#something something it's a skill i need to re-learn

[kiwriteswords]

I Promise You This

Chapter Three: I've Overcome The Blow, I've Learned to Take it Well

Pairing: Aaron Hotchner x Fem!Reader

Trigger Warnings: Chronic illness, reader with past abusive relationship, canon-typical violence, canon-typical themes, language, future sexual themes

Rating: Mature for mature themes and future chapters.

Word Count: 1.9k

Summary: Y/N, the newest and youngest profiler in the BAU, is haunted by her past—an abusive relationship and an illness she keeps hidden from her team. Though skilled in her work, she distances herself emotionally, fearing vulnerability. Aaron Hotchner, her reserved and perceptive boss, begins to notice the cracks in her carefully constructed walls as they navigate high-stakes cases together. Drawn to her resilience, Hotch finds himself increasingly protective of Y/N. As their bond deepens, both must confront their own emotional barriers, leading to an unexpected connection amidst the darkness of their work.

AN: Thanks for the wonderful feedback on the re-write of chapters one and two! I have received many requests for a tag list, which I originally had for the story back in 2021, but I have updated that as well, and that can be found here. I start a new job tomorrow so my re-writing and new posts may be a little slow, so apologies in advance! xx

Masterlist | I Promise You This | Ao3

You sat in your usual seat on the jet, arms crossed and gaze fixed on the dark night outside. You didn’t acknowledge Emily, JJ, Morgan, or Reid as they filed in behind you. The tension was palpable, and everyone could feel it. They’d heard the argument at the police station—how could they not?

Getting pulled aside by Hotch had blindsided you. It wasn’t how you operated. At your first job, you’d climbed the corporate ladder faster than anyone else, becoming the youngest manager in the company’s history. You weren’t the teacher’s pet type, but your professors had always treated you as an equal. Even in the local task force, your superior had been more friend than boss, someone you still considered your closest confidant despite the thirty-year age gap.

You had always been someone people trusted to get things done without question. Growing up in a house where you were more of a friend than a child to your parents had shaped you into that. But it came at a cost. It forced you to grow up quickly—too quickly. You still remembered handing over your babysitting money at twelve to keep the heat on. Your teenage years had been a blur of hospitals, white coats, and endless tests as doctors tried to figure out why your body kept betraying you.

You didn’t know how to handle being scolded. Not as a child, not as a teenager, and certainly not now as an adult. That was perhaps why you had once allowed yourself to stay in a relationship where every move seemed to disappoint someone you trusted. That thought was too heavy to unravel, so you stuffed it down for later, cursing yourself for quitting therapy all those years ago.

Behind you, Hotch and Rossi stepped off the SUV and into the plane, the car ride having passed in silence. Rossi could sense the turmoil simmering inside Hotch; he knew the signs.

“You need to stop beating yourself up, Aaron,” Rossi said as he closed the door. Hotch sighed, pausing at the steps to the jet.

“I feel like an idiot,” Hotch muttered. “It’s my job to know when someone is lying, and I failed. And with something so—” He couldn’t find the words. It was you. You, of all people: quiet, compassionate, and steady. Someone he had come to rely on, even admire.

Rossi shrugged as he stepped up the stairs. “Y/N’s a private person. How could you have known? She’s an excellent agent, but outside of the job... none of us really know her.”

Hotch nodded, but the self-recrimination lingered. He shook his head, took a breath, and boarded the plane.

Once inside, he scanned the team. JJ was showing Reid a picture of Henry; the rest engaged in small talk or resting. You, however, sat alone, staring out the window. Hotch hesitated for a moment before deciding to face what needed to be addressed. He took the seat across from you.

“Y/N,” Hotch began, his voice quiet, almost pleading.

You didn’t look up at first, but something in his tone made you lift your gaze. His expression wasn’t what you expected—he wasn’t angry, just... regretful.

He sighed, meeting your eyes. He still couldn’t believe that someone so resilient could have been through what you described. “I just wanted to apologize,” he said. “I shouldn’t have doubted you.”

You studied him, unsure how to respond. This was not the Hotch you were used to—the one who always had the answers, who never faltered. “Why would I lie about something like that?” Your voice came out softer than you intended, almost fragile, and you hated how vulnerable it made you feel.

Hotch shook his head, visibly frustrated with himself. “It’s my job to see through lies,” he muttered, looking away for a moment. “What we do... we’re trained to piece together profiles, to find patterns. But you? I realized I don’t know anything about you.”

You furrowed your brow, not quite understanding. “What do you mean?”

“I know JJ’s sister took her own life, and that’s why suicide cases affect her more deeply. I know Reid’s mother is schizophrenic, and it shapes how he handles cases involving mental illness. But you, Y/N... you don’t share anything. And when you suddenly did today, I questioned it. I shouldn’t have, but I did.”

You leaned back slightly, processing his words. You’d spent so long guarding yourself, keeping the details of your life hidden, that you hadn’t realized how closed off you’d become. Before your ex, you’d been an open book. Now, you kept everything buried, fearful that sharing too much would be seen as a weakness.

“I’m sorry,” you murmured, barely audible. You could feel the rawness of your emotions bubbling to the surface, and you fought to keep it in check. “I’m sorry I made you doubt me.”

Hotch’s expression shifted, guilt washing over him. “No,” he said firmly, leaning forward. “You don’t have anything to apologize for. This is my fault. I should’ve trusted you.”

You swallowed hard, his sincerity catching you off guard. “I just... I don’t talk about it. Not with anyone.”

“I understand,” Hotch replied, his tone softening. “But if you ever need to... step back, or talk, or anything, I’m here.”

His words, though simple, held a weight you weren’t used to. People had let you down before—your parents, your friends, and certainly your ex. But Hotch? For some reason, you believed him. He seemed genuine in a way that few people were.

You gave him a small, appreciative smile. “Thank you.”

There was a long pause as both of you sat there, the conversation simmering down but still thick with unspoken things. Finally, Hotch broke the silence with a question you hadn’t expected.

“He’s not still in your life, is he?” His tone was low, but there was a protective edge to it.

You shook your head. “No, he’s not.”

Hotch let out a breath, and you realized he’d been holding it since the start of this conversation. “Good,” he muttered, his gaze flicking briefly to the window before settling back on you.

The conversation lingered between you, a moment of connection that neither of you had anticipated. You hadn’t noticed until now that the rest of the team had fallen asleep. Your eyes drifted out to the night sky, and for a brief moment, you felt a sense of peace. 

It was on flights like this that you’d often find solace—an odd kind of freedom, away from everything. It had been where you poured your heart into journals during the worst of times, scribbling out your thoughts when you felt like no one else could understand.

As the plane hummed quietly, you pulled out your phone, putting in one earbud. Hotch, back to reviewing files, didn’t notice until you spoke again.

“I was listening to Jim Croce earlier.”

He looked up, surprised. “What?”

“This morning, before we landed. You asked what I was listening to.”

Hotch blinked, his expression incredulous. “Jim Croce?” he asked, the corner of his mouth twitching into an almost-smile. “That’s a little before your time, isn’t it?”

You smirked. “I may be the youngest on the team, but I’ve got good taste.”

“You don’t make it easy to remember how young you are.”

You couldn’t quite tell if that was a compliment or just an observation, but you smiled faintly, turning your attention back to the music.

The flight ended soon after, and you found yourself back at the bullpen, staring down at the paperwork you still had to finish. The rest of the team was packing up, ready to head out for the night.

“Y/N, you coming for a drink with us?” Emily asked, slipping on her jacket. “Rossi’s buying!”

The idea of unwinding with a drink sounded perfect, but you glanced at the files stacked on your desk. “I wish, but I’ve got to finish this first.”

Before you could protest further, the file was snatched from your hands. You looked up, startled, to see Hotch standing over you, holding the file.

"It can wait until Monday," he said with a certainty that caught you off guard. Even more surprising was the fact that he was already packed up—coat on, briefcase in hand. For anyone else, it might have been normal, but this was Aaron Hotchner. He was always the last to leave, often staying well into the night to finish paperwork or analyze case details long after the team had gone home. Seeing him ready to go was... strange.

“You sure?” you asked, your surprise evident.

Hotch nodded, a small, almost imperceptible smile tugging at the corner of his mouth. “Absolutely. You don’t turn down a free drink from David Rossi.”

You blinked, momentarily stunned. It wasn’t just his words; it was the decision behind them. Hotch was notoriously disciplined—methodical, even. He rarely, if ever, joined the team for drinks after a case. His usual excuse was needing to get home to Jack or simply that he had too much work to do. But tonight, something was different. Maybe it was the case. Maybe it was your conversation on the jet. Or maybe it was something deeper—some realization that, despite everything, he needed a moment to just be with his team.

In that moment, you realized how much his offer meant. Hotch wasn't the type to take breaks lightly, but here he was, extending a rare gesture. It was more than an invitation for drinks—it was a sign that, despite the hardened exterior, he valued the team’s bond and maybe even your well-being more than you’d expected.

You laughed softly, the tension in your shoulders easing as you slipped on your jacket. "Alright," you said, a smile pulling at your lips. "Let’s go."

As the two of you walked toward the exit, you couldn’t help but glance at him again. It wasn’t often that Hotch chose to step out of his rigid routine, and it made you wonder what else was on his mind.

For Hotch, tonight was different. It wasn’t just about winding down after a long case. He had spent the entire flight thinking about what you’d shared, about his own shortcomings as a leader, and the cracks in his perception of the people he worked with. You, in particular. He had been wrong about you. That realization weighed on him more than he wanted to admit. He knew that taking a step away from the grind and joining the team for a drink would help bridge the gap he had felt growing between him and his agents—especially you.

For once, the paperwork could wait.

