#performance support examples

[lokimobius]

"Listen. That wasn’t tactical. I lost it." LOKI S02E02 “Breaking Brad”

[pa-pa-plasma]

okay wait real talk do you guys not know that the straw hat badges were free. like. those didn't cost any money. it's why you keep seeing people (like me) with 50 of them. it's not "boot licking" to have them because they were free of charge. $0. & the series has genuine queer rep based on real people the author knows. so like. do you actually care about trans people or do you only want to look like you care by making "if you have 50 straw hat badges i won't listen to you" memes

[frog-wash]

I think it's very telling how some of u invisibilize transmascs regularly and think it's ok because u think some transmascs are annoying

[drdemonprince]

The data does not support the assumption that all burned out people can “recover.” And when we fully appreciate what burnout signals in the body, and where it comes from on a social, economic, and psychological level, it should become clear to us that there’s nothing beneficial in returning to an unsustainable status quo. 

The term “burned out” is sometimes used to simply mean “stressed” or “tired,” and many organizations benefit from framing the condition in such light terms. Short-term, casual burnout (like you might get after one particularly stressful work deadline, or following final exams) has a positive prognosis: within three months of enjoying a reduced workload and increased time for rest and leisure, 80% of mildly burned-out workers are able to make a full return to their jobs. 

But there’s a lot of unanswered questions lurking behind this happy statistic. For instance, how many workers in this economy actually have the ability to take three months off work to focus on burnout recovery? What happens if a mildly burnt-out person does not get that rest, and has to keep toiling away as more deadlines pile up? And what is the point of returning to work if the job is going to remain as grueling and uncontrollable as it was when it first burned the worker out? 

Burnout that is not treated swiftly can become far more severe. Clinical psychologist and burnout expert Arno van Dam writes that when left unattended (or forcibly pushed through), mild burnout can metastasize into clinical burnout, which the International Classification of Diseases defines as feelings of energy depletion, increased mental distance, and a reduced sense of personal agency. Clinically burned-out people are not only tired, they also feel detached from other people and no longer in control of their lives, in other words.

Unfortunately, clinical burnout has quite a dismal trajectory. Multiple studies by van Dam and others have found that clinical burnout sufferers may require a year or more of rest following treatment before they can feel better, and that some of burnout’s lingering effects don’t go away easily, if at all. 

In one study conducted by Anita Eskildsen, for example, burnout sufferers continued to show memory and processing speed declines one year after burnout. Their cognitive processing skills improved slightly since seeking treatment, but the experience of having been burnt out had still left them operating significantly below their non-burned-out peers or their prior self, with no signs of bouncing back. 

It took two years for subjects in one of van Dam’s studies to return to “normal” levels of involvement and competence at work. following an incident of clinical burnout. However, even after a multi-year recovery period they still performed worse than the non-burned-out control group on a cognitive task designed to test their planning and preparation abilities. Though they no longer qualified as clinically burned out, former burnout sufferers still reported greater exhaustion, fatigue, depression, and distress than controls.

In his review of the scientific literature, van Dam reports that anywhere from 25% to 50% of clinical burnout sufferers do not make a full recovery even four years after their illness. Studies generally find that burnout sufferers make most of their mental and physical health gains in the first year after treatment, but continue to underperform on neuropsychological tests for many years afterward, compared to control subjects who were never burned out. 

People who have experienced burnout report worse memories, slower reaction times, less attentiveness, lower motivation, greater exhaustion, reduced work capability, and more negative health symptoms, long after their period of overwork has stopped. It’s as if burnout sufferers have fallen off their previous life trajectory, and cannot ever climb fully back up. 

And that’s just among the people who receive some kind of treatment for their burnout and have the opportunity to rest. I found one study that followed burned-out teachers for seven years and reported over 14% of them remained highly burnt-out the entire time. These teachers continued feeling depersonalized, emotionally drained, ineffective, dizzy, sick to their stomachs, and desperate to leave their jobs for the better part of a decade. But they kept working in spite of it (or more likely, from a lack of other options), lowering their odds of ever healing all the while. 

Van Dam observes that clinical burnout patients tend to suffer from an excess of perseverance, rather than the opposite: “Patients with clinical burnout…report that they ignored stress symptoms for several years,” he writes. “Living a stressful life was a normal condition for them. Some were not even aware of the stressfulness of their lives, until they collapsed.”

Instead of seeking help for workplace problems or reducing their workload, as most people do, clinical burnout sufferers typically push themselves through unpleasant circumstances and avoid asking for help. They’re also less likely to give up when placed under frustrating circumstances, instead throttling the gas in hopes that their problems can be fixed with extra effort. They become hyperactive, unable to rest or enjoy holidays, their bodies wired to treat work as the solution to every problem. It is only after living at this unrelenting pace for years that they tumble into severe burnout. 

