their goals. We need to see where they're coming from.

Bad decisions, but for an understandable reason.

Establishing their morals is important for nearly the same reason.

Now, why is this important? Because it can pull readers to their side. As long as they understand the cause, they have a chance to follow your character's side, increasing their likeability!

3. Neutrality

Notice how this is a "morally gray" character, not a "completely evil" one. Why does this matter? Well, a trait people tend to overlook when writing these characters is the morally gray, or neutral, part. It's important to just occasionally show that your character is walking the fine line and in my opinion, a great way to achieve this is to have them help the protagonist out (instead of always fighting against them) one, or even two times!

4. Positive Characteristics

This is a very simple one, but make sure to depict a couple positive qualities (besides just being hot) of your character! Like my first point, it's pivotal to illustrate that they have some humanity, and this is an easy and great way!

Throw in a few good characteristics (I have a post with some examples of redeeming qualities for villains if you need some help), and let it show that they are still respectable!

5. Backstory

I believe that with certain characters that play certain roles in the story, explaining their backstory is a NEED for them; and this character type is no different! Introducing even a bit of their past can get the audience interested in your character. It also allows for better understanding of them and shows how they changed over time.

6. CONFIDENCE

Be confident in your skills when writing this character! To many, the idea of "cringeness" makes them second-guess how they should write. In reality, it's better to write it however you wish, because if you're confident in one moment and clearly less in another, the readers are able to sense any unexpected changes in things in your character's tones, expressions, and actions.

It's important to keep your character in, well, character. Still, there's going to be a few moments that break it, but it shouldn't be in any unnatural way.

If your character is flirty, then let them act flirty. If they mess around a lot, then let them mess around. Don't limit their actions or words just because you think some people might find it cringe!

Alright, that's it for me! What do you think? Are they valid or unreasonable?

Happy writing~

3hks <3

[lady-of-endless]

I THUNKED A THOUGHT! Because of Jotaro's stoic and reserved nature he is most likely not into PDA, HOWEVER. What if he used his stand instead? It's not public, and non standusers can't see stands!

So with that information, may I request hcs for part 3 joot giving PDA to gn s/o through Star Plat?

Jotaro showing affection with the help of Star Platinum headcanons

Author's Note: YES! I love it when some ideas I once had get requested, it feels like we're sharing the same neuron. Thank you so much for this. I love Joot and Star Plat, big cuties. I hope I got it right and you'll enjoy!

- Once you accept this type of affection, you'll discover that Star Platinum is a very clingy Stand to the ones Jotaro cares for. And Star Platinum, much like his owner, has no shame but the difference is that his Stand doesn't grasp the concept of PDA, he's just happy to be able to express his attachment to Jotaro and you.

- It starts with Star Platinum staring at you with big eyes whenever he's around you, almost scaring you as you turn around and see him like that. He is a simple warrior Stand who likes to stare at pretty things and people, don't mind him.

- From the beginning, we know that Star Platinum manifested to help Jotaro but he was rejected as a protector and pictured as an "evil spirit" instead. Seeing how Jotaro didn't accept his presence at first, Star started spoiling him by bringing everything Jotaro liked. Expect him to do that to you as well. Snacks, flowers, things he things you enjoy.

- Jotaro will scold Star Platinum for spoiling you like that but that's all. He doesn't tell him to stop though, realizing how this might be a good compensation for his lack of PDA. He can't help but sigh and let it happen.

- Star Platinum does whatever Jotaro wants and is a softie so once he gets the green light from Jotaro, get ready for affection. You won't notice it but before any move, Star asks Jotaro for permission. For example, if he wants to hold your hand, he points at your hand, looking back at Jotaro until he nods and gets the sign that it's alright to touch your hand.

- Whenever Jotaro feels his hands itching to touch you while you are in public, he'll just have to stare at you until Star Platinum understands what he has to do. He feels your warmth through his Stand's touch and he's pleased.

- Jotaro rolls his eyes at everything. He thinks that Star Platinum is going soft because of you. But guess what? Everyone knows that a Stand is an extension, a manifestation, of the soul and that only means that deep down in his soul, Jotaro craves giving you this kind of affection but doesn't allow himself to show it to you just yet.

- Star considers you a part of Jotaro since he notices how much he cares about you and how much he feels about you. So, whenever you're in danger, he's there, protecting you just like he protects Jotaro. Above all affection, you feel protection from him the most.

- Other stand users are going to be petrified when they see Jotaro's tall frame and intense look on his face next to you and a huge-looking purple Stand looming over you from behind while you're there just smiling, minding your business. You're going to have scary dog privileges with both of them.

