#she has never seen the anime nor read the books or comics

[maoam]

"Kishimoto make sasuke and naruto gay intentionally and not on accident" Okay then so why did he go on multiple interviews insisting that naruto and sasuke's relationship is brotherly and is inspired from his twin brother and that people shouldn't interpret their bond as romantic but platonic?? Source : https://twitter* com/uchihassasusaku/status/1419104011265974275?

If a writer writes homoerotic subtext in his material and expects people to read the material as romantic, he doesnt go around calling the characters "siblings" and asking people to not interpret their dynamic as romantic because then people wont read into his queer subtext like he wanted to

Ship what you want to ship. But stop acting like everyone should buy into your delusions. Kishimoto never said or implied that he wanted naruto and sasuke to be seen as gay but he did say many times that their relationship is brotherly

Ah, another shipper who ships a ship where creator implied twice they never kissed. And whose couple never had a meaningful conversation in a 700 chapter manga. And linking me to some SS stan who gave Elon Musk money for bluecheck mark. 🤣 A good ground to stand on. Okay, I will guide you by the hand since you don't seem to understand. It's okay, illiteracy is a common problem these days. I will put this in easy sections for you, with added links.

Also you and your "queer" nonsense... we are talking about gay, homosexuality. Not slurs.

About the interviews:

The Kizuna thing isn't even written by him, it's an article by another person. These books aren't written by the mangakas ever, they do not have the time nor is the article written from Kishi's pov. Shocker, people write a lot of things in anime merchandise that the creator isn't even involved in. [link] If it were written by Kishi, then an interviewer wouldn't have had to ask Kishi years later whether brotherly relationship was what he was going for with Naruto and Sasuke's bond, and Kishi wouldn't have had given such a cryptic answer where he mulls over it. Because he would have given the answers years back already. Also the fact that he's asked to define their relationship shows how weird it is to the readers. He NEVER told people to not interpret their relationship as romantic. And personally, I have seen movies and a comic where two characters referred to each other as brothers, and their creator referred to them as "soul brothers" but later revealed them to also have romantic feelings.

But I don't expect your mind to be able to comprehend things like this, it does require a little bit of 1+1=2 math. The interview about Seishi is about the feeling of empathy, not that they are literally Naruto and Sasuke's characters. It is one aspect. Kishi has joked about how Naruto and Sasuke are him and his editor too, because he will try to impress his editor. So? And he has said Kushina is based on his wife. So Naruto is him and Kushina is his wife? Why aren't you freaking about this freudian stuff? I know why. I also remember someone saying if Kishi REALLY saw his relationship with his brother as the exact same as Naruto and Sasuke, his brother would need a restraining order against him. It was funny and accurate.

I have wrote about the inconsistencies in his interviews and what shows that he definitely didn't write their dynamic as the same as with his brother despite having one aspect of it [link] and here is another post talking about it more deeply (they also linked my post I just mentioned) [link]. This post also explains how Kishimoto wrote Naruto constantly to do what Sakura can't for Sasuke, and she also included many links to my other posts where I talk about how Kishi wrote Sakura and Sasuke's dynamic, which you can also read if you feel like it. Unless you are scared of being proved wrong, you will read those right, or at least the linked post itself?

About how the audience perceives their dynamic:

The thing is, you and SS fandom don't understand how stories are written. Authors don't do stuff randomly. They use narrative and literary devices to tell their story. Kishi himself has remarked on it many times how careful he is about writing characters, how much he does research, how careful he is about angles etc. [link] If Naruto and Sasuke's relationship was written as brotherly in the text, in the manga, it wouldn't make a bunch of people uncomfortable. There wouldn't have been meltdowns after specific chapters nor would we have people saying when the manga was going on that they are annoyed by the "gay stuff". [link] [link] [link] (there are many more, but here's some collections for an example). Here's one more talking about the Japanese fandom. [link]

When Luffy was saving Ace in Impel Town/Marineford arc, no one in the dudebro community was uncomfortable nor saying it was gay. Eventhough it was a touching and dramatic storyline that showed us how much the two cared about each other. When Alibaba and Cassim were having their past and relationship unravelled in Magi, no one was uncomfortable. Eventhough it was tragic and dramatic and touching yet again. Because despite neither of these pairs being blood-brothers, they were WRITTEN to have a brotherly dynamic/development/relationship in the text, in their behavior. Which is why this also translated to the audience successfully.

If Naruto and Sasuke were written to be brotherly, they would refer to each other as such, including in Boruto, and would tell other people such as well. Hell, they would be proud to tell other people that this person they respect and admire the most is like a brother to them. But they don't. Naruto even told Hagoromo they aren't siblings, but friends. Sasuke said he has only one brother and that is Itachi. If they were brotherly, Kishi wouldn't make Naruto kiss Sasuke, even if accidentally, and have that to be their first interaction. He wouldn't say he wants to be the first one to have rivals kiss in shounen. Not a single brotherly relationship in media is written like this. You know, tropes matter. He wouldn't have Sasuke think fondly about the kiss as one of his most precious memories when he is dying, while years later implying more than once Sasuke never kissed Sakura lol. He wouldn't say Sakura had her first kiss stolen by her rival Naruto. He wouldn't make Sakura be jealous of Naruto's importance to Sasuke, while also giving her zero importance in saving Sasuke. He would not constantly make fun of Sakura by having her be thirsty/desperate for Sasuke's attention, any little crumb from him, while Sasuke ignores her and focuses on Naruto. Kishi knows how his writing comes off. Plenty of people, both men and women who weren't shippers, made jokes about Sasuke going "where's Naruto? hey Naruto" whenever Sakura speaks. Because Kishi made it such a constant dynamic with the three of them. People who have the basic amount of media literacy will get it, and thus all those jokes and memes were born. [link] [link] [link]

If they were brotherly, the anime studio wouldn't have them make eyes at each other while lyrics "please kiss me all night" play in the background, aside from all the other gay ops/ends with romantic lyrics to them. And since Kishi watches the anime, he would have probably point out it's weird. That's what I would do if I wrote about my relationship with my brother and people did that. Magi anime didn't have Alibaba and Cassim in romantic endings...

Kishi wouldn't put this in the movie he made if he wanted them to appear as brothers. Everyone was saying this looked gay/homoerotic when the movie dropped. I saw men on forums say "lol this looks so homoerotic, why did he have to catch Sasuke like that" and even in Chinese theaters people were giggling during this scene. Because it's so in your face fanservice. And Kishi said he cares about angles a lot in his story and that he redraws them if they aren't good enough to drive the message home. So what exactly does that tell you?

People usually aren't sexual about their brother

He wouldn't sexualize and put so much homoeroticism surrounding Sasuke's character, if Sasuke was solely inspired by his brother. You know, unless he had a questionable obsession with his brother. [link]

He wouldn't make Naruto literally get sexually excited when about to fight Sasuke lol [link] [link] that's so obvious Japanese men got amused, uncomfortable and even angry about it, if Sasuke and Naruto were him and his brother.

Romantic tropes/brotherly tropes are not the same

The fact Kishimoto's het couples parallel Naruto and Sasuke's dynamic is very evident. If "brotherly" relationship resembles romantic couples by the same author instead of the other brother dynamics he has written, guess what, it's not written as a brother dynamic lol. Again, proof that he didn't write their dynamic as brotherly. Both Mario/Saori [link] [link] and Minato/Kushina [link] [link] parallel Naruto/Sasuke and have the same tropes as them.

Raikage/Killer B is written as a normal brother relationship. Itachi/Sasuke is written as a complicated brother relationship with a lot of tragedy. Shikamaru/Choji is written as a normal friendship. Kakashi/Obito is written as a complicated friendship with a lot of tragedy. Naruto/Sasuke resembles the romantic relationships Kishimoto wrote, instead of these ones I mentioned. Even in their world, Naruto's actions are seen as irrational and obsession, and the weirdness of it all is constantly pointed out, by Sai, Kabuto, Sakura, Raikage, Itachi. This is a choice Kishi made when he wrote them. [link]

He also made a homage to Devilman and Akira/Ryo relationship that even people in the Japanese fandom noticed. [link] He specifically picked the chapter where Ryo admits having romantic feelings for Akira, and the fight (which parallels Vote2) ending with Ryo realizing how deep his feelings for Akira lie. Kishimoto would not do that if Naruto and Sasuke were based on him and his brother. Why would he pick a character famous for being gay for his best friend/enemy in a chapter where we finally get to see inside Sasuke's head?

Aside from paralleling Hinata's feelings towards Naruto in the Pain arc with Naruto's feelings towards Sasuke in the very next arc, he also foreshadowed a romantic double-suicide with Naruto and Sasuke during said arc. ROMANTIC. [link]

Sasuke on the other hand, was never satisfied with Naruto calling him brother or friend. If their relationship was strictly brotherly, they wouldn't need to ponder about the nature of their relationship, because that's not how any brotherly relationship is written in media. [link]

Kishimoto dislikes SS and talks about Sakura's "love" negatively more than once. [link] Sakura's love is selfish, toxic... yet this doesn't mean anything. Sakura wanted to save Sasuke, yet the one Sasuke said saved him was Naruto.

Now think hard. Use the modest intellect you possess. So aside from Kishimoto having Naruto show sexual attraction towards Sasuke to the point it made Japanese men uncomfortable, he also used romantic tropes (one of them being double-suicide which a writer Kishimoto admires is famous for because he mostly wrote romantic plays ending in that) and romantic parallels to show Naruto's feelings towards Sasuke multiple times, which he did not use for other male friendships in the manga. To the point many Japanese men wondered why Kishimoto "has to push homosexual agenda with Naruto's character", despite the fact he's supposed to be " a normal/good guy". All of these things somehow do not mean anything, nor do the multiple other things I have pointed out on my blog.

I'm not asking you to "buy" into anything, because understanding Naruto is a love story between Naruto and Sasuke and that Kishimoto does not even like Sakura let alone SS would require a little bit of reading comprehension and common sense. Which you and the person you linked sacrificed at the pink altar of Sakura worship, because to you not having anything in common with your partner nor having anything meaningful to talk about nor knowing anything about each other is somehow love. To you having someone else help and understand the person you love because you can't somehow makes an ideal relationship. You mistake Sakura's onesided melodrama for love. She has never said anything meaningful about Sasuke's character, neither has Sasuke said anything meaningful about her. Yet you believe Kishi wrote some deep relationship between them. How am I supposed to reason with someone like that? But your gaslighting doesn't phase me, I have seen all this before many times, it's old news by now. You can call me delusional all you want, but I trust my own understanding thank you very much. It's not like that much is even required, as proven by how many people, even the ones that don't have any need to (casual viewers, straight men, etc.) see it, still see it. Because it is that obvious that only desperate need to not see it blinds someone like you from seeing it.

I'm actually working on another post about Narusasu and Kishi's writing tools regarding it, so stay tuned 🩷

[poisonivysource]

hello!! i'm new to comics and i have a question that i'm scared to ask on twitter lol... i always see people fight about ivy's sexuality. about if she is bi or lesbian and i don't know which is true? i'm so confused😭

hi there. short answer: she's unlabeled sapphic in most iterations and canonically bisexual in some—namely hqtas and poison ivy thorns

if you'd like a longer and more detailed answer, read below the cut

harley quinn the animated series

in this universe — which consists of the show itself and spin-off comics (written by tee franklin) — ivy is canonically bisexual.

she dated a guy named dan back in college, used to hook up with selina, was engaged to kiteman, and is currently dating harley.

poison ivy: thorns (2021)

this is a young adult graphic novel written by kody keplinger and illustrated by sara kipin. it was released as part of dc's celebratory line of pride books last year. in this universe, ivy is confirmed bisexual

(source)

jimmy palmiotti and amanda conner

i often see people bring this up

and i have to point out that neither jimmy nor amanda ever specified that ivy is bi. they didn't label her sexuality. what they did say was this

"but google says..."

i've seen a number of people use this as "proof" recently and again, not valid. that is a fandom wiki that just about anyone can edit and write anything they please. i checked to see if the person in question provided any references i may not be aware of and unfortunately they didn't. they only mention the existence of a "pride cover featuring poison ivy with the lesbian flag" and apparently they're talking about the kris anka variant for harley quinn #4 that was released last year

the color scheme can be misleading for sure. i don't know if anka did it intentionally or not, but i do know for a fact that he's normally not shy about attaching a pride flag aesthetic to a character. a solid example is his work on marvel's runaways, which has karolina dean (canon lesbian) and nico minoru (canon bisexual)

so if he intended for that to be the lesbian flag, on a cover for the harley quinn run that features both harley and ivy, i believe he would've definitely found a way to center the flag colors on ivy alone. but, again, i can't possibly claim to know exactly what went on through his head, so, at the end of the day, make of it what you will, i suppose

meanwhile... (still on the topic of dc pride covers)

jen bartel opted for a bi color scheme for both of her harlivy variants, very much on purpose.

now onto why her sexuality is such a hot topic for debate despite everything mentioned above. ivy has been portrayed as a misandrist more often than not. she never pursues romantic or sexual relationships with men without an ulterior motive—they are always a means to an end. with women, it's different. the connection is genuine, the feelings are real. her main love interest in the main continuity of the comics and almost every alternate universe, is harley. and whenever she happens to get a different love interest, it's a woman (see this post) even the casual hook-ups are with women (e.g. catwoman lonely city #3 and poison ivy #4)

and so, of course, none of this invalidates the possibility of her being bisexual. because misandry and bisexuality are not mutually exclusive, and her aversion to men stems from past traumatic experiences and the abuse she suffered at the hands of jason woodrue. but, at the same time, a case can just as easily be made that she is lesbian-coded. either way: she loves women. the end. 💚

[onenerdroaming]

My first media review in ages! I know I said last year I'd get to Legends and Lattes as soon as I was in a headspace to write about the stories I listen to when hiking, but I'm not going to lie, saying I would review it and then forgetting about it entirely basically is my review of that book. All set up and no pay off.

Today's review is the new audible original audio drama: Slayers: A Buffyverse Story by Christopher Golden and Amber Benson.

Before anything else we have to talk about the frankly confusing discourse I've seen around Slayers. I have been following all of the new comics coming out connected to BTVS so I've honestly been shocked by this "Buffy is being disrespected and erased" discourse? There is one current long term ongoing series. This series is called The Last Vampire Slayer, and is about a world where all of the Scoobies as well as all of the Slayers save for Buffy were brutally killed years ago. Now an older jaded Buffy has to deal with a young Slayer (the only one she knows of who was not killed upon being called) who has tracked her down to beg to be trained by Buffy. Before it became an ongoing series, it was a miniseries about the young slayer talking Buffy into training her (the fact she is Willow and Tara's orphaned daughter got Buffy to decide to keep the kid from dying), which I will admit is all I read because that was all I needed to know that series really wasn't for me. I'm not a fan of that level of dark and gritty.

Honestly, the whole "Buffy is being erased" thing feels like a game of telephone being played with second hand information.

People of course tend to point to the short miniseries that recently came out where Faith arrives in Sunnydale in a position of power. The Scoobies look to her as the person in charge, because just before she arrived in an effort to try and help Buffy with her magic Willow accidentally took away Buffy's powers. This leads Willow down the path of becoming Dark Willow, and once the comic establishes Faith in her confident established position, the powerless Buffy saves the day from Dark Willow and gets her powers back in the process - reinforcing for the millionth time that Buffy doesn't need her powers to be the best at this (as in she figures out what is happening, tracks Willow down, gets Faith to act as her backup, and then saves the day). Oh, also that comic ends with canonical Buffy/Faith, Xander/Spike and Willow/Tara so color me confused about why the fandom hated it so much.

Before that we had a few other comics all of which were, of course, centered around Buffy, including a long running ongoing (the main Boom! Buffy comic) essentially about how Buffy was the best Vampire Slayer across the multiverse, where there is a massive battle across the multiverse with many different Buffys (complete with musing about how one writes Buffy in plural so truly all spellings including Buffi are valid here) and multiple multiverse traversing characters make it clear that Buffy is special because she is so important in so many worlds.

Ok, so all of that said - and here is the key thing that confuses me - this is an audio where the main draw is the original BTVS cast are reprising their roles.

Buffy fans know that neither Sarah Michelle Geller nor Allison Hannigan have ever, ever, in the history of BTVS supplementary materials, played their roles. Not for the PS2 game Chaos Bleeds (where literally every other member of the cast played their character), not for the never actually picked up or aired animated series, not for the Season 8 motion comics. This is something Amber Benson (who was in Chaos Bleeds) and Chistopher Golden (who wrote Chaos Bleeds) would most assuredly know from the start of the plotting process. It is also possible they were asked and said no - all of that said, truly the chances of either of those actresses appearing was less than zero.

