#rights certainly

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[rubensmuse]

brennan lee mulligan has to do comedy with that name bc he was born too late to be a presidential assassin

[bigfatbreak]

Birds of a Feather previous / next

[transmascissues]

if you’re young and transmasc and the people in your life haven’t been great about the whole thing and you’re starting to feel like it might be easier to just give up and pretend to be the person they want you to be, i need you to hold on. because the thing is, one second you’re 16 and a future where you get to make decisions about your own body and life feels so impossibly far away and you can’t imagine living like this for that long, but then you blink and it’s been six years and you’re in your car with the music blasting and your voice is lower than the guy in the song’s and your hair is long for the first time in a decade because you’re finally confident enough to grow it out again on your own terms and your chest hasn’t been weighed down in months and it’s the freest you’ve ever felt in your life and i promise it will be worth the wait. don’t give up on yourself.

[time-woods]

doing these drawing pages is fun but they always end up getting more and morequeer

[nothingmatters-everythingmatters]

lurking in radfem spaces has really changed my entire view of most mainstream internet spaces because once you realize just how censored women's voices and feminist thought are on these sites, and how much porn and misogynistic values are defended, you can't unsee it.

how anyone can bear to participate in an online space where porn, of all things, is lauded as the bastion of "self-expression" and yet any woman slightly critical of popular cultural opinions is demonized is wild, especially when a lot of that porn is a) violent and misogynistic b) often accessible by minors c) gross and shallow d) myriad of other reasons far better writers have probably described

fuck I'm just so tired. seeking rationality online is just opening a pandora's box of garbage and seeing the reflection of how bleak the social hegemony has become.

[radiance1]

@puppetmaster13u You called Danny a space whale in the tags of one of this post.

Now what if that was literal?

Hear me out, Danny outlives his friends, parents, sister. Danny becomes a literal whale.

Well, not a literal one because he's a ghost, but he takes the shape one of at the very least. He's just a giant, glowing white whale that looks pretty divine not going to lie.

Danny leaves earth. It wasn't safe for him anymore, what with the GIW and all that as even the ghosts found it not even worth anymore to visit the mortal world.

Except for Desiree and Spectra, but that's besides the point.

But Danny doesn't retreat to the zone, he's always longed for space, but because of his new half humanness he doesn't get believe he could've ever gone because, well. Yea.

But Danny goes fuck it and goes anyway. His form shifts from human to that of a giant whale, and he swims out into the vastness of space.

Years pass, and Danny does start getting bigger as he aged. He explored the vastness of space, marveling at many things, the different planets, the stars, the formations of rock and other things.

Then he encounters someone he never though he would've.

Vlad.

Well, he knew Vlad was left behind in space by his father but he didn't think he would find him again and Vlad seemed... different, from what he remembered.

For one thing, he didn't even know where Vlad began and space ended. He got only see those red eyes that even hinted at it being the man. His body was void black and filled with stars upon stars, all glittering from his body and Vlad barely even seemed to notice him, or if he did, he didn't seem to care at all.

So, Danny took him.

He was both curious and felt a bit bad about what happened to Vlad, even if he didn't know exactly what happened, and he couldn't just leave him there either.

So on his back Vlad went, and his travels continued.

It seemed to be the correct decision, really, because slowly overtime Vlad seemed to be regaining his awareness. Then slowly, tentatively, started to speak with him through ghost speak.

Vlad only seemed to vaguely remember what he was before space. He remembered hating a man, loving a woman, wanting a son, loneliness and a boy with white hair and toxic green eyes.

Even though Vlad was his former enemy, his nemesis, and someone who took the world hostage.

He couldn't help but feel pity for him.

Then their travels continued.

Years pass unnoticed, when in space, with Danny slowly getting bigger and bigger as the two travel throughout. They've come into contact with various civilizations, some hostile, some peaceful, some neutral.

The hostile ones never lasted long, even if Danny never lifted a flipper to do anything most of the time, Vlad made sure of it.

They came at went as they pleased, and Danny believes that they've gained a bit of a reputations over their adventures, but neither he nor Vlad knew exactly what they said. It did prove useful in some cases, however.

A few more years, and Danny feels that this system is vaguely familiar. Which happens sometimes, considering he's been travelling for so long. He then finds out why it was so familiar.

He came across Earth and, oh. When was the Earth so small?

Well, not small really, but when was he just only a bit smaller than it?

Did it shrink when he was away? Or did he just grow?

That doesn't matter though. What does, is the fact that currently seemed to be an invasion going on, on his home planet thank you very much. He did not like the fact that there was a massive fleet parked right outside his home.

So he spoke to Vlad, expressed his displeasure, Vlad responded back knowingly and went off to make the source of his displeasure disappear. That doesn't Danny was idle either, the fleet was big and, well.

It's been a while since he's stretched himself in a fight.

[hinamie]

wanted to practice some more intense angry expressions and what better excuse to further my agenda of giving megumi the emotional catharsis he deserves

[egophiliac]

swipes everything else off of the table to yell about diasomnia flower bookmarks

(I gave Silver one too :D)

[purble-turble]

Hey, you read @pittdpeaches new fic yet?? If no, why not???

Some in progress and sketches below cut

[trappedinafantasy37]

Larian statistics got us like:

[bixels]

I'm not explaining why re-imagining characters as POC is not the same as white-washing, here of all places should fucking understand.

[tezzbot]

I really like the headcanon that a very select amount of people are allowed to actually call Tails 'Miles' and Shadow is on that list, it's very cute to me ^_^

[hiding-under-the-willow]

Had a. very silly au idea while I was sick

[wield-the-mighty-pen]

To specify (because there is a character limit in polls), I am asking if it’s okay for consumers of your work to leave comments with criticism of the show and also if you are okay with people leaving comments with constructive criticism of your work

If you can, specify what type of creator you are in the tags!

[phoenixcatch7]

I get that calling white lotus lbh a sticky little 'sheep' is a canon translation and stuck in the fandom now anyway, but I do feel the intended spirit of the original word wasn't the sheeple/dumb herd animal that's more common in the western world, but instead something actually conveying sweetness, innocence, purity and youth - lamb.

Famous for being utterly adorable and following around their mothers, gambolling in sunny meadows, curly white wool shining.

And NOW we can talk about black sheep/wolf in sheep's clothing metaphors.