- Star Platinum's favorite way of being around you is by having his large arms around your torso from behind. (a bit similar to the gif I attached)

- Jotaro notices that you enjoy this affection so he keeps it going in public until he's alone with you and it's his turn to be affectionate without the help of Star Platinum.

[mellosdrawings]

Aight, the Yuusona is done and posted, now my Pomefiore Oc!

Hayeli Callem

17 years old, 2nd year

Pomefiore, based on the Evil Queen's mirror

Originally from a border of the Scalding Sands

He/him

Signature Spell : Kaleidoscope Divine

-allows Hayeli to reproduce any kind of magic (even other Signature Spells) for a maximum of 15 seconds

-the stronger the magic, the shorter the time

-for other Signature Spells, Hayeli must have already seen said SS used in full without interruption

-for other Signature Spells, the original user must be in Hayeli's field of view

-Example: Hayeli can use Riddle's Off With Your Heads for about 10 seconds while Riddle is around, before the collar gets dismissed entirely.

-so far Hayeli has only ever managed to use Kaleidoscope Divine on others' Signature Spells on 5 different occasions only (one of which being Riddle's Off With Your Heads)

-Hayeli usually only uses it to copy regular spells he hasn't yet mastered, or to confuse his opponents long enough for him to run away

-Hayeli thinks his Signature Spell is useless because it has too many strict requirements

Originality? Don’t know him.

If you ask him, Hayeli will say he was probably cursed as a child, because he is simply unable to do anything on his own without having seen someone else doing it first. He always needs to copy others to achieve anything, and became so good at it that he can replicate someone’s mannerisms or handwriting in a glance. If he is around someone long enough, he can even replicate their accent. (To Vil’s horror, he is able to replicate both Epel and Rook’s accent, and he can even do mashups!)

Unlike for his Signature Spell, he doesn't need others to be around while he copies things. Once he’s replicated the skill once, he can do it again whenever (but always the very way he’s copying. Should he learn to draw from one specific person, he won’t be able to draw in any other style.)

He hides it a lot but he is constantly angry that he can never be his own person. He isn’t even sure who he IS! As far as he knows he’s just a walking, talking mirror.

OFF/ON modes

In Hayeli’s words : “The OFF mode is just when my stupid gimmick finally lets off.” When nobody is around for him to copy, Hayeli reverts back to his “natural state” which tends to be quite pessimistic and cynical. He grumbles a lot and gets frustrated regularly but at least he gets to be “him” (whoever that is) for a night. When in OFF mode he tries to do as little as possible, usually just reading novels or meditating, because every other skill he has comes from copying others.

The ON mode depends on whoever he spends the most time with. Pomefiore has a rather unique effect on his behavior. Should he stay around Savanaclaw students for any prolonged time for whichever reason though, he will naturally shift his attitude to match the more rugged and sporty behavior of beastmen. Hayeli has little to no control over his copying and regularly gets upset about it.

These days, since Pomefiore is taking a huge place in his life, he will be obviously (and obnoxiously) acting like a cliché Pomefiore student even when spending a lot of time with others.

The copying comes gradually the more time he spends with someone and takes as much time fading once he stops frequenting that person.

Random facts:

-Despite Vil's best efforts to improve Hayeli's skin, he is cursed with a heavy bout of acne and very red cheeks. Hayeli learned all his makeup skills by copying Vil and the contrast between his usual face and his makeup-ed one is so staggering people tend not to recognise him. He actually has a lot of fun with it.

-Hayeli gets regular headaches when there are too many people around him because his gimmick cannot decide on who to copy and makes ridiculous mashups.

-He has absolutely no shame cheating for tests by copying others. He was once caught by Trein.

-His pupils are naturally white and strangely shaped

-Vil has forbidden him from frequenting Azul and Sebek because he becomes the worst version of them with his copy gimmick

-He and Epel act like older/younger siblings

-His Signature Spell doesn't work on Ortho due to his robotic nature, and he has a hard time using it on Faes

-Hayeli is very eloquent and has a lot of vocabulary. Sometimes he speaks in rhymes without realizing

-He has a grand total of 16 moles on his body

[marzaid]

Time travel AU where post canon Lan Qiren travels back in time to when Wei Wuxian is 4 and has just lost his parents. Lan Qiren may hate the man (now boy), but he still follows the rules strictly and will not kill. Instead, Lan Qiren finds a 4 year old Wei Wuxian cowering in an alley hiding from dogs. He protects the boy because the rules tell him that it is his duty to do so.

There is a spiteful part of him that wants to send this boy far away. However, he reconsiders when he thinks of how the Wei Wuxian in his previous life created Demonic Cultivation when left unattended. The best way to keep the boy in line, Lan Qiren figures, is to raise him himself as a ward. Keep your friends close but your enemies closer, they say.