That means there were two options - recast them the way those prior projects did (which dragged alllllll of them down and would muddy the whole ORIGINAL CAST RETURNS appeal) or write a story that makes sense without them (or Xander, but truly fuck him and I am glad to report he's only name checked like one time in the entire story). So of course Buffy does not appear in the story (although a wild drinking game would be to take a shot every time anyone talks about how amazing she is. In the story itself Cordelia demands that Spike, Clem, Giles and Indira stop talking about how great Buffy is all the time because it was getting old). This also means that as amazing as the cliffhanger at the end was, it felt more like a massive bone being thrown to the fans for the purpose of fanfiction rather than setting up any future story, since obviously they will NOT be able to continue with the set up plot due to casting concerns.

Ok - so now to review the audio itself. I will confess, I was not a fan of Spike's narration at the start of each episode. But my irritation with him evened out as the story went on and the cast moved past Spike and Clem. I loved the fact that our new character Indira is a massive fangirl, there to endlessly exclaim over how cool Buffy is as she tags along. I loved the way the alternate universe was used to explore different versions of the characters we know and love. Cordelia as a jaded Slayer with PTSD was fascinating, as was Anya as the lone witch left on the side of good freaking out over having to face down her best friend. Evil Tara and her relationship with Dru was of course an absolute delight. But of course the role that most impressed me - and the only actor in the audios who sounded 100000% exactly the same as she did back when the show was airing - was Drusilla. Wow, talk about an incredible performance from Juliet Landau. I also really loved the role Clem played in the audio, it was so great to have him fleshed out more and playing such a key role in the cast.

Actually ok, I lied a bit, another actor's voice was fairly unchanged and immediately recognizable. That of course was someone I was not excepting to hear and I actually shouted when that character popped up because well... with the amount of success that actor has achieved I didn't think they'd be here. But through the power of their personal friendship with Amber Benson, there they were! That was a really fun surprise cameo and I am not going to spoil who (although if you are curious this actor's inclusion in the cast is listed on the internet).

There were a few such cameos - the audio did a great job folding in those fun little reward moments for Buffy nerds. Also it gave us Anyanka as a yappy dog? I did not know I needed to hear Emma Caulfield Ford play a vengeance daemon as a tiny dog, but I am so glad this audio gave it to me.

I don't want to spoil too much of the story, but I very much had a blast listening to this, and would highly rec. it. As much as I really really really loved the ending and would love to read a million fics exploring what happens next in that universe, I am pretty sad that it is unlikely we will be getting the story the cliffhanger implies.

Truthfully I really hope this audio is not a one off and we can look forward to more Buffyverse audios in the future. Plus, who knows, maybe if they are successful enough even SMG may one day get involved (although I feel that really is a long shot).

[hoagmaster]

Another Month, Another Sunset

Well I did say I would return to the subject of shows I’ve watched ending since Mario Kart 8 dropped back in 2014, so this is the continuation of that dropped point.

I have watched television animation for as long as I have conscious memories. I grew up with it. I define the stretches of my life based on the big show I watched during each of them: Rugrats, Hey Arnold, SpongeBob SquarePants, The Fairly OddParents, Danny Phantom, The Mighty B!, Gravity Falls, Steven Universe. I was mostly a Nickelodeon kid as you can see, because that was largely the only channel we had around here when I was growing up.

I’ve dabbled in many other shows that aired at the same time as these, but there was always the one I focused on. But each of these shows either ended, whether by its own accord or not, or frankly went to pot and I jumped ship. It was the time when things were stewing in the latter show in 2018 when I decided maybe I’d have my fun elsewhere.

There were several months when I didn’t latch onto any show out of lack of interest, I might say. I watched some but I wouldn’t say I engaged with them. 

That all changed in October 2018, when, at the suggestion of someone I used to know along with a forum I frequented, I checked out Hilda on Netflix. I’d never read the comic it was based on, nor did I have much experience with a show designed for streaming.

But despite all that, I loved it. It felt like a rejuvenation into a medium I’d followed since youth. It opened my eyes to the potential of a series made for an online service.

Perhaps as a way to fill in a void left by season one ending, I decided to see what else I’d missed in my admittedly narrow-minded viewing. This led to my current favorite (remaining) show, Big City Greens.

My slate grew to those two. And then there was She-Ra and the Princesses of Power, Carmen Sandiego, Amphibia, Victor and Valentino, Infinity Train, It’s Pony, The Owl House, Glitch Techs, Kipo and the Age of Wonderbeasts, The Midnight Gospel, Kid Cosmic, Centaurworld, City of Ghosts, Invincible, The Ghost and Molly McGee, Inside Job, Arcane, Tear Along the Dotted Line, Maya and the Three, Dead End: Paranormal Park, Hamster and Gretel, Bee and Puppycat, Pantheon, Moon Girl and Devil Dinosaur, Kiff, Hailey’s On It!, and a couple others I’ve checked out some clips of.

Granted, I like some of these shows more than others. I wouldn’t call any of these perfect because with enough time I can find things in each of them that irk me. But I certainly feel I have a stronger awareness of shows that have aired in the past five years than I have for the rest of my life. Gaining a lot more online awareness probably also helps in that regard. I feel like I’m learning more about myself as an artistic person and writer by thinking about these and wanting to write about them.

With the end of Hilda, I feel it also marks the end of an era. Nearly every show I mentioned above has ended, whether by its own terms or not. Some have questionable conclusions, some were cut short, and a handful are ongoing or even just begun. But 2024 will mark the first year in some time where the big show that got me to get further into animation watching will not be on the horizon.

Now, I don’t think Hilda is going away forever. We’ve likely all seen Luke Pearson is already writing a prequel comic. There are more supplemental and side books being released faster than I can keep track of. Most of the shows I mentioned that have ended are still with us in a bevy of ways. With some networks looking for the next big hit they feel content to keep on reminding people about the stuff they already love to keep them engaged. For instance, for all their corporate shenanigans, Disney is doing a good job at keeping people aware of Amphibia.

I think the process of shows going away has been made easier by maintaining a broader range of shows to watch. Even with Hilda finished, I have the remaining episodes of Big City Greens along with the shows that just premiered and have more episodes on the way. Then there are all the upcoming shows that could grab my attention in the ways many of the previously mentioned have.

It does feel bittersweet, knowing we’ve all watched this show and came together for it and may be left wondering where we go now. I regret not engaging with you all more in the past, but who’s to say that can’t change now? At the end of the day, a show like this and many others extend far beyond what’s on the screen.

We’re all here to celebrate a show that we enjoy and that inspires us to create, to tell stories, to meet new people, to reflect on who we are and where we can take ourselves. Looking back, I have mixed feelings on the last season of Danny Phantom, but it was the first show where I talked with folks online about it and looked at fanart and read stories, and it is in this way that I met some of my oldest friends. Some of the most genuine, wonderful people I’ve known for over 15 years. That’s the beauty of an artistic creation like this or any other show.

Looking at the upcoming slate of shows and seeing just a bunch of stuff I don’t recognize does add to the hesitation. It’s easy to think that nothing new could live up and this empty feeling will persist. The strongest sense of “emptiness” I felt recently was when Amphibia ended, but this one is also up there because of what its end brings with it. But looking ahead, who’s to say we won’t all find a show that will enrapture our senses and inspire us the way our past favorites did?

I certainly didn’t think I could move on from Danny Phantom or Gravity Falls or Amphibia at those moments. But with some time, I’ve been able to keep moving forward and find new things that inspired me in all new ways. It may take time, but I think many of us will do the same here.

I’m sure I’ll keep reading the stories, and seeing the fanart, and thinking of my own ideas of stuff to share. To paraphrase Star Trek II, it’s not really gone so long as we remember it.

Here’s to the future, y’all. Cheers.

[historyhermann]

Beauty, dress codes, and fashion: Examining twenty fictional White female librarians [Part 2]

Continued from part 1

Apart from the above-mentioned older librarians, there are some librarians who have a bit more style. This includes the unnamed librarian in a Steven Universe episode ("Buddy's Book"), one of the protagonists of I Lost My Body, an animated film set in France, Gabrielle, and Marion the Librarian in various episodes of Hanny Manny. The most casual of these is the Steven Universe librarian who is shown wearing what looks like a green cardigan and glasses, with a green undershirt of some kind shown in the comics. However, she may be more casual in the comics than in the animated series, as she could be wearing a collared shirt in the episode, as shown below:

Reprinted from my Pop Culture Library Review WordPress, where this post was published on Nov. 29, 2022.

Her style is in line with librarians who say [7] that they wear cardigans, black dress pants, oxford shirts, dressy shoes, casual pants, slacks, blouses, sweaters, button downs, leggings, tights, and skirts. I haven't seen any fictional librarians in dresses that I can recall, however nor in sundresses, jumpers, t-shirts, shirt and tie, khakis, with tattoos or with piercings. It is likely that the Buddwick Public Library in Beach City has a business-professional dress code that prohibits shorts, sneakers, t-shirts with writing, backless shoes, and blue jeans. We can't know for sure, because we never see the librarian, or any other librarians, outside of their work behind the information desk. [8]

Compare the unnamed librarian in Steven Universe to Gabrielle in I Lost My Body and Marion the Librarian in Hanny Manny. Both characters wear business casual more than casual, looking comfortable in their workplaces while they look professional. However, it is unlikely that either of them have "highly regularized" librarian dress, but rather that there are continuing struggles over what it means to "dress professionally" in their jobs. Even so neither are wearing t-shirts, jeans, gym shoes, jeans, or even open-toed shoes in line with varied dress codes, or anything similar to the variety of adorable outfits out there which are inspired by librarians. Instead, they have a practical, curated, and straightforward style, likely recognizing that what you wear has a "lot to do with identity" even if they aren't aware of the cultural stereotypes out there of librarians. [9]

There are other librarians who have style, even if in a more "traditional" way. This includes elderly librarians enforcing rules, like the librarian in Uncle Grandpa episode ("Back to the Library"), Miss Dickens in Carl Squared episode ("Carl's Techno-Jinx"), Ms. Hatchet in Kim Possible episode ("Overdue"), Mrs. Shusher in an episode of The Replacements (“Quiet Riot"), and the unnamed librarian in a few episodes of Kick Buttowski: Suburban Daredevil. The same can be said for the stickler librarian in an episode of Rugrats, Ms. L in an episode of Dexter’s Laboratory (“Book ‘Em") and the briefly appearing librarian in an episode of Martin Mystery (“Return of the Dark Druid"). [10]

What they are wearing is reflect of what Brytani of The Intrepid Nerd pointed out: that often librarians are portrayed in fashion catalogs, Pinterest, and elsewhere with "vintage looks." This includes dresses or skirts, sweaters / cardigans / blazers, "smart" shoes, and glasses. She concluded that people give librarian's this look because there is "something nostalgic about reading books" and working somewhere that is full of them, or a more disturbing conclusion: that people dress librarians this way "because they think the career is outdated." Hopefully, the creators of Uncle Grandpa, Carl Squared, Kim Possible, The Replacements, Kick Buttowski: Suburban Daredevil, Rugrats, Dexter’s Laboratory, and Martin Mystery don't think this way about librarians.

This dress doesn't take away from the fact that the librarian in Uncle Grandpa and the librarian in Rugrats are super kind [11] even though they are dressing conservatively. This is in contrast to the sadistic Ms. Hatchet in Kim Possible and the unnamed librarian in Kick Buttowski: Suburban Daredevil or the strict shushing librarians Mrs. Shusher in The Replacements, Miss Dickens in Carl Squared, Ms. L in Dexter’s Laboratory, and a librarian in Martin Mystery.

What they all have in common is what they are wearing fulfills what eHow has called the "classic librarian costume," admitting it goes along with the librarian stereotype. [12] At the same time, how they dress may be about appearing professional and some of those libraries may even have formal dress codes.

Continued in part 3

© 2022 Burkely Hermann. All rights reserved.

Notes

[7] See Comments on "Dress Codes" discussion on /r/librarians in May 2014 and Comments on "Does your library have a dress code for librarians, aides, etc.?" discussion on /r/librarians in September 2014.

[8] Alexa Newman, "Workplace Dress Codes – Does Your Library Have One?," ALSC Blog, Dec. 28, 2017.

[9] Alex Dopico, "How should I dress for a library job?," Janetpanic.com, Dec. 19, 2019; Ruthann Robson, "Dress Code for Librarians," Dressing Constitutionally, Jun. 7, 2013; Lisa Knasiak, "Dress Codes at the Library," Public Libraries Online, Sept. 14, 2015; "The Ladies Of A Beautiful Mess Love Libraries...," Misfit Librarian's Style Catalog, Mar. 17, 2012; "Sister Style: Library Inspired," A Beautiful Mess, Mar. 8, 2012; "Dotty The Librarian From Little Chief Honeybee...," Misfit Librarian's Style Catalog, Sept. 6, 2011; Kaelab Beauregarde, "Dotty the Librarian," The Charming Life, Sept. 2011; "Library Date Dress From A Beautiful Mess...," Misfit Librarian's Style Catalog, Aug. 22, 2011; "The Library Date Dress: 3 Ways To Wear It," A Beautiful Mess, Aug. 22, 2011; Molly Wetta, "What makes a work wardrobe?," Librarian Style, Jun. 1, 2021.

[10] I can't get a photograph as of now, but Ms. Herrera in the same Archie's Weird Mysteries episode as Violet might be another character.

[11] These words are used by Angeline to describe her work outfit on her June 2011 post "The librarian 'do [outfit]" on her blog The New Professional.

[12] Rachel Sawaya, "Ideas for a Librarian Costume," eHow, accessed Mar. 15, 2022. They specifically outline options that follow the librarian stereotype, including, "a pencil skirt...for women...a pair of dark, formal slacks for men....a crisp, pale, high-necked blouse or collared shirt...[or] a dark vest with buttons..a tie or bowtie...for men. A plain silk scarf...for women. [or] a classic cardigan...stockings or pantyhose for women. [or] plain, dark leather shoes or ankle boots." They also say that "classic items" include spectacles with thin rims, a small pile of books, hollowing out an old book, and "literary-themed accessories."

[mysoulremains]

So I asked my best friend based on my endless rambles (honestly though thank you for bearing them lmao) to write down what she knows about the characters and this is the result and I am crying

[therenlover]

Therenlover’s Official Fanfic Glossary!

Hey hey hey! This is the place where you can find all my up-to-date fanfics linked nicely, read about what projects I have upcoming, and learn what requests I’m taking at the moment! Cheers!

This post is massive so, for the sake of your dash, everything is under the cut

A NOTE ABOUT REQUESTS!

I will do my best to fulfill any requests I get while my ask box/requests are open! That being said, I cannot promise every request will get done, and that if they do, they’ll be done in a timely manner. I’m currently working on a long-form project that needs a lot of time and energy to come out consistently, so unless I’m doing a writing event most of my writing juice will be focused on that. That being said, if you want something ask! The worst I can possibly do is direct you towards someone else who might be able to write what you want if I cant.

If I choose not to do your request based on personal preference (it makes me uncomfy/I don’t write for the character at that time/I don’t feel I can write what you want/etc.) I will do my best to contact you and let you know! That being said, if you think your ask got buried/forgotten, feel free to message me again and let me know, but please tell me when you message me if I should be looking for a prior request.

Characters/Fandoms I will write for currently

 💙 = I’m Currently Super Inspired To Write For This Character

Marvel/X-Men

Bucky Barnes

Loki

Peter Maximoff 💙

Pietro Maximoff

Helmut Zemo 💙

Hank McCoy

Ralph Bohner 💙

Vision

American Horror Story

Tate Langdon

Kit Walker 💙

Kyle Spencer (Pre- and Post- Death)

Jimmy Darling 💙

James Patrick March 💙

Kai Anderson

Fallout 4

Nick Valentine

Hancock

Star Wars

Poe Dameron

Armitage Hux 💙

Kylo Ren/Ben Solo

Finn

Han Solo

Assorted/Random

Diarmuid Ua Duibhne - FGO

Cu Chulainn/Cu Alter - FGO

Warren Lipka - American Animals 💙

Enjolras - Les Miserables

Grantaire - Les Miserables

Gabriel - Supernatural

Imagines - REQUESTS CLOSED

Songs From Musicals Y/N Would Sing To The Evans

Characters: Tate Langdon, Kit Walker, Kyle Spencer, Jimmy Darling, James Patrick March, Kai Anderson, Peter Maximoff

Rating: T

How The Evans (+ Quicksilver) Would React To Yoplait’s New Gushers Yogurt

Characters: Tate Langdon, Kit Walker, Kyle Spencer, Jimmy Darling, James Patrick March, Rory Monahan, Kai Anderson, Peter Maximoff

Rating: T

Would The Danny Bunch Survive A Holiday With My Family?

