at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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soon it'll be dawn again
transcript under the cut ⏬
page 01
Fig: no way? - you're still up?
Riz: Wh– yes?
Riz: Why'd I not be.
page 02
Fig: I me~~ean - that took.
Fig: whole day.
Riz: Yeah?
Fig: 'm beat.
Riz: you should sleep.
page 03
Fig: nah. my guy's still up
Fig: I wanna hang out.
page 04
Riz: That's really nice.
Fig: Hah! - Nobody ever expects an Archdevil rockstar to be nice.
Riz: … yeah. - 's just budget work tho. (the stuff I'm working on) - I've heard it's boring.
page 05
Fig: yeah, but you do it…
Riz: It keeps things going, right? - Nothing happens if nobody sits down and - does the thing.
Fig: That's right… - though. Yeah.
page 06
Fig: sometimes it's someone else who - doesn't want the same thing to happen.
Riz: … - mm.
page 07
Riz (off screen): …It took me a long time to get that not everyone likes doing what I do. - 's probably because you guys are so nice– - or. - kind.
Riz (off screen): to anyone too, not just. - the people you /love/.
page 08
Riz: that's not how it is elsewhere. - The world's– not. hostile. - but 's not like it's kind.
Riz: So I'm doing as much as I can now…
page 09
Fig: Hey.
Riz: ?
Fig: Go dig some dirt with me.
page 10
Riz: [blank speech bubble] - oh you meant like - actual dirt. (not incriminating information)
Fig: o yea.
Fig: there's clay in the backyard soil. - sometimes when I'm sun deficient or something I go touch dirt for a bit.
page 11
Fig: here u go
page 12
Riz: uh
Fig: now we make a thing! - 'm pretty good at freehanding a bowl.
Fig: I'll show u
page 13
Fig: just– yep, flatten that out as evenly as u can, then–! - actually ur nails'd be so good at cutting out the strip. [larger than usual space] wait. - wait. wait u can carve patterns with them! we HAVE to try
Riz: uh - What. do I carve?
Fig: anything!!!
page 14
Fig: and– yep just seal the inside uh. seam?
Fig: yep that works - okay time's up! all contestant hands up
Riz: [blank speech bubble] - okay - wh. what's next?
Fig: haha - watch this.
(sound effect text): FWOO—MP
page 15
Riz: WH– DON'T JUST DO THAT???
Fig: Now it's fired!
Riz: THAT WAS NOT SAFE
Fig: (actually it's just dry. if u add water rn it'll dissolve)
Fig: ok catch!
Riz: [blank speech bubble] - careful!!
Fig: dw no need haha
page 16
Riz (thought bubble): oh - it's warm…
Fig: now I want you to throw this.
page 17
Fig: u gotta do it - c'mon
page 18
Riz: wh– - It's like 3AM right now
Fig: oh it's not /fired/ fired it's not gonna make a loud noise
Riz: And then just? leave a pile out here?
Fig: pour water over it & it'll be gone I told u
Riz: but
page 19
Fig (off screen): RIz.
page 20
Fig: I've done all this before.
Fig: Can you trust that at least?
page 21
Riz: no, I– - I do. - I trust you.
page 23
Riz: okay what happens now
(sound effect text): glob
page 24
Fig: we do it again!
page 25
Riz: wh. [larger than usual space] What do you mean. (this clay's too wet also)
Fig: see! you're already learning
Fig: [blank speech bubble] - there are flows that are futile to fight. - The world changes.
Fig: Things change.
page 26
Fig: I've learned my lessons with "forevers". - But - as an artist
Fig: I can give you one thing: - You can always do it again.
page 27
Fig: most of everything depends on the rest of the world, - but this. - making new. - that's yours as long as you want it.
page 28
Fig: So?
page 29
Riz: Yeah. - Yeah! - let's make another one.
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day 2: ryomen sukuna [breeding kink]
࿓ synopsis • sukuna just wants a womb to put his babies in but it changes when he fucks you.
―❦ nsfw, explicit language, f!reader, heian era!sukuna who has fours arms, concubine!reader, contains of a bit dark themes, licking, marks, pet names, humiliation, sukuna is being sukuna, a bit of fluff, sex addiction, fingering, cum, overstimulation [‘is all I guess?] • 1.8k • the first time I am writing for my favorite villain from jjk. Excited but there can be mistakes. enjoy! [kinktober m.]
“fuck brat!” a dark chuckling, mocking you as his crimson four eyes look at below - at the mess you are making because of his thick cocks inside your walls, deep enough to make it ache like hell yet magnificent enough to give you the pleasure no one can. “look at how my seed is coming out of your pathetic pussy.”
he doesn’t wait for you to respond- to even comprehend what he’s saying, holding your smaller face by the chin as his palm stays on your cheek.
he lowers your head down, making you look at his cocks disappearing inside your pussy, and a bit of his hot semen dripping from it to his abdomen.