Among both masked Autistics and overworked employees, the people most likely to reach catastrophic, body-breaking levels of burnout are the people most primed to ignore their own physical boundaries for as long as possible. Clinical burnout sufferers work far past the point that virtually anyone else would ask for help, take a break, or stop caring about their work.

And when viewed from this perspective, we can see burnout as the saving grace of the compulsive workaholic — and the path to liberation for the masked disabled person who has nearly killed themselves trying to pass as a diligent worker bee. 

I wrote about the latest data on burnout "recovery," and the similarities and differences between Autistic burnout and conventional clinical burnout. The full piece is free to read or have narrated to you in the Substack app at drdevonprice.substack.com

[changes]

New: Search operators for better searching!

We hear you, and we share your frustrations: it’s hard to find a specific post. You know it has a particular tag or phrase, and it was posted on this date, or at least, within a specific year. But you can't find it!

So, today, we’re excited to announce that you can use ✨ advanced search operators ✨ in the search bar now! You can now say potato from:staff year:2021 to easily enjoy that video of a potato being microwaved again.

Before we jump into the details, a couple of caveats to note:

These search operators are only available in the main Tumblr search bar. They don’t work in the search bar in individual blogs.

The search operators only work on posts created in 2017 or later.

OK! Let’s go explore these operators!

Exact phrase match

When you surround your query with regular double quotes (not curly quotes), it will match posts with that exact phrase in the post's text content, or that exact phrase as a tag.

For example, "chappell roan is roan of arc" matches posts with that exact phrase in the content, and also matches posts that have the exact tag #chappell roan is roan of arc.

Match operator

By default, the query matches the post on either the text or the tags.

You can use match:text to specify you want to search the post content, or match:tags to search the post tags. For example:

sword world match:text looks for posts with the words "sword" and "world" in the post content.

sword world match:tags looks for posts with the words "sword" and "world" in the post tags.

From operator

Use from:blog or from:@​blog to find only posts by a particular blog.

For example, halloween from:staff finds all posts by @staff that has the word "halloween" in the post content or tags.

Year operator

Use year:YYYY to find posts from a particular year.

For example, halloween year:2019 finds all posts from 2019 that has the word "halloween" in the post content or tags.

Date operator

Use date:YYYY-MM-DD to find posts from a particular date.

For example, halloween date:2019-10-08 finds all posts created on October 8, 2019 that has the word "halloween" in the post content or tags.

All together

You can combine all the tools above to form even more specific queries:

Congrats! You’re now a Tumblr search wizard! 🪄

Other syntax

As a reminder, you can already search by a tag, or by multiple tags:

Prefixing your query with # performs a tag search — that is, it will find posts with that exact tag. For example, #star wars will only return posts with the #star wars tag.

You can search for multiple tags at at time. For example, #star wars #art will find posts that are tagged with both the tag #star wars and the tag #art.

You can combine this with the new operators to find what you are looking for!

A guide on how to use the new operators has also been added to our Search and Filtering Basics Guide.

Tumblr Patio support

The enhanced syntax makes Tumblr Patio even more powerful. You can now open multiple search columns each with different fine-tuned queries that use the syntax above to get you customized feeds.

Feedback

We’d love to hear what you think! Please share your feedback in the replies and reblogs of this post, or by reaching out to Tumblr Support.

[vintage-bentley]

Thinking about the time in high school when a friend was joking about hating the Amish, and I, not knowing it was a joke, unironically agreed saying that I hated the way the culture treats women. All my friends literally got up and left me at the table because I guess hatred of patriarchal religion was where they drew the line?

[crossdevverse]

Why SwiftUI Should Be Your First Choice for iOS Apps in 2024 | Elite Iphone Devs

Learn about the reasons why SwiftUI stands out as the premier framework for iOS app development in 2024. Compare its simplicity in design and layout, superior performance, capabilities in user interaction and animation, cross-platform compatibility, robust testing tools, anticipated future trends, strong community support, and proven real-world successes. Make an educated choice to adopt SwiftUI and streamline the development of your apps while ensuring they are future-proof.

[mcmansionhell]

new jersey "19th century" "eclecticism"

It's always funny to me when new wealth tries to imitate old wealth, but in a very specific way: by trying to reproduce old ways of building that are no longer viable via mass produced building materials and contractors who are better than average but still not quite in the legion of the bespoke. It's rarely the case that houses are fully "custom" these days -- the amalgamation of all the different parts in a new formation is the "customization" at work. As we can see in this example, this is a truth that is often covered up by excessive decorating.