“Hotch, you’re actually joining us for drinks?” Morgan called from across the bullpen, disbelief clear in his voice.

Hotch raised an eyebrow, slipping his hands into his coat pockets. “Don’t sound so shocked, Morgan.”

“Shocked? Nah. Impressed? Definitely,” Morgan replied with a grin, throwing his arm around Reid as they headed for the door.

You smiled to yourself as you followed the group, Hotch walking beside you. Maybe tonight wasn’t just about letting go of the case. Maybe, just maybe, it was about something bigger—about finding a way to be a little more human in a job that constantly took that away.

TAG LIST:

@zaddyhotch @estragos @todorokishoe24 @jencole214 @indiatuck  @eg-dr3amer3 @crispy-crokee @esposadomd @genevieve-blr @mdanon02727

[crowleyanthonys]

Sending emails back in the day when a large percentage of my job was sending emails was a pain, but it became manageable. Networking and setting up meetings became easier after a while.

Now, five years later...it's torture. I've been trying to just draft four emails all day and I just can't. What the fuck happened???

[angorwhosebabyisthis]

having thoughts about nine, and i think one of the biggest things i would personally do to fix him and his role in the story (without making him a flat out villain) is to change the core theme of his character from 'missing stair will not and should not ever be held accountable for their actions,' to:

cruelty and defiance are not the same thing. existing out of spite is not an evil thing; refusing to lay down your weapons under the guise of being small and soft and palatable is not evil; defending yourself and others from being wiped out or made less than you are is not evil. it is not cruel. making good on 'fuck around and find out' can be one of the most important things you will ever do.

and because it's not cruel, it does not excuse cruelty. 'kind does not mean nice' doesn't mean 'cruelty is acceptable as long as it's for a Good Cause'; it also doesn't mean that cruelty in some instances and kindness in others balance each other out. if anything, the latter just ends up becoming part of the former with a different face. it doesn't matter how soft or palatable or loud and rough-edged you are: either your worldview is built on kindness or it isn't, and that will show in how you act on it no matter how hard you try to quarantine one philosophy from the other.

there are lots of other things i'd change; a major one being to pull the fuck up on said cruelty by a LOT, holy shit. as well, don't make him abusive, whether as a) a tactical abuser who pretends his trauma took out the filter he absolutely still has, or b) someone whose trauma has taken out their filter, and left them a disoriented, barely functioning wreck with no idea what the hell is going on inside or outside their own head; whose confused flailing manifests as lashing out in abusive ways, and who wants to do better, and would actually improve with both help and accountability for their actions. that last one has worth as a narrative, but it requires pulling on the sensitivity gloves so far up your arms that it's just a whole spandex suit, and these writers have well and truly proven they are just not fucking capable of that lmao

but in the end, one of the things that does absolutely have to change is that his character has to have a point other than getting away with being a missing stair. there might be other ways to write him as a static character and still a good one; they do have their place! but given that the conventions of the genre would generally involve a growth arc for a character like him, i feel like this interpretation is one that probably falls closest to what they were actually going for.

(or at least, what they wanted to trick the audience into thinking they were going for. lol)

anyway yeah, i have a piggy bank full of cents about this and that is two of them. tl;dr justice for nine, we could have had it all

[fuckyeahisawthat]

There are so many places in the Villeneuve Dune adaptations where he just...takes all the narrative pieces that Frank Herbert laid out and subtly rearranges them into something that tells the story better--that creates dramatic tension where you need it, communicates the themes and message of the book more clearly, or corrects something in the text that contradicts or undermines what Herbert said he was trying to say.

The fedaykin are probably my favorite example of this. I just re-read a little part of the book and got smacked in the face with how different they are.

(under the cut for book spoilers and length)

The fedaykin in the book are Paul's personal followers, sort of his personal guard. They show up after his legend has already started growing (the word doesn't appear in the book until chapter 40) and they are people who have specifically dedicated themselves to fighting for him, and right from the moment they're introduced there is a kind of implied fanaticism to their militancy that's a bit uncomfortable to read. They're the most ardent believers in Paul's messianic status and willing to die for him. (They are also, as far as you can tell from the text, all men.)

In the book, as far as I can remember (I could be forgetting some small detail but I don't think so) there is no mention of armed resistance to colonialism on Arrakis before Paul shows up. As far as we know, he created it. ETA: Okay I actually went back and checked on this and while we hear about the Fremen being "a thorn in the side" of the Harkonnens and we know that they are good fighters, we don't see anything other than possibly one bit of industrial sabotage. The book is very clear that the organized military force we see in the second half was armed and trained by Paul. This is exacerbated by the two-year time jump in the book, which means we never see how Paul goes from being a newly deposed ex-colonial overlord running for his life to someone who has his own private militia of people ready to give their lives for him.

The movie completely flips all these dynamics on their head in ways that add up to a radical change in meaning.

The fedaykin in the movie are an already-existing guerrilla resistance movement on Arrakis that formed long before Paul showed up. Literally the first thing we learn about the Fremen, less that two minutes into the first movie, is that they are fighting back against the colonization and exploitation of their home and have been for decades.

The movie fedaykin also start out being the most skeptical of the prophecy about Paul, which is a great choice from both a political and a character standpoint. Of course they're skeptical. If you're part of a small guerrilla force repeatedly going up against a much bigger and stronger imperial army...you have to believe in your own agency. You have to believe that it is possible to win, and that this tiny little chip in the armor of a giant terrifying military machine that you are making right now will make a difference in the end. These are the people who are directly on the front lines of resisting oppression. They are doing it with their own sweat, blood and ingenuity, and they are not about to wait around for some messiah who may never come.

From a character standpoint, this is really the best possible environment you could put Paul Atreides in if you want to keep him humble. He doesn't get any automatic respect handed to him due to title or birthright or religious belief. He has to prove himself--not as any kind of savior but as a good fighter and a reliable member of a collective political project. And he does. This is an environment that really draws out his best qualities. He's a skilled fighter; he's brave (sometimes recklessly so); he's intensely loyal to and protective of people he cares about. He is not too proud to learn from others and work hard in an egalitarian environment where he gets no special treatment or extra glory. The longer he spends with the fedaykin the more his allegiance shifts from Atreides to Fremen, and the more skeptical he himself becomes about the prophecy. This sets up the conflict with Jessica, which comes to a head before she leaves for the south. And his political sincerity--that he genuinely comes to believe that these people deserve liberation from all colonial forces and his only role should be to help where he can--is what makes the tragedy work. Because in the end we know he will betray all these values and become the exact thing he said he didn't want to be.

There's another layer of meaning to all this that I don't know if the filmmakers were even aware of. ETA: rescinding my doubt cause based on some of Villeneuve's other projects I'm pretty sure he could work it out. Given the time period (1960s) and Herbert's propensity for using Arabic or Arabic-inspired words for aspects of Fremen culture, it seems very likely that the made-up word fedaykin was taken from fedayeen, a real Arabic word that was frequently used untranslated in American news media at the time, usually to refer to Palestinian armed resistance groups.

Fedayeen is usually translated into English as fighter, guerrilla, militant or something similar. The translation of fedaykin that Herbert provides in Dune is "death commando"...which is a whole bucket of yikes in my opinion, but it's not entirely absurd if we're assuming that this fake word and the real word fedayeen function in the same way. A more literal translation of fedayeen is "self-sacrificer," as in willing, intentional self-sacrifice for a political cause, up to and including sacrificing your life.

If you apply this logic to Dune, it means that Villeneuve has actually shifted the meaning of this word in-universe, from fighters who are willing to sacrifice themselves for Paul to fighters who are willing to sacrifice themselves for their people. And the fedaykin are no longer a group created for Paul but a group that Paul counts himself as part of, one member among equals. Which is just WILDLY different from what's in the book. And so much better in my opinion.

[comicaurora]

I heard you talking on a recent OSPod about Hades, and as someone who very much can get ADHD-yoinked into games, it got me curious, but I'm...not great at video games and have found Dark Souls-y games where you try over and over and keep failing at the same task kind of frustrating. How's your Hades experience been in those regards? (although I'm not sure your general game skill)

Hades feels like it's really carefully designed to circumvent those frustrations.

I also hate the feeling of lost progress, which had me wary about playing a roguelite defined by constantly trying and mostly failing, but by far the most helpful part of the game design is that Zagreus also hates it, so it feels like the game and I are on the same page about it.

It also helps that most of the actual, tangible progress in the game is bound up in advancing the character arcs, which isn't a totally skill-free experience since it involves finding a couple characters out in the underworld, but a lot of it can be done back in the House of Hades, so every time you lose and die you can run around having conversations with everyone, almost all of which will be new and unique and advance your arc with them. If a character doesn't have a new interaction for you, you usually just can't find them on the floor, so there's very little time-wasting.

Speaking of, there's a lot of advancement that can only be done in the House of Hades, and a lot of it involves resources you can actively choose to seek out on runs. I did a couple runs today where my only goal was getting the last of a specific olympian's Boons so I could fill out their Minor Prophecy achievement and reap the rewards, and everything after that was just a bonus. This means the game is passively encouraging the player to develop secondary objectives beyond just making it to the end of the game again. It also helps that making it to the end of the game basically just gives you a weapon-unlocking resource and another small slice of conversation with [EXTREMELY OLD SPOILERS] so while it feels important, and is necessary for advancing towards the true ending of the game, it's not so overwhelmingly rewarding that you feel absolutely crushed when the final boss takes you out halfway through his second healthbar again.

