#protect yourself and others

[spacedocmom]

Doctor Beverly Crusher @SpaceDocMom I love it when you visit me but would prefer you not to have to do so for preventable medical reasons. Put on your sweater, hydrate, take your meds, and make safe choices. Mask up, condoms on! emojis: black heart, blue heart, masked 12:58 PM · Jan 10, 2024

[wolfperson1]

Given wastewater rates right now in the US, if you're in a room of 20 people, you can assume there's a 1 in 3 chance there's someone actively contagious in the room.

[infinitelystrangemachinex]

in this house we love the artists and engineers and actors who worked on arcane so much that we will not share the leaks

remember that the people who really suffer from leaks are regular people like you and me who worked hard for weeks, months, and years to make this show a reality

[wizardsgirl25]

Hey, fellow AO3 Author's, can we do something about specific Tags??

Listen, okay, I'm all for not spoiling plot twists or anything, okay, I get it. But, for example, having 8 tags basically saying that one specific character is gonna be an asshole... Doesn't explain anything?? Like, how MUCH of an asshole?? Are we talking about physically abusive? Or are we talking about toxic and emotionally manipulative?? Homophobic??? Tags are there so that we can safely navigate a story and decide if we want to read it or not, just like summaries.

And, yes, you CAN clarify in the tags! You can have a tag that says "Verbally-Abusive Character-A" and then in the next tag say "But it's only one sentence in one scene" or something like that. And I'm not saying EVERY TAG needs an explanation--that's what you can use Chapter Notes for!! I'm saying that, as someone with anxiety, PTSD, and depression, I appreciate being at least tangentially informed of possible triggers so I can make the decision myself if I want to try reading something instead of just guessing.

ALSO!! PLEASE PLEASE P L E A S E LEARN WHAT CERTAIN TAGS MEAN!! I read a fic the other day that was tagged as "Crack" and "Crack Treated Seriously" that was literally so depressing and dark that I had to stop reading it because it was FUCKING me up in a bad way and just??? Do, do people NOT know that Crack means HUMOR?? That it means Lighthearted Funny Ha-Ha Fic??? Even treated seriously, it should be lighter and funnier, or at least dumber than that like holy shit??

Tags are there so that people looking for specific types of fics can find and enjoy your fic!! And that those things that can hurt us are better avoided. Fanfiction is meant to be ENJOYED. If I wanted to hurt myself emotionally I'd talk to my Ex. Please, tag any triggering topics, either in the actual tags or make sure they're in the BEGINNING chapter Notes. Let us decide if that's a chapter or story we need to skip to protect ourselves. Please.

[faronmckenzie]

Don’t let their energy change yours.

[biggest-gaudiest-patronuses]

it is. so weird to me that I'm having to say this again after a real-life cartoon supervillian already once ran for president on a platform of hatred & fascism and won, but.

it's November, please fucking vote

[pocketgalaxies]

C1E60 || C3E88

[zillychu]

woke up from a dead sleep last night realizing I could make soroku flavored pitch pearl and no one could stop me

edit: you know what? I'm feral and I won't apologize. more under the cut bc this is my house

I slammed this out all at once so I apologize for the quality but I'm having EMOTIONS

so imagine. bc of the way Danny was quickly resuscitated, his ghost only barely started forming. With the excess blast of ectoplasm from the portal being created, that little whisp was given form even after Danny's soul returned to his body.

except this ghost (Phantom) slowly comes into consciousness while trapped in Danny's body. they're separate entities sharing one body, but Phantom doesn't really have a sense of self right away. he pieces together vague fragments of Danny's memory to get a basic understanding of the world, and is mostly just observing like a backseat passenger.

Phantom starts reflexively protecting Danny, his powers and instincts bleeding through when his emotions are high. Danny doesn't really transform, and his personality doesn't totally shift that much at first because Phantom’s mind isn't complex yet. but as time goes on, and Danny has tense conversations with ghosts, Phantom realizes that's what he is. he's a ghost, somehow trapped in his old body. and even now, this early on, he already feels separate. he doesn't have all the memories Danny has.

this slowly turns into horror. into rage. sorrow, mourning a life he never got and will never get to have. forever trapped behind the eyes of someone else, never able to interact with the world. Phantom's rage eventually boils over until it allows him short bursts of taking over Danny's body. it starts out small–a stray hand moving without his consent, knees locking up, ghost abilities going awry. Danny can start feeling emotions that don't belong to him. get vague impressions, almost hears a voice inside him.

