#specifically towards the end of season 3

[ivystitches]

the amount of disrespect shiv takes from her brothers on a daily basis, i would’ve committed at least one murder by now

[spacedlexi]

is anybody else out there still creating twdg fanworks 😭📢 where is everyone please dont say reddit i cant go back there

[pandoratheprocrasticreator]

.

[hardygalwrites]

Originally posted to FFN on around the 3rd of October, 2016

Simply archiving a writing challenge I did back in 2016 up to 2017 and featuring my favourite writing pieces from each week of the challenge here on Tumblr :]

← Week 7 (KO) – Week 9 (BB) →

Cartoon: Transformers Prime / Robots in Disguise 2015

Characters: Smokescreen, Knock Out, and Bumblebee, with appearances from numerous other characters (even ones not featured in the cartoons)

Synopsis: An Autobot Elite Guard rookie, a Decepticon medic turned Autobot, and an Autobot scout turned warrior turned street cop - three very different bots with a wide range of stories to tell. And we are going to spend the next year exploring said stories through daily-written drabbles, be they angsty, humorous, gut-punching, or just plain odd! Who doesn’t love a challenge? (2016 to 2017)

—

Lord

"So, you are a bot of science as well as medicine."

Knock Out nodded respectfully. "Yes indeed, Lord Megatron. Though I will admit I enjoy disassembly more than reassembly."

"I see. And what of your combat skills?"

"I'm a medic, my Lord, not a field bot. I rely largely on Breakdown for the heavy lifting. However, I do know very well how to hold my own in combat."

"Good. Then I believe you have all the skills I deem necessary."

"I am deeply flattered, Lord Megatron."

"Welcome to my inner circle, Doctor. I trust you will not waste this opportunity."

Saw

"Why rotary saws?"

Knock Out looked up from his datapad. "Come again?"

"Well..." First Aid fidgeted nervously. "You're a medic. Why, out of all the tools you could've had built into you, do you have rotary saws?

Knock Out grinned one of those sly grins that always made First Aid's anxiety skyrocket. "Well, they may not be terribly precise," the medic said, extending his saw. "But they cut faster than any blade and work like a charm, especially in terms of disassembly."

"Ah."

Knock Out raised an optic ridge. "Any thoughts you want to share, nurse?"

"What? No, nothing," First Aid lied.

First Meetings

Knock Out had just finished tending to a bot with a missing arm. Stepping back, he said, "It's only a patch job, but I'm sure there's some bot you can contact who can provide you with a replacement arm."

The bot lifted and lowered the remnants of his arm experimentally, and nodded. "Hey, thanks, doc."

Knock Out froze. Staring at the bot with a narrowed gaze, he asked, "What's your name?"

The bot grinned, a very cocky grin for a bot with a missing arm. "Name's Breakdown, doc."

"Well, Breakdown," Knock Out said with a genuine smile. "You are welcome."

[youkissedareaderinthedark]

The Scare

Synopsis: A terrifying crash puts Y/n in an even more terrifying situation, and it affects everyone, in the end.

young female driver x 2023 F1 Grid

A/N: for this one, valtteri is retired and reader has taken his seat at alfa romeo

also, @badassturtle13 you requested a fic like this a month or two ago while i was in my writers block-era, but if you remember your ask and would still like to read it, here it is

You knew the risk. All twenty of you did. That’s how yet got into these cars every weekend. But that doesn’t make it any easier when you actually face the risks.

You weren’t the biggest fan of the Las Vegas Grand Prix from the start. You knew the planning for it was rough, and that there were a lot of elements of the weekend that everybody was unsure of.

You weren’t exactly surprised when the reasoning behind the storm drain incident was released after Free Practice 1, or when race directors revealed they didn’t even look at the predicted weather for this weekend.

But there wasn’t much you could do about either, about any of it really, so you put your head down and focused on your car.

You joined Alfa Romeo as the third rookie of the 2023 season, and although you and Zhou weren’t getting wins and podiums each weekend, you finished in the points nearly every race, and helped bring your team up to 8th in the Constructors Championship.

As of the second to last race, you were having a good first season; you and Zhou got along great, your team trusted you, and you liked getting to know and hanging out with the rest of the grid. Specifically, your closest friends Logan and Oscar, who you were walking with in the paddock before Sunday’s race.

“Is it bad that I’m not excited for the race?” Oscar asks from the middle of you three, as you walk down the grid.

“I don’t blame you, I wouldn’t want to start P17 either” You admit.

“You’re gonna be fine Oscar, you’ve made your way up the field before, you’ll do it again” Logan shrugs, assuring him.

Oscar nods as you speak up with the beginning of a smirk on your face. “When you make it up the field and into the points, along with me and Logan, what are we doing to celebrate?”

“No. No, we have-” Oscar’s already shaking his head as Logan laughs. “I know some of the grid is going to a club a few blocks away, you guys wanna go?”

“Yes,” You rush to say after you see Oscar start to protest. “we’ll go. No objections”

“We have flights tomorrow-” You interrupt the Australian. “I don’t care, we should all go. And I have to leave now so you can’t say no” You point out as you near the Alfa Romeo garage. Oscar rolls his eyes playfully as Logan continues to laugh.

“Good luck Y/n, see you after the race” Logan says, still chuckling as Oscar waves and continues down the paddock with the American by his side.

You greet Zhou as you walk towards your drivers room to meet with your trainer. The last 20 minutes you have before you’re needed on the track is spent doing reflex tests and speaking with the strategists one last time.

You leave the garage to stand for the national anthem after a brief Grid Walk interview with Martin, and quickly return for the formation lap.

“Alright Y/n,” Your team principle, Alessandro, comes over your radio as you’re pulling out into the pit lane. “do your best to maintain P7 or higher, just be aware of the tires. Stay safe, good luck”

“Thanks, will do. See you at the finish line” You reply before flipping down your visor and accelerating onto the track.

“Ladies and gentlemen, it’s a cold night here in Las Vegas, but the city is awake and ready to watch the last U.S race of the 2023 season. Our drivers are approaching the starting line, the five lights are coming on, and it’s light’s out and away we go!”

You manage to pull away from Magnussen behind you and advance closer to Logan in front of you as you near Turn 1. You get through the first and second lap fine, until your race engineers Alex, informs you that Lando’s crashed during Lap 3, and the 19 drivers remaining are being led by the safety car until Lap 7.

You think your race will be uneventful past that point until you notice the reluctance in the car’s breaking during Lap 19. “There’s something wrong with my brakes, it’s getting hard to slow down” You radio concerned, back to your team.

“Stand by Y/n, we’re checking” Alex tells you as you approach Turn 1 on the next lap. After a few moments without an update, you radio again.

“Anything? It’s getting bad, I can’t slow down” Your voice shows your clear concern. It’s clear to everyone that you’re getting more and more distressed each minute.

“One moment, Y/n, we’re trying” The engineer becomes audible again, and you get that everyone in the garage is trying, but right now it’s not enough.

You’re going at 150 miles an hour down the straight after Turn 4, and you could practically hear your heart beating nervously as you approach Turn 6.

You press on the brake pedal. Nothing. You try to release your hold on the accelerator pedal and clutch on your steering wheel. Nothing.

You go through the options in your head;

Turn and crash purposefully now to slow your car down? There are drivers less than a second behind you, the straight isn’t that wide, they could get hurt.

Turn and hit the curb as you pass the corner to slow down? There are drivers less than a second behind you, the corner isn’t that wide, they could get hurt. You could get hurt

Your adrenaline is pumping, thoughts are flying through your head at a million miles per second, and you don’t know what to do.

You’re going 150 miles an hour down a straight, but now the corner is coming closer.

“I can’t fucking stop! Alex!” You’re pressing the radio button frantically, hoping someone, anyone responds.

Nothing.

It all goes by in a flash.

Turn 6 comes at you faster than you imagined. Your Alfa Romeo crashes front-wing first into the barriers, the momentum of a 150 mile-per-hour car so strong, not even your harness can stop your body from colliding into your steering wheel.

Everything goes white for a moment, all you could hear is a deafening ringing in your ears, and then the only thing you could feel is pain.

The hurt in your chest is intolerable. You think you’re screaming. There’s smoke or clouds of dust or something else you can’t begin to decipher in the air surrounding you. You could feel the vibrations of the track from the passing cars below you, but you don’t bother to move your head up from where it rests on top of your wheel.

If the ringing wasn’t so loud, you might’ve been able to hear three of your ribs on the right side of your chest break when you first made impact with the wheel. If the pain wasn’t so unbearable, you might’ve been able to notice how because three of your ribs on the right side of your chest are broken, your lungs can barely produce oxygen for you to breathe.

It’s only when you try to gasp for air against the tears running down your face do you notice. The second you try, it sends streaks of pain overflowing throughout your body. Then you realize. You can’t breathe.

You want to stay calm, you really do, but you’re crying so much you could feel them soaking your balaclava, you’re scared to the point that your hands are shaking uncontrollably, there’s still so much adrenaline in you, and you can’t breathe.

You try to radio your team to tell them to send medics or just do something to help, but when you open your mouth to speak, the same thing happens as when you tried to radio for help earlier.

Nothing.

You’re stuck in your crashed car, without a voice, without a breath, and you think this is it.

It feels like hours, but really, it’s only been about a minute since you’ve crashed. Every grand stand is silent, and Martin Brundle and David Croft are speechless. Alex is trying to communicate with you while the other engineers attempt to figure out the the state of your car. Drivers are being led by the safety car under a red flag, anxiously talking to their own engineers to find out if you’re okay. And finally, the safety marshals and medical staff have made their way onto the track and to your car.

The marshals repeatedly shout to you for a sign of responsiveness while the medics move to pull you out of the car. Everyone else is either running in and out of the ambulance that’s just arrived, or helping place a curtain around you for privacy.

The medics transfer you onto a gurney on the ground while the lead medic assess you. She’s pulled off your helmet and balaclava and is left staring at your pale face, alarmed eyes, and gasping mouth.

A few touches to your pulse and lungs confirm her suspicion, and the woman quickly asserts her team. “She has flail chest, she needs an oxygen machine and an IV for pain meds. Her ribs are broken on the right side of her lungs, she’s been barely breathing”

The materials asked for are provided in seconds, and within a few moments, an oxygen mask is placed around your face, and the skin in your left forearm is being pierced with a needle.

For the first time since you started Lap 19, you’ve found both your voice and your breath, the pain striking through your body isn’t as severe anymore, and your nerves have calmed down.

The lead medic hovering over you notices your less-tense state, and lets out her own breath. “You okay kid?” With an oxygen mask, 3 broken ribs, and an IV in your arm, you nod with small smile of relief on your face.

The medics let you stay laying down on the gurney, and transfer you into the waiting ambulance to get you to the nearest hospital. The safety marshals update the Alfa Romeo garage on your state of health, and your damaged car gets moved off the track. Once informed themselves of the situation, Crofty and Martin advise the anxious and waiting fans of your condition and when the race will resume.

The 18 drivers that were restlessly sat in their garages are now visibly relieved and preparing for the race start. The engineers on your side of the garage are pouring over the data from Lap 19 to figure out where it all went wrong, while your trainer leaves to go meet you at the hospital.

While you’re in the hospital, you get hooked up to a new IV and get assessed by a nurse before a doctor comes in to take your X-rays. The results show your 3 broken ribs and the few bruises on your lungs that are set to heal within a week or two.

You’re put on a ventilator to help your breathing after the doctor tells you that you had to stay in the hospital for at least 3 days, and you’d miss the last race of the season as a precaution.

You also undergo surgery hours later to stabilize the broken ribs, and ensure you’re not internally bleeding. Because of all the anesthesia and pain medicine, your either asleep or painless for your first night in the hospital.

The next day is when you’re brought into the real world again, and your trainer tells you everything you missed. He tells you Lando, who you learn was in the room a few doors down when you came in, visited you after your surgery and wished you to get better soon. He tells you about the rest of the race and everything the rest of the drivers have said about you and your crash.

You talk to your team eventually and convince them to let you travel to Abu Dhabi on Saturday to at least watch the race from the garage. You talk to your parents and friends to inform them that your lungs are healing accordingly, that you’re off the ventilator, and have been breathing fine by Thursday.

You’re discharged from the hospital Friday night, and only stop at your hotel to collect your things before catching a flight to Abu Dhabi. You told Logan and Oscar you’d be arriving Sunday morning, which explains why they’re so surprised when you show up in the paddock after Qualifying Saturday night.

“It’s not the best place to start from but-” Logan spots you first, in the middle of a conversation with Oscar. “Oh my god” Is all he mutters before running up to bring you into a hug. You’re smiling, almost laughing at his reaction, until you hear what the American says.

“Don’t do that again. I thought you-” You notice his voice break, and you’re once again aware of what everyone else was feeling while you were breathless inside your car almost a week ago.

“I won’t Logan, I’m okay now” You assure him as best you can before Oscar comes over to both of you. Logan lets go momentarily while the McLaren driver hugs you.

“We were all really scared, y’know. We didn’t know,” He pauses, his voice catches before he’s speaking into your shoulder again. “we didn’t know if you were okay”

“I know Oscar, I’m here though, I’m okay” You know you can’t say much in sympathy to either of the drivers right now, you’ll never exactly know the anxiety and worry they felt on Sunday, but you do tell them about your time in the hospital and how you’re expected to make a full recovery in time for next season.

“I wish you were driving today though, you should be in your car for the last race” Oscar says as the three of you walk through the paddock together.

“I know, I want to drive too, but at the same time, I’m kind of glad I’m not driving until next season. I want to let my lungs rest and everything before I get in my car again” You say with a shrug.

You were being truthful; you weren’t afraid of crashing again, you actually couldn’t wait to drive your Alfa Romeo, but you heard all the possible long term affects of rib and lung damage, and you’d rather miss out on one race than your entire F1 career.

“I’m just glad you’re okay” Logan admits as Oscar nods.

“Yeah, me too”

a short, somewhat emotional f1 fic. 1 down, 3 to go

[tenpintsof-sundrop]

Hii !! From the smut prompts (stop rolling your eyes, I know Im predicatable!) could I request "Accidentally Sending Nudes", "Sexting" and... a secret third thing (the choice is yours, go hogwild) for Jason x Fat Fem Reader? I'm leaning more towards sub!reader but shes def a little shit about it :3

Thank you in advance if you write it !! 🌼

See, this is why it pays to send in a request with me, because even if I don't answer it right away, I keep requests in my inbox for months and come back to them later!!! (This is from December 2023)

(Also this request is just plain fun) (because Star knows exactly what buttons to push to get me lmao)

DC Titans Requests - OPEN

How would Jason react to you accidentally sending him a nude?

(Jason Todd x Fem!Thick!Reader)

Warnings: set specifically in the Titans!verse - set during season 3/mentions of season 3 plot points; spoilers for major plot points of Titans (including character deaths on the show); this is kind of enemies to lovers? (enemies to fwb, I guess); the reader uses she/her pronouns and has a vagina; the reader is described as being fat/plus sized; passing mentions of Gar x reader (I couldn't help myself); dubious consent - because of the nature of the trope, Jason sees the reader naked without her explicit consent, and he decides to keep the picture without her consent - but it does spark a consensual sexual relationship between them; passing mention of using nudes for blackmail (that does not happen); this isn't really proofread; (generally, I consider this post to be a fucking mess because it was written in Tumblr but I was still trying to have fun with it lmao.)

...

Jason is minding his own business when it happens.

(For once in life, he is fully, completely, minding his own business.)

He's back in Gotham and he hasn't seen you in months - and if asked, he would say that he hasn't thought about you. He doesn't have time to think about you because he's been too busy with this therapy bullshit, training, trying to get back his title of Robin. Trying to get back in the cape. (And trying to get back in Bruce's good graces.)

But that's not exactly true. He's thought about you a lot.

(Most of those times have been with his hand around his cock, but again - he won't admit that.)

There is an occasional time that you cross his mind and it's because he's wondering genuinely how you're doing - wondering if you're well, how your training is going, wondering if you're doing okay under the Dickhead's reign. But he can't ever pluck up the courage to text you and simply ask. Because that would be admitting that he cares, and that would make him look like a weak little prick.

And that's why he's so damn surprised when you text him first.

He hasn't heard from you since he left the Tower (well, since he stormed away from Donna's funeral in what you called a 'toddler fit' - something that ended in a rather vicious text argument between the two of you). In fact, the last thing in the text history between the two of you is you calling him a 'giant, petty, whiny baby who can't deal with his own emotions'.

(You had no clue what had happened between him and Rose, so that did inform a lot of your opinion on the matter.) (And that was probably the reason why Rose still had all of her teeth after you had seen her at the funeral.)

But all of that was aside from the point.

The point being - Jason found himself smiling when your contact name popped up on his phone.

He has you in his phone as 'Pretty Girl' - along with a contact picture of you sticking your tongue out at him in response to having his phone shoved in your face with the knowledge that he was taking a picture of you. (That tongue always makes him think certain things, so even though you intended for it to be some rude thing to ruin the picture, it makes it so much better for him.)

(1) new photo

That instantly catches Jason's attention.

Perhaps you were sending him a picture just to flip him off, or sending him a picture of a dumpster to ask him if it reminded him of home - a common joke you used to make when he still lived at the Tower.

Jason grabbed his phone and opened the message, expecting another tired joke, and-

Holy fuck.

The last thing he was expecting - your naked body. Your gorgeous naked body.

(He likely would have expected a nuclear blast or for the Joker to clean up his act and actually become a decent, sane citizen before he expected this to happen.)

Jason brought his phone closer to his face, making the picture full screen in order to examine it better - he needed to make sure that he wasn't hallucinating, or that this wasn't some weird dream. But fuck, he definitely wouldn't be able to dream up this.

You were so perfect - so fucking perfect in a way that was so very real.

The picture was a fucking stunning side profile of your body - rolling curves, lacy underwear that could clearly barely contain your impressive hips with sweet little stretch marks jutting out from the fabric (jagged little marks across the softness of your skin that made Jason want to act up) - soft fat for him to grab onto, and the perfect teardrop shape of your breast, now bared to his eye in a way that he had only dreamt of before. Something that he had stared at through the oversized tee shirts you wore to bed without a bra, just wondering what you looked like underneath.

And fuck, this was so much better than anything he could have dreamt up.

Jason's cock began to harden almost instantly, and laying in bed, he reached over to his nightstand for some lube, ready to milk that picture for all it was worth, when-

His phone buzzed again.

Pretty Girl: 'Delete that.'

Jason hadn't even considered that you had sent it to him by mistake. He had been far too busy enjoying to even consider the intention or the psychology behind it.

So, he took his hand off the waistband of his sweats and texted back the first thing that came to mind.

'No.'

(He didn't hear your annoyed growl on the other end, frustrated at his downright typical Jason behaviour.)

'It's not my fault you made a dumbass mistake. Besides, it's the least I get after all the nagging from you.'

Then, something else came to mind as the bubbles popped up, meaning you were busy formulating a reply - an annoyed one, no doubt.

'Who did you mean to send it to anyway? Who are you fucking whose name starts with J that's not me?'

(You hesitated.)

Pretty Girl: 'I didn't type in J.'

'???'

Pretty Girl: 'I typed in G. And it turns out the first contact that popped up was Giant Baby. That's you.'

Jason felt annoyed and insulted on all levels. The fact that you were going to Tiger Boy for dick instead of him, and the fact that you had used such a mocking contact name for him. But when he realised that such a pathetic string of events had caused him to accidentally see you naked, he couldn't be too upset.

'I'm still keeping the picture 😈'

Pretty Girl: 'You're such an asshole' Pretty Girl: ... Pretty Girl: 'You owe me one'

'Fine, I'll owe you one'

Jason shrugged it off, thinking he had won, until -

Pretty Girl: 'No, you owe me a cock.'

This made Jason's stomach jump. You couldn't possibly mean-?

Pretty Girl: ... Pretty Girl: 'You owe me a picture of your dick. You know - an eye for an eye type stuff.'

Jason wanted to ask questions - what did you plan to do with the picture? Should he shave his balls first? Did you want more than one?

But his cock got even harder at you asking for a picture, at you demanding to see his cock, and he couldn't properly think - he couldn't even reason that you might later blackmail him with the picture.

No, instead, he found himself ripping down his pants and turning on the bedside lamp for good lighting, pumping himself up to peak rigid hardness and grasping the base of his cock in hand. And then, without hesitation, he snapped a picture for you. He made sure to get his abs in the photo - a collection of his best assets, with his pants pulled down to mid-thigh, showing off his tight stomach, the deep V leading down to his dick, and his thick seven inch cock in hand surrounded by some well-kept dark pubic hair.

(He was proud of it - and that ego was one of the things that annoyed you most about him.)

He sent it without hesitation and then you began typing several times and stopped once again. Jason's stomach churned with nerves until -

Pretty Girl: 'Fuck you' Pretty Girl: 'I thought it would be smaller'

Jason had no clue how to respond to that, and he was busy racking his brain for some clever reply, when -

Oh. Oh fuck.

(1) new photo

You had sent him another picture. And this time it was definitely on purpose.

It was a view between the plump, beautiful thickness of your thighs - your hand was inside the pretty lace of those panties, and your fingers were visible working on your clit while your needy hole dripped wetness onto the fabric.

So you had liked what you had seen.

Pretty Girl: 'What would you do if you were here right now?'

Jason's brain short-circuited then. He thought of so many things - eating your pussy until you screamed, flipping you onto your stomach and fucking you until you begged him to stop, gripping onto those gorgeous thighs, pinning them to your chest and pounding into your cunt until you finally surrendered and said that you had liked him all along, fucking your smart little mouth to finally shut you up-

Pretty Girl: 'Come on, Jay. Don't disappoint me.'

Oh, he won't.

(Another thing Jason won't admit - he came back to the Tower just for you.)

...

DC Titans Masterlist

[targaryenluvs]

Hi, how are you? Could you make a request for Anthony Bridgerton 🙈 please.

I was thinking something along the lines of Penelope and Colin. When Colin says he would never court Penelope. But in this case Anthony tells Benedict that he would never court reader. And Benedict tells him that he will be the one to woo her. Sad ending or happy ending. I leave it in your hands 🤗✨.