So that is exactly what Lan Qiren does.

Wei Wuxian is brought back to the Cloud Recesses and raised as a ward alongside Lan Xichen and Lan Wangji. Lan Qiren would prefer otherwise, but he doesn't trust anyone else but himself to control Wei Wuxian.

As time goes by, Wei Wuxian proves to be the same and different to the one that Lan Qiren knew previously. He's energetic and mischievous, carefree, with a love for teasing others. Every bit as genius and inventive as Lan Qiren knew of the boy in his previous life. However, there was a strong sense of justice that he didn't notice the last time (or refused to see, but it would take years for him to admit to himself).

And Wei Wuxian thrives in a way that Lan Qiren didn't expect. He knew that Wei Wuxian was powerful and intelligent, yet he did not realize just how so. As much as the boy loved to tease and joke around, he could also be found in the Library Pavilion studying whatever random topic caught his interest. Talking everyone's ears off on what he learned or ways that certain things can be improved upon.

It infuriates Lan Qiren to no end because many times, Wei Wuxian is right. Many times, Wei Wuxian just needs guidance to find the right direction or a different perspective. Since Lan Qiren was raising him alongside his own nephews, the people that Wei Wuxian goes to the most are them: Lan Qiren, Lan Xichen, and Lan Wangji. The latter two always happy and excited to discuss the myriad topics, while the former confused as to the feelings he's having for the boy.

Lan Qiren's sister-in-law passes, and Wei Wuxian kneels next to Lan Wangji in the snow for hours silently in comfort. It's the first indication that the boy is secretly kind and compassionate (not so much if had he paid attention the last time and rid himself of clouded judgments). It's the event that causes the two boys to be inseparable. Of course Lan Qiren is worried but, he tells himself that he will not let them marry. He will not let Wei Wuxian turn into that evil man he ended up being.

Years keep going by, and Lan Qiren finds himself slowly warming up to Wei Wuxian. He's there for many important firsts (losing his teeth, golden core formation, getting his sword, etc). He will never admit that his heart squeezed when the boy accidentally calls him A-die without thinking because he's so excited about something he's learned.

Jiang Fengmian comes to the Cloud Recesses when he finds out that Weo Wuxian is there. Desperately, he tried to convince Lan Qiren to let the boy become a part of Yunmeng Jiang. But Lan Qiren is adamant in his refusal. The boy was raised there the last time and look at how he ended up! He doesn't know that this fundamentally changed Wei Wuxian's destiny. From a tragic hero given a second chance to a free boy allowed to be happy.

The Jiang sect leader mentions during this visit that Wei Wuxian owes Lan Qiren a life debt. It's something that hadn't crossed Lan Qiren's mind. Not really. He had been raising the boy selfishly to change a horrible future. Sure. However, it was against the rules and his own morals to demand a child pay reparations to be allowed to live. He has felt the same way when Lan Sizhui, his good perfect Lan Sizhui, had been adopted into the family. To Lan Qiren, it was unfathomable to demand payment from a child in such ways.

And anyway, Wei Wuxian's genius was already making itself known. If the boy invented even half of what he came up with in his previous life (Lan Qiren crossed his fingers for no Demonic Cultivation), then the Lan Sect would be paid in full from the proceeds.

Still, years continued to creep by, and Lan Qiren began to feel pride in Wei Wuxian. He followed the rules decently well, received his punishment with little protest, and had an insatiable thirst for knowledge. The boy could be seen at any given moment debating an array of topics with seniors, elders, and peers.

When Wei Wuxian started going on night hunts with Lan Xichen and Lan Wangji, the three became known as the Three Jades of Lan. Pride bloomed even more in Lan Qiren's heart. He had successfully turned Wei Wuxian into a good and polished man. What he didn't realize was that he gave structure to a boy who needed it and didn't make him feel guilty for existing.

The Wens came and tried to burn the Cloud Recesses down but didn't succeed. Between Lan Qiren, Wei Wuxian, Lan Xichen, and Lan Wangji, the wards were strengthened, and the books copied and protected. The Sunshot campaign took longer to fight because Wei Wuxian had learned long ago of the dangers to the mind and body that it caused. He had also learned that he shouldn't rip himself apart to help others. Lan Qiren had implored the boy to never try and had used the boy's love and adoration for Lan Xichen and especially Lan Wangji to convince him.