Characters: Laszlo Kreizler, Alex Kerner, Niki Lauda, Andrea Marowski, Ernst Schmidt, Helmut Zemo

Rating: T

Headcanons - REQUESTS CLOSED

Modern! AU Armitage Hux Boyfriend Headcanons

Zemo With A Well Dress S/O Headcanons

Zemo Getting Jealous Headcanons

Oneshots - REQUESTS CLOSED

Marvel/X-Men

Helmut Zemo

One Last Night In Madripoor

Synopsis: Baron Helmut Zemo is a lonely, wanted man looking for some fun, you’re a piss-poor bounty hunter in search of a connection before leaving your life of crime behind, and fate has brought you together at a party the likes of which has never been seen before. You only have one night left in Madripoor, so why not take a chance?

Rating: 18+

Word Count: 4200~

Still Some Catching Up To Do

Synopsis: As a member of the criminal underworld, people walk out of your life all the time. Some are killed, others kill themselves, most get caught and only a couple get out of the life unscathed, disappearing into the world never to be seen again. Very few walk back in. So when your supposedly incarcerated ex-lover, the Winter Soldier, and the Falcon waltzed through your door and made you murder your boss, needless to say, you were surprised and more than a little bit pissed.

Rating: 16+

Word Count: 6800~

Nine Years Starved

Synopsis: It had been a little over nine years since Helmut Zemo lost his family, his country, and his sanity. Nine years since his last kiss. Nine years since he felt like a human man. Finally, he was ready to start over again, but first, he had to pay his penance back where it all began; Novi Grad. That’s when, by the grace of the fates, he met you.

Rating: G

Word Count: 7000~

Daddy Dearest

Synopsis: Not everyone gets lucky enough to go from being a broke college student in New York to being the sugar baby to literal royalty, but not everyone is you. Most people would be worried about messing things up or losing him to someone else, but you knew he would never find another baby just like you. Besides, you knew exactly what to do to keep him wrapped around your little finger. He may have been the daddy, but you pulled the reins.

Rating: 18+

Word Count: 8000~

In Fleeting Touches & Airy Sighs

Part One   Part Two   Part Three   Part Four

Synopsis: As a wanted man, Helmut Zemo spends most of his time jumping from place to place in the hopes of avoiding a trip back to prison. Unfortunately, that means he can’t always be home in your arms. When he is, though, in the rare moments of calm, you’re reminded of just how worth it it’s been to wait, even if that wait was only shortened by the arrival of your enemies.

Rating: 18+

Word Count: 35,700~

Two Bodies In The Rain

Synopsis: It was raining the day you finally had to admit your feelings to Helmut. You hated to tell him the way you did, under the grey skies as your blood pooled below you, but at least you knew, in the end, he had seen the real you, even just once. That was enough.

Rating: T

Word Count: 5600~

Rest

Synopsis: Living life on the lam with your escaped super-villain lover means things rarely slow down enough for a real rest. When the exhaustion starts to take its toll on you, though, he knows exactly what to do to ease the pain. He may not be a good man, but he’s a good husband when it counts.

Rating: T

Word Count: 3200~

American Horror Story

Jimmy Darling

Red Nights In Jupiter

Synopsis: At the end of another long day, you fall into bed with Jimmy Darling. The men you served throughout the day don’t matter then, nor do the coins in the mason jar by the door, or the women scheduled to attend Jimmy’s next Tupperware party. No, in that quiet darkness it’s just you and the man you love, bone-tired and happy to be home. Who could ask for more?

Rating: 16+

Word Count: 3000~

James Patrick March

Heartsick

Synopsis: When you fall ill, James is given a forceful awakening about how he’s been neglecting your needs and what he must do to prevent harm from befalling you again.

Rating: 16+

Word Count: 3700~

In Sickness And In Health

Synopsis: Normally people don’t have their wedding and funeral on the same day, but you and James don’t quite have a normal relationship, do you? Besides, you wouldn’t wanna go any other way.

Rating: 18+

Word Count: 5500~

Fallout 4

Currently Empty

Star Wars

Currently Empty

Assorted/Random

Currently Empty

Long Form Works/Series

Young Artist!Zemo AU

Chapter One: The Boy With The Easel

Synopsis: About a month into your first semester at Novi Grad’s top university, you finally meet the strange young man that you’ve taken to calling “easel boy” in the back of a bookshop. From a distance, he always seemed cold and aloof. As you get to know him, though, you realize things aren’t always what they seem.

Rating: T

Word Count: 7000~

Till Forever Falls Apart (A Peter Maximoff/Reader Series)

Chapter One: Welcome Home

Synopsis: As if getting thrown through the multiverse, trapped in an attic (albeit a cool one), mind-controlled to manipulate his grieving sister, and subsequently dragged out of Westview “for his own safety” by the FBI wasn’t enough, Peter Maximoff has now been shipped off to New York to live with a glorified baby sitter like some tragic orphan in a comic book until they find a way to get him back home. Things are not always as they seem, though, and this change might just be for the better.

Rating: T

Word Count: 2400~

Chapter Two: The Doctor Is In

Synopsis: Peter’s first few days in his new home are mostly uneventful, so he decides it’s the perfect time to dust off his running goggles and steal some shit. The building with the massive circular stained glass window seems like a great place to start! People with buildings that lavish are usually rich and weak, so what could possibly go wrong?

Rating: T

Word Count: 2800~

Chapter Three: It’s Always Been You

Synopsis: After a month of adapting to his new universe, Peter Maximoff can confidently say that he likes his new life more than his old one. Sure, he misses home sometimes, but he’s been far too busy flirting with his new roommate to spend time crying over the things he’s lost. Everything is smooth sailing until a strange journal in his roommate’s study leaves him with more questions than he knows what to do with. Now he’s on a mission to discover who he’s really living with before she has the chance to turn against him.

Rating: T

Word Count: 8600~

Chapter Four: Before You Go

Synopsis: Peter, after days of contemplation, has realized that part of him loves Y/N no matter what she is or what she’s been through. Unfortunately, he can’t find her anywhere. When she finally returns home with the intention of leaving again, Peter realizes it’s his last chance to tell her how he really feels. Will he succeed, or will he fail to be fast enough once again?

Rating: T

Word Count: 4000~

Chapter Four And A Half: Gimme Swayze

Synopsis: Now that the issue of Y/N leaving is out of the way, and Peter has finally kissed her, he falls into the motions of learning how to love someone for the first time. It’s easier than he thought it would be.

Rating: T

Word Count; 2600~

Cakes For The Evans: A Blogging And Baking Adventure!

Kai Anderson’s Disaster Cake

Hey you! If you’ve made it this far down the list, thanks for supporting me as an author! I’ll be linking my AO3 here. I post everything there shortly before I post it here, and there are some older fics there you might enjoy along the way! It’s also easier to drop comments over there and I keep them open for non-members, so give me a shout if you liked what I wrote!

I love you all, you make me so happy, and without you support I would never be motivated to write! Cheers!

[saby-chan]

Why the ATLA comics fail when it comes to Zuko and his family

To whom ever took their time to actually stop and read this post, thank you in advance for not skipping my post and willing to stay and read my humble opinion! I hope I won’t disappoint you!

As a relatively newcomer to the ATLA fanbase since 2020, I’ve come across a lot of interesting debates, comments and rants about the show, characters and fandom in general, but nothing has captivated me as much as the dumpster-on-fire that are the ATLA comics, more specifically: The Promise and The Search. 

On one hand we have the hardcore fans who want them to be animated or serialized into the Netflix live action, praising the comics for the new views and subject matters they’ve brought into the show’s lore, while on the other hand we have the furious Azula fandom who is really angry for the fact that best girl didn’t get the redemption arc she rightfully deserved so much after the painful event that was the Last Agni Kai and the even more angry fans of the Urzai ship (yeah, the people who actually ship Zuko’s parents unironically) who hated the retconning of the show’s cannon since the comics basically took a huge fat dump on what was previously established as official cannon, when the Search entered the scene, but between these two sides, who has the more valid point? In the end, are the comics good cannon or bad written fanfiction?

Well... Here are my two cents on this matter since I myself happen to be an Azula and Zuko fan and had huge expectations from these comics (since I wanted more from my fave hot-headed fiery siblings duo) but ended up disappointed: the comics are indeed a huge mess and actually bad written fanfiction when it comes to Zuko and his family! Don’t click off yet, because I actually documented the reasons why exactly the comics fail in this area:

1. The author of these comics is not part of the BryKe duo

Yes, I would like to start with the fact that if you actually take a second to look up who in the heck took the time to write these two books, you won’t find Bryan, nor Mike, but a fellow man named Gene Yang. This is important because while the wiki of both The Promise and The Search state BryKe as the creators, that doesn’t mean that they were the actual minds behind these comics, but rather because ATLA is their “baby” and these comics involve their characters, over which they have copyright. Mr. Yang here is the actual brain behind the plot, as the main writer, which explains why we find huuuuge inconsistencies between the show lore and the comics, especially Zuko wise.

My main issue with Mr. Yang isn’t that he isn’t BryKe specifically, but because he did an unforgivable mistake in his writing process: He projected himself into Zuko’s character, based on the relationship Zuko had with his father. This is a documented fact from an interview in which he explains that he sees himself and his dad’s relationship into Zuko and Ozai and used that when writing their interactions and built Zuko’s character in the comics. And this is wrong because when you have an already very developed and complex character such as Zuko, you can’t just come in and be like “Oh, I was an angsty teen just like him in my teenage years, fighting with my dad and whatnot, so he must have the same thought process as me!”. NO! This is bad fanfiction writer behavior! Zuko has his own personality and philosophy, which he developed over the course of 3 seasons and is not defined by only 1 unfortunate aspect of his past, so you can’t just base his whole mindset and actions off of your own personal experience just because you had the same daddy issues he had!

2. The whole “Promise that you will kill me if I turn out like my dad!” nonsense in The Promise

Reason number 2 why these comics fail and go under the category of “bad fanfiction” is because they fail to convey the core essence of the source material. The whole point of Zuko’s redemption was that he realized the wrongdoings of his ancestors and his own mistakes. He outgrew his desire of gaining his father’s acknowledgement in favor of choosing his own destiny. Having him worry that he’ll turn into his father is utter nonsense and feels like poor angsty drama material for the sake of angst. At this point in time, Zuko has overcame that obstacle in his life a long time ago and should be at the level where he himself is the “Uncle Iroh” for other people and in no way someone concerned of becoming their own worst enemy!

Not only that, but the whole point of Aang’s journey and the story of the show as a whole was to teach us, the viewers, the importance of forgiveness, empathy and love in life. Aang didn’t spare Ozai, aka “the ultimate evil” just to flex in front of his pals or because he is a “ 12 y/o vegan pacifist monk kid”, but because he knew that killing someone, no matter of what they did or wanted to do, wouldn’t restore balance into the Universe, on the contrary, him killing the villain would have meant perpetuating the “endless cycle of hate” that plagued the world. So having Aang promise to kill his best friend in case “they turned into an evil maniac like their dad” contradicts Aang’s whole character and it’s a nonsense that throws into the trash what we’ve learnt throughout the entire TV series.

3. Azula deserved (and was supposed) to have a redemption ark

This might still be pure speculation, but I count it as a documented reason because I’ve heard quite a few people saying that there should’ve been a book 4 in the show, aka “Book 4: Air”, and no, it wasn’t The Search, but actually Zuko and Azula’s journey as Zuko helps his younger sister heal her broken mind by being her very own “Uncle Iroh”. Sure, they prolly were going to end up looking for Ursa, but the journey should’ve ended with them actually being happy and a family again and not the bs we got in The Search where a still very unstable Azula runs away and becomes the “Next Joker”! The only problem is that M. Night had to pop up and curse the world with his movie, which forced BryKe to delay the project (and eventually abandoned it in favor of Korra).

All in all, either if BryKe had this preplanned or not, it made sense for Azula to get a redemption ark, she deserved it because she was just a broken 14 y/o child! If Katara’s mom’s murderer deserved to be forgiven, so did this poor child who had no fault for what happened to her since she had a dysfunctional family! What Gene Yang did in his poorly written fanfiction was to just antagonize a broken child, turning her into a monster for the sake of friggin angst!

4. The Search is the worst of the two, being flat af character wise

And finally, getting to the point that I personally find the most annoying about these comics: The Search. This one... This one is a mess on a hella lot many levels, and just to list a few: characters are flat as fudge, being either black as vanta black (like Ozai and Azula) or pure white like Gene’s Gary Stue OC, Mr Ikem (or how I like to call him, IKEA man) and his ‘victim’ rendition of Ursa, Azula gets to suffer more for no reason (see reason number 3 to why I find this as a no no), Ursa’s whole character sucks ass (man, I could write a whole thesis on why Yang’s version of her is terrible and doesn’t match the strong woman we got in the show) and Zuko does morally wrong stuff (my man literally used his unstable sister to bribe their dad into spitting info about Ursa... Show Zuko would never do that!;-;)

Oh boy, as a person who’s seen a ton of anime and other media and read many books, I can’t begin on how much I despise this type of writing: flat characters are the worst!

 ATLA characters in the show are nothing close to being flat! What I mean by that is that none of them fall perfectly into pure white (aka goodest of good characters with no imperfections) or vanta black (aka lowest and darkest twisted monsters out there), each of them are various shades of grey (like Aang who is a very light grey because despite being a very kind and nice character, he still isn’t a “perfect hero” since he ran away from his duties, practiced tax fraud with Toph, had insecurities and even threatened to kill people on ocassions like with the sand benders who took Appa) and this is a good choice because that prevents them from becoming what’s globally known as Mary Sues and Gary Stues (aka those either “perfect” characters with no flaws and/or unlimited power, or the twisted monsters full of flaws).

And the other reason why many other people hate The Search: it literally negates previously established cannon. And here comes my short essay on why this comic fails Zuko’s family (since we’ve already talked enough about Zuko himself).

In cannon and even interviews with BryKe, it was clearly stated that Zuko’s family was “once happy”. Where is this “once happy” family in The Search? All I see is pain, deception, lies and betrayal, nothing close to anything that resembles happiness. Okay, some of you might come in and say that “It’s because it was never the case! It was only lies and Zuko trying to convince himself that he didn’t live in hell forever!” and here is WHERE YOU WERE ALL WRONG! And why? Because, my dear fella, where were depicted the flashbacks of Zuko’s “happy family” in The Beach? Ember Island. And what do we know and had been even quoted in the show?  "Like waves washing away the footprints on the sand, Ember Island gives everyone a clean slate. Ember Island reveals the true you." (direct quote from the show). Exactly, no matter who you are or how hard you try, you can’t hide your true self when you are on the Ember Island, best example being Azula, who’s impenetrable though shell cracked and revealed the true vulnerable child that was underneath. If Azula couldn’t resist the “spell of the island”, no one can. So this means that Zuko’s family was indeed happy once and yes, Ozai wasn’t always the douchebag we got to know in Season 3 (I have a whole nother essay on my theories regarding what could be his real past story and why he’s actually the “Zuko” of his generation, based on stuff I gathered from old wiki entries and character analyses I made, but that’s for another time, lemme know if ya’ll are interested).

And what I guess is the biggest proof why The Search did this family’s past trash is comics Ursa herself. My dude, if this woman were indeed the victim of years of endless abuse and never loved her husband, I guarantee you that she would’ve been closer to what we saw in Todoroki’s mom from BNHA and Zuko would’ve gotten that scar or even worse long before the Agni Kai, not from his “daddy dearest”, but from “mommy dearest” herself, because no sane woman would be soo affectionate and attached to a child that’s the perfect copy of their abuser, sepecially appearance wise (again see Todoroki’s mom’s case from BNHA because the stories are really similar) and in no way would’ve she been willing to sacrifice her life for said child’s sake. With this ocassion, I remind ya’ll folks that according to the ancient ATLA cannon wikis on Nick’s site, Ozai was designed with Zuko’s appearance in mind, being meant to be like a “grown up scarless version” of Zuko. So yeah, remember this with a grain of salt that whenever you simp over grown up Zuko, you involuntary simp for Ozai too.

So yeah, I guess this kinda concludes my “not so short” rant about why the comics fail and are bad fanfiction. Lemme hear your thoughts in the comments and if you agree, feel free to leave a like and even reblog.