Have a good week ✨ thank you.

i love this, and benedict bridgerton <3

nothing better

pairing: benedict bridgerton x fem!reader, anthony bridgerton x fem!reader (platonic)

summary: benedict has loved you for so long, but he always assumed you’d want anthony and he wanted you. but when the opportunity presents itself to be with you he dives headfirst.

warnings: swearing, kisses??

a/n: hope you like itttt, it might be a little short but quality over quantity???: i love benedict ugh can’t wait for his season

the party was insufferable.

benedict wanted nothing more than to be at home, drawing, you specifically.

the day you learned of his talent you’d praised him every day for it. and you’d been pestering him for oh so long to draw your portrait but he always politely declined. believing a professional to be more accurate than himself but he honestly believed that he, nor any other, could incorporate all of your beauty in one sketch.

and he was scared of messing it up, and he also wondered what his brother would think.

anthony. smart, handsome, eligible, viscount anthony bridgerton.

the one you’d marry.

or so it seemed to everyone as the two of you danced hand in hand. everyone’s eyes were on the two of you as you practically glided across the floor. as the music slowed and the couples dispersed he found himself holding his breath as you came towards him.

“anthony is terrible to dance with, he keeps blaming me for stepping on his feet but he moves so slow at times, he’s always looking off into the distance.” you laughed as benedict smiled, “i promise you y/n, a dance with me will leave you more than well satisfied.” benedict teased as you gasped, “benedict bridgerton! the scandalous man you are.” as you laughed he couldn’t help but admire you. your hair was up with only two strands in the front, curled. a sweet tiara in the middle of your head, a gorgeous baby pink dress and and equally gorgeous owner.

“you look-”

“like a cake? a biscuit? a rose perhaps?” you joked.

“i was going to say breathtaking. you look, breathtaking, y/n. no one else here can compare.” he spoke in awe.

your eyes flickered to his, god he looked amazing. but he was probably only saying this to be nice right? his sisters friend, daphnes other half. nothing more, he grew up with you, saw you as a sister.

he wondered if you’d return the compliment, or thank him, or just smile and nod. god he said wanted more than a nod. you looked untouchable. and the way you looked at him, benedict was lost. not only in your eyes but in his head and heart. he sees you dance and talk to numerous respectable men every day. you smile and laugh, completely polite. but then you look at him, with those beautiful brown eyes and he looses all trains of thought. and as respectful as those other men are, he could never put himself in the same category as them.

because the thoughts that he didn’t loose, were truly inappropriate.

the heavy footsteps from behind you snapped the two of you out of the trance as anthony approached. “brother, lady y/n.” he smiled as you smiled back. “i’ll leave you two be.”

“are you alright brother?”

he didn’t mean to snap. the words just spilled out.

“are you going to court her or not?”

anthony’s brows furrowed as he was taken aback by his brothers direct manner, all sense of the usual playfulness was lost. “who? y/n? no of course not. i would never dream of courting y/n l/n. she’s like a sister to me.”

“then why do you dance with her so? take her out so often, promenade with her? for what? my god everyone thinks the two you are courting.” anthony released a breath he didn’t know he was holding.

he’d only been having fun with a friend. it was so refreshing to be able to talk to someone who didn’t wonder what the viscount was up to, who he was with, when he was going to marry. y/n eased his tensions and she the best friend he’d never had, she made him feel like a young boy again, which anthony had all but forgotten the feeling of.

“benedict, it was not my intention this i promise you brother. i know how much you love and if i led you or anyone else to believe our relationship was anything besides familial love and companionship than i truly apologise. you need to let her know before it’s too late.”

benedict felt his heart lurch at the idea of finally being with you. and with anthony’s blessing and urging him along he was off to find you.

the air was cold, but anything was better than that stuffy ballroom inside. gods you couldn’t wait for the season to be over. it was only your first, same as the diamond of the season, also known as your best friend daphne bridgerton but all the cakes, gossip, drama and fake smiles? you’d had enough to last forever. the only problem with the season being over was that you’d most likely be travelling to your country estate. which meant that you’d be spending time with your extended family rather than the family besides your own that you wanted to be with.

the person you wanted to be with.

“y/n! there you are.” benedict shouted as he bent over, catching his breath. even slightly sweaty and disheveled benedict was a god in your eyes, no one inside could even come close.

“ben, come sit!” you patted the swing next to you as he gladly sat down, the air was a refreshing after the long night he’d had, and your smiling face was enough for his heart to race again.

“y/n, as much as i’d like to sit and swing with you i have to tell you something, it’s urgent.” he spoke softly. the moon was bright, the air cold and benedict had a soft glow of light on his right side. his voice could so easily lull you to sleep out here as it had done so many times before but his eyes were alert, so you smiled again and nodded, “continue.”

“y/n, i’ve known you for so long. and i’ve- i’ve never been able to tell you how i truly feel about you. i always thought anthony had your eye and”

“anthony?!” you screeched as benedict hushed you with a hand over your mouth. “sweetheart you can’t be so loud out here, wouldn’t want someone to come across us now would we?” he joked as his eyes crinkled at the edges, now there’s the benedict you knew. “ben, i’ve never had romantic feelings for anthony, hes always been a brother to me. besides i’ve had my eye on another bridgerton for a long time.”

“oh? and who could that be?” benedict was praying to every god he could conjure in his head. me. me. me. let it be me please.

“you.”

he couldn’t help himself as he kissed you, he’d waited far too long for it.

and it was so worth it.

everything he couldn’t even begin to express with words, he put into the kiss, your first of many. “i love you. i love you y/n l/n and i can only pray you love me a quarter as much. you are everything i’ve ever wanted, and i have you now. you were family before but now? youre officially a bridgerton, we should throw a parade.” benedict laughed as you smacked his arm, “finally! my plan to marry daphne has been thrown into motion!”

“excuse me?” daphne shouted as yourself and benedict leaned into eachother, laughing up a storm.

there was nothing that could compare to the man infront of you.

nothing better.

[i-hate-accidents]

i hate accidents: the ball

femme!reader x benedict bridgerton, femme!reader & the bridgerton family, femme!reader & penelope featherington

summary:  the adventures of a working class femme who befriends a fellow writer, a boisterous family, and a bewitching second eldest son

sections:  I. the beginning / II. the between / III. the ball

y/n:  bipoc, she/her, afab, nonbinary femme, queer, working class, of immigrant parents

content warnings:  classism, mentions of financial survival, microaggressive sexism, microaggressive gender assumption, intersectional low self-image of y/n, positive/supportive families, nondescript mention of gagging (not related to self-image) in [III.iii], sexually charged 18+ interactions in middle to end of [III.iv]—minors dni, please stop at the end of the paragraph that begins "you repeat his words with sped up mockery"; you may resume at "you jut out your hip"

word count:  15.7k (of 38.8k)

story context:  everything in s1 and s2 of the tv series is canon for this story except for the s2 epilogue with the bridgertons.  this story takes place leading up to and into the 1815 season. 

additional notes:  this story is incomplete. scenes that are not written are described in chevrons <> with third person pov or are delineated by isolated ellipses. additionally, the author has only watched s2!  she has not watched any of s1 aside from clips, and they have not read the books aside from quotes used in edits.  they have not yet watched queen charlotte.  the author kinda knows the gist of an offer from a gentleman; they are familiar with sophie beckett (and are excited to meet her/them in the tv series!).

author’s note:  this is the first time the author has written fanfic in 13-15 years.  :)  it is her hope that they have made some progress since her pre/teens.  additionally, this fanfic has been written, on and off, over the course of two years.  the author sincerely hopes you find some sort of joy in it, especially the readers who maybe hope to see themself a little more specifically in the world we so love.

tagged: @omgsuperstarg @stvrdustalexx @bedobeeeee @crazymar15 @kahhorri @mayalopes @benedictbridgertonss @athensflower @02wrldz @queerlavalier @merlslrem @pillsbury-doughgirl @lamourdure3ans and all who have read either/both sections one and two—thank you. <3

𝄆 ⚘ ✸ III.i ✸ ⚘ 𝄇

“you look like a princess, y/n!” hyacinth squeals in delight.

“i regret not being of age yet to attend balls,” gregory sighs.  “i would have been honored to ask you for your first dance.”

you beam at the youngest bridgertons with all the fondness in your heart.  judith, an elderly maid of number five, had attempted to dispel hyacinth and gregory from the room as your hair was done, but you had asked her to please allow them to stay.  the two kept you at ease throughout the foreign process, and their sweet sincerity kept you grounded amidst the anxiety that still floods your veins.

“you are both too kind.  and fear not; tomorrow morning we will have a ball all of our own,” you lean in for a whisper, them following suit to listen.  “and perhaps we will need the talents, and bravery, of a young sorceress and a young knight to save the guests from the intrusion of an unruly wyvern.”

“you promise?!” hyacinth and gregory yell at the same time.  you hold out your pinky finger, just as you used to do with your siblings, and the two young ones wrap their pinkies around yours.

“i promise.”

“you are all done, miss y/l/n,” says alice, placing the last pin into your hair.  she steps back and curtsies.  her formality towards you renders you uneasy; she treats you as above her but you are of the same world.  you school your facial features from showing your unease; you do not want to upset her or have her wrongly think that she has done something wrong.

“no need to call me ‘miss.’  i am simply y/n!”  you grin at alice.  “a friend.”

she smiles, albeit a bit sheepishly. 

“of course, y/n.  are you ready to see yourself?”

you shudder in a breath.  you had asked not to be prepared in front of a mirror.  to have seen your transformation so readily reflected at you at every point of this process—

you exhale frantically.  the maids and genevieve had graciously accommodated your wishes, both going so far as rearranging this room and her fitting room to avoid any lines of your sight with a potential reflection; you were, and are, utterly grateful.  

but i am unable to delay the inevitable any longer.

standing up and squaring your shoulders, you give alice a feeble nod.  she bows her head in response, a small, encouraging smile on her lips, and leads you to the mirror as hyacinth and gregory turn in their seats to watch you cross the room.  

it is just a dress.  it is just a tiara, and just some jewelry, and just some gloves, and just some shoes, and just a bit of makeup.  it is just you.  it is still you.  be the courageous person you are, y/n.

or—

just before you see even a miniscule bit of your reflection in that accursed mirror, you shut your eyes tight.

—be a coward.

you continue step by agonizing step, approximating where the mirror is, and shudder in another breath.

perhaps i am being too dramatic.  perhaps i can faint and feign illness.  perhaps i shall run away by way of the nearest window.  perhaps i—

“the mirror is to your left, y/n; whenever you are ready,” coaxes alice.

you exhale once more.

or perhaps, i should open my eyes.

and so you do.

oh.

“oh,” you say aloud.

the person you see in the gilded full-length mirror is, somehow, a complete stranger and entirely you.

the one time you’ve worn makeup before was for your elder sister’s wedding:  a bit of your mother’s rouge on your cheeks and lips to have some color to your otherwise dull face.  now, your cheekbones glow with a blush much more complimentary to your complexion than a mere red as your lips shine with a gossamer of a similar shade.  entirely new to you are the glimmering minerals on your eyelids that magically bring attention to your eyes and make them shine like starlight.

your eyebrows have been plucked (much to your initial pain but your current appreciation), maintaining their shape and fullness but now without strays.  

soft tendrils of curls frame your face, and your hair—normally worn down when not working—has been pulled back into a loose coiffure and styled with sprigs and small blooms, the crown of your head graced with a silver tiara.

“this,” violet smiled fondly when she first set the tiara on top of your head, “is the tiara i wore to my first ball after my presentation.  i had insisted on keeping it, thinking i could pass it on to my daughter when her first ball had come.  but daphne was resolute on having her own tiara, and eloise was resolute on not wearing any,” violet laughed, her eyes shining when they connected with yours, “i see now, though, perhaps it was always meant to be yours.”

“violet, i— i cannot wear this.  it is too— it’s too—”

sumptuous?  opulent?  regal?  

no.

well, yes, the tiara is all those things.  but those were not what had concerned you then.  it’s too—

“beautiful,” you admitted quietly.

something as beautiful as that surely does not belong on the head of someone like you.

“well,” violet smiled, “then you are merely proving my point, my dear.  it perfectly suits you.”

you hold out your hands, flare out your fingers, and stretch out your arms, examining the dark forest green of your long satin gloves, mesmerized that a muted color with such depth and richness could be achieved through dyes.

moving your hand, you touch one of the small rosewhite pearls adorning your earlobes and, with your other hand, touch the inky oblong pearl that shimmers violet, indigo, and green as it hangs from the thin, black velvet choker around your neck.

“my dear,” mama appeared in your doorway one evening as you wrote at your table, “do you require jewelry for your occasion?”

“oh.  i suppose i do?  i hadn’t given it much thought.”  jewelry had been the last thing on your mind of things that terrified you of the impending ball.

“well, if you have not been offered anything by the bridgerton family yet, i thought— i thought perhaps you might like these.”

she approached you, a small wooden box in her hand, and placed it on your table.  taking the box into your hands, you looked at it and then up at mama.  she smiled at you but something of her countenance seemed strained.  nervous.  you offered her a smile in an attempt to assuage whatever concerns preoccupied her mind and, turning back to the box, unclasped it open.

“these are the earrings and necklace i wore when i married your papa.  they were gifts from your grandmama that were gifts from her mama.  i had tried giving them to your sister when she was to be married, but she thought…  they are plain, nothing like what those fashionable people wear, i am certain; but if you have nothing else, i—”

you shot up from your seat, throwing your arms around your mama, feeling how she reeled from the ferocity of your sudden embrace, as you clutched onto the box of her wedding jewelry.

“they are beautiful, mama,” you said quietly but emphatically as the vehemence of your emotions tried to trap your words in your throat.  “they are the most beautiful things i have ever seen, and i am so— i am so honored to be bestowed with the blessing of wearing them, and of wearing them proudly.  thank you.”

you heard how mama sniffed her nose, and how she tried to hide it, as she gently rubbed your back, as she always had in your moments of vulnerability.

“i love you, my child.”

“i love you, mama.”

you then touch your exposed shoulders.  the neckline of your dress, nowhere near your neck, follows the curved peaks of your breasts to meet and form a small v-shape in the crevice of your bosom.  

“where is the chemise?” was the first thing you had said when you first tried on the gown at the modiste.

genevieve grinned.

“there is none.”

your jaw dropped.

“then what of a stay?  what sort of stay would be worn with this?”

turning slightly, and noting your rather bare upper arms in the process, you angle your exposed back towards the mirror.  another v-shape, its furthest point down a third of your bare spine.  

“my dear, both you and i know that you already know the answer to your inquiry.”

“oh, my good g—”

never, in your life, has the expanse of your upper body been so naked and on display than in this ball gown.

“i do not mean to doubt your artistry, genevieve; truly!, the dress is magnificent, but—” you turned to kathani, who had exclaimed and clapped with immense delight upon seeing you in the gown, “is this—— permissible?”

the viscountess had arched an eyebrow at you then.

“y/n y/l/n, concerned with the rules of society?  and of high society, at that?”

“no— no!” you yelled all too loudly as genevieve chortled and placed pins for final alterations into the dress.  “i just, i just do not want to embarrass you and your family, is all.”

you had not meant for your voice to come out so quiet and small.  the older women’s faces softened immediately.

“you could never embarrass us, y/n,” kathani stated with such tenderness.  then she smiled.  “you look beautiful.”

the off-white base layer of the dress feels luxurious against your skin, the fabric hugging your upper body, puffing out at the sleeves, and, from the underbust, flowing and falling into a cone silhouette for the skirt—but what truly awes you is the artistry of the outermost layer.  a cream translucent silk, the piña seda (you recall genevieve proudly naming it as) of the outermost layer glistens while you sway and turn your body, light shifting and transforming the ever beauty of the dress, the swish of the skirt moving like how waves are described in the passages of your books and in the reminiscing of your parents’ memories.  lined at the underbust begins the intricate thicket of embroidered foliage, painstakingly threaded with innumerable shades of greens and blues, a shimmering teal threaded throughout to gleam in tandem with the sheen of the fabric.  the embroidery of foliage then grows and thickens as it cascades down the middle of the dress and comes to an encircling end a few inches above and around the floor-length hem.  in the negative space of the piña seda are spread out, small ivory embroideries of floral motifs.  

it is a dress deserving of someone most beloved in titania’s garden court. 

“indeed,” genevieve affirmed, a smile on her lips akin to kathani’s.  “those in attendance will not be prepared.  you will look the most beautiful of all.”

and perhaps…

perhaps you should be unnerved by how different your dress will be from the others’ of the ton.  perhaps you should be unnerved by how easily you will stand out from the crowds.  perhaps you should be unnerved by the attention, the whispers, the stares you will inevitably receive with your dress, with your appearance, with your presence, with your very existence.  but, instead— 

“i do look like a princess,” you say finally.  quietly. 

you do look beautiful.

like you could belong amidst the ton.  

like you could belong with the bridgertons.  

like you could belong with him.

𝄆 ⚘ ✸ III.ii ✸ ⚘ 𝄇

“are you anxious, y/n?”

you turn to gregory at your side and see the swell of worry in his eyes.

“what gives you that impression?”

“you are shaking terribly,” hyacinth comments from your other side, replacing her usual pluck and wit with a worry akin to her brother’s.  

the two had volunteered to escort you from the dressing room that you had been prepared in to the grand staircase of number five.  with their arms hooked around yours, gregory on your left and hyacinth on your right, the youngest bridgertons have been walking you down the corridor.  your heart aches with anguish:  you know you have failed when the children are the ones to care for the adult.

“i am sorry to have concerned you both.  yes, i— i am anxious.”

“it is reasonable to be anxious.  but there are a great many cakes at these balls, or so i’ve heard, so you can eat one, and then another, to help ease your nerves!”

“how is that of any help, gregory.”

“it is plenty of help!”

“to eat and eat when she is already uneasy?  the last time you were uneasy, you nearly—”

“do not recount that in front of y/n!”

“why not!”

“it is not— it is not proper!”  gregory’s voice jumps in pitch, causing a swift blush to form on the apples of his cheeks.  hyacinth snorts.

“why does your voice do that?”

“i do not know!  kate said it is natural for bo— for young men to experience such a thing!”

“aren’t young men meant to be tall?”

“i am an inch taller than you now!”

“you are not!”

“i am too!”

you laugh.  the youngest bridgertons halt their dispute and look at you. 

“i must say, your usual squabbling is keeping me much at ease,” and you offer a sympathetic smile to gregory.  “i am sorry that it seems to be at your expense, however.”

his eyes shine.

“you need not worry about me!  i am glad to see you smile.”

“i as well,” hyacinth adds.  you turn to her and see how her eyes shine too. 

“i am most grateful to you both for being at my side on such a night.”

“we are most grateful for you, y/n.”

“that is something, and probably the singular thing, hyacinth and i can agree upon.”

you plant soft kisses on the tops of their heads, just as mama and papa and your elder sister had done when you were their ages.  gregory and hyacinth nestle their heads into your upper arms and only part from you when the three of you reach the top of the first set of steps.  

“are you ready?” 

though you wish to say ‘no,’ you brace yourself with a deep inhale and nod.

your heart quickens with each step as time around you slows.  your mouth has gone dry, and your body feels entirely numb, sensation only returning to you when you feel hyacinth and gregory unhook their arms from yours.  turning your head, you see them stepping backwards, away from you, leaving you at the center of the landing to the rest of the grand staircase.  you face forward once more, and ahead, below, you see the gentlemen and ladies of bridgerton house, waiting for you, looking at you.  

you swallow. 

for the very first time, in your dress, by yourself, you take a step forward.

breathe, y/n.  shoulders back; tilt your chin up, but not too much; just as kathani had taught you.  and just, breathe.

but it is hard to breathe with all eyes on you.  with—

i must control myself.   i must not seek him out.  i must not seek out his face.  i must not seek out those o—

you step on the hem of your dress and feel yourself start to fall forward.  thankfully, god, for whatever reason, has blessed you with enough dexterity in this very moment, and you manage to catch yourself from tumbling down the steps as you hear gasps from above and below you.  you mumble an apology (you don’t know why; it is not nearly loud enough for anyone to hear) and offer everyone a smile.  upon seeing their relaxed shoulders and reassured expressions, you continue to descend the staircase.

stupid benedict.  distracting me in remembering how to walk, and how to breathe, and how to— 

oh.  

i am doing it again.

shit.

goddamnit, stupid benedict!

somehow, you reach the landing of number five’s entrance hall without any additional accidents and, approaching the bridgertons, immediately look to the viscountess.  as if knowing you seek her approval, kathani nods her head; a beam illuminates her countenance.  you feel yourself ease, your shoulders relaxing (that you promptly square again; you are, after all, pretending to be a lady for the night), your heart racing less, if only minutely, and manage a smile.  you feel someone take hold of your gloved hand and, turning to face the source, see violet gazing at you. 

“beautiful.”

it is all she says, but with such tenderness in her voice, it makes your heart swell.

“the importance of appearance,” rasps eloise, causing you to turn to her, “and the lengths gone to achieve so-called perfection of such, especially for those of feminine disposition, is an entirely antiquated, offensive concept that must be eradicated from our, and all, societies—— but you do, look, beautiful, y/n.”

you grin. 

“we’ll eradicate it together; and with help along the way, i am certain.”

when she responds in kind, you turn to the gentlemen, and, to your mortification, colin and anthony bow at you.  the high society etiquette directed towards you from your friends overwhelms you with an embarrassment that you cannot even begin to fathom; they haven’t performed such formalities towards you since your first meeting all those months ago.  but, in spite of your horror, the sincerity of their intentions, as well as their countenances, touches you deeply.

“madame delacroix and the maids have outdone themselves,” remarks anthony.  “as mother and eloise have said, you look beautiful, y/n.”

“indeed,” colin beams.  when he turns to benedict, however, his smile transforms into an expression befitting of a fairytale creature; one with mischievous intentions.  “what say you, brother?”

you follow his line of sight and connect with ocean eyes.  the flood of self-consciousness and the tempo of your heartbeats magnify hundredfold under his gaze, the butterflies within you fluttering the most violently they ever have, and you feel as though your entire body has been set ablaze.

anthony, with what looks like a smirk, nudges his brother with his elbow.  as if suddenly aware of where he is, benedict hastily bows at you and, returning his ocean eyes to yours, says,

“you look— well.”

you hear eloise snort.  turning your head towards her, you see she has completely sucked in her lips.  to her left, kathani smiles massively.  to kathani’s left, violet remains ever poised but with wide, sparkling eyes.  you still feel self-conscious but are infinitely amused by whatever is happening to the bridgertons and, with a playful smile on your lips, return your gaze to benedict.