You also benefit very greatly from not playing the game the same way twice - using new weapons or adding new challenge modes is the only way to re-acquire the unique boss rewards for the three main regions of the underworld, instead of the more generic resources that replace the unique ones after you win them for the first time, which means instead of feeling like you need to optimize a winning build and then use it every time, you're encouraged to play with the other weapons that you might find unwieldy or annoying, and if you manage to beat even the first boss with them, you'll be disproportionately rewarded. Also, on every run a random weapon will be empowered to give you bonus resources if you choose to use it, so even if you're a strictly melee-only main you might find yourself willing to figure out how to use the bow in exchange for the extra gems. The Boons you get also dramatically change the strategy you're likely to naturally fall into over the course of fighting your way out - some builds are extremely melee-based, others just boost your ranged abilities to the point that you can mostly just dash around the battlefield while your Casts chew through everyone's healthbar at top speed. So when you reach the final boss, you're not going to be using the same strategies, and even if you lose, it feels less like you had a skill issue and more like you've learned something to look out for or try out next time around. The final boss's strategies and moves don't change either, so you'll know what to expect every time even as your own moveset might be completely different from run to run.

In my personal experience, I have a pretty good feel for when a game is disappointed in my performance. Nothing says "the designers didn't expect you to get stuck here" like endlessly looping dialogue or not-so-subtle hints that you can knock down the difficulty if you need to. Hades has thus far done this to me very little, and only in specific areas - even if I'm no longer getting unique banter with Theseus every time I kick his ass, I'm still having unique conversations with Asterius in the same region and it doesn't feel like I'm anywhere near done with the dialogue back in the House. Zagreus's dialogue when he enters the same three boss arenas will also randomly go from seemingly-interchangeable lines of "yep it's this boss again" to much more unique angles that legitimately change the game from then on. Yesterday, after killing the bone hydra something like a dozen times, he randomly decided to nickname it Lernie, and now he consistently calls it Lernie and every time I kill it the victory banner says "LERNIE VANQUISHED". Today he got Tisiphone to say his name instead of just "murderer" all the time. The game knows you're going to be fighting these guys a lot, and this tells me I haven't outstayed my welcome in the anticipated main timeline of gameplay.

If I have a frustration, it's that I'm not always sure that what I'm doing is advancing the character plotlines, and you can only talk to a character once on any given visit to the House. The game kind of helps you out here, your little information codex will tell you stuff like "Learn more by having X more conversations with this character" or "learn more by deepening your relationship with this character" but it can still be pretty vague and opaque. There's no dialogue trees, Zagreus basically just says what he wants, so when, for instance, Achilles indicates that I should talk to Nyx about maybe getting Orpheus's deal with Hades undone, it's a little frustrating that I can't then go over to Nyx and ask her about that. Or, in fact, ask her about it at all in any of the dozen runs I've done since that nugget got dropped. It's not a game-breaker, but it is a little frustrating. On the other hand, this is clearly intentional, because this means you're tempted to get back into a run as quickly as possible, because then when you die more conversations will have unlocked back at the house - but also, to deincentivize just running out and dying on purpose to get those dialogues going, there are some characters who will only appear in the House if you get far enough into the run to deal with them, and certain characters whose arcs and dialogue only advance if you find and talk to their missing loved ones out on the run. So you'll always have something new back at the House, but you're strongly encouraged to get as far as you can before you die, because the farther you get, the more you'll have to do when you get back.

The game is basically designed to never, ever make you want to sit still. You can quickly exhaust everything there is to do in the house, and that makes you want to go out on a run and see what new things will happen. Then while you're on the run you have the benefit of randomization keeping things interesting and making you make plans for the next time you encounter a given character. It's got a good rhythm to it!

[mochinomnoms]

When you posted about twst not having the same foods it made my brain go... "what if their bf really tried to recreate the food based on description only"

Imagine Azul toiling away in the kitchen trying to re-create Bugals from scratch

Jade testing out different combinations of potions to recreate coca cola

Floyd trying to make the grandma candy that taste like strawberries

Jamil fighting with spices to make hot cheetos

Trey baking Twinkees and oatmeal cream pies

Lilia trying to make Macdonald fries but just creating poison

They all understand how food can help with homesickness and they want to do everything they can to help, even if it is trying to make something they have never had before

The ultimate love language is devoting time, money, and materials to recreated your lover's favorite foods. In our world, this could be going to your partner's parents or grandparents to learn their family recipe for a dish, cookie, drink, etc. Or it could be trying to look up a dish that they had growing up, but can't remember. Or maybe it's a cultural dish from their home country that they loved but haven't been able to have because the ingredients are available nearby. Painstakingly measuring, making, tasting, failing and failing over and over again to get it just right. Love is the ultimate love language.

So I think it's beautiful to imagine Azul trying to recreate your favorite dish based solely how you described how it looked, smelled, and tasted. Making the lounge's kitchen a mess until he can get it just right.

Trey calling his parents to describe the sweet treats and cookies you described. They're digging through their recipes so that he can combine and take what he needs to recreate them.

Jade has full confidence in his potion making skills, yet is dumped when you can only describe your favorite soda as "sugary and fizzy." He racks his brain over and over, taste testing the concoctions himself until he's positive they won't poison you, then bringing you into his little sessions to remake your favorite soda together.

Jamil, familiar with some spices and chilies you describe, but the others sound so otherworldly, messing around with the ingredients he's familiar with to make your favorite foods and snacks. He knows they'll never be the same, but that he they are good enough for you to want to stay.

Floyd is nothing if not determined. If he can't make you that candy you love so much, he's going into the ends of the earth to find you his world' equivalent. Don't question how he managed to get over a hundred different candies, some incredibly rare, others expensive as hell. His father has connections and money, it's nothing to spend on you.

And Lilia…well. He means well. It might be better to let him watch you make some of your favorite dishes, as well as you can when you're missing ingredients. He can watch and slowly start to understand, as you burn and hiss from the splattering oil, why food is a love language for humans too.

Food is a timeless love language. If it doesn't mean time and effort, it means money and sharing an experience that makes you happy. It's shared by nearly every culture, in your world and theirs, for a reason. Love is giving food when you're poor, love is the cuts and burns on your hands and arms, love is in the taste on your tongue, love is the smell you wake up to. Love is the effort, the time, the care. Love is food. And they love you.

[shalotttower]

A Natural Benefit

Title: A Natural Benefit

Fandom: Death Note

Characters: L Lawliet x Reader (female)

Summary: L wants to try something new, you want to be left alone. So an offer is on the table, it's a mutually beneficial arrangement after all.

Word count: 2100+

Notes: yandere!L, kidnapped Reader, dub-con kissing, manipulation, captivity, L and Reader were together at Wammy's House

"Would you indulge me?"

Your eyes dart up from the page to his face. L looks at you like he always does ─ an intent yet oddly distant stare that used to make goosebumps appear on your arms. Nowadays you're somewhat re-accustomed to his mannerisms. He doesn't blink much, tends to stand behind your back whenever possible, likes to play with his food and enjoys invading your personal space far too much to be deemed socially acceptable.

His habits are strange but harmless.

"No," you say, just to be contrary.

L is fond of making things sound simple, and then — snap! — the trap is shut, and you find yourself doing a completely different activity than initially expected.

"I want to kiss you."

"N-" You blink and lower your book down, not bothering to mark it. "What?"

"Kissing is an act of physical intimacy between individuals," he says like it's an obvious fact and you're merely slow on the uptake. L's expression doesn't change, neutral despite this being anything but a normal conversation starter even by your standards ─ admittedly low.

"Thank you for enlightening me about the definition," you lean back against the cushions, "still no."

"Why not?" He asks after a momentary pause.

"Because I don't want to."

A simple answer to a weird request. You try to resume reading, but there're other things currently occupying your brain ─ namely the attempts to understand what prompted such inquiry.

L never asked for physical contact before; platonic or otherwise. Sure he tried to entice you into spending time with him through bargain and manipulation, and you pretended to be oblivious enough to earn an Oscar for your acting skills. However, there never was any talk of kissing involved. Any kind of touching, actually.

He hums. "Would you like me to explain my reasons?"

Sometimes you think that the sole cause of L's existence is just so he could annoy people for kicks. His questions are always peculiar, and you've learned that every single one of them is designed to lead towards some specific conclusion, preferably the one he wants. You have a feeling that if you say 'yes', L will proceed to list a hundred points about why kissing is good. And then another hundred why kissing him specifically is beneficial.

"No."

He looks at you. You look at him and raise the book higher.

"Indulging me would benefit both of us," L says, undeterred. "You're very curious by nature and I find it quite fascinating that you're able to deny your curiosity in this particular case."

Has a more obvious bait ever existed anywhere in human history? Probably not, and you'll bet your entire life savings on it too.

"I'm not curious," you lie, "now leave me alone. I want to read."

He leans forward. "You haven't focused on the book since I asked my question."

Smartass. You purse your lips and pretend that the characters are suddenly so interesting, that it's hard to look away from the intricacies of the plot unfolding inside this fictional world. At least things there make sense; no need to figure out the hidden meanings behind other people's words, because they are mostly transparent when there's a whole paragraph dedicated to the protagonist's feelings.

He reminds you of those spider-like creatures from documentaries ─ their actions seem random at first glance, yet upon further scrutiny prove to be anything but. Instead, they're meticulously crafted and executed to obtain maximum results.

L studies you for a little while longer, and eventually pads towards the kitchenette. The kettle whistles soon after as he makes himself tea; mint flavored, judging by the aroma wafting through the air.

______________________________________________________

You should have known that he won't give up ─ L is just as persistent as you are stubborn. If anything, you've set a challenge before him, and he tends to fixate on those until they are solved: a fact well-known and accepted among those who ever had a (dis)pleasure of interacting with him.