Bye bye and remember that Momo is the true strongest character of the show!

 Saby out.

[ordinaryschmuck]

What I Thought About "Echoes of the Past" from The Owl House

Salutations, random people on the internet who most certainly won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

What probably gets debated the most in the fandom is the legitimacy behind King being the King of Demons. Some believe that there's truth to his statement, while others, like me, like to think that he was just some stray Eda picked up off the streets. Either option seemed likely, especially since Season One never gave an answer that leaned one way or the other.

Then here comes the writers finally answering the question of who King is in episode THREE of Season Two! Because, again, they don't waste time on giving fans exactly what they want.

Fans wanted answers behind King, we got 'em, and analyzing what those answers mean requires going deep into spoilers. So if you haven't checked the episode out yet, I highly recommend that you do. Trust me, it's worth seeing.

Now let's review, shall we?

WHAT I LIKED

Luz Experimenting with Spells: Hey, look! More proof that Luz isn't an idiot like some people flanderize her to be!

But, seriously though, this is a perfect little thread to introduce into the story. Luz collecting knowledge from Lilith's old books and past work she and Eda made adds to Luz's intelligence while also providing a believable explanation for how she gets new spells. It's also nice to see that she has this little notebook (or spellbook) to help see what works and what doesn't. It's a level of experimentation that proves her dedication to becoming a witch while also exemplifying how she isn't stupid. Occasionally reckless, sure, but you can't say that the person who figured out an invisibility spell through showing her work is also an idiot.

Francios with a Knife: How did Francois get a knife? I don't know. But the fact that a random knife plopped out behind him with little to no explanation is funny, and I will not hear otherwise.

I don't make the rules. I just abide by them.

Luz’s Invisibility Spell: I breezed past this, but I honestly love this invisibility spell. More specifically, I love that there's a limiter. It can turn you, objects, and people you're in contact with invisible, but only as long as you can hold your breath. It helps make the spell something the characters can't always rely on, which is appreciated. Because if it works as long as they concentrate, what's stopping them from sneaking into Belos' castle and assassinating him in his sleep? It's a smart way of explaining why they can't always rely on something, despite how insanely useful it is.

Luz: Let's gush about Luz some more, shall we!

"Echoes of the Past" is another episode that has Luz on top form. She is constantly supportive of King, even if Lilith has a point in the dangers of indulging his fantasy as a powerful tyrant. Doing so would cause more harm than good, especially when King finds out Luz doesn't believe him, but her going along with it was all done with the best of intentions. Luz doesn't want to hurt her friend, and even if she did in the long run, she still makes up for it by helping King learn more about his past.

And, as another reminder, Luz isn't stupid. She's the first to say they should leave when it's clear how dangerous the castle is and is quick to figure out there should be more at the top. Luz is a loyal and caring friend who's also guarded and intuitive when the situation calls for it. This episode understood that, so here's hoping other fans will too.

Lilith: Yeah, she's still growing on me.

I feel like this episode shows a better idea of Lilith's place in the group more than the past two. She's a person who's obsessed with knowledge and learning but considers herself above the jovial nature of King, Luz, and definitely Eda. Therefore, she acts as the perfect catalyst for what jumpstarts this week's adventure. It doesn't surprise me in the slightest that she almost instantly dismisses King's claims due to considering herself more knowledgeable than everyone else. Still, I like how she's willing to believe King once she finally sees evidence that seemingly proves he really was the King of Demons, to the point of referring to him as "her lord." Hooty does the same thing, but it comes across as him fearing for his own life and choosing to be friends with someone who could maybe kill him in an instant. For Lilith, her newfound respect comes from the desire to learn more, and it's that desire that makes Lilith an enjoyable character to me. It's adorable to see, and it has some comedic flavor in moments like when she dismisses everyone else and their emotional revelations to take pictures of the carvings around her. I'm sure she'll cause some controversy like other characters with rushed reformations, but for me, I'm more than ok with her addition to the main cast.

More of Lilith’s and Hooty’s Friendship: HOW DOES THIS WORK!?

ON PAPER, IT SEEMS LIKE IT WOULD BE A BAD IDEA, BUT IT F**KING WORKS!

HOW?!

WHAT BLACK MAGIC DID THESE WRITERS USE TO MAKE A RELATIONSHIP SO UNEXPECTED COME ACROSS AS SO ENDEARING AND ADORABLE?!

And where can I get some for my stories...just asking.

But seriously: HOW?!

Hooty Making Himself Portable: Ah, yes. The classic bit where a character does something horrifically grotesque off-screen, and we have nothing but character reactions and sound effects to imagine what happened between shot A and shot B. It's an oldie, but given how hard I was laughing (mostly because of Luz's gagging), it's still a goodie.

Eda’s Portable Bathtub Boat Thing: I mean...I was expecting Eda would use something to catch up with the others, but...that thing...well...I mean, I'm still laughing just by thinking about it. That should tell you how well executed this joke was.

John Luke: ...I'm gonna go ahead and add him to the list because HOLY S**T was this guy disturbing! From his design to his movements to even the sounds he makes when moving, everything about John Luke screams as something that will stay in kids' nightmares for a while. Now, this might seem like a complaint, but to be honest, I'm more than alright with how creepy John Luke is. I highly doubt adult viewers will consider John Luke scary, but I guarantee he'll terrify some of the youngins that this series is aimed for. And that's fine. It's good to creep kids out a little bit with something somewhat scary, as it might introduce them to more good horror stories later in life.

Plus, the reveal that John Luke was only a guard for King is pretty solid narratively speaking. You can see how John never really meant to hurt King aside from one accident when Eda escaped with him. If you want to read into it, I guess it might be questionable to tell kids that something that looks dangerous is secretly nice, but that's really nitpicky, in my opinion. John Luke was a fantastic threat that is designed and animated well, with a solidly executed twist. Some might hate what he presents, most will fear him, but we can all agree on one thing: His theme is awesome (can I get the track for that, please)!

King’s Backstory: Finally, at long last, we know who King is, thus putting an end to a year-long debate. And I fully mean it when I say that the writers gave the best possible answer. Because in a way, everyone was right. Yes, King was just an animal that Eda decided to adopt, like the nature-loving hippie she is inside (She's got the hair for it). However, while he may not be the King of Demons himself, he is still the son of someone who deserves that title. So while he isn't the King, there's a chance he might be the Prince. Once again, there's no direct answer, but given how the writers came up with something that pleases everyone while still providing more questions for debate, it acts as a brilliant move, in my opinion. So whatever answer we get next, I'm sure it will be just as perfect.

Baby King:

My heart was not prepared for that level of cuteness!

King’s Breakdown: NOR WAS IT READY FOR THIS LEVEL OF SADNESS!

But in all seriousness, a HUGE round of applause to Alex Hirsch for his performance in this episode. He expertly captured the raw emotions of shock, anger, betrayal, and sadness that King must have felt when finding out that everything he believed he was is a lie. It's one of those moments where I don't hear a person voicing lines in a booth (or wherever the hell VAs are voicing characters nowadays), but instead hear a living person being emotionally torn apart. It was heartbreaking seeing King so vulnerable as he's so guarded with his emotions. Seeing him like this adds so much more layers to a character that many would mistake him as a cute, comedic animal sidekick. But just like with Luz, there's more to him than people will tell you.

“I don’t even know what’s real or fake anymore!”: I'm just pointing out this line because I believe it's what convinces Luz to help King learn more about who he is. Hell, not knowing what's real or fake is the main reason why Luz got sent away in the first place, so I feel like she can relate to King when he's in a similar predicament.

Hooty and Lilith vs John Luke: This was just a cool scene with some epic moments of dodging John Luke's attacks and some funny ones, like how Hooty said the word "pain." It's a ten out of ten that I would rewind to watch again.

King’s Other Horn: I'd question the logistics of how a horn that got broken off when he was a baby still manages to fit perfectly in the present...but it is neat symbolism of King accepting his past and letting it be a part of him, so who cares?

(The fact that the colors of the broken-off piece don't match the rest of the horn is nice attention to detail as well.)

WHAT I DISLIKED

It's a Little Too Predictable: I pretty much figured almost every little twist the episode offers. But, I'm willing to say that's because I'm in my twenties, and I've seen enough stories similar to this one, so I'm more likely to know what will happen. The little monsters watching this will see it for the first time, so they'll most likely get more surprised than me...And that was my only complaint about the episode...which is more of a personal problem than an actual issue...I guess that means it's perfect.

IN CONCLUSION

"Echoes of the Past" is an easy A+ in my book. It gives lore and backstory that furtherly develops the characters that episodes like this should. It also tells a tragic story about King that still sprinkles in a few good jokes every now and again to lighten up the mood. Sure, there are some nitpicks I could mention (how did King remember his own birth?). But when the good stuff is done so well, what's the point of dwelling on small, insignificant issues? This is still a phenomenal episode that flew past all expectations I had for it, and it continues the winning steak this season is having so far.

(But that's still three home runs in a row. Meaning that a stinker is coming. Ooiee, is it coming!)

[jessethejoyful]

opinions on the graceling graphic novel

disclaimer: I have not actually gotten my hands on a copy yet, nor do I particularly plan to spend money on one, but I'm going off of the previews I've seen. also I swear I am not trying to be mean or drag the artist, but I have a lot of strong feelings

but also a claimer: I'm studying comics and have been exposed to all sorts of artists, including going overseas for an international comic conference, so like - I have a little expertise here

this series is one of my absolute favorites and has been for a very long time!!! but ever since the illustrator for the adaptation was announced, I've been so disappointed. I had actually seen his Odyssey and other works before, and put them back on the shelf because I was so bored by his art style (and I love mythology so I was very upset)

first of all: the artist should have been a woman. particularly, a woman of color. almost every character in the entire series is Not White and many of them are women (all of the main protagonists are women, with only one of them being like, white passing while the rest are woc) so the fact that the person chosen to do this was a white man makes me unbelievably miffed, because women and women/people of color are so often ignored in the comic and graphic novel industry

and then, there's his style. I do not enjoy it whatsoever. it is the stiffest, least artistic, flat art I've ever seen for comics, which is honestly saying something. his choice of colors is so painfully drab. this mans really said I'm gonna choose the most boring local colors (def: the natural color of an object unmodified by adding unrealistic light and shadow or any other distortion) and shade them with the saddest gray tones imaginable and received immense praise for it. the graceling series is full of color, colorful eyes and animals and landscapes and people and items

compare this page spread:

to this spread from the prince and the dressmaker, written and illustrated by jen wang (a woman of color!!! wild!!!):

I tried to pick an example that has low light similar to the one from graceling, but obviously it's not a perfect comparison. the way the colors of the fore and backgrounds work together and create such a lively setting is incredible to me!!! this book is so full of light and color and intrigue, whereas all of the work by the other illustrator is just blah

and then there's the actual just drawing itself!!! I'm actually shocked at how stiff and unnatural all the figures look in everything I've seen

what is this stiffness??? katsa, master of grace and combat, frequently compared to a cat, would never have such stiff movements or posture.

meanwhile, this is another shot from jen wang's book. look at the strokes around frances as she falls. the emotion, the speed of the strokes, the movement of her clothes and hair portraying actual motion

I don't really have a final point or a conclusion to make, I just have a lot of feelings and a lot of sadness about this adaptation. it's the first official visual representation of one of the most diverse, intriguing, meaningful fantasy books I've ever read, and this is what we get?? fuuuuuuck that noise

thanks for coming to my ted talk please don't yell at me i'm fragile

[popculturebuffet]

The Life and Times of Scrooge McDuck: The Last of the Clan McDuck!  Review “It Was Worth THE Dime”

This is one of my faviorite comic book stories of all time. Given i’m a massive comics nerd, for both books and strips, that is the highest praise I can give this wonderful, epic, beautifully drawn and deeply emotoinal story. I first discovered it in the local library that had the second volume, and found the rest online at a now long dead fan site. And while it took me longer than I care to admit to really dig into Duck Comics, and even now i’ve only scratched the surface, I can say without a doubt this story is the reason I’m so deeply attached to Scrooge as a character, and that I was excited as  I was for Ducktales 2017. This comic showed me just what Scrooge McDuck should be at his core as a character, and showed me what a wonderful character that is. So with all that glowing praise as you can guess i’ve been wanting to cover this for years, and even considered though back when I was more primarily a comic book reviewer last year. Any time i’ve reviewed stuff before now, i’ve considered it, and with Scrooge’s Sisters Hortense and Matilda presumably and definitely debuting on Ducktales soon, and it’s about damn time, the timing could not be better or clearer to dig into this utter triumph.  But before we can take a look at the story itself we naturally have to take a look at the man behind it: Writer and Artist Don Rosa. Don Rosa is easily one of the best Duck Comics writer out there, seen by many as only second to his own faviorite duck comics writer and God of Ducks, Carl Barks. For those 1 of you who do not know, Barks was the man who created pretty much everything in the duck universe comics wise and a bit in animation too: He created Daisy, Scrooge, Gladstone, Magica, The Beagle Boys, The Junior Woodchucks, Gyro, Little Bulb, Glomgold, Rockerduck, and the list goes on. While he didn’t make EVERY duck, he made so many that it’d be impossible to imagine either version of Ducktales being possible without him.  So of course Rosa was a fan and while he took up the family buisness, he was also an artist and duck comics fanboy on the side. So when, even if it meant a paycut, the opportunity to actually write and draw them came up, he lept at it and thus became one of their publishers go to guys, even if said publisher published the stories overseas where the Duck Comics are far more popular and still going to this day, and ironically where most duck comics printed nowadays get their stories from. Rosa was known for his meticous historical research and gorgeous art that he took his time drawing to get just perfect and showed on the page. The man has easily some of hte best and most detailed duck art around and I still haven’t found a duck artist that can match him.. and if you have or found one close i’d genuinely love to see that. He is a genuinely talented, spirited guy who was sadly mistreated by disney and that, coupled with tragically failing eyesight, eventually ended his career. He’s still around and I genuinely hope to meet him some day as he still does conventions.  The man is not without fault: I don’t get his hatred of superhero comics, as while I get them overshadowing funnybooks and that around the time of his career they were in decline, but it’s just as unfair to write off Superhero comics as mindless.  garbage as it is for people to write off the Duck Comics as “only for kids” and I genuinely wish he’d see that and see how the medium has evolved so much since then. I also grumble a bit as his refusal to allow anything besides barks into his bubble, and having to be forced to include fethry on the family tree, but that’s more personal preference. I like using as much material as you got. IT’s why i’ve wanted to, and hopefully will eventually get around to, write a sonic fanfic using bits of all the various universes that for legal, ken penders being an absolute waste of a human being, and sega being stupid reasons can’t be used anymore. I like taking everything in a franchise and putting it in a blender and it’s why I love the reboot. But there’s nothing wrong with taking things as is, not stepping on toes canon wise, but still being awesome. We’re just diffrent people and that’s okay.  And a lot of his fanboy showing actually lead to REALLY good things: Goldie O’Gilt was a one off character, and while used ocasoinally overseas, didn’t really pick up as a character again until a combination of Ducktales 87 and Rosa’s work with her, as he always loved the character, and fleshing her out lead to her being used more, and gaining a sizeable fandom. He also gained the Cablleros an even bigger fandom by giving them two stories of their own, and fleshing them out a bit more.  And this very comic is the peak of that, taking EVERY mention of scrooge’s past from various backstories to set up adventures, every tiny scrap, and to his credit going to both Barks Himself and various other Barks Experts Rosa was friends with to check his work, especially difficult given he likey had to find these stories in issue or pullt hem from disney archives, and complied it into one long epic that not only uses all this info effortlessly, but spins a compelling story that gives us a clear vision of what Scrooge should be, how he became the man he is, and how he lost himself only to find himself again with the help of three precocious boys and a cynical 30 something duck. So taint all bad is what i’m saying.  As for how this got started, thankfully rosa himself provided the origin story for this project in the back of the volume of his works that contained the first 7 chapters of life and times, as well as detailed notes for every chapter. At the time Rosa was working for Egmont, the big european publisher who handles Disney’s much larger european comics market, hence why most of his stories appeared years earlier in Europe before debuting here. The american publisher at the time , and an old friend of his, called Rosa with an idea: A 12 issue Maxi-Series focusing on Scrooge’s history, since at the time they were all the rage.. and really even today mini series are still a viable market and many indie titles just have several minis instead of an ongoing. So it wasn’t a bad idea, Rosa just simply offered a tweak: He’d tell his publisher at Egmont about the idea, and let her get a crack team of writers and artists to do this proper, and thus Disney could publish it for free once it was done and for no extra cost. Rosa gave his publisher a fax detaling both the idea and the fact that it needed to be done right, given to the best person possible, and done with the greatest care. She agreed.. and naturally handed it to him, as he admits he hoped. She made the right call, a legend was born and here we are.  One last bit before the read more and before I get to the first story itself at last: Since barks wrote a lot of side stories that fit into the canon, I COULD slot them in between chapters, but have instead chosen to review the original 12 part story as was, and do the various side stories and two epilogues, the utterly fantastic “Dream of a Life Time”, easiliy one of my faviorite comics ever, and the also really great “Letter From Home”, which will likely on some level be the basis for the upcoming at the time of this review “Battle for Castle McDuck!”, after completing the story. In other words i’m probably going to be at this for years. so join me under the read more won’t you as I begin the journey of a thousand miles with a single step as we look at the humble start of a legend. 