“thank you, mr. bridgerton.  i had felt uneasy with an unnerved stomach earlier, but i am glad to know that my health appears to be in proper order.”

and you deeply curtsy at him. 

from above you hear the sweet giggles of the youngest bridgertons.  ahead, in your periphery, you see how anthony closes his eyes as he sucks in air through his nostrils and how colin, with an unabashed laugh, clasps his hand onto benedict’s shoulder.

“well!” anthony booms, attempting to control his smile on what ought to be an authoritative expression. “i believe we have a ball to commence.  shall you lead the way, viscountess?”

and with an expression both equal in authority and warmth, kathani declares,

“i shall.”

𝄆 ⚘ ✸ III.iii ✸ ⚘ 𝄇

you had grown ease of mind knowing that you would not be asked to dance.  not only were you a stranger to everyone in the ton aside from the bridgertons and penelope, you were also not handsome like the debutantes flitting about the room, swishing prettily in their gowns, strategically but delicately fluttering their eyes at a gentleman with which they wished to dance.  with anonymity and a plain face, you enjoyed the haven of people observing, snickering at the artifice and smiling at the sincerity.  kathani chatting with her guests.  anthony standing by her side.  penelope dancing with colin.  eloise hiding behind a plant.  violet beaming at her family.  (you tried to convince yourself that you had not noticed the absence of a particular person.)  your nerves have finally begun to calm, finding content in your station at the margins of the dance floor.

when colin bridgerton approaches you, hand outstretched in your direction, with a twinkle in his eyes.

“miss y/l/n, may you do me the honor?”

“i’m sorry, what?”

he laughs.

“will you dance with me?”

you gape at him.

“you’re mad.”

“my mind is perfectly intact.”

“this is unwise.”

“this is the best decision i have made this night.”

“i shall surely step on your toes.”

“i have worn my sturdiest shoes for the occasion.”

the corners of your mouth tug down into a moue at the third bridgerton’s stubborn charm.  his grin merely widens as your eyes narrow to slits at him.  penelope approaches from behind the beguiling imp and smiles warmly at you.

“it will be fun,” she encourages. “i promise.”

penelope!  no!

“et tu, brute?” you bemoan.

she shrugs.

“what is a ball without dancing?” penelope offers.  sweet innocence colors her voice, but the delighted glint in her eyes reveals her true duplicitous nature.  she knew exactly how to play the game of this conversation, no doubt a devious plot concocted between her and her beau.

you sigh.

“fine,” you huff, slapping your hand into colin’s palm.  “i would be honored, mr. bridgerton.”

the diabolical duo laughs at the sarcasm that drips from your words as colin leads you to the lineup on the dance floor.  

–

“how is the dance treating you, miss y/l/n?” 

“i hate you.” 

colin guffaws.  (you see in your periphery how heads shift towards him and how eyes narrow at you.  the partner you had just left looks at you with particular scrutiny.)

“if your hatred towards me is the cost of you enjoying the ball, then it is a burden i shall carry, and happily so.” 

“has anyone ever told you how infuriating you bridgertons are?” 

“no, but we very well know that we are,” he grins, “and we take immense pride in it.”

you groan, throwing your head back.  (you hear murmurs around you.  not ladylike.)

“are you truly not having fun?”  the gentleness in his voice makes you look back at him.  his expression is soft.  sad.  guilty.  “we can leave the lineup, if that is what you would like.” 

you consider his words and his offer.

“i am having fun,” you reply truthfully.  his eyes light up at that and your heart warms at the sight.  “it is just— being in a circumstance so wholly unfamiliar— it’s overwhelming, is all, i think.  but…” you feel a smile form on your lips, “knowing that you all—as infuriating as you bridgertons are—are here with me, by my side, wanting me to enjoy myself, wanting me to be happy, it makes all the overwhelming feeling worthwhile.  i am happy.  you all make me happy.”

colin doesn’t say anything.  he just stares at you as the two of you dance still.  you are about to inquire—

“i am grateful to call you my friend, y/n.  becoming your friend has been one of the greatest blessings to have been bestowed upon me and my family.”

you suck in a breath. 

as is becoming yours has been one of mine.

but another thought also lives in your mind.  so, on the exhale of your breath, you smirk.

“only second to falling in love with penelope, yes?”

he laughs, an uncharacteristic shy smile forming on his lips as he looks at his feet and then back at you, eyes shining incandescently.

“i hope you do not take offense to being second.”

“being second to penelope is truly, sincerely, still a victory in of itself.  you are very blessed, indeed, to be her premier.”

you did not think colin’s eyes could shine brighter than they had mere moments prior, but you suppose— no, you are certain that this is the effect that the love of penelope featherington has on the third eldest bridgerton:  the light in colin’s eyes is absolute radiance.

“‘very blessed’ is to put it very lightly.”

with unabashed grins, you and colin continue to dance.  you have to walk most of the steps, often keeping good on your promise and stepping on his toes, but your partner is deterred neither by your incompetence nor by his injuries.  the two of you laugh (drawing leers from the other guests, you notice but brush off) and end your dance with exaggerated flourishes of a curtsy and a bow to one another.

“you underestimate your dancing skills, miss y/l/n,” colin remarks with a beam.

“see if you feel the same after tending to your bruises, mr. bridgerton,” you beam back.

“colin bridgerton!”

you both whip your gazes to the call of colin’s name and see a man fastly, eagerly approaching.

“hastings!” 

hastings?  why does that sound familiar? 

colin and the absurdly handsome man embrace, smiles broad and sincere. 

“i was uncertain you would be joining us on this occasion.”

“we would have seen to arriving early, as we had intended, but augie is proving to be quite unpredictable with his tantrums as of late.”

“he must take after his uncles,” colin smirks with odd pride.  that makes the other man chuckle.

“unfortunately, it seems to be so.”

he then shifts his gaze onto you.  his expression is curious and— sweet?  kindly.  you feel yourself become rather self-conscious as you notice, in your periphery, colin assuming a posture of gentlemanliness.

“my apologies for my dreadful manners.  simon, this is miss y/n y/l/n.  y/n, this is simon basset.”

simon bows most graciously at you.

“good evening, miss y/l/n.  it is a true pleasure to finally meet you.  i am simon basset, daphne’s husband.”

daphne?  

as in daphne bridgerton?

you recall the day you and benedict toured the art gallery:  a portrait, a fairly recent one, it seemed, of a beautiful young woman and a beautiful young man—the duchess and the duke of hastings, the plaque read.

your jaw drops.

“you are the duke!”  you remember the etiquette kathani taught you.  “your grace!”  and you sloppily curtsy.

simon laughs.

“that is hardly necessary.  please, if you feel comfortable in doing so, call me simon.”

“yes— of course!, your— simon,” you compose yourself.  “and you may call me y/n; i would prefer it, actually.”

simon grins.

“then, y/n, may i have the honor of having your next dance?”

your jaw drops again, your composure completely falling away.  you look at simon, who is utterly amused by your reaction, and then to colin, who is utterly delighted by the turn of events, and back to simon.

“that is a mistake.”

that earns guffaws from both of the men.  (you feel stares falling upon them and, once again, scowls falling upon you.)  

“i am more than willing to make that discovery for myself, if you will allow it.”

you throw back your head (ignoring the additional glares shot your way) and, with a sigh, whip it back to look at simon with a fatigued, but earnest, smile.

“i shall allow it.”

colin bows his head at you, his grin having never left his countenance since the end of your dance together, and steps to the side as you place your hand into simon’s outstretched one and are led to the next lineup by the duke.

–

“has the duchess accompanied you to the ball this evening?”

“while it is poor courtesy to speak on behalf of my wife when she can speak for herself, i can say, with confidence, that she would much rather you call her daphne.”

“kathani had taught me your society’s etiquette in preparation for the ball, in the event it would be necessary,” you roll your eyes.  “while i find it all utterly ridiculous, and entirely unnecessary for me in particular, i want to honor the knowledge that my teacher has bestowed upon me as a way to honor her.”

simon grins.

“you are a dedicated student.  indeed, she is in attendance.  the last i had seen her, she was tending to benedict.”

your heart sinks.

oh no.

“tending to benedict?  is he unwell?  did something happen?  is he all right?”

you hear how your voice rises in pitch and grows louder and more frantic with each word.  (you try not to care for the stares that you feel on you.  they are not of importance right now——or ever.)

is that why i have not seen him all night?  because he is in poor condition?  shall i leave the ball?  shall i see where he is being tended to?  shall i—

“y/n?”

oh.  yes.  you were having a conversation with simon.

“sorry, what did you say?”

“i had said that i did not mean to worry you,” simon says sincerely, but there is something in his smile.  not suspicious, neither mocking nor teasing.  it is as if he is withholding the full expression of his emotion.  “i simply mean that she is speaking with him and— encouraging him, is all.”

you feel the entirety of your body, mind, heart, and soul ease; but now, you are perplexed.

“encouraging him?  whatever for?”

“i had not stayed with them long enough to hear the details of their conversation; i had sought you out rather immediately.”

“me!”

the dance had timed perfectly that upon receiving such information, you are forced to turn to another partner (who is unnerved to have you as a temporary companion).  when you reunite with simon, his chuckling has mostly subsided.

“indeed.  the viscount had encouraged me to ask you for a dance.  the viscountess then stated that you required the practice.”

“i—— am utterly lacking in words in how to respond to that.”

“if it is of any comfort to you, it was something i had already intended on doing.”

“that is, rather strange?”

he grins.

“i can see how that is so from your perspective, yes.  but from mine,” and it surprises you how suddenly simon’s countenance softens, “i had to find out for myself how wonderful this y/n y/l/n is to have so easily won the affections of all the bridgertons at number five.  daff and i, as well as francesca, were becoming quite jealous that we did not have the good fortune to spend time with you as the rest of the family has had.”

“the family has… spoken of me?”

“in these past months of knowing you, you have become their most beloved topic of conversation.  hyacinth and gregory idolize how resplendent of a storyteller you are.  eloise adores being challenged by your intellect.  colin aspires to your ferocity of quick wit.  kate cherishes every discussion you share together.  anthony reveres your unwavering resolve.  violet becomes overcome with delight at every recounting of a memory in which you are involved.  and benedict…”

you swallow.

“yes?” 

you hear how feeble and quiet your voice has become.  

“never stops speaking of you; so much so that it would be impossible to abridge what he loves in you.”

you shut your eyes closed at the words “he loves” and attempt to control the tears that threaten to flow at the word “you.”  

the love he has for you is not the love you have for him.

“i— i did not know that they held me in such high regard,” you whisper.

you flutter your eyes open, grateful that no tears have fallen, and are greeted by the gentlest of smiles from simon.  it assuages your soul.

“the highest of regards.  they care very deeply for you.”

“and i care very deeply for them,” you declare softly.  you then feel yourself break out into a smile.  “i cannot say the same for you, yet, but i can see it forthcoming.”

simon throws his head back with a loud laugh, your smile transforming into a large grin (as you ignore the scowls that fall upon you).  simon whips his head back to you, and he too wears a large grin.

“i am honored that you see the potential within me.”

with a final spin, you and simon release the other’s hand, ending the dance in a curtsy and a bow, both of your grins non-faltering.

“thank you for bestowing me the honor of dancing with you.”

you snort.  (you hear scoffs and other suppressed noises of disapproval.)

“i fail to see how much of an honor it is to have someone incessantly knock into you, but if such is your feeling,” you curtsy with much theatricality and, upon your rise, let out a sigh of relief.  “now, i shall retire to the margins once more.”

simon, once again, looks as if he is withholding the full expression of his emotions, but in it you detect— delight?  you narrow your eyes.

“what?”

“you are not meant for the margins, y/n; please forgive me,” and with that, simon bows, his smile still non-faltering, and turns to leave you in the middle of the dance floor.

you are about to call out his name, curious and agitated by his vagueness—

“y/n?”

you turn around to the familiar voice and are greeted by a smiling anthony.

“oh no.  are you going to ask me for the honor of having my next dance?”

the viscount looks as if he is about to howl with laughter and attempts to mask it, poorly, with his absurdly elated smile.

“is the idea of dancing with me truly so appalling?”

“the idea of dancing more is what i find so appalling.”

“i shan’t force you to do anything you do not want to do.”

“but how will your pride take it?”

this time anthony fully howls (earning looks of confusion at the host and their looks, predictably, turning to glares when they trace the impropriety back to you).

“i am always working on humbling myself,” he says, his expression softening.  “i assure you that i, as well as my pride, can manage your rejection if it means that you are happy.  you need not worry about my well-being.”

these damned bridgertons, and their damned charm, and their damned sincerity.

despite your internal accusations, you smile.  you offer your hand (hearing a gasp or a few around you), and beaming, anthony takes it.

–

“you look like a princess, y/n!”

the saccharine words of hyacinth echo in your mind.  with the transmutative magics of your fairy godmothers in mama, violet, kathani, genevieve, judith, alice, and the maids of bridgerton house, the impossible was made possible:  you look like a princess.  but it is not until this very moment, after descending a regal staircase, after entering this enchanting ball, after dancing with two dashing gentlemen and now a third, that you feel like a princess.  you recall how you and your siblings played imagination; how you often asked to be the princess; how you did it so often that mama sewed you a dress from scraps of fabric and papa crafted you a crown out of discarded branches and your elder sister announced you as princess y/n whenever you played and your younger sibling waltzed with you around the first floor of your home.  it makes you elated with childlike wonder how fortunate you are to be here and how lovely it is to be here, how strange and wonderful it is that imagination has become real life; as if it is all a wish for which you did not know you had wished, a wish that you did not know you had wanted to come true until it came true.

but—

“is there something on your mind, y/n?” you hear anthony ask, sometime after returning to him as your partner.  “you seem pensive.”

“ah, yes.  despite my gripes with you, and your brother, and your brother-in-law insisting on dancing with me—”

“i gave you an option not to do so!”

“i am not finished speaking!”

he huffs out air through his nostrils, waiting with what seems to be a morsel of patience for you to continue.

“despite my gripes with you, your brother, and your brother-in-law insisting on dancing with me—” anthony gives you a tired look that of an older sibling; you grin, “i am enjoying myself.  i just wish, i just wish my family could be here with me, to enjoy it too.”

anthony’s expression softens immediately, and it makes your heart tighten.  you know with what gravity, duty, and love he looks after the entirety of his family; you have witnessed it at every given second since becoming his friend.  if someone were to be with you as you navigate this pain, you are glad that it is anthony.

“we shall invite them to the next ball we host,” he declares.  your jaw drops.  “it was a lack of foresight on my part for not doing so for this occasion, and i shan’t make that error again.”

you try to do rough estimations of what costs that would entail for the bridgertons— dresses and coats and shoes and four to six sets of two abstained days of work at least.

“anthony, i cannot possibly ask you to—”

“you did not ask,” he grins.  “i offered.  and i do so wholeheartedly.  it shall not be a trouble for us, just strategic planning as kathani and i work the books.  and before you protest—” you frown, both disappointed and flattered that anthony could sense your retaliation, “it is something i—as well as the rest of the family, i am certain—wish to do.  if you won’t consider it for yourself and your family, then perhaps consider it as a gift to us selfish bridgertons.” 

that makes you laugh loudly as you feel tears form in your eyes (whispers of you be damned).  expression turning gentle once more, anthony continues,

“it would be an honor to finally meet your family.  if they are even an inkling like you, then they must be truly wonderful, indeed.”

with a small sniffle of your nose and all the gratitude in your heart, you smile.

“they are.  they are truly wonderful.  i love them so much.”

anthony smiles in return with a nod of his head.

“then it is settled.”

“you are a good brother, anthony.”

you have wondered often if that is something anthony knows.  while the bridgertons’ love for one another is apparent in all that they do and say and breathe, you haven’t heard them say very complimentary things to one another, particularly to the eldest.  it is typical of families to tease and to jest, you know that intimately, but you also know how important, then, it is to tell your family what you truly think of them, how you truly feel of them.  they ought to know just how much they are loved.

though his overall demeanor is composed and dignified, the softness in anthony’s eyes reveals his true emotion.

“and you are a good sibling, y/n.”

< their dance eventually comes to an end.  someone approaches them. >

“good evening, brother,” benedict turns his ocean eyes to you.  “good evening, y/n.”

“good evening, benedict.”

you vaguely hear something in your periphery.  you turn to it and see a brilliant grin lighting up the viscount’s countenance.

“huh?”

“i had said that the viscountess is calling me over to her.  i must pardon myself.”

“oh.  yes.  farewell, anthony.”

his grin broadens, dimples forming in his cheeks, and he bows.  you see how, as he brings himself upright, his eyes shift towards his brother, the delight in his grin never leaving but something in his eyes… softening?  before you can fully process it, he has turned and now walks towards kathani.

you turn back to benedict.

“i—— good evening, y/n.”

“good evening, benedict.  though, we have already greeted each other this night, just moments ago.”

“ah, yes— that—— that would be correct.  and— is… correct.”

he is anxious.  your heart aches at the sight, and you want to reach out and touch him, comfort him, ease whatever his concerns are—but you refrain.

benedict clears his throat.

“are you— are you enjoying yourself?”

while heavy by benedict’s current state, your heart cannot help but glow brighter at his question.

“yes, tremendously so.  the dancing has been plenty fun, despite how horrendous i am at it.”

that makes benedict laugh, and relief floods your body, mind, soul, and heart.  it is good to hear him laugh.  to see him smile.

“i do not think you are as horrendous as you think you are.  your form has been quite good.”

you cock your head, feeling the scrunch of your eyebrows and the smirk on your lips.

“you have been observing me?”

his jaw drops, his body stiffening again.  suddenly shy, he looks at his shoes and, with a cough, looks back up at you, and you attempt to hold in your gasp.

how.  

how is that, after all this time, he makes these butterflies within me flutter still.

“i— i do not have a clever diversion for that.  yes; yes, i have.  i suppose i have been building the— the courage within myself.”

“‘the courage’?  the courage for what?”

he swallows.

“to ask you to dance with me.”

oh.

“oh.”

he looks… he looks scared.  exposed.  vulnerable.

you feel them within yourself, too.

he offers his hand.

“may i dance with you, y/n?”

you place your hand in his.

“yes.  yes, you may, benedict.”

i am terrified of nothing else and would love nothing more than to dance with you.

benedict leads you to the floor, his ocean eyes never leaving yours, your eyes never leaving his.

the quartet starts up, and you detect how it is music for a waltz.  of all the dances you were taught, even you can admit that you were best at learning the waltz.  

…

you curtsy as he bows.  benedict places his hand on your waist, and you try not to elicit your gasp from feeling his touch.

< their dance commences.  they are silent.  a lot of staring and shit.

< notably, y/n is not cognizant of the ton’s perception of her while she dances with benedict as she had been with her previous partners.  it seems her sole focus in this moment is dancing with benedict, being with benedict.  her heart, mind, body, and soul is with him.

< y/n’s mind goes Rampant when benedict places his hand on her exposed shoulder. >

do not close your eyes, you reprimand yourself.  if you close your eyes, you will indulge.  you will indulge in this sensation.  in this touch.  in his touch.  in benedict’s bare hand on the expanse of your exposed skin.  in imagination.  in fantasies.  in thoughts.  in other thoughts on other parts of your body that you so, so very much want him to—

“i had not spoken properly.”

you try not to shudder a gasp upon hearing his voice.

“pardon?” you say, a bit breathless.  the dance calling for it, benedict twirls you, and you are now face to face again.

“earlier; when i had commented on your appearance, i had said you looked well.”

you snort, recalling the peculiar word choice, and that earns a smile from benedict.

“what i had meant to say is—“ he swallows, “you look beautiful, y/n.”

“i think,” you respond perhaps too swiftly, “that is testimony to genevieve’s skill and not to my appearance.”

“i think genevieve only enhances what is already there.”

you want to change, you don’t want to change— you do want to change the topic.  you cannot handle whatever— whatever benedict is insinuating.  the indecipherable, intense, attentive gaze of his ocean eyes on you.  it is so much; it is too much.

“she spoke of you.”

shit.  why did i say that?

his face immediately falls, ocean eyes transforming with it.

shit.

“genevieve spoke of me?  with you?  why?”

“kathani had accompanied me to the modiste, and i had shared with genevieve how i became acquainted with penelope and the bridgertons,” you half-truth.  “talking about the family, and then you, was a natural consequence.”

“what did she say?  about me?”

you try not to wince at the urgency in his voice.

“she shared how you and she had— an intimate and passionate acquaintance,” you divulge, using the words your friend had to describe the artists’ relationship.  perhaps you imagine the sensation, but you feel benedict wince as you dance.  “and that it was brief and no more.”

“she said that?  ‘brief and no more’?”

“indeed.”

he sighs.  you detect relief in the exhale, but perhaps you had, once again, imagined it.  you always had an active imagination; trying to bend what you perceive to what you wish was real.

“i see,” is all benedict says.

“do you care for her?” you inquire.  it is truly masochistic, what you are doing.  but you cannot help yourself.  it is something you often do when benedict is near.  when you and he are so close.

there is a small silence.

“i did.  at least, i think i did,” he shares. “i was hurt when our— acquaintance came to an end, but i was not heartbroken.  i had known nothing of heartbreak, not until—”

and he suddenly stops speaking, sucking in his lips.

“until?”

“nothing.  nevermind.  forget i had said anything,” he says all too quickly.  you laugh, and he scrunches his face in adorable disapproval at you.

“well, that only makes me the more curious, benedict!  the mystery of it, and your very clear blush, indicate it must have been quite the event.”

“i am not blushing!”

“you cannot lie about something i can literally see.”

“you are infuriating.”

“and what do you think you are?”

benedict just pouts at you, though you see the twinkle in his ocean eyes.  you want the twinkle to be of affection, but you will settle for amusement.  for friendship.  you take pride in how you can elicit this reaction out of him.  you take joy in how he can elicit this reaction out of you.  you love him, and you are grateful that is something you can say and know and feel.  even if he does not love you as you love him.

“the first time i felt heartbreak,” he begins, finally giving in.  you perk up in anticipation.  “was when— was when you had walked out of the house after i had crumpled the paper to the floor.”

you nearly stop in your tracks, halting your waltz with benedict entirely, until you find a way to recover and continue the steps with him.  he is looking intently at you, waiting for your response.  you inhale a breath and on the exhale say,

“oh.”

it is a pathetic response, but it is the only one you can muster at this moment.  breath has entirely left your lungs, your heart palpitates at a maddening rate, the lightning of benedict’s touch and proximity magnifying at every passing second.