He doesn't outright ask you again, not the next day or the one after that. No. Accidentally, the only type of movies you're able to watch now are rom-coms or dramas with lots of kissing scenes sprinkled here and there between the banter bordering on cringe; sweet confessions spoken over candlelit dinners; passionate declarations whispered during sunsets... Clichés, amore, and kisses galore.

"I'm not sure this is the best movie for the evening," you say, as the screen flickers with images of two leads gazing into each other's eyes like they found the answers to every single question asked.

"The reviews are quite positive," L replies, munching on caramel popcorn.

"Reviews can be faked. And the trailer was misleading. I thought it was going to be an action movie."

"It is an action movie. The genres are listed right there," he points at the screen, and the words 'romance and action' stare back at you.

You frown and settle deeper into the couch cushions. It's uncomfortable ─ watching romantic scenes with L in the same room. His presence doesn't feel oppressive or demanding, yet you can't shake off the squirmy, twisty feeling. The kind when you enter an elevator with someone else and get slightly agitated for no reason. And so you try to slow down your breathing, but it only makes things worse. Your heart beats faster, palms start sweating and the hypothetical elevator stranger inevitably thinks that you're weird.

L isn't an elevator stranger. He's the owner of the elevator, and the entire building, and the city.

"He's going to die in the next ten minutes," you mutter.

"No, he won't."

"Yes, he will."

L hums. "Want a bet?"

Your eyes narrow.

"If he survives past the fifteen minute mark," L says slowly, "you indulge me."

"And if he doesn't?"

"I leave you alone for two days."

There's no hesitation on his side. None whatsoever, which proves suspicious immediately ─ L never offers something unless certain about the outcome beforehand, whether by logical deduction or calculated gamble. Probability factors run inside his brain instead of blood cells and grey matter, calculating risk vs return ratio quicker than any computer ever could.

You glance at the screen. It's a simple plot. There were a twist or two earlier, sure, but overall nothing extraordinary that would require hours upon hours of critical thinking to unravel.

A man, a woman. A handsome villain who wants them dead, for various reasons. They run and fight, shoot guns, dodge punches, and kiss between those because apparently there's time for romance even when a life is on the line.

It's a very simple plot; and two days are a lot to pretend that L doesn't exist. That you got rich enough to buy this kind of apartment.

"The speakers?"

"Switched off."

"The cameras?"

"Those will stay."

Of course, they will. You wouldn't expect anything less ─ privacy issues are non-existent here in more ways than one.

L isn't always a presence. Sometimes he leaves and you're alone with nothing but books and TV to pass time, but two days sound wonderful regardless. There's something in empty spaces that's enticing, even if they're temporary. L, for all his peculiarities, isn't too bad of a company. He's quiet, and often busy with his own matters. But he also has this way of looking at you that is unnerving. Like you're interesting. Or important. Or simply fascinating.

Sometimes he wants to talk, he wants to listen, he wants to ask questions and give answers until everything blurs into an amalgamation of words. It's exhausting.

Two days sound good. His hand is dry and slender. You grasp it and shake it once.

"I'll start the timer now," L says after your hands separate.

______________________________________________________

Twelve minutes.

Three more and he's dead.

You wish that he'd just kick the bucket already, so you could spend the next forty eight hours in pure, undiluted bliss.

_______________________________________________________

The male lead dies after seventeen minutes.

When the credits roll over, the apartment is silent except for the soft buzzing of electronics. You look at the screen, stubbornly, because you don't want to look at him, the owner of the elevator, and the building, and the city.

"It was close," he comments, as if trying to comfort you, which makes it even more of a sore spot.

That’s what L thrives on ─ technicalities, loopholes, small and seemingly insignificant details which are easily overlooked, yet make a great difference. You're not sure if you're annoyed, or disappointed. And what’s more important ─ at whom.

You have known for years that L tends to get his way eventually whenever there's something specific caught up in that head of his; a fixation which refuses to leave until satisfied, and sometimes even after. Snap. You can get up and head out of the living room, you know you can. Will you though is another question entirely.

L isn't a typical captor ─ he doesn't demand or force you into things. He simply presents a possibility and waits. Not aggressive or domineering, not sadistic. But oh he is a PhD of holding a grudge. Leaving now probably means waking up tomorrow and finding that every single disk has vanished without a trace, along with the bookshelves being switched for some obscure scientific texts on chemistry, physics and other things that require an advanced degree to fully understand.

Because someone decided that you don’t deserve entertainment anymore. Because someone is petty enough to deprive you of basic mental stimuli, and is stubborn enough to hold onto that decision even when reasoned with. Unsuccessfully.

It's a talent really, this particular brand of making your life miserable in many small ways, so they accumulate into something greater over time until you feel like the walls are closing in slowly but surely.

You can't back out, even though no one openly stops you from doing so. And L knows that. And he knows that you know. His lips twitch and curl upward before flattening again into neutral territory.

There's a theory that if you pull a band-aid fast enough, it won't hurt as much. The credibility behind it is questionable.

You exhale and meet L's gaze ─ his posture hasn't changed from the beginning to the end of the film, knees tucked to his chest, eyes two dark pools that stare without blinking. His fingers drum a steady rhythm, and that's probably the only sign that gives it away.

Anticipation.

"Fine," you say finally.

His mouth opens before closing back again. L doesn't move a bit.

He wants you to do it, you realize. Wants you to initiate instead of just allowing it. What an ass.

You squish his cheeks between your palms until his lips pucker outwards. L makes a soft noise of surprise but doesn't try to fight back.

Black lashes cast a shadow across his skin. There's no perfume or cologne, no distinct smell ─ he uses plain soap and shampoo which don't have a discernible aroma.

"I believe I was promised an indulgence," L says, voice muffled a bit by your hands on his face.

He looks like a fish this way. A silly, ridiculous image that would make you snort if not for the situation at hand.

Band-aids and ripping them off.

You sigh, lean forward, and press your mouth to his.

He tastes like caramel popcorn.

Mint tea.

Indulgence.

The angle is awkward, and L doesn't move an inch to accommodate the position. He stays still like a block of solid rock, not a single muscle twitches, and doesn't even attempt to reciprocate. You have half a mind to think that maybe he's mocking you, but then his fingers lightly curl on the fabric of his jeans. L's eyelids flutter half-closed when your noses bump, then open again right after. Another oddity added to the pile.

It lasts no longer than ten seconds before you pull away. L blinks. Touches his lower lip with the tip of a finger and rubs it like searching for traces left by the contact.

"You were promised an indulgence," you remind him, trying to sound calm, collected, but your ears and neck feel hot, "not a make-out session."

Technicalities and loopholes.

L has that look you can't quite pinpoint yet know far too well. You've seen it many times before. When he thinks about something but keeps it to himself for now.

"You look more lively," he remarks eventually. "Healthy complexion suits you."

You don't need to hear what he says next, because the words already ring through your head.

"I told you it would benefit us both."

[kachowden]

You should make the millionare a virgin loser who doesnt know the touch of anything but his own hand and then slut reader outtttt. Make it fresh u kno?

Teaser(?)

His fingertips traced down the curve of your spine, caressing the skin that was presented to him. Calloused pads trailed along blemishes and marks like the most stunning of paintings, mapping each and every feature.

His nose bumped into the curve of your shoulder, nuzzling against the skin as he exhaled. His body cooled from the previous heat and steam of late night activities. And though he yearned for more, his mind craved the comfort of just laying together.

But all good things come to an end. The sound of a small ding coming from your phone, roused you to sit up from the silk sheeted bed. Your fingers rubbed against the sores of your muscles as you reached for the infuriating device, the bright light blinding you amidst the dark room for merely a moment before you swiped through your lock screen. He watched intently as your eyes fluttered over the text.

“Mm…It seems I have to go, Mr. K..” Your voice soothed his senses, though your words made his eyes narrow. Only slightly.

Another client.

Often times, he wondered if you did these things to taunt him. If you somehow knew of his infatuation, and paraded yourself around this way to mock him for his cowardice.

And as he bit back the urge to call you back, to tempt you back into his arms so you could sleep in each others embrace. So he could savor the feel of your skin and the smell of your hair. He believed this to be even further the case, as he was made to watch you re-dress in preparation to leave him. Alone. Again.

But he did nothing. Not even a noise of acknowledgment, leading you to believe he may have fallen asleep.

Kane was not a beggar.

Your bare feet padded across the cold wooden floor of the bedroom, and you shivered. You wanted to go back to the bed, to swaddle yourself in it’s expensive warmth. But, you needed the money. And while one night with Mr.K would hold you over for well into a month, you couldn’t stop a small seed of greed to sprout through your heart.

“I’ll pay double.”

You stopped, hand just about curved around the golden, cold handle of the door. Perhaps you had misheard?

“Im sorry?”

You turned back, nearly jumping at the sight of dark grey eyes that bore deep into your flesh. Mr.K was not an expressive man. Not even in the most intimate of actions did his facade fail him. Hardly even a noise. You often wondered if you pleased him the way he did you.

Mr.K was a very skilled lover, despite having admitted to never laying with another before you. He was attentive in ways none of your clients had ever been. Learning the in’s and out’s of your body, seemingly rapt in your pleasure more so than his own.

“I’ll pay double.”

Your lips pursed in confusion. “Double..what?”

Mr.K did not beg. He asked for very little.

“Double whatever your client is paying. If you stay tonight.”

Your skin tingled. And the offer was deliciously tempting. “It would be bad for business if I canceled now..” that was only partially true.

The air felt warmer then it had before. Your previously cooles skin now feeling hot, under the intense gaze of the man before you.

“Triple.”

Spit lodged in your throat and you choked, eyes widening momentarily, and for just a second you swore a flash of amusement had invaded those cold eyes. “Th-that’s…is there something..you want to do?” Paying so much usually meant the request would be something…more unsavory.