We begin, after a fun short teaser with present Day scrooge saying his past is no one’s buisness only to get hit with an oh yeah?,  with a scrap book title for the issue, something I want to bring up since while I got that’s what it was what I never got, and  must’ve glanced over when I first read rosa’s notes when I got this copy, was that it isn’t SCROOGE’S scrap book, but his sister Matilda’s who dutifully and happily catologued her brother’s adventures. It’s a really sweet moment.. and something that will hit VERY hard when we reach Chapter 11. If you haven’t read this story or heard of it.. .that’s this story’s equilvent of “Last Crash of the Sunchaser” and clearly Frank and Matt drew from that story a bit for it, but we can get more into the parallels when we get there. A smaller but fun note is that Rosa had specific coin drawing templates, for different indentions and what not he used, and used them for the coins in these intro bits. Yes he admitted he has a problem and yes that’s damn impressive anyway. 

It’s Scrooge’s 10th birthday, and his father Fergus has taken him up to see the family land, Dismal Downs to tell him of the mighty Clan McDuck and show him the ancestral lands, graveyards and Castle. He admits to having taken this long because the Clan McDuck currently lives in Glasgow so it’s kind of a long trip just to show your son “Hey look at the decay and rot that’s our ancestral homeland”. The Clan is on hard times, as a bad shipping deal, the backbone of a rather good barks story and I wont’ be interjecting for every barks reference as it’d get rather tiring though for what it’s worth Rosa provided tons of detailed footnotes in the back of each Fantagraphics collection, so good on him. Speaking of which though they do include 10 pages of Mc Duck family history that was supposed to open this story.. until Rosa’s editor wisely pointed out the story isn’t about them but scrooge and having read his roug draft, yeah.. there’s a good gag here and there, as well as “Dirty” Dingus McDuck, scrooge’s Grandpa and the reason Dewey is cursed with that middle name. Why anyone thought Dingus was a good name is beyond me, nor why Donald thought that was a good middle name back in 2009 is again, beyond me. Good on Don though for getting that past the censors.  But yeah with no money they can’t buy the land back and they were scared off it years ago by a mystical ghost dog, the hound of the whiskervilles. There is treasure in the castle, Sir Quackly’s gold, but he accidently sealed himself into a wall while sealing his treasure in there. Their interrupted by the town assholes, the Whiskervilles who have been grazing sheep on the land and are naturally behind the hound, using the sound of it to scare off Fergus once they realize he’s a McDuck. Because apparently you can keep a Scooby Doo style hoax up for Centuries if you don’t have meddling kids around. Who knew.  Back in Glasgow, we meet the rest of Scrooge’s family: His Uncle Jake, his sisters Matilda and Hortense, and his mother Downy. Jake hasn’t really been mentioned at all in Ducktales and I know next to nothing about him, which given I share a name with the guy you’d THINK I would. I mean I know a decent amount about this Jake. 

But nothing about who the hell Jake McDuck is or why he lives with his brother and his family. Here, you guys watch the dancing Jake, i’m going to probably do that for hours after this review is done, i’m going to go sort this out.  Okay one google and finding the Scrooge Mcduck wiki page on him, Jake shows up here likely because he was referenced in the story “A Christmas For Shacktown” and apparently borrowed from Scrooge and never paid it back. Otherwise.. there’s not a lot about him and unlike the rest of Scrooge’s family he really dosen’t do much that I can remember. Except like 2017 Scrooge, he apparently has become extremely long lived, as Scrooge and Donald STILL think he’s alive in the 1950′s.. and likely is STILL alive in some form in the Don Rosa stories, given his take place after Barks and thus in the 40′s and 50′s where Barks stories were set. Hence why unlike the Reboot, Scrooge isn’t inexpecilbly over 210. But Jake McDuck sure as heck is. Maybe this highlander is a highlander.. you know the movie and tv show type. Maybe someone cut off his head. That’s what i’m going with.

This does bring me to another point about this story: While Barks gave all of scrooge’s family their names, it’s where Rosa got them after all, it’s Rosa who really made them into characters. Fergus as a loving father ashamed his family legacy has fallen and wanting his son to do better than him, Downy as an equally loving wife and mother, Matilda as his sweet and caring sister and later her brother’s moral center, and Hortense.. well here she’s just a babbling baby but her character will become clear and glorious as we go. She is adorable here though and we do get some great bits with her.  Getting back to the plot now i’ve made my points, Jake is riled up wanting to understandably kick the Whiskerville’s asses with Scrooge, who even as a sweet innocent ten year old still has the family temper already, agreeing.. but Downy gently shoots them out pointing that two middle aged-ish men and a 10-year old just aren’t enough to fight an army of them and while she doesn’t mention it the fight would just tire them out for work and accomplish nothing as while it is the McDuck’s land the combination of the hound and the lack of money to move back means it’s pointless. She also mentions their younger brother Pothole, who went to America. This will be important later. 

Scrooge storms off and Fergus laments, in a scene that’s more painful the more I think about it, how his clan has fallen, with he and his brother lamenting their chances at glory are long gone.. but Fergus has hope his son can do better, and for his son’s birthday makes him a shoeshine kit in the hopes of inspiring him to greatness. This scene still resonates since many of us are poor, struggling and not doing so good money wise. I’m sure many parents have doubts and regrets about not being able to do more for their kid.

 Not only that but the story carefully avoids the trap of Fergus accidently being abusive by you know, pinning his family’s future on one 10 year old. While yes he is asking a lot of Scrooge, to restore their family name.. it’s very clear he mostly just wants his son to do better than him. Even if Scrooge was just slightly more successful, Fergus would likely be happy with that. He’s not using the legacy as a “This what you must be” like say the Gems in steven universe did for Steven with Rose’s Legacy, the kind where it sort of suffocates you till youc an make it your own. He’s just saying “this is what you can be” He believes his child can be great and simply once him to reach his full potetial and is simply giving him a means to hopefully do so, a simple home made shoe shine kit. While Jake scoffs, the narration notes the idea isn’t worth a dime.. it’s worth THE dime. The dime that would set Scrooge’s destiny in motion. 

The next morning, Fergus goes to check up on his son and his new buisness but Scroogey’s having no luck and about ready to just quit, the poor child. Also Matilda is dragging her baby sister around like a doll and it’s entirely precious as it is funny. 

But as for those Dorty Boots, Matilda wonders why her dad dosen’t just tell Scrooge that Burt the Ditch Digger is coming. Fergus tells her to quite and then explains his plan: he’s sending Burt to scrooge, with an American dime Fergus and Matilda found, to teach his son a lesson: By giving him a hard days work, he’ll teach him what hard work truly means.. and by having Burt “cheat” him with the American dime, it’ll give him the motivation to keep going and to nto be as wide eyed and trusting. It’s a well meaning if harsh lesson, and the kind you’d expect from 1900′s parenting and fits the origin well: Scrooge still earned his first money square, as he still did work.. but his getting cheated being a lesson dosen’t diminish what it taught scrooge, and helps flesh out what I talked about above, Fergus knowing his son has great potential he just needs inspiration to reach it. And instead of just telling him that he does a con job but it’s the 1900′s. This orign, and Fergus’ part in it would be entirely untouched in Ducktales 2017, the first scrooge based adaptation since this comic came out, and I bless them for it. Frank even said this comic was used as a bible by the writers and while theirs clear deviations, and we’ll get to that, they were mainly done for good reason, and it’s very clear that while scrooge’s history is very VERY diffrent in the reboot, the core of his past is still there. 

So the plan is on and young scrooge spends half an hour killing himself to get Burt’s shoes clean before getting his dime.. and realizing he’s been had, makes this proud decleration that will be the bedrock of his entire life and character. 

Scrooge being naturally stubborn as you can see takes his cheats a leson: There will always be hard honest work, and he will be there to do it and he’ll be tougher and sharper than anyone trying to cheat him out of his pay. Fergus’ plan has the intended effect, and Scrooge having learned a hard lesson now has the drive and determination we know him for. As for why it gives it to him.. I had to think on it a bit but it makes sense: For some a setback like this would make them quit.. for Scrooge it’s just proof he CAN find customers, he CAN do this job, or any at his hardest and instead takes this as a lesson to be prepared ot out think and outfight anyone who dares cheat him again, and to not earn his money by being the kind of guy who cheats a kid out of an honest days pay, but as a good honest duck like his father and his father before him. =He will make his money square so he can be the kind of person this seeming stranger SHOULD have been. Granted we’ll see Scrooge doesn’t end up as the best person at times but .. we’ll get there.  So with the fire inside turned from a spark into the flame Scrooge soon got to work, and by the next panel we see he’s eventually worked his stand up from a small box given to him by his dad, to a three seater shoeshining bench, who he wipes all at once by stretching one of his mother’s girldes over a light pole, a detail I didn’t get the first time around but now love. Naturally being a good kind boy much like his Nephews, Scrooge always gave his proud father a portion of his earnings, if with a full receipt for tax purposes. Because he’s still scrooge after all. His dad wonders he did too good a job while Hortense glxbit’s in agreement. 

As the years go on, a now tween Scrooge is eventually able to save up for a horse cart, and starts selling Fire Wood up in the city. He eventually realizes Peat, an earthy subtance found in bogs I only know about because I had to look it up for this review, is more profitable and with some snappy marketing moves into selling Peat for the rich instead, also showing the young lad already has a grasp of how to sell to obnoxious rich people. 

But while his business is booming, our young hero can’t resist visiting his family’s ancestral home and longing for it, hoping one day to have it for himself and in a nice show of how despite his temper and tenacity forged over the last few years he’s still at hear the kind, sweet optimistic lad he was just a few pages ago, he decides to tidy up the Clan’s Cemetary while he’s here. 

Unfortunately as proof that Donald and Della’s terrible luck comes from both sides of the family the Whiskervilles are sub-glomgold levels of human beings.. or Dogfaces in this case, and are digging up the McDuck Clan’s graves to hunt for treasure. Scrooge tries to simply do the smart thing and flee, but the asshole brigade catch sight of him and mistkaing him for a peat burgalar chase after him.. and spend WAY too much time and energy chasing a teenage boy over some fucking bog grass you clearly aren’t selling yourselves. I mean spare a thought for how dumb this is: They could easily sell of of that peat to put up a fence or chop down some trees to get the material if their really that concerned about someone getting in the bog. Then again this isn the 1800 and 1900′s where the child death toll was simply “Yes”, so they likely thought whose gonna notice one more dead child on our property?

Scrooge heads toward the castle and is gestured in by a friendly mystery duck who gladly shows him around and can tell he’s a McDuck just by look, showing the castle is still in glorious condition as the whiskervilles are too spooked to go in, hence why they didn’t chase Scrooge inside. I’d say being afraid of ghosts but not murdering a child is weird but these are the same guys who thought murdering a child was plan A. We’re not dealing with a brain trust is what i’m saying.  So the mystery duck shows Scroogey around, showing off some colorful stories about his ancestors recycled from that scrapped prologue I mentioned. THe mystery man, who brushes off Scrooge thinking he’s a McDuck asks Scrooge what he’s doing to restore the family glory and while Scrooge points out he’s already working on it, Mystery Duck points out he’s still missing something: He has the drive and the dream, but peat and shoeshining, while getting him good money for his family, aren’t the thing you can build a fortune or a future off of. He then points out where Scrooge’s dime comes from: America.. and that gives the boy the idea to head to the states. As for what he could possibly DO there to start, the mystery guy mentions his uncle pothole. So Scrooge has the dream, the drive.. and now a plan: Go to america, work for his uncle on the riverboats, and work his way up from there till he finds his fortune and restores his family name.  But while his future is settled, the present is still an issue and Scrooge wants to teach the child murder club a lesson and thus borrows, though MM wisely points out it’s all his property a horse and some armor, and stuffs the armor with peat. As for what his plan is.. welllll

That.. is fucking awesome. And far from the last fucking awesome moment in this thing. It also shows off even as not quite a teen yet, Scrooge is still a badass already, and while he doesn’t have his trademark strength or fighting skills quite yet, his ingenuity is already there.. and that will always trump both. The Whiskervilles run away and into some quicksand and Scrooge vows to return one day as laird and reclaim his family land. But that’s a story for a few chapters down the line. As for who the mystery duck is, he’s naturally Sir Quackely himself, or rather his ghost, who was simply guiding Scrooge and didn’t give him the treasure as simply handing him the money wouldnn’t restore their family’s good name or continue their bloodline now would it? 

For now Scrooge returns to work for a bit before finding his way to America: A cattleboat to New Orleans looking for a Cabin Boy. And so Scrooge bids farewell to his family. His Dad, feeling bad he can’t even give his boy shilling, gives him the family pocketwatch with jake pitching in with the family gold dentures. While Scrooge naturally refuses to sell the watch, he does plan to sell the teeth as soon as possible for good reason. We then get some sweet goodbyes with him, his sisters (With hortense uttering her first words to everyone’s astonishment) and loving mother as he wonders just what awaits him in America. 

And there he stands on the bow of a ship, heading for a new land, in New Orleans he can be a new man. And we’ll see just what kind of man he becomes as this series continues. For now this is the end of a chapter but the beginning of a lifetime. 

Final Thoughts on Last of the Clan McDuck:

This story is excellent. While there are even better chapters to come, this one is still one of the most memorable and most joyous, showing just how Scrooge became what he is, where some of his values come from, others will be instilled along the way , and beginning to flesh out his family. We see Scrooge’s love of wealth comes from starting from the bottom, growing up with a family that barely had anything and badly needed everything, but was loving and instilled fine morals in him. We also see a Scrooge far removed from the bitter old man he is in present day, an optimistic naïve young lad who only wants best for his family. It’s a nice stark contrast to who he’ll become, good and bad, and a nice way to both compare him to Huey Dewey and Louie and break your heart as his own hardens before briefly turning black later on.  The art, as is standard for this series and Rosa, is breathtaking, and the story isn’t lacking in good jokes, their just downplayed so the story itself can take center stage. There’s nothing really more to say: it’s an excellent start to an even more excellent tale and stands proud among an already stellar story as one of it’s finest outings. 

NEXT RAINBOW: Scrooge goes down to the mighty Missipi to work on the riverboats and meets one of his signature Rogue’s for the first time in their first form, as well as Gyro’s dad.. or grandpa.. or possibly both I don’t know his family tree. Point is, tune in next time for some riverboat hyjinks.  Until then if you’d like to comission an episode of any animated show, especially ducktales and the various other duck related disney shows, or another Duck Comics story you really like from Rosa, Barks or whoever you want really, I take commissions for 5 dollars a review, with 5 dollars off your full order when you put in for more than one episode or issue. You can also follow me on patreon.com/popculturebuffet and for just two bucks a month get access to polls (which i’ll start once we have at least three patreons), and my exclusive discord server. And if you liked this review be sure to reblog it to show off. My self promotion done until next time: There’s always another rainbow. 

[runephoenix6769]

ATLAB / LOK and Nickelodeon’s Enforced Gendered Viewership.

https://thesummoningdark.tumblr.com/post/619001411756310528/gayna-scully-prokopetz-silkktheshocka With regards to this long ass post. (And I’m gonna slightly deviate from the original topic.) The really messed up thing with Nick, with concern to Korra. I read somewhere that when they were first doing concept designs for LOK, that the Nick execs railed against a female avatar cause they thought/(wanted to market) Avatar Last Airbender as strictly a Boys show. When faced with the designs of a really buff, muscular Korra, Nick wasnt overly keen, because they thought her supposed lack of femininity would put boys off

They wanted her to be more feminine (even though Korra was meant to be a more physical Avatar in comparison to Aang.) And Mako would be more front and centre in aiding Korra. Guess what they found when they market tested the designs?  Girls were absolutely thrilled. And the boys? The boys couldn’t give two shits about Korra’s supposed lack of femininity. They loved the fact she could punch through shit. They thought Korra’s design was ‘cool’ and ‘badass’!