After the Sunshot campaign, Wei Wuxian comes to Lan Qiren about the innocent Wens cultivator and noncultivator alike. By this point, Lan Qiren can agree that innocent people should not die because of selfish greed and blind prejudice. There are years of trials completed by a multisect jury. The Wen sect survives but becomes a minor sect by the time the trials and reparations are completed. Under Wen Qionglin, they focus on medicine and archery.

Wen Qionglin swears brotherhood with Wei Wuxian. It doesn't surprise Lan Qiren in the least bit. Had it been a lifetime ago, it would've infuriated him yet with all these years and direct dealings with Wen Qionglin, he respects the boy. Admires the gentleness that hides a fierce strength and sense of justice. Especially admires Wen Qing, who Lan Xichen ends up falling for and marrying. Again, had it been a lifetime ago, he would've lost his mind. Now, Lan Qiren can see Wen Qing for her genius, her directness, strictness, and her advancements in medicine.

After Lan Xichen and Wen Qing marry, Lan Wangji and Wei Wuxian approach Lan Qiren and Lan Xichen to ask about marriage. There is no denying them at this point because he knows that the Wei Wuxian of his previous life is nothing like this current Wei Wuxian (he is but Lan Qiren has no one to admit it to). And anyway, he knows the two will simply elope if denied.

It's several years later, when Lan Qiren finally sits Wei Wuxian, Lan Wangji, and Lan Xichen down and tells them a story from a lifetime ago in a forgotten timeliness that may exist somewhere out there if you believe in multiple universes (not surprisingly Wei Wuxian does). They patiently listen as Lan Qiren details everything. There is silence for a long, unbearable moment when he's finished speaking.

Eventually, it's broken by a hug from Wei Wuxian, "Thank you, A-die, for giving me another chance in this life."

"I should be the one thanking you, A-Ying," Lan Qiren says softly, himself grateful for his second life.

[crystalandrose]

Bill breaks out of theraprism and unleashes all the alt. reality pines kids that are desperate to replace the once that lived, but Also this includes Evil!Ford, which- excited to see bill is alive in this reality when bill died in his- makes a deal with bill and now its possessed evil ford vs canon ford and both think the other is an idiot that threw away their chance at true happiness/fulfillment.

(More ideas on this below)

Evil Ford thinks that Canon Ford is stupid because he 1) spent so much time in the portal and wasted most of his time (if he was gonna go against bill, why also push everyone else away, all his other relationships were worsened cause of bill so why go against him if hes already suffering consequences) 2) threw away a chance to be happy AND be recognized for his talents/heroism/etc.

Canon Ford thinks Evil Ford is stupid because 1) cannot fathom a world where he is happy with what Bill's plan was 2) Doesn't think Bill genuinely cares about him, is just using him.

"Can't you tell, you're being used!"

"What's so wrong with feeling- no- BEING useful?" *continues fighting*

An issue is that 1) people cant tell the two apart enough visually when not possessed and 2) mabel/dipper/others feel bad about beating up a guy that looks just like their uncle. Stan, not so much.

I also thought itd be interesting if Bill and Evil Ford are so in-sync that their voices both speak at times when Bill is possessing him (similar to how certain fusions in SU overlay voices, would also have similar lines like "It feels so great to be back!"). They may be evil- but they have a more stable relationship so maybe possession is more of an equal control deal.

Along with the regular journals, Evil!Ford has a golden journal with an eye on the cover that he always holds close. Its cursed so only Ford's eyes can read it (this includes canon ford!) and inside it has details about cipher, communications between the two, and more personal diary-type entries. While Evil Ford still had Bill in his mind (in his universe bill still "died" after/before/during weirdmaggedon) so they could communicate that way, Ford still let Bill take over while he slept sometimes (so that he could get more work done) and Bill would spend time looking at other realities (explaining his absences). So the book was a way to jot down communications without forgetting. So Canon ford gets his hands on it somehow (maybe they imprisoned evil ford in order to trap bill or something) and is reading trying to find a way to get leverage with Evil Ford but its like a teenage girls diary or like a note being passed in forth and its just a bunch of flirting 💀.

(An idea I had is Evil Ford put something in the book saying "to allow other eyes to see, recite this aloud" and ford- sleep deprived staying up trying to find answers in the book- gives in and recites it so others can help. But upon reading it a glitter explosion happens and the words "LOL YOU THOUGHT STEALING MY EYES WOULD WORK?" either pop up or are said. Evil ford in the cell laughs and said that was a trap for eye-thieves and he never even thought alternate fords eyes would be a problem.)