“Rest with me. Then, tomorrow we’ll go out together. For a date.”

That couldn’t be all?

But it was.

With a soft heart for the quiet man before you, you undressed once again and slipped beneath the now cold duvet, exhaling in tired awe at the comfort it swaddled you in.

Your skin tingled as a hot breath beat down on it, and as fingers traced against your skin and through your hair once again. Gentle kisses littered your collar and neck.

It was romantic in a way. Despite him being one of your clients, time with him always felt a bit special. A bit more intimate.

You knew Kane was a lonely man. You often wondered why he never sought out a wife for the comfort he seems to crave.

But, as his strong warm arms curved around your waist, and pulled you flush against his chest, you found yourself a bit selfishly happy about that fact.

Sleep came easily to you that night, under the intense gaze of the man beside you.

Your client stopped responding to you the following morning.

(I lost the plot so we’ll call this part 1 before delving into this guys psyche some more)

[fanaticsnail]

Cross-Guild Masterlist

Navigation Masterlist Here

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Buggy D. Clown:

You Kissed the Clown? (15/15 Series)

An upper-class tinkerer finds herself amongst the crew of the Staw-Hat pirates. Falling within the blast of a giant flash of red smoke and captured with her crew in the claws of the Buggy Pirates; she is confronted by her flight, fight and freeze response. Immediately, she finds another way of distracting the infamous clown-captain: a passionate and disarming kiss. As time and distance fall between them, feelings of romance, infatuation, fascination and longing cling to the clown and the tinkerer in each other's absence. How could they feel so deeply for each other; they only shared one single kiss?

Happy Birthday, Pumpkin (one-shot)

Buggy longs to kiss you but always shies away in case his affection is not reciprocated. Finally, an opportunity presents itself for a consequence-free kiss and he can barely hold himself back in anticipation. Happy birthday!

I Can't Do This Without You (one-shot)(smut)

Buggy attempted to use some unusual, waxy pollen to form into a "buggy-ball". He was an idiot. He can't manage the consequences without his loyal and ever faithful crewmate to help him out.

A Small Kindness (Smut One-Shot)

A blue-haired man with a round red nose is down on his luck. He's lost everything, not a single berry to his name after being defeated again by the straw-hat crew. A small kindness from a stranger propels him to get back on his feet. How could he repay you? Surely you needed something in return.

Headcanons & Drabbles:

Soft-Dom BuggyBratty BuggyCross-Guild InterrogationThe Clown Apologises

Buggy x Reader x Mihawk:

Swing, Sway, Shag, Smimmy (Buggy x Reader x Mihawk) (4/4)

Buggy is infatuated with his prized acrobat. He issues a dance night-off for his pirate crew, choosing to "make a move" in the hopes of charming his beautiful acrobat under the hawk-like gaze of his guest of honour. Unbeknownst to Buggy, the feeling of infatuation is mutual regarding the acrobat. Can they learn to 'play nice' to woo the acrobat? Yes, yes they can.

Dracule Mihawk:

The Apprentice (6/7 Series)

Mihawk is a bitchy boss, the apprentice is his bratty underling. Professionalism, sword-mastery and affiliation for wine consumption drives their relationship.Mihawk pushed his apprentice a little too far, prompting her to submit a formal resignation effective immediately. Calling her bluff, he attempts to chaperone her towards a cellar door to begin an afternoon of wine-tasting, only to find absence at his side as his apprentice simply walked away from him. And he was angry about it.Ongoing series.

You Should Be Sad (Completed Series):

Upon rising to the title of Warlord and Worlds-Greatest-Swordsman, Dracule Mihawk began to neglect his fiancé and her desires. Unable to provide her with the one thing she truly longed for, he remained apathetic as she broke from their lengthy courtship.A decade later, and many a bottle of brandy relinquished, he drifts to Baratie in hopes of drowning away the memory of her: only to have his hopes shattered as the hired band begins to play with his ex-fiancé singing her vengeance at him.

Let Me Take Care of You (one-shot)

The personal assistant to Dracule Mihawk notices he is not quite acting himself: a small wince as he reaches for his breakfast wine glass, a grimace as he draws it to his lips and the narrowing of his eyes as he begins to slouch. Luckily for the both of them, the assistant has a resume of many a skill: remedial massage being the key element provided to the broody warlord. He reluctantly accepts their touch, longing for the burden to be released from his shoulders.

El Tango de Mihawk (one-shot)

A talented thief manages to obtain an invite to the marine ball and decides to utilize it as a great opportunity to steal from the wealthiest members of the world government. Mihawk immediately recognizes them and decides to toy with their scheming, tango dancing ensues.

The Marine's Mistake (request) (one-shot)

Something horrible occurred to rid the warlord of his signature facial hair. Cadets had gathered and began whispering in hushed tones as Garp held a seated meeting with the warlord at a table in a run of the mill tavern. A new transfer does not recognize the sleek cheeks of the handsome gentlemen and immediately decides to approach to flirtatiously engage him over a drink or two. Mihawk is amused.

My Love Mine All Mine (request) (one-shot)

Mihawk returns to his castle in kuraigana nine days after he was due to return. He finds his lover sleeping in his bed, face falling to rest atop his pillow. Soft drabble, pining, longing.

Hanahaki: The Hawk and the Fledgling (request) (one-shot) Part 2

Mihawk notices his Fledgling, an apprentice he took under his wing, has become lazy in their training. Upon one final vocal reprimand, they collapse; sputtering a cocktail of saliva, blood and... petals? Is that petals in their hand? Surely not.

The Spear and the Sword (request) (one shot)

Drabble Part 2

Mihawk is required by Vice-Admiral Garp to obliterate an approaching armada of barbaric pillagers from their attack on a marine base. As this army was not enough for him to handle alone, Garp calls in another warlord, a ferocious warrior-woman armed with a spear, to aid in his ability to complete this task with as much succession as possible with as little damage done to the defenseless base. Both begin their armed ascension, showcasing their abilities in contest to see how many troops they best by the end of battle, against how many injuries they themselves acquire in the thralls of combat.

Little Sparrow (one-shot: drabble)

Mihawk has been up with your daughter, soothing her as she experiences her leap weeks. You spend some moments with your husband as he holds her in his arms.

Sapsorrow: (9/10 Series)

Upon receiving an invitation from the lord of Kuraigana to train his wards, you never expected your career as a governess to lead you here. As your tour of the keep was conducted, a ring was slipped onto your finger: invoking an ancient curse you truly did not understand. Setting three conditions for marriage, your newly betrothed immediately made haste to complete them with you blissfully ignorant that his life hung in the balance should be fail his task.

Macule Drihawk (drabble)

When Dracule Mihawk drinks, he becomes an entirely different person. That person's name is Macule Drihawk.

Pretty Bird (series)

Mihawk is an injured avarial trapped in his raven form while healing. You nurse him back to health, and he becomes smitten with you.

Obsession (one-shot)

Many believe Mihawk keeps the knowledge of his spouse a secret because he is a private man. Truth of it is, he is simply obsessed with you and doesn't believe any other pair of eyes is worthy of meeting their gaze with your majesty.

Happy Trail (mini fic)

Mihawk is not as well groomed as he usually keeps himself. You notice, and you can't help yourself.

Sir Crocodile:

My Favorite (Sir Crocodile x Reader)

Sir Crocodile has founded a league of highly trained assassins named "The Choirs" - all coded after the nine choirs of angelic influences. You are his favorite: his prized "Seraphim" who's ferocious brutality is only outmatched by your incredible beauty. Not truly knowing if your affection is all an act to continue being paid a wage in berry, he has not made a move of his own aside from calling upon you to sit on his knee of an evening, and have you utter praises into his ear. It is only when the two other members of the Cross-Guild begin flirting does he find his limit being tested. Will he bend, or will he break?

Sands of Time: Intentions of Series

Sir Crocodile thought he was safe from the intentions of the haunting Sapsorrow Queen. His soul has been laid claim, his time is running out. How can he have a stranger fall in love with his within the year? Would she truly take his sould should he fail?

When We Wake (one-shot)

Blissfully waking within the arms of your lover, you are both struck with the thoughts of how precious you have become to one another. Whispering confessions of adoration to one another while the other slumbers, you are both completely overcome with such deep devotion.

The Duality of Sir Crocodile (NSFW drabble)

Misc Multiples:

The duality of a dominating gentleman. Spoiling and endearing, encumbering and brutal.

Warmth (One-Shot)

Sir Crocodile is out for a walk in Arabasta with his pug, and he is stopped by a curious child who desires to pet them. As you, their guardian, approaches, Sir Crocodile is intrigued by your candor.

Get Well Soon (Drabble one-shot)

You're sick, and they do their best to support you through it. Zoro, Sanji, Mihawk

Please, I'll be good (one-shot)

After rescuing you in the heat of battle, he can no longer contain his desires for you. He was so good. He can keep being good if it means you'll keep kissing him.

Koby, Sanji, Corazon, Sabo, Buggy, Shachi, Ace, Penguin

How They Kiss (drabble)

Four different kisses with all of your favourites. Where would you place them in these categories?

Hallmark Piggyback (drabble)

Short piggyback on @indydonuts post about OP characters in a hallmark movie. Drabble is for Law x reader x Mihawk - amnesia trope

You're Angry at the Tall Men: Drabble (One-Shot)

He knows what he did to earn your wrath; your fury ignited in your eyes and the flames physically tangible and searing the room with your scorn. Your brow was furrowed, your lips curling into a snarl to bare your pearled teeth at him.Buggy, Shanks, Mihawk, Sir Crocodile, Corazon, Doflamingo.