“i had hurt you, this person whom i—” he swallows, “whom i care for, deeply and completely.  i was, and am, ashamed of my deed and the arrogant thoughts and beliefs that led me to do it.”

“i have long forgiven you for that, benedict.”

“it is something of which i am not deserving.”

“you cannot tell me what to think or do,” you challenge, arching an eyebrow at him to add levity to the conversation.  benedict smiles, despite himself, and it makes your body flood with relief and joy. 

“i would never dare.”

“as you shouldn’t,” you grin, then inhaling and exhaling through your nostrils.  “you need not flagellate yourself for what you did.  that accomplishes nothing, and guilt is entirely useless in the structures that be,” you say resolutely.  more softly, you continue.  “my forgiveness is something i gave you willingly because it is what i truly wanted.  because i knew, and know, how you wish to do better.  i see that in everything you do; in your art, in your character.  it is something i admire in you.”

benedict simply stares at you, his ocean eyes impossible to decipher again.  his gaze is overwhelming, but you refuse to break it.

“i was about to say how undeserving i am of your compassion,” he says, “but then swiftly realized you would have just admonished me.”

you laugh.

“you were correct in thinking so, yes.”

he looks at you still, his expression still impossible to decipher, but there is something soft about it.

“thank you, y/n.”

the butterflies within you flutter once more.

“and if you ever wish to discard your paper again,” you diverge from your feelings, “simply hand it to me.  i am always in need of more.”

he laughs fully, the corners of his eyes crinkling with delight, and you feel the flutterings violently rage within.  perhaps diversion was not the wisest choice (or perhaps it was, if it meant that you were the one to make benedict laugh like that).

“i have gotten quite good at maximizing the amount of negative space on a sheet, but nothing would delight me more than to support your writing.”

“i am most grateful for your patronage, mr. bridgerton.”

benedict makes something of a gagging noise, and you snort loudly.

“you are making it strange with the master-servant relation, y/n.”

“ah, so you are learning,” you comment with a sagacious nod of approval.  it is now benedict’s turn to snort.

“what can i say?” he grins.  “i have the greatest of teachers.”

“they have done quite well; please give them my regards.”

“i shall.”

and with the music coming to an end, you turn to face one another, wide and wild smiles on your faces.  you curtsy as benedict bows.  

“may i fetch you a drink?” he inquires after you are both upright again.

“is alcohol served at these occasions?”

benedict laughs.

“champagne it is.”

he gives you one more bow, lingering a moment more with one more smile, before taking off to retrieve your drink.

you try to bite back your smile, but it’s entirely useless.  you twirl in your spot, feeling the swish of your dress in the spin, for you cannot help yourself.  you cannot help how much joy radiates off of you in this moment, how giddy you are.  it feels like a fairytale.  you look in the direction benedict took off and feel your smile widen.

it is dangerous what you are doing— indulging in this.  but you do not care.

this is undoubtedly the most wondrous night of your life.

“so you’re the pauper that the bridgertons have invited to their ball.”

you freeze.

“how else would you have been asked to dance by the host—the viscount and a bridgerton, nonetheless; his two brothers; and the elusive duke of hastings?  it is an endearing sight, really.”

her posse snickers.

“the bridgertons have always been so kind and thoughtful in that way, extending their hands to the less fortunate.  why they chose you, however, remains a mystery.  if it were a pretty face that appealed to them, i perhaps could have understood, but you are simple at best.”

“you are cressida cowper,” you state.

penelope and eloise had warned you about a cruel creature amongst the ton, and the young woman before you matches all of the criteria they had described:  icy platinum hair, draconian eyes, and a haughty disposition that ought to be reserved for the royals.

cressida daintily gasps and smiles at you with what seems to be all the mockery she can muster.  

“i see that my reputation precedes me!  though, only those of my standing can refer to me as such.  cannot have my name tainted by the mouths of the lowly.”

you feel the gazes of other guests on you.  you hear muffled sneers.

this is entertainment for them.

you should say something, stand up for yourself— against cressida, against her posse, against the ton— but you don’t.  you can’t.  your mouth has gone dry, your mind has gone silent, your body has gone numb.  you have never, ever felt more powerless.

“your dress— did the bridgertons pay for it?  of course they did.  pity, though, for their wealth to go to waste on such an offensive thing.  allow me to assist you—”

and she pours her drink onto you.

you try not to gasp at the chill of the liquid making contact with your skin.  looking down, you see a reddish purple stain seep into the cream fabric of your ball gown as it continues to travel downwards.

you hear cressida giggle.  you look up.

“better,” she simpers.  “beautiful at last.”

her posse sneers with delight.  the guests who had tried to suppress their laughs do nothing to hide their mirth now.  

this is entertainment for them.  my humiliation— it is entertainment for them.

you step into cressida’s space, eliciting a stunned gasp from her as the others follow suit, and shove your face as closely to hers as possible.

“if we were not in your domain, i would rip out your delicate hair and strike my hand across your pretty little face.  but i am a lady—not in blood nor in title, but in character.  and with your words and your deeds, you have shown just how utterly undeserving you are of such a title with your complete void of morals, compassion, and integrity.  i do not care what you think of me, cressida, or what drinks you pour on me because i can rest easy in my sleep and waking hours knowing with perfect certainty that i am nothing like you.  i bid you good night.”

and maintaining the ferocity of your glare on her horrified eyes, you muster up the most mocking, deep curtsy you can, turn, hitch up your skirt, and run away.  you cannot care for the booming silence from that creature and her posse, for the murmurs and glowers of the ton thrown your way.  you cannot take time to process what words a flutters-inducing voice snarls at cressida.  

no. 

you must simply run away, quickly and efficiently, because you refuse to give into these monsters’ satisfaction of seeing your tears.

𝄆 ⚘ ✸ III.iv ✸ ⚘ 𝄇

the cool air of the night whips your face as you run as far and as deep as you can into the gardens.  you curse your damned shoes, for they are slippery and nothing like your sturdy boots, and they make you realize even further how much you have fucked up in allowing yourself to get this far.  in allowing yourself to go to the ball, in allowing yourself to dance, in allowing yourself to fall in—

feeling your shoe catch on something, you fall forward and throw your hands out in front of you, your gloved palms digging into the bark of a tree trunk as you attempt to steady yourself.  you attempt to control the staggered rhythm of your breath, the sobs that choke out of your throat, the palpitations that threaten to collapse your heart.

why did i allow myself to get this far?

“y/n—”

you snap your gaze over to the call of your name as your stomach knots, somehow, even now, with flutterings upon hearing his voice.

“benedict, no— just— no,” you manage to croak out, stepping away from where he approaches.  you hold up your hand, as if it is a magical force that will push him away.  it does not.  “just go, please, just go.”

“i refuse to leave you, y/n, you are hurt—”

you cackle, sniffling the snot that tries to escape your nostrils.  you push your remaining hand off the tree and turn towards him.  

“hurt?  what gave you that impression?  is it the tears?  they are just water, benedict, they will dry.”

“this is not the time to jest!”

“then what do you want of me!”

“to allow me to help you!”

“why!  why do you care!  why do you care for some, some low status person like me!”

“that is not how i see you!”

“THAT IS WHAT I AM.”

he freezes.  you feel yourself clenching your hands into fists, your nails digging into your palms through the satin of the gloves that were bought for you.

“you are the son of a viscountess, a brother to a viscount.  i wonder every day if my family will have enough food to eat at our one meal.  we—” you gesture between the two of you, “—are not of the same world.  and maybe, maybe it should have stayed that way.  to, to have stayed in our own worlds.  we should have stayed in our own worlds!”

“and is that what you want?” he shoots back.

“what?”  you snark.

“is that what you want?  for us to stay in our own worlds?”

you fall silent, words suddenly failing you, breath suddenly leaving you.  he huffs out a breath and continues.

“if that is what you want, i shall stay away from you.  i shall never bother you.  i shall never hurt you as i have.  we shall—” benedict swallows, “we shall forget each other.  if that is what you want, y/n, i shall give it to you.”

you do not respond to him.  you stare into him as he stares into you.

“is that what you want?”

you shake your head as you feel fresh tears rush to your eyes.

“then what do you want?” he softly asks.

you flutter your eyes closed and breathe in.  on your exhale, you open your eyes to the tear-blurry sight of benedict still looking at you with such tenderness in his ocean eyes.

“i want you,” you whisper.

you barely have time to process anything else when benedict surges forward and wraps his arms around you in a crushing embrace.  tears fall even harder than before as you cry into his chest and wrap your arms around him.

benedict pulls back from the embrace to look at you, to cup your cheek, to wipe away the tears that fall so quickly from your eyes.

“i want you, y/n.  i want to be yours.  i want to be in your world, i want our worlds to be one.  i want to go wherever you go.  i want to make you laugh and to make you smile every day and every night; i want to do everything with you.  i want to be with you, to share this life with you.  from the moment i met you, from the moment you intended to shake my hand, i have wanted nothing more than to share all the time i have on this earth with you.  i do not care for balls, i do not care for the ton, i care— i care for you, y/n.  these are not the circumstances in which i wanted to confess this, with you crying and us yelling at one another, but i must be true with you.  i—”

“benedict?”

“yes?”

“may i kiss you?”

benedict’s jaw drops and you laugh at his shock, sniffling your nose as you beam at him.  he quickly recovers, breaking out into the smile that has always made you flutter with butterflies, the smile that you always secretly hoped, dreamed, wished was reserved for you.  and you begin to think that, after all this time, perhaps it is.

“good god, please, yes—”

he barely completes his ‘yes’ when you jump forward to crash your lips into his.  benedict practically trips backwards with the force of your eager leap, the two of you laughing into your kiss at the messiness of it all, as he holds you both steady.

this is your first kiss.  you are so glad that it is benedict.  

and somewhere within you blooms the hope that he is your last first kiss.  

you have no idea what you’re doing, or what you should be doing, but you are far too much enjoying having benedict’s lips on yours, your hands on his cheeks, his hands on your waist, and your bodies pressing more and more into each other to give the slightest care.  and the smile you feel against yours makes you think that benedict doesn’t mind—at all.

you pull apart to breathe, but your lips do not move far from one another.

“i love you.”

“i love you, too.”

“and i am sorry.”

“for loving me?”

you feel benedict jump back as he holds you, his face absolutely crestfallen, panic flooding his eyes, and he’s about to open his mouth to speak when you giggle and peck his parted lips with yours.

“i’m teasing you, my love.”

benedict’s eyes soften but quickly glint with mischief.  you’re curious about the expression when you feel him tickling the sides of your waist.

“okay, okay!” you gasp with laughter as he tickles on. “i— i yield, i yield!”

benedict grins victoriously, his tickles fading into him softly rubbing circles on your waist.

“i am sorry for saying that is not how i see you, when you spoke of your social standing.  i had not meant it that way, but i understand now how it was understood, and i should not have said it as i did.  i know that i have lived a life of unfathomable ease with the wealth and circumstances into which i was born.  the privileges i hold are not things i had reflected on, really, until— until i met you.”

you soften at his earnestness, by the way he humbles himself before you.  but you cannot help the giddy mischief that bubbles from within.

“did you only reflect on your privileges as to win a femme’s favor?”

benedict’s jaw drops again, but you see how his ocean eyes shine with like-minded playfulness. 

“do you truly think so lowly of me?”

you grin.  

“perhaps.”

you feel benedict teasingly threaten his hands into tickling position onto your waist, and laughing, you shoo them away.  he grins and softens his gaze once more.

“what i wanted to say to you earlier is— i wish you did not speak of yourself so harshly.  as if you are unworthy of care from me because of your status.  i care for you, i love you, y/n,  as you are.  as you were, as you will be.  with all your circumstances, all your experiences, all your deeds, all your words, all your thoughts, all your feelings.  for your heart, for your mind, for your soul.  i love you because you are you, and i wish for you to see that, for you to see you as i see you.  as so many of us see you.”

“i— i do not know what to say.”

“you do not have to say anything; just to, if i may ask of you, seed my words into your heart and mind and soul and know them to be true, wholly and completely,” a playful smile forms on his lips.  “though, i must say, i am rather pleased with myself for rendering a writer with ferocious conviction speechless.”

you roll your eyes, but your voice is soft.

“you have had that effect on me for quite some time, benedict.”

benedict swallows and gently rubs circles onto your waist again.

“i love you, benedict.”

“i love you, too.”

< y/n and benedict, hand-in-hand, start to walk towards the house; they are taking their time. >

“are you certain you want to return the ball?” benedict inquires.  “we can stay here in the gardens and wait until the last of the guests have gone.”

you hum.

“i would like to dance.”

“ah, was there a gentleman or a lady who caught your eye, miss y/l/n?”

“oh, loads.  i hope it won’t make you terribly jealous, mr. bridgerton.”

“it will, but i shall simply stare at them maliciously if their hands are to roam.”

“yes, my form is reserved for your hands and your hands alone.”

you exchange grins.

“indeed.”

benedict nuzzles his face into the crook of your neck, and you laugh.  he lifts his head and plants a soft kiss on your temple.

“are you certain?  i do not mean to doubt you or your wishes to dance.  we can dance out here, under the bright light of the moon.  i want you to feel content and safe.”

“i do feel content and safe.  with you.  with the family.  within myself.  i shan’t let the ton or cressida ruin my first ball.  though, the idea of dancing in the moonlight is quite enticing.  perhaps another night?”

“you have my word,”  and bringing your hand to his lips, he kisses your knuckles.  a serene silence falls between you two until benedict makes some sort of a noise in his throat, as if to clear his voice.

“i, uh, must say,” benedict begins, “your confrontation with cressida was, uh, quite— alluring.”

you stop, letting go of his hand, and stare at him.

“alluring?”

a delicious blush colors your love’s face.

“indeed.”

a newfound bravery blooms in you.

you step into his space, not breaking eye contact with his blown out pupils, the ocean of his eyes mere outlines.  you sneak your lips towards his ear and hear a soft whimper emit from his lips.

“is that something of interest to you, mr. bridgerton?” you murmur, your bottom lip barely grazing his earlobe.  you feel him shiver and inhale.  “when you see someone be put in their place?”

he exhales frantically.

“it is something of interest to me when— when you do it,” he admits, as if out of breath.  you smile, pressing your bottom lip softly into his earlobe.  he does nothing to hold back his moan as you do everything in your power to hold in yours.

“that is good to know,” and quickly rip away from him.  

in your step back, you take in benedict’s state—flustered, expectant, ruttish—and wink at him.  you turn and walk away at your leisure, putting on a performance of superiority as you hide your own arousal.

it is only a few moments later that you hear benedict follow you.

“you,” he says, voice still fraught with desire but full with love, “will be the death of me.”

you look back at him and grin.

“and what would you like me to put on your epitaph?”

“benedict bridgerton, he who, in life and in death, loves the best soul to have ever existed.”

you cannot help your giddy self and close the distance between the two of you once more, grabbing his face and pressing your smile into his.  benedict happily obliges as he places his hands at the low of your waist and pulls you closer into him.

< they get into it! 

< y/n takes off her gloves so that she can touch benedict; she is about to throw them on the ground. >

“wait—”

and he takes your gloves.

“hm?”

“your gloves.  they were costly to make,” benedict states as he stuffs them into the inside pockets of his jacket.  “i don’t want to be flippant in letting them be discarded to the ground.”

you gape at him.

“you concern yourself with the cost of my gloves?”

“why, yes, of course, it is something i—”

you clutch onto the lapels of benedict’s jacket and push him backward into a nearby hedge, his mouth now agape and his pupils dark with a desire you very much want to satisfy.

“i find your consideration quite alluring.”

in the midst of his apparent arousal, benedict giggles, and that makes you grin.

“what is it?”

“a hedge, y/n?  of all things to anchor me against?”

you roll your eyes.

“it was this, benedict, or the bark of a tree.”

“ah, so i should be grateful then.”

you repeat his words with sped up mockery, making him laugh and the corners of his eyes crinkle in the adorable way that is so very distinctly benedict, and you capture your love’s lips again to shut him up, smiling and laughing into the kiss.

…

“what do you want?”

“you.  whatever you want, benedict, i want it.  please.”

“are you certain?” he breathes into your ear.

“god, yes, benedict, please, yes.”

“then—”

benedict positions his head downward, burying his face into the crevice of your bosom, and before you can even begin to tease him for his absurdity, you feel the wetness of his tongue flat against the curvature of your right breast.  your gasp of surprise quickly transforms into an ungodly guttural wail, feeling yourself dig your fingernails into benedict’s back, arching into him to steady yourself, as he painstakingly drags the flat of his tongue from your right breast against the expanse of your exposed chest to the length of your right shoulder.  dazed and euphoric, you feel how benedict sneaks towards your ear, hovers it, panting ragged breaths,

“i’ve wanted to do that since you descended the stairs in that dress.  and—”

taking your left hand, benedict pushes your middle finger and forefinger fully into his mouth.  he methodically works his tongue against them as he guides your hand to pull and push in him, his blown out pupils never once leaving your intoxicated stare.  you feel the desperate urge to throw your head back at the incandescent eroticism that throbs from your fingertips to the rest of your body, but may god smite you if you willingly tear your eyes away from the divine sight of benedict’s almost oceanless eyes gaping into you as his gorgeous mouth sucks on your fingers.  just before you feel as though you are to fully blank out and ascend into the heavens, benedict rips your hand out of his mouth, the action creating an obscenely delicious ‘pop’ sound, and, wrapping his hand around your wrist, pulls you back into him, your face finding respite just below his shoulder.

“i’ve wanted to do that since first drawing your hand.”

you laugh-cry into his jacket.

“shit, benedict.”

your love laughs and nudges his head into yours and rests it there as he softly rubs circles on your back with his thumb.

“please—” good god, breathe, “please remind me to ask you more frequently what you want.”

“did you enjoy it?”

“no, benedict, i quite plainly hated it.”

“i’d be glad to accept your critiques.”

“i know you would,” you smile into his jacket and, lifting your head, are greeted by your favorite sight:  benedict, with his soft smile and his gentle ocean eyes.

“i have never felt like that before,” you admit in a whisper.

“nor have i,” he whispers back.  that shocks you, and you must have made your reaction visible because benedict emits a laugh through his nose, soft smile and gentle ocean eyes unfaltering.

“but you have been with others before; you’ve had similar experiences, yes?”  

you had assumed that your exhilaration must have been, apart from it being benedict, rooted in your lack of experience in such things.

benedict brushes a loose strand of your hair away from your eyes and tucks it behind your ear, his hand moving down to cup your cheek, his thumb gently rubbing it.

“yes, but those were different.” 

you cock your head in response.  he smiles, as if it is apparent.

“because they are not you.”

the sweetness of benedict’s ocean eyes are quickly replaced with shock then delight and then you don’t know what because he closes them as you crash your lips into his.  whatever you had just felt before, you want it again.  you want benedict.  all of him.  and you want all of him to feel what you just had.

you lick his teeth, and granting your wish, benedict opens his mouth more, groaning, bringing his hands to the curvatures of your ass, pushing your bodies even closer together though no space left exists between the two of you.  you move your hand to the back of his head and, gripping a tuft of his hair, pull it roughly just as you capture his tongue with your mouth and suck hard.  the sounds that benedict produce in reaction are entirely inhuman, but you vaguely deduce he is trying to say your name, and you’ve never attended a concert but, my god, nothing will ever sound as harmonious as the symphony that is your name gutturally trapped in benedict’s throat.

continuing with the work you’ve done to undo benedict thus far, you take your other hand and start to rake it against his body, starting at the base of his throat, taking time and leisure to explore, lowering and pressing into his chest, wondering wildly what beauty exists behind his damned shirt, lowering and feeling the firmness of his stomach and trying not to completely undo yourself with the sinful, transcendent thoughts of putting your tongue there, lowering and lowering and touching something curious and unfamiliar and hard and—

when he pushes you off of him.

“benedict, i— i am so sorry,” you panic, “please, what did i—”

“no, no,” he swallows, “you did— you have nothing to apologize for, my love, you were— uh— you were doing quite——” he clears his throat, “you were doing quite well; very well, actually…”

you continue to frown, still concerned.

“then why are you so tottery?”

“because— because if we were to continue, i do not think— i know i would not last for— um, for very much longer.”

you jut out your hip, putting the knuckles of your fist on it, and furrow your eyebrows at him.

“benedict bridgerton, i still do not understand what you are trying to convey.  speak plainly.”

“we should stop.”

your jaw drops, as does your hand from your hip.

“why?” you practically whine.  you should be embarrassed by your desperation, but to be entirely frank, you couldn't care less.  benedict huffs out a laugh, still breathless, and, stepping towards you, lays a tender kiss on your forehead.

“as much as i would love for us to continue, i think being in the family gardens with a ball being held a few meters away is hardly an ideal location for the more— involved aspects of such activities.  the aspects i’d like to explain to you,” he takes another step into your space, lowering his voice to an unfamiliar but enrapturing gravel, “the aspects i’d like to show you.”

you swallow your whimper.

“i—— i would very much like that,” you manage.  and then you grin, “though, exploring such aspects in the family gardens sounds like it would be quite the adventure.  a calculated risk, if you will.”

the alluring tone of benedict’s voice is completely replaced with a giggle, and your grin broadens as you press even closer into him and nudge your nose against his.  benedict rests his forehead against yours and flutters his eyes closed.

“what did i do to have you love me back?” 

you flutter your eyes closed.

“you were you.  you are you.”

𝄆 ⚘ ✸ III.v ✸ ⚘ 𝄇

< ahead, y/n sees kathani.  she makes the connection that kathani must have accompanied benedict as a chaperone so that y/n wouldn’t be “disgraced” by having a man by himself chase after her.  

< as the two approach the viscountess, kathani recognizes how disheveled y/n and benedict look and promptly fixes them to look more presentable. she takes some hedge leaves out of benedict’s hair. >

“i see that you are well, y/n?” inquires kathani.

“never better, actually.”

she laughs, a smile falling on her lips.

“i am sincerely glad to hear that.”

< they walk closer to bridgerton house. >

“you are fortunate that it was not anthony who volunteered to chaperone.  he would have not reacted well to his loved one being dishonored, as he would say, particularly on family grounds.”

“oh dear,” you say, nervous and suddenly self-conscious.  you do not want to be the target of the eldest bridgerton’s wrath.  “what have i done to dishonor—“

kathani laughs.

“i wasn’t referring to you, chellam.  i was referring to him,” and she juts her chin out at benedict.