This 5 bedroom, 6.5 bathroom house, built in 1997 (shocker) will run you an extremely reasonable $3.5 million big ones, but I say extremely reasonable because it wants to be a $10 million house but doesn't quite get there - after all, it's made with drywall. The architectural style is not really anything in particular -- though the front entrance would like to recall the Tudors. Really it is trying to emulate an existing pastiche style, namely the eclecticism of the 19th century. It also doesn't do this well.

No stately manor is complete without dueling staircases. Also, I don't know how to explain it, but every room in this house longs to be a bathroom. Or a powder room. A really big one. It's probably the floor, and the wallpaper. This is just the appetizer for the main attraction:

Jules Verne larping is so rare in McMansion Hell that you have to commend them for trying. I'm kind of obsessed.

This room is so important to me. It's like if an Olin Mills (dating myself here) set was an entire room. A sense of watching someone in one's own house, performing "dinner." Also I would slay as the swan knight, I have to say, so I get it.

What happened to baskets hanging from the ceiling and powder blue walls and porcelain lined up on the picture rail?

I have seen columns terminating into soffits that would make Scamozzi cry.

In Big America bathing and lavishing is a spectator sport.

Ok, again, the palette of this house is basically The Polar Express mixed with a very bizarre hotel lobby.

The chimney hole is sending me because that does appear to be a working chimney. Like, can you see the smoke come out? Who knows!

Anyway, happy Thanksgiving to everyone, and I'm especially thankful to the folks who sponsor me on Patreon! If you want to see more scenes from this house, that's the place to do it!

If you like this post and want more like it, support McMansion Hell on Patreon for as little as $1/month for access to great bonus content including a discord server, extra posts, and livestreams.

Not into recurring payments? Try the tip jar! Student loans just started back up!

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.

[kaijutegu]

Aug ABSOLUTELY deserves the praise, @ryukikit. St. Augustine Alligator Farm is one of my favorite animal facilities, hands down. It's a pretty zoo, doable in an afternoon if you kinda like crocodilians, or an all day affair if you REALLY like crocodilians. Here are my favorite things about it and why I think it's worth supporting.

1. They keep animals in interesting social groups.

Crocodilians are heavily involved parents, but most places that breed them don't have the enclosure space to let the babies stay with the parents. St. Augustine does. One of my favorite groups was their crèche of slender-snouted crocodiles. They had the parents and then a yearling cohort and a new hatchling cohort. This aligns with how these guys live in the wild- the babies stick around longer! They have the space for it, and they are very in tune with the social needs of their animals.

Very, very few zoos can keep their baby crocs with the adults and still perform maintenance and animal health checks safely. This doesn't mean these facilities are bad- it just means that they have different management practices. And frankly, a lot of these species aren't frequently bred elsewhere. Your average zoo doesn't need a setup where you can have a multiyear crèche for slender-snouted crocodiles. Some species have better success when the young are pulled early, and some zoos are better set up to raise out any offspring separately or behind the scenes. Every facility's practices are different, and this just happens to work well at St. Augustine and be really enjoyable to see as a zoo patron.

Crocodilians are exceptional parents and very protective. It's a sign of incredible animal management practices and animals that feel very comfortable with staff that St. Augustine can do this with nearly every species they breed.

2. They understand the social needs of their animals.

Some crocodilians are social. Some are solitary. Some can live happily with a member of the opposite sex but get territorial around members of the same sex. St. Augustine pays incredible attention to their social groupings to ensure that they aren't just meeting the animals' physical health needs but their social needs as well. They do continuous scientific research about social structures in crocodilians, taking blood samples to test stress hormones and observing stress behaviors to see how group dynamics change.

For example, St. Augustine is home to one of the world's largest known living saltwater crocodiles, Maximo. And his comparatively tiny mate, Sydney. During the educational presentations with these two, they point out that even their monster of a croc needs his social group- he won't eat if she's not around and he is calmer during medical checks if he can see her. These animal share a deep and special pair bond, and they make sure to talk about how the social aspect of these animals' lives is integral to their care. It's a unique aspect of the way they talk about these animals, because he IS a spectacle and he IS a sensation, but they don't talk about him like he's a mindless killing machine- they talk about him like he's a big, complex predator with social needs like any other animal. Aug is the only facility I've been to where the emotional and social needs of crocodilians is part of the education they provide guests- and speaking of education...

3. Their demos and presentations are extremely good.

The presentations at St. Augustine are some of the best I've ever seen, and I've seen literally hundreds of animal talks on everything from aardvarks to zebras. But as you... can probably tell from my blog content, I've spent a lot of time learning about and working with reptiles. I really enjoyed all of their presentations because they are very scientific about things and avoid sensationalism. They really want you to be fascinated by these creatures and love them- but more than anything else, they want you to respect them.

