#so proud of my people

[cocrante]

I think it's important to know that in Italy [Pisa, Tuscany], protests for Palestine are ongoing; also against censorship and to prevent the resurgence of fasc!sm

Unfortunately, things are not going well; many students, including teenagers, school staff, mayors, and teachers, are being beaten. This is not democracy. This is not freedom of thought. Faced with a genocide, we should feel horrified, but that's not happening.

Meanwhile, we continue to protest, despite the fear that makes us tremble—today (23.02.2024), many ended up in the hospital, a girl was hit in the eye, and many others in the head.

It's scary just to leave the house. But Italians continue to protest because we have a history that cannot be forgotten.

Thank you, Pisa ♡

PISA RIGHT NOW (Italy, 23.02.2024)

Over 5'000 people protesting for Palestine and against police brutality ✊

[izayoi-sakuya]

Wednesday tho. The latinos win at being goth again. B)

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[shoomlah]

HAPPY 20TH ANNIVERSARY STEAM just wanted to share a couple of my favorites from the whole set! Can't believe that I got to draw these on company time baybeeeee 😎

[nouverx]

The Cannibal Overlords 💀

[lawrichai]

Madness Reign “Decadence” 2006 Dusting off this French-Canadian Gem from 2006

[lylahammar]

IT'S FALIGON DAY BABYYYYYY I'VE BEEN DREAMING OF THIS DAY SINCE 2018 WE'RE POPPIN MASSIVE BOTTLES 🥳🎉🐉🍾🍻🔥

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[shmaroace]

don't get me wrong, i love all the positivity around being aro, like "be proud of being aro!! love who you are!!", but we never talk about how hard it is to reach that spot. so here's to the aros who are still trying to understand themselves, who aren't proud of who they are yet, who are still coming to terms with their new identity.

[lazycranberrydoodles]

everybody go home. this is my magnum opus

[ryllen]

when u love being called 'love'

[uselessgaywhovian]

sorry, saw someone on reddit talking about how they "had" to kill shadowheart because they were playing a "good" character and she was "evil" and i'm like

not to make her too much of a little meow meow, but this little bitch wants to be good so much that Shar had to put a shock collar on her when she was like seven and like 40 years later it's still not working great

[kbsd]

when a lovely flame dies, smoke gets in your eyes

OR: what were we supposed to take away from episode 3 if not ‘bucky is a war widow’

[bitegore]

Zionists want you to conflate Judaism and Zionism. Zionists want you to believe that Judaism cannot exist without Zionism and that all Jews are Zionists. Zionism would have Jews believe that a Jewish state is the only way that they can be safe from antisemitism and will point to any instance of antisemitism as proof that Zionism is the solution- so Zionism wants gentiles to be antisemitic in their support of Palestine. They want you to conflate all Jews with Zionism and the state of Israel, and they want you to treat all Jews regardless of political affiliation as the face of Israel. Antizionist Jews exist, and incidences of antisemitism ostensibly acting against Zionism will not help dismantle the forces propping Zionism up.

Don't do their work for them.

[the-woman-upstairs]

Really fucked up that, when they’re young, Patrick and Art are SO tactile with each other, so comfortable sharing the same space. Art lets Patrick touch him and move him and physically overwhelm him and easily acquiesces to it, if not outright enjoys it.

Then in the present, they’ve been so far out of each other’s orbit for so long, held such animosity that when they have their moment alone in the sauna, Art physically recoils from Patrick’s close proximity! It’s so painful to watch because even as Patrick’s goading him, it’s so obvious he wants to be able to get back into Art’s space. But Art has erected all these walls around himself, he refuses to give Patrick an inch or even admit to missing how close they used to be!

AND THEN we see Art and Tashi later and he wants her to hold him, to be gentle with him, and just TOUCH him. Like, he does miss that kind of close physical contact! He either doesn’t know how to ask for it or is uncomfortable being that openly vulnerable. Worth noting that he pretty much always defers to Tashi in regard to initiating physical intimacy (with their first kiss, though he does state his desire, SHE has to be the one to make the first move). And it seems pretty obvious that Tashi herself isn’t comfortable providing that intimacy, whereas Patrick actively seeks to provide it (the hug/forehead kiss after their win together in the early years, dragging the stool closer to him).

Art has tried very hard to act like he doesn’t need physical affection and even though his discipline and devotion to Tashi has made him a stronger tennis player, it’s made him a hollow person, which, in turn, has kept him from becoming a GREAT tennis player.

All of this, of course, is why the ending hits so damn hard.

[heartorbit]

revstar emu save me