Last thing: Given that the canon universe is the only one where Dipper and Mabel survived maybe?, Evil Ford's Dipper and Mabel died while Ford was away. Evil Ford feels guilt, worrying if it was somehow his fault for not returning to GF sooner or prioritizing protecting his family (he believes/did make a deal with Bill that his family would be spared). So when he sees the Canon twins, he stumbles and stutters a bit in his resolve. He can't bring himself to go against them, only when he is possessed by Bill is his body able to not hold punches. (Maybe canon bill and evil ford's bill are a bit different, and during possession evil ford realizes this and is worried).

[gam8ligant]

Isofic, a New Term for Fictionfolk

[PT: Isofic, a New Term for Fictionfolk /End PT]

I've been looking for a way to communicate my belief system for a while now, and I've landed on creating my own term.

[ID: A flag in muted colors. It has an orange stripe on top and a yellow stripe on bottom. The stripes are even and there is a blue rectangle overlayed over the center. The rectangle appears transparent. /End ID]

The contrast of the yellow and orange stripes represent the difference between fiction and reality, while the rectangle represents how fictionfolk fit inside that balance perfectly.

Derived from iso- (equal) and -fic (fiction) (basic I know), "isofic" (eye-so-fick) is a way to describe people and ideas that follow this line of thinking:

Fictionfolk* should be allowed to exist as themselves without being accused of being "anti-recovery," "promoting delusions," or "being unhealthy."

Fictionfolk should be allowed to choose for themselves how they want others to talk about them and how they talk about themselves. It should be considered a natural, or even expected occurrence for fictionfolk to dislike terms such as "kintype" and "kinning" and being reffered to in third person.

The proximity of fictionfolk to their fictionselves should be dictated only by the person. Fictional identities should be believed regardless of how "similar" they are to their fictional/past self, and the only scenario in which someone should be told they are not a character is when they themselves have said so.

This is more of a summary of the three beliefs above, but it covers a lot of bases I cannot: Fictionfolk ARE fictional characters in every sense of the word. Again, it's totally appropriate to view it differently on a personal level, but mostly we are all the people we say we are. We are ourselves the same way Mitsuki Miyawaki is Mitsuki Miyawaki.

All views of fiction by fictionfolk are valid. Examples include media being a biography of your life, jumping out of the media into the real world, ect.

This is where it gets controversial: Fictionfolk deserve to have the most important voice when it comes to discussion of ourselves. I deserve to be listened to when I say someone's headcanon about me is wrong. I am not advocating for all creativity of this manner to be stopped. For example, if someone headcanons that I don't like apples and I say "I actually do," it's totally okay to me if they go "oh cool. I'm still going to pretend you do." Where it becomes an issue is when they decide to say "that's not true because I said so."

Likewise, things like this need to be treated as potentially triggering content. I don't want the enforcement of "if you don't tag your headcanons you're EVIL" or some bullshit like that, I just believe it needs to be recognized that these things can hurt people! For example, if you already have a trigger tagging system, it should be normalized to add the "not fictionfolk safe" tag to that.

This is going to sound highly specific, but all of these principles apply to media as well. If a character is fictionfolk-coded, then they are the character they say they are within the media! Can you tell my fandom is super gross about me? Lol.

*Fictionfolk, for the purposes of this coining, refers to fictional characters regardless of origin. This is different from the actual definition of fictionfolk, which includes fictional species, places, plants, and concepts, and includes experiences such as relating to these things rather than just being them.

There are also some beliefs that are not explicitly related to fictionfolk, but still need to be touched on.

Species dysphoria is real and dangerous, and should be treated with the same level of gravity as gender dysphoria.

Referring to alterhumans improperly should be viewed similarly to how misgendering is viewed in that it needs to be acknowledged that it's deeply disrespectful and due to species dysphoria should not be taken lightly.

Alterhumans may not be systemically oppressed on the basis of being alterhuman by itself, but we are oppressed on an individual level. Additionally, some forms of alterhumanity are systemically oppressed, for example endels, clinical zoanthropes, systems, and more are often subjected to incarceration.

Following the model of queerness as a deviation from the norm rather than specifically meaning "LGBTQ+," alterhumanity is queer.

Alterhumanity should not be censored or gatekept from good faith actors. However, those considered KFF are absolutely not good faith actors.

Any attempt to water down alterhumanity is unwelcome, no matter if it's a TikTok user saying "Therians know they're human" or a Tumblr user "setting healthy limits for alterhumanity."

Everything should always be based on someone's own perception of themself as long as it doesn't hurt anyone else.

I know that's a lot, so feel free to comment if you have any questions!