(my opinion) So whilst the Nick execs were all patting themselves on the back that their fucked up view and enforced gendering of viewer ship still carried some weight, they obviously didnt think to actually look/take on board the actual content of ATLAB and maybe wonder why exactly it was so immensely popular and who exactly the fandom base was made up of. 

ATLAB had some of the strongest, most well rounded female characters on tv at the time. There’s a reason why Azula, Katara and Toph are so popular. Why Suki, Ty Lee and Mai are so beloved.  

Not a single one of them is a damsel in distress. Hell, more often than not they handed the boys their ass in a fight.  Azula and Katara are bending masters in their respective element at 14 and Toph, a blind girl, at 11, in a world that it is heavily implied that most bending Adults have not reached that level of skill.  Toph creates her own off shoot of Earth Bending by being the first metal bender.  Azula is seen as an outlier by being able to create and bend lightening, never mind her signature and unique blue flame. Katara, under duress, masters  the rare ability to blood bend,  (being second person to do so that we know of in ATLAB) and has such a command of waterbending she can quite literally suck moisture out of the ground creating a barrier that torrential rain cannot penetrate. 

Even in the small snippet we get of Avatar Kyoshi, she is ruthless and takes no prisoners.  (and one of the main reasons why people have been clamoring for Kyoshi content spawning the books the ‘Rise of Kyoshi’ and the sequel that is following this year, ‘Shadow of Kyoshi’.)

If the Nick execs had cared to take notice of the themes and arcs of some of the characters they might have seen how part of Sokka’s character arc was growing from an ignorant misogynist to a young adult who learned over time and regularly took a hefty gulp of respect women juice.  (A message that the Nick Execs might have benefited from when dealing with LOK.)

Aang, the titular protagonist learns bending from two of his female peers and often defers to their superior skill and knowledge, until he masters them. Were the Nick execs that dense that they genuinely believed that all these amazing female characters, created by Bryke and colab narratives by Ehasz, were there to appeal only to boys?  To represent boys? The ratio of male to female main heroes/villains is 3 boys, 6 girls and 2 male adults. (one adult we dont even see until the last season.) The ATLAB fandom was massively made up of girls, and by virtue those girls would more than likely migrate to LOK, specifically because it was a female Avatar hoping for the same depth of character and positive representation, which makes Nick’s whole fucked up enforcing of gendered viewership all the more baffling.  Again, had the Nick Execs not watched ATLAB if they thought they could tout it as ‘just’ another action show and its subsequent spin off LOK?

ATLAB at it’s core is about the interpersonal relationships, the struggles one faces when growing up, dealing with dark themes in a way that kids can understand and older viewers can relate. The war is the back drop, the action part of the draw but not main spectacle. 

Had they not done their research, saw the trend of who exactly the audience consisted of and thought, ‘hey maybe its a good idea to maybe stop enforcing, dictating gendered viewership?’ and maybe not continue to labour under the belief that ‘girls dont like action’! Legend of Korra and ATLAB are still being discussed to this day and not only because it has the industry standard of redemption arcs by which all redemption arcs since have tried to emulate and hold a candle to. (SPOP I’m looking in your direction, congrats btw.) but also because of its representation, strong female characters and compelling villains.  Outside of Korra (/Asami), guess who are the most popular characters? Kuvira and Lin Beifong. 

Now getting back to the actual content of the OG post. There aint alot or ATLAB or LOK merch in general outside of comics and plushies.  (There was a poor attempt made at merchandsing on the M Night Shabigamoo’s god awful adaptation..... but shhhhhhhh, we aint even gonna get into that.) But of the merchandise that is available one in particular stands out as being in high demand.

I typed into google ‘Azula Funko Pop’ and this is the first image!  

(Look at that price, it’s insane!) 

Now that might be a case of price gouging because she was a US Gamestop exclusive but it in no way detracts from the fact that FUNKO POP is aware of just how popular Azula is therefore by virtue she is a prime candidate for exclusivity and would have collectors clamoring to buy her. 

Even Aang in the Avatar state isn’t an exclusive nor is the new Legend of Korra funkos that were meant to be released this June/July ,( which now might be pushed back Covid19 pending).

Now, who exact was Azula created for?  Yes, a foil for Zuko and a way to explore familial dysfunction, a mirror to what Zuko could have been if he hadn't been banished and had the support and guidance of his Uncle Iroh. Her subsequent mental breakdown is heart wrenching and a compelling take on what goes on underneath a villain’s impenetrable armor, that the ravages and victims of war are not just found in the body count. 

But for most of the show, Azula is flouncing round the world with her two more than capable and dangerous in their own right, sidekicks, Ty Lee and Mai thrashing the gAang for the most part, kicking ass and taking names whilst also successfully heading a relatively bloodless coup of Ba Sing Se.

How on earth with all that could Nick still be so bull headed as to continue to double down on maintaining it be a show strictly marketed to boys and then get pissed when it when girls flocked to it? And the comments made in the OG post are correct. Nick showed their displeasure by fucking around with LOK’s time slot on more than one occasion, claimed it’s ratings were dropping (no shit sherlock, wonder why?) before moving it to the web. (where ironically, it thrived.) and then they slashed it’s budget forcing Bryke to trim the animation in places, namely the outfits of the characters, so they could put the money towards the animation of scenes they had been building up to such as Korra’s style of metal bending, which would be more fluid given her OG element was water. 

Now imagine the show we might have gotten if Nick hadn’t been a bunch of arseholes, hadn’t tried to enforce their outdated misogynistic views and thrown a massive hissyfit? 

Roll on the live action re-imagining with Bryke at the helm. I’m sure Netflix wont be trying to claim or market it as ‘a show strictly for boys’! And thankyou to Bryke, for this.

[annakie]

Are we out of the woods yet?

Hey all, haven't been on tumblr in a few days!

I have been living through what so many other Texans have been living through, so I thought I’d write a bunch of words about it, for posterity.  My story isn’t nearly as bad as so many others, but hey, it was still a fairly major historical event so... writing it for my own memories. :)

Post title because that particular Taylor Swift song was stuck in my head for most of the last few days, for obvious reasons.

So the last week has been an adventure! Last Friday I got my first Moderna Vaccine, and I posted about it a few times, but by Monday was feeling pretty good. Of course, it snowed overnight. I'd been so out of it all weekend I didn't realize quite how bad it was going to be, but when a friend who lives nearby told me his power was out I kinda went "uh oh", baked myself a box mix of orange cranberry bread, fortified some windows with blankets, and crossed my fingers. Also starting that morning I'd reduced the temperature in the house, and shut off and unplugged everything non-essential.

I was feeling pretty happy when the power stayed on all day. My friend's power came back that evening so I thought I was out of the woods.

And then at 10pm... plunged into darkness.

I threw some more blankets into areas where the cats hang out and my bed, let some friends know, and tried to go to bed, hoping for the best in the morning. Couldn't fall asleep for hours, worrying, as the temperature was plunging to the negatives for the first time in living memory in Texas. Finally fell into a restless sleep, and woke up a few hours later, no power.

The worst thing about no power is like, all the things you can't do. My phone started at 100% charge and I'd charged all my devices including my backup battery, but still tried to conserve power. The scary thing was hearing that this could last for days. And boy the news that day was bleak about the possibility of having power again anytime soon. The house, however, stayed at about 51 degrees the entire day. So, it was cold, but very bearable with a few layers and blankets. Whichever cats I was near were very cuddly though.

I was really glad to have the cranberry orange bread because it was tasty and easy to eat. Also had a sizeable amount of beef jerkey, and chips, and I'd bought about 48 bottles of water at the start of the pandemic that I never drank, so I had no worries about what to eat for the time, luckily. I figured, worst case, I'd figure out a way to do soup over a candle to have a hot meal eventually.

I’d been dripping the bathtub and checking the other faucets regularly.  I’ve never had a burst pipe in the normal cold we have, and was hoping for the best this time as well.  All seemed well the entire day.

I slept a lot when I wasn't scrolling twitter and nextdoor for information. And early afternoon there was a knock on the door. My mom literally called the cops to do a wellness check on me because I hadn't answered texts in a few hours, lol. I thanked him, and called my mom. Internet had been spotty and her calls weren't going through, nor notifications when I got texts. So that was... notable.

I tried doing some reading, and playing on my Switch but to be honest, I was so anxious about everything that I couldn’t relax and keep my mind on anything but the lack of power and when it’d come back.  I did take about four naps though. Considered bringing some of the cats into the car with me to warm up but realized I’d have to lift the garage door manually to run the car without, you know, dying, and instead just turned it on for less than a minute twice that day to keep the battery fresh...er... without carbon monoxide poisoning.  (My garage door is solid wood.  Even with good springs... it’s heavy.)

By the time it started to get dark, I started to worry about how much longer this would go on. I have a friend who has a 4-wheel drive... idk a land rover or something. He lives about 30 minutes away normally. It'd probably take well over an hour for him to get there now, especially since there was another storm coming that night. Since learning my power was out, he'd been asking if he could come get me, and they had steady rolling blackouts in their neighborhood, several other people I knew nearby were also saying their blackouts were rolling along.

I resisted, because I really didn't want to move the cats but I would never ever abandon my pets. But also it would be very difficult to move them. Patchy doesn't get along with any of them -- she stays in the master bedroom 100% of the time. There was a short period of time last year she would explore the house, but she got along with everyone else, especially Fry, so poorly that she decided she did not want to explore the house anymore. Fry sometimes wanders into the master bedroom and if they're both on the floor there's lots of hissing and yelling, and maybe swatting. She also has nothing but hissing for Pemily and Leela if she sees them. The master is her domain, the rest of the cats can have everything else.

Everyone else can be mean to Leela, though she gets along OK with Pemily most of the time. 

But Fry is just... hoo boy he is nothing but a problem child I don’t want to subject on others.  He’s a bully and an asshole and yells loudly when anything doesn’t go his way.  He would really, really not take a new environment well.  He hates the outside, and runs away when I even open a door.  And getting him to the vet involves kitty sleeping pills, though he also still fights through it enough to freak out the entire time he’s in a carrier badly, yeowling the entire time and literally rips all his nails off trying to get out, still trying to dig his way out with bloody paws.  It’s a nightmare.  So the thought of getting all four of them into carriers at the same time, then putting them all in a car for well over an hour (and the entire trip would be nothing but all four of them crying the entire time with Fry being the worst), then bringing them into someone else’s house, and needing two separate rooms because I can’t put Patchy in the same room as the other three... and trying to keep them all calm in a whole new situation when none of them were used to any other environment than my house (aside from yearly trips to the vet) man... moving them was a last resort.

But around 10pm when I had been sitting in the dark for 24 hours, I texted him and said in the morning, if the power wasn't on, we'd talk about him coming to get me and the cats in the morning.

I fortified Leela’s bed with a blanket fort.  (Pic above was from later, when I got power, and was way more open than I kept it when it was cold.) I couldn’t get her to move anywhere else... it actually worked pretty well. 

I fortified the master bedroom with blankets over the sliding glass door on Monday and then put Patchy’s cat bed on the bed and fortified IT with more blankets.  After she was settled in I managed to get her covered up.  Then I went into the living room, which is the smallest room in the house and a room most would use as a bedroom, and snuggled into the couch with Fry and Pemily, the door cracked for ventilation, and four candles burning. 

Fell asleep around 10:30.

Around midnight I was woken up by a terrifying sound... running water.  Honestly thought I was dreaming for a moment, had to work to pull myself out of my dream, and my heart froze in terror that I may have a burst pipe.  And then I heard a very, very good sound... the furnace turning on. 

POWER!  26 hours later.. POWER.  The running water sound was the cats’ water fountain.

Got out of bed, nuked myself a small frozen pizza, checked around the house for everything and everyone being OK, plugged in all my portable devices to recharge, and went back to sleep.  Woke up around 4 and still had power.  I thought... I really wanted a hot meal and should cook something that wouldn’t be bad as cold leftovers for lunch, as I’d finished the cranberry orange bread when I woke up at midnight.  I didn’t want to use too much power so uh... I made Fettuccine Alfredo, and ate half of it... at 4am.  What?  It was good.

Also... I hadn’t seen the stray cat I’d been taking care of since Sunday night.  He hadn’t even visited because there were no tracks in the snow.  Checked the backyard randomly and he was there!!!  So he got food and water.  I was very happy.

THERE’S THE BOY!  I call him Patchy’s Boyfriend.  Taken through the blinds as to not scare him.

Animal tracks in the snow!!  I was glad some birbs got some water, too!

Went back to bed in my own bed.  Woke up a little later than normal for work with the power still on.  Texted my folks to tell them the good news.  Got up and went into the kitchen, started contemplating coffee and pancakes for a hot meal.  Opened the fridge for the first time and checked the milk.  Sadly, it didn’t survive, and realized I was a dumbass for not just.. putting the groceries... in the garage... where it was cold...

And just as I sighed and started to decide if I wanted coffee without milk... the power went back off.  Aw, damn.

My spirits were lifted, though, at having power and a warm house overnight.  I checked in with work and let them know I’d be out again unless the power came back, told my friends and said NOT to come get me, decided NOT to tell my mom the power was off again, because all that would do is make them worry about me all day again, checked on the cats and tucked them in, and went back to bed.  Got some more sleep.

Relaxed more that day, with the house taking longer to cool down.  Actually played some Switch, read the first couple of books in the Mass Effect Comic Collection.  Had cold Alfredo and an apple with peanut butter for lunch.  Scrolled twitter a lot more, not afraid to have to go to my backup battery if needed.

Right around the time I’d usually be knocking off for work... the power came on again.

And it didn’t shut off.  Yay.

In total I was without power somewhere around 34 hours.  It sucked.. but also... I didn’t have my pipes burst... they didn’t even freeze.  The house never dipped below 50, thanks insulation!  My water was always running, though for a few hours it was very low pressure, and always clean.  My city government and congressman were both very involved and communicative, doing their best to help people and get the word out.  City had two warming centers should I have needed them, one of which was pet friendly.  I had plenty of food and water, enough for a week or more easily.  I had friends willing to put themselves at risk and through inconvenience to make sure I was taken care of.

A lot of people had it much, much worse.  So yeah.  I don’t ever wanna do that again, but for me, it wasn’t all that bad.

Shoutouts to:

My nearby friend Eric, who would have let me stay at his place if needed.

My far-away friend Marcus for offering to come and get me, and suffer the inconvenience of my cats.  Other friends would have if I’d asked, too.

My queen sized purple fleece blanket for being so warm and comforting.

My warm fuzzy bathrobe, messy bun beanie, and fuzzy slippers for making sure I was never all that cold.

My cats for weathering things well.  They also learned that maybe they DO like being under covers now.

My LED Headlamp for providing hands-free light for hours and hours.

My mom for a bag of candles she gave me YEARS ago I always would see and want to throw out, but didn’t let myself just in case I needed them someday.  I burned many of them and they kept me warm that second night.

Also my mom for... calling... the police... on me?  I know she loves me.  Also that cop for having a sense of humor about it and telling me to call my mom more often lol.  ACAB and all, but I shoulda checked my texts.

My Switch and Mass Effect Comic Collection for being huge piles of entertainment when I could finally relax and read them.

My coworker Monica for suggesting I make something I could snack on easily in case we lost power.  That cranberry orange bread was perfect.

Me for never throwing away a blanket.  I should probably donate some, though.  Between the cats and covering windows and me, though.. I used... a lot of blankets.

4am Fettuccine Alfredo.

My municipal utilities for already saying our bills wouldn’t be drastically higher from this month.  Although, I take it back for being real bad at the “rolling” part of the “rolling” blackouts.

Also, one more thing... FUCK YOU TED CRUZ, YOU DESERTING PIECE OF SHIT.  BETO O’ROURKE DOES YOUR JOB BETTER THAN YOU WITHOUT THE TITLE, POWER, OR PAYCHECK.

[cutegirlmayra]

When your tired after a 16hr shift yesterday so you rant about Sonic and explain why aggressive writing vs. neutral writing helps with sharing ideas

Me and my online Sonic friend talking about Belle.  (I’m skipping some dialogue throughout the chat, this was lazily put together lol)

WARNING: It’s long, and it’s a rant. So please note that I’m blatantly aware of how wrong my aggressive, sleep-deprived rant was and that I’m stating “DON’T PRESENT YOUR IDEAS LIKE THIS!” because this is not a healthy nor effective way of sharing ideas.