“me!”

“anthony will be furious when he finds out that you have been— private,” she says, gesturing to his newly tidied appearance, “with y/n in the gardens.  not very gentlemanly of you.”

“he won’t find out!” benedict pauses. “he won’t find out— right, kate?”

kathani just makes a face of feigned deep thought and you chortle.

“kate!”

“i do not keep secrets from my husband, benedict.”

“but what if it’s for love?” he implores.  he says it facetiously, but you feel with what conviction he exudes his true feeling.

kathani’s expression softens as she looks between you and benedict.  you offer a small nod and a smile, confirming her thoughts.  she beams at you but then narrows her eyes at benedict.  there is no heat to her gaze; she is, however, having the most sublime time making her brother-in-law squirm.

“i do not keep secrets from my husband, benedict,” kathani repeats.  benedict groans, throwing his head back like a disgruntled child, and you belly laugh at him.  

“i hope you are ready for gregory to be your second,” she continues.

you almost double over as benedict snaps his head forward to look at his sister-in-law.

“gregory!”

“indeed.  it is a shame as well— anthony’s accustomed second being the one he has to duel,” she sighs dramatically.  “oh well.  colin will make a fine replacement.”

“this family is ridiculous,” you declare, grinning like mad.  “gregory seems a tad young, though.  what about eloise?  i am sure she would be a more than suitable second for benedict.”

“oh, i have no doubt,” grins back kathani, “but i would not dare involve a woman in the idiocy of men and their ludicrous concepts of honor.”

you and kathani laugh loudly, delighted by how much you are enjoying yourselves, untroubled by benedict’s moping.

“it has been wonderful being in love with you, benedict,” you state simply.  “it’s a pity that it has to come to an end so soon."

kathani snorts.  benedict stops in his tracks and gapes at you.

“you think i would lose the duel!”

“anthony is more stubborn; he would let it fuel his will to live.”

“i think you underestimate how much i love you and how that fuels my will to live.” 

you smile.  in your periphery, kathani smiles. despite his current displeasure with you, your love smiles.

“i suppose i do.”

𝄆 ⚘ ✸ III.vi ✸ ⚘ 𝄇

< upon returning to the ball, y/n, benedict, and kathani see how anthony and violet are ensuring that the cowpers are leaving.  before the family leaves, y/n approaches cressida. >

“i do hope to see you at another one of these events.  if you find a way, of course, not to have yourself kicked out.” 

and you curtsy.  you turn to your love, his mouth in a wide smile and ocean eyes sparkling, and offer him a wink. you hear the quartet start up. 

“i believe it is time for another round of dancing.  care to be my partner?” 

“i would love nothing more.”

< they dance.  it is sweet, silly, romantic, and delightful.  both y/n and benedict touch each other beyond what is considered proper, like hands laying too low on the waist or eliminating the space between their bodies, but they truly do not care.  their unabashed joy is abundantly evident to everyone in the ballroom, but they are only focused on one another.  they are in their own world.  they giggle, they grin; it is the happiness they both deserve.  

< they dance the next set.

< after her and benedict’s third dance together, y/n makes eye contact with violet, who is at the margins of the dancefloor, eyes wide with joy. >

“as much as i love dancing with you, my love,” you beam, “i think i am in need of a new partner.”

< y/n approaches violet and with a bow asks her for the honor of being her next dance. though delighted, violet remarks how she is too old, and y/n says that the youngsters can learn a thing or two from her wisdom and skill. >

“we would need permission from the host,” offers violet.

“from anthony!  you birthed him!  you granted him permission to exist!”

that makes violet laugh.

< violet agrees, and they walk hand in hand to the dance floor.  in this dance, y/n and violet are partnered, benedict partnered with penelope, kathani partnered with anthony. >

…

“you’ve told each other."

“has anyone remarked how keenly insightful you are, violet bridgerton?"

“no,” the dowager replies with twinkling eyes, “but it is something of which i am well aware, and take great pride in.  i am happy for you both.”

“i am so glad to have your approval.”

“oh tosh!  as if a mother’s approval or disapproval can get in the way of real, true love.”

“perhaps so, but it is affirming to have the blessing from someone you so dearly love in a matter such as this.”

“you make it easy to love you, my dear.”

< the dance calls for a switch in partners.  y/n becomes partnered with penelope, and violet becomes partnered with benedict. >

“thank you, pen.”

“whatever for?”

“for bumping into me at the markets.”

penelope laughs.

“accidents are quite good, are they not?”

“i despise them, actually,” you declare with a grin.

< penelope reveals that benedict shared with her why he was not seen for the first three dances of the night. >

your jaw drops, and penelope merely titters in response.

“is that why i didn’t see him!  because he was lurking in the crowds to prevent men from approaching me?”

“it has been my discovery that the bridgerton brothers do not handle their jealousies well.”

“do you think gregory shall be the same?”

“oh, i am entirely certain.  he shall likely be the worst of all.”

the two of you snort as you are sent back to your partners, penelope with benedict and you with violet.

“and what has you and penelope in such giggles?”

“making barbs at your sons.”

violet laughs.

“they make it awfully easy to do so, do they not?”

< the dance comes to an end.  violet plants a soft kiss on y/n’s head.

< turning, y/n connects eyes with benedict who wears an incandescently happy expression. >

how could you not see it before?  how in love he is with you.

< tired but elated, y/n takes a break from dancing.  she reunites with the rest of the bridgertons at the ball.  y/n finally meets daphne, who remarks that she has heard so much about y/n.  eloise shares how the family wished to check in on y/n when she had returned to the ball to see that she was well; in a rare smile rather than a smirk, eloise shares that, upon seeing her dance and dance again with benedict, that she looked quite well indeed. at some point in the conversation with the bridgertons, y/n inquires when she can meet francesca.

< time passes, and joy is had amongst the bridgertons, penelope, simon, and y/n.  y/n cannot believe her happiness.

< the last dance is called.  benedict approaches y/n. >

“may i have the honor of being your final dance of the night?"

“you aren’t tired of me yet?”

“i shall never tire of you, y/n.”

upon taking your hand, benedict twirls you once then twice as he leads you towards the dance floor.  giggling and grinning, you decide to do the same to him, causing him to giggle and grin right along with you.

< they dance a fourth time. >

𝄆 ⚘ ✸ III.vii ✸ ⚘ 𝄇

< the guests have made their leave from the bridgerton ball.  colin, eloise, and violet have gone to their respective bedchambers.  

< anthony, benedict, kathani, and y/n walk up the steps of the grand staircase. anthony has his hand clamped on benedict’s forearm and pulls him up the steps with particular determination and quiet fury. >

“i know where i sleep, brother!  i have slept there since we were children!”

“i am well aware of that, benedict, and i am also well aware of how you— roam when enticed.”

benedict looks at anthony, to you (you just shrug as you look on at the exchange with excitement), and back to anthony.

“do you people really think so little of me!”

“i do not think little of you, brother, i just know you.”

benedict’s shock deepens incredulously, though you see the smile underscoring it all.

“i am a man of honor!  i am a gentleman!”

“yes, as am i, as is colin, as was father; all bridgerton men are, and all bridgerton men are idiots around the persons for whom they have affections.  now, go into your bedchamber,” anthony finishes as he shoves his younger brother into the room.

“you are a nightmare!” you hear your love shout from within.

“and you are to stay here for the remainder of the night!” he shouts back, leaning forward to grab the knob to benedict’s bedchamber and pulling the door shut with a loud thud.  he turns to kathani, composure returning to his senses. 

“my dearest, may you call samuel and lawrence, please?  i shall have samuel stationed here and lawrence stationed outside benedict’s window.  they will be paid double their wage for these extemporary responsibilities.”

you laugh with your whole stomach and feel tears sting your eyes.  you have no concern in hiding your howls until you remember hyacinth and gregory are asleep and promptly clamp your hand over your mouth.  your hand succeeds in muffling your laughter, but marginally.

kathani rolls her eyes at her husband and deeply sighs.

“i shall,” she replies, smiling at her love’s antics.

pleased with her answer, anthony right about turns at benedict’s door, places his hands behind his back, and stands up tall, taking his temporary duty as guard with the utmost gravity.  something then eases in his posture, and he turns to you.

“i hope you have enjoyed your night, y/n.”

your heart swells.

“it was wondrous, anthony.  thank you.”

he beams, brilliant delight in his eyes.

“i wish you good rest.”

and with a bow of his head, anthony turns away from you and assumes his station once more, gravity and perfect posture and all.

the viscountess turns to you, her smile having softened, and says, “let me escort you back to your bedchamber.  i shall help you prepare for bed.”

–

“despite his many flaws,” kathani says with all amusement and fondness in her voice as she removes the pins from your hair, “anthony is, indeed, a man of honor and honesty.”

“i never had my doubts, but—” you snort, “that has certainly proved it.”

“it is because he thinks so highly of you,” she shares, looking at you in the mirror.  you turn around in your seat and connect with her eyes, eyes that are filled with so much warmth.  “he cares deeply for you, y/n.  anthony is only that overbearing and overly protective when it comes to his family, and he sees you as our family.  we all do.”

you suck in air through your nostrils, feeling the swell of your heart.  how did you get so fortunate as to be so loved by this family?  

though, you detect something in kathani.  her words are sincere, of that you are not doubtful, but they do not seem complete.  it is as if she wants to say more, if the blossoming twinkle in her eyes is indicative of anything.  but kathani does not elaborate.  

instead, she picks up the brush on the vanity and gently brushes your hair.  it reminds you of when your elder sister used to brush your hair before bedtime.  you close your eyes, humming.

“i see you all as my family, too.”

𝄆 ⚘ ✸ III.viii ✸ ⚘ 𝄇

< the next morning, late morning.  the dining room. >

“you are infernal,” benedict deadpans to anthony, staring at his brother and taking his seat next to you.

“you are incorrigible; i was correct,” anthony responds, his eyes not leaving his paper.

“correct about what, brother?” hyacinth asks.

despite their current rivalry, benedict and anthony both freeze.  kate speaks on their behalf.

“your eldest had deemed it necessary to have lawrence stationed outside below benedict’s bedchamber window in the early morn and was proved correct in doing so; your second eldest had attempted to escape by way of that route.”

“stationed outside his window?  why would that be necessary?” gregory inquires.  he turns to benedict.  “and why were you trying to leave through your window?” 

in his periphery, benedict sees you whipping your head.  you seem to have suddenly found some interest in the painting on the wall faced away from the current scene.  he notices how you hide your smile behind your fist and how you attempt to suppress the convulsions of your laughter.  kate, on the other hand, unapologetically laughs.

“i am certain you will learn in due time, gregory.  it is something of a tradition, it seems.”

“will i get to participate in this tradition?” hyacinth enthuses.

“NO!” benedict and anthony shout in tandem.  they look at each other, and the elder gives a ‘see!’ face to the younger.  benedict just rolls his eyes.  

his eyes eventually land back on you:  you have now totally hidden your face in your hands with elbows perched on the table for support, any attempts at hiding your laughter now entirely gone.  your entire body vibrates as you somehow squeak and guffaw into the palms of your hands.

“ugh, why do adults always speak in such vague statements!” hyacinth grumbles as she slumps in her chair and crosses her arms.  she then suddenly shoots back up and looks at you.  “y/n, you only speak in riddles when we play!  may we play now?”

“yes!  may we play now?” gregory pipes up.

“please!” the two youngest plead in tandem.  benedict looks to you, and wiping away your hands to reveal your face red from laughter, you say,

“i would be— i would be delighted to do so,” you take sharp breaths in between attempts at controlling your laughter.  “perhaps—” you full on snort, and it makes benedict break out into a grin, “—perhaps, after the young sorceress and— and the young knight slay the wyvern, they— they will save the— the—” you laugh hard again, “the princess, captive and forlorn in her tower.”

gregory and hyacinth shout their joy and take off from the table.  

“you haven’t been excu!— oh, nevermind,” anthony grumbles in an uncanny, childlike resemblance to his youngest sibling.

benedict watches as you use your forefingers to swipe at the corners of your e/c eyes, fits of laughter still bubbling out of your mouth.

i love her, and she loves me, he thinks in awe.  it has been on repeat in his mind since you confessed to one another in the gardens just the night prior.  she is mine, and i am hers.

“your lordship,” you giggle still as you look at anthony, and benedict snickers, “may i be excused to play make-believe with your youngest siblings?”

anthony rolls his eyes with much theatricality, but his smile at you is sincere.

“you are not my sibling,” he states, but benedict catches how his elder brother quickly glances at him with eyes that say ‘yet,’ “you need not my permission, but yes, you may.”

you bow your head in dramatic gratitude, causing kate to titter and anthony to look to the ceiling, and you lift yourself up from your seat.

before you follow after his siblings, benedict reaches out and gently takes your hand.  you look at him, and he feels how his stomach flutters when his blue eyes makes contact with your e/c.  just as it did the first time, just as it did every time after.

benedict feels you softly rub three circles on his hand.  he softly rubs four circles on yours.

“good day, princess,” you say with a wink at your love, slowly slipping your hand away from his and then turning to walk out of the dining room.  benedict stares at you as you leave.

i love her, and she loves me.  she is mine, and i am hers.

“when do you intend on proposing, brother?” anthony smirks as he puts his teacup to his lips.

benedict smiles, looking off at where your laughter is heard. 

“later this afternoon.”  

anthony chokes on his tea, and kate, patting her coughing husband’s back, arches an eyebrow at her brother-in-law, amusement dancing in her eyes. 

“without a ring?” 

benedict turns to look at the couple and grins.  

“who said i don’t have a ring?”

“you are joking,” anthony says matter-of-factly.  “we all are excited at the prospects of y/n officially joining this family, but you just confessed your love for one another not even twelve hours ago.  we are still breaking fast!  there were guards at your door and your window!  how could you have already procured a ring?”

benedict smiles, digging into his pocket.

“i do not jest, brother.”

and, with pride, he holds up a thin band made of twisted paper.

“now, if you will excuse me,” benedict announces, lifting himself out of his seat, giving a kiss to the top of kate’s head, and ruffling anthony’s hair.  “i must be going.”

“and where are you off?” anthony demands as he straightens out his hair.

“do you think i am going to propose to y/n without asking her family’s permission first?  would not be very gentlemanly of me if i did.”

“how do you know where she lives!”

“that is what you were asking penelope last night,” kate answers.  anthony looks at his wife, incredulous and in awe.  benedict grins.

“exactly so, sister.  i’ve always known you held all the intelligence between you two.  i would have seen to it sooner, but—” 

an image of e/c eyes and ink-stained hands flashes in his mind, the flutterings in his stomach intensifying.  butterflies— that is what he will paint next, he decides.  

after he finishes his portrait of you.

“—i was held captive in my tower.”

[sonseulsoleil]

WAIT A GODDAMN MINUTE

IT'S FUCKING PERSUASION

Persuasion is about choice and how the rigidity of class structure can hold people back from what will actually make them happy. It is specifically about the intersection of class structure and family pressures. Anne Elliot's arc is all about seeing past her family and friends' persuasions and incorrect judgements towards Wentworth, and learning to stand up for herself and her desires.

Wentworth is quite wealthy by the end, and therefore ultimately earns approval from Anne's family and friends, but Anne would've married him poor. Anne never stops loving him for a single moment of the eight years they spend apart. But she believes she has ruined everything by breaking off their engagement. She doesn't think he loves her anymore.

Aziraphale has been persuaded to leave Crowley, despite them clearly being in love with each other, because that's not suitable to Heaven. Heaven sees Crowley (and the other demons) as beneath them, just as Anne Elliot's circle believes Wentworth to be unworthy of her affections. Season 3 (if we get it) will be Aziraphale and Crowley's 7 years later. It will be Aziraphale seeing the error of his ways, and realizing he has been lead astray by Heaven. But it will also be Aziraphale being unsure if Crowley would take him back. In other words? The pining is going to be horrific.

And ultimately, it will be Wentworth's letter: "You pierce my soul. I am half agony, half hope. Tell me not that I am too late, that such precious feelings are gone forever."

[leilanihours]

Hi! Could you do a Nika fic where we surprise her at one of her games in Seattle then we join her for when she signs autographs for fans?

# STEAL MY GIRL

pairing: nika muhl x girlfriend!reader

word count: 1750

warnings: barely suggestive idk..

summary: even in a sea of nika's most supportive fans, you always stand out the most.

from lani: fuck writers block bc im tryna finish the two paige and nika fics that ive been teasing but i literally cant for some reason someone punch me in my gut pls! anyways enjoy this short oneshot for ml nika <3

THE ENTIRE ARENA was booming with pride, excitement, and energy as the buzzer signaled the end of the game. the seattle storm had beaten dallas wings 98-85 here at climate pledge arena. the game sold out completely and still had tons of viewers watching on streaming. the whole night had been amazing - both for the reputation of women’s basketball and for you personally. 

your girlfriend, nika muhl, had been having some struggles with her visa, which resulted in her not being able to play for most of the games at the start of the regular season. whenever the storm had a game, you could see the frustration hidden on her face despite still showing up for her teammates and cheering them on. that’s just the person she was. she was caring and supportive through it all, but was also a fan favorite.

when word got out that she wouldn’t be able to play until she got sorted out, fans shared her irritation. they believed that the wnba should be better at handling these types of things, especially as they work toward expanding the franchise.

after nika’s incredible collegiate career at uconn, many viewers fell in love with every aspect of her - on and off the court. her powerful defense, striking offense, and electric motivation. also her selfless tendencies, bubbly humor, and magnetic personality.

you were one of those viewers. as a huge fan of women’s basketball, you naturally had to show your passion at every single home game the huskies would play. your booming cheers and echoing chants often caught the attention of the players - but specifically nika.

there was one game they played against syracuse where nika scored a deep three-pointer and gained the lead against them, and let’s just say you were not quiet about it. the second the ball fell in the net, you were screaming your lungs out and pumping your fists.

having being sat relatively close to the floor (just above the courtside seats) nika noticed you almost immediately. she was drawn to you and couldn’t help but smile brightly at your actions.

she knew she had to meet you and thank you for your support, so after the game where the team took pictures and gave out autographs, she took the opportunity to shoot her shot - literally and figuratively.

whenever the two of you tell this story, you warn the listeners of how cheesy it is because it is cheesy. you laugh when you tell this part of this story as your girlfriend blushes.

you didn’t have anything to ask the girls to sign, so you simply smiled watching their interactions. as nika gradually made her way closer to where you were standing with your friend, she saw that you were focused on your phone, head tilted down. however, she wouldn’t give up that easily, so she asked paige to throw her one of the mini basketballs they were giving out. she made eye contact with your friend, pointing to your oblivious state as to signal for her to get your attention. 

when your friend practically shoved your shoulder, you questioned her sudden aggression. you were confused before she pointed to below, right at nika. she knew that she was your favorite player so she had to make sure whatever this plan was, was executed perfectly. you locked eyes with the beautiful brunette before slightly furrowing your eyebrows in confusion.

quickly, nika wrote down her number, a small note, and signed her name before throwing the ball in your direction. you caught it (surprisingly) and observed the basketball player’s nervous smile.

you tilted your head in confusion before she pointed to the ball in your hands and made a pretend phone with her hand. when you looked down at what she wrote on the ball, your jaw was practically on the floor.

“to my biggest fan - saw you cheering earlier and wanted to say thank you

care to show your support another way?”

just below the short note was a set of digits, presumably her phone number. you internally screamed at the whole interaction, especially now because all you did in that moment was nod with a stupid smile.

and even after three years of talking with nika privately and eventually becoming romantically involved with her, you were still her biggest fan. the media saw it during the entire march madness tournament, at the wnba draft, and now the wnba season.

but there was one minor problem…you were pursuing your major at grad school in connecticut, meaning you were thousands of miles away from nika. navigating a long-distance relationship was definitely hard and had its bumps. regardless, you promised to be there for each other every step of the way. just because you lived on opposite sides of the country didn’t mean you stopped loving each other.

which leads us to now, at a seattle storm home game - one that was just won with the help of your talented girlfriend who actually isn’t aware of your presence at the moment. you had a few weeks before classes start up again, and you decided you wanted to surprise nika at her game. after checking both of your schedules, you booked the flight, bought the tickets, and started packing.

you were joined by one of your close friends and nika’s former teammate, paige bueckers. she knew about your private relationship with the brunette and was practically the captain of the ship fully supported it, which is one of the reasons she wanted to come with you.

the two of you were spotted as soon as you stepped foot onto the arena’s property. while paige was recognized for her own basketball career, you were recognized for being one of the team’s closest friends, as seen in their lives, tiktoks, and photo dumps. 

less than ten minutes after you guys arrived at the venue, the internet was going crazy at the unexpected visit. normally you would’ve been concerned by the attention, as you didn’t want to ruin the surprise for your girlfriend, but you knew that she doesn’t go on her phone before a game, so you were covered.

as you stood next to paige in your seats, you were practically jumping with excitement. it had been weeks since you had seen nika in person, so the thought of being able to kiss her face, hold her hand, and wrap your arms around her undoubtedly made you giddy.

“yo, are you good?” paige laughs as she sees you smiling to yourself.

“yeah i’m just excited, man, i haven’t seen her in so long.”

“you nervous?”

“a little,” you start, “but the plan isn’t that complicated so hopefully i don’t fuck it up.”

“you should prolly get on that plan, like, right now.”

you watch as the seattle girls make their way towards the people in the stands with markers in their hands. that was your cue for you and paige to make your way down to the first row.

you had informed seattle’s coach of your idea and she was automatically on board. she told you that she would have you stand at the end of the first row so that nika had easy access to you but would also be surprised.

as you spotted your favorite brunette making her way down the row through wholesome fan interactions, you prepare her jersey in your hands for her to sign. you had no idea how she would react or what she would say, all you knew was that you couldn’t wait any longer to be in her arms again.

she is now signing the poster of the fans to your left and has yet to notice you. you smile feverishly at her beaming joy as she interacts with her fans. you can’t contain your excitement when she has finally made her way to you.

you had a whole ass pickup line planned out for her but you were too caught up in your head to go through with it (probably for the better) so all you could get out was a “hi, nika” with the widest grin ever.

her eyes shoot up to yours as soon as she recognizes your voice - the same voice that has comforted her through her best and worst, coaxed her into relaxation, and become her safe space.

“Y/N! OH MY GOD,” she practically screams as she throws her arms around your neck, “how are you here right now??”