and eventually, Phantom is able to fully take over. this is when Danny “transforms". at first, Danny blacks out because his consciousness isn't used to being shoved into the back seat. but eventually, he's awake for these “episodes", trapped in the back of his mind while Phantom controls his body. this only happens when ghost stuff is happening, when Phantom feels threatened enough. he's not protecting Danny, he's protecting himself. Phantom knows instinctively that if Danny dies, he dies too. he's not a normal ghost, he wouldn't be freed. he'd simply disappear.

at one point after a fight, Phantom can feel Danny struggling to take back control. and he talks to Danny for the first time, acknowledges he's there. asks how it's fair that Danny is the one that gets to exist. but Phantom is tired and weak, he slips back into the passenger seat.

over the next few days, he's able to start talking to Danny even while he's not driving. though he's not chatty, it's only when necessary. and Danny knows, can feel it across the link between them–Phantom hates him. the ghost he created is desperate to find a way to take over completely. and as time goes on, Danny realizes with horror that it might actually be possible for Phantom to do that. he grows stronger every day, can stay transformed longer, controls Danny's body with much more ease.

it's only through a chance meeting with Frostbite that Danny and Phantom fully learn what happened to them. Danny feels sympathetic towards Phantom now. this isn't a malevolent ghost, it's a person who was never given the chance to live. who's trapped. who has to watch someone else live a life they're just as deserving of.

and Phantom feels that emotion from Danny. is so shocked by it, he doesn't know how to handle it at first. it takes him a while to contemplate, to talk to other ghosts like Frostbite. until one day, Phantom realizes… he feels sympathy for Danny, too.

neither of them asked for this. both of them deserve to live. Danny didn't do anything wrong. they're both villains to each other's story. and if anything… doesn't Phantom owe his life to Danny in the first place?

Phantom takes over less often. Danny doesn't feel hatred from him anymore. anger, yes–but not aimed at him. in fact, Phantom starts controlling their body in little ways in order to protect Danny from things that aren't even dangerous. just to avoid pain that would only affect the human tethered to him.

it isn't long before they're separated, either thanks to another ghost or Danny's parents. they're thrown apart in the middle of a horrific fight, and when Danny sees Phantom's equally shocked expression, he's terrified.

this ghost that hated him for so long–at best, Phantom would leave him defenseless. at worst, surely some part of Phantom still wants to kill him for stealing away his chance for autonomy.

and yet, when fire rains down on them, Phantom risks it all to grab Danny and get them both to safety. they're still both shaken and stunned this is even happening, but Phantom is able to nervously be like shit shit shit okay stay here don't go anywhere or I can't protect you, okay?

after the fight is over and dust settles, Phantom offers Danny his hand. they stare at each other and god if this isn't the weirdest thing. like, uh, okay, what now? they decide to go see Frostbite, who confirms that they're fully separate now. they ask if there's any chance of merging again and Frostbite assures it's impossible.

Phantom asks, even if I overshadowed Danny? or stay real close? yes, it's nothing to worry about. they leave, and back in the quiet of Danny's room, they talk. Phantom isn't sure what to do. now that opportunity is in front of him, he feels paralyzed. Danny does his best to let Phantom know that… they might be separate now, but if he ever wants help or even just a friendly ear, he's here for him.

Phantom is quiet for a while. then says maybe he just needs to rest first. he'll think about it tomorrow. they're both exhausted and injured. Phantom asks quietly… if he could rest in Danny for the night.

Danny's shocked, and–really confused. Phantom blushes and is like I don't know what my haunt is yet, I don't know where to go, but I know… you're kind of my home. now that I know I can leave whenever I want, it's not something bad anymore. I miss feeling your heart next to my core, just a little bit.

and Danny is just as surprised when Phantom overshadows him, then quietly nestles into the passenger seat again. he didn't realize how he got used to feeling Phantom with him. it's a feedback loop of contentedness, and Danny sleeps easily. (they also find out while sharing a body, Danny gets to reap the benefits of Phantom's supernatural healing)

anyway that's all I got for now thank u for coming to my ted talk

[seagreenstardust]

“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”

Katsuki Bakugou, my friends.

His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.

I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.

Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all

[feminist-space]

I highly, highly recommend this website (thank you https://chrisisgre.at/!) which has an extensive set of resources and sources for covid knowledge.

The image above (also alt text-included) is of the youhavetoliveyour.life website, which is an incredible set of resources with articles that debunk common covid denial sayings, such as "covid is mild now" or "I got it and I'm fine" or "Healthy people don't have to worry about it." The image shows a drop-down menu with common covid denial excuses.

The website also uses photos of prominent public health leaders such as Leana Wen or Ashish Jha or Mandy Cohen, who have been touting, falsely and dangerously, that covid is "over," that it's "not a big deal," that "we have the tools now" (even though we don't, actually, and long covid is absolutely devastating).

Select a statement from the drop-down menu to find informative, helpful, and scientific articles that explain why those statements are misleading and incorrect.