“it’s-“ you try to say, sounding husky since you have only moaned, and screamed in the last few hours. closing your eyes, a jolt of electricity mixed with pain and pleasure runs through your body, even in veins, when he moves his hips, thrusting into you one more time before making you sit on his cocks once again - oh, his two damn big cocks should’ve ripped you apart if he wasn’t this gentle, surprisingly calm and gentle because he wants you to stay alive - you will have his legacy inside your womb after all, the reason why he fucks you for the past few hours.
“is it too much?” mocking again, his tongue on the abdomen takes a lick from your abdomen, traveling to your breasts from there, sending another mix of tears and moans.
“suku – aghh!“ a slap on the ass, “my king! oh, it’s - it’s too much! I can’t - I can’t -!”
he only laughs at your poor attempts, “you can’t?” he asks, not a question though, only a treat as he sounds like pure poison. one of his hands holds you from your neck harshly enough to make you shake in fear for a moment while the other free one caress your hair - the opposite actions of his two arms gives you a dizzying sensation that takes your logical side from you, giving you pure insanity in return.
“be grateful that I fuck you whore,” his other two hands hold your waist as he makes you move forward and backward, riding you slowly. you only hear your own breaths as if there is nothing left inside your lungs, eyes already blurred that look at his bastard but attractive face, hands standing beside you because you have no brain to use them, not anymore, not after he fucked you in 5 different positions already. “there are thousands of women and men who beg for my cocks, you know that, right brat?”
his hands move from your waist to your ass, grasping the flesh tightly – too tightly to leave red marks as you believe after feeling a sudden heat rushing to the skin he is holding, however, he doesn’t care at all – why he should anyway? you’re just one of his concubines – maybe his favorite one for the moment, and him showing you mercy and a bit of affection – unlike he does for others – doesn’t mean anything; you’re just there to take his hot semen every now and then, whenever he wants to fuck that pussy and brain of yours so that you can have his legacy inside you, heir to him – lots of heirs.
“puff –“ he says, scoffing after that, picking you up – a pathetic and cuckdumbed woman in his arms, he thinks, gazing at your half-closed eyes, agape mouth – salvia running out of it, “disgusting,” he says in a low tone but contrary to his words, his actions are proof that he likes what he sees because he keeps going and going until his eyes travel from that open mouth of yours he wants to put one of his cocks in, to your breasts full of biting marks that turned to red, moving to your pussy from there.
his cocks’ tips standing beneath your pussy that is pouring his semen ‘cause it is too fucking much.
shaking his head in arrogance, he puts your body on his lap with a bridal style, left hands staying on your back while a free one stays on your pussy, caressing it and he watches how your body begins to shake again, a hand is put on his chest, holding his wide open sleeve’s side tightly as if you have right to do that, and even your head fall into his shoulder, breathing rapidly yet lowly as he holds your body close to him.
why he does that – why he allows you to do that; remains unanswered.
he doesn’t think much, not now, he has a desire to put that damn semen into your wide-open pussy.
holding your thighs apart, his fingers – two long and thick fingers enter into your messy slit, white wetness joins into hot walls one by one, and it continues until sukuna is satisfied with it. “do not fucking dare to move now, woman.” he treats you. he sounds he is one step away from breaking your neck if you do move. you should fear him, you know, oppositely, you do otherwise, giving astonishing state to sukuna, making him freeze for a moment when he feels you getting closer to him, a hand travels on his neck, and a head sits on his shoulder, you even open your legs wider.
you don’t say anything, the mouth is too dry to speak aloud; he gets it though – and that gives satisfaction to him, and his responses end with a new position.
being the definition of menace for desires live within him, and you witness it when he puts you on the carpet, hovering below you as he cages you between his four arms, then, one of them appears on your abdomen, pushing it into the floor – gently yet it feels terrifying.
you look into his crimson eyes, hoping to see sanity inside them – what a fool you’re to try searching.
no, no – you think to yourself, conscious coming back even though you're high – he will not fuck you as a concubine now, he will fuck you as if you’re his queen, you’re so sure of it and the words slipping out of his smirking mouth prove you right.
“I will fuck so many babies inside this womb that you won’t be able to even walk, pretty slut,” a compliment, huh, sounds different than you thought, still, gives a jolt of happiness throughout your entire body that lying beneath his massive body, ready to take him one more – or maybe even more – time. “I will make a fucking queen out of you with my children. don’t you worry whore,”
the only thing you can remember is seeing his big smile – entertaining before the only thing you can comprehend is his presence below you, behind you, under you – hands conquers every part of your body because you’re his – the one who will give him heir, stay beside him, being a fucking queen of kings of curses. “you’re entirely mine now. mine to have – fuccck! – mine to fuck! and mine to breed.”
❦ tagging: @lilvampirina !
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