“do you really think i have enough self control to stay across the country when i could easily be here with you?” you laugh, hands grabbing her waist as you bury your head in her neck and inhale her comforting scent.

“fuck, y/n, i’ve missed you so much, my love,” she says into your hair, placing a delicate kiss there. at this point, the fans around you two had started recording the reunion, along with paige and the rest of nika’s teammates. you wouldn’t hear the end of it tomorrow, but here in each other's embraces, neither of you could care less.

“i missed you too, angel. been waiting so long to see you,” you sigh in content before you pull away to plant a sweet kiss on her forehead, “you did so good out there tonight, i’m so proud of you, nika.”

“thank you, baby,” she smiles genuinely, “probably because you were in the audience.”

“but you didn’t even know i was here,” you giggle.

“yeah whatever,” she responds. she goes in for another hug but is stopped.

“wait! you still need to sign my jersey!” you exclaim, holding up the yellow and green shirt.

“really, y/n?” she deadpans jokingly.

“yes, really. i didn’t come all this way just to not get an autograph from my favorite player,” you wink.

“alright fine,” she says before taking the jersey and splaying it against your upper body to write on. she uncovers the sharpie in her hand using her teeth (an action that definitely did not make your knees buckle) before beginning to sign it. her head is lowered close to your chest for a good thirty seconds while she gets to work but you have no idea what she’s writing. “there, all done.”

she takes the jersey from your grasp and holds it up so you can see it. her note has you shaking your head and smiling immensely.

“to my biggest fan - saw you cheering one day and now wanted to say i love you so much

care to let me show you how much?”

[darkficsyouneveraskedfor]

Three for One 3

Warnings: this fic will include dark content such as dubcon/noncon, cheating, customer service abuse, and other possible triggers. My warnings are not exhaustive, enter at your own risk.

This is a dark!fic and explicit. 18+ only. Your media consumption is your own responsibility. Warnings have been given. DO NOT PROCEED if these matters upset you.

Summary: As a customer service associate, you’re used to work with a wide variety of characters. Your efforts to go above and beyond draw the attention of a certain set of customers who want more than what’s on the shelf.

Character: Andy Barber, Lloyd Hansen, Ransom Drysdale

Note: Let's go!

As per usual, I humbly request your thoughts! Reblogs are always appreciated and welcomed, not only do I see them easier but it lets other people see my work. I will do my best to answer all I can. I’m trying to get better at keeping up so thanks everyone for staying with me &lt;3

Your feedback will help in this and future works (and WiPs, I haven’t forgotten those!)

Love you all. Take care. 💖

Two days before Christmas. The store is left in tatters. Shelves strewn with sparse lefftovers and aisles hastily paced by those who left their shopping a bit too late. The frantic shoppers searching for a diamond among the sand grains of untouched product.

You work at arranging the remnants of the season’s beauty advent calendars on a table draped in a bright red cloth. There’s a large tag in a metal stand that marks them as ten percent off. On the other side of the holidays, they will drop to a full eighty percent off. You always believed giftcards were a better prize, not that you got many gifts.

That year, Luanne gave you a new journal and a specialty hot chocolate bomb in the department’s secret santa. You go Michelle and gifted her a copy of your favourite novel and some nail polishes. That is the extent of your shopping and gift exchanges. Except for your puppy, Ernie, who will get a bone and one of those special gourmet dog meals.

You finish your arrangement and step back, admiring your work. It’s close to close and so close to the end of the race that the shop isn’t as busy as usual. The only customers you do see are in a rush and horribly disappointed when that very specific thing isn’t in stock.

“Excuse me,” you’re drawn around the deep voice. A man strolls up the center aisle of the beauty section, the tails of his coat flicking behind him, “hi,” he uses your name as he approaches, “I’m so sorry to bother you again but can you point me to, erm,” he looks down at his phone, “a ring light?”

You hesitate. He seems to know you and you admit, he looks familiar. You’re at that point where the faces all blur together. Your one innate flaw is that you really don’t have a good memory for that, bt you definitely recognise his voice.

“Hello, sir,” you fall short of his name. You want to say Alan but you also don’t want to be wrong. “The ring lights are actually with the cellphone.” You gesture back at electronics, “I know it makes more sense to put them with cameras.”

“Ah, oh, thanks,” he nods but doesn’t move to find his quarry, he lowers his phone, “how’s your holiday going? Thing’s slowing down,” he looks around and you can’t help but do the same.

“Uh, yeah, yeah, most people are all done,” you shrug.

“Ha, wish I could say the same,” he sighs, “I thought we were done but the wife just sent me on a wild goose chase.”

“Hm, oh, well, I’m not very busy, did you need help finding anything else?”

“Really?”

“Yeah, my manager’s done for the day so doesn’t really matter if I leave my zone,” you say, “kinda boring around here.”

“You’re too sweet,” he smiles, his blue eyes deep and swirling, “and that sweater is adorable.”

You look down at your dark blue sweater with the white crochet peter pan collar. You wiggle your shoulders and grin back at him, thanking him. You know he bought some perfume for his wife but you’re still blanking on his name.

“Here’s my list,” he tilts his phone towards you and looks down, shifting closer to you as he shows you a text bubble.

“Oh my, right. I’m not sure we’ll have everything,” you teethe your lip as you go through the items, “but we’ll see.”

A message pops up over the top and you try not to read, putting your head up as you try to act like you didn’t see it. It’s not that you meant to decipher the words but your brain quickly skimmed that ‘tomorrow night?’ Not much but just feels a bit personal.

“Alright, we’ll go to electronics first, then work our way forward,” you suggest.

“Good idea,” he agrees.

You set off and he follows at just a step. You have to remember to slow down as often you’re so determined you find yourself leaving your customers far behind you. You bring him to the mobile accessories and point to the ring lights.

He considers them and rubs his chin. He points between two; “what’s the difference?”

“Oh, this one comes with a tripod extension and this one is a full kit with a mic,” you point from one to the other.

“What do you think is better for, uh, streaming?” He sounds unsure of that last word.

“I think that kit would have more to it, especially if whoever it’s for is just starting out. But I’m don’t know too much about these things.”

“I’ll take the kit,” he scoops it off the shelf, “the kid can never have enough.”

“Oh? You have kids?”

“One,” he sounds less than excited, “teenager now so he really can’t stand me.”

“I’m sorry, sir, I didn’t mean to…”

“No, no, it’s not your fault,” he forces away the shadow across his features, “you know how they can be. What about you? You going to see your parents? Spending the day with someone special?”

“Um, just Ernie,” you answer, “my puppy.”

“Cute,” he remarks, “are you guys open tomorrow?”

“Tomorrow, yeah, ‘til five,” you try to remember the next thing on his list. 

He seems less concerned with the items than before, instead turn to examine a pop socket, “you have to work on Christmas Eve?”

“Yeah, closing, but I don’t mind.”

“What’s this?” He holds up a pop socket.

“It goes on your phone,” you pull out your phone and show him your daisy one, “see?” You hook your fingers around it, “it’s a grip to help you hold on.”

“Ah, makes sense,” he turns the thin package over, “kid’s always breaking his screen…”

You wait patiently as he makes up the mind to add the grip to his haul.

“What’s next?” You prompt as gently as you can.

“Oh, uh,” he looks at his phone, “video games…” he squints, “V-bucks?”

“Ah, yes, that would be a gift card,” you say, “I can show you the rack.”

He lets you lead him to the large rack of subscription cards. You point out the various currency amounts available and he rubs his brow. His forehead lines as you see the stress needling in his cheek. He’s struck with the late shopper syndrome. He’s start to feel the crush of time.

“So, just your dog?” He wonders as he picks up a $75 card.

“Yeah,” you answer softly.

“No boyfriend? Siblings?”

“Just me,” you assure him, “I don’t mind. I get to choose the dessert!”

He chuckles, “that’s a good way to look at it. Did you buy yourself something special?”

“Not really, I’ve been saving for a vacation so I put most of my overtime into that,” you explain. “You having a big dinner?”

“Last minute change, wife’s parents want to host. Had to figure out travel plans.” He looks at the giftcards again and your eyes fall to the large back curled up in his arm and the card and phone grip balanced between his fingers. He slides free a Netflix card and reads the fine print.

“Do you want a basket, sir?” You offer.

“Oh, well, sure,” he accepts as he looks down, “that’s very considerate.”

“Don’t want you to drop anything,” you smile and turn on your heel.

You go to the stack of rolling baskets beside the electronics desk. Tyler doesn’t acknowledge you as he sorts through game shells to put back on the shelf. You pull the basket behind you, rattling on its wheels as you approach the shopper by the gift cards.

“Here,” you veer it around towards him.

He bends to lower the ringlight inside and drops the smaller items into next to it; he adds the Netflix subscription along with it and holds onto the Kindle card in his hand.

“You got any of these around?” He holds up the card, “the reader?”

“Hmm, we should,” you rub your neck, “I suppose if we didn’t, you can get a tablet and download the app.”

“I guess,” he nods, “can you check?”

“Of course, sir.”

You turn away and call over your headset. Regan tells you there’s a kindle up in return they can sell. You ask them to put it aside.

“There’s one left at checkout. They’re going to have it waiting for you,” you announce proudly.

“That’s great. You like to read?” He asks.

“Oh, sure, my one vice is my book addiction,” you giggle, “how about you?”

“Well, I don’t get much of a chance with work. I’m usually burnt out from all the legal documents,” he drones grimly, “then the kid has extracurriculars or there’s a PTA meeting or the wife needs something done.”

“Sounds busy,” you say empathetically, “I hope you get some time to relax this holiday.”

“Me too,” he agrees. “I almost envy you. I’m sure your dog’s good company.”

“He’s so sweet,” you can’t help but beam at the mention of your boy.

“Big cuddler?” He asks.

“Uh, yeah,” the question is a bit unexpected, “you like dogs?”

“Never really had one. Don’t need the extra work,” he says, “but I don’t mind them.”

“That’s fair. He can be a bit needy.”

He flinches and looks down at his hand. His screen flashes and he gives an apologetic look as he raises his palm, “I’m so sorry. I need to take this.”

“Take your time, sir, I’ll wander,” you point over your shoulder with your thumb.

He mouths a thanks before he answers, “Barber.”

You back up and turn to distract yourself with the shelf of controllers and switch cases. His deep voice carries but you focus on the Sinatra carol playing overhead to drown him out. Still you can’t help but catch a few words.

“Five, yeah…no, she won’t…it’s fine…” He’s quiet for a moment before he raises his voice, “figure it out.”

His stern tone sends a chill through you. It’s a sharp contrast to his previously friendly demeanour. Well, he mentioned he’s a lawyer, you assume he has a lawyer voice, akin to your customer service one.

“Sorry,” he comes back to you, “my wife…” he takes a breath, “you don’t happen to sell wine here?”

You smile. The way he answered, it didn’t sound very affectionate but maybe he hadn’t expected his wife.

“No, sorry, sir.”

“Kidding,” he chuckles, “well, I guess I should get my butt in gear,” he flicks through his phone, “um, I assume toiletries? Face masks?”

“Oh, that’s near me,” you point back towards beauty, “there’s a special for the sheet masks.”

“Great,” he grabs the extended handle of the basket, “thanks so much for this. I’m so lost.”

“That’s fine,” you go ahead of him, “it’s the job.”

🎀

You groan as you put the last empty bin in the stack. You stand and rub your shoulders, traps sore from all the lifting and moving. The night crew will set up for the day after Christmas but in the last hour of work, you and the few others in the store scrambled to get the old displays torn down.

Luanne walks with you to the employee break room. She’s in more of a hurry as she has her three children waiting for her at their grandparents. She goes ahead of you and punches out as you wait and stretch out your arms.

“Have a good Christmas,” she says breathily as she opens her locker and pulls out her purse and jacket, folding the latter over her arm, “I’ll see you after. You’re opening, right?”

“Sure thing,” you say as you punch in your employee number. “Merry Christmas.”

“Give Ernie some pets for me,” she trills as she goes to the door. “Thanks again. You saved my ass today.”

“No problem, “ you shake your head, “Christmas Eve brings out the best.”

“Does it ever. Bye, sweetie,” she waves over her shoulder as he sweeps through the door.

You go to your locket and take out your fluffy pink sherpa coat and purse. You loop your scarf around your neck and slip your earmuffs around your head. You sit to pull on your boots and stand with an ache in your calves. You feel the fatigue finally setting in. It’s not over yet; one day off and you’re right back to the furor.

You yawn as you leave the breakroom and drag your feet across the store. You take out your phone as you pop your earbuds in and choose your holiday mix. You wave goodbye to a few other stragglers and go out the front door, Spencer locking it behind you.

It’s bitterly cold out. You’re surprised by the fresh fall of snow swirling in the air. It gives an extra sparkle to the time of year.

You scroll through your phone. The buses are on holiday hours already. The next one is in an hour. Great. You can just walk, at least until you get to the next stop. More buses stop there and you can get at least ten minutes within your building.

You trod along, kicking through the powder of snow as headlights gleam ahead of you. You walk along the narrow walk beside the hotel on the other side of the intersection and a pair of flashing tail lights blink ahead of you. A dark figure stands beside the white SUV but you can’t make out much more than their silhouette.

You keep going, peeking up curiously as you near. The boot of the car pops up and the stranded driver searches. As you pass, you trip over an unseen shape, the metal clank painfully against your toe. You look down at the small foot jack.

“Oh, shoot, sorry,” the man stands straight and turns to you, “I didn’t see you coming. I was just grabbing the iron–”

“That’s okay,” you pick out your earbuds, “I wasn’t looking.”

“Wait,” he stops short and points a gloved finger in your direction, “it’s you. You work at the store just down the way, right?”

You know the man. He’s the one who was in the store just yesterday. There’s a flutter in your chest at the coincidence of your encounter. It happens, especially in the shopping district. Half the city at least passes through her during the holidays.

“Yeah, uh, that’s me. You finish your shopping?”

“Just about,” he tuts and shakes his head, “blew a tire. So, happy holidays to me.”

“I’m so sorry,” you look down at the snowy walk.

“Mhmm,” he grumbles, “all this snow, I can’t get the jack to work either.”

“Dang, unfortunately, I’m not help. I don’t know much about cars.”

“That’s fine, I called roadside assistance but they’re taking their damn time,” he checks his watch.

“Oh…” you utter.

“Don’t let me rain on your holiday, honey,” he says, “your toe okay?”

“Yeah, yeah, it’s fine,” you look down.

“Wait, are you walking home?” He asks.

You nod.

“Wish I could offer you a ride. This weather’s only getting worse,” he bemoans. He slips his hand into his jacket and pulls out his phone, “they should be here shortly so if–”

A set of headlights pull onto the apron and roll towards you. You look over as the man beside you does the same. You stand, somewhat dumbfounded at the unexpected run-in. 

“That’s them,” he declares, “hey, guys.”

He waves as the white van pulls up. You were expecting a tow truck. Oh, well. Not your problem.

“Great, I guess I should get going,” you excuse yourself, “have a happy holi–”

As you step back, your heel catches on something. You don’t realise until your plummeting onto your ass that the man stuck his leg out behind you. You hit the ground with an oomph, barely missing the metal jack half-buried in the snow.

You hear the van door sliding open and a clatter of heavy treads. You can barely catch your breath as the world moves fast around you. The man bends over you as another rushes over, grabbing you off the ground as the two vehicles block out the street from view.

“Be nice,” the first man warns as your arms are seized. “Don’t hurt her.”

You suck in a deep breath. What is happening? You go to let out the shriek as you’re struck by the situation. This can’t be real but you’re being half-carried towards an open vehicle. A hand comes up and stifles your scream, smothering you as you’re yanked harshly forward.

“Careful,” the man girds again.

“Shut the fuck up,” the other grits and pulls you away from the other, spinning you around as he hooks an arm around your neck and covers your mouth, forcing you towards the van. He bends backwards, lifting your feet as you kick and squirm.

“Honey, calm down,” the friendly customer coaxes, “it’s okay.”

You don’t understand. Why are they doing this? Why you?

The man’s hand slips as you grab at his arms and your teeth come over the vee between thumb and index. You bite down and he yowls. Even through his leather glove, you give him a viscous pinch.

“Fuck!” He tosses you forward so your knees hit the side of the van and fall half-inside.

“Hurry the fuck up,” another voice calls from inside the van.

“Trying,” the second man snarls as you stand and let out a shrill note, only for a second before you’re caught from behind and muted again. This time the leather glove seals over your nose. “Fucking bitch.” 

You’re lifted into the van, writhing and kicking as the door slides shut from the outside. You’re pinned on the floor in the seatless rear of the vehicle. You whimper as your eyes glisten with a sudden spring of tears. 

That question rings in your head again; why you? You have no one to look for you, no one to care. It’s only you against them.

[vintagetimetarot]

When will it happen? timing reading 🕰️

Hi everyone, I know I said I would upload a love reading next (it’s coming) but I felt really called to do a timing related reading, since I think I’m getting the hang of learning to interpret timing in tarot. This is a general reading, so only take what resonates. Some readings could be shorter or longer than others because this is very based on what just comes out to you. Make sure you ask a question related to the timing of something. Let’s get to it, pick a vintage item below for your reading.

Pile 1

So, in terms of the timing of your question, I feel like there are two different types of people in this pile. If you are asking about love or anything to do with a specific person, I feel like this thing you are asking about is going to happen between seasons changing. So I think this could be (at least from my northern hemisphere perspective) between the end of summer to the start of fall, so between 2-6 months. If you were asking a question about conflict, personal growth, or anything unrelated to what goes into the category of the first type of people, I see this thing happening when you have come to a certain realization of breakthrough. I see this happening a bit slower, probably 4-8 months. Because there is this energy of being very stuck for awhile, but eventually prevailing over time from catching a new perspective. This is your reading pile 1, I hope you got some clarity.

Pile 2

Ok, so in regards to your question, you could either be asking about an event that you may not be particularly looking forward to, or there is just an emotionally charged question. I do see this event you are asking about happening quickly regarding the context. I think if you are asking about something that takes typically longer, this could be about 5 weeks from now. If you are asking about something quite quick, I’m getting five days from now. I think your question may have to do with a certain situation of conflict for most of you, or something related to this has been bringing you a lot of genuine stress, anger, and/or anxiety. A message I’m getting is to not get too in your head about this, and remember you control your own destiny. YOU are taking the lead here. That’s all Pile 2, I hope this brought you clarity.

Pile 3

You got all major arcana cards, so pretty strong energy. You may be asking about something or big or something you are very passionate about. So, I think the answer to your question is that the timing of this really depends on your actions right now, they could slow down or speed up the timing of this. This question involves a lot of divine timing. I know it might be annoying to hear, but the pace of this really depends on you. If you continue with positive actions towards this event, I do not see this happening any later than 5 months from now. But again, there is this emphasis that this is really dependent on the work you are putting in so to speak. That’s it Pile 3, I hope this brought you some clarity.

Pile 4

I think based on the cards I pulled, this may be a bit of a longer timeframe from when you expect this event to happen. I do think whatever this is, there is definitely a positive outcome to this, if you are asking about something you want to happen, don’t worry, it will eventually happen but it’s going to take time. It is not found to happen overnight. This could be dependent on another person or other people, which is why this is taking so long. I feel like this may happen within a year, at the earliest I feel like this could be is 6 months from now. There’s an emphasis on waiting for the right opportunity and having patience. This is all pile 4, I hope this brought you clarity.

[heliza24]

A few Armand thoughts that currently have me in a chokehold:

1. The building in Dubai only “groans” when Armand is around, and specifically when Armand is mad. Some of my favorite times I’ve noticed it include when Louis tells him to go take care of Daniel’s room in ep 1, after Daniel slaps Louis in episode 5, when Daniel tries to put Dr Fareed “on the record” in episode 6, and when he declares “this session is over” after Daniel starts pressing Louis about the rats in episode 7.

2. This, along with the fact that Armand is literally controlling the windows and balcony doors with his iPad, really adds to the feeling that he’s holding both Louis and Daniel hostage in a trap of his own design. When he mentions the interior designer that pitied Louis and his separation from the natural world and added the tree to compensate? That was definitely Armand’s idea, to make the captivity a little more bearable.

3. I’ve always wondered why I find the Beethoven Sonata 14 to be such effective scoring at the end of episode 7. There are a lot of contributing factors I think— it’s dramatic, it’s recognizable and therefore builds suspense, it’s used in the beginning and end of the episode as bookends. But it feels so *right*— even though I LOVE all of Daniel Hart’s original score. But here’s the thing. Armand controls the diegetic music being played in the penthouse. That’s established in ep 2 when he turns it on before Daniel and Louis have dinner. And when the sonata is first playing at the beginning of episode 7, Daniel and Louis are back in the dining room (being served by Armand/Rashid). So we can assume that the music is diegetic in that scene, and that Armand is controlling it. When it comes back in the moment of conflict and reveal at the end of the episode 7, the music is nondiagetic. It’s not playing literally in the room for the characters, but is part of the score. But we’ve already established that Armand is controlling it. It’s like his control has suddenly spread to the entire narrative that we’re witnessing. He’s in control of the whole show.

4. This is kind of a separate thought and more oriented towards season 2, but Armand is always styled— costume but also especially hair— to match whoever he’s romancing at the time.

I kind of assume the Dubai aesthetic is what he has chosen, and Louis is more matching him (see above points for my reasoning on that I guess).

But when Louis meets him in Paris, he’s perfectly positioned aesthetically to be attractive to Louis (especially coming off his experience with Lestat). He looks mature, capable of leading the coven. He’s suave, with his well fitted suits and slicked back hair.

In the 18th century flashbacks (god I can’t believe we are getting to go back to the 18th century, my favorite of all historical eras) he is matching Lestat like, down to the color palette.

But in San Francisco (and forgive the bad quality screen grab for these, I don’t think we have any high quality stills of this yet) his hair is light and curly, and he looks a fully 5-10 years younger than the Paris or Dubai scenes.

Because he’s matching a 20-something Daniel.

*proceeds to internally combust*

[eriexplosion]

Tech Lives: An Ungodly Long Essay

(AKA: Turns out that my Tech Lives compilation post comment was actually a threat.)

There have been hundreds if not thousands of posts since Plan 99 aired wondering if Tech might have made it after his fall - it's probably been brought up more than any other hanging plot point, even after season 2 scooped up Omega and left us on a massive cliffhanger. Now that season 3 has started, though, Omega and Crosshair are home (for now) but we have received an almost aggressive lack of Tech info. So, I've gathered up some of the stronger Evidence for why Tech might be fashionably late but still on his way back from The Void!