Here is the link:

[infiniteglitterfall]

I guess this might be why the UK seemed to go so antisemitic so quickly

I'm researching the 1947 pogroms in the UK. (Actually, I'm researching all the pogroms and massacres of Jews in the past 200 years. Which today led me to discover that there were pogroms in the UK in 1947.)

From an article on "The Postwar Revival of British Fascism," all emphasis mine:

Given the rising antisemitism and widespread ignorance about Zionism [in the UK in 1947], fascists were easily able to conflate Zionist paramilitary attacks with Judaism in their speeches, meaning British Jews came to be seen as complicit in violence in Palestine.

Bertrand Duke Pile, a key member of Hamm’s League, informed a cheering crowd that “the Jews have no right to Palestine and the Jews have no right to the power which they hold in this country of ours.” Denouncing Zionism as a way to introduce a wider domestic antisemitic stance was common to many speakers at fascist events and rallies. Fascists hid their ideology and ideological antisemitism behind the rhetorical facade of preaching against paramilitary violence in Palestine.

One of the league’s speakers called for retribution against “the Jews” for the death of British soldiers in Palestine. This was, he told his audience, hardly an antisemitic expression. “Is it antisemitism to denounce the murderers of your own flesh and blood in Palestine?” he asked his audience. Many audience members, fascist or not, may well have felt the speaker had a point. ...[The photo of two British sergeants hanged by the Irgun in retaliation for the Brits hanging three of their members] promptly made numerous appearances at fascist meetings, often attached to the speaker’s platform. In at least one meeting, several British soldiers on leave from serving in Palestine attended Hamm’s speech, giving further legitimacy to his remarks. And with soldiers and policemen in Palestine showing increasing signs of overt antisemitism as a result of their experiences, the director of public prosecutions warned that the fascists might receive a steady stream of new recruits.

MI5, the U.K. domestic security service, noted with some alarm that “as a general rule, the crowd is now sympathetic and even spontaneously enthusiastic.” Opposition, it was noted in the same Home Office Bulletin of 1947, “is only met when there is an organized group of Jews or Communists in the audience.”

The major opposition came from the 43 Group, formed by the British-Jewish ex-paratrooper Gerry Flamberg and his friends in September 1946 to fight the fascists using the only language they felt fascists understood — violence. The group disrupted fascist meetings for two purposes: to get them shut down by the police for disorder, and to discourage attendance in the future by doling out beatings with fists and blunt instruments. By the summer of 1947, the group had around 500 active members who took part in such activities. Among these was a young hairdresser by the name of Vidal Sassoon, who would often turn up armed with his hairdressing scissors.

The 43 Group had considerable success with these actions, but public anger was spreading faster than they could counter the hate that accompanied it. The deaths of Martin and Paice had touched a nerve with the populace. On Aug. 1, 1947, the beginning of the bank holiday weekend and two days after the deaths of the sergeants, anti-Jewish rioting began in Liverpool. The violence lasted for five days. Across the country, the scene was repeated: London, Manchester, Hull, Brighton and Glasgow all saw widespread violence. Isolated instances were also recorded in Plymouth, Birmingham, Cardiff, Swansea, Newcastle and Davenport. Elsewhere, antisemitic graffiti and threatening phone calls to Jewish places of worship stood in for physical violence. Jewish-owned shops had their windows smashed, Jewish homes were targeted, an attempt was made to burn down Liverpool Crown Street Synagogue while a wooden synagogue in Glasgow was set alight. In a handful of cases, individuals were personally intimidated or assaulted. A Jewish man was threatened with a pistol in Northampton and an empty mine was placed in a Jewish-owned tailor shop in Davenport.

And an important addendum:

I've read a whole bunch of articles about the pogroms in Liverpool, Manchester, Salford, Eccles, Glasgow, etc.

Not one of them has mentioned that the Irgun, though clearly a terrorist group, was formed in response to 18 years of openly antisemitic terrorism, including multiple incredibly violent massacres. Or that it consistently acted in response to the murders of Jewish civilians, not on the offensive. Or that at this point, militant Arab Nationalist groups with volunteers and arms from the Arab League countries had been attacking Jewish and mixed Arab-Jewish neighborhoods for months.

I just think the "Jewish militants had been attacking the British occupiers" angle is incredibly Anglocentric.

Yeah, they were attacking the British occupiers. But also, that's barely the tip of the iceberg.

Everyone involved hated the Brits at this point. If only al-Husseini and his ilk had hated the Brits more than they hated the Jews, Britain could at least have united them by giving them a common enemy.

[myrxellabaratheon]

Something which really has me thinking while reading some takes on Hazbin Hotel and, especially, Helluva Boss, is that people ignore the warning at the beginning.