[here-there-were-dragons]

there’s something deeply wrong with the fact that if i just simply decided to walk around everywhere on all fours all day, and did absolutely nothing else differently, i would be guaranteed to have the cops called on me and be put back in a psych ward with at least 5 new diagnosis by the end of the day.

walking around on all fours isn’t even something i do or would want to do. it would destroy my arthritic-ass spine. but there’s something deeply, rage-inducingly fucked up about the fact that even something that small is enough for this society to deem it morally acceptable and necessary to dissapear you into fucking conversion therapy torture jail indefinitely and saddle you with life-ruining legal tags forever “for your and everyone’s safety”!

just commenting on this as being fucked up could very easily be enough to get me the same treatment if someone decided they wanted to! it’s not like anyone’s going to stop some psych person from deciding that this is totally real undeniable freudian slip 100% true we promise you guys evidence that i’m some kind of feral mentally degenerate personimal mindlessly beholden to some illogical instinct to crawl around and bite good normal god-fearing real people because CLEARLY you’d have to be crazy yourself and/or want to DO the thing yourself to defend this UNCOMFORTABLE THING, right? nobody could just think it’s fucked up how we treat doing (abnormal thing) without being a Secret Monster themselves, REAL people obviously know unquestioningly why it’s bad, you just want to be allowed to give in to your corrupted malformed wrong EVIL base instincts that you definitely have (INSTEAD of a conscious mind with any valid logical thoughts or worthwhile human experiences in it) because i said so and i’m The Expert so everything i say is true and right!

i can’t even figure out where to fit in the bit about how fucked it is that if you did anything “abnormal” like that literally everyone automatically assumes you’re going to be dangerous and violent about it. that if someone decides to go around on all fours then CLEARLY they’re going to randomly bite GOOD HEALTHY NORMAL REAL people for no reason. it’s like people can’t comprehend the idea of any even slightly deviant behavior that isn’t violence and just assume if anything even slightly weird’s going on it’s moving in the direction of mindless bloodshed-of good normal people’s blood, especially, personally, obviously. human-shaped things come in “actual person” and “mindless rabid horrordemon that desires only real human’s blood and pain” and as far as they’re concerned everything that even slightly inhabits, leans towards, or vaguely reminds them of the second category is functionally identical and will inevitably attack real humans the same way-for literally no reason beyond a cosmic ontological sort of Wrongness and Emptiness Of Real Thought And Soul-if allowed to exist in their field of view longer than thirty seconds.

[jyoongim]

Hi! Do you only do romantic pairings for Alastor? I was hoping to request something platonic so if that's not your things please ignore me!

I just wanted a fic to see Alastor confessing to reader that they are in fact a very dear friend to him (with the same energy of a sweaty palmed anxious school boy confessing to his crush) I just think it'd be adorable.

(I also just like imagining his fluffy wittle ears going flat against his head due to nerves without him even noticing) (god if evil why so fluffy)

Answer: I haven’t written many platonic (only one) but i am not against trying to do so. This is VERY short, but i still think it was cute

If you laughed, he was going to kill you was your thought as you watched Alastor clumsily stumble over his words.

What had gotten into him?

The Overlord was usually calm and confident. 

But now he has the aura of a sinner sitting in the holiest of holies.

Alastor was nervous; anxious and jittery, All that charm and wit out the window now that he is trying to tell you something.

From anyone else’s point of view, this would like that the sinner is about to proclaim his love for you and run off, but it was not that at all.

Alastor had invited you to dinner and hoped that he could show you how much he appreciated you being his…friend.

Yes. Friend. Like Mimzy girl tried to use pookie and Rosie.

Alastor considered you a dear friend and he wanted to tell you that.

But here he was, hot and sweaty like a boy telling his sweetheart she was beautiful,  it almost made him want to disappear.

But Alastor was not a coward.

”My dear, I arranged for us to have dinner to show you how much I appreciate you” ok so far so good.

You smiled, tilting your head ”oh? But I haven’t done anything special to raise such an occasion”

Your eyes swept over him, concern building on your face. You have been around Alastor long enough that you know when he’s feeling a bit uneasy. Sign #1? his ears.

The tuffs of red, which usually stood proud, are now flat to his head.   They’ve been that way since he started talking.

“Now now you don’t have to have done something special to be appreciated…let’s call it more like a ‘thank you’ ”

”Thank you? For what?”

He cleared his throat, eyes darting away from you, taking a deep breath “For being a friend to me” he said lowly, radio filter gone.

Your eyes widened. A soft smile cracked your face as Alastor looked away,  frustrated and blushing.

You giggled causing him to look at you, ears perked 

“Oh Alastor! Is that what you’ve been nervous about? Haha”. You beamed at him, reaching across the table to grab his sweaty hand to smooth him.