THE LEAD UP

So to start, let's go back to what came before the whole Incident. This will focus mostly on season 2, seeing as that was definitely Tech's season to shine, but with bits about plotlines in season 1. Which brings us to our first bit, that's not really evidence so much as some gentle push-back on a common argument.

Doomed By Character Development?

We've all seen this particular situation before - a character is slated for a tragic death, so just before it happens the writers gives them a little extra relevance to the plot to make sure the audience really feels it when the time comes. The Clone Wars was especially good at this, giving characters like Fives an arc of his own that ended in his tragic death. Season 7 gave us a better look at Jesse, first in the Bad Batch's intro arc and then again through the Siege of Mandalore, all to bring us to the chip activation that led to his ultimate death.

When season 2 started off with one of the two intro episodes spotlighting Tech and our first breather episode of the season also spotlighting him, people started to get worried. So is it fair to say that his spotlight in season 2 was setting him up for a permadeath?

Looking at it, I don't think so, for multiple reasons. For one, Tech didn't just get a spotlight episode, his development dominated a good chunk of the whole damned season, often taking priority over the other characters that wouldn't be dropped into the mists. While giving a little bit of character development to a doomed character can be a good move, giving ALL your development to a doomed character ends up feeling like a good portion of your season was actively pointless.

The Bad Batch is not an open ended show. It seems to have been planned for the three seasons it got, and they would have gone into it knowing they had a set amount of time to work with. Dedicating so much time to developing Tech in preparation for a character death takes away all of their opportunity to develop, well, anything else.

But, along with the amount of time that was dedicated to Tech as a character through season 2, they also didn't develop him in the ways that most often get used for a doomed character. Namely...

That Sure Is A Lot Of Open Plot Lines

And not one of them got tied up. Currently, Tech has two open plot lines to himself, both started in season 2, as well as a key place in the overall show narrative arc. As the overall show narrative arc takes precedence, we'll start with that.

The Bad Batch sets up a few different narrative arcs very early. One is if clones can be more than soldiers - this is the central thing that we see them struggling against from the start, they've been created to be soldiers and don't know much else about how to function in the world. Theoretically this arc can be fulfilled with one or two of them still dying as soldiers, as long as a few of them make it to find a new life for themselves.

The arc that can't be fulfilled without everyone though is the ongoing thread of reuniting the batch. Much of the show is geared towards making the viewer want this specific end result, as soon as they talk about Crosshair, Omega says they'll just have to get him back and complete their family. The end of season 1 teases us with this only to pull it away at the last moment, then season 2 teases us with it again only to yet again pull it away, this time seemingly permanently.

Ending one of your key narrative threads you've been using to draw audiences in only 2/3rds of the way into the show and without ever resolving it... well it would be a choice. If Tech is gone for good then the last time we saw everyone together would be the end of season 1. Rewatches would lack impact because something that was made to seem so vital ended up going nowhere, and the series finale would never quite reach the height that hearing the full batch theme kick in over the team fighting droids together did. It absolutely destroys the central narrative to leave him gone without ever having reunited the family.

And then there's his personal plots.

Let's start with the obvious one. Tech got a whole potential love interest this season and they absolutely did not resolve a damn thing about it.

Again, this takes a trope that we all know - the young army man that's going to go home and finally marry his girl, who has his whole life ahead of him, but dies tragically in his final mission - and seemingly intentionally subverts the beats. Because what makes the trope work is that the plot line is resolved as soon as that young man decides how he's going to move forward. He can't die uncertain of if he's going to marry his girl, he has to make a decision, and the longer we spend on the relationship to his girl the stronger the decision has to be to consider the narrative line resolved and free him up for some tragedy.

Tech/Phee is a tentative little 'will they or won't they' romance. They're flirting, they're feeling each other out, they're seeing if they're compatible. To tie up this narrative line we would have to find out if they are or not, get a yes or a no on the question. Will they or won't they? We simply don't know because the writers didn't put a resolution in.

We do get the traditional pre-mission scene with them, which would normally be when we get the first kiss or perhaps the promise of a date, either of which would have had me digging Tech's grave for him to fall into from the second it happened. Or even a 'we can't do this right now, but maybe some day it will be the right time' which would have been a kind of lukewarm resolution but would have at least represented a decision.

Instead we get a scene that almost aggressively refuses to resolve anything. They have an awkward interaction, but not one that says they won't get together, no promises are made for the future, no decision point is reached, and the plot line is still dangling wide open when Tech falls to his supposed death. If we truly leave it off here, well, what was the Tech/Phee subplot for? Why did we spend precious time on it when it could have been spent on something else, if it was meant to make Tech's death hit harder why did it not go further?

A second subplot with Tech is that he certainly made the most progress on seeing options outside of the Empire - it starts early on in Ruins of War when he meets Romar and gets his eyes opened to the idea of cultures that existed unconnected to the war. Serenno existed before the war and before the separatists, and Romar introduces Tech to that idea of an ongoing culture. He gets a taste of racing in front of a cheering crowd, leans further into his teaching of Omega and gets new insights from her regarding their lives as soldiers, his relationship with Phee picks up right when he finds out that she is interested in the preservation of cultures. It's a quiet little subplot, but Tech was seeing the full scope of what the galaxy contained beyond being a soldier in a war.

But, like the Tech/Phee, it never resolves. He never decides to settle down, he never chooses to stop being a soldier or even openly discusses the idea of what life will look like after. Rescuing Crosshair isn't positioned as a final mission that they have to complete in order to give up their lives as soldiers. Without that decision point being reached, the plot stays open, we never find out what he Would Have Done so we don't get a sense of the future that he would lose by dying, which is what the purpose of these types of plots is for a planned permadeath.

The Kaminoans don't create without purpose and writers working on a three season timeline don't typically write without it either. So if we spent the time on Tech/Phee but Tech is dead before it ever went anywhere, if we spent time on Tech's relationship with being something other than a soldier but he never really pursues it, what is the payoff?

Too Much of a Survivor To Die?

There's also the matter of how they chose to build Tech's character this season. Namely they beefed that man's skills up incredibly high making it intensely unbelievable that he's dead without seeing some sort of concrete proof. Things we know about Tech as of the end of season 2 include:

Incredible pain tolerance - Tech fractures his femur in Ruins of War and seems shockingly unbothered by it. The femur is frequently listed as one of the most painful bones to break. This is not a broken toe the man is hobbling around on, he fractured the strongest bone in the body and kept going through the woods. He physically fought and killed a man with that busted femur.

Lightning fast mental processing - this is of course on display nowhere so much as Faster where he's put up against droids and wins by taking calculated risks that no one else is willing to try.

A cool head in stressful circumstances - this one is hilarious because he outright says it, but Tech does demonstrate time and time again that when it comes down to it, he's able to keep calm no matter the circumstances.

Essentially, we spend the entirety of season 2 setting up why Tech is the perfect person to drop out of the sky and have him survive. He has the ability to keep calm and come up with a plan in seconds and he has the grit to keep moving even if he's grievously injured once he hits the ground. When you set a character up like this, you can still kill them, but you have to work harder to do it convincingly. Leaving Tech not at the moment of death but with probably at least a minute to act in and then not showing us the body is the exact opposite.

We have a moment in The Crossing showing us Tech's precise aim, and it comes up again to brutal effect when he shoots out the connection on the rail car. If moments through the season were used to set up that particular instant of the finale, then we can't discount the numerous scenes demonstrating his survival skills as being irrelevant to his chances.

Plus, looking back at Ruins of War - one of the big moments in the episode is towards the end, where Romar tells Tech, "I'm a survivor. Remember?" The camera then lingers on Tech for a long moment. It's not the kind of action that demonstrates his capabilities as above, but it works to associate the words with Tech in the viewers mind. Romar is a survivor, and Tech is a survivor too. And when you intend to kill someone off, it's kind of an odd choice to spend that whole season setting them up as a survivor.

THE FALL

Which brings us to the scene itself. Plan 99, implied to be one of the last ditch plans that they have. It's absolutely a heartbreaking scene, and one that can be tough to analyze when it's so well done, because it's rough to watch repeatedly. But, it's worth doing, because the scene itself is FULL of questions, some structural others more based in the visual presentation.

What is Plan 99?

Well, that's just it, we don't actually know.

We know what it's implied to be, a self sacrifice plan where one of the batch gives their life for the others to get away. But in show it's never actually defined, leaving the full meaning of Plan 99 up to interpretation. It could be as simple as what it's implied to be, but that brings up questions like 'why not provide any lead up or foreshadowing for it?' and 'does killing yourself actually count as a plan?'

Removing the assumptions from it gives us room to speculate. Is the plan actually that they leave him behind, dead or alive? Hunter ordered them to do so without a plan number in season 1, but he is the sergeant, so plan 99 could easily be something that bypasses his authority - if a batcher calls a plan 99, you go and you don't question his decision. It's certainly closer to a plan if there's something they are supposed to be doing from their end rather than just an announcement of intent.

It's not strictly evidence one way or another, but it is something of note when Tech's entire sacrifice is based around a plan that we're not privy to the details of. TBB has hidden its twists in ambiguity before, so it would not be the first time that it let us assume something only to pull the rug out later. But ambiguity is not the only thing that makes this scene stand out in the raising questions department.

Pacing Goes Out The Window

Generally speaking, a self sacrifice is the climax of an episode. Think Kanan, Hardcase, Gregor, Hevy, etc - Even a minor character sacrificing their life tends to make up the most climactic portion of any given episode, let alone one of the characters from the title squad. It gets to be the big central moment, the big rush of music and feeling, the pinnacle of the viewers attention.

Tech's sacrifice is not. It happens around 5 minutes into the episode, is rapidly moved past with barely a moment to think, and then the actual climax is Omega's capture on Ord Mantell. They even repeat the music when Omega is captured, except much stronger this time, making it clear that this is the emotional crux of the episode, this is the scene that is supposed to stick with you.

The opportunity to make it the climax of an episode was certainly there. The storyline could have been adjusted to put Tech's fall at the end of The Summit, allowing more time in Plan 99 for processing his loss and making it feel final. The pacing choice is one that doesn't allow the viewer to process the loss, only giving us maybe a couple minutes of time with actual emotional reactions before we're barreling off to the next plot point. Why was Tech's death de-emphasized within the episode if it is indeed our last moment with this central character?

Tarkin, Eriadu, & Saw Gerrera

A lot goes into the set-up for Plan 99. We have Tarkin's base on Eriadu as the setting they're working within, going up against Tarkin for the first time since early season 1. This is the big leagues, and something that's come up in multiple interviews is that when going into the den of one of the franchise's big bads we have to have consequences, something to demonstrate that Tarkin is not to be trifled with.

Sounds reasonable enough. Except Tarkin doesn't actually do anything in either of these episodes. The thing that actually threw them off was Saw's planning mixing in with their own.

All Tarkin does upon finding out that the batch is stuck on the rail is order an air strike and ignore that this would kill many of his own men. This is certainly evil, but it's standard Imperial evil. Rampart would have given that order. Hemlock would have given that order. The guy in Tipping Point that we know for 5 minutes before he fried himself would have given that order.

So if the point of this finale was to demonstrate Tarkin's power, then bringing Saw in both complicates the plot and devalues what they're claiming they are trying to show. So is the point to get them to Tantiss? No, because they fail in that. They don't plant the tracker, they're no closer to finding Crosshair than they were before.

By all accounts the point of the whole endeavor is in fact just to drop Tech off a sky rail for reasons unknown and injure Omega to force them to go back to Ord Mantell. These two things could have happened anywhere in any way of course, so why choose Eriadu and why choose to complicate the plot by introducing Saw rather than letting Tarkin handle the job?

They're questions we don't have answers to yet, but they're very hard to get answers to if Tech is dead and completely out of the picture. Having a dead body on Eriadu is fairly useless to the plot, having a living Tech on Eriadu though? That has potential to move them huge leaps forward in a very short amount of time once we bring him back in. Especially given his conversation with Saw prior to everything going downhill - Tech was in favor of gathering intel from the facility rather than destroying it.

And what about Saw, anyway? If he was genuinely there to cause problems and fly away, again, that's a plot wrinkle that isn't needed and took time away from everything else. If he's there because they needed someone to pick Tech up though? There's potential there.

Did Tech's Sacrifice Mean Anything?

In universe, Tech's sacrifice means everything, of course. It's a decision made in the moment to risk everything to save his family. It's a noble deed and one he does without hesitation. But pulling away from that narrow scope of an in universe perspective, what did we accomplish narratively with his fall?

Well... not much actually! They got over the bump in the road that they encountered all of five seconds ago and promptly crashed headfirst into another, different bump in the road. Tech's dramatic sacrifice didn't allow them to escape unharmed, it didn't allow them to find Crosshair, it just allowed them to move a few steps forward, after which Omega is almost killed and then captured, which is a fairly weak reason to sacrifice a whole major character.

But not every character death is exclusively about narrative, sometimes it's about the character arc itself. So does this close out anything for Tech's character development? Again, not really. Tech has always been completely loyal to the squad and would have risked anything for his family. He never had a choice not to fall, it was either just him or the whole team, and he is an endlessly logical actor. The action would have played out the same had it happened in the series premier or the season 1 finale, or any other time in the show. If anything it's a backtrack on his character by putting him solidly back into the soldier box that the show is trying to let the clones grow out of.

Maybe it's not about Tech's character though, maybe it's about everyone else's! Does his death change anyone's trajectory? Again... no, not really. We'll get into season 3's lack of mentioning Tech later, but in the immediate aftermath of his fall, no one's course or actions is majorly changed because of his loss. Hunter wants to go back to Pabu where it's safe, the same thing he wanted to do before they ever left for this mission. Omega puts herself in danger to save her brothers, which has been one of her defining traits since season one. Wrecker is following Hunter's lead, same as he always did. (We get very little of what Echo hopes to do, but the opening of season 3 reveals that they went back to work with Rex, exactly like they were doing before.)

So narratively nothing required him to die, the character's arc isn't completed, and the other characters aren't motivated to change. If Tech dies here, it's the picture of a shock value death. It doesn't complete or inform his character, it doesn't need to narratively happen in order to put Omega on the path to being captured, and thematically it exists just to give the viewer an unnecessary gut-punch when just the failure to rescue Crosshair and the loss of Omega would have been enough.

Framing is Everything

In a death scene there's nothing more powerful than our final shot of a character. The very last we'll ever see of them, the image that will linger in our minds when we think of that character from then on. This is especially important in animation where everything has to go through several iterations before deciding on what that final look will be. You want it to be impactful, you want the audience to have one final connection to the character before they're gone for good.

So why does Tech die with his helmet on?

If there's one thing TBB is good at, it's their expression work, and a death scene is a perfect place to show off their full range, which is why most deaths meant to have a heavy impact occur with faces unobscured. Crosshair loses his helmet and takes Mayday's off so we can see both of their faces as Mayday dies, Slip, Cade, even Clone X and Wilco, all die helmetless. Looking into older series you have Kanan dying without his mask, Fives, Hardcase, Waxer all dying helmetless with one last good look at their faces and expressions.

And while Tech's helmet gives us a good look at his eyes, the rest of his face goes unseen, and Wrecker's face as he watches this happen is completely obscured. We're denied a look at a lot of their expressions as the decision is made and Plan 99 is executed, rendering it less personal than it otherwise could have been. Tech could have lost his helmet in the blast that knocked him from the rail, Wrecker could have had his helmet knocked off at some point to give us a good look at his expression. TBB isn't known for pulling its punches, so why leave our final look at Tech's face back in The Summit and not here?

Then there's the framing choices. We get some absolutely amazing shots of Tech during the fall, from taking the shot to falling backwards towards the cloudy cover - but here's where some interesting choices are made. Rather than letting our last shot of him be a face up shot that keeps eye contact with the camera as he falls, they make the choice to have him flip over, and we hold the shot as the rail car goes down after him, partially obscuring him.

Which means instead of our last glimpse of Tech being something like this.

We end up with something closer to this.

Which, while we all love those Tech crotch shots is somewhat less impactful emotionally. These frames go through multiple departments and get multiple eyes on them before going through final animation, and no one thought that leaving him face up and unobscured until he disappears into the fog would stick more firmly in the viewer's memory?

The Flip Might be Intentional

And I don't just mean out of universe, as every detail of animation is often intentional, but in universe as well. If you look closely at Tech as he falls, he seems to roll his shoulders back in order to begin flipping over. It was a specific enough detail to send me searching for a reason and I found it in instructions on how to survive a long fall - the first thing that you're supposed to do? Get into the arch position like a skydiver to slow and control your fall.

The flip was important enough to not only include but to include the small detail of Tech intentionally flipping himself over into said position. It's not a confirmation but it's an interesting detail, and one that has very few other reasons to exist.

THE AFTERMATH

Image chosen because even thinking he's alive I didn't want to pull from Omega reacting to the fall on Ord Mantell. Looking at her makes me Sad. So the fall has happened, the rail car has rushed forward and crashed, and Omega fades in and out of consciousness until finally waking up on Ord Mantell to the bad news.

"What if he's hurt?"

Omega is our POV character for the show. We may sometimes see things she doesn't, but emotionally she remains the center of the narrative, the character that the target audience will see themselves in. Her ultimate thoughts on a situation are the closest we have to a clear indicator of our intended takeaway.

So it's interesting that the first thing we hear out of her, having heard that Tech 'didn't make it,' is a firm denial. He can't be gone, he might be hurt, he needs them and they need to go back for him. And, despite Hunter continuing to talk with her about it for a bit, we never actually hear Omega explicitly take it back or verbally acknowledge Tech as dead. The closest we get is 'lost' which she also uses for Echo in The Crossing.

Now, here's where the interpretation between the adult and child audience will likely differ. From an adult perspective, this is a reasonable reaction for a child her age. It comes off as very natural that she doesn't want to accept it and that she doesn't have time to really process that it's true before the scene moves on. It makes sense from an in universe perspective.

However, the main audience is still children who actually are Omega's age and who are being presented with her as their window into this world. And their takeaway, seeing that same scene, is likely to be that Omega is correct. They don't know that Tech's dead, just because an adult says it doesn't make it true and just because Hemlock says it DEFINITELY doesn't mean it's true, they have to go back and check.

If they wanted the main audience to think that Tech is dead for sure, they could have had Omega be the one to say that he's gone, with Hunter simply confirming it for her. Alternatively, Omega accepting it when Hunter tells her would also function in the same way - ultimately, as the POV character, if Omega doesn't accept it there's a strong possibility much of the audience won't accept it either, especially without other evidence.

No Body?

And, as we all know, we simply don't have other concrete evidence. Not only are the batch given no time to look for Tech's body or any confirmation that he died, but we get a whole scene with Hemlock and the goggles where he also confirms verbally that he doesn't have a body either. There's very little reason to have him say this outside of putting a bug in the viewer's ear that he might not be gone for good.

Not only do we have that verbal confirmation, but we have multiple places where a body could have been included or implied without adding much to the runtime.

Easiest place would probably be when Omega passes out - there's a trooper's corpse right there in front of her, and it would have been very easy to make that identifiable as Tech. Have one of the boys check his pulse like Crosshair did with Mayday and then be forced to leave after confirming he's dead. Would it require a little bit of fudging the details of how he landed so close to them, sure, but it would have been narratively streamlined and easy.

Have Hemlock bring his helmet rather than his goggles (and damage it in a way clearly incompatible with survival) or confirm that he did find a body but has no use for the goggles.

Put the body in Hemlock's lab when Omega is brought there at the end of the episode. Have a sheet covering him even if you want and just one of his hands hanging out, especially the one with the distinctive light on the back of it. Give us her reaction to that.

These are just the ones that don't involve adding scenes or making major changes - instead, in a franchise known for bringing back everyone and their grandmother especially if there's no body, they chose to leave it extremely vague.

Reused Score

The soundtrack for Tech's sacrifice is fantastic, I don't think anyone can argue that. In fact it's so good that it's used occasionally used as a reason for why he's dead for real. If it's a fakeout, why go so hard on the music?

It almost sounds like a reasonable argument, except that the music isn't even unique to Tech's fall. We get the same motif later in the episode with Omega's capture, and it actually comes in even harder and more impactful there than it did with Tech falling.

Reusing bits of the music has two results. It lessens the impact of hearing it with Tech if it is in fact his Death music, because it makes it clear that he is not the central feeling of the episode but rather, Omega's capture is. As mentioned before, deaths are usually the climax of their own episodes partially to avoid them being upstaged by any other plot points, but here Omega's capture is fully prioritized over the loss of one of our central characters.

The second result is that it changes the meaning of the music. It's no longer meant specifically to underscore a tragic death, but rather a more general one of loss and separation. And if it's simply about that separation, then it no longer requires Tech to be dead to have that same impact. They're apart from each other, and that's painful enough.

SEASON 3 SO FAR

Which of course finally brings us to season 3! We're five episodes in as of the posting of this, so a full 1/3rd of the season down, which gives us a good idea of how they're handling the whole grief aspect of this scenario.

They Aren't!

That's right, we simply have not directly acknowledged or dealt with the whole 'watching your squadmate fall to a presumed horrible death' thing even once in five episodes. Tech has been mentioned by name twice, we've seen his goggles once, and Wrecker makes one sideways reference to him having not made it back.

In universe, there is a several month timeskip and it seems to be implied that the majority of the grief milestones happened in that gap. For example, we don't see Crosshair finding out from Omega, we don't see Omega grieving her brother, we don't see Phee finding out (more on her in a bit) despite her fledgling romance. Months of grieving and processing skipped over and what comes out the other side is single line mentions that go by in seconds.

This is especially apparent after episode 5, where we got something to compare it to. Crosshair has a long, painful moment of grieving with Mayday's helmet when they return to Barton IV. It's deep, personal, and intimate and we take a minute with him gathering up the helmets of Mayday and his men to set them up on the crates the same way that Mayday had honored them.

Mayday is a one episode character that was important to only a single character, Crosshair - Tech is a core member of the team present through two full seasons and shown as close to every member of the squad. Yet the single scene grieving Mayday is longer and more emotionally gripping than every short mention of Tech so far in season 3.

Narrative Grief

Seeing characters grieve their loved ones onscreen is about more than just the characters themselves. It's also part of the viewer experience - through the characters' grief, we're able to process our own grief at the loss. It makes it feel real, it makes it feel personal, and the amount of grieving needs to be proportionate to the character's importance in the story.