Also, they do a really good job handling their ambassadors. I really enjoyed something as simple as watching an educator tell us about snakes. Throughout the whole presentation she made sure that most of the snake's body was looped in her hand. The snake was always supported and was very calm. She gave the snake plenty of head room so that it didn't feel constricted- it was just good handling all around.

But also, the presentations made it clear how much the park cares about the animals' well-being. When they do the feeding and training presentations, they make it very clear that the animals' participation is entirely voluntary. They do things differently for their 9-foot saltie and their 16-foot saltie, because the 16-footer is so large and heavy he actually struggles walking on land sometimes. They adapt their programs and his care to ensure that he's completely comfortable- and he didn't actually participate in the whole feeding when I was watching! At no point did they try to push him into anything uncomfortable; they offered, he didn't engage, and they moved on. It was a clear expression of his boundaries, and I really appreciated how much his caretakers respected that.

4. Ethical Interactions

I've been to... a lot of tourist locations in Florida that have animals you can hold. Almost always against my will! Many of them are pretty terrible, and you don't actually learn much, if anything. But I really found that to not be the case at St. Augustine. Every single animal presentation and interaction opportunity was accompanied by education about the animal's biology, habits, and- crucially- their conservation status.

When I held a baby alligator at St. Augustine, the proctors- there were two, one to ensure I was holding the gator correctly and the other to educate- were very informative about the role alligators play in their ecosystem and their conservation history. The animals were all properly banded, and one of the two proctors was there to ensure that none of the baby alligators were uncomfortable. As soon as they started getting squirmy or tense, they were removed, unbanded, and taken to an off-exhibit area to relax. And when the babies age out of petting size, they just go in the lagoon to live with others of their species. I saw one upset alligator the entire time I was there, and he was clearly upset that his escape attempt was foiled by a keeper during my nursery tour.

Even though he's restrained in this shot, you can see that his full body and tail are supported, and the grip, while firm, is gentle. He's distressed, but after I took this picture, she put him in his enclosure and he calmed down immediately.

Sometimes when you have petting attractions with baby animals, those animals... don't have a happy ending. (See: cub petting.) But St. Augustine's program is fine- the gators are all aged out of wanting to have mom around, there's no declawing/defanging, and they're handled with care. And it's worth it, because people love what they understand. St. Augustine was integral in raising public awareness about alligators back in the 60s when they were endangered, and now they're thriving- largely in part to programs like St. Augustine getting people to care.

And speaking of getting people to care, let's talk about their research.

5. Shared Research Results

St. Augustine is also home to more species of crocodilian than anywhere else in North America- all of them, usually. (They didn't have a Tomistoma when I visited- that may have changed.)

Because of this species diversity, it's an incredible research resource. Having every species means that you can do a lot of work comparing their behaviors, their growth patterns, and more. They've been a major research site for crocodilian biology since the 1970s. Today, they're one of the key sites for studying crocodilian play and social behaviors. They actually maintain a blog where they post copies of papers that were written using their animals, meaning that you can actually see the results of the research your admission helps fund. You can see that right here: https://www.alligatorfarm.com/conservation-research/research-blog/

All of this adds up to a zoo that provides a unique experience, tons of actual education, and transparency about what its research and conservation steps actually are. St. Augustine's come a long way since its opening in 1893, and they really do want you to leave with a new respect for the animals they care for. Ultimately, if you're a fan of reptiles, you can feel good about visiting the St. Augustine Alligator Farm- their care and keeping are top of the line, they do a ton of innovative conservation research and support for conservation organizations, and you can see this animal there:

(Gharial from the front. Nothing is wrong with her that's just what they look like from the front.)

[dailymanners]

Compliment someone on one of their personality traits 

Write a handwritten card to someone to say thanks

Text a friend to share your gratitude for something they did for you

Leave a positive review online of a restaurant you like

Tell a friend what you love about their children

Compliment a photo someone posts on social media

Let someone cut in front of you in line

Introduce two people who you think would get along

Pick up trash on the ground and put it in the garbage

Compliment someone on their clothing or hair

Use old grocery bags to pick up dog poop you see on your neighbor's lawn

Shovel snow off the sidewalk in your neighborhood

Offer to mow the lawn for an elderly neighbor

Give up your seat on the plane to let a couple sit together

Talk to someone at a party that doesn’t seem to know anyone

Invite someone new in your town to a social event and introduce them to everyone

Invite a friend that you haven’t seen in a while out to lunch

Offer to pick up a friend at the airport

Reach out to an old friend to let them know of an experience you had with them that you value

Spend time with the elderly at a local retirement home

Offer to bring someone else's grocery cart back to the store

Keep an extra pen in your purse to give people when they need one

Put a positive note in a library book

Attend events that support your friends’ passions (like an art show, musical performance, etc…)