”We have always been friends. I know YOU like to decide such things, but we’ve been friends since you killed that creep”

Alastor blinked, and before your very eyes his charm was back,

He gave a toothy smile at your touch. You were one of the few people allowed to do so and it didn’t repulse him.

He found your touch to be quite soothing. He doesn’t remember when he started considering you a close friend, but he know that you don’t care if you ramble about different topics. He find it endearing that you are very jumpy, but don’t quiver at the sight of him, you’re stubborn and always give him a piece of your mind.

He first thought you were insufferable, but somehow you were always right by his side.

His favorite thorn.

He felt a soft hand petting his ears, and glared at you

You laughed “For someone in control, your ears sure do tell alot”

Oh he was sooo going to kill you.

[darklinaforever]

All the posts being horrified at people shipping Edwin with the Cat King make me laugh.

The delirium of being alarmed because the Cat King would be an adult and Edwin a minor kills me with laughter.

Edwin is certainly a 16 year old ghost, but... it's all in his description. A ghost. And he's been a ghost for a long, long time.

Are you telling me that he hasn't had time to evolve in all these years, and especially since his traumatic stay in hell ?

A little logic please. Edwin does not remain at the same point as when he died, frozen forever. He’s a character with an arc and development. And then, you're not telling me that Edwin behaves like a typical immature teenager ?!

And the Cat King may be thousands of years old but he behaves very immature most of the time. In fact, you could even say like a teenage form. Objectively speaking, he does not appear morally very different from the other official adolescent characters in the show.

And then, this kind of consideration of age will always make me laugh, when we are essentially talking about two supernatural beings ! Conclusion : We don’t care about their age difference !

And let's not even talk about those who are angry with this bracelet story, while I still point out that it was literally a punishment for Edwin having performed an equivalent in terms of spell on one of his cats, with Edwin having himself been quite condescending about this / these animals about how they all look alike to him.

The bracelet is a consequence and punishment for Edwin's actions.

It's not for nothing that the Cat King tells Edwin exactly the line he told him about not seeing the evil in a little spell.

Then... accusing the Cat King of being a sexual and other abuser, as well as a potential rapist... Wtf ?

Already, it's forgotten that clearly, during the scene and all the others where the Cat King tried to seduce Edwin... Well our dear ghost seemed more than appreciative.

For those who don't understand, the Cat King is literally what allows Edwin to finally embrace his sexuality ! Without Cat King, probably no love confession to Charles !

And in fact, it's a good thing that Cat King was interested in Edwin and showed interest in him, tried to seduce him, etc. It's not negative in his purpose. Edwin is this guy who is quite stuck while the Cat King is very extroverted and helps to unblock our ghost.

It makes me laugh even more to see all these people screaming in defense of Edwin, his physical integrity, etc, while our ghost boy... well he clearly wouldn't have been against kissing the Cat King and maybe even more at the beginning.

Need to watch their scenes again properly... Edwin's body language doesn't show that he's uncomfortable.

Okay maybe he is, but in the sense that the Cat King reminds him of his lack of experience, but beyond that, very clearly, in general, around the Cat King, (except when he takes the appearance of Charles, obviously he feels uncomfortable in that moment) Edwin seems simply extremely attracted to the Cat King / receptive to his advances :

Same with all those people being mad that the Cat King forced Edwin to tell the truth.

I repeat... THIS IS SUPPOSED TO BE POSITIVE FOR EDWIN ! THIS ALLOWS HIM TO EVOLVE ON HIMSELF !

I'm not saying that the Cat King behaves morally (as for offering Edwin to sleep with him in exchange for his freedom before offering to count the cats, or forcing him by magic to reveal what he really thinks), not at all. He is clearly a form of antagonist / anti-hero, neither good nor bad, and finally rather neutral in the plots of the show.

But this character and actions essentially only serves the positive evolution of Edwin's character regarding everything related to sexuality, but not just that, also his emotional relationships with other men AKA Charles. Again, without the Cat King Edwin probably wouldn't have confessed his feelings to Charles. So the Cat King essentially allows Edwin to fully embrace who he is as an individual, his complete identity.

And it's nothing new that a morally questionable character with morally questionable actions has this kind of role in relation to the protagonist.

Seriously, the antagonist who allows the hero's sexual awakening, as well as its deepening on itself is as old as time. Even more so when this antagonist and hero share similar characteristics such as their loneliness.

Besides, it's not for nothing that the first real kiss that Charles gives himself to someone is to the Cat King (especially after all this talk about kissing and Edwin finally understanding their appeals), even if it's on the cheek that still a kiss. A second kiss more precisely, which he gives on his own and which is much better than his first with the crow.

Crying foul about this makes me wonder what universe these people who are complaining live in as for the codes of fiction. Again, people who cannot see beyond the surface should not be allowed to open their mouths.