An Affectionate Embrace: Drabble (One-Shot)

It was a simple reaction, an impulse you felt organic and out of your control. Their cheek was right there, and the swell in your chest and spike of adrenaline prompted you to lunge forward and capture their cheek beneath your lips. How do they react to such a soft touch? Do they shy away, or do they respond in kind?Buggy, Mihawk, Sir Crocodile, Shanks, Benn Beckman

Forehead Kisses (short drabble)

You're being a brat because they're neglecting you. Prepare to be greeted with the forehead kiss you crave from them.

Zoro, Crocodile, Kid, Killer, Beckman, Mihawk

Interrogation (crack dialogue)

Cross-Guild crack dialogue x reader

Dreaming of You (One-Shot) NSFW

They couldn't help it. You looked so heavenly in their dreams. The way they had you wrapped around their body as a marionette in their minds, dancing for them as they awoke to sticky blankets when they jolted upright. Their thoughts got the better of them, and they are wracked with guilt. Sir Crocodile, Buggy, Dracule Mihawk

[sirfrogsworth]

Froggie's Birthday Retrospective

My birthday was Tuesday, July 30th.

I turned 43.

And I was unconscious for most of it.

I started a new dose of medication and it did not go well. I was quite sick. I have been out of commission for most of this week and was unable to celebrate my birthday with all of my friends.

I was feeling pretty bummed so I decided to look back at pictures of my past few birthdays and hoped nostalgia would make me feel better.

And it did.

But you can never seem to get the sweet without the bitter when grief is involved. Despite the happy feelings, it was also a huge reminder of what I lost. And it made me really miss Otis and my parents.

These are such joyous memories and I am so grateful I was learning photography and was eager to document everything in my life. And I decided to re-edit all of the photos with my current skills and I think they turned out pretty well. So I'm going to share them with you and we can all celebrate my birthday virtually.

We start with me and Otis in our birthday headgear.

And here is The FrogMom joining in.

Seems I got a few presents that year.

But no present can top a corgi trying to sneak attack with an ear licking.

The next year I ordered some cool Batman birthday hats.

I did not get cool Batman birthday hats.

I was a little grumpy about that.

"Otis, we are doing our grumpy face!" "But I wanna be a pretty princess." "Okay, but will you do a grumpy face first?"

Mom and Otis had a pretty special relationship. And seeing them together always tugs at the heartstrings.

My good friends Sarajane and Erin came over for a birthday dinner.

And I was trying out a new photography apparatus to help me get better portraits. Something called a "tri-reflector."

So naturally I needed some test subjects volunteers.

I didn't really know how to use it properly, so it mostly just made their necks brighter, but I got a few good shots.

Sarajane made me one of my all time favorite gifts...

A Jayne hat!

And another, tinier Jayne hat!

Let's see if we can get Otis to wear that.

Nope.

Let's try one more time.

You know what, I'll just wear the tiny Jayne hat.

Everyone must wear a Jayne hat!

"Hey Dad!"

"Are you really asleep?"

"LIAR!"

The next year, my good friend Brittany joined the fun. And someone gave her a knife for some reason.

And my dad got very serious. So I used my very serious LUT on the photo.

Such deep thoughts.

Deep thoughts concluded.

Deactivate serious LUT.

My friend Ryan came across the country to watch me blow out a candle.

Just so you know, I am not a 1 year old in this picture.

My mom found this in a drawer somewhere. It was the only birthday candle she had.

And then the next year it was just Brittany and Erin and Otis. We had a pizza party.

I asked them to do a Renaissance pose.

And then ruin it.

Renaissance pose...

And then ruin it...

I've had some pretty good birthdays with amazing family and friends. And I am grateful for those memories.

And I do plan to redo my birthday when I am feeling better. Perhaps I will finally try a real sushi restaurant instead of just getting it at Sam's.

In any case, if you are inclined to get me something for my birthday, I have an Amazon wishlist.

Froggie's Amazon Wishlist

I also am trying to build a new photography studio upstairs, and if you would rather help with that, these are some things I could use.

Froggie's Photography Wishlist

And I also have a PayPal and Venmo if that is easier.

PayPal

Venmo

[tink27]

Saw a video on tiktok of someone re-binding a copy of the Hobbit and giving it a really beautiful new cover and I could not get the idea of Steve doing that for Eddie out of my head.

He hears Eddie mention in passing that he's always preferred homemade gifts (partly bc of the thought that goes into them but also because people spending money on him makes him uncomfortable) and Steve decides he needs to think of something he can make Eddie.

Steve may not be considered "clever" by the others but I'm convinced that boy is a do-er. When it comes to physical and practical skills, he will just learn and do it. He painstakingly researched and buys leather and special glue for book blinding, and even learns calligraphy so he can write beautifully on the inside cover.

And when he presents it to Eddie, wrapped in stiff expensive wrapping paper, Eddie asks where he got it and Steve says casually

"I made it"

As if he didn't spend months, didn't ruin at least 5 other copies of the Hobbit before he got it right, as if it wasn't so much work and time.

But Eddie gets it anyway, he understands and that's why he immediately bursts into tears.

[daisys-reality]

♡ꜞ˖ ᴘɪᴄᴋ-ᴀ-ᴄᴀʀᴅ ʀᴇᴀᴅɪɴɢ

What do you fear as a shifter? How should you deal with it? 🍞

⌇ reality shifting themed tarot reading | masterlist | voting

pile one

Overall, you seem to struggle with taking ownership of the decisions you make. And you’re quick to overthink things and together this causes a lot of inner conflict. It seems that one major thing here in regards to your shifting journey is that you fear is being stuck in limbo, you might be anxious over how long it takes and how you might possibly miss opportunities because of this ‘delay’. As others (seem to) move forward, you fear being left behind by the world. This makes you ponder a lot about what direction your life (/shifting journey) is going in… over and over again… and it makes you feel confused, unsure and hesitant. You need to remember that you are the master of your own destiny. Don’t try to blame ‘the universe’ if your situation is a result of choices that you’ve made. 

Sometimes it might feel intimidating to take the first step toward resolving the inner conflict and its roots but that doesn’t mean progress isn’t possible. You can break this frustrating ‘feeling of stagnation’ with some creativity, courage, and clarity! Just do whatever you can to make YOURSELF feel like you’re (more) ready to face whatever is coming towards you - whether you review past DR ideas and scripts or indulge more into DR related topics etc. The point is that you should counterattack your overthinking nature - if you feel that you start spiraling again, do something to assure yourself and to get on track again! Your mind will often have conflicting thoughts but don’t let it ruin your decision making skills.

On a side note, you might also fear getting hurt in your DR - whether mentally, emotionally or physically. There is some kind of imbalance or gap between mind and heart or just misaligned values. If you feel like you’re forcing yourself to experience things that you actually don’t want to experience (or that make you lowkey uncomfortable), try to think about where this stems from. I feel like you might not even be aware of the fact that you’re doing this… Re-evaluate your choices and address these misalignments (inner conflicts) to regain your balance back and to clear up the mental fog. Trying to develop a deeper understanding of your DR self,  their values and beliefs might also help you in understanding what you actually want to experience there. Good luck!

pile two

This is a bit tricky but i think you might fear becoming or being emotionally immature, not wanting to come to terms with your feelings, being defensive about it and lying to yourself or trying to deceive yourself that you’re okay/strong/healthy etc. through senseless meaningless pursuits/things (ex. casual flings, shopping, eating - leading to dependencies/addictions). Frightened and threatened by your own sensitivity, fearing losing control over your emotions, you might try to conceal your insecurities by presenting a distant and uncaring (or overly strong, pretty, overpowered = flawless=unreachable) facade to the outer world. In fact, you might fear being controlled by emotions (through yourself or others) or becoming someone who misuses their emotional intelligence. This might stem from past trauma where you experienced emotional dynamics that were used to manipulate or to exert control. Overall, there is a need for setting boundaries, learning how to be more resilient against emotional manipulations, and becoming more emotionally stable and confident/free/autonome through healthy self expression and management of emotions.

You might also fear not achieving the desired level of success, stability or happiness. You yourself might even worry about becoming too materialistic, too arrogant or losing touch with other values the more time you spend as a (limitless) shifter. While you understand how lucky you are to get to know about shifting in this life, how many opportunities this brings and how it can provide security and comfort, it might not necessarily be solely ‘enough’ to lead to a fulfilling life. You’re concerned about how to balance all these things to not turn into extremes. Deep down, it’s very important to you that you maintain your integrity but you’re afraid of not being strong or capable enough to do so in the face of these limitless opportunities and freedom that shifting entails. Trying to focus more on quality than quantity while choosing your path (your journeys, DRs, your background, your life etc.) will bring you closer to a fulfilling life. 

pile three

You seem to fear discontentment and dissatisfaction at a personal level. You fear that all these experiences will just lead to apathy, disinterest and overall detachment from life or from being alive! You worry that life will just feel boring in the end and you’re scared of what that means. This might be triggering for some but some of you might ultimately fear coming to a point where you’d rather want to d*e then stay alive. 

I can see that deep down you take this very seriously and you have respect for the freedom and limitlessness that shifting offers you but you know how we humans are and how fragile our mind can become just because we’re not ‘prepared’ or ready yet for what we have to face in our lives. 

If you had the choice, you would like to always have a direction or an end destination in mind, you might hate living an aimless life. You don’t want to stagnate; you want to always progress. And while you hate feeling like you’re trapped in your circumstances, you oftentimes stay unwilling to make sacrifices for change because you fear wasting these sacrifices or missing opportunities later on because of these sacrifices. There might be an overall resistance to letting go or a reluctance to see things from a new perspective. I feel like you're someone that would hate being a people pleaser and not having any independent thoughts - becoming narrow minded like others (in your opinion). You don’t want to bend down or surrender. And coming back to the beginning, you fear reaching a point in your life as a shifter where you feel like you have no further direction, where you feel pushed into a corner, forced to start living like the others and adapting their mindset because your way of doing things led you to a stalemate. 

