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#someone needs to write about this
savage-scarcity · 29 days
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Personal head cannon that Konohamaru is kinda what kakashi was to Kushina. Like you can’t tell me Naruto doesn’t send him OFTEN to go check up on Hinata “discretely” when she’s pregnant and she OFC knows he’s there so after a while she just starts to acknowledge him more and more. Pretty soon konohamaru is looking forward to his time spent with Hinata because she’s just so goddamn sweet and kind.
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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poorly-drawn-mdzs · 27 days
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Reasons to play In Stars and Time: Canon Pronoun Warfare.
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ipetite69 · 3 months
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·̩͙ ₊ ᨦ ♡ ᨩ ໋₊ ·̩͙
can't stop thinking about greasy curtain bangs!rafe and buzz cut!rafe actually being twins. both are used to sharing everything, and you're not the exception. i mean, why have only one when you can have both of them just to yourself?
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leonardcohenofficial · 5 months
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literally nine would have treated martha so right i don’t even wanna TALK ABOUT IT
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mobius-m-mobius · 7 months
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#just a wizard gentleman and his butler 🪄🎩
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bluerosefox · 4 months
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New Title Idea
...........................
........................
Why haven't we DP fans of Ghost King Danny thought of this title to give him?! Like I stopped in my tracks and almost slapped my forehead when the idea came to me.
Guys
Ghost King is a wonderful, wonderful title for Danny. Very spooky.
but
like
the Infinite King.
DUDE
NOW THAT.
Like we can spin it into Ghost King is like the known everyone knows it title.
BUT Infinite King is like the root. Like Infinite King is like a serious 'I am no longer kidding or playing around' title. Like its such a legendary title its very rare to hear about kind of thing.
( •̀ ω •́ )
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aphel1on · 6 days
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AURGH auwarghh the autistic parental trauma... the epi was wacky hijinks then dropped this on us out of nowhere... (sobs) laios... laiiiiooooos
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leverage-ot3 · 2 months
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okay I absolutely get and adore harry being oblivious about ot3 developments, but consider:
after breanna makes it explicitly clear she’s queer in the card game job, harry starts Researching™
he’s trying to be good, be better. he likes this girl and wants to be there to support her and be her friend, someone she can trust. it doesn’t help that she’s around the same age as his daughter, who barely wants to associate with him anymore
he learns breanna is queer and dives into researching. watching TED talks in his spare time. reading ebooks on his phone in between playing roles in a con (bringing a physical book is less convenient and he doesn’t want to wave around the fact that he’s researching like he’s trying to be performative about it). he reads about legislation and book bans and wonders about how they could work their magic through a con to fix those things. he reads about asexuality and recognizes the flag colors from the sticker on breanna’s laptop, which he files away for later
he learns a lot! he has been peripherally aware of queer stuff- it’s kind of hard not to be in the 2020s, but now he is much more informed on a lot of issues. he has memorized at least 50 different labels and terms and has an index of resources in his head (and on his phone) if anyone might need them. he wants to understand the people he loves and cares about, whether it’s breanna or one of his daughter’s friends, or anyone in his life that is queer and he doesn’t know it yet. he wants to be ready and prepared to support them!
he learns about sapphicness and bisexuality and intersex rights and the gender spectrum. he learns about karyotypes and stonewall and other queer history. he learns about kink (blushing, but still reads because it’s important!) and relationship diversity… which leads him to discover the term polyamory
he tries not to actively apply the terms he has learned on the people in his life because he knows it’s wrong to assume things about other people. BUT. harry spends a few days reflecting on parker, hardison and eliot’s interactions and wonders. he thinks about the long hugs and lack of personal space and near telepathic communication not just between parker and hardison, but parker and eliot AND hardison and eliot. how parker knows how to make eliot take care of himself, how he knows when she forgets to eat because she’s so hyperfixated on planning a con. how parker jumps on his back for fun and no matter what, he always catches her. hardison’s absence is felt when he’s gone, deeply by the both of them.
it could just be a deep friendship, he knows. they have been working and living together for over a decade, of course they would be close!!! maybe they could even be queerplatonic! (another new word he learned!)
but. still. he quietly observes, watches closely, and thinks.
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demigods-posts · 9 months
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canonically, percy isn't aware of the crushes people have on him until it's too obvious to deny — like when annabeth kissed him, or when nico straight up told him. and since percy isn't aware of rachel's crush on him until the beginning of tlo, that means there was a point in time when rachel was actively trying to get with him and he had no idea. and it's not even his fault lol. he just only saw her as his good friend and just thought her advances were her being friendly. i just have to see this in action.
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frownyalfred · 2 months
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you know what one of my favorite tropes is? forced identity reveal. and not just scenes where the villain will throw some poor civilian off a building if the Justice League doesn't stand up. I mean the kind where they're forced, through magic or powers or some sort of force, to reveal themselves.
Kryptonians are immediately identified in the crowd with kryptonite. Every Lantern hisses as their rings start to flare at the same time, glowing wildly on their hands. Glamours are forcibly dropped. Like that.
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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withacapitalp · 9 months
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Steddie idea where Dustin is pressing on Robin and Steve about dating again and Steve decides to just blurt out that he's gay but the kind of gay that likes both and that's why he and Robin can't date (Robin apparently just doesn't count as one of the both in his mind for some reason?) Dustin tries to get Steve to see that but he's also in the 'my brother came out to me I must be supportive' mindset, so he instantly decides to flip to Steve you should date Eddie!
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franklyimissparis · 3 months
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the making of liverpool oratorio documentary is literally just paul in an alternate universe where he’s a divorced gay middle-aged english teacher turned classical composer and music director
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ohitslen · 10 months
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Intrusive thoughts
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bandzboy · 5 days
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from my twitter since i also wanted to post this here
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