Donate unused items to charity

Bring snacks to the local fire station

Keep packs of toothpaste or packs of socks in your bag to give to homeless people

Post an uplifting photo on a friend’s social media

Compliment someone on something they’ve done or accomplished

Tell a parent that they’re doing a great job raising their kids

Bring or send your mother flowers

Bring a friend a small gift next time you see them

Buy a warm meal to give to a homeless person

Share an article, event, or other information with someone who might be interested

Help to connect a friend seeking a job to someone who has a job to offer

Help a neighbor bring in their groceries

Make dinner for your friend group

Compliment a neighbor on how nice their yard looks

Bring in the trash bins for your neighbor after trash has been picked up

Send an email to a former teacher to let them know how they impacted your life

Leave a thank you note in your mailbox for your mail carrier

Give a flower to a stranger

Buy a gift card to give to a stranger

Ofter to be there for a friend when they are struggling with something

Give bottles of water to people working outside on a hot day

Buy a sandwich for the next person in the lunch line

Leave a sticky note with a positive note somewhere public, like at a bus stop

Bring brownies to your next neighborhood association meeting

Scrape the ice off the car windshield of the car next to yours

Leave a positive comment on someone else's social media post, #ProsocialPost

Put coins in someone’s parking meter that is about to run out

Slow down to let someone merge in front of you in traffic

Be on time (don’t waste others’ time)

Hold the door open for the person walking behind you

Make a double batch of dinner so that you can give a meal to someone in need

Give directions to someone who is lost

Give an extra big tip when eating out

Practice compassion when someone else is struggling

Be self-compassionate when you’re struggling with something

Share veggies you grow in your garden with friends, neighbors, and family

Become an organ donor

Volunteer at the local animal shelter

Bring dinner to a friend who's just had a baby

Build a “little free library” box in your yard with books for everyone to read

[astrofaeology]

Saturn in the Signs

paid readings | Masterlist

ᡣ𐭩 Please support me by reposting, liking, following me and commenting your placement. Saturn represents resitictions, delays and obsticals however it's precious as it represents dicipline and what comes from struggle results in a beautiful flower of growth.

0º is the degree which doesn't have a coresponding sign assigned to it. It's a fresh new degree and will amplify the themes of the sign that it's in

Aries (1,13,25º) This placement often restricts decisions, self-assertion, and independence. Natives may battle with impatience, fear of authority figures, or a fear of taking charge, but by practicing self-control and confronting these concerns they develop confidence and the ability to effectively apply their pioneering spirit.

Taurus (2, 14, 26°) Lessons pertaining to financial stability, values, and material security are particularly crucial when Saturn is in Taurus. Early problems or worries about money and belongings may surface, but these people can develop long-term prosperity and a strong sense of practical self-worth with hard work and a targeted approach.

Gemini (3, 15, 27°)When Saturn is in Gemini, intelligence, education, and communication are highly valued. Individuals may have difficulty expressing themselves clearly, struggle with disorganised ideas, or feel ashamed of their intelligence. Conducting thorough research, cultivating a disciplined learning style, and having the capacity for accurate and clear communication are all necessary for mastery.

Cancer (4, 16, 28°)This placement covers topics like emotional stability, family, and roots. Early experiences with emotional control or a strong sense of familial duty may have taken place. Being a reliable anchor for loved ones requires developing a strong emotional foundation, learning self-care skills, and establishing appropriate boundaries at home.

Leo (5, 17, 29°) The ego, creativity, and self-expression are all hampered by Saturn in Leo. People may experience pride issues, fear criticism of their skills, or feel constrained in their ability to express who they truly are. The journey involves developing genuine confidence that is independent of outside validation as well as learning how to communicate their unique talents in an honest and modest way.

Virgo (6, 18° ) When Saturn is in Virgo, the emphasis shifts to service, daily routines, and perfectionism. Anxiety about details, self-criticism, or feeling overburdened with obligations are examples of problems. Developing effective systems, embracing failure, and finding fulfilment in applying effort and hard work to make a meaningful impact are all steps on the path to mastery.

Libra (7, 19°) Because it is exalted in Libra, Saturn performs well there. The primary subjects of this placement are justice, fairness, and relationships. Natives learn about commitment, collaboration, and diplomacy. Their consistent pursuit of integrity and balance in all of their relationships solidifies their reputation for justice and moral behaviour.

Scorpio( 8, 20°) We can learn a lot about transformation, power, control, and shared resources from Saturn in Scorpio. There may be ingrained worries about vulnerability, trust, or loss. Confronting shadow elements, building resilience, and learning how to handle difficult emotional and financial circumstances with integrity and inner strength are all part of the process.