You need to remember that this perception you have is influenced by your attitude and opinions and is not completely free of prejudice or illusions. While some of these imaginings might be a possibility, it is important not to lose yourself in those or rather to not restrict yourself by those imposed limits. Why think about the end when you haven’t even fully started your journey? Stay open-minded. Seek stability in this overwhelming chaos of opportunities. Release outdated attachments, learn as you go and do so with flow -  learn about what makes you happy and what fulfills you. There is no need to think about the afterwards when you haven’t even come close to the end. Just think about the next step while taking care of yourself, your health and happiness. You won’t be hanging aimlessly in the air, you’re more than capable to assert control and structure in your life, at any time. But try to do so with integrity, flexibility and empathy to ensure that your ‘order’ does not become oppression (of yourself).

[kosmicdream]

Hello. After drawing webcomics for 10 years and making about 10,000 pages of comics, here are some things i have learned/observed in that experience..

1) making comics does not get easier.. Not really

Making comics is a tedious and slow process and with so many different facets of the experience to learn - you’ll never run out of stuff to learn or weaknesses to work on. I’m not saying this to discourage but to just give the frank reality that it really takes a lifetime to understand. Be patient with yourself and try to set healthy expectations. 

2) Read your own comics after making them.

I don’t know if this is as important to other people as it is to me, but I do think that sometimes its easy to not re-read your own work and just go from your own memory of it, or maybe you’re tired of looking at it because of all the flaws. I don’t personally get sucked into the “rewrite/remake” cycle that I know is common with comics, as I sort of just accept things as they are, but re-reading my work does help me see where I have come from and where I need to go to next. I personally don’t like to lose sight of that, and I think re-reading helps ground me in the planning process of my work and gives me a better perspective on all aspects.

3) A lot of comic advice should be taken with a grain of salt, because its the person talking to themselves. (including this)

I see a lot of advice that never would have worked for me, or just simply wasn’t something I was ever going to follow. “Dont start with your big epic long stories”! Is a common one. I don’t think that’s bad advice exactly, but how many young artists are going to listen, especially if they’ve never told a story in the first place? Yes, the advice to start small and build yourself up with experience sounds great, I’m sure people do it, but if you’re an artist you’re probably not gonna be that responsible. And for me, when i tried to do this with eggshells, my house burnt down and i kinda gave up comics for a while because i lost a lot of work. 

Writing short stories is still something I struggle with, its just not easy for me. I have gotten better at it but i don’t think that makes me less of a comic artist because I haven’t gotten good at that particular format, or that I jump around on my projects. Is it more impressive to have more completed work under your belt, sure. But I also think that.. Idk.. what is the advice actually saying, because with that one it sort of feels (often times) as a warning that you’re setting yourself up for failure/embarrassment by attempting a comic like that. I don’t know how to tell you this, but comics are gonna be embarrassing no matter what you do and there’s no guarantee you’ll be more successful/not experience failure by avoiding your passions. Something to think about anyway. 

4) Don’t draw every leaf. Unless you really want to.

I’m the kind of comic artist that kind of doesn’t care about the art as much as the whole package of the comic. When i see a very impressively drawn panel/page, with laborious detail that is well drawn and maybe even colored ect.. That usually is kind of, I guess, a turn off for me as part of the reading experience. The thing is, when i encounter that, it usually signals to me that someone has poor planning skills for comics. It says to me that comic is probably not going to see its end or that artist is overworking themselves in an unnecessary way, that ends up concerning me about how they’re doing. Because i know how hard it is to draw comics. When an artist phones things in a bit, or has a limit on how much they work on a page, its a relief for me to see! because I understand they have healthier boundaries and expectations, and the art itself usually is less stiff too. This is all an overgeneralization, but I think with a lot of webcomic artists we are usually drawing a comic for the first time ever, so it makes sense we want to do our best and try as hard as possible - that just usually isn’t the smartest plan to put all the stock in the visual department. This also kinda frustrates me to see because most comics (professional or not) will also (generally) not reel the art in ever or make a more simple style. Generally I see it always trying to outdo itself, which leads to burn out. I personally only work about 1hr on each page i draw, that hasn’t changed in the 10 years I have been drawing comics, but i used to spend hundreds of hours drawing detailed lineart for eggshells and it didn’t even read well and i’d be disappointed with the results, feeling more lost with my goals than ever. PLEASe.. Just draw worse, its usually better looking in the end too. (because you wont have the experience to judge visual clarity until you’ve been drawing comics for a while imo..)

5) Don’t draw ahead, draw those inbetweenies.

“Inbetweenies” are the pages for the “boring” ones. They are also usually the most common KIND of page. Its the pages that are necessary, but “inbetween” the action. The impact moments in a scene, ect. You gotta draw them. They’re always gonna be there. They’re the pages where maybe, the character is walking somewhere, thinking, ect. The after impact from an action.. There’s a million examples, but hopefully you’ll understand what I mean when I say they’re both necessary pages/panels, sometimes so mundane/redundant, but also required for telling the story.. As a comic is a sequence of images. This is why, the previous advice is also important IMO- because if you really want to “draw every leaf” - maybe you should save that energy and effort for those impact moments that you want to impress the reader with.. And not for the inbetweenies, which are the foundational support, but also not the most important moments. If you conserve your energy a bit, the contrast OF that effort will also pop more. I personally find it funny when I put more effort into a page and end up tricking my readers into thinking I got better at drawing, when really i just have been able to draw better and only save it for moments like this instead of always.

Also, when I say don’t draw ahead.. I mean I draw each page at a time before going to the next one. I have no idea if this is an unusual practice or not, and I know a lot of people will draw their chapters/episodes/whatever in sections like sketch/ink/color/ect.. But I personally draw and finish page by page, unless its the thumb/sketch stage. Even then, i don’t go ahead much. I think that you can control flow/pacing better by doing chapters all at once of course, I see that as a benefit. But i also think that makes things very overwhelming and can also result in a lack of flexibility if something isn’t working. No matter HOW much planning you do- comics are always going to have an aspect of IMPROVISATION with the result you get in the end. There are way too many factors in play to be in complete control of all of them and always know the result of the reading experience. SO for me, this technique is easier and has been something that continues to get me to working effectively. Plus, rumiko takahashi said that’s what she does. And i think she has some of the best visual flow/compositions in comics. So that’s what I do.

I could write more personal advice or rules that i follow..but I think those are the ones I find are the most important to me anyway. Of course, comics are a strange medium and not everything that works for me will work for you. That’s all for now.. Bye bye…! 

Oh by the way, my comics are here: feastforaking.com nastyreddogs.com https://kosmic.itch.io/ Support me on patreon! https://www.patreon.com/kosmic

[letters-to-lgbt-kids]

My dear lgbt+ kids, 

An underrated health and wellbeing tool is play. 

When you think about playing, you may immediately picture little children - but by definition, play describes “any activity engaged in purely for enjoyment and recreation with no definite practical purpose” and those activities stay important throughout your whole life. 

Why are those activities important? 

Play is good for your body. Intentionally doing something just for fun helps to activate the “rest and digest” mode that is necessary to recover and heal from stress. It signals that you’re safe and helps your body relieve tension. 

It’s also good for your brain. It can stimulate your imagination, visualization and critical thinking skills, which can help you build skills like resilience and adaptability. 

Play can also foster empathy and understanding of others as it can help you see things from another’s perspective. 

Playing can make you laugh, and laughter comes with a whole sleeve of health benefits, such as decreasing blood pressure and even improving your immune system! 

Playing together can strengthen relationships. Positive, fun social interactions are important for your emotional wellbeing. 

Now some of you may think “that’s all nice, but how do I even play as an adult?”. While play is a natural behavior of human beings, many adults need to re-learn how to play - it depends on your specific environment and social circles but you may feel a lot of pressure to be productive all the time and play is by its very nature not productive. So, the first step in re-learning play is to give yourself permission to just *be* instead of *do* (and that can be a huge step!). 

Some ideas on how to ease back into play: 

Think about your childhood. (Or if you can, ask a parent, sibling or childhood friend, that can be a great way to bring back memories!) What were your favorite ways to play back then? What did you love about your favorite game? Does any particular memory immediately give you that “I wish I could do that again” feeling? (You may not necessarily find anything that you want to just replicate as an adult as-is, this is just meant to kick-start your imagination!) 

Gameify everyday tasks. Try to spot as many yellow items as possible on your commute to work. Make up a silly song about laundry while putting away the laundry. Pretend to be on a cooking show while making dinner. Do what you always do, just allow yourself to be silly about it! 

Do something creative, even (and especially) if you’re not good at it. You may not think of drawing, writing etc. as playing but those are activities you can do for pure entertainment! 

Moving your body doesn’t need to be purposeful exercise (and certainly not hating yourself in the gym), it can also be playtime: Do a silly little dance to your favorite song! Tippytoe, crawl, jump, walk backward.. from your bedroom to the kitchen, just for the fun of it! 

Rethink toys. While it is fully okay for a grownup to buy, own and play with toys, and we should abolish the negative stereotypes about it (it’s creepy, it’s inherently a sign of poor mental health etc.) these stereotypes do exist and you may simply not feel comfortable. Luckily, there are a few toys that are generally considered socially acceptable for adults or are even marketed towards adults, such as board games, stress balls, adult coloring books, certain Lego sets or fan/collectors toys (like action figures). And when there are no judgy eyes watching, you may also have fun just playing with household items such as cardboard rolls! No need to go out and buy something! 