ALSO, ALL THE MENTIONS OF WHAT I BELIEVE MY FRIEND IS FEELING OR THINKING DURING MY RANT ARE ENTIRELY MY OPINON. If she tells me to delete something or change it I will without hesitation but I find it funny, as I look back, to insert what I think might be going on in her mind XD She might have been oblivious to me but I’ll get her thoughts and change anything if necessary.

It’s also how most trolls and antis and even some ‘not experienced writers’ write their ideas out, and it can be easily avoided by using Neutral Writing Methods. So this is a ‘don’t do this, but try this’ post. Enjoy my badly written, sleepy aggressive rant~<3 (Also, my friend gave me permission to share this lol)

Me: She could be for entertaining little kids. But we already have too many OCs, and they're not 'dying off' any time soon so...I smell a mini-series backup plan...and I don't like what that means for Sonic. And it is cute, sorry, my brain is off the hook right now, I'll keep things to myself cause you may not like what I'm predicting and I'm getting sad thinking about it ;-; so, want to be wrong.

(Friend mentioned “Tinker Bell” spin on name.)

That's precious, but can I get a link to the reference sheet plz? Reference sheets can tell a lot about a chara's functionality if you compare it to the 'needs' of the casts. it can help predict their role. I think she's meant to help but also entertain the kids, maybe planted with a secret. Her goal could be to come back to Mr. Tinker but Eggman abuses that and tricks her into a new robot. I got a weird theory about her but I'll just say that she's probably gonna go a bit dark. But be cute and make the audience go, "Aww, poor thing! She's a cinnamon roll" at first, wonder if they'll equip her with 'happy backstory, tragic ending' kinda thing to switch the usual 'tragic backstory happy ending' but I feel this is a tragic character meant to pull emotion out.

(Friend understands my concerns but mentions there hasn’t been a ‘Bad’ Oc for the comic)

No one sets out to create a 'bad character' especially professional writers like these guys. But what makes a character 'bad' is if you ruin or oversaturate their purposes. If she's a main character that over-shines others with too much story then the audience feels 'betrayed' because they want that screen time for the main casts to express themselves and shine through. That's just an example. When working with IPs like Sonic casts, you HAVE to remember the fanbase is expecting things Do you like my OCs? be honest lol Not from my prompts. There's a specific way to handle a OC that helps the main cast shine and reveals their characters more. AU Ocs help Canon Characters in many ways.

(Friend admits they have not seen my OCs in some of my fanfictions, they’ve only really read my prompts.)

Oh, well, some of my fanfictions have OCs, not Lavinya, she's just a mascot. My Sonic OC that retried XD Sorry, I'm misspelling a lot but I hope you don't mind, my spellcheck sucks and I've given up on it lol Oh, so you don't know Harmony, Ol'Wizzy, and Data?Or the Metal Series? Well, there are specific Ocs that my readers like and they express/compliment the canon characters to where even though they're a main character, they don't intervene with the Main Cast's goals. They actually help. Then everything I'm gonna say won't have much merit so I'll just focus on waiting to see if my predictions for Sonic IDW will come true, but I really hope they don't do what it looks like they strategically might be pulling... I hate SEGA marketing- 

(The beginning of my aggressive rant, please note that I’m not thinking about my image and am writing tired and lazy. This is an example of how NOT to express your opinions in negative ways. It doesn’t influence good at all.)

Their ploys are outdated and frankly, do not work for their IPs market. They target the wrong age group, they have no idea how to organize themselves, and they don't have a leading 'elder' so to speak (just a professional among them) to make good calls. So you have young adults (not super professionals, this might be their first real company job) trying to target internet culture and failing their IPs. They're doing outdated Nintendo tactics that only worked for NINTENDO! Also some other companies that have DIED so why are you copying their marketing strats!? stop! lol

Friend: Did you study marketing because this entire convo kinda flew over my head in terms of understanding (This should have indicated to me that my words were coming off too factual and had too many ‘jargons’ going on. I was losing my ‘reader’ through my rant, but my tired brain would not cease!)

Sonic's trying to morph into something he's not and they're following outdated college course books and it's not gonna help... they're leading Sonic further down and the creators in japan have no power cause all the power is in the stock holders who are stupid money-hungry americans who have lost faith in American SEGA leading SEGA of Japan to move on to other things

Friend: mostly just got you don’t like the marketing (Huge red flag! This means my friend is starting to tune my info out, it’s because I’m presenting my ideas in a slightly aggressive writing style. There are trigger words here that lead an reader to start doubting you. This is why, in most of my answer posts, I make sure to write Neutral writing methods, but I’ll mention that more after my rant lol XP)

It's just bad. Lol I have a Frankenstein degree, (Now I’m justifying myself, which was caused by my aggressive approach. If I simply stated this in a more ‘neutral writing method’ then I wouldn’t have to worry about creditability claims because I’m not trying to sell my idea as the high authority on it.) which means I have knowledge on many different fields. I never took a fully -dedicated- 'marketing class' I took a lot of different communication classes that went to my overall major. One was directly about how you present, sell, and look at marketing tactics. So I have my fingers in many different fields, my major was "Creative Writing for Fiction and Film with an Emphasis in Video Production and a Cluster in Theatre Arts." So I can be on camera, off camera, post and pre production, creative table and actual filming. Does that make sense? (I’m not fully awake to realize what I’m writing, but it’s clear at this point I’m starting to wake up and realize I’m ranting and tossing my ideals of how to present ideas out the window, but let’s watch my follies and learn from them, shall we?) I have theories on what SEGA is going to do, and I have my worries because it's all outdated. It worked for older companies but those companies also targeted a varying audience, which SEGA refuses to see themselves as for a 'teenage audience' which is exactly why they boomed in the 90s. Their target audience is now 20s.

Friend: There are Kids who also like Sonic, even if they don’t play the games though. (Due to my aggressive tactics from not thinking clearly about, not just the what, but the HOW I’m writing, it has turned my friend into a ‘contrasting neutrality’ which is amazing by the way that she did this! She noticed my writing was turning aggressively ranting, and being my friend, didn’t want to be rude about what she was noticing. -I’m guessing lol- so instead, she took the commentary approach, which is to state the good as well. This is a terrible position to put your reader into, and you should make sure to always have good examples and good praise mixed in to contrast any opposing or aggressive statements you ever make. -though you should avoid aggressive writing at all times- Sadly, this does put the reader, in this case my friend, in a very vulnerable position. It leaves them open for attack... but thankfully, she’s a wonderful friend and had trust that I wouldn’t hurt her on her counter-follow-up.)

So instead of using their 40 to 50 year old charts, start with looking at early millennial trends and desires. They tried for 'angst' to 'adultify' Sonic but it busted because we are STICKLERS for animation. Because their story was so scrapped together and had no actual character depth, motivation, or even emotional growth to develop for future game lore, they went for the 'easy made game' (Easy baked oven quote lol that’s just mean XD) We loved the trailer, it was well made, but they threw their animators elsewhere and made the programmers (WHO BLANATLY ADMIT THEY DONT KNOW HOW TO DO STORY/GRAPHICS) and made them do things they aren't trained in. Those micro-head movements and mouths took them A LONG TIME to figure out.

(My friend is now agreeing with me several times through my rant. This is a tactic that is used as ‘avoidance’ but also for ‘appeasement’. She’s probably tuned out by now, but respects what I’m saying but is also incredulous at it as well. It’s fair, I’ve cornered her into my sleepy-time rant, and being the lovable woman that she is, she is simply waiting for me to realize my follies lolol I wish she would have told me but I think she knew I was beyond ‘logical reasoning’ at this point and was just letting me get it all out lolol What a good friend TDT)

Animation can't be learned that fast AND expect them to program a game AT THE SAME TIME. Sonic Forces was a 'split up SEGA' trying to get those who survived and said, "Yeah, I'll stay in this job." to do things that THEY AREN'T EVEN TRAINED IN. you put a game programmer on animation and some other stuff they didn't know what to do with and expect it be a top-notch seller.

Friend: (in more attempts to join in and be a ‘participant’ of the conversation I’m clearly dominating -MY ABSOLUTE BAD- she tried to engage normal conversation flow into the discussion again. At this point, she probably did notice I wasn’t my usual self, and just decided to play along and enjoy the ride lolol I’m just guessing this tho, but it’s a good chance to reflect on what ‘wrongs’ I was doing and what ‘rights’ she was doing during this situation ;)b) My big issue with SEGA is that they rush everything. A lot of things would’ve been better if they had the proper time.

That was resolved actually.

Friend: Oh? It was? (Although this looks like an encouragement, it’s actually just another avoidance tactic to help me ‘get the venting out’ but it’s clear she’s not fully onboard anymore. When you write to discuss, you have to leave room for other’s opinions to shine through as well. Healthy conversation doesn’t mean forcing the other person to comply to you. A lot of this is educated guess based on past research, she knows this, and it’s clear she’s got her own research. Please remember to never shoot someone down when they try to engage you in your conversations. But again, this is the ‘don’t do this’ and me upset at my tired self for not waking up fast enough to contemplate how I was coming across in my wordings. Let’s continue to investigate and dissect the train wreck, shall we?)

That was an issue a few years ago but SEGA is taking their time, it's just that they can't organize themselves and hire the right professionals. They have old tactics, they have rookies that aren't 'Fresh Blood with professionalism' like they need. They don't need an old fart who knows his stuff, they need a new guy who is dedicated and passionate about their company who will remain there, learn them in and out, and knows his stuff SPECIFICALLY for the things SEGA needs. You have to grow that. You have to hire a very talented and young spunky and fresh professional, have him work with you for 10-15 years, and start training others. But SEGA is already recognized as a 'established' company.

(Friend is still agreeing with me, but is aware of my way of presenting it isn’t “As nice as I usually present it” so she starts mentioning the symptoms of Japanese Work Culture. A wonderful, insightful point to mention! But let’s see how I butcher this as well...)

It's not Japan though! (Again, shutting her down. Tsk tsk, sleepy me. Wake up, you lazy bum.) They won't let Japan interfere! They're all really rude to japan actually. The guys in charge, anyway. We all respect the officials, but SEGA of America people just want results. They are just funders, they don't actually work the company.

Friend: So you blame them for everything? (She’s trying to help me see that my writing is coming off as ‘hate’ which is because of my aggressive writing follies I’m doing so bluntly. Let’s please all admire my friend’s patience as she lets me rant and kindly waits for me to realize how bad I’m handling my 16 hr shift from yesterday lolol)

Look, business is really unfair, and I get that, but if I have to rant (I’m starting to wake up more, oh goodie.) I'd say they really need to humble themselves and ask Japan to please take ownership again. They kicked out people due to a money crisis but they need a game that will be 'safe to secure money but get enough excited momentum to help us push on and continue.' which isn't Japan's strategy usually. Japan likes risks, they also like money too. They trust America too much (especially in the beginning) because America is a HUGE consumer. For the world in fact. But I think they sacrificed too much for the company (common in Japan) and trusted America too much in making decisions. The officials are too nice to say that America screwed them over because America wanted full control. Well guess what? They have too much control now and their product is sinking..

Friend:  You’ve got a lot of fire about this topic. (After I completely disregarded reading her follows-ups and continued to rant, my unconditionally kind friend finally threw in the towel, realizing I was no where near my usually ‘present’ self and was probably just flopped back in her chair smiling at my idiocy of not understanding her kind and subtly hints.) Go ahead and rant it out. (BOOM! Obvious right!? I should have corrected myself but at this point, I was writing like wild fire with droopy, waking up eyes and didn’t even read it during my long paragraphs...)

Sonic won't ever fade away due to it's fans, but the company is struggling to figure itself out for YEARS now. I just worry what they plan to do next. But I have a theory that they are really putting the next game in Japan's hands, a lot of activity is happening in SEGA of Japan, and they're spending WAY MORE TIME on the next installment of Modern Sonic (or Classic, still unsure which one it is yet.) I really think they need a remake game to give them profit, then use that profit for their next big installment. But so far, I think they are working on a game BUT corona might have effected production so I'm sure they are working but I'm concerned if Corona helped manage 'time and quality' or is helping to ruin it...That I can't investigate yet :( I just wish for the best (I’M FINALLY WAKING UP FULLY AS I STOP AND REALIZE-) Sorry for my rant! My theory talk showed through and I don't usually like doing that so forgive me. I'm tired and that's why T-T

Friend: It’s cool we all need to rant sometimes. (My friend’s going to make it to Heaven TwT she’s so kind.)

(Then I profusely apologized a billion times cause I realize how badly this all went down. lol)

(But the terror hasn’t ended... she mentioned some youtube videos mentioning other opinions as well. -which I’m usually cautious of cause some of them can be fanon.-)

OHhhh did he mention the arcade crash??? the literal WORST event in SEGA history??? That's literally where they sank the titanic, SEGA has never recovered from selling off their stocks. (I’M BACK AT IT AGAIN. -facepalm-) Shareholders are everything now and it's the biggest loss ever. Also, the problem is that kids don't play the games, (Rereading my follies and wanting to answer but still only just waking up...) but SEGA can't figure out why they like the characters and can't seem to take the FREAKIN' TIME to learn their lore. (Overwhelming the conversation again.) My easy steps: Re-establish Sonic lore CANONLY AND CORRECTLY, Re-gather the Japanese Officials original plans and notes, guides and study art, Re-make some popular games with the most details on Animation, Fluidity of motion graphics, and with modern Technology incorporated into the game. Once that is accomplished, they will have enough money to then- Create a continuity. Only with a flowing story and relevant past lore can they start moving forward. Animation will target their audience, Story and character re-established arcs will bring nostalgia and new blood to the field of their games, and then Japan's influences will keep it authentic for the continuities so we don't have fandom mixing with canon NEARLY AS BADLY as before anymore. Ugh, it does matter their sales, but I literally bought a book on the history of SEGA, and read a really compelling history article about more then just the Console Wars... I know SEGA has survived literally the edge of extinction on multiple fronts, but someone needs to take charge of their Sonic branch, and it's... it's just too outdated. kk, sorry for the rant.

Friend: (After being multiple times ignored, even after my brief moment of clarity, is still an angel. Frustrated, maybe, but an angel.) And your steps sound really good. Also mostly just listen to his vids if you ever do. It’s ok we all need to rant. (THE WORLD DOESN’T DESERVE THIS GURL T-T)

I'm tired so my 'angry' is showing and it's not professional XD do you mind if I post my rant? lol Actually, no. (Realize how awfully I delivered my ideas, this is where I begin to see my errors and where the clarity comes into play. -we all have our off days lol- )

Friend: Go for it

I want to but it's too aggressive. I'm too lazy to rewrite it out so I'll just save that for another day XD You got a rare treat

Friend: (This is actually interesting and fascinating to her. But she realized then that I finally did see my error.) Concerned you’ll get aggressive responses back?

Honest opinion is sometimes too blunt and I need to be careful about that

Friend: I mean it’s always good to try and get most of the anger out so you seem more professional (Saint. Literally. A saint. She’s puts up with too much of my crap XD)

That, and also the war of 'But this is Cutegirlmayra? She's so sweet and constantly puts her answers in supportive, positive lights so that if SEGA were to see it, they would feel empowered to try it instead of threatened and throw it off as hate or something unprofessional.' I have an image too. I can't post something super aggressive or I'll lose trust. You're right.

Friend: I’m glad you put a lot of thought into everything you post

I apologize for it tho T-T I didn't mean to dominate with such opinions...lol I worry who I influence, you know?

Friend: Most people don’t and trust me they get into trouble cause of it. And yeah.

I don't want to create trolls or heated arguments. I want to teach people they can safely express an idea without using such awful communication. Exactly, it's professional fanism. lol Positive writing is what companies and their employees actually read. (I’m almost fully awake now lol, realizing my blunder and starting to explain why I was in the wrong. Good on me, pat on the back, admitting I was coming off as aggressive is the first step to changing and getting better lolol Also, I’m including her more, and I’m saying “You’re right.” and she’s going “And yeah.” which is a indicator that the conversation is slowly returning to an enjoyable and healthy one. ;w; happy endings lol)  That's why I skip the aggressive stuff, even if it's passive, I write in a neutral setting so everyone feels safe to read, even someone who works at SEGA.

