#short-reads

[suparhythm]

A drop in the Ocean (Haiku)

Vastness holds a tear,One life, a ripple unseen,Yet the tide rolls on.

[spitblaze]

I guess Chilchuck has brought us right back to 'adults who are short are child-coded and if you like them you're a pedophile' discourse huh

[sparkleofstardust]

in light of the recent news that Iranian President Ebrahim Raisi has been found dead after a helicopter crash you might be wondering 'who the hell is this guy and why are so many people celebrating his death??' and i'm here to answer that!

to fully understand what's going on we need to look into Iran's history: when the Iranian revolution in 1979 happened the authoritarian king who was ruling at that time was overthrown, but the ensuing power vacuum lead to the islamic regime seizing power and establishing Iran as an islamic republic

the following years were incredibly cruel to the Iranian people; thousands of people (especially minorities) have been protesting against the strict islamic regime leading to many being jailed, tortured and executed.

and this is where Raisi played a big part: in 1988 he was part of a committee that ordered the execution of thousands of political prisoners who were protesting the islamic regime, earning himself the title of "the butcher of tehran"

do not be fooled by what the state media wants you to believe, the Iranian people are celebrating his death. he was a cruel mass murderer who has destroyed the lives of thousands of people, his death should be used as a time to mourn for all the suffering he has caused, and bring new attention to the political prisoners still being held in Iranian prisions today

because sadly the fight is far from over. many of you have probably heard of the murder of Mahsa Jina Amini back in 2022, causing a new wave of nationwide protests and establishing the "woman, life, freedom" movement. the regime has gotten increasingly cruel in their treatment of the Iranian people, especially women, but the people of Iran are not deterred and keep fighting for a free Iran.

if you want to know how you can help, please keep talking about us. the one thing the regime hates is international attention, and in the past it has been proven that international pressure has stopped the regime from executing various political prisoners. people like Toomaj Salehi are under imminent threat of execution and spreading their names could save their lives. so whether you share social media posts or talk to your family and friends about what is happening in Iran, anything helps 🙏🏼

jin, jiyan, azadi ✌🏼

[stil-lindigo]

ARTISTS FOR PALESTINE 🇵🇸 - On the 6th and 9th of March, I'll be doing art requests on stream with other notable artists to raise money for Operation Olive Branch and the PCRF.

I'm incredibly lucky to be counting quite a few big names in the roster, including known Jesus and Odysseus enthusiast @wolfythewitch, the extraordinary fanartist @denimcatfish, and the incredibly talented @troubledminnesotan, as well as Lilypichu from OfflineTV.

You'll be able to watch the streams on the day of the event either on my twitch channel here, or via the links provided by the artists below.

Lilypichu

Cuptoast

Akairosu_

Sevvanto

Wolfythewitch

[reidiot]

don't fucking interrupt me when i'm reading my x reader fics it's rude

[blondie-drawings]

working on some silly tlt memes for my friend's bday and I liked how this one came out 🥲

[and-corn]

just like riding a bike

(part 3 of this comic)

[originalartblog]

the glamorous life of a mafia executive

(based on an idea from Remi!)

[ghelgheli]

In contrast with professional drag queens, who were only playing at being women onstage, [Esther] Newton learned that the very bottom of the gay social hierarchy was the province of street queens. In almost total contrast to professional queens, street queens were "the underclass of the gay world." Although they embraced effeminacy, too, they did so in the wrong place and for the wrong reason: in public and outside of professional work. As a result, Newton explained, the street queens "are never off stage. Their way of life is collective, illegal, and immediate." Because they didn't get paid to be feminine and were locked out of even the most menial of nightlife jobs, Newton observed that their lives were perceived to revolve around "confrontation, prostitution, and drug 'highs'." Even in a gay underworld where everyone was marked as deviant, it was the sincere street queens who tried to live as women who were punished most for what was celebrated-and paid-as an act onstage. When stage queens lost their jobs, they were often socially excluded like trans women. Newton explained that when she returned to Kansas City one night during her fieldwork, she learned that two poor queens she had met had recently lost their jobs as impersonators. Since then, they had become "indistinguishable from street fairies," growing out their hair long and wearing makeup in public-even "passing" as girls in certain situations," in addition to earning a reputation for taking pills. They were now treated harshly by everyone in the local scene. Most people wouldn't even speak to them in public. Professional drag queens who didn't live as women still had to avoid being seen as too "transy" in their style and demeanor. One professional queen that Newton interviewed explained why: it was dangerous to be transy because it reinforced the stigma of effeminacy without the safety of being onstage. "I think what you do in your bed is your business," he told Newton, echoing a middle-class understanding of gay privacy, "[but] what you do on the street is everybody's business."

The first street queen who appears in Mother Camp is named Lola, a young Black trans girl who is "becoming a woman,' as they say'." Newton met Lola at her dingy Kansas City apartment, where she lived with Tiger, a young gay man, and Godiva, a somewhat more respectable queen. What made Godiva more respectable than Lola wasn't just a lack of hormonal transition. It was that Godiva could work as a female impersonator because she wasn't trying to sincerely live as a woman. Lola, on the other hand, was permanently out of work because being Black and trans made her unhireable, including in female impersonation. When Newton entered their apartment, which had virtually no furniture, she found Lola lying on "a rumpled-up mattress on the floor" and entertaining three "very rough-looking young men." These kinds of apartments, wrote Newton, "are not 'homes.' They are places to come in off the street." The extremely poor trans women who lived as street queens, like Lola, "literally live outside the law," Newton explained. Violence and assault were their everyday experiences, drugs were omnipresent, and sex work was about the only work they could do. Even if they didn't have "homes," street queens "do live in the police system."