Sagittarius (9, 21°) By combining a methodical structure with a philosophical pursuit of truth, Saturn in Sagittarius promotes a serious approach to higher education and the development of strong moral principles. This placement encourages deliberate exploration and a grounded optimism as individuals balance their need for independence with a commitment to responsible, meaningful growth.

Capricorn (10, 22º) Because Saturn rules this position, it is ideal for ambition, self-control, and financial success. Natives frequently take on significant responsibilities and are typically very responsible, dedicated, and driven to succeed. Despite their enormous potential, they still need to learn how to balance their personal and professional lives, control their ambition, and remain flexible.

Aquarius (11, 23°) Saturn in Aquarius emphasises cooperation, generosity, and originality. Individuals may have trouble making friends, feel responsible for social problems, or find it difficult to fit into established systems. The lesson's primary goals are to encourage genuine, meaningful change, create strong, accountable communities, and present unique ideas to the group.

Pisces (12, 24°) Teachings about compassion, spirituality, and establishing boundaries are particularly crucial when Saturn is in Pisces. Natives may choose to leave, feel like martyrs, or struggle to set boundaries. Mastery includes establishing healthy emotional boundaries, integrating spiritual knowledge with pragmatic realities, and identifying systematic ways to demonstrate empathy and service.

DISCLAIMER: This post is a generalisation and may not resonate. I recommend you get a reading from an astrologer (me). If you want a reading from me check out my sales page.

@astrofaeology private services 2025 all rights reserved

[astroeleanor]

💸₊˚⊹Your 2H Ruler = How to Become a Money Magnet 💵₊˚⊹

If you’re not making the kind of money you want, you need to start using your 2H ruler. This placement shows how you can earn more money & the people/situations that will bring huge financial opportunities in your life.

If you ignore your 2nd House ruler, you risk chasing the wrong goals and wasting time. This planet shows your natural path to wealth: not the path others tell you to take. The more you align with it, the easier money flows.

So, let's figure out together how to use your birth chart to become a money magnet.

HOW TO FIND THE 2H RULER:

1) Locate the sign in your 2H. Calculate your chart HERE!

2) The planet that rules that sign is your 2H ruler (see table below for planetary rulerships.)

3) Locate the house the 2H ruler occupies in the birth chart. The house it's in, shows HOW you can make more money.

Example: Sagittarius 2H=Sagittarius is ruled by JUPITER=8H Gemini Jupiter is the 2H Ruler

2H RULER IN THE 1H: Build skills and image. Start a personal brand or business. Be seen, heard, and remembered. Who gives you money: Clients who like your energy. Followers, fans, loyal buyers.

2H RULER IN THE 2H: Invest in goods, land, or things that grow. Focus on slow, steady gains. Sell tangible services. Who gives you money: Bankers, traders, investors. People who deal in tangible assets (like gold, land, supplies). Buyers who want lasting value.

2H RULER IN THE 3H: Write, sell, teach, speak. Trade goods locally. Use phones, emails, short trips to build cash. Who gives you money: Siblings, neighbors, close friends. Writers, messengers, teachers. Local businesses or delivery services.

2H RULER IN THE 4H: Buy or sell real estate. Work in land, farming, food, or tradition. Build home-based businesses. Inherit wisely and protect it. Who gives you money: Parents, grandparents, elders. Real estate agents or property managers. Family businesses or ancestral wealth.

2H RULER IN THE 5H: Create art, games, entertainment. Start passion businesses. Teach kids, coach sports, organize events. Take smart risks. Who gives you money: Artists, athletes, performers. Gamblers, investors, venture capitalists. Lovers or romantic partners.

2H RULER IN THE 6H: Offer daily services people need. Heal, repair, clean, or fix. Focus on health, pets, or crafts. Build strong work habits. Who gives you money: Nurses, vets, cleaners, tech workers. Bosses who value hard workers. Clients who need regular help.

2H RULER IN THE 7H: Negotiate smart contracts. Form joint ventures. Sell directly to clients one-on-one. Who gives you money: Business partners, spouses, clients. Lawyers, agents, deal-makers. People who invest in long-term relationships.

2H RULER IN THE 8H: Manage inheritances, investments, loans. Work with taxes, banking, insurance. Handle mergers, estates, or debts. Trade trust for power. Who gives you money: Investors, lenders, financiers. Heirs, trustees, executors. Partners who share assets.

2H RULER IN THE 9H: Teach, publish, preach, or coach. Sell services across borders. Work with law, spirituality, philosophy, or higher education. Follow faith or big missions. Who gives you money: Professors, clergy, travelers, publishers. Foreigners. Legal workers or academic institutions.

2H RULER IN THE 10H: Build a public name. Climb career ladders. Start visible businesses. Become an expert people recognize. Who gives you money: Bosses, governments, CEOs. Industry leaders and high-status clients. Customers who respect titles and results.