There is a reason why these shows are intended for an adult audience and it’s not the reason you are thinking about.

Younger people can understand violence (and realize it’s not something which should be imitated) and sex so that’s not the reason, the real reason is that they usually can’t understand the situations characters find themselves in.

I read soooo many “critical” posts blaming either Blitzø or Stolas and the reason was that the poster had never found themselves in a similar situation.

It’s ok, teenagers should have those rose-tinted lenses when talking and thinking about love and relationships (really, you want to have them, trust your friendly aromantic girl in her late 20s) BUT that doesn’t mean that you can understand how different relationships work, especially when you have none real life examples.

Stolitz is so complex because is real, but it shows ADULT problems, which not everyone can understand. You can’t judge it through a “all relationship must be fluffy and pure and perfect” state of mind, because real life relationships outside of “high school sweetheart” AREN’T fluffy and pure and perfect.

[sukibenders]

Some fans: Eloise is such a fake feminist, doesn't she see how some girls and women enjoy marriage? Doesn't she see how her privileges give her luxuries others don't? She's so selfish. She doesn't even use her words to support other women!

Also same fans: I wish Eloise would stop talking, like her speaking about feminism at every turn is getting old. Can't she just be quiet and let everyone enjoy the fun? Like yeah talking about women's lack of personhood without a male figure in society, or how they can't go to university, or how sometimes they marry men who will only hurt them but need to for their status is sad to see, but THE ROMANCE-

[detectiveneve]

see the thing about Astarion to me is I don't actually think he has a clue who he actually is beneath all of the everything he's got going on. he's got impulses, he's got drive, a will to live, he's got desires and amusements and cravings, but an actual selfhood?? no. there's a blue error screen where the person of him should be, the person -- whoever that was, I'm personally of the mind he likely wasn't good then either, but we'll see where the story takes us -- before Cazador. the man in front of us today is this mishmash of interior delight at freedom and sunlight but also capable of true unapologetic cruelty and willingness to be ugly in a multitude of ways. so he follows the impulse. he follows what intrigues and amuses, and nothing will take that freedom from him again. and he reflects back onto others the violence that was done unto him. a lack of power kept him down? now he wants to accumulate power, so it can never be turned on him again. but he also misses the sun while he's underground. he's mean and desperate and ruthless and it's interesting because he's unapologetic about it, he's unflinching about it. he's vindictive and mean and desperately floundering around throwing stuff at a wall to see what sticks in terms of personhood because who is he now. 200 years of horrific servitude and now he's just out and about and he's in the mud.

and he can be horrible. and yet when you take the routes of prying open the faaairly shallow veneer he has of smug and snark and snappiness, he'll give you pieces of the raw and the desperate -- "I want to know what the world sees when it looks at me. what you see." is a line you only get if you're earnest with him. any other path in the dialogue will have him continue the shallow persona you've come to know. and in all of that I think nothing is "this is real, this is an act," set in stone because I just don't think he even knows, I don't think he has a CLUE what's his and what's the protective measures and what's the real delight and what's the cruel mockery of his surroundings and what he's willing to give vs what he needs to hide vs what he lets slip out on accident. the inconsistencies in his own ideas and what he says and what he does. I think most everything about him is in a weird place of deeply uncertain. is it a lie? is it a glimmer of truth? for me, I like to interpret him in this weird menagerie of half-truths and shallow lies and omissions, because we've only known him a short while and maybe also he doesn't even know the answer yet. who is he? fuck if HE knows. anyways. smash.

[significant-ace-nnoyance]

2024 in: annabeth chase stan era

2024 out: OVERLOOKING AND ERASING ANNABETH'S CHILDISHNESS, POOR SELF-ESTEEM ISSUES, LACK OF SELF WORTH, MASK OVER HER EMOTIONS, ETC.

SHE IS NOT AN ADULT SHE IS NOT A COLD ROBOT SHE DOES NOT HAVE FULL CONFIDENCE IN HERSELF ALL THE TIME THAT IS LITERALLY JUST WHAT SHES PROJECTING TO EVERYONE AS A DEFENSE MECHANISM IN REALITY IF YOU READ MARK OF ATHENA IF YOU READ BETWEEN THE LINES IF YOU WATCH LEAHS ACTING SHES JUST A TINY SCARED CHILD THAT DOESNT KNOW IF SHES DOING HER BEST AND IS TERRIFIED OF FAILURE OR LETTING PEOPLE IN AND IT ONLY GETS WORSE AS SHE AGES AND LOSES MORE PEOPLE SHE TRUSTED AND LOVED

[gazkamurocho]

I read this adorable fanfic where Goromi visits Kiryu and the Morning Glory kids in Okinawa ❤