As a result of being policed and ostracized by their own gay peers, Newton felt that street queens were "dedicated to "staying out of it" as a way of life. "From their perspective, all of respectable society seems square, distant, and hypocritical. From their 'place' at the very bottom of the moral and status structure, they are in a strategic position to experience the numerous discrepancies between the ideals of American culture and the realities." Yet, however withdrawn or strung out they were perceived to be, the street queens were hardly afraid to act. On the contrary, they were regarded by many as the bravest and most combative in the gay world. In the summer of 1966, street queens in San Francisco fought back at Compton's Cafeteria, an all-night venue popular with sex workers and other poor gay people. After management had called the police on a table that was hanging out for hours ordering nothing but coffee, an officer grabbed the arm of one street queen. As the historian Susan Stryker recounts, that queen threw her coffee in the police officer's face, "and a melee erupted." As the queens led the patrons in throwing everything on their tables at the cops-who called for backup-a full-blown riot erupted onto the street. The queens beat the police with their purses "and kicked them with their high-heeled shoes." A similar incident was documented in 1959, when drag queens fought back against the police at Cooper's Donuts in Los Angeles by throwing donuts-and punches. How many more, unrecorded, times street queens fought back is anyone's guess. The most famous event came in 1969, when street queens led the Stonewall rebellion in New York City. Newton shares in Mother Camp that she wasn't surprised to learn it was the street queens who carried Stonewall. "Street fairies," she wrote, "have nothing to lose."

Jules Gill-Peterson, A Short History of Trans Misogyny

[hey-howsitgoin]

So I've had this joke in my head for a couple months (at least), but hadn't found the right spot to make it. Today it is complete.

A hole in my jeans?

Hmm? What's this?

A Patchypus?

REPAIRRY THE PATCHYPUS!!!?!!!

[caffichai]

Regular Abyssal Hunter downtime activities

[suparhythm]

Whispers of Purpose

Hey beautiful people! You may have missed this awesome post from Suparhythm. Check it out. Leave a comment too. Thanks!

The mid-afternoon sun, a molten river breaching the horizon, spilled onto my bare chest, warming the goosebumps raised by the sudden memory.A phantom touch lingered – the press of cool fingers against sun-baked skin, a laugh that chimed like how the wind chimes in a summer breeze.I sank deeper into the plush embrace of the recliner, the worn leather sighing beneath my weight.The remnants of the…

[kimodraw]

phantom limb

[grey-sides]

On a Monday morning, Steve's dad frowns at his paper and throws Steve a sidelong glance. On the entertainment page is a black and white photo of Bruce Springsteen kissing Clarence Clemons.

Steve swallows his toast and shifts in his seat. But his father doesn't say a thing and Steve doesn't know where to begin. He's not asked to get rid of his Springsteen tapes. But he does find the paper later, tossed on the pile to go in the trash and clips out the picture.

It's not the first time he's seen this exact scenario with Bruce Springsteen. But it is the first time in a long time he's been interested in doing it himself.

He tucks the paper clipping away in a book under his bed. And he thinks about the cash he has saved up and how much longer Robin has to be in school for.

On a Friday evening, he fixes his hair and kisses his mom's cheek on his way out the door. The newspaper clipping under his bed is delicately frayed already, the thin paper worn thinner by his eager fingers.

He picks Robin up, waves to her mom and drives them just outside of town. Eddie's van is already there, quiet and dark because he and his band are already inside.

On a Friday night, Steve tucks into a beer and looks up at the stage. He smiles despite himself and thinks of Bruce and Clarence when Eddie and Jeff lean into the microphone together.

His palms sweat and he presses them to his bottle. The edges of the label are peeling like the newspaper clipping. He taps his toe to the music and smiles wider when a woman takes Robin by the hand to show her how to rock out.

On an early Saturday morning, so early Steve would call it late, he helps Eddie put the instruments away in the back of the van. He watches as Eddie stacks each piece carefully and curses when a cymbal crashes against an amp.

And he thinks about his newspaper and the judgement in his dad's eyes. He twirls his keyring around his finger and thinks of another life where he kept up with his piano lessons instead of baseball.

On an early Saturday morning, Steve closes the van doors just enough to block people from seeing them and he pulls Eddie close. And he wonders what it would be like to do on a stage.

And Eddie is not Clarence Clemons and he is not Bruce Springsteen. But his heart still races and his palms still sweat, and he knows he could bellow out of his lungs with joy if he was standing in front of a crowd.

And later still on that early Saturday morning, Steve feels the calluses of Eddie's guitar worn fingers on his cheek. And he listens to his halfway to hoarse voice tell a story. And he tastes cheap beer and song lyrics on his lips. And he thinks next Saturday, he might join Robin dancing in the dark of the bar.

[biggest-gaudiest-patronuses]

got a worm nibbling my brain. can someone help me find a piece of obscure media?

webcomic/indie comic from the 2010s. basically a sci-fi short story about a young girl (with red hair?) who was being raised by scientists as part of an experiment. she receives a haircut/has her head shaved, in preparation for her annual brain scan/testing. it is revealed that while her body is human, her "brain" is artificial, made of computer implants throughout her skull and spine. at some point her biological mother (also a scientist on the same campus?) encounters her and is repulsed, viewing her as a machine who has murdered her daughter.

it was very poignant and it bruised my heart and i can NOT find it anywhere

[speltfields]

[concerningly sweaty] i think he'd...grow a beard in the winter...!!!!!!!!!!