This is especially true in a show written for children like The Bad Batch. Kids don't typically have the same experience with death as adults, and a well written main character death within a children's show will need more time and energy spent towards making the loss feel real. We see this with deaths like Kanan's; it wasn't Jedi Night that told the viewer that Kanan was really, truly dead, it was Dume, where the characters mourned him and dealt with the aftermath.

Currently, with Tech, we do see holes in the team that make us miss Tech but they remain completely unaddressed by the characters. We see Tech's goggles, but Hunter isn't looking at them, he's looking at Lula. Omega mentions Tech having taught her all the plans, but without any real sadness on her or Crosshair's part. The closest we get to actually bringing it up are Wrecker saying 'not everyone came back' and Echo mentioning the datapad would be difficult without Tech, and both of those are only seconds long before moving on. They don't serve as any kind of catharsis for the viewer, relying more on gut punch impact and keeping the wound open rather than allowing it to heal. The difference between the treatment of Tech's death and Mayday's just makes it more stark.

How Do You Like Yearning?

Interestingly, though, it strongly resembles the writing team's handling of another situation: Crosshair's departure from the team in season 1 vs Echo's in season 2. The show even drew a lot of flack for the lack of discussion on Crosshair's betrayal, as outside of a couple conversations the matter often went unremarked on. Echo leaving, on the other hand, got a whole episode dedicated to processing the loss immediately after it happened.

So what was the difference? Crosshair's departure is part of a long term plot point. We're supposed to want him back, we're supposed to want the team to talk about him, anything that would ease the tension. The writers on the other hand want that tension to remain until it's time to actually resolve the plot. So we get those slow drips in between bigger encounters, we get opportunities for Crosshair to come home that he doesn't take, and we don't get the catharsis of the team actually talking about any of it. We're left to want and imagine it, using the yearning to keep it on people's minds more than anything.

If Crosshair had been discussed on screen long enough for the characters to actually come to terms with his absence, though, that would have made the plot feel more settled and resolved early on. It might be conversations we want to see, but it doesn't keep the viewer on edge and craving a resolution. Best case scenario we're just not as desperate for Crosshair to come home - worst case scenario we accept that he won't be returning and find the fact that he eventually does to be unrealistic.

Echo on the other hand gets their absence processed immediately, because their absence from the team is not meant to be a huge plot point. It's something the team has to deal with, yes, and the viewer wants to see them again just like Omega does, but Echo returning isn't meant to be a maybe, and it's not supposed to keep the viewer wondering and worrying. It's a when, not an if.

Similarly to Crosshair, Tech has never felt like a resolved plot point. We don't get confirmation on his death, we don't get any long term grieving, and we get drip fed acknowledgements that pry the wound back open. If we actually see the team discuss and come to terms with their grief and loss, the plot point closes, the wound closes and we begin to fully accept a team without Tech in it, which makes it harder to reinsert him into the storyline if he is in fact alive.

If he's truly gone for good, what is the point of denying closure to the audience? We know that they are capable of writing an intense mourning moment that feels completely in character for otherwise emotionally repressed men such as Crosshair, so why not give us that with the team mourning for Tech? A memorial, an intimate moment with the goggles, a short scene of Crosshair finding out about the loss, or anything at all really? Once again it's something that makes sense if he's alive and we're simply not being shown yet, but makes very little sense to not capitalize on if he's dead.

What's to Come

We have ten episodes of season 3 to go, and a lot to cover. Reviews have indicated that Tech is not explicitly brought up in the first eight, so the earliest we could possibly have a survival reveal is in episode 9. Will it actually happen? Maybe, maybe not. Though interestingly episode 9, The Harbinger, is almost exactly one year after Plan 99, just like The Return aired almost one year after The Outpost. Could mean nothing, but they do enjoy their anniversary dates.

One thing we do know for sure is coming up is Phee's inclusion - she's seen in the official trailer, as well as briefly in a recent twitter spot. This is interesting as Phee is, of course, Tech's teased love interest, and her connection to Tech has been emphasized multiple times, including on her Databank entry and the official 'what you need to know about season 3' guide. When she comes onto the scene, it's very likely that more information about Tech will too.

MARKETING, INTERVIEWS, & SOCIAL MEDIA

I wanted to keep this mostly focused on what can be seen within the show itself, but it's impossible to talk about whether or not Tech is alive without pointing to the absolutely bizarre messaging from the cast and crew, as well as the marketing choices surrounding his sacrifice. (Example: the Instagram Mourning Filter they layered over him in the official trailer, as seen above) I won't get quite as detailed here as in the above, but it does have to be mentioned.

Constant Focus

In between the end of season 2 and the posting of the season 3 trailer in late January, there were several posts on various official Star Wars media. The majority of them were about Tech and Plan 99. In fact, I don't think I ever saw anything mentioning the giant 'Omega's been captured' cliffhanger, just Tech. Over and over again.

Once a character is dead, marketing generally stops caring about them. They're forward focused after all, they want you coming back for what's to come not lingering on what won't be relevant again. So why the constant focus on Tech?

And it wasn't just the social media either - a huge portion of the trailers and reels included old footage of him too. For the most part this was from Plan 99 and bringing up his fall again to rip open those old wounds, but in one case they included action footage from The Summit. This was an interesting case, because the majority of people watching wouldn't have recognized it immediately. Fittingly, the entire comment section was full of nothing but 'Was that Tech?' style comments, which they would have known was going to be the case to start with.

So why are we so focused on a man that's supposedly dead? If he's genuinely never going to show up again why keep putting him in? Everything? While not even bringing him up all that often in the show? If he's dead, this is a truly bizarre marketing decision.

Never Say Die

In interviews or in official material. For several months the word 'dead' was never used for Tech anywhere, not in interviews, not in official material, nowhere. It took until January 23rd for all of the databank entries to be updated, and among all of the main cast he's only referred to as 'killed' once, and it's on Hunter's page not even his own. Then, the Friday before the premier, an interview came out referring to him as dead - on the part of the interviewer, not the creators themselves.

Everything else seems to use a variety of euphemisms. His sacrifice, his absence, his loss, he 'plummeted out of sight', he 'fell from a tram car', he did absolutely anything it's possible to do except outright die apparently.

It's an odd choice when there's known controversy over if he's dead or not. The standard operating protocol of course, in a planned comeback, is to refer to them as dead anyway and allow fandom to fuel its own speculation, but with a fandom as devastated as TBB's was, it's quite possible that the odd behavior had to be introduced just to keep speculation going. The only interviews that sound remotely final came out right before the episodes started coming out - if they had done that from the beginning, the chances of people outright refusing to come back to the show likely would have been higher.

Much like the marketing, this is not necessarily proof of anything - but in combination with the multiple odd things in the show itself, it's certainly suspicious. Speaking of suspicious...

What an Odd Thing to Say

The cast and crew themselves have not been skimping on making strange comments when it comes to the Tech situation.

There is of course the well known Joel Aron (lighting director for the series) tweet that came out the day of the Celebrations panel (AKA when the Tech trauma was at an all time high) and in direct reply to a fan that was having a hard time with Tech's death. It's hard to take it as anything but a reference to Tech given the timing, and it was certainly taken as being about Tech in the quote tweets. If it's not about Tech, why tease the fandom with it? And the specification for it being a mid s3 episode as well...

Also from the day of Celebrations, and from the panel itself, we have Michelle Ang saying in front of God and everybody, that Tech "doesn't come back... in this episode, at least." At the time there was a possibility she didn't know and was just leaving it open, but with that only being ten months ago and the extremely long timeframe of animation, it's almost certain that she would have been done with all primary recording by that point. If you know he's not coming back, how do you accidentally imply that he is with no one correcting it?

Dee Bradley Baker, when asked for a farewell message from Tech at a con, came out with "the life of a soldier is fulfilled by fulfilling his mission and supporting his brothers. And this was the end of mine. And that's a good thing." Which was a perfectly serviceable goodbye right up until he said that the end of Tech's (life? soldier's life? mission?) was a good thing.

During an instagram interview we have Deana Kiner, one of the composers, in response to the interviewer talking about the final episode containing a major loss, saying, "It's kind of a loss... It's complicated." The claim on twitter was that this was about Omega, because everyone knows that when someone mentions the major loss in Plan 99 they're definitely talking about Omega.

So is Tech alive? Is Tech dead? We still don't know. But while one or two of the above might be a coincidence, having all of them at once coalesce around this single character death is a lot to chew over. The Bad Batch team has shown willingness to address grief and loss prior, as well as a willingness to show us death onscreen and front and center. So why, with such an important character, sidestep it all in order to keep it vague? Why keep it from sounding final for so long, if the intent the entire time was for him to be dead for good?

We won't know until he either shows back up or the show ends. If Tech's alive, all of the above starts to make sense. If he's dead... well a lot of things will just never quite add up. I feel that this team has shown enough willingness to follow up on their trailing plotlines that they've earned my trust. Fingers crossed for a satisfying resolution for all of us, and for our boy Tech, whatever that resolution may be.

[cbrownjc]

My Long IWTV Season 2 Prediction Post:

So this is a long post containing all my (more or less) final predictions for Season 2 of IWTV. Mostly so I can keep track of everything I've been predicting since Season 1 ended.

I'm breaking this all up between General Predictions and some specific Episode Predictions. And I'll put it all under a spoiler cut due to the length and just in case any of this is correct, which would mean massive spoilers. Because yes, many of these predictions are based on things found in many of the books in the VC, not just IWTV; as well as recent trailers and other press material.

General Predictions:

Louis will attempt to end his life like he did in the book Merrick by the end of the season, likely in EP08: This is something that I've been predicting since EP05 of Season 1 first aired. I think it is pretty much my oldest prediction wrt the show, and one I've never wavered from. Now it's time to see if this prediction is right or not.

Lestat is asleep in a coma somewhere in the Al Shafar Tower, and is the source of The Groan: I first made this prediction back before EP07 of S01 aired. I wasn't too confident about it being proven during Season 1, but I think now is the time. Maybe Lestat's in the penthouse. Maybe he's in the basement. Maybe he is on some floor in between, I don't know. But something like The Groan wasn't spoken about as just some throw-away line. There is a reason it was pointed out. And I think that is because Lestat is the source for the sound and makes it sometimes while he is in his post-Memnoch coma state. And what is going to finally wake him up will be Louis doing what I predicted above in my first prediction.

Armand and Daniel's relationship (ie their past romantic relationship) will be revealed in EP08: I've been predicting this more times than I can count during the hiatus. Simply because, as far as general/causal audiences go, revealing it in the finale always just seemed like the most impactful place to reveal it.

The missing pages of Claudia's diaries will reveal the information about her that we learned in the book Merrick, particularly regarding her feelings toward Louis: Via the link above I made a long meta post about that. I'll say more about it below, but in general, why Louis is going to do what he does by the end of EP08 will be because of what he reads/learns from Claudia's missing diary pages, just like as what happened with book!Louis in Merrick.

Louis will begin to awaken his Fire Gift abilities during the season: There is a quick shot in one of the preview trailers of what looks to be Louis setting one of his photographs on fire, but not with a match or candle or anything, but just by staring at it. I think when Louis first discovers he has the ability to light things on fire like that, he'll not be overly excited about it or anything, and only reluctantly test it out sometimes . . . until he unleashes it in full in the season finale against the theater coven.

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Episode Predictions (Spoilers):

Episode One (many people have already seen this episode at the premiere, but there is one thing I was already predicting about it before then that I want to say again):

-- Louis and Claudia will not arrive in Paris until either the end of the episode or the beginning of Episode Two.

-- This episode will be a set up to explain how revenants are created. That they are made if you try to turn a human but don't give them enough blood; OR if you don't scatter the ashes of a vampire that has been reduced to one. This will be done to set up both why Claudia's ashes had to be scattered AND the risks being made to bring Louis back either at the end of Season 2 or the beginning of Season 3.

---

Episode Two:

-- Not much to say really that most don't already know/suspect. Louis and Claudia arrive in Paris, and Armand and Louis first meet. Louis and Claudia meet the whole theater coven.

---

Episode Three:

-- Again, not much to say. Armand's full backstory will be told. This is also the main episode where we'll see Nicki and what his fate was. We will probably also get confirmation from Armand that the backstory that Lestat told Louis and Claudia about Magnus and how Lestat said he was turned was true.

credit: gif by @sheisraging

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Episode Four:

-- Louis and Armand have sex for the first time (with Dreamstat in Louis' head giving commentary 🤪).

credit: gif by @sheisraging

-- The "banquet" scene, where Armand puts the coven members to sleep and Louis and Santiago have a confrontation (Louis looking like he's going to cut Santiago's tongue out.)

-- We will see the rift between Claudia and Louis continue to grow, as well as Claudia's distrust/dislike of Armand.

credit: gif by @sophsun1

---

Episode Five:

-- "Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat, Lestat." 😂

credit: gif by @loo-nuh-tik

Yeah. We'll see this moment above in Episode 5. And Louis and Armand will basically deliver all their break-up dialogue from the end of the first book HERE, in Louis' shitty apartment in San Francisco; after Louis has attacked and almost killed Daniel.

This means that yes, Louis will confirm to Armand that he knows what Armand did to Claudia here. (With only heavy illusions made about what her ultimate fate has been.) And then Armand will give his "I thought you'd get over it" monologue.

And while Louis and Armand won't fully go their separate ways as they did in the book after all of this (because Armand will still feel he needs to look after Louis), we will very much understand that these two are not a happy couple at this point in time, and are full-on toxic in their own unique way.

credit: gif by @loo-nuh-tik

-- Along with the FULL 1973 interview, The Chase between Armand and Daniel will be shown almost in full. We'll see a lot of things about The Chase, but we will probably not see fully when, or how, it ended.

---

Episode Six:

-- "I betrayed Louis once in my life and it wasn't in San Francisco." Armand says this to Daniel in Dubai in this episode.

-- Madeleine gets turned in this episode.

-- Louis says goodbye/breaks up with Armand.

credit: gif by @hermit-frog

-- "The Last Supper."

credit: gif by @nalyra-dreaming

-- The episode will end with Louis, Claudia, and Madeleine all being taken by the Theater coven to be put on trial. Armand gives Louis a "Judas kiss" and leaves the three alone at the dinner table right before they are taken.

credit: gif by @ofinkandust

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Episode Seven:

-- Okay so, back when the Jones Cut trailer first aired, I said that this moment was Rockstar Lestat:

credit: gif by @virginiaisforvampires

Well, I was wrong about that. Why? Well take a look at this:

credit: gif by @sheisraging

Do you see it? Behind Santiago, in the upper left. That is the same key prop on the railing as in the shot with Lestat on the right on the railing. If you squint, you can also kind of make out the musical notes on the railing to the left of the Lestat image on the railing on the right in the Santiago one.

The shot of Lestat isn't Rockstar Lestat, as I first thought it was. It is the real Lestat's first entrance into Season 2. And it's going to be at the trial, in Episode Seven.

-- And because Lestat is making his first entrance in the way I talked about above? This is 100% from Armand's POV with some of Louis' misremembered POV with it. Because Lestat was not in any condition to make THIS kind of entrance on his own.

-- The revisit of Mardi Gras Murder Night from EP07 of Season 1 will happen here, during the trial. And it will be revealed that Claudia alone slit Lestat's throat while Louis stood by passively, while Lestat begged Louis to put him in his coffin. (Matching up to what Claudia wrote, in Lestat's blood, what his last words were.) Giving the full context to this moment we only saw in a flash in EP07 of Season 1:

Which will then lead into . . .

-- The revisit of the Louis-Lestat fight from EP05 of Season 1 will be shown in this episode as well. (And will give viewers, particularly non-book readers, their first hints of Amel.) And because of what happened in that fight, specifically why that fight started in the first place, will tie into . . .

-- Claudia's diaries, which will be read at the trial. Out loud. By Santiago. And more specifically the missing pages, which we see Louis and Armand talk about in this preview, will contain some damning evidence that will all lead to . . .

credit: gif by @mundaneandmagicalcreature

-- Claudia will reveal right there, on stage, to Louis himself, how much she hates him and blames him more for her situation than she does Lestat. Because "It's never been about me." Lestat made her for Louis. If Louis hadn't wanted her, she would never have been turned.

-- This episode will end with Claudia's death. Louis will be rescued from his coffin prison by Armand, and the episode will end with Louis breaking down over her loss -- both in the past and in the present in Dubai now that he remembers everything about Claudia's true feelings towards him right before she died.

---

Episode Eight:

-- Louis goes all Carrie/Firestarter on the Theater coven (after warning Armand to stay away first), unleashing his full Fire Gift powers on them all.

credit: gif by @sam-reid

-- Louis grieving in the park -- the same park where he first met Armand -- in the rain after destroying the theater coven, comforted by Dreamstat. And then Armand arrives . . . because Armand is whom Louis was actually waiting for. Why? Because, as Louis said about it in the book --

Where to go then, if not to die? It was strange how the answer came to me.

credit: gif by @hermit-frog

-- Louis and Armand (and Dreamstat) go to the "Louver" for that moment from the book; which in the show has been replaced with someplace else since, post WWII, the Louver was apparently still closed at that time. It will be revealed that Louis knows of Armand's hand in Claudia's fate, shown via Dreamstat's reaction to everything Armand says about what happened.

-- And this will all now tie everything together into what will be alluded to about Claudia -- and Louis knowing Armand had a hand in it whatever it was -- in Episode 5 . . . and this now reveals why Louis and Armand's relationship has not been a happy one at all over the years, as we will see in Episode 5. And this will all be summed up by Louis probably saying this from the book directly to Armand:

"Yes, that is the crowning evil, that we can even go so far as to love each other, you and I. And who else would show us a particle of love, a particle of compassion or mercy? Who else, knowing us as we know each other, could do anything but destroy us? Yet we can love each other."

-- And the "Louver" scene will be the last scene we see Dreamstat in, as it will be here that Armand will tell Louis that Lestat died in the destruction of the theater. And Louis will believe him.

-- Armand, in the present in Dubai, will reveal the head thing he did to Claudia before she died.

-- Armand will reveal how he threw Lestat off Magnus' tower, even after Lestat was badly burned by Louis setting fire to the theater (but survived).

-- we will find out WHY Louis stopped feeding on humans in the year 2000. And it's probably not something anyone expects.

-- At some point in here it will be revealed that Lestat and Louis do reunite after Paris -- for real -- for a time, in the recent past. As seen by this hug:

credit: gif by @nalyra-dreaming

However, something happened that made Lestat unavailable/incapacitated again (some Memnoch-type event is my guess.) So Lestat is now in a coma and Louis, rather than be alone, chooses to stay with Armand for the same reason he did after losing Claudia in Paris.

-- In Dubai, Louis will try to end his life via sunlight exposure, as he did in the book Merrick (as I noted above). Because, along with finally remembering the truth about how Claudia really felt about him, Louis will also be under the impression that Lestat will never wake from his coma again.

-- The bookcase collapsing around Daniel is a consequence of Lestat waking up from his coma after he stops hearing Louis' heart beating. (I.E. a visual representation of Lestat "shattering the realm" as it is apparently explained in the book Prince Lestat about this moment when he woke up in Merrick.)

-- Armand saves Daniel from getting crushed by the bookcase, which will also come tumbling down after the books and glass do.

-- Somewhere in all of that, Daniel will have a flashback that reveals he and Armand were actually lovers in the past. Daniel will be stunned by the memory. Armand will just be surprised that Daniel finally remembered it.

-- Armand and Daniel won't have time to talk about it though because Armand fears/will realize that Louis has done something that caused the commotion to happen (and likely because he also notices The Groan has stopped).

-- Armand and Daniel find Louis' body, burnt to coal ash. Lestat is either already there with Louis' body or arrives very soon after they do.

-- Whether we see Lestat revive Louis (as he was revived in Merrick) at the end of the episode (with Armand's help) or if we are left on a cliffhanger about it? IDK.

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The predictions above are all the ones I feel most confident about right now. There are some others I have, but I'm not very confident about them, so I'm not listing them. I might mention them in individual posts after certain episodes air or not.

[emblazons]

"Dustin's non-conformist plot keeping him ideologically separate from his friends and Steve is something they just introduced in S4, idk why they would make him different than his OG self and then finally give him a plot related only to losing Eddie in S5" yeah...no.

Let's take a stroll through canon and talk about it.

forewarning: long / image heavy post

The lead up to Dustin hitting a "wall" about his non-conformity has worked its way into all the seasons leading up to this one in EXTREMELY clear ways, even outside of Eddie. Eddie is just the tipping point for that bent toward non-conformity traumatizing him.

Dustin was one of the FIRST of the party to experience a desire to conform, which we saw when he got to know Steve, and then tired to emulate him using Steve's hair spray & embracing his (toxic) ideology about girls—

—until he backed away from the "lie" of conformist confidence he was trying to project (post-rejection) & ended up encouraged by Nancy...and seeing how that upset the shallow girls even more.

We start S3 with that "lesson learned" and immediately end up with a Dustin who calls people out on their bullshit in S3 and S4 when they were behaving like 'conformists' in regards to their romantic relationships + is true to himself in romance and his interests—

—who then in Season 4 finds a specific kind of kinship with Eddie in particular, because he embraced the "non-conformity" in a way none of his friends had on the same level (including Mike in his own way).

Dustin found kinship with Eddie not just because he looked up to him, but because he reflected back his own personality. They bonded over something Dustin had already learned for himself (that behaving in a way that is dishonest to your true self is not how you should go about your life) and held to it even to the point of challenging his best friends—

—only to immediately lose him and that kinship in the most brutal way possible, when Eddie finds out about the supernatural shit that has been haunting him in secret and helps him fight it....only to then die right in front of his eyes.

Like. Let's be so honest with ourselves. As brutal as him losing Steve (king of high school, struggling EVEN NOW because he doesn't know how to be his authentic self) would be...it would not have even a modicum of the same effect on him given his current self-perception. It would hurt, lets be clear...but it's not tied to his own sense of identity the way Eddie had become, and we even see it in how Dustin regularly calls Steve's mindset and his behaviors foolish throughout S3-S4.

The loss of Eddie ties into Dustin's sense of himself in a way that has been building up for 3/4 of the seasons we've had so far—and him being left with Eddie's last words to continue that non-conformity as the impetus for him feeling isolated from his remaining friends while being haunted by Vecna makes perfect sense narratively if you think about Dustin as a character on his own.

just...you know. Some food for thought lmao