Keep in mind that play isn’t a competition to win. You can’t play wrong - that’s the beauty of it! Just let your curiosity and enthusiasm guide you. 

With all my love, 

Your Tumblr Dad 

[etoilesbienne]

out of curiosity, what are the common qEtoiles mischaracterizations, and the accurate characterizations you wished people used more? Sincerely, an English speaking fan who is re-learning French!

honestly i kind of consider it a mischaracterization when people like... make etoiles into this team leader who always knows what to do and move things forward. or like that he has a bad attitude to like... match his fighting skills. or like the dark knight brooding warrior. he says he is these things. these are lies. he lies about himself constantly. i wouldnt trust a good 2/3 of the things he says about himself to be true. you read him clearer through his actions than his statements.

in my opinion etoiles is more like. sturdy second in command. he's not there to lead, he's there to fill in the holes where they pop up. he's there as cover. he's quick witted in shortchange scenarios, but that is so not the same thing as a genuine strategist. in another expression, if someone is a leader, the leader is a doctor, etoiles's role is more like... the EMS team in an ambulance. He's not there to fix your problem, he's there to keep your problem covered until you can get someone else to fully fix it. but that doesn't mean his role is any less important when he's needed.

Etoiles is also, like, so very much a team player if he respects and trusts a person. And it is so easy to have his respect and trust. His trust starts at 100% for everyone. he's also so very very very good at reading people (gesture to the bbh clip where bbh moves his mouse slightly downward and etoiles calls him out on being depressed). He read Mousey as enjoying dungeons and pvp way more and wanting to hang out with her. He's also one of the only people who like continuously runs in the girlies group and makes all of them pvp with him and they all love it so he keeps coming back to pvp with them. Thats how he started his whole thing with Tina and pvping with her constantly. Reading other people also, he loves finding other pvpers so he attacks roier constantly now bc he knows roier can pvp.

What else OH Etoiles loves whining (and this is because Rayou loves whining) that dude will just complain constantly. You haven't seen an etoiles stream if youve never seen him whine. Can't say I'm not kind of endeared by it. With this too he loves over explaining things (RIP armor powerpoint wish you couldve been given...) because he wants to help everyone....

OH and he's very over exaggerated too in replying to people in a complaining way and a self deprecating way and also likes to try to push the envelope with people and he does all of that to try and get a laugh out of others. like he's well aware people find him going "Oh so you don't give a shit about me and want me to die ? you want etoiles to die ?" fucking hilarious and also loves complaining in the first place thats why he does that. if your etoiles isn't complaining and whining then it isn't etoiles. the self deprecating thing is... its interesting bc he does have full faith in his abilities but will never say it out loud unless its trying to reassure someone who is worried. pushing the envelope is so specific he won't do it too much and its like........... from what ive seen (correct me if im wrong) heavily directed at non francophones where if they laugh at something wack he's done he'll try to do it again to make them laugh more. shoutout to the time he made bbh laugh so much when he cursed he didn't get languaged by bbh so he kept cursing to try to make bbh do it again. the dudes a total people pleaser.

smaller thing ive talked about extensively already (u can prob find it in my q!etoiles tag if i remember i'll edit a link to the posts in here soon lol) etoiles hates losing he looooooves winning he's very intense about it lol. its cute!

on a final note even if you don't become deeply unwell about etoiles like i am i think this highlight clip video has like everything he's like condensed into like 11 minutes. You should watch it. It's a good starting point.

[highlynerdy]

"I do it because I want to protect him from the world, and sometimes from myself. I want to tell him every secret I ever had, and yet I never want to make him choose, to see the hurt in his eyes, to put this, too, on him. I want-I want so many things. Sometimes, I just want."

Turning The Page by @queerofthedagger / art by @schweetheart

I started this fanARTifact in July 2021 and finally, finally finished it in September 2024. Click below to see so many more pictures and read probably too much about the project.

This project was a LABOR OF LOVE because y'all...I failed so, so many times during the making of it. I had grand dreams of all the things that I was going to do and learn and every single time I tried something it was like the universe telling me to go ahead and go fuck myself, we're not doing that. But it's done and I'm pleased with it. I hope Mona and Schweets are. Let's talk about the process.

I read this story back in July 2021 when it came out and immediately wrote @schweetheart on July 23, 2021 to ask if I could use her art for the back because it was such a crucial part of the story.

She graciously allowed me to use it, and even sent me a high res file so I could have the portrait of Arthur printed on art paper.

THEN. My brilliantly stupid self decided that just making the book wasn't enough. I mean, I had already done that for Arthur's journal back in 2020 and I am nothing if not a nutter about learning to do new things, especially for my fanARTifact series.

SO. I'm going to learn to make paper. Yeah. Totally a reasonable escalation in terms of new skills, right?? ......... Nope. I bought a small 5x7 mould and deckle to practice with and some cotton linters to make the pulp. Twas. A. Failure. I didn't have a press or the felts or the sizing needed to make the paper actually, ya know, usable. This was the first time I put the project down for a while.

Moving on to another new skill in late 2021, I decided that I wanted to make the walnut ink myself. Luckily, I was part of a pigment subscription in 2020 (that is a hell of a nerdy statement, even for me) and had all the supplies in my art studio to attempt this endeavor.

I didn't fail this part! Fucking huzzah for small miracles. Now I had two small bottles of black walnut ink to use for the calligraphy that I wanted to do for some of the excerpts. Except now I was stuck again on the paper making part so I put it back down again for an eternity.

Picking it back up in late 2022, I asked Mr. Highlynerdy to make a custom size mould and deckle for me so I could have long pieces to fold for my signatures. It was his first time doing anything like this but he's a buddy and a pal and gave it a try. Surprising no one if you've read this far, we both failed this part. Even now, I'm still not sure we succeeded but eventually we did get something workable. And considering professional mould and deckles cost in the hundreds of dollars...yeah, it'll do.

It took a hot ass minute for me to feel ready to attempt the paper making again but once I was ready, I ordered wet, pre-beaten pulp from Twinrocker. A very curt man on the phone helped me figure out what I needed and added internal sizing to the pulp I ordered. I didn't take pictures of any of the paper stuff because it was very messy and annoying. Once again, Mr. Highlynerdy helped me rig up a drying box with tri-wall cardboard and ratchet straps and a box fan. Once the paper was dry, I used a gelatin mixture to paint on external sizing. Since I'm primarily a painter, I needed the paper to be able to handle ink, paint, pencil. Sizing paper is the only way to do this, but no worries, I won't go further into the nerdy details about this.

Once the paper was ready, I decided to sew the text block. Here's another part where I failed YET A-FUCKING-GAIN. I talked before on Arthur's Journal post about how books were very, very rare in the 6th century (Arthurian period), but BBC Merlin is soooooo anachronistic that it's fiiiiiine to just do what I wanted. HOWEVER. I did want to try to do visible spine binding. But. Unfortunately I had gone ahead and used all of my paper to bind the text block as if I was going to case it in. FUUUUUUUCCCCCK. It's fine. We're fine. Come on, brain. What can we do.

Well, what we CAN'T do is use a piece of leather from my large remnant that I bought for my first journal because someone - FUCKING ME - measured and cut the last piece NOT TAKING INTO ACCOUNT THE WIDTH of the text block. So now it doesn't fit. And refusing to buy a new piece of leather I'm forced to pivot once again.

I decided to cut the leather spine even shorter, buy some wood pieces and sand them, paint them a matte black, and then glue the leather to those pieces. Cool cool cool. We're moving on. I tested a lot of different glues for this and good ol' super glue ended up being the clear winner. Cue putting this project away again for a whiiiillle.

In October 2023, I decided to pull it out again and do the calligraphy and drawings I wanted. This story has so many gorgeous parts but I finally decided on the first page, the last page, and the page about Gaius.

I mixed my handmade walnut ink with my beloved Finetec gold and used the quills I bought from John Neal Booksellers to practice my Uncial. I shouldn't have been rusty after lettering an entire fic for this fanARTifact, but I was.

The little dragon was inspired by medieval manuscript dragons I found.

Narratively, I loved the idea that Merlin's writing would start off soft and delicate and become stronger by the end of the journal. Also, I loved that the end word "WANT" would be just gold because the ink blend changes throughout. Something magical or whatever.

This part needed tears. They might have been real ones...

Annnnnnnnd, the project was put down again until a few days ago when I decided, after getting back into Merlin fic, I needed to buck up and finish it.

I did so many tests for the cover. I tried embossing, carving, and debossing and hated all of them. I settled on painting it with acrylic paints in the shape of a Celtic knot sort of pattern. I originally wanted to do a triskelion but after reading a bit about how some asshole groups have co-opted the symbol for shitty purposes, I decided against it. It's a mix of black and gold and it's hard to capture the depth of it through photos...eh, I did what I could.

Still. Something wasn't quite working with the brown leather and the black covers with the new symbol so I broke out my matte black leather paint and decided to go all black.

All I had left to do was glue in the text block and it would be done! And that still took me a few days to work up the courage. The book opens nice and flat, which will be good for me as I will use it as a sketchbook.

Sitting here, on September 1st, I have completed a project that taught me many new skills and also taught me a lot about humility and perseverance. There was no way I was going to abandon this project, and maybe I should have started over many of the times, but I am quite in love with the final result and I just hope that it does it's inspiration proud. Thank you @queerofthedagger Mona for all you create and share with the Merlin fandom, and thank you @schweetheart for allowing me to use your gorgeous art.

Also, you may see quite a few other fanARTifacts in this photoshoot because I will use any opportunity to show them off lol.

If you read to the end of this, you deserve a cocktail and a cookie. Thank you. 💛✨✨