2H RULER IN THE 11H: Launch group projects. Build big communities. Fund dreams through social support. Join causes that matter. Who gives you money: Friends, followers, donors. Clubs, political groups, online communities. Social movements and public funds.

2H RULER IN THE 12H: Work behind the scenes. Heal, help, or create art quietly. Invest in royalties, patents, hidden streams. Protect secrets and serve faithfully. Who gives you money: Monasteries, charities, hospitals, hidden patrons. Spiritual teachers, artists, healers. Quiet supporters or secret allies.

Thank you for taking the time to read my post! Your curiosity & engagement mean the world to me. I hope you not only found it enjoyable but also enriching for your astrological knowledge. Your support & interest inspire me to continue sharing insights & information with you. I appreciate you immensely.

• 🕸️ JOIN MY PATREON for exquisite & in-depth astrology content. You'll also receive a free mini reading upon joining. :)

• 🗡️ BOOK A READING with me to navigate your life with more clarity & awareness.

[scales-n-art]

Quick PSA, because there seems to be some severe lack of education regarding Asexuality among a certain bunch of opinionated people, who frankly have no place having such strong opinions about something they've demonstrated to be so ignorant about:

Asexuality =/= a lack of libido, sexual appetite, sexual drive, or sexual activity.

Asexuality does = little to no experience of sexual attraction.

There are many forms of attraction. For example, some of them may be: romantic attraction that you'd experience towards a romantic partner. Aesthetic attraction that you may experience when you see someone's fashion style or overall appearance. Platonic attraction that you may experience towards a close friend. Etc.

Asexuality IS a spectrum, we call it the Asexuality Umbrella; SOME people under the ace umbrella may experience no interest towards sex/intimacy whatsoever, some may experience disgust re anything sex/intimacy related, some may be indifferent or neutral about it, and some are positive or even enthusiastic about it. These things may include acts such as kissing and physical touch of the non sexual kind. ALL of these people are still asexual, and their sexual activity or lack thereof has nothing to do with it.

Asexual people may choose to engage or not in sexual activity, and the circumstances under which they choose to do so, and the reasons why, are very varied: physical pleasure, closeness to a partner, emotional connection, finding pleasure in pleasing a partner, etc, etc.

The ways in which an asexual person may choose to find their pleasure is also very varied. And yes, it may be through fiction, because it can be a safe way to do so without being expected to behave or perform in a certain way that may be uncomfortable for the individual. Nothing wrong with enjoying a good smutty book or fanfic, or comic. Harms no one involved. Enjoying this doesn't mean you're not asexual.

Asexuality does exist, and it's way more nuanced and varied than just equalling it to "not getting any."

Now read all that again, but switch Asexuality for Aromanticism. Also a spectrum, also varied, also incredibly nuanced.

So, yes. A fictional character CAN be asexual, AND also engage in sexy times with the chosen ship partner. A Queer Platonic Relationship is also a very valid option, because NEWSFLASH, sex is not the only valid bonding point of a relationship. It can be a strong, important one depending on each individual, but it's not the only way to connect with a partner.

And, NO. Asexual people are NOT "repressed." Asexual people do NOT need anyone to "change their minds". Asexuality is NOT a problem, a symptom, or a sign of trauma.

Some sources to know more about the topic:

AVEN - Asexuality Visibility and Education Network

The Invisible Orientation - by Julie Sondra Decker

The ABCs of LGBT - by Ash Hardell

ACE: What Asexuality reveals about Desire, Society, and the Meaning of Sex - by Angela Chen

There are many more sources out there, support groups and communities on social media that you can find mainly through AVEN, or with just a simple search about Asexuality on any search bar nowadays.

There's too much info about it now compared to some years ago to remain so ignorant about it.

Do. Better.

[transmutationisms]

I love your takes, but I feel super, super lost with what you were trying to say about the natalism one. I feel like you're saying that there is no contradiction on wanting more babies, a higher population number and punishing mothers, but can you elaborate on that a bit more, because it does seems contradictory. I'm not disagreeing with you, I just want to understand it better.

alright there's a perennial debate (on here but also in a wider cultural sense) that goes on where people start noticing that some of the ways in which we socially and economically de/value children, parenthood, and specifically motherhood are internally contradictory. how can it be that there is immense social and economic pressure to heterosexually partner and reproduce, and yet most public and social infrastructure is also profoundly hostile to children and their guardians? why is it that this person couldn't find a doctor to perform a voluntary hysterectomy because their bodily preferences were subordinated to the medical valorisation of their fertility, and yet this other person was forcibly sterilised or coerced into using contraception because the prospect of them reproducing is framed as socially destabilising and degenerative? how are 'family values' touted by politicians who openly and explicitly also hate real existing families? do they want people to have more children or fewer? is it more counterculture and rebellious to have children or to not have children? to have sex or to not have sex? to partner off? to be polyam or monogamous?