Friend: (Mentions some nintendo youtuber rant and also news as well, then says-) It was honestly very professional sounding and not rude. (MY HEART, YOU KNEW THAT WAS AN AGGRESSIVE RANT lololol So nice to me TDT)

Lol you had to have seen how slightly aggressive it was tho. (I’M CALLING YOUR BLUFF, BESTIE lol) You literally asked, "You blame America for it?" which is not always true but semi-true. They were way too prideful (Aggressive word) and haughty (Still aggressive terminology) about their success in other Japanese products that they wanted to completely change Sonic to their own wishes, pushing out Japan's creative "licenses" (I use this word loosely, and this gives a slightly aggressive feel but is also more dumbed down so it's more 'passionate' than just aggressive)

Friend: Yeah I saw it was slightly aggressive (Either is starting to realize it or at last admitting it now that I am fully aware of how I was coming across. I also used indicators to show what words were aggressive to help illustrate my point. This is showing I’m much more awake now :)b)

Gotta use those neutral tactics or no one will feel comfortable just reading your idea and instead, will constantly look for a place to intercept with aggression back, whether they agree or not, they're looking for ways to self-insert their aggression if you are also aggressive. I can't write something that doesn't somewhat support and uplift SEGA of America. Why? Because like I said, they literally have survived EVERYTHING and have stuck around. Without them, there wouldn't be an American branch and the money issue would have ended SEGA. Some might say, "But they've done so much harm than good! Why is the money thing such a thing to be praised for?" But it's huge, it's so big, it kinda does offset the wrongs. (Now I’m doing the healthy thing, doubling back and mentioning the good to try and recover. The damage may be done, but she did recommend some videos for me and was polite, so I’m just trying to smooth things over and leave on a ‘wrapped up’ conclusion. But... I should have just left it there in all honesty xD Some things you can’t double-back and correct lol) America is a great business-influenced mindset. None of us would be fans of Sonic without them.

(Friend continues to agree but realizes I may slip into ranting again. She just asks if I can watch the videos.)

America does have it's advantages in some fields and areas, but their biggest most redeeming quality is that they saved SEGA which gave us our biggest love and obsession: Sonic. Now, my usage in that writing was still off neutral, but combined with the slightly aggressive statements, made a GREAT contrast. It's still slightly praising

Friend: And they stopped Japan from giving him a human girlfriend right away.

Me: Exactly.

Friend: I will always thank them for that. (She’s still a sweetheart, working herself into the conversation so it stays healthy. lol Such amazing follow-ups too!)

So although I don't like what's happening, I'm also grateful... to a degree lol We need SEGA of America, which is why I think Japan just ignores them now lolol they know they owe them a lot. 

(Friend mentions videos and as I go to save them to my ‘watch later’ sees that one of them is about Nintendo.)

Yeeeahhh I've noticed that Nintendo is starting to trail into 'cash grab' tactics and that's sickening (MORE AGGRESSIVE WORDING??? HAVE YOU NOT LEARNED YOUR LESSON CHILD?! It takes time to fully wake up lolol) cause before, I literally thought, "Nintendo can do no wrong" their marketing was ON POINT! but the stuff they said about Peach and now... I think new, unprofessional blood (like SEGA) has entered Nintendo and the older guys are either 'training' or 'retired to other ventures'. Nintendo is having it's own 'we used to not be prideful but now we're getting a little too pompous (Another aggressive wording... This can easily trigger people to comment with further aggression either against you or for you, but no aggression is the ideal. Which is continuing to show my lack of remaining conscious lol) about ourselves' and they're starting to act like Disney before their big crash. Disney also had 'limited time offers' with their VHS movies. Now, Nintendo is doing that. They'll make money, but at what cost? When you lose your costumer's trust...

Friend: And yeah the 35th Mario thing immediately reminded me of the Disney vault

Me: Yep. I'm worried for Nintendo. Don't get me wrong! Disney is really good with money grabs, but they... they also act high and mighty (More aggressive statements, wake up, darn it!!!) and their fanbase literally calls them 'an empire' so the fan-trust is gone. That makes you 'lame/outdated' and fans begin to look for 'what's cool?' instead.

(Friend is now re-realizing I’m ‘in and out’ so is trying to use a effective avoidance tactic by asking about different things to help my ranting fully stop.)

Sorry, I'm tired, I get on these rants and I don't mean too. (Trying to shake myself awake again.) I'm sorry.

So we returned to a healthy conversation, but I hope this interesting insight has revealed how to and what not to do about Aggressive Writing. Always stick to Neutral writing if you can, putting in a compelling counter-argument. In this aggressive writing demo, you saw that I tried to cover up my follies by saying counter-praise, but praise writing can be just as bad as aggressive writing. Passive writing can sometimes be annoying (aggressive word choice) too if you come off as disinterested or uncaring, which can still result in negative comments coming at you, or someone overly praising in their writings.

This has been all I’m showing you cause it’s kinda embarrassing ^^; but I hope it helps you in what ‘not to do’ while writing your ideas out :)b

Learn from my sleepy-time mistakes! lol

[hadesisqueer]

I seriously laugh, even if it's not really funny (or maybe just a little), about how people just love to criticize Bumbleby even though their argument doesn't make any sense or just shows that they have double standarts.

The relationship is poorly developed.

No, it, in fact, isn't. Subtlely (although Burning the Candle isn't exactly subtle, and neither is the fact that Blake directly compared Yang to her former love interest) or not, the relationship has been hinted and developed since probably... The Red Trailer. Red Like Roses pt. II is basically foreshadowing for the four main characters. Black the Beast descends from shadows, Yellow Beauty burns Gold, anyone? Blake chose Yang as her partner the same way Pyrrha and Nora chose Jaune and Ren, their love interests. And do you really think Adam saying “I will make it my mission to destroy everything you love” and then Yang showing up looking for Blake as Blake looks at her terrified with her face zoomed and then they zoom Adam's face realizing it and saying “starting with her” was meant to be platonic? (Honestly, that was the moment when I confirmed to myself that the relationship was going to be romantic, and I've been proven right). Do you think that Yang admiting that she needed Blake in the same episode in which another girl admits she has feelings for Blake is a coincidence? Did you listen to All That Matters and said “yeah, this is about a gal pal”? Did you even watch vol 6 and 7??? Or just the show, in general? You probably thought Bmblb was about the bike.

I'm not going to make an analysis about their development or about all the Beauty and The Beast references, or about the Renora and Arkos parallels because there are already plenty of those. But honestly, dude, they're not even dating yet. They have romantic feelings for each other, yes, but the already well-developed relationship is still in development so just shut up and keep watching. Or not.

Second argument: It's forced. They're shoving it down our throats.

This one is funny because it doesn't even make sense. Like, how can something be poorly developed and be shoved down your throat at the same time? You were probably one of the few people screeching about Saphron and Terra Cotta, or Clover winking at Qrow, or Ilia being a lesbian, or May being trans, or Blake blushing and Yang gay panicking over her hair.

This one's a classic for basically every single LGBT character in any form of media. Watch whatever show you want, liveaction or animated, watch any film, read any book or comic, it doesn't matter; if they have an LGBTQ+ character, even in the background, you will find someone saying this. Just watch.

They were straight. They made them gay out of nowhere.

First of all, not everyone is straight or gay. There are orientations in between. I'm Spanish, and I always make this joke: the B in LGBT stands for bisexuals, not for bocadillo de atún (that means tuna sandwich in Spanish, and considering is Blake we're talking about, it goes well with the situation). Writers don't have make a character's orientation specific since the begining, because the character might not know. That's what makes it realistic, because it happens in real life. Self-discovery can happen at any age. You might know your sexuality when you're a kid, some people know when they go through puberty (like me), some people realize in their late teens/twenties, and there are people who don't find out until they're like fourty. And yes, I'm talking about Qrow and Fair Game in here. Actually, who says Qrow didn't know already he was bi or whatever and didn't have boyfriends and girlfriends in the past? The guy never said he was LGBTQ+, but he never said he was straight either. None of the characters have. You're the one who is assuming they're all straight because, well, heteronormativity. That's something I unfortunely do too.

Blake is already confirmed to be bisexual. She was in a relationship with Adam and had a crush with Sun and now. Does that mean she can't have feelings for Yang? Now, it doesn't. She has feelings for her. That's what bisexual means. She swings both ways. With Gambol Shroud. Come get some, motherfuckers.

When it comes to Yang, her sexuality hasn't been confirmed yet. We know she's wlw because she likes Blake, but she could be anything. For my part, until her orientation is confirmed (if it ever is, because I don't think it's always necessary to adress a character's sexuality; they like who they like, period), I think she's a lesbian. Yes, she made that joke about shirtless guys in early vol 1, but then she never showed interest in any male after that. Neptune tried to flirt? Uninterested. Shirtless Sun? Lame. Two huntsmen try to flirt with her? Pass. That joke could've been because she hadn't realized yet or maybe it was just that, a joke to annoy Ruby. I'm an out lesbian and I make jokes like that all the time to annoy my friends. But until it's confirmed, it's only a headcannon.

Them being a couple would ruin the team's dynamic because they would look more after each other and leave the other two teammates as second.

This one is just stupid. Yes, it would ruin the dynamic just like Arkos and Renora would ruin their team dynamic, right? And yet I still haven't seen anyone complaining about those two couples, just the same sex one. Damn, do you think having two sisters on the same team doesn't affect the dynamic already? (Pause to laugh because honestly, if I were Yang, I probably wouldn't take Ruby as a leader seriously. My little sister who I basically raised and who is nearly a foot shorter than me, ordering me around? I couldn't lmao).

It ruins the entire show

I'm not even going to talk about this one. If you think the show is ruined because two girls are dating, just stop watching it. No one is forcing you to ship the couple, you are allowed to dislike it and ship other things. Don't go around talking about “toxic wasps” (Pause again: who thought wasp is insulting? I laugh everytime I get called that) are obsessed with the ship because the ones who won't stop talking about it and making entire videos about how terrible it is and how it ruins the show are the haters. I haven't been in the fandom for much time, honestly. Quarantine made me watch the show. But the couple months I've been here have been enough for me to realize that the amount of toxic Bumbleby shippers is actually really small. Bumbleby shippers aren't obsessed with Bumbleby nor are they trying to force the writers to do what they want, the haters are.

[ladyknight33]

Hero of Numbani: A Review

So I finally got around to reading this book. In short it is cute. Written for grade school children much like Efi, age 12. A lovely dip into the Overwatch world for fans of the game by bringing in in-game interactions and voice lines. If you play the game you immediately get the characters’s voices in your head because of them. Also prolific use of current lore, mainly by way of the Overwatch Cookbook. The favorite foods of the characters liberally referred to throughout the pages.

The protagonist Efi is adorable in trying to balance the life of a genius with life as a child. The story is as much about this struggle as it is about the building of Orisa. The transformation and teaching of an OR-15 “Idina” is the catalyst for Efi’s growth as an individual. Without spoiling too much of the plot, Efi and her friends navigate the struggles of relationships, both with family and friends. The lessons learned are important for young people to learn early and this book allows its readers to experience such turmoil and joy across its pages.

Forewarning, I’m going to get a little critical here on out. 

While I enjoyed the attempt to expand Overwatch Lore and develop their characters with a backstory, it generally felt stilted. My initial takeaway thoughts were on why the Overwatch animated shorts and comics felt approachable to all ages but the Overwatch prose/short stories felt limited to school age children. 

My personal opinion, probably from reading too much epic fantasy by Robert Jordan and Elizabeth Haydon, was that the world Drayden wrote for Numbani relies heavily on the reader having played the game and experienced the Numbani map. Very little description is given to fill in the non Overwatch fan of this world 

Perhaps my favorite piece of description was for Efi’s iconic look. Drayden took the time to try to put into words the African clothing for us non-African readers. Trying to describe ethnic clothing for people who have never seen it before and have no idea what the items of dress are called is complicated and time consuming. I appreciate the effort and it will take me a few more readings to really understand what the items of dress actually look like. But for Efi, Drayden did more than that. She explained the personal history of each item Efi wears in the above picture. It gives the reader a clear sense Efi’s personality and what’s important to her. This is all for a purpose within the plot, but I felt these descriptions were among her best in the story.

Perhaps the most complicated part of writing is the pacing of the plot and warring with character development. Obviously Efi and Orisa are the protagonists and it is their growth that is most important to the story. The side characters such as Efi’s friends felt more like a list of names. While reading the story, I did not get a good sense of their personality or even their physical description. Efi’s cousin Dayo got the most attention of the group for his use of a cane and spectacular costume sense. Yet as a three demential character even he seems lacking.

This is easily justified by the story length and target audience. I’m clearly not part of the target audience. I read in-depth and get discouraged when reading works I cannot get lost in. For the target audience, this is appropriate but not challenging in its use of English. Again, I’m comparing my childhood favorites of Brian Jacques and Mickey Zucker Reichert to a totally different genre. Do not let it detract from the enjoyment of the Drayden’s story.

Another difficulty is making “baby” characters interesting. Both Efi and Orisa are children. They do not have the long complicated backstories that most of the Overwatch characters have. We’re reading their adventures as they happen. Nor do they fall easily into a hero trope. They do not have a lot of experience to draw upon, so we get to read about their mistakes and lessons learned. Some instances don’t seem plausible, but I had to remind myself that this is a future world and Efi is a genius so the power of the suspension of disbelief must be strong. 

The most troubling issue for me within this story, is how Efi does not seem to have a mentor. No guiding light beyond the collective memory of Gabrielle Adawe and the idealization of Overwatch. Efi sets out on her robotic misadventures without an elder to ask questions of. Sure this would make some of the misadventures impossible, but it also would make the world more believable. 

While building Orisa, Efi’s priorities seem scattered with no real plan. This leads to multiple failures. Efi takes on an insurmountable task for anyone much less a 12 year old. It would stand to reason one lesson to be learned is not to be afraid to ask for help. I don’t think this is conveyed through this story as there are many instances where Efi assumes full responsibility for problems beyond her control or capability. Again, I’m not the author so I do not know Drayden’s decisions beyond this might not be the story she wanted to tell.

Now we cannot have a story without discussing the antagonist. In some respects the obstacles Efi overcomes is her own family’s expectations and limitations. The clear conflict comes from Doomfist. His act of stealing back his Gauntlet and destroying the OR-15s is the beginning of Efi’s story. Everything before was setting the stage.

Doomfist does not receive much “screen time” within the book. He is a background threat. He shows up, causes chaos, and remains a haunting threat into the future. Drayden tries to set up his terror by comparing it to the previous Doomfist: The Scourge and to the Omnic Crisis. All of this through Efi’s view point of the scant memories she has of her family.

The Reader may not get a true sense of the threat and danger, but Drayden does well to describe it around the lens of a child who had been shielded during the worst of the terror.

Doomfist himself is a flat character within this story. The reader knows his story from his character release, not from Drayden’s The Hero of Numbani story. Efi and her friends mention the jail break, but there is little context to it. He serves only as the grand obstacle and test of Orisa’s abilities. 

Let’s not forget Lucio. 

He’s like the prize inside the cereal box. 

If Efi were ever to have a mentor, Lucio is a great fit. She idolizes him. Drayden wonderfully gets inside the mind of a “tween” to show how captivated she is about the music icon. He is the voice of reason and encouragement Efi needed through this whole story.

Lucio shows up much like a guest star. We get a greater sense of his character and personality through his interactions with Efi. Yet we are still left to develop out sense of him from the gameplay.

His purpose within this story is that of a “fairy-godmother.” To give the protagonists exactly what they need at exactly the right moment. This is a very useful tool in writing. Here I do not feel like it was well disguised at all. Time constraints or author’s choice; it is not a bad placement or use of character. Just not my preferred. 

If you have made it this far, thank you.

In short this story is cute and an easy summer read. It has all the charm of a child’s cartoon show. (Netflix, if you’re listening, this would be an excellent addition to your animated line of shows. I’d love to see it in the vein of the animated short for Doomfist’s reveal.) The dynamic of these over the top characters are perfect for the small screen. The brightly colored and exquisite atmosphere of Numani deserves center stage. 

Even with the heavy use of in-game dialogue and voice interactions rather than new developments, this story was worth the read. Not the masterpiece or lore rich epic I’m hoping for. Stylistically cute. A shout out to fans, but not a gateway to non-fans. If you read this book, you must have prior knowledge of the characters and setting from the game and character releases. 

All that said, I do hope there are more stories. The listing of The Hero of Numabi as Overwatch #1 gives me hope. I would love to see more lore rich stories that can stand alone without relying heavily on game play, where every other sentence seems like it is borrowed from the game.

Efi and Orisa may seem like periphery characters now, but they hold promise to boost the Overwatch world. 

Side note: I love the original Overwatch cast. But reading this story has made me want to see more Lucio in the future. Lucio feels like he could be the leader Overwatch needs and deserves in order to bring it back into respectful prominence.