[thrashkink-coven]

Special reminder to all the new Luciferians that forgot that he is the adversary, yeah, he’s gonna fuck with you FOR FUN.

If you’ve been working with Lucifer for a week or so and have started getting “conflicting” messages, you are not alone 😩. Lucifer loves to test us, he loves to see how deep our values go. He will purposely say things you disagree with or it would seem like he would disagree with just to fuck with you. This dude LOVES to debate.

For example, a large part of my relationship with Lucifer involved coming to terms with my neurodivergency. For weeks we were working on accepting my limits, being aware of my disorders and having patience for myself. But during a meditation I got the very strong message from him “People with mental illnesses are just looking for an excuse to be lazy”

and I was like ????? what the fuck???? No they’re not??? You fucking idiot???? Who am I talking to right now???? And he was like “yes and anyone who claims to have a disorder without a diagnosis are just looking for attention. Prove me wrong if you think differently”

and I blew up, providing so many arguments for why he’s wrong and why that stance is so stupid, and eventually after a while he was like “Hm… that’s interesting. I guess you’re right. Now that we’ve established this I guess we won’t need entertain the idea anymore”

and any time after that, when I was having self doubts, maybe I’m just faking it for attention, maybe I’m just lazy, Lucifer has been like “OH! So I guess I WAS right!” and I’ve been like NOOO!!!!!! YOURE WRONG!!! THE ENTIRE IDEA IS STUPID AND I WONT LET YOU TELL ME OTHERWISE!!!

and Lucifer will then be like “Oh, good then. Don’t let you tell you otherwise either”.

He will press your boundaries, even if only to make sure YOU know where your boundaries are. When writing a spell together Lucifer has been like “yes, we will also need to sacrifice a cat”

and I’ve been like “wtf no we’re not sacrificing a cat why the hell would I do that”

and he’s responded “Because I said so. You will obey my order without question.” (again, extremely out of character, this is a test’!)

until I finally put my foot down and say “I don’t care who or what you are, doing this goes against my core values and I will not abandon those for you or anyone. With all due respect I refuse to do this task”

and Lucifer will be like “I’m just fucking with you, I really liked the way you stood your ground against me though, that was very hot”

and for even less obvious things, Lucifer will test you. He wants to know why you think the things you think. We recently had a very long conversation about the concept of Pedophilia. Super uncomfortable, a conversation I didn’t know we’d ever have, but it was important. He starts by asking me if pedophilia is wrong. Um what??? Obviously???

“Why is it wrong? Explain your reasoning.”

Well because it hurts kids.

“What about non offending pedophiles? What about pre offending reformed pedophiles?”

You don’t have to have the answer to those questions, but you must understand that the answers to those questions matter, even though they are incredibly uncomfortable. Are there evil people? Do evil people deserve empathy? What is an evil person? I don’t like thinking about that, that’s the reason why I don’t have an answer. Lucifer will force you to come to that answer.

“How do we conduct a society where we prevent pedophiles from hurting children without creating another form of discrimination? Do you believe pedophiles deserve empathy? Do they deserve to die? How do we deal with murderers and rapists without becoming murderers and rapists ourselves? How do you console yourself with the reality that some people genuinely enjoy evil things? If you were the Emperor of Hell, how would you manage all the most wicked people who have ever lived? Why is incest bad? Why is murder bad? Do racists deserve to die? Do war criminals deserve to die? Who should be allowed to determine who deserves to die? How far does your empathy extend to people who have done horrible things? How does your moral compass navigate these complex scenarios? What is right and what is wrong? Why do you believe the things you believe?”

There will be times when it seems like he’s trying to do everything in his power to just disagree with you. It’ll seem like he’s leading you to argue with him, and that’s exactly what he’s doing. He’ll ask you questions that should seem like common sense. He’s establishing that not only is it okay to disagree with him, but that at times, he will force you to, to ensure that you are not deriving your own personal values from “whatever God tells you”. He will lie to you, just to see if you’re able to identity a lie. He will say things that he obviously doesn’t believe, only to hear why YOU don’t believe it. It’s important to be firm on your boundaries even if your God is pushing them. You should not be afraid to disagree. You should not be afraid to disobey if it is important to you. Lucifer is not a Shepard and you are not a sheep. You need to understand your own morality alone, without God, without a cheat sheet telling you the answers. and you need to be firm on those. To the point that if God Himself told you differently, you wouldn’t budge.

So if you’ve started working with him recently and are confused as to why he suddenly started saying things you disagree with, investigate what he may be trying to get across. You’ll learn a lot more about yourself.