the answer broadly speaking is that the oppositions people see here are only surface-level. the bourgeois state's interest is in biopower, and this produces competing demands: for some people to partner off and reproduce, and for others to be exterminated. the valorisation of the white middle-class nuclear family is the same as the devalorisation of its negations: racialised people, disabled people, family arrangements other than nuclear and heterosexual, etc. you can't understand the demand that people reproduce if you don't understand it is necessarily also accompanied by the demand that other people don't. these aren't actually contradictory once you understand that what the bourgeois state wants has nothing to do with your individual behaviours and everything to do with how many 'desirable' bodies it has at its disposal. that economic consideration is what creates both the natalist policy meant to encourage [some people's] reproduction, and the exterminatory policy meant to suppress and eradicate [other people's] reproduction.

usually this kind of conversation very quickly devolves into a privilege framework argument, where people are trying to find some kind of social hierarchy that is hegemonically applied top-down and that rewards, universally, certain behaviour choices over others. again, the "people who marry and reproduce are privileged and socially rewarded over me #childfree" versus "actually some people still have to fight tooth and nail to even get medical support / approval to have children, let alone actually get access to the kind of economic and social support necessary to raise them" debate. it's smoke and mirrors because there is no universal privileging of the choice to have children or not have children. what there is, is a privileging of certain people on the basis of the economic assessment of them as biological assets, and the inverse (and mutually constitutive) devaluations of everyone else. really over-discussed examples here but to give them anyway: this is why, for example, french natalist policy and the USA's constant efforts to strip back welfare-net policies in order to harm (primarily) black families are both arising from the same basic impulses of two imperialist nation-states. obviously there are different histories and contextual factors that have resulted in france and the US trying to skin the same cat in different ways. but what they share is an underlying interest in trying to shore up their population in both size and 'fitness', understood here in its full racialised and eugenic meaning.

[afeelgoodblog]

The Best News of Last Month - August 2024

1.Negative Power Prices Hit Europe as Renewable Energy Floods the Grid

European power markets are experiencing a notable shift as renewable energy sources, particularly wind and solar, become a larger part of the energy mix. On Wednesday, power prices in several European markets, including Germany, dipped below zero due to a surge in green electricity production.

2. Taiwan introduces ban on performances by captive wild animals

Live performances by wild animals held in captivity, including performances by dolphins, tigers, and other non-domesticated mammals, will no longer be permitted in Taiwan under new Ministry of Agriculture (MOA) regulations.

3. FTC bans fake online reviews, inflated social media influence; rule takes effect in October

The FTC voted unanimously to ban marketers from using fake reviews, such as those generated with AI technology, and other misleading advertising practices.

The ban also forbids marketers from exaggerating their own influence by, for example, paying for bots to inflate their follower count.

4. Chinese drones will fly trash out of Everest slopes

Come autumn, Nepal will deploy heavy lifter drones to transport garbage from the 6,812-metre tall Ama Dablam, south of Everest. This will be the first commercial work an unmanned aerial vehicle does in Nepal’s high-altitude zone.

The heavy lifter from China’s biggest drone maker, Da Jiang Innovations (DJI), will take on tasks traditionally handled by Sherpas. Officials believe it will help reduce casualties on Everest.

5. Swiss scientists have found a way to use the whole cocoa fruit to make chocolate and not just taking beans and discarding the rest.

Kim Mishra (L) and Anian Schreiber (R) cooperated on the new chocolate making process

Food scientists in Switzerland have come up with a way to make chocolate using the entire cocoa fruit rather than just the beans - and without using sugar.

The chocolate, developed at Zurich’s prestigious Federal Institute of Technology by scientist Kim Mishra and his team includes the cocoa fruit pulp, the juice, and the husk, or endocarp.

6. Six-year-old boy found in Vietnam forest after five days

A six-year-old boy who was missing for five days has been found deep in a forest in Vietnam. Dang Tien Lam, who lives in the northwestern Yen Bai province, was playing in a stream with his nine siblings on 17 August when he wandered into the hills and got lost, local reports said.

He was found on Wednesday by local farmers who heard a child's cry while they were clearing a cinnamon field close to the forest.

7. Lego plans to make half the plastic in bricks from renewable materials by 2026

Lego plans to make half the plastic in its bricks from renewable or recycled material rather than fossil fuels by 2026, in its latest effort to ensure its toys are more environmentally friendly.

The Danish company last year ditched efforts to make bricks entirely from recycled bottles because of cost and production issues. At the moment, 22% of the material in its colourful bricks is not made from fossil fuels.

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